Search results for ""Author Albert"

An insightful new book putting Einstein's work in a contemporary contextFew figures loom as large as Albert Einstein in our contemporary culture. It is truly remarkable that a man from such humble beginnings, an unemployed dreamer without a future or a job, who was written off by his professors as a hopeless loser, could to dare to scale the heights he reached. In this enlightening book Michio Kaku reasseses Einstein's work by centering on his three great theories - special relativity, general relativity and the Unified Field Theory. The first yielded the equation E =mc² which is now such a fixture in our culture that it is practically a ubiquitous slogan. But the subsequent theories led to the Big Bang theory and have changed irrevocably the way we perceive time and space.Michio Kaku gives a new, refreshing look at the pioneering work of Einstein, giving a more accurate portrayal of his enduring legacy than previous biographies. As today's advanced physicists continue their intense search to fulfill Einstein's most cherished dream, a 'theory of everything', he is recognised as a prophet who set the agenda for modern physics.

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Revealing the elaborate embroidery, intricate pleats and daring cuts that make up some of the 20th century’s most beautiful garments, this book explores the specific techniques used by couturiers as tastes and textile technologies evolved. Work by designers such as Mariano Fortuny, Madeleine Vionnet, Paul Poiret, Hubert de Givenchy, Mary Quant, Yves Saint Laurent and Vivienne Westwood is rediscovered, and exquisite haute-couture pieces, from sequinned Chanel trouser suits and richly embroidered Schiaparelli jackets to striking Balenciaga creations and Dior evening gowns, are examined. Part of the ‘Fashion in Detail’ series, this updated edition features a revised introduction and list of designers followed by chapters dedicated to a particular technique. Each garment is illustrated through detailed photography and line drawings and is accompanied by a commentary by leading experts in textiles and fashion. An extraordinary exploration of the techniques used by couturiers in the construction of these exceptional garments, 20th-Century Fashion in Detail will delight all followers of fashion.

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This sumptuously illustrated book reveals the decorative seams, refined stitching, voluptuous drapery, strict corseting and slashing and stamping that make up some of the garments in the V&A’s superlative 19th-century fashion collection. With an authoritative text, exquisite colour photography of garment details and line drawings showing the complete construction of each piece, it gives the reader a unique opportunity to examine historical clothing that is often too fragile to be on display. It is an inspirational resource for students, collectors, designers and anyone who is fascinated by fashion and clothing.

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In the past, while visiting the First World War battlefields, the author often wondered where the various Victoria Cross actions took place. He resolved to find out. In 1988, in the midst of his army career, research for this book commenced and over the years numerous sources have been consulted. _Victoria Crosses on the Western Front: Battle of Albert_, is designed for the battlefield visitor as much as the armchair reader. A thorough account of each VC action is set within the wider strategic and tactical context. Detailed sketch maps show the area today, together with the battle-lines and movements of the combatants. It will allow visitors to stand upon the spot, or very close to, where each VC was won. Photographs of the battle sites richly illustrate the accounts. There is also a comprehensive biography for each recipient, covering every aspect of their lives warts and all: parents and siblings, education, civilian employment, military career, wife and children, death and burial/commemoration. A host of other information, much of it published for the first time, reveals some fascinating characters, with numerous links to many famous people and events.

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In Woody Allen's 1973 film, Sleeper, a character wakes up in the future to learn that civilization was destroyed when "a man by the name of Albert Shanker got hold of a nuclear warhead." Shanker was condemned by many when he shut down the New York City school system in the bitter strikes of 1967 and 1968, and he was denounced for stirring up animosity between black parents and Jewish teachers. Later, however, he built alliances with blacks, and at the time of his death in 1997, such figures as Bill Clinton celebrated Shanker for being an educational reformer, a champion of equality, and a promoter of democracy abroad. Shanker lived the lives of several men bound into one. In his early years, he was the "George Washington of the teaching profession," helping to found modern teacher unionism. During the 1980s, as head of the American Federation of Teachers, he became the nation's leading education reformer. Shanker supported initiatives for high education standards and accountability, teacher-led charter schools, and a system of "peer review" to weed out inadequate teachers. Throughout his life, Shanker also fought for "tough liberalism," an ideology favoring public education and trade unions but also colorblind policies and a robust anticommunism--all of which, Shanker believed, were vital to a commitment to democracy. Although he had a coherent worldview, Shanker was a complex individual. He began his career as a pacifist but evolved into a leading defense and foreign policy hawk. He was an intellectual and a populist; a gifted speaker who failed at small talk; a liberal whose biggest enemies were often on the left; a talented writer who had to pay to have his ideas published; and a gruff unionist who enjoyed shopping and detested sports. Richard D. Kahlenberg's biography is the first to offer a complete narrative of one of the most important voices in public education and American politics in the last half century. At a time when liberals are accused of not knowing what they stand for, Tough Liberal illuminates an engaging figure who suggested an alternative liberal path.

