Search results for ""author pete"

For years, the librarians at the New-York Historical Society have kept a record of the questions posed to them by curious New Yorkers and visitors to the city. Who was the first woman to run for mayor of New York? Why are beavers featured on the city's official seal? Is it true that a nineteenth-century New Yorker built a house out of spite? These questions involve people, places, buildings, monuments, rumors, and urban myths. They concern sports, food, transportation, the arts, politics, nature, and Central Park, among many other subjects. Taken together, they attest to the infinite stories hidden within the most intriguing metropolis in the world. In When Did the Statue of Liberty Turn Green? the staff of the New-York Historical Society Library answer more than a hundred of the most popular and compelling queries. The endlessly entertaining entries in this book feature hard-to-find data and unforgettable profiles, sharing snapshots of New York's secret history for all to enjoy. Drawing on the library's extensive collections, the staff reveal when the first book was printed in New York, whether the story of Harlem residents presenting rats to government officials is true, who exactly were the Collyer brothers and why were they famous, and why premature babies were once displayed in Coney Island. For readers who love trivia, urban history, strange tales, and, of course, New York City, this book will delight with its rich, informative, and surprising stories. Look inside to learn: How "Peg-Leg" Peter Stuyvesant lost his right leg Whether Manhattan used to have cowboysHow the New York Yankees got their nameWho was Pig Foot MaryWhy the Manhattan House of Detention is called the TombsWho was Topsy and how she electrified New York CityHow many speakeasies were open during ProhibitionWhat occurred every May in the nineteenth century to cause so much commotionWhen penguins were stolen from the Coney Island Aquarium

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Boxed gift set of Tolkien's classic masterpieces, fully illustrated throughout in watercolour by the acclaimed and award-winning artist, Alan Lee, Conceptual Designer on Peter Jackson's THE HOBBIT films.Since they were first published, The Hobbit and The Lord of the Rings have been two books people have treasured. Steeped in unrivalled magic and otherworldliness, these works of sweeping fantasy have touched the hearts of young and old alike. Between them, nearly 150 million copies have been sold around the world. And no editions have proved more popular than the two that were illustrated by award-winning artist, Alan Lee the Centenary edition of The Lord of the Rings and the 60th Anniversary edition of The Hobbit.Now, the new hardback editions of these beautifully illustrated works have been collected together into one boxed set of four books. Readers will be able to follow the complete story of the Hobbits and their part in the quest for the Ring beginning with Bilbo's fateful visit

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The apostle Paul’s First Letter to the Corinthians is often regarded as his makeshift response to random problems in a messy church. This stimulating volume argues for, and undertakes, a more coherent reading of the letter, in the hope of providing a more compelling and theologically rich interpretation and a clearer apprehension of its relevance to the church today. Brian Rosner begins by putting the case for a holistic approach to studying the theology and ethics of 1 Corinthians. The following nine chapters cover, first, Karl Barth’s classic treatment, which underscores the letter’s coherence (Keith Condie); next, the major topics of holiness (Bill Salier), the cross (Philip Kern), sexual ethics (Roy Ciampa), spiritual gifts (David Peterson), eschatology (Bruce Winter), ethics (Michael Jensen), and the glory of God (Matthew Malcolm); and, finally, preaching 1 Corinthians (Brian Rosner). The chapters cohere around the themes of Paul’s pastoral practice and the wisdom of the cross of Jesus. The volume, based on the 2010 Moore College School of Theology, reflects the contributors’ common interest in theological interpretation that acknowledges the text as the word of God and seeks to serve the interests of the contemporary church.

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Launched in 1971, Adolescent Psychiatry, in the words of founding coeditors Sherman C. Feinstein, Peter L. Giovacchini, and Arthur A. Miller, promised "to explore adolescence as a process...to enter challenging and exciting areas that may have profound effects on our basic concepts." Further, they promised "a series that will provide a forum for the expression of ideas and problems that plague and excite so many of us working in this enigmatic but fascinating field." For over two decades, Adolescent Psychiatry has fulfilled this promise. The repository of a wealth of original studies by preeminent clinicians, developmental researchers, and social scientists specializing in this stage of life, the series has become an essential resource for all mental health professionals working with youth.Volume 20 of the series serves as a tribute to editor emeritus Sherman C. Feinstein. In addition to an appreciation of, and contributions by, Dr. Feinstein, it contains heretofore unpublished papers by two other major figures in adolescent psychiatry, founding father William Schonfeld and a Viennese colleague transplanted to America, Siegfried Bernfeld. With sections on general considerations of adolescence, specific syndromes, and treatment modalities, volume 20 presents the work of many of today's preeminent minds in adolescent psychiatry.

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With Alexander Robey Shepherd, John P. Richardson gives us the first full-length biography of his subject, who as Washington, D.C.’s, public works czar (1871–74) built the infrastructure of the nation’s capital in a few frenetic years after the Civil War. The story of Shepherd is also the story of his hometown after that cataclysm, which left the city with churned-up streets, stripped of its trees, and exhausted. An intrepid businessman, Shepherd became president of Washington’s lower house of delegates at twenty-seven. Garrulous and politically astute, he used every lever to persuade Congress to realize Peter L’Enfant’s vision for the capital. His tenure produced paved and graded streets, sewer systems, trees, and gaslights, and transformed the fetid Washington Canal into one of the city’s most stately avenues. After bankrupting the city, a chastened Shepherd left in 1880 to develop silver mines in western Mexico, where he lived out his remaining twenty-two years. In Washington, Shepherd worked at the confluence of race, party, region, and urban development, in a microcosm of the United States. Determined to succeed at all costs, he helped force Congress to accept its responsibility for maintenance of its stepchild, the nation’s capital city.

