Search results for ""Author Holly"

Helen of Troy: From Homer to Hollywood is a comprehensive literary biography of Helen of Troy, which explores the ways in which her story has been told and retold in almost every century from the ancient world to the modern day. Takes readers on an epic voyage into the literary representations of a woman who has wielded a great influence on Western cultural consciousness for more than three millennia Features a wide and diverse variety of literary sources, including epic, drama, novels, poems, film, comedy, and opera, and works by Homer, Euripides, Chaucer, Shakespeare Includes an analysis of a radio play by the prize-winning author of The Curious Incident of the Dog in the Night-time and a Faust play by a contemporary Scottish playwright Explores themes such as narrative difficulties in portraying Helen, how legal history relates to her story, and how writers apportion blame or exculpate her Considers the aesthetic and narrative difficulties that ensue when literature translates myth

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Fans from around the world continue to be fascinated by classic-era Hollywood (1925-1960) and its larger-than-life stars. Nostalgia for this simpler, more glamorous time offers a safe and temporary escape from our complex lives. The authors capture this era with in Hollywood at Play, featuring unique and rarely seen images of such legendary stars as Audrey Hepburn, Elizabeth Taylor, Bette Davis, Joan Crawford, Marilyn Monroe, Clark Gable, Judy Garland, W.C. Fields, and Tyrone Power enjoying fun and relaxation outside of their studios. Hollywood at Play presents iconic images of the classic stars taking time out from the demands of celebrity to enjoy dancing, bike-riding, roller skating, bowling, and playing tennis; diversions offering a chance to relax and be themselves. This delightful and unique book will appeal to classic movie fans, and enthusiasts of celebrity, fashion, and Hollywood history. The photos contained in Hollywood at Play come from the collection of Eddie Brandt’s Saturday Matinee, Hollywood’s first and oldest family-owned photo archive. From the 800,000 images available in their collection the authors have chosen over 200 fascinating and rare photos to include in this book. Among the photos are eight rare photos of a young Marilyn Monroe at play; Mickey Rooney and Judy Garland frolicking at a pool party; Steve McQueen and James Garner astride McQueen’s iconic motorcycle between takes of The Great Escape;Bobby Darin and Sandra Dee out on the town; Sammy Davis Jr. hamming it up with Dean Martin and Frank Sinatra; and many others.

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The inside story of the U.S.-Chinese superpower conflict playing out behind the scenes of today’s movie industry, from the leading media scholarChina surpassed North America to become the world ’s largest movie market in 2020. Formerly the focus of exotic fascination in the golden age of Hollywood, today the Chinese are a make-or-break audience for Hollywood’s biggest blockbusters. And movies are now an essential part of China’s global “soft power” strategy: a Chinese real estate tycoon, who until recently was the major shareholder of the AMC theater chain, built the world’s largest film production facility. Behind the curtains, as this brilliant new book reveals, movies have become one of the biggest areas of competition between the world’s two remaining superpowers. Will Hollywood be eclipsed by its Chinese counterpart? No author is better positioned to untangle this riddle than Ying Zhu, a leading expert on Chinese film and media. In fascinating vignettes, Hollywood in China unravels the century-long relationship between Hollywood and China for the first time. Blending cultural history, business, and international relations, Hollywood in China charts multiple power dynamics and teases out how competing political and economic interests as well as cultural values are manifested in the art and artifice of filmmaking on a global scale, and with global ramifications. The book is an inside look at the intense business and political maneuvering that is shaping the movies and the U.S.-China relationship itself—revealing a headlines-grabbing conflict that is playing out not only on the high seas, but on the silver screen.

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This book “decodes” 1930s Hollywood movies and explains why they looked and behaved in the way they did. Organized through a series of related case studies, the book exposes Classical Hollywood movies to a detailed analysis of their historical, industrial and cultural contexts. In the process it utilizes industry data, aesthetic analysis and the insights of New Cinema History to explain why and how these movies assumed their familiar forms. The book represents the summation of Richard Maltby’s four decades of scholarship in the field of Hollywood cinema. The essays presented here share an assumption that has increasingly informed the author’s critical method over the years: that any historical understanding of the films of this period requires a deep contextualization in the social circumstances surrounding both their production and consumption. In this way, the book introduces an innovative, overarching research methodology that synthesizes branches of research that are typically employed in isolation, including production, distribution, reception, film aesthetics, and cultural and historical context. Of the book’s nine chapters, three are presented here for the first time, and four have been substantially revised and extended from their original publication.