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In diesem Buch sammelt und kommentiert Siegfried Grundmann historische Dokumente aus der Schwellenzeit der Weimarer Republik zum Dritten Reich, bei denen Nobelpreisträger und Physiker Albert Einstein Mitunterstützter war: zum einen der „Dringende Appell“ vom Juni 1932, in dem 33 bekannte Persönlichkeiten – unter anderem auch Käthe Kollwitz, Heinrich Mann und Erich Kästner - zu einer Kooperation von SPD und KPD aufriefen; sowie die Dokumente zur Protestkundgebung „Das Freie Wort“ gegen die an die Macht gelangten Nationalsozialisten. Zu den eindrucksvollsten Aspekten der vorliegenden Dokumentation gehört, wie sich Menschen verschiedener politischer und weltanschaulicher Position und Biografien im Kampf gegen die faschistische Gefahr verbündet haben. Die Biographie des politischen Einstein wird mit diesem Buch durch neue Facetten bereichert.

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Within the collections of the Victoria and Albert Museum in London, the world's leading museum of art and design, there lies an extraordinary wealth of material relating to a single individual: the playwright William Shakespeare. This book presents a fascinating selection of one hundred objects – often surprising, always delightful – chosen by the museum’s curators for the insight each affords into the world of Shakespeare and his plays. The objects are drawn from across the V&A's rich and varied collections. There are paintings, sculptures, pieces of jewellery, engravings and figurines. There are posters and playbills, costume designs, photographs, illustrations and film stills. Also included are original costumes worn by Henry Irving, Vivien Leigh, Laurence Olivier, Rudolf Nureyev and Ian McKellen. Amongst the more unexpected objects are a bed (the Great Bed of Ware, which Shakespeare mentions in Twelfth Night), a sword (presented to Edmund Kean after his performance as Macbeth) and a real human skull (Yorick to Jonathan Pryce's Hamlet). Some of the greatest Shakespearean performances and productions of all time are memorialised, including Sarah Bernhardt’s Hamlet, Ellen Terry's Lady Macbeth, John Gielgud's Lear, Olivier's Richard III, Paul Robeson's Othello, many of Henry Irving's performances, David Garrick's celebratory Shakespeare Jubilee of 1769 and Peter Brook's iconic 1970 production of A Midsummer Night's Dream. Each object is illustrated in full colour and is accompanied by a compact essay on its history, its provenance, and what it has to tell us about Shakespeare and his plays, particularly in performance. The result is a book that not only underlines Shakespeare's infinite variety, but also reveals his astonishing legacy in material things, a substantial pageant that has not faded.

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This volume of The Collected Papers of Albert Einstein contains the scientific work Einstein published during the first decade of his career, and includes some of the most significant achievements of twentieth-century physics. The first paper was written in 1900 by the twenty-one-year-old Einstein, newly graduated from the Swiss Federal Polytechnical School, or ETH, in Zurich and still searching in vain for a job. The last paper in this volume is the text of an invited lecture given in 1909 to a major scientific meeting by Einstein after he was appointed to his first academic post at the University of Zurich. He had already been recognized as an important theoretical physicist on the basis of the work reprinted here, particularly the three masterpieces that appeared in quick succession during 1905, Einstein's year of miracles. In one of these papers Einstein showed how one could finally confirm the ancient view that matter is composed of discrete atoms, and even measure the numbers and masses of these atoms. In a second paper, which even he referred to as "very revolutionary," he argued that the observed properties of thermal radiation suggest that it consists not of waves, but rather of localized particles of energy which he called energy quanta. The third and most famous paper set forth the special theory of relativity, solving some long-standing difficulties, but requiring a significant change in our understanding of those basic concepts, space and time.