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This volume of twenty-two articles includes: Charles F. Ahern, Jr., “Daedalus and Icarus in the Ars Amatoria”; T. D. Barnes, “Structure and Chronology in Ammianus, Book 14”; Daniel R. Blickman, “Lucretius, Epicurus, and Prehistory”; John Bodel, “Missing Links: Thymatulum or Tomaculum?”; Alan Cameron, “Biondo’s Ammianus: Constantius and Hormisdas at Rome”; James J. Clauss, “The Episode of the Lycian Farmers in Ovid’s Metamorphoses”; Gregory Crane, “Creon and the “Ode to Man” in Sophocles’ Antigone”; Thomas N. Habinek, “Science and Tradition in Aeneid 6”; Edward M. Harris, “Demosthenes’ Speech against Meidias”; J. M. Hunt, “Apolloniana”; Peter E. Knox, “Pyramus and Thisbe in Cyprus”; Christina S. Kraus, “Liviana Minima”; Robert Mondi, “Χαοσ and the Hesiodic Cosmogony”; Charles E. Murgia, “Propertius 4.1.87–88 and the Division of 4.1”; Hayden Pelliccia, “Pindar, Nemean 7.31–36 and the Syntax of Aetiology”; William H. Race, “Climactic Elements in Pindar’s Verse”; Eckart Schütrumpf, “Traditional Elements in the Concept of Hamartia in Aristotle’s Poetics”; Charles Segal, “Poetic Immortality and the Fear of Death: The Second Proem of the De Rerum Natura”; D. R. Shackleton Bailey, “Albanius or Albinius? A Palinode Resung” and “More on Quintilian’s (?) Shorter Declamations”; W. S. Watt, “Notes on Seneca, Tragedies”; and Clifford Weber, “Egeria’s Norman Homeland.”

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Hostage to Murder, the long-awaited sixth Lindsay Gordon mystery, is a lightning-paced story spliced with crackling action and an intense emotional dimension. Spraining an ankle is rarely a stroke of luck, but for Lindsay Gordon, jobless in Glasgow, the injury is her introduction to young freelance journalist Rory McLaren and the opening of a new chapter in her life. Rory's invitation to work alongside her in her booth at the Cafe Virginia is irresistible. From there it is just a short step to political corruption and other juicy stories – all welcome distractions from Lindsay's problems at home, where her long-term lover Sophie has decided to heed the ticking of her biological clock and get pregnant. But when a local car-dealer's stepson is kidnapped, Lindsay and Rory are invited to trade journalism for detection. The trail leads them to St Petersburg and a dangerous snatch-back operation. It's a journey that brings a whole new dimension of risk into Lindsay's life. Back in Glasgow, it becomes clear that Lindsay and Rory have stumbled into a bigger, more violent piece of business than either of them could have guessed – and one which will test Lindsay to her absolute limits.

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The Elizabethan age was a tumultuous time, when long-cherished certainties were crumbling and life was exhilaratingly uncertain. Shakespeare's Restless World uncovers the extraordinary stories behind twenty objects from the period to re-create an age at once distant and yet surprisingly familiar. From knife crime to belief in witches, religious battles to the horizons of the New World, Neil MacGregor brings the past to life in a fresh, unexpected portrait of a dangerous and dynamic era.'Fascinating ... filled with anecdotes and insights, eerie, funny, poignant and grotesque ... another brilliant vindication of MacGregor's understanding of physical objects to enter deep into our fore­fathers' mental and spiritual world' Christopher Hart, Sunday Times'Enjoyable and intriguing, an absorbing evocation ... he draws us into the minds of the Elizabethan and Jacobean audience. Next time you see one of the plays reading this book will make those first audiences seem real to you' Peter Lewis, Daily Mail'How gripping are these tales from a lost world. And what a world Shakespeare's was - adventurous, melancholy, rich and plagued by beggary, courteous and quarrelsome, sceptical and credulous' Daily Telegraph 'Elegant, informative ... provides stimulating insights' Anne Somerset, Spectator

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Peter Weir's haunting and allusive Picnic at Hanging Rock (1975), set in 1900, tells the story of the mysterious disappearance of three schoolgirls and their teacher on a trip to a local geological formation. The film is widely hailed as a classic of new Australian cinema, seen as exemplary of a peculiarly Australian style of heritage filmmaking. Anna Backman Rogers' study considers Picnic from feminist, psychoanalytic and decolonialising perspectives, exploring its setting in a colonised Australian bushland in which the Aboriginal people are a spectral presence in a landscape stolen from them in pursuit of the white man's 'terra nullius'. She delves into the film's production history, addressing director Weir's influences and preoccupations at the time of its making, its reception and its lasting impact on visual culture more broadly. Rogers addresses the film's treatment of the young schoolgirls and their teachers, seemingly, as embodiments of an archetype of the ‘eternal feminine’, as objects of the male gaze, and in terms of ideas about female hysteria as a protest against gender norms. She argues that Picnic is, in fact, highly subversive: a film that requires its viewers to read its seductive surfaces against the grain of the image in order to uncover its psychological depths.