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From the bestselling author of Spoiler Alert, comes Ship Wrecked, the final romcom in Olivia Dade's fandom trilogy. Sparks fly when two co-stars finally yield to temptation after filming on the same remote island for years . . .Maria's one-night-stand - the thick-thighed, sexy Viking of a man she left without a word or a note - just reappeared. Apparently, Peter's her surly Gods of the Gates co-star, and they're about to spend the next six years filming on a desolate Irish island together. She still wants him . . . but he now wants nothing to do with her.Peter knows this role could finally transform him from a forgettable character actor into a leading man. He also knows a failed relationship with Maria could poison the set, and he won't sabotage his career for a woman who's already walked away from him once. Given time, maybe they can be cooperative colleagues or friends - possibly even best friends - but not lovers again. No matter how much he aches for her.For years, they don't touch off-camera. But on their last night of filming, their mutual restraint finally shatters, and all their pent-up desire explodes into renewed passion. Too bad they still don't have a future together, since Peter's going back to Hollywood, while Maria's returning to her native Sweden. She thinks she needs more than he can give her, but he's determined to change her mind, and he's spent the last six years waiting. Watching. Wanting. His shipwrecked Swede doesn't stand a chance.Praise for Olivia Dade'An absolutely witty, swoon worthy behind the scenes romp! Delightful from beginning to end!' Julie Murphy'This slow burn romance had me falling in love every step of the way' Meryl Wilsner'All the Feels leaves you swooning and eager for more!' Denise Williams'Joyful, clever and full of heart . . . all the things I love about romance' Rachel Lynn Solomon'Whip-smart dialogue, scorching chemistry, and side-splitting humour . . . This author is an absolute gem!' Mia Sosa'Hilarious and poignant at the same time' Cat Sebastian'Full of humour, heart and heat' Kate Clayborn

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The volume aims to trace the origins of the discourse of hell in the Bible and in its literary environment, and in doing so to show the historical lines of tradition from antiquity to the present day. In doing so, he asks what ethical implications the talk of hell has and how it is compatible with God's universal will of salvation in the face of the power of evil: What is the connection between the threat of hell and man's readiness to repent? How can we speak of 'hell' in the context of the (apparent) tension between God's justice and mercy, between the election and rejection of creatures? What justification is there for the hope of a reconciliation of all creatures at the end of days? What eschatological expectations of a place of permanent distance from God require constructive theological criticism? And what resonance and relevance do notions of hell have in today's world and culture?

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Book band: Gold (Ideal for ages 6+) Quizzed for Accelerated Reader A dazzlingly fun animal story, ideal for children practising their reading at home or in school. Alice the anteater has a dream – she's going to be a film star! So she finds herself a pair of high-heeled sandals, a frilly satin dress and some film-star sunglasses and sets off for Hollywood. Soon Alice is the talk of the town, but there's just one problem – will she ever get to star in a film? This dreamy and glamorous tale from award-winning author Karen Wallace is perfect for children who are learning to read by themselves and for Key Stage 1. It features engaging illustrations from Katy Halford, and quirky characters young readers will find hard to resist. _______________ Bloomsbury Young Readers are the perfect way to get children reading, with book-banded stories by brilliant authors like Julia Donaldson. The series is ideal for both home and school, with gorgeous colour illustrations, tips for parents, and fun activity ideas. Online guided reading and teaching notes, written by the Centre for Literacy in Primary Education (CLPE), are available at bloomsburyreaders.com. 'Every child needs a Bloomsbury Young Reader. Fun, stretching, just the right length, full of adventurous vocabulary and punctuation.' - Julie-Ann McCulloch, Teacher

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Hollywood certainly isn't your typical police precinct, but in Hollywood Moon, follow-up to Hollywood Station and Hollywood Crows, the cops of that surreal place seem called upon to deal with an even greater share of weirdness than normal. Drag queens in delicto flagrante behind dumpsters, dead hobos pushed around in wheelchairs, men in massage parlours receiving unspeakable injuries from Barbie dolls. That's not to say that the cops themselves don't have their own peculiarities: Hollywood Nate still dreams of movie stardom, but worries as he gets older that he's too good-looking to be a character actor. Then there's Aaron Sloane, forever lusting after his beautiful partner Sheila Montez, and Dana Vaughn, a tough no-nonsense cop who can't stand the fact that former chauvinist pig turned 'guardian angel' Lee Murillo won't stop following her around after she saved his life. But there's a darker side to all that weirdness - and when the enigmatic crook Dewey Gleason, known variously to his associates as 'Jacob Kessler' and 'Bernie Graham', hatches an audacious kidnap plan, without knowing that one of the hired help lives a double life as a serial sex attacker, things start to get very dangerous indeed.

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This extensively revised second edition offers a comprehensive introduction to Hollywood cinema, providing a fascinating account of the cultural and aesthetic significance of the world’s most powerful film industry. Provides a fascinating account of Hollywood history. Examines the cultural and aesthetic significance of the world's most powerful film industry. Explores and interprets Hollywood cinema in history and in the present, in theory and in practice. Extensively revised and updated with new chapter features including box sections, further reading lists, Notes and Queries, and chapter summaries.

