Search results for ""Author Daniel"

An encounter with the mysterious little old man leaves an unassuming boy with an unfathomable message about a prior life as well as an ominous warning about an ancient foe. In the process of recounting his angelic past, he embarks on a journey that will cost him everything. Finding the magic books of Belteshazzar, the man tells his story and the secret of a resurrection machine, an ancient technology that will literally open a portal to another dimension. While the Book of Daniel is written as a fiction, the de-code of every ancient scripture, including the Bible, Vedas, Koran, etc, is an absolutely real and Earth shattering revelation. Just as important is the full disclosure of how ancient megaliths such as the pyramids also connect to the ancient science that Daniel discovered. By the end of the story it is truly difficult to believe that it was fictional at all, but rather all fact. An interesting note is that since 2012 NASA has launched 4 satellites by which to detect real portals that they suspect exist within the edge of the Earth magnetosphere. The scary part is that apparently the ancients knew how to access these portals thousands of years ago. What's more is how they encoded that technology within a cryptic layer of the Bible knowing full well that we would one day be able to articulate the information. The details of that technology, though vast, are definitively displayed within the book and leave no doubt as to their validity. The implications of these revelations once realized are mind blowing. It will absolutely change everything we know and believe.

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Hope Dunne is content with her life, finding serenity and beauty through the lens of her camera. She isn't looking for a man or excitement. But things change when she accepts a last minute assignment in London, photographing one of the world's most celebrated writers.To Hope's surprise, Finn O'Neill exudes warmth and a boyish charm. He courts her, whisking her away to his palatial, isolated Irish estate, weaving a tapestry of tales about his life. Hope finds it all absolutely dizzying. But soon cracks begin to appear in his stories and suddenly Hope is both in love and suspicious. How many lies has he told? Is it possible that this kind, loving, attentive man is hiding something even worse?

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Is this the end of the road for the orangutan reserve at Pumai? Who will stop logger Brad Coram from taking over and destroying everything? Danny has a plan. Find out if he wins - in Spanish and English!

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Francis Daniel Pastorius was one of the first German settlers to Pennsylvania and a touchstone figure of German-American cultural heritage. This monumental anthology presents a selection of his many writings in one volume.Pastorius sailed to North America as a Pietist but found a unique home among the Quakers in Pennsylvania. Within this early modern religious context, he was a lawyer, educator, and community leader; a polymath; and a prolific writer and collector of knowledge. At the turn of the eighteenth century, Pastorius held one of the largest manuscript collections in North America and wrote voluminously in multiple languages. His collecting, curation, and dissemination represents a unique look at the ways information was stored, processed, and utilized during the seventeenth and eighteenth centuries in both North America and Europe. This rich selection of Pastorius’s writings on religion, education, gardening, law and community, and the colony of Pennsylvania—as well as letters, poems, and numerous encyclopedic and bibliographic works—shows the mind of a true humanist in action.Pastorius’s works have long been important to the archival study of early German settlement and the Atlantic world. Now available together, transcribed, translated, and annotated, his writings will have widespread significance to the study of early American literature and history.

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Introducing students to the Book of Daniel in the Old Testament, Ernest Lucas examines the book's structure and characteristics. He covers the latest in biblical scholarship, including historical and interpretive issues, and considers a range of scholarly approaches. Lucas shows how understanding of the book is enhanced by considering it in the context of Mesopotamian culture, literature, and religion. He also evaluates different arguments concerning the authorship, date, and provenance of the book. In particular, the guide focuses on illuminating the book’s relationship to both the tradition of Hebrew prophecy and the later development of Jewish apocalyptic literature. It also highlights the importance of understanding the Book of Daniel as "resistance literature", which intended to encourage faithful Jews to resist the pressures of conformity to the pagan culture in which they lived, and to endure through persecution if necessary. With suggestions of further reading at the end of each chapter, this guide will be an essential accompaniment to study of the Book of Daniel.