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Riveting and candid memoir of life behind the scenes as US Ambassador and Prime Minister's Press Secretary - a Sunday Times bestsellerChristopher Meyer was Ambassador to the United States from 1997 to 2003, during which time he was an eyewitness to and participant in the events following 9/11 and the preparations for the Iraq war. Never before has there been such a riveting and candid memoir of life behind the diplomatic scenes. Meyer's is an honest account of what he saw, what he heard and how he felt.The cast list of characters who feature here includes Margaret Thatcher, Bob Hope, the Clintons, Steven Spielberg, Condoleeza Rice, Alastair Campbell and Jack Straw. The book reveals close encounters with Tony Blair, Robin Cook and Peter Mandelson; KGB honey traps in Russia; a major row with Bill Clinton; inside stories on Number 10 and the Foreign Office; and of course life behind the scenes with Blair and George W. Bush. It was clear that the Prime Minister's office and not the Foreign Office would control relations with Washington, and Meyer shows in close up how he helped facilitate the 'special relationship'.

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Old wounds can bind up your heart and keep you from fully loving - and fully living - in the present. Your pain may come from devastating trauma or unconscious resentment from accumulated everyday grievances. No matter the depth of the hurt, true healing comes from the courage to face the past and begin the process of letting go. These offerings of warmth and wisdom from many different faiths, backgrounds and perspectives will encourage you to begin your own journey toward the wholeness and freedom that comes from true forgiveness. CONTRIBUTORS: Nancy L. Bieber . Rev. Carolyne Call . Rev. Dr. Joan Brown Campbell . Nancy Barrett Chickerneo, PhD . Paul Wesley Chilcote, PhD . William Cleary . Nancy Corcoran, CSJ . Linda Douty . Rabbi Ted Falcon . Marcia Ford . Rev. Dr. Marie M. Fortune . Tamar Frankiel, PhD . Rabbi Edwin Goldberg, DHL . Caren Goldman . Rev. Steven Greenebaum . Judy Greenfeld . Kent Ira Groff . Diana L. Guerrero . Rabbi Karyn D. Kedar . Kay Lindahl . Rabbi David Lyon . Pastor Don Mackenzie . St. Maximos . Ron Miller . Diane M. Millis, PhD . Rev. Timothy J. Mooney . Rev. Dr. John Philip Newell . Linda Novick . Rev. Larry J. Peacock . Gordon Peerman . M. Basil Pennington, OCSO . Jan Phillips . Susan Quinn . Imam Jamal Rahman . Marty Richards, MSW, LCSW . The Rev. Canon C.K. Robertson, PhD . Rev. Nanette Sawyer . Rev. Dr. Donna Schaper . The Most Rev. Katharine Jefferts Schori . Aaron Shapiro . Rami Shapiro . Louise Silk . Rev. Susan Sparks . Aaron Spevack, PhD . Rabbi Elie Kaplan Spitz . Molly and Bernie Srode . Tom Stella . Sohaib N. Sultan . Terry Taylor . Yoland Trevino . Rev. Jane E. Vennard . The Rev. Peter Wallace

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Few Civil War generals attracted as much debate and controversy as Pierre Gustav Toutant Beauregard. He combined brilliance and charisma with arrogance and histrionics. He was a Catholic Creole in a society dominated by white Protestants, which made him appear exotic next to the likes of Albert Sidney Johnston and Robert E. Lee.He was reviled by Jefferson Davis and often mocked by Mary Chesnut in her diary. Yet, he was popular with his soldiers and subordinates. Outside of Lee, he was the South’s most consistently successful commander, winning at Bull Run, defending Charleston in 1864, and defeating Benjamin Butler at Bermuda Hundred and Ulysses Grant and George Meade at Petersburg. Yet, he lived his life in the shadow of his one major defeat: Shiloh.Beauregard’s career before and after the war was no less tumultuous than his Civil War record. He was born among the Creole elite of Louisiana, but rejected the life of a planter in favor of the military, inspired by tales of Napoléon. He was considered a shining light of the antebellum army and performed superbly in the Mexican-American War. Yet, he complained about a lack of promotion and made a frustrating stab at being mayor of New Orleans in 1858.After the war, he was a successful railroad executive and took a stand against racism, violence, and corruption during Reconstruction. Yet, he was ousted from both railroads he oversaw and his foray into Reconstruction politics came to naught. Although he provided for his family and left them a hefty sum after his death, the money was mostly gained by working for the corrupt Louisiana Lottery.In Dreams of Victory: General P. G. T. Beauregard in the Civil War, Sean Michael Chick explores a life of contradictions and dreams unrealized—the first real hero of the Confederacy who sometimes proved to be his own worst enemy.