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In the spring of 1919, two British solar eclipse expeditions confirmed the correctness of general relativity theory and propelled Albert Einstein to instant celebrity. Before this major turning point, the majority of Einstein's writings published in this volume dealt with the clarification of general relativistic problems, such as the status of the metric field, the character of gravitational waves, the problem of energy-momentum conservation, and questions of cosmology, such as the nature and size of the universe and the distribution of matter within it. After his rise to international fame, Einstein's publications changed markedly. He faced an increasing demand for popular articles and lectures on relativity, its development and meaning. He also felt compelled to respond to a host of commentators, ranging from skeptical physicists to philosophers trying to reconcile his revolutionary theory with their views. For the first time, he also responded in print to outspoken anti-relativists, some of them fueled by cultural conservatism and, frequently, anti-Semitism. Einstein used his newly won fame to lend prestige to political causes, especially to the reconciliation among European nations and to Zionism. In the early years of Weimar Germany, Einstein spoke out vigorously for the young republic, emphasizing the rights of the individual. He agonized over the misery of the Central Europeans in the grip of starvation and economic collapse, praised the support of individuals and groups such as the Quakers, and championed the cause of Eastern European Jews. His rejection of assimilation, combined with a fierce defense of the right of Jews to higher education, led Einstein to campaign for the establishment of a university in Palestine, the land which he conceived of as a cultural center for all Jews.

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Even if she feels life is passing her by as she serves behind the counter in her father's Rotherhithe grocer's shop, Annie Rogers knows she is lucky to have a secure home and a loving family - unlike her friend Lil, whose father is a violent drunk. Knowing how hard Lil's life is, Annie willingly helps her out, lending her dresses and make-up and, when Annie is asked out on a smart date by the landlord's son Peter Barrett, suggesting Lil come along to make up a foursome.But it is a shock when Lil gets on famously with Peter's swanky friend Julian whilst Annie feels much less sure of the smooth Peter. Soon Lil is busy earning money from pub singing spots set up for her by Julian, and Annie, no longer needed by her friend, feels more isolated than ever. It is then that she notices shy Will Hobbs from Fisher's engineering works. Before long Annie and Will are engaged, with plans for a home of their own in Surrey. But a dreadful accident at Fisher's and the looming shadow of World War II mean that life for Annie of Albert Mews is not so predictable - or secure - as she once thought it was ...

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Albert’s Anthology comprises 76 brief and informal reflections on a line or two of Greek or Latin poetry—and a few prose quotations and artistic objects—composed by colleagues and students of Albert Henrichs on the occasion of his retirement in Spring 2017. Appointed Professor of Greek and Latin at Harvard University at the age of thirty in 1973 and Eliot Professor of Greek in 1984, Professor Henrichs has devoted his scholarly career to Greek literature and religion—especially his favorite Greek god, Dionysos—and to incomparably enthusiastic teaching of countless students at both the graduate and undergraduate level. His scholarship and dedication are legendary. This volume is offered to a brilliant and beloved scholar with gratitude, affection, and respect.

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Volume 1 presents important new material on the young Einstein. Over half the documents made available here were discovered by the editors, including a significant group of over fifty letters that Einstein exchanged with Mileva Maric, his fellow student and future wife. These letters, together with other previously unpublished documents, provide an entirely new view of Einstein's youth. The documents in the volume also foreshadow the emergence of his extraordinary creative power. In them is manifested his intense commitment to scientific work and his interest in certain themes that proved to be central to his thinking during the next decade. We can follow, for example, the beginnings of his preoccupation with the electrodynamics of moving bodies that was to lead to the development of this special theory of relativity. For the first time it can be seen how closely he followed such contemporary developments in physics as Planck's work on radiation theory and Drude's work on the electron theory of metals. In addition to all of Einstein's known correspondence and other writings from this period, the volume includes the relevant portions of all third-party letters and other contemporary documents that provide additional information about his secondary schooling at the Aargau Cantonal School; his four years at the Swiss Federal Plytechnical School, or the ETH; and his search for a job after graduation. Included in the volume are those sections of an unpublished biography by Einstein's sister, Maja Winteler-Einstein, which deal with his early years; his extensive notes on a physics course he took at the ETH; and previously unpublished photographs of the young Einstein and his teachers and friends. Documents in Volume 1 portray Einstein's experiences during the two stressful years after his graduation from the ETH in Zurich. Denied a position as an Assistant at the ETH, he lived a hand-to-mouth existence while he looked for a post at other universities; then he attempted to find a secondary-school post, and finally sought a nonacademic job. Tension with his parents over his plans to marry Mileva Maric is evident throughout this period. With the help of a friend, he finally found work at the Swiss Patent Office, the haven where he would spend the next seven years. Freed from his financial worries, he entered on one of the most productive periods of his life, as the next volume, Writings (1901-1910), will document.