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Hollywood has a complex relationship with local markets around the world. This critical yet accessible overview of Hollywood’s local presence investigates the dynamic between the studios’ film entertainment divisions and individual media markets – exploring how their position, partnerships and practices function in an era characterised by globalisation, digitisation and convergence. Engaging with key scholarly and industrial debates, the book incorporates first-hand accounts gathered from extensive fieldwork and research. It addresses a wide range of international operations, from creative partnerships and production strategies to promotional and distribution processes. With a particular focus on Europe and Latin America, the text interrogates earlier notions of a ‘global Hollywood’ and globalisation, where media conglomerates were viewed as economically rational or all-powerful organisations. By exploring how decision-making processes and creative negotiations between Hollywood media executives and local forces operate, it reveals the complex picture of filmmaking and circulation in today’s supposedly globalised and digitised societies.

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**THE INSTANT NEW YORK TIMES BESTSELLER**'A Gen-X This Boy's Life...Music and his fierce brilliance boost Jollett; a visceral urge to leave his background behind propels him to excel... In the end, Jollett shakes off the past to become the captain of his own soul. Hollywood Park is a triumph.' -O, The Oprah Magazine'This moving and profound memoir is for anyone who loves a good redemption story.'- Good Morning America, 20 Books We're Excited for in 2020HOLLYWOOD PARK is a remarkable memoir of a tumultuous life. Mikel Jollett was born into one of the country's most infamous cults, and subjected to a childhood filled with poverty, addiction, and emotional abuse. Yet, ultimately, his is a story of fierce love and family loyalty told in a raw, poetic voice that signals the emergence of a uniquely gifted writer.Mikel Jollett was born in an experimental commune in California, which later morphed into the Church of Synanon, one of the country's most infamous and dangerous cults. Per the leader's mandate, all children, including Jollett and his older brother, were separated from their parents when they were six months old, and handed over to the cult's 'School'. After spending years in what was essentially an orphanage, Mikel escaped the cult one morning with his mother and older brother. But in many ways, life outside Synanon was even harder and more erratic. In his raw, poetic and powerful voice, Jollett portrays a childhood filled with abject poverty, trauma, emotional abuse, delinquency and the lure of drugs and alcohol. Raised by a clinically depressed mother, tormented by his angry older brother, subjected to the unpredictability of troubled step-fathers and longing for contact with his father, a former heroin addict and ex-con, Jollett slowly, often painfully, builds a life that leads him to Stanford University and, eventually, to finding his voice as a writer and musician, forming the band The Airborne Toxic Event.

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‘Pure romance magic’ Christina Lauren, New York Times bestselling author of The Unhoneymooners ‘Joyful… thoughtful and real’ Jasmine Guillory, New York Times bestselling author What if her Hollywood job turns into her Hollywood ending? *** Since a crushing breakup three years ago, Nina Rice has written romance, friends, her dreams of scriptwriting for TV, and even L.A. proper out of her life. Instead, she’s safely out in the suburbs in her aunt’s condo working her talent agency job from home, managing celebrity email accounts, and certain that’s plenty of writing—and plot—for her life. But a surprise meeting called by Ari Fox, a young actress on everyone’s radar, stirs up all kinds of feelings Nina thought she’d deleted for good… Ari is sexy, out and proud, and a serious control freak, according to Nina’s boss. She has her own ideas about how Nina should handle her emails—and about getting to know her ghostwriter. When she tells Nina she should be writing again, Nina suddenly finds it less scary to revisit her abandoned life than seriously consider that Ari is flirting with her. Between reconnecting with her old crew and working on a new script, a relationship with a movie star seems like something she’ll definitely mess up—but what could be more worth the risk? *** ‘Funny, sexy and super queer’ Cameron Esposito ‘Cute and heartfelt, a charming romantic comedy’ Erica Ridley ‘Sucks you in, makes you swoon and leaves you utterly satisfied and wanting more… wonderfully relatable’ Kate Spencer ‘Anyone with a serious celebrity crush will be able to relate’ Celia Laskey ‘’A fiercely funny, super sexy story about believing in your dreams, finding your chosen family and letting yourself be loved’ Kerry Winfrey ‘A heartening, dishy, celebratory novel that features true-to-life queer characters’ Camille Perri