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The 2022 issue explores North Carolina writers who teach (and teachers who write). The issue opens with Georgann Eubanks's essay on North Carolina playwright, civil rights activist, and UNC Chapel Hill Professor Paul Green, followed by letters from Peter Taylor from his Greensboro home where he taught at North Carolina Women's College (now UNC Greensboro) and Marian Janssen's John Ehle Prize essay on Carolyn Kizer's UNC Chapel Hill years. The featured interviews includes one conducted students in the Veteran to Scholar program at ECU interviewing Ben Fountain, as well as Senior Associate Editor Christy Alexander Hallberg's interview with Leah Hampton, Indiana University Kokomo Professor Jim Coby interviewing Wiley Cash, and UNC Wilmington Professor Malia Butler interviewing Khalisa Rae Thompson. The creative writing in this section includes poetry by Catherine Carter and the winner and honorees of the 2021 James Applewhite Poetry Prize, including the winning poem by Michael Loderstedt; creative nonfiction by Barbara Bennett; and fiction by Settle Monroe. The Flashbacks and North Carolina Miscellany sections of this issue feature more creative writing: Steve Mitchell's Alex Albright Creative Nonfiction Prize essay, Heather Bell Adams's Doris Betts Fiction Prize short story by Heather Bell Adams, more honorees from the James Applewhite Poetry Prize contest; and a poem by Frank Borden Hanes, Sr., introduced by James W. Clark, Jr. and shared with permission of the writer's family.NCLR 31 (2022) is the 25th annual print issue under the editorship of Margaret D. Bauer, Rives Chair of Southern Literature and Distinguished Professor of Harriot College of Arts and Sciences at East Carolina University, where NCLR is produced, serving as an excellent opportunity for students to attain significant experience in editing and publishing.

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In France, the fundamental intellectual debate over ecology might best be summarized by the contrasting views of Michel Serres and Luc Ferry. In The Natural Contract, Serres calls for an end to humans’ war on nature: Our world view must turn from anthropocentric to ecocentric, and our relationship to the earth must become symbiotic instead of parasitic. Luc Ferry’s response to Serres in The New Ecological Order ridicules the metaphor of a natural contract, by which humans (and humanism) would no longer reign over the earth. Ferry accuses Serres and other ecological thinkers of being “premodern” and “prehumanistic”; valuing nonhuman life as much as human life evokes the ridiculous trials of five centuries ago when beetles and rats were threatened with excommunication if they did not cease their antihuman activities.After analyzing the Serres-Ferry debate, Ecocritics and Ecoskeptics examines environmental themes in novels by Michel Tournier, Stéphane Audeguy, and Chantal Chawaf. It then considers the complex and evolving relationship between humans and animals as expressed in novels by Vercors and Olivia Rosenthal, and in philosophical works by Jacques Derrida, Élisabeth de Fontenay, and Peter Singer, among others. Two novels each by the humanist J.-C. Rufin and the humorist Iegor Gran provide a dose of healthy skepticism. Rufin’s stories reveal the potential dark side of extreme environmentalism—authoritarianism and terrorism—while Gran’s hilarious satires critique some environmentalists’ piousness, opportunism, humorlessness, and antihumanism. The book concludes that environmentalism and humanism are not incompatible, if we proceed beyond the traditional humanism of Ferry and other modernists. Essays by philosophers such as Claude Lévi-Strauss, Pierre Rabhi, Edgar Morin, and Michel Maffesoli demonstrate that an inclusive, ecological humanism is not only possible but necessary for our survival.

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Provides comprehensive coverage of major topics in urban and regional studies Under the guidance of Editor-in-Chief Anthony Orum, this definitive reference work covers central and emergent topics in the field, through an examination of urban and regional conditions and variation across the world. It also provides authoritative entries on the main conceptual tools used by anthropologists, sociologists, geographers, and political scientists in the study of cities and regions. Among such concepts are those of place and space; geographical regions; the nature of power and politics in cities; urban culture; and many others. The Wiley Blackwell Encyclopedia of Urban and Regional Studies captures the character of complex urban and regional dynamics across the globe, including timely entries on Latin America, Africa, India and China. At the same time, it contains illuminating entries on some of the current concepts that seek to grasp the essence of the global world today, such as those of Friedmann and Sassen on ‘global cities’. It also includes discussions of recent economic writings on cities and regions such as those of Richard Florida. Comprised of over 450 entries on the most important topics and from a range of theoretical perspectives Features authoritative entries on topics ranging from gender and the city to biographical profiles of figures like Frank Lloyd Wright Takes a global perspective with entries providing coverage of Latin America and Africa, India and China, and, the US and Europe Includes biographies of central figures in urban and regional studies, such as Doreen Massey, Peter Hall, Neil Smith, and Henri Lefebvre The Wiley Blackwell Encyclopedia of Urban and Regional Studies is an indispensable reference for students and researchers in urban and regional studies, urban sociology, urban geography, and urban anthropology.

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The ultimate street atlas to navigate your way around London. A comprehensive paperback street atlas of London encompassing an area of 1,450 square miles with coloured street mapping, and including more than 90,000 streets and other addresses. The coverage extends beyond the Greater London and M25 area to: Hemel Hempstead, St. Albans, Potters Bar, Waltham Cross, Epping, Brentwood, Thurrock, Stanford-le-Hope, Gravesend, Wrotham, Sevenoaks, Westerham, Oxted, Redhill, Reigate, Leatherhead, Great Bookham, Woking, Egham, Windsor, Slough, Chalfont St. Peter, Chorleywood, Bovingdon There are eighteen pages of large scale (9" to 1 mile) street mapping of central London which gives additional clarity and detail, this mapping extends to: Regent's Park, St. Pancras International Station, Old Street, Tower Bridge, Bricklayer's Arms Junction, Vauxhall Bridge, South Kensington, Paddington Station and Lord's Cricket Ground. Postcode districts and one-way streets are included on the street mapping. Other features include:• The Congestion Charging Zone (CCZ) boundary which is shown on both scales of mapping and an overview map of the zone is also included.• The Greater London Low Emission Zone boundary is shown on the street mapping and an overview map of the zone is also included.• The Ultra Low Emission Zone (ULEZ) boundary• There are eight pages of road mapping at 3 miles to 1 inch that cover much of the Home Counties area.• London Underground map.• London Rail Connections map.• West End Cinema and Theatre maps. The index section of the atlas includes streets, places & areas, hospitals, industrial estates, selected flats & walkways, service areas, stations and selected places of interest. Please note hospitals and rail stations are now listed in the main index and highlighted in different colour. They are not included as a separate list as in previous editions.