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Dante Gabriel Rossetti (1828–1882), best known and admired for his striking and seductive portraits of women, was one of the founding members of the Pre-Raphaelite Brotherhood, a group of artists whose work is inspired by the art of the early Italian Renaissance. Rossetti’s powerful and unconventional portraits, with their sumptuous, jewel-like colours, are explored in this beautiful gift book. Examples have been drawn from the full range of Rossetti’s work – including paintings, drawings, print illustrations, decorative designs and staged photographs – and chart the artist’s lively engagement with mythology, history, literature, biblical subjects and modern life. Rossetti defined his experiences through his passion for his subjects and this book traces his deliberate intertwining of art and life. His models such as Jane Morris, Elizabeth Siddal and his sister Christina, were his inspiration and, in his rejection of conventional beauty, he redefined difference as desirable. Through his view of women – in which admiration veered towards fixation, praise towards possession – Rossetti confronted the staid 19th-century public with a new and powerful image of women, and the allure of that power is still felt today.With 126 illustrations in colour

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'A total triumph', 'Romantic and heartbreaking and uplifting all at once', 'Highly recommended'*The Independent best 'never-too-late' story of 2021, and one of the 8 best uplifting books of the year*IS IT EVER TOO LATE TO BE LOVED?'Wonderful . . . An utter treat' KATE MOSSE'A heartfelt coming-of-age story . . . Remarkable' LAURIE FRANKEL, New York Times bestselling author 'A heart-warming, joyous love story - original, hopeful and totally charming' ADELE PARKS 'I loved it! Really heart-warming and joyful, but also so poignant. I cannot recommend this book highly enough' LORRAINE KELLY'Albert is one of the most endearing characters I've met in a long time . . . Proof that it's never too late to find a happy ending' SUSAN WIGGS, New York Times bestselling author'A bright, clear, sharply intelligent writer' JENNY COLGAN'Will put a smile on everyone's face . . . A great big hug of a book!' - MICHAEL BALL, Radio 2 'Wonderful. Written with such a good heart, filled with joy and strength and optimism . . . inventive and fun but most importantly, true.' RUSSELL T. DAVIES'A beautiful, timely page-turner, straight from the heart . . . The perfect summer read' MATTHEW BOURNE'Brilliant . . . [I] recommend to all!' MATT LUCAS*****ALBERT ENTWISTLE WAS A POSTMAN. It was one of the few things everyone knew about him. And it was one of the few things he was comfortable with people knowing.64-year-old Albert Entwistle has been a postie in a quiet town in Northern England for all his life, living alone since the death of his mam 18 years ago. He keeps himself to himself. He always has. But he's just learned he'll be forced to retire at his next birthday. With no friends and nothing to look forward to, the lonely future he faces terrifies him. He realises it's finally time to be honest about who he is. He must learn to ask for what he wants. And he must find the courage to look for the man that, many years ago, he lost - but has never forgotten . . .Join Albert as he sets out to find the long-lost love of his life, and has an unforgettable and completely life-affirming adventure on the way . . . This is a love story the likes of which you have never read before!*****'Albert is such an endearing character - flawed, funny and awkward, but completely relatable. A wonderfully warm story that completely drew me in' RUTH HOGAN'A rollicking love story' IAN McKELLEN'Albert is the most delicious character and you'll be with him every step of the way' SUN'A charming adventure with love at its heart' MY WEEKLY'A life affirming story of lost love' THAT'S LIFE'A unique and moving story' CANDIS'A heart-warming and uplifting read' ATTITUDE'You will weep and yet have your heart filled with joy' ARLENE PHILLIPS'I raced through this heart-warming story' JUSTIN MYERS'Prepare to fall in love with Albert Entwistle! Touching and tender' S. J. WATSON'Albert is delightful and charming, and the book is too' JONATHAN HARVEY'I so enjoyed this - a warm-hearted, moving and thought-provoking joy about an elderly postman's awakening to life and love' FANNY BLAKE'A total triumph. Romantic and heartbreaking and uplifting all at once.' LAURA KAY'Tender, witty, uplifting' KATE EBERLENAs seen and heard on THE GRAHAM NORTON RADIO SHOW, BBC Radio 4's WOMAN'S HOUR, RESONANCE FM, BBC Radio 2'S THE MICHAEL BALL SHOW, TalkRADIO'S THE BADASS WOMEN'S SHOW, TIMES RADIO with GILES COREN and many more . . .