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The author of the New York Times bestseller Her Again: Becoming Meryl Streep returns with a lively history of the Academy Awards, focusing on the brutal battles, the starry rivalries, and the colorful behind-the-scenes drama.America does not have royalty. It has the Academy Awards. For nine decades, perfectly coiffed starlets, debonair leading men, and producers with gold in their eyes have chased the elusive Oscar. What began as an industry banquet in 1929 has now exploded into a hallowed ceremony, complete with red carpets, envelopes, and little gold men. But don’t be fooled by the pomp: the Oscars, more than anything, are a battlefield, where the history of Hollywood—and of America itself—unfolds in dramas large and small. The road to the Oscars may be golden, but it’s paved in blood, sweat, and broken hearts.In Oscar Wars, Michael Schulman chronicles the remarkable, sprawling history of the Academy Awards and the personal dramas—some iconic, others never-before-revealed—that have played out on the stage and off camera. Unlike other books on the subject, each chapter takes a deep dive into a particular year, conflict, or even category that tells a larger story of cultural change, from Louis B. Mayer to Moonlight. Schulman examines how the red carpet runs through contested turf, and the victors aren't always as clear as the names drawn from envelopes. Caught in the crossfire are people: their thwarted ambitions, their artistic epiphanies, their messy collaborations, their dreams fulfilled or dashed.Featuring a star-studded cast of some of the most powerful Hollywood players of today and yesterday, as well as outsiders who stormed the palace gates, this captivating history is a collection of revelatory tales, each representing a turning point for the Academy, for the movies, or for the culture at large.

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Hollywood: The Oral History covers the history of Hollywood from the Silent era up to the 21st century.What makes this book unique from any other survey of Hollywood's history is that it is the history of an art form through the words of those people who created it - from Harold Lloyd to Katharine Hepburn to Warren Beatty to Jane Fonda and beyond, including directors, writers, producers, editors, designers of sets and costumes.As such, the authenticity of the text is irrefutable.The material in the book - gathered over the decades by the American Film Institute - has never been published before, has never been heard before.It is comprehensive - a monument that will never age nor be surpassed.

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In the late 1960s, the collapse of the classic Hollywood studio system led in part, and for less than a decade, to a production trend heavily influenced by the international art cinema. Reflecting a new self-consciousness in the US about the national film patrimony, this period is known as the Hollywood Renaissance. However, critical study of the period is generally associated with its so-called principal auteurs, slighting a number of established and emerging directors who were responsible for many of the era's most innovative and artistically successful releases.With contributions from leading film scholars, this book provides a revisionist account of this creative resurgence by discussing and memorializing twenty-four directors of note who have not yet been given a proper place in the larger history of the period. Including filmmakers such as Hal Ashby, John Frankenheimer, Mike Nichols, and Joan Micklin Silver, this more expansive approach to the auteurism of the late 1960s and 1970s seems not only appropriate but pressing a necessary element of the re-evaluation of 'Hollywood' with which cinema studies has been preoccupied under the challenges posed by the emergence and flourishing of new media.

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**THE INSTANT NEW YORK TIMES BESTSELLER**'Astonishing... precisely crafted, emotionally-sucker-punching prose.' Daily Telegraph'Dangerous, immediate and lyrical from the jump.' Wall Street JournalHOLLYWOOD PARK is a remarkable memoir of a tumultuous life. Mikel Jollett was born into one of the country's most infamous cults, and subjected to a childhood filled with poverty, addiction, and emotional abuse. Yet, ultimately, his is a story of fierce love and family loyalty told in a raw, poetic voice that signals the emergence of a uniquely gifted writer.Mikel Jollett was born in an experimental commune in California, which later morphed into the Church of Synanon, one of the country's most infamous and dangerous cults. Per the leader's mandate, all children, including Jollett and his older brother, were separated from their parents when they were six months old, and handed over to the cult's 'School'. After spending years in what was essentially an orphanage, Mikel escaped the cult one morning with his mother and older brother. But in many ways, life outside Synanon was even harder and more erratic. In his raw, poetic and powerful voice, Jollett portrays a childhood filled with abject poverty, trauma, emotional abuse, delinquency and the lure of drugs and alcohol. Raised by a clinically depressed mother, tormented by his angry older brother, subjected to the unpredictability of troubled step-fathers and longing for contact with his father, a former heroin addict and ex-con, Jollett slowly, often painfully, builds a life that leads him to Stanford University and, eventually, to finding his voice as a writer and musician, forming the band The Airborne Toxic Event.

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No American dramatist has had more plays adapted than Tennessee Williams, and few modern dramatists have witnessed as much controversy during the adaptation process. His Hollywood legacy, captured in such screen adaptations as A Streetcar Named Desire, Cat on a Hot Tin Roof, and Suddenly, Last Summer, reflects the sea change in American culture in the mid-twentieth century. Placing this body of work within relevant contexts ranging from gender and sexuality to censorship, modernism, art cinema, and the Southern Renaissance, Hollywood's Tennessee draws on rarely examined archival research to recast Williams's significance. Providing not only cultural context, the authors also bring to light the details of the arduous screenwriting process Williams experienced, with special emphasis on the Production Code Administration—the powerful censorship office that drew high-profile criticism during the 1950s—and Williams's innovative efforts to bend the code. Going well beyond the scripts themselves, Hollywood's Tennessee showcases findings culled from poster and billboard art, pressbooks, and other production and advertising material. The result is a sweeping account of how Williams's adapted plays were crafted, marketed, and received, as well as the lasting implications of this history for commercial filmmakers and their audiences.