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The vast and mysterious universe is explored in this anthology from award-winning editor and anthologist Neil Clarke (Clarkesworld magazine, The Best Science Fiction of the Year).The urge to explore and discover is a natural and universal one, and the edge of the unknown is expanded with each passing year as scientific advancements inch us closer and closer to the outer reaches of our solar system and the galaxies beyond them.Generations of writers have explored these new frontiers and the endless possibilities they present in great detail. With galaxy-spanning adventures of discovery and adventure, from generations ships to warp drives, exploring new worlds to first contacts, science fiction writers have given readers increasingly new and alien ways to look out into our broad and sprawling universe. Stories include are: A Jar of Goodwill — Tobias S. Buckell Mono no aware — Ken Liu Rescue Mission — Jack Skillingstead Shiva in Shadow — Nancy Kress Slow Life — Michael Swanwick Three Bodies at Mitanni — Seth Dickinson The Deeps of the Sky — Elizabeth Bear Diving into the Wreck — Kristine Kathryn Rusch The Voyage Out — Gwyneth Jones The Symphony of Ice and Dust — Julie Novakova Twenty Lights to “The Land of Snow” — Michael Bishop The Firewall and the Door — Sean McMullen Permanent Fatal Errors — Jay Lake Gypsy — Carter Scholz Sailing the Antarsa — Vandana Singh The Mind is Its Own Place — Carrie Vaughn The Wreck of the Godspeed — James Patrick Kelly Seeing — Genevieve Valentine Travelling into Nothing — An Owomoyela Glory — Greg Egan The Island — Peter Watts The Final Frontier delivers stories from across this literary spectrum, a reminder that the universe is far large and brimming with possibilities than we could ever imagine, as hard as we may try.

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Within the collections of the Victoria and Albert Museum in London, the world's leading museum of art and design, there lies an extraordinary wealth of material relating to a single individual: the playwright William Shakespeare. This book presents a fascinating selection of one hundred objects – often surprising, always delightful – chosen by the museum’s curators for the insight each affords into the world of Shakespeare and his plays. The objects are drawn from across the V&A's rich and varied collections. There are paintings, sculptures, pieces of jewellery, engravings and figurines. There are posters and playbills, costume designs, photographs, illustrations and film stills. Also included are original costumes worn by Henry Irving, Vivien Leigh, Laurence Olivier, Rudolf Nureyev and Ian McKellen. Amongst the more unexpected objects are a bed (the Great Bed of Ware, which Shakespeare mentions in Twelfth Night), a sword (presented to Edmund Kean after his performance as Macbeth) and a real human skull (Yorick to Jonathan Pryce's Hamlet). Some of the greatest Shakespearean performances and productions of all time are memorialised, including Sarah Bernhardt’s Hamlet, Ellen Terry's Lady Macbeth, John Gielgud's Lear, Olivier's Richard III, Paul Robeson's Othello, many of Henry Irving's performances, David Garrick's celebratory Shakespeare Jubilee of 1769 and Peter Brook's iconic 1970 production of A Midsummer Night's Dream. Each object is illustrated in full colour and is accompanied by a compact essay on its history, its provenance, and what it has to tell us about Shakespeare and his plays, particularly in performance. The result is a book that not only underlines Shakespeare's infinite variety, but also reveals his astonishing legacy in material things, a substantial pageant that has not faded.

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When the Trinidadian novelist, Harold Sonny Ladoo was found dead soon after the publication of his classic novel, No Pain Like This Body, for Christopher Laird, it became an obsession to try to discover the writer behind the work and what had brought about his untimely end. Equal to Mystery – words written by Ladoo – is the record of that pursuit.When, as the editor of a Trinidadian literary journal in the radical years of the early 1970s, Christopher Laird was sent Harold Sonny Ladoo’s novel, No Pain Like This Body (1973) to review, he knew he was looking at something revolutionary in Caribbean fiction. It is a novel that has recently been republished as a Penguin Modern Classic. But the next news Laird heard of Ladoo was that he had returned to Trinidad from Canada and had been found dead – very probably murdered – in the canefields outside his family’s village of McBean. Laird follows in the path of Ladoo to Canada, where he went to make a name for himself as a writer, and tracks him as a student and young married man through conversations with his widow and other family members. He looks in detail at his relationships with two Canadian writers, Dennis Lee and Peter Such, who supported his work, and in Lee’s case published him. Here there is an acute account of their meetings across the line of race, of the mix of generous contact and elusive flight in their relationship. Above all, with access to Ladoo’s unpublished material -- short stories and fragments of the vast body of fiction he announced he was writing -- Laird offers acute analysis of what is there, honest bafflement about just what Ladoo was up to, with a tragic sense of the talent that was lost through his untimely death.