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A gloriously moving and entertaining, picaresque debut novel, about a young man’s sentimental education in late 19th-Century Europe; inspired by a real historical figure: ‘Captain’ Paul Boyton – the ‘Fearless Frogman’ ‘“But who among you might assist me on this adventure?” the Captain shouts. And then the Captain’s eyes fall on me, as was his plan all along, and he points me out, making sure just so’s everyone can see. “What about you, sir?” “Me?” “A strong young man to journey with me across the wild continent, to support me in my life-saving work, and take the name of his village to the farthest corners of civilisation – and paid a wage, of course!” “Of course!” everyone shouts.’ The 1880s are drawing to a close, and 14(-maybe-15)-year-old Daniel Bones fears that the prospects for him and his younger brother Will may be dimming with the century. For the motherless sons of a drunken blacksmith, life on a barren spit of land reaching into the Essex estuary holds little promise. Until one evening, from out of the water, there emerges the astonishing figure of Captain Clarke B: cigar-smoking daredevil adventurer, charlatan, casanova and inventor of the world-famous life-saving inflatable suit. As the Captain embarks on his ramshackle promotional tour of Europe, Daniel is sucked into his wake, on an adventure that will carry him through the waterways of the continent, encountering Kings and Princesses, wealthy widows, irate husbands, anarchists, arms dealers and shadowy power-brokers. It’s an education beyond Dan’s wildest imaginings, across countries undergoing the convulsions of all kinds of revolution, and one that will open his eyes, and his heart. But as he travels further into the dazzle of notoriety and the darkness that lies behind it, Dan’s promise to return and rescue Will seems ever harder to keep. For in the Captain’s world of smoke and mirrors it is all too easy to lose sight of who he is, or the man he ought to be…

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Corruption cost taxpayers around R1.5 trillion during Jacob Zuma’s spell as president of South Africa. Despite attempts by the police, the courts and the Public Protector to stem the rising tide of graft in South Africa, several politicians were rewarded with high office after stealing the aspirations of millions of people. Fred Daniel, one citizen among many targeted by predator politicians, stood up against the scourge. The retaliation he faced after attempts by corrupt politicians to grab his nature reserve in Mpumalanga included vandalism, arson, smears and death threats. His nemesis is Deputy President D.D. Mabuza, who presided over several departments in the province that were wrecked by graft before he ascended to the position of the second most powerful politician in the country. Fred has won more than twenty cases over the past fifteen years in magistrates’ and high courts where his claims of corruption-related harassment were found credible. The North Gauteng High Court is hearing his damages claim against Mabuza, government departments and officials amounting to more than R1 billion. It stems from Fred’s exposure of fraudulent land scams allegedly orchestrated by Mabuza. At great personal cost, Fred and his family stood up to corruption. They endured the loss of a livelihood and their home – and the fear that follows when the government places a target on the back of a citizen blowing the whistle on its misdeeds. Fred will not back down. For him, failure is not an option.

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Daniel Defoe's work displays a keen interest in stories of supernatural encounters. Once considering how one might prove supernatural occurrences and whether one can trust eyewitness accounts, Defoe demonstrates that more is at stake. Like his contemporaries, Defoe wonders about the range of scientific insight, and about the moral and epistemological ramifications of unchallenged trust and faith. His transformations of the supernatural probe the boundaries of knowledge and evidence and play with the limits of cognition, emphasizing the inseparability of mind and emotion.

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Daniel Schenkel, der heute fast gänzlich in Vergessenheit geraten ist, gehörte Mitte des 19. Jahrhunderts zu den einflussreichsten und streitbarsten protestantischen Theologen und Kirchenpolitikern. Während seiner theologischen Laufbahn hat Schenkel sich vom Schüler de Wettes, hin zum Pietisten und im Zuge der Auseinandersetzungen um die kirchliche Union in Baden zum Vorkämpfer des liberalen Lagers entwickelt. Dorothea Noordveld-Lorenz untersucht Schenkels Verständnis des Protestantismus und seine darin implizierte Ekklesiologie. Im Zentrum von Schenkels Protestantismustheorie steht das autonome religiöse Subjekt in seinem unmittelbaren Gottesverhältnis. Schenkel versteht den Protestantismus deswegen als Religion der Freiheit und erhebt damit den Anspruch, den Protestantismus als das unverzichtbare religiöse und geistige Fundament einer modernen, freiheitlichen Gesellschaft zu erweisen.