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The Hollywood War Film offers readers a lively introduction to the theory, history, stars, and major films constituting this vital genre, from Hollywood's earliest days to the current moment Combines broad historical and theoretical coverage of the genre with in-depth analysis of specific films Includes chapters on All Quiet on the Western Front, World War II combat films, Platoon and Full Metal Jacket, Eastwood’s Iwo Jima films, and Iraq war films An ideal text for perennially popular courses on the war film genre

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During a seven-decade career that spanned from 19th century Vienna to 1920s Broadway to the golden age of Hollywood, three-time Academy Award winner Max Steiner did more than any other composer to introduce and establish the language of film music. Indeed, revered contemporary film composers like John Williams and Danny Elfman use the same techniques that Steiner himself perfected in his iconic work for such classics as Casablanca, King Kong, Gone with the Wind, The Searchers, Now, Voyager, the Astaire-Rogers musicals, and over 200 other titles. And Steiner's private life was a drama all its own. Born into a legendary Austrian theatrical dynasty, he became one of Hollywood's top-paid composers. But he was also constantly in debt--the inevitable result of gambling, financial mismanagement, four marriages, and the actions of his emotionally troubled son. Throughout his chaotic life, Steiner was buoyed by an innate optimism, a quick wit, and an instinctive gift for melody, all of which would come to the fore as he met and worked with luminaries like Richard Strauss, George Gershwin, Irving Berlin, the Warner Bros., David O. Selznick, Bette Davis, Frank Sinatra, and Frank Capra. In Music by Max Steiner, the first full biography of Steiner, author Steven C. Smith interweaves the dramatic incidents of Steiner's personal life with an accessible exploration of his composing methods and experiences, bringing to life the previously untold story of a musical pioneer and master dramatist who helped create a vital new art with some of the greatest film scores in cinema history.

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Today, the director is considered the leading artistic force behind a film. The production of a Hollywood movie requires the labor of many people, from screenwriters and editors to cinematographers and boom operators, but the director as author of the film overshadows them all. How did this concept of the director become so deeply ingrained in our understanding of cinema?In Hollywood’s Artists, Virginia Wright Wexman offers a groundbreaking history of how movie directors became cinematic auteurs that reveals and pinpoints the influence of the Directors Guild of America (DGA). Guided by Frank Capra’s mantra “one man, one film,” the Guild has portrayed its director-members as the creators responsible for turning Hollywood entertainment into cinematic art. Wexman details how the DGA differentiated itself from other industry unions, focusing on issues of status and creative control as opposed to bread-and-butter concerns like wages and working conditions. She also traces the Guild’s struggle for creative and legal power, exploring subjects from the language of on-screen credits to the House Un-American Activities Committee’s investigations of the movie industry. Wexman emphasizes the gendered nature of images of the great director, demonstrating how the DGA promoted the idea of the director as a masculine hero. Drawing on a broad array of archival sources, interviews, and theoretical and sociological insight, Hollywood’s Artists sheds new light on the ways in which the Directors Guild of America has shaped the role and image of directors both within the Hollywood system and in the culture at large.

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The American Comic Book Industry and Hollywood traces the evolving relationship between the American comic book industry and Hollywood from the launch of X-Men, Spider-Man, and Smallville in the early 2000s through the ascent of the Marvel Cinematic Universe, the Arrowverse, and the Walking Dead Universe in the 2010s. Perren and Steirer illustrate how the American comic book industry simultaneously has functioned throughout the first two decades of the twenty-first century as a relatively self-contained business characterized by its own organizational structures, business models, managerial discourses, production cultures, and professional identities even as it has remained dependent on Hollywood for revenue from IP licensing. The authors’ expansive view of the industry includes not only a discussion of the “Big Two,” Marvel/Disney and DC Comics/Time Warner, but also a survey of the larger comics ecosystem. Other key industry players, including independent publishers BOOM! Studios, IDW, and Image, digital distributor ComiXology, and management-production company Circle of Confusion, all receive attention. Drawing from interviews, fieldwork, archival research, and trade analysis, The American Comic Book Industry and Hollywood provides a road map to understanding the operations of the comic book industry while also offering new models for undertaking trans- and inter-industrial analysis.

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From best-selling author Tim Federle of Tequila Mockingbird fame comes Gone with the Gin, the ultimate cocktail book for film buffs.We know your type. You love the smell of napalm in the morning, you see dead people, and you're the king (or queen!) of the world. The perfect gift for silver screen aficionados and a terrific twist on movie nights, Gone With the Gin includes 50 delicious drinks -- paired with winking commentary on history's most quotable films -- plus an all-star lineup of drinking games, movie-themed munchies, and illustrations throughout. Drinks include:- Fight Club Soda- A Sidecar named Desire- Ben-Hurricane- Ti-tonic- The Big Le-Brewski- Monty Python and the Stoli Grail- Bloody Mary Poppinsand more!So go ahead, make my drink.