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'I loved it!' - Phillipa Ashley A gripping tale of family secrets, sibling rivalry and summer romance, set against the backdrop of New York's sizzling urban beach. Sisters Sophie and Celia haven't been on speaking terms for years. So it's a huge shock when they discover their grandmother has left them her quirky old house on Rockaway Beach, New York. Just a stone's throw from the bright lights of Manhattan, they spent many idyllic summers there as children, swimming in the Atlantic ocean, playing in the sand and watching day trippers come and go. Then suddenly, the visits stopped. Sophie knows her mother and grandmother fell out, but has never found out why. Together, the sisters return to Rockaway, and can't agree on anything. Sophie wants to keep the house, Celia's determined to sell. It seems they'll never see eye to eye, until Sophie makes a shattering discovery that forces her to question everything... Why do she and Celia have such different memories of their grandmother? What caused the rift with their mother? Can Sophie trust the handsome stranger who seems to take such an interest in her? And who is the mysterious old woman watching them from afar? Praise for The House on Rockaway Beach: 'Brilliant' Phillipa Ashley 'A novel to lose yourself in' Faith Hogan 'Step into a world of pure escapism in this gripping tale of family secrets, sibling rivalry and summer romance' Chat Magazine Praise for Emma Burstall: 'A charming, warm-hearted read... Pure escapism' Alice Peterson 'Burstall is a great writer, and this is not your usual run-of-the-mill chick lit... I was gripped from the start' Daily Mail 'Burstall has a true knack for transporting you to her world' Jane Corry

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'Chris Bilton pursues a critical issue for everyone in arts and entertainment. The giants of the internet age have disintermediated IP owners. How can creators of content reclaim their relationship with their audiences?'- Peter Bazalgette, Chair of ITV and previously Chair of Arts Council England 2012-2016 The Disappearing Product combines analysis of developments in the creative economy with practical guidance for marketing in the creative industries. Using theoretical models and extensive practical examples, this book challenges cultural producers to reclaim their place in the creative economy. Marketing is situated in the context of social, cultural and technological change that has revolutionised the creative and media industries. Traditional broadcasters, publishers and record labels have been displaced by a new generation of intermediaries including Amazon, Apple, Facebook and Google. These new intermediaries are marginalising cultural producers, devaluing products and monopolising consumer attention. Bilton's analysis focuses on how the creative industries must respond to these structural changes with new, innovative marketing methods for cultural products. Key features include: a defined approach to marketing geared towards the cultural and creative industries, distinguished from `business as usual' and `arts marketing' case studies and questions for discussion that can be used in the classroom analysis of the creative economy highlighting practical strategies for marketers and managers key examples of recent innovative marketing by artists and cultural entrepreneurs. An essential guide for students of creative industries, marketing and management, this book allows readers to develop their own tailored approach to marketing. Cultural entrepreneurs, marketers and managers will benefit from the in-depth insight into new patterns of consumption, transformed markets and emerging business models.

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Accompanied Voices is a unique book: not only is it a highly readable anthology of some of the most memorable and accessible international writing about classical music, but also a moving commentary by one set of practisingartists on the work of another. Accompanied Voices is a unique book: not only is it a highly readable anthology of some of the most memorable and accessible international writing about classical music, and a moving commentary by one set of practising artists on the work of another. There have been several anthologies of "music poems", but never one which follows the story of western music through from the Renaissance to the twenty-first century. This is in effect a chronologicalguide to the major composers of the last four hundred years, written in the language which comes closest to music itself - poetry. Readers will find in Accompanied Voices the same pleasure that they might find in simply putting on a CD and listening. Every page brings something to arrest or transport and there is extraordinary diversity of response. Anecdote, epiphany, portrait, meditation... but many of these poets offer intellectual insights too and even critiques - there is far more variety here than any straightforward music essay can manage. These poems move beyond the mere names of composers and their works, reaching for more universal concerns. Major poets represented include Geoffrey Hill, Ted Hughes, Elizabeth Jennings, Michael Longley, Andrew Motion, Peter Porter, Siegfried Sassoon, Jo Shapcott, Anne Stevenson and Charles Tomlinson among a total of nearly a hundred writers. JOHN GREENING is a poet and received a Cholmondeley Award in 2008. He is also a Hawthornden Fellow and a Fellow of the English Association. He has published studies of the Poets of the First World War, Yeats, Hardy, Edward Thomas and Elizabethan Love Poets.

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No single-volume publication brings together as many diverse and stimulating perspectives on secured financing law as does this EE Research Handbook. Its great strengths are asking hard questions and recognizing how difficult reform is. Contributors report on what works (and what doesn't), drawing on evidence from legal systems less often studied in this context (e.g., Brazil, Morocco). I cannot imagine a researcher in the field who would not be intrigued by analysis of such issues as access of women to secured financing, constraints Shari ah places on use of security devices, and reasons for Russia's meandering path to modernization.'- Peter Winship, SMU Dedman School of Law, USThis cutting-edge Handbook presents an overview of research and thinking in the field of secured financing, examining international standards and best practices of secured transactions law reform and its economic impact. Expert contributors explore the breadth and depth of the subject matter across diverse sectors, and illustrate the choices and trade-offs that policy makers face via a number of illuminating case studies.The book explores groundbreaking research across a comprehensive range of sectors and countries, including new, original analysis of Shari'ah compliant collateral regimes and improved access to finance for women. A diverse group of experts offer cutting-edge points of view as well as case studies from England and Wales, Morocco, Russia and Romania.The result is a unique and wide-ranging examination of secured transactions reform across the world and a valuable resource for researchers, government and development agencies, banks, and law firms.Contributors: J. Armour, S. Bazinas, N. Budd, A. Burtoiu, R. Calnan, F. Dahan, M. Dubovec, L. Gullifer, I. Istuk, T. Johnson, O. Lemseffer, C. de Lima Ramos, J. Lymar, C. Manuel, M.J.T. McMillen, A.P. Menezes, M. Mourahib, E. Murray, N. Nikitina, V. Padurari, J.-H. Röver, M. Uttamchandani, K. van Zwieten, P.R. Wood