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How does an artist respond to the horrors of war and the genocide of his or her people? Can art play a role in the fight for justice? These are key questions for understanding the work of Guatemalan photographer Daniel Hernández-Salazar. Since the 1980s, Hernández-Salazar has created both documentary and aesthetic works that confront the state-sponsored terrorism and mass killings of Guatemala's long civil war (1962-1996). His photographic polyptych (4-panel image) "Clarification" became the icon for the Recovery of Historical Memory project of the Archbishopric of Guatemala, as well as a rallying symbol for Guatemalans. Broadening his crusade for justice in the twenty-first century, Hernández-Salazar is now also using the shouting angel of his polyptych (entitled "So That All Shall Know") to challenge the forgetting and/or erasure of painful history in many parts of the world, including Mexico, Japan, the United States, Canada, and Argentina. So That All Shall Know is a powerful, comprehensive overview of the work of Daniel Hernández-Salazar on recent Guatemalan history. Portfolios of images present his early photojournalistic work documenting the Guatemalan genocide; his Eros + Thanatos series that responds aesthetically to the destruction of war; and his Street Angel project, which uses his image "So That All Shall Know" to protest against injustice and historical forgetting around the world. Accompanying the images are bilingual English-Spanish essays by four scholars who discuss the development of Hernández-Salazar's art in the context of contemporary photography, the social and political conditions that inspire his work, and the broader questions that arise when artists engage in social struggle. Introduced by Nobel Peace Laureate Rigoberta Menchú Tum, So That All Shall Know is a moving testament to the horrors of genocide and the power of art to give voice to the silenced and presence to the disappeared.

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How Daniel Lerner's seminal work contributed to the overall professionalization of communication theory and sociology

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The book will coincide with the first Ashmolean NOW exhibition in Gallery 8, opening in July 2023. The Ashmolean NOW Program features exciting works by prominent early to mid-career artists based in the UK, seeking to attract new audiences interested in contemporary art. Artists who have established international reputations and emerging artists whose international status is anticipated with a strong degree of confidence are approached pro-actively. In addition to exhibiting their existing works, all artists are invited to create at least one new work as a response to the museum and/or its collections. This first exhibition presents two linked solo shows: paintings/drawings by Flora Yukhnovich, and paintings/drawings by Daniel Crews-Chubb. The double-sided style of the book will mirror the exhibition concept, while presenting itself as a unique, well designed object that has a life beyond the exhibition.

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Daniels’ Orchestral Music is the gold standard reference for conductors, music programmers, librarians, and any other music professional researching an orchestral program. This sixth edition, celebrating the fiftieth anniversary of the original work, includes over 14,000 entries with a vast number of new listings and updates.

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To find more information on Rowman & Littlefield titles, please visit us at www.rowmanlittlefield.com.

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Very rarely does a jewellery artist manage to find new pictorial worlds of such a personal nature during the course of their creative work so freely and unencumbered as Daniel Kruger (born 1951, South Africa). His experiments with the most diverse materials, decoration, forms and structures testify to an exuberant creativity for which he was honoured with the renowned Herbert Hoffmann Award for Art Jewellery in 1987 and 2005. Daniel Kruger uses found objects of every kind, or quotes historical forms and decoration. The unusual combinations of materials as well as new interpretations of techniques used in handcraft and textile work unexpectedly, yet invariably, lend his jewellery pieces new perspectives and aesthetic pleasure as well as a decidedly erotic quality, as he himself says. The works illustrate Daniel Kruger's curiosity with unconventional techniques and materials; they are also an expression of his awareness of nature and artificiality, history and tales, tradition and the present: sometimes ironic, at times restrained, but frequently also opulent and sensual. Text in English and German.

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Chief Daniel Bread (1800-1873) played a key role in establishing the Oneida Indians' presence in Wisconsin after their removal from New York, yet no monument commemorates his deeds as the community's founder. Laurence M. Hauptman and L. Gordon McLester, III, redress that historical oversight, connecting Bread's life story with the nineteenth-century history of the Oneida Nation.Bread was often criticized for his support of acculturation and missionary schools as well as for his working relationship with Indian agents; however, when the Federal-Menominee treaties slashed Oneida lands, he fought back, taking his people's cause to Washington and confronting President Andrew Jackson. The authors challenge the long-held views about Eleazer Williams's leadership of the Oneidas and persuasively show that Bread's was the voice vigorously defending tribal interests.