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In When the Movies Mattered Jonathan Kirshner and Jon Lewis gather a remarkable collection of authors to revisit the unique era in American cinema that was New Hollywood. Ten eminent contributors, some of whom wrote about the New Hollywood movement as it unfolded across the 1960s and 1970s, assess the convergence of film-industry developments and momentous social and political changes that created a new type of commercial film that reflected those revolutionary influences in American life. Even as New Hollywood first took shape, film industry insiders and commentators alike realized its significance. At the time, Pauline Kael compared the New Hollywood to the "tangled, bitter flowering of American letters in the 1850s" and David Thomson dubbed the era "the decade when movies mattered." Thomson's words provide the impetus for this volume in which a cohort of seasoned film critics and scholars who came of age watching the movies of this era reflect upon and reconsider this golden age in American filmmaking. Contributors: Molly Haskell, Heather Hendershot, J. Hoberman, George Kouvaros, Phillip Lopate, Robert Pippin, David Sterritt, David Thomson

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In When the Movies Mattered Jonathan Kirshner and Jon Lewis gather a remarkable collection of authors to revisit the unique era in American cinema that was New Hollywood. Ten eminent contributors, some of whom wrote about the New Hollywood movement as it unfolded across the 1960s and 1970s, assess the convergence of film-industry developments and momentous social and political changes that created a new type of commercial film that reflected those revolutionary influences in American life. Even as New Hollywood first took shape, film industry insiders and commentators alike realized its significance. At the time, Pauline Kael compared the New Hollywood to the "tangled, bitter flowering of American letters in the 1850s" and David Thomson dubbed the era "the decade when movies mattered." Thomson's words provide the impetus for this volume in which a cohort of seasoned film critics and scholars who came of age watching the movies of this era reflect upon and reconsider this golden age in American filmmaking. Contributors: Molly Haskell, Heather Hendershot, J. Hoberman, George Kouvaros, Phillip Lopate, Robert Pippin, David Sterritt, David Thomson

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With Pure Hollywood, Pulitzer Prize-finalist Christine Schutt returns to the short story form that launched her acclaimed career. In tales of rare wit, Pure Hollywood brings us into private worlds of longing and danger. An alcoholic actress takes her children to live in 'a rusted box on stilts' in the desert. In an exclusive island resort, a young family's holiday has terrible consequences. A newly-wed couple who, while still 'newly everything', fall in with a misanthropic painter burned by love. 'On the beach, they agreed, their daydreaming was sometimes dangerous.' Schutt's sharply suspenseful and masterfully dark interior portraits of ordinary lives are shot through with surprise and, as Ottessa Moshfegh has it, 'exquisitely weird writing'.

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Who decides how, when, and where Americans fall in love and get married? Virginia Wexman's acute observations about movie stars and acting techniques show that Hollywood has often had the most powerful voice in demonstrating socially sanctioned ways of becoming a couple. Until now serious film critics have paid little attention to the impact of performance styles on American romance, and have often treated "patriarchy," "sexuality," and the "couple" as monolithic and unproblematic concepts. Wexman, however, shows how these notions have been periodically transformed in close association with the appearance, behavior, and persona of the stars of films such as The Maltese Falcon, The Big Sleep, Way Down East, The Man Who Shot Liberty Valance, Sunset Boulevard, On the Waterfront, Nashville, House of Games, and Do the Right Thing. The author focuses first on the way in which traditional marriage norms relate to authorship (the Griffith-Gish collaboration) and genre (John Wayne and the Western). Looking at male and female stardom in terms of the development of "companionate marriage," she discusses the love goddess and the impact of method acting on Hollywood's ideals of maleness. Finally she considers the recent breakdown of the ideal of monogamous marriage in relation to Hollywood's experimentation with self-reflexive acting styles. Creating the Couple is must reading for film scholars and enthusiasts, and it will fascinate everyone interested in the changing relationships of men and women in modern culture.

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A Kansas City Star 2008 Notable Book Since the early days of Hollywood film, portrayals of interracial romance and of individuals of mixed racial and ethnic heritage have served to highlight and challenge fault lines within Hollywood and the nation’s racial categories and borders. Mixed Race Hollywood is a pioneering compilation of essays on mixed-race romance, individuals, families, and stars in U.S. film and media culture. Situated at the cutting-edge juncture of ethnic studies and media studies, this collection addresses early mixed-race film characters, Blaxploitation, mixed race in children’s television programming, and the "outing" of mixed-race stars on the Internet, among other issues and contemporary trends in mixed-race representation. The contributors explore this history and current trends from a wide range of disciplinary perspectives in order to better understand the evolving conception of race and ethnicity in contemporary culture.