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Tucked away in a garden on the edge of Paris is a multimedia archive like no other: Albert Kahn's Archives de la Planete (1908-1931). Kahn's vast photo-cinematographic experiment preserved world memory through the privileged lens of everyday life, and Counter-Archive situates this project in its biographic, intellectual, and cinematic contexts. Tracing the archive's key influences, such as the philosopher Henri Bergson, the geographer Jean Brunhes, and the biologist Jean Comandon, Paula Amad maps an alternative landscape of French cultural modernity in which vitalist philosophy cross-pollinated with early film theory, documentary film with the avant-garde, cinematic models of temporality with the early Annales school of history, and film's appropriation of the planet with human geography and colonial ideology. At the heart of the book is an insightful meditation upon the transformed concept of the archive in the age of cinema and an innovative argument about film's counter-archival challenge to history. The first comprehensive study of Kahn's films, Counter-Archive also offers a vital historical perspective on debates involving archives, media, and memory.

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This indispensable volume contains a compendium of articles covering a vast range of topics in physics which were begun or influenced by the works of Albert Einstein: special relativity, quantum theory, statistical physics, condensed matter physics, general relativity, geometry, cosmology and unified field theory. An essay on the societal role of Einstein is included. These articles, written by some of the renowned experts, offer an insider's view of the exciting world of fundamental science.

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Albert Schwenn was called up by the SS Cavalry Replacement Battalion in Warsaw in October 1942, and in March 1943, was seconded to the SS Cavalry Division. Schwenn gives a vivid account of the brutal combat on the Russian front, and especially operations against partisans, where he took part in so-called “pacification actions” behind the front lines. In August 1943, his division was transferred to the front near Kharkov. After recovering from wounds received during the Soviet offensive, he served as an instructor, lastly with the SS Cavalry Replacement and Training Regiment in Bohemia. In addition to nearly three months of action during the Warsaw Uprising in 1944, Schwenn also took part in operations during the Prague Uprising in May 1945. Because of his participation in operations against partisans in 1943, he was given a death sentence, and ultimately served nearly eleven years as a POW in the USSR.

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A magnificent catalogue of the V&A's collection of twentieth-century and contemporary British ceramics. Contemporary ceramicists working in Britain, including Rachel Kneebone, Grayson Perry and Edmund de Waal, are part of a broader international group of artists experimenting with clay, considering how it intersects and works in dialogue with other art forms and with culture at large. Recent experimentation with the medium owes much to the rapid evolution of ceramics into an expanded field, and to the work of mid- to late 20th-century potters and their reinvention of ceramics as a radical and contemporary art practice. The pioneering methods and rethinking of form in the work of exponents such as Bernard Leach, Michael Cardew, Lucie Rie, Hans Coper and Alan Caiger-Smith – whose reference points were drawn from East Asia, Africa, the ancient Mediterranean and the Middle East as much as from their own heritage – continue to influence and inspire contemporary makers. In his introductory essay, Alun Graves, Senior Curator at the Victoria and Albert Museum, London, provides all lovers of ceramics – collectors, practitioners, historians and those interested in modern and contemporary art and crafts – with the historical context, documenting the medium’s shift into an expressive, and sometimes interventionist, art form. An extensive visual catalogue, Studio Ceramics is the primary reference for 20th-century and contemporary British studio ceramics, and a record of the national collection of British ceramics held at the V&A.