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This timely history of the neglected figure of Daniel Sutton—the medical revolutionary who paved the way for present-day vaccination—was named a best book of 2020 by BBC History Magazine Smallpox was the scourge of the eighteenth century: it showed no mercy, almost wiping out whole societies. Young and old, poor and royalty were equally at risk – unless they had survived a previous attack. Daniel Sutton, a young surgeon from Suffolk, used this knowledge to pioneer a simple and effective inoculation method to counter the disease. His technique paved the way for Edward Jenner’s discovery of vaccination – but, while Jenner is revered, Sutton has been vilified for not widely revealing his methods until later in life. Gavin Weightman reclaims Sutton’s importance, showing how the clinician’s practical and observational discoveries advanced understanding of the nature of disease. Weightman explores Sutton’s personal and professional development, and the wider world of eighteenth-century health in which he practised inoculation. Sutton’s brilliant and exacting mind had a significant impact on medicine – the effects of which can still be seen today.

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This book presents Daniel Berrigan’s contribution and challenge to catholic social thought. His contribution lies in his consistent, comprehensive, theoretical, and practical approach to issues of social justice and peace over the past fifty years. His challenge lies in his critique of capitalism, imperialism, and militarism, inviting Catholic activists and thinkers to undertake not just a reformist but a radical critique of and alternative to these realities. The aim of this book is, for the first time, to make Berrigan’s thought and life available to the academic Catholic community, so that a fruitful interaction takes place. How does this work enlighten and challenge such a community? To these ends, the editors have recruited scholars and thinker-activists already familiar with and sympathetic to Berrigan’s work and those who are less so identified. The result is a rich, engaging, and critical treatment of the meaning and impact of his work. What kind of challenge does he present to academic-business-as-usual in Catholic universities? How can the life and work of individual Catholic academics be transformed if such persons took Berrigan’s work seriously—theoretically and practically? Do Catholic universities need Berrigan’s vision to fulfill more integrally and completely their own missions? Does the self-knowing subject and theorist need to become a radical subject and theorist? Even though the appeal of academics is important and perhaps primary, because of the range and depth of Berrigan’s work and thought and the power of his writing there is a larger appeal to the Catholic community and to activists working for social justice and peace. This book has, therefore, not only a theoretical and academic appeal but also a popular and grassroots appeal. Given the current and ongoing U.S. military interventions in Iraq, Afghanistan, and Libya, Berrigan’s work invites us to think about the justice of such interventions or, given the destructiveness of modern weapons, whether the notion of just war makes any sense. Given the recent crisis on Wall Street, does it make sense any longer to talk about the possibility of a just capitalism? Given the most recent revelations about Guantánamo, Abu Ghraib, and Bagram, is it not imperative to think about how torture, preventative detention, and extraordinary rendition serve the ends of empire? In light of all of this, doesn’t Berrigan’s call for a pacific, prophetic community of justice rooted in the Good News of the Gospel make compelling sense?

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This group of 40 prints from the exceptional Daniel Cowin Collection captures the tumultuous aesthetic and political climate of the years surrounding World Wars I and II. An essay by Jonathan Black addresses the impact of World War I on two notable British printmakers, Edward Wadsworth and C. R. W. Nevinson. A text by Jay A. Clarke delves into the linocut movement of the 1920s and ’30s, investigating how the role of style and politics impacted this movement as well as the previously unexplored position of women printmakers and the interplay between gender, craft, and decoration. Influences of Futurism, Cubism, and the short-lived but vibrant abstraction of the Vorticist movement saturate the powerful color images, which are accompanied by artist biographies. This publication illuminates the struggle of these radical printmakers as they navigated a conservative market and the harsh economic and political realities of their time.Distributed for the Clark Art InstituteExhibition Schedule:Clark Art Institute (02/28/15–05/17/15)

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