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This is classic Hollywood history as told through the life and career of one of its most iconic actresses. The book benefits tremendously from the author's meeting with Olivia de Havilland after he was assigned to handle her projected memoir at the Delacorte Press in 1973. Amburn also knew many of the key figures in her life and career, a veritable pantheon of Hollywood royalty from the 30s, 40s, and 50s: Jimmy Stewart, George Cukor, and David O. Selznick, and he was an editor at William Morrow when the company published the autobiography of de Havilland's difficult sister Joan Fontaine. Superbly researched and full of delicious anecdotes about Clark Gable, John Huston, Vivien Leigh, Laurence Olivier, Montgomery Clift, Errol Flynn, David Niven, and Bette Davis--particularly the bloody, bone-crunching fistfight Flynn and Huston waged over Olivia--this book not only profiles one of the finest actresses of her time, but also the culture of the film industry's Golden Age. It details de Havilland's relationships with the men who sought her--Howard Hughes, Jimmy Stewart, Errol Flynn, John F. Kennedy, Burgess Meredith, and John Huston, as well as her friendships with Grace Kelly, British Prime Minister Edward Heath, Ronald Reagan, Victor Fleming, and Ingrid Bergman. Here, too, are the fabulous and often surprising back stories of her 49 films, including Gone With the Wind, The Adventures of Robin Hood, The Snake Pit, Hush . . . Hush, Sweet Charlotte, and the two for which she won Oscars, The Heiress and To Each His Own. The account of the filming of Gone With the Wind is unique in that the author interviewed many of the people involved in the epic making of this masterpiece as Lois Dwight Cole, who discovered the novel, producer David O. Selznick, director George Cukor, agents Kay Brown and Annie Laurie Williams, Radie Harris, Vivien Leigh's closest friend in the press, and both Edie Goetz and Irene Mayer Selznick, daughters of Louis B. Mayer, head of MGM, the studio that funded, released, and ended up owning Gone With the Wind. Also included in this biography are Olivia's adventures with Bette Davis. They appeared together in four movies and Davis tried to destroy her, but Olivia stood up to Davis as no other actress had ever dared to do. She won Davis's respect, and by the time they made their biggest hit, Hush . . . Hush, Sweet Charlotte, a lasting friendship had blossomed. Undertaking a joint national publicity tour, they attracted mobs of boisterous fans and, in private, reminisced about the Golden Age of movies, evaluated the current crop of stars, and exchanged observations about love goddesses, nudity, and parenthood.

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In many years of collaboration a research group with scholars from Germany, Austria, Switzerland and the United States has looked into the most recent developments of Hollywood and its movie productions of the 1990s and the first years of the new century. Technical and distributional questions of the film market played as important a part as those of transnationalisation and new digital technologies. Interdependences between computer games and movies are scrutinised and then, of course, focal points of thematic developments. They reach from remakes and blockbusters to Steven Soderbergh and the works of other independent filmmakers, from science fiction via old and new myths to questions of gender research. Hollywood's treatment of the most important political event and trauma of the new century, the terrorist attack of 11 September 2001 on the twin towers of New York's World Trade Center in war, action, science fiction and disaster movies is dealt with and also the new wave of documentary films (Michael Moore and others). The Pentagon's influence on the film industry has also to be seen in this context. A major focus of this book is dedicated to the interdisciplinary co-operation between film research, art history and architecture. The present study closes with articles about Hollywood and Las Vegas, American cinema architecture and the role of architecture in recent Hollywood movies.

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'Wilder has created a gem of a novel with characters who unfold in complex and unexpected ways. The grounded Hollywood story utilizes a perfectly paced slow-burn romance, and at the end there's a winking nod to the entire journey' Library Journal ⭐ STARRED REVIEW ⭐Two co-stars with a complex history reunite to film the final season of a beloved paranormal drama in this tension-filled will they won't they romance from the author of How to Fake It in Hollywood.................................Onscreen, they're in love. Offscreen, they can't stand each other. As the stars of a hit paranormal TV show, Lilah Hunter and Shane McCarthy spent years pining for each other onscreen . . . until Lilah ditched the show in the hopes of becoming a movie star. With no such luck, she's back to film the much-hyped ninth and final season, in which Lilah and Shane's characters will get together at last. But returning means facing the biggest reason she left: Shane. Ever since their secret behind-the-scenes fling imploded at the end of season one, the two of them have despised each other. Now, under pressure to give the fans the happy ending they've been waiting for and with their post-show careers on the line, Lilah and Shane will have to grit their teeth and play nice. But if they're not careful, they might get blindsided by one final twist: a real happy ending of their own.................................Praise for Ava Wilder:'This empathetic, sexy, utterly radiant book has my whole heart' RACHEL LYNN SOLOMON'The banter and sexual tension . . . is fire-emoji immaculate' LILLIE VALE'A fresh, witty, high-emotion story with compelling characters and stylish backdrops . . . The perfect novel for fans of modern, smart romance' SARAH HAYWOOD

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Tour the homes of great movie stars of the silver screen, from early silent films to the Technicolor years. Over 360 postcards and photos display the residences of Fred Astaire, Lucille Ball, Lionel Barrymore, James Cagney, Charlie Chaplin, Joan Crawford, Marlene Dietrich, Peter Falk, Judy Garland, Elvis Presley, Sonny and Cher, and many more. Facts about the most memorable films, Hollywood careers, and quotes from the stars are featured. This book is sure to be a show stopper for movie buffs, postcard collectors, and “star” gazers.