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Exquisite yet too fragile to exhibit, one of the world’s greatest collections of autochromes – a pioneering colour photography process – is presented to a wide audience for the first time. Offering unprecedented access to the V&A’s collection of autochromes – one of the greatest collections of early colour photography in the world – Colour Mania presents this pioneering photographic process in its full, vibrant, wondrous and painterly beauty and provides a breath-taking view of the early 20th century in colour. Autochromes are so fragile and light sensitive that they cannot be displayed in public – this book presents the only chance to see the V&A’s internationally significant collection. Invented by the Lumière brothers – also pioneers of cinema – the autochrome was the first widely available colour photography process. Upon its commercial release in 1907, it was eagerly embraced by Pictorialist photographers and advocated by its leading member Alfred Stieglitz, who predicted ‘soon the world will be color-mad’. Photographed with great care for this book, the V&A’s abundant collection of autochromes is brought to the public for the very first time. Organized thematically and with in-depth sections focusing on the photographers who engaged with the process, Colour Mania is built upon the latest scholarship and research by Catlin Langford and includes insights into how these extraordinary photographs are being preserved for future generations. An opportunity to travel in time and understand a tour de force in photographic technology, Colour Mania will delight anyone who desires to experience the past in colour.

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Every document in The Collected Papers of Albert Einstein appears in the language in which it was written, and this supplementary paperback volume presents the English translations of all non-English materials. This translation does not include notes or annotation of the documentary volume and is not intended for use without the original language documentary edition which provides the extensive editorial commentary necessary for a full historical and scientific understanding of the documents.

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In the nineteenth century, science and technology developed a close and continuing relationship. The most important advancements in physics-the science of energy and the theory of the electromagnetic field-were deeply rooted in the new technologies of the steam engine, the telegraph, and electric power and light. Bruce J. Hunt here explores how the leading technologies of the industrial age helped reshape modern physics. This period marked a watershed in how human beings exerted power over the world around them. Sweeping changes in manufacturing, transportation, and communications transformed the economy, society, and daily life in ways never before imagined. At the same time, physical scientists made great strides in the study of energy, atoms, and electromagnetism. Hunt shows how technology informed science and vice versa, examining the interaction between steam technology and the formulation of the laws of thermodynamics, for example, and that between telegraphy and the rise of electrical science. Hunt's groundbreaking introduction to the history of physics points to the shift to atomic and quantum physics. It closes with a brief look at Albert Einstein's work at the Swiss patent office and the part it played in his formulation of relativity theory. Hunt translates his often-demanding material into engaging and accessible language suitable for undergraduate students of the history of science and technology.

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Showcasing a unique and extensive private collection that is soon to be acquired by the Yale Center for British Art, The Poet of Them All illustrates almost one hundred of Neale and Margaret Albert’s miniature books, each one intricately constructed and rendered in precise detail at less than three inches in height. Imaginatively hand-bound by some of today’s most accomplished bookbinders, the selection features custom miniature editions of publications by William Shakespeare and related to his works, preceded by an in-depth essay from leading book historian, conservator, and artist James Reid-Cunningham. Revealing an underexplored facet of contemporary book arts, this publication illustrates the remarkable singularity of the Alberts’ collection, providing both comprehensive views and the scholarly context necessary to fully appreciate the significance of these distinctive objects.Distributed for the Yale Center for British ArtExhibition Schedule:The Grolier Club, New York (03/24/16-05/28/16)Yale Center for British Art, New Haven (06/16/16-08/21/16)

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This volume presents Einstein's writings from the final period of his work in Switzerland. Most of the material in Volume 4 documents Einstein's search for a relativistic theory of gravitation, a search that ended in Berlin in the fall of 1915 with the completion of the general theory of relativity. Three scientific manuscripts, printed here for the first time, provide insights into Einstein's efforts to generalize his original relativity theory into a theory of gravitation. The first is a review article on the special theory of relativity. The second consists of notes that document Einstein's research on gravitation. The third manuscript contains calculations on the problem of the motion of the perihelion of Mercury. The explanation of the observed anomaly of this motion was to become one of the classical tests of general relativity. The existence of such a manuscript has not been known before now. All three of these manuscripts, along with other material in this volume, add significantly to our understanding of the creation of general relativity.