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Jennifer Hedda analyzes the ideas and activities of the parish clergy serving in St. Petersburg, the capital of imperial Russia, in order to discover how the Russian Orthodox Church responded theologically and pastorally to the profound social, economic, and cultural changes that transformed Russia during the nineteenth and early twentieth centuries. The challenges of modernity forced the Orthodox clergy, like other members of educated society, to re-examine their interpretation of the Church's earthly mission and their own role in fulfilling it. During the mid-nineteenth century, Orthodox theologians began to argue that the church had a responsibility to society as well as to individuals, and to assert that its mission was to lead believers in building a society that manifested the gospel principles of love, mercy, charity, and justice. The idea of creating "the kingdom of God" on earth inspired many clergymen, who dramatically increased their social outreach work in the last two decades of the nineteenth century: preaching during church services, teaching outside their churches, organizing charities, establishing temperance societies, and engaging in a host of other activities that involved them in the daily lives of their parishioners. The clergy's work culminated in 1905, when a workers' organization established by an Orthodox priest became a mass political movement whose activities sparked a revolution. His Kingdom Come challenges many common assumptions about the Orthodox Church as a weak and passive institution that did not respond to the demands of the modern world—demonstrating that it played an active and creative role in late imperial society, albeit on its own terms rather than those of its secular critics. This book will be of particular interest to those who study the politics and society of Russia in the imperial period, the history of the Russian Orthodox Church in the modern era, the relationship of religious institutions to

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Emphasizing how profoundly the American research university has been shaped by business and the humanities alike, Ivy and Industry is a vital contribution to debates about the corporatization of higher education in the United States. Christopher Newfield traces major trends in the intellectual and institutional history of the research university from 1880 to 1980. He pays particular attention to the connections between the changing forms and demands of American business and the cultivation of a university-trained middle class. He contends that by imbuing its staff and students with seemingly opposed ideas—of self-development on the one hand and of an economic system existing prior to and inviolate of their own activity on the other—the university has created a deeply conflicted middle class.Newfield views management as neither inherently good nor bad, but rather as a challenge to and tool for negotiating modern life. In Ivy and Industry he integrates business and managerial philosophies from Taylorism through Tom Peters’s “culture of excellence” with the speeches and writings of leading university administrators and federal and state education and science policies. He discusses the financial dependence on industry and government that was established in the university’s early years and the equal influence of liberal arts traditions on faculty and administrators. He describes the arrival of a managerial ethos on campus well before World War II, showing how managerial strategies shaped even fields seemingly isolated from commerce, like literary studies. Demonstrating that business and the humanities have each had a far stronger impact on higher education in the United States than is commonly thought, Ivy and Industry is the dramatic story of how universities have approached their dual mission of expanding the mind of the individual while stimulating economic growth.

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The remarkable story of seven contemporary Russian-language poets whose experimental work anchors a thriving dissident artistic movement opposed to both Putin’s regime and Western liberalism.What does leftist art look like in the wake of state socialism? In recent years, Russian-language avant-garde poetry has been seeking the answers to this question. Marijeta Bozovic follows a constellation of poets at the center of a contemporary literary movement that is bringing radical art out of the Soviet shadow: Kirill Medvedev, Pavel Arseniev, Aleksandr Skidan, Dmitry Golynko, Roman Osminkin, Keti Chukhrov, and Galina Rymbu. While their formal experiments range widely, all share a commitment to explicitly political poetry. Each one, in turn, has become a hub in a growing new-left network across the former Second World.Joined together by their work with the Saint Petersburg–based journal [Translit], this circle has staunchly resisted the Putin regime and its mobilization of Soviet nostalgia. At the same time, the poets of Avant-Garde Post– reject Western discourse about the false promises of leftist utopianism and the superiority of the liberal world. In opposing both narratives, they draw on the legacies of historical Russian and Soviet avant-gardes as well as on an international canon of Marxist art and theory. They are also intimately connected with other artists, intellectuals, and activists around the world, collectively restoring leftist political poetry to global prominence.The avant-garde, Bozovic shows, is not a relic of the Soviet past. It is a recurrent pulse in Russophone—as well as global—literature and art. Charged by that pulse, today’s new left is reimagining class-based critique. Theirs is an ongoing, defiant effort to imagine a socialist future that is at once global and egalitarian.