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Blaise Cendrars, one of twentieth-century France's most gifted men of letters, came to Hollywood in 1936 for the newspaper "Paris-Soir". Already a well-known poet, Cendrars was a celebrity journalist whose perceptive dispatches from the American dream factory captivated millions. These articles were later published as "Hollywood: Mecca of the Movies", which has since appeared in many languages. Remarkably, this is its first translation into English. Hollywood in 1936 was crowded with stars, moguls, directors, scouts, and script girls. Though no stranger to filmmaking (he had worked with director Abel Gance), Cendrars was spurned by the industry greats with whom he sought to hobnob. His response was to invent a wildly funny Hollywood of his own, embellishing his adventures and mixing them with black humor, star anecdotes, and wry social commentary. Part diary, part tall tale, this book records Cendrars' experiences on Hollywood's streets and at its studios and hottest clubs. His impressions of the town's drifters, star-crazed sailors, and undiscovered talent are recounted in a personal, conversational style that anticipates the 'new journalism' of writers such as Tom Wolfe. Perfectly complemented by his friend Jean Guerin's witty drawings, and following the tradition of European travel writing, Cendrars' 'little book about Hollywood' offers an astute, entertaining look at 1930s America as reflected in its unique movie mecca.

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The Contemporary Hollywood Film Industry is a collection of essays by leading scholars that examines the state of the U.S. film industry, from the l980s to present day. Includes important discussions of the industry’s labour and star systems, as well as intellectual property and state relations Considers the role of independent producers, the global marketplace for Hollywood product, corporate changes, and various new media windows, including video, DVD to cable, satellite, and online channels of delivery Brings together an international team of leading film scholars Offers a balanced and fresh approach to this important contemporary period in Hollywood

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Winner, 2023 Shapiro Best Book Award, Association for Israel StudiesFrom Frank Sinatra’s early pro-Zionist rallying to Steven Spielberg’s present-day peacemaking, Hollywood has long enjoyed a “special relationship” with Israel. This book offers a groundbreaking account of this relationship, both on and off the screen. Tony Shaw and Giora Goodman investigate the many ways in which Hollywood’s moguls, directors, and actors have supported or challenged Israel for more than seven decades. They explore the complex story of Israel’s relationship with American Jewry and illuminate how media and soft power have shaped the Arab-Israeli conflict.Shaw and Goodman draw on a vast range of archival sources to demonstrate how show business has played a pivotal role in crafting the U.S.-Israel alliance. They probe the influence of Israeli diplomacy on Hollywood’s output and lobbying activities, but also highlight the limits of ideological devotion in high-risk entertainment industries. The book details the political involvement with Israel—and Palestine—of household names such as Eddie Cantor, Kirk Douglas, Elizabeth Taylor, Barbra Streisand, Vanessa Redgrave, Arnold Schwarzenegger, Robert De Niro, and Natalie Portman. It also spotlights the role of key behind-the-scenes players like Dore Schary, Arthur Krim, Arnon Milchan, and Haim Saban.Bringing the story up to the moment, Shaw and Goodman contend that the Hollywood-Israel relationship might now be at a turning point. Shedding new light on the political power that images and celebrity can wield, Hollywood and Israel shows the world’s entertainment capital to be an important player in international affairs.

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Ever wished life was like the movies? Wish again...Paige Carson - starlet, diva, mess. The daughter of an 80s soap star and a rock god, it's no wonder Paige has no idea what 'normal' means. And Hollywood life isn't helping. She's sick of working with her latest co-star, a boorish Aussie heartthrob, sick of being told she's over-the-hill at 29, and sick of dates that are nothing more than PR stunts.So when she's offered a Shakespearean role on the London stage, it seems the perfect chance to get away from it all, gain some artistic cachet and catch up with her best friend who quit the States and the music business for a new life as lady of the manor with her British husband.But Paige is in for a surprise. London is damper, dirtier and far more carb-heavy than the life she's accustomed to. As opening night looms, Paige must learn not only how to ditch her Dick Van Dyke attempt at a Brit accent, but how to stand on her own two feet for the first time. And though she may not have her therapist on speed-dial, on her way she'll find real friends and maybe love, too.

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