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Every document in The Collected Papers of Albert Einstein appears in the language in which it was written, and this supplementary paperback volume presents the English translations of all non-English materials. This translation does not include notes or annotation of the documentary volume and is not intended for use without the original language documentary edition which provides the extensive editorial commentary necessary for a full historical and scientific understanding of the documents.

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The Stranger is a rite of passage for readers around the world. Since its publication in France in 1942, Camus's novel has been translated into sixty languages and sold more than six million copies. It's the rare novel that's as at likely to be found in a teen's backpack as in a graduate philosophy seminar. If the twentieth century produced a novel that could be called ubiquitous, The Stranger is it. How did a young man in his twenties who had never written a novel turn out a masterpiece that still grips readers more than seventy years later? With Looking for "The Stranger", Alice Kaplan tells that story. In the process, she reveals Camus's achievement to have been even more impressive--and more unlikely--than even his most devoted readers knew. Born in poverty in colonial Algeria, Camus started out as a journalist covering the criminal courts. The murder trials he attended, Kaplan shows, would be a major influence on the development and themes of The Stranger. She follows Camus to France, and, making deft use of his diaries and letters, recreates his lonely struggle with the novel in Montmartre, where he finally hit upon the unforgettable first-person voice that enabled him to break through and complete The Stranger. Even then, the book's publication was far from certain. France was straining under German occupation, Camus's closest mentor was unsure of the book's merit, and Camus himself was suffering from near-fatal tuberculosis. Yet the book did appear, thanks in part to a resourceful publisher, Gaston Gallimard, who was undeterred by paper shortages and Nazi censorship. The initial critical reception of The Stranger was mixed, and it wasn't until after liberation that The Stranger began its meteoric rise. As France and the rest of the world began to move out of the shadow of war, Kaplan shows, Camus's book--with the help of an aggressive marketing campaign by Knopf for their 1946 publication of the first English translation--became a critical and commercial success, and Camus found himself one of the most famous writers in the world. Suddenly, his seemingly modest tale of alienation was being seen for what it really was: a powerful parable of the absurd, an existentialist masterpiece. Few books inspire devotion and excitement the way The Stranger does. And it couldn't have a better biographer than Alice Kaplan, whose books about twentieth-century French culture and history have won her legions of fans. No reader of Camus will want to miss this brilliant exploration.

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This volume marks the 2007 centenary of the Supreme Court of Alberta. These essays examine the extent to which the Court articulated an Albertan response to the varied legal questions of the past century. Canvassing the Court's jurisprudential history, the volume includes thematic essays examining First Nations' hunting rights, oil and gas law, water law, gender, the Hutterites and religious freedom, and family law. Additional essays detail the court's history through its early personnel, the World War I crisis over the court's independence, and the question of whether the court voiced an Albertan take on the constitution. What emerges is not the image of a maverick judiciary, but rather a court that pursued legal principles that would stand anywhere in the nation.

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'Poor Albert had. always been a happy frog until one day someone shouted. out 'Albert's Got Big Feet.' He was most upset and. tried to hide away from all his friends until something happened. to make him feel much happier.·

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A prismatic look at the meeting of Marie Curie and Albert Einstein and the impact these two pillars of science had on the world of physics, which was in turmoil. In 1911, some of the greatest minds in science convened at the First Solvay Conference in Physics. Almost half of the attendees had won or would go on to win the Nobel Prize. Over the course of those few days, these minds began to realise that classical physics was about to give way to quantum theory, a seismic shift in our history and how we understand not just our world, but the universe. At the centre of this meeting were Marie Curie and a young Albert Einstein. In the years preceding, Curie had faced the death of her husband. She was on the cusp of being awarded her second Nobel Prize, but scandal erupted all around her when the French press revealed that she was having an affair with a fellow scientist, Paul Langevin. The subject of vicious misogynist and xenophobic attacks in the French press, Curie found herself in a storm that threatened her scientific legacy.Albert Einstein proved a supporter in her travails. He was young and already showing flourishes of his enormous genius. Curie had been responsible for one of the greatest discoveries in modern science. Utilising never before seen correspondence and notes, Jeffrey Orens reveals the human side of these brilliant scientists, one who pushed boundaries and demanded equality in a man’s world, no matter the cost, and the other, who was destined to become synonymous with genius.

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