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Edward Hincks (1792-1866), the Irish Assyriologist and decipherer of Mesopotamian cuneiform, was born in Cork and spent forty years of his life at Killyleagh, Co. Down, where he was the Church of Ireland Rector. He was educated at Midleton College, Co. Cork and Trinity College, Dublin, where he was an exceptionally gifted student. With the decipherment of ancient Egyptian hieroglyphs by Jean Francois Champollion in 1822, Hincks became one of that first group of scholars to contribute to the elucidation of the language, chronology and religion of ancient Egypt. But his most notable achievement was the decipherment of Akkadian, the language of Babylonia and Assyria, and its complicated cuneiform writing system. Between 1846 and 1852 Hincks published a series of highly significant papers by which he established for himself a reputation of the first order as a decipherer. Most of the letters in these volumes have not been previously published. Much of the correspondence relates to nineteenth-century archaeological and linguistic discoveries, but there are also letters concerned with ecclesiastical affairs, the Famine and the Hincks family. Volume III 1857-1866: Edward Hincks continued his scholarly activities throughout the final decade of his life. He contributed one of four translations of an inscription of Tiglath Pileser I independently made in a bid to convince sceptical scholars that the decipherment of Akkadian had been accomplished. There was a satisfactory end to the disgraceful treatment of his translations of Akkadian texts which had been prepared for the Trustees of the British Museum in 1854. In 1859 he began his friendly correspondence with the Egyptologist Peter le Page Renouf of the Catholic University in Dublin and in 1863 the Prussian King Wilhelm I conferred on him the Ordre pour merite. During the last two years of his life he wrote "Specimen Chapters of an Assyrian Grammar" which was published just after his death.

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His mother walked across America in the seventies. Her past fascinates him. Her faith confounds him. They embark on a 5,000-mile journey to discover how families can stay together when beliefs are pulling them apart.When his mother, Barbara, turns seventy, Jedidiah Jenkins is reminded of a sobering truth: Our parents won’t live forever. For years, he and Barbara have talked about taking a trip together, just the two of them. They disagree about politics, about God, about the project of society – disagreements that hurt. But they love thrift stores, they love eating at diners, they love true crime, and they love each other. Jedidiah wants to step into Barbara’s world and get to know her in a way that occasional visits haven’t allowed.They land on an idea: To retrace the thousands of miles Barbara trekked with Jedidiah’s father, travel writer Peter Jenkins, as part of the Walk Across America book trilogy that became a sensation in the 1970s. Beginning in New Orleans, they set out for the Oregon coast, listening to podcasts about outlaws and cult leaders – the only media they can agree on – while reliving the journey that changed Barbara’s life. Jedidiah discovers who Barbara was as a thirty-year old writer walking across America and who she is now, as a parent who loves her son yet holds on to a version of faith that sees his sexuality as a sin.Along the way, he peels back the layers of questions millions are asking today: How do we stay in relationships when it hurts? When do boundaries turn into separation? When do we stand up for ourselves, and when do we let it go?Tender, smart, and profound, Mother, Nature is a story of a remarkable mother-son bond and a moving meditation on the complexities of love.

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Brought together for the first time in one volume are three books by the titan of chess, Jose Capablanca. ----- One of the greatest chess prodigies of all time, he evolved the most perfect chess technique seen on a chessboard. A former World champion, and one of the most successful tournament players in the history of the game, Capablanca's uncanny position judgment empowered him to produce games that were masterful pieces of position play, and that culminated often in combinations of startling brilliancy. ----- My Chess Career. Written one year before he became chess champion of the world, this book relives in Capablanca's own words 35 of his greatest games and those events of his life relevant to his chess career. The seminal work of the Cuban genius who repeated the exploits of Morphy, suddenly bursting onto the European scene and annihilating the great masters who had hitherto dominated the international arena. This book captures the magic of Capablanca's early victory at San Sebastian 1911 and his second place - bowing only to Lasker - at St Petersburg 1914. ----- Chess Fundamentals.Capablanca's classic instructional manual first appeared in 1921, the year he defeated Emanuel Lasker for the world championship title. This handbook is packed with timeless advice on different aspects of practical play and illustrated by Capablanca's own games. ----- A Primer of Chess. Capablanca's introduction to chess is an ideal first chess book for players of all ages. In systematic fashion, Capablanca lucidly explains the rules and basic principles of this fascinating game, and illustrates these with a wide range of practical examples. ----- After capturing the world championship in in 1921, Capablanca was for a time regarded as practically invincible. Although he surprisingly lost his title to Alexander Alekhine in 1927, Capablanca remained a leading player until his death in New York in 1942.

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The Schnellbootwaffe was created in the early 1930s, before the Second World War, in concurrence with the regenerated Kriegsmarine, and young officers, most of whom learned their craft in the old Imperial Navy, would take responsibility for the operational use of these revolutionary vessels. Working with the naval engineers of Lurssen Shipyard, the Germans designed combat weapons that were never surpassed by their opponents. After the first series of Schnellboote were launched, constantly improved versions of these vessels would follow. The Schnellbootwaffe would achieve significant victories for the Kriegsmarine at the beginning of the war by using these vessels in high-level strategies, including a style of guerrilla warfare. The British often call German torpedo boats E-boats, and these fast vessels were a genuine threat not only to coastal trade, but also to the movement of Allied ships after D-Day. Indeed, Admiral Rudolf Petersen's flotillas remained combat-ready until the very end, even after the balance of power was in favour of the Allies. Allied air bombardment of German torpedo boat bases from 1944 onwards failed to destroy the offensive potential of the Schnellboote and their crews. The Allied disaster at Lyme Bay at the end of April 1944 shows how this guerrilla war at sea was still dangerous, even at this stage of the war. The Allied invasions plans were not yet known to the Germans, but Eisenhower learned a great deal from Lyme Bay and the Schnellbootwaffe was still potentially dangerous right until the end of the war. This book tells the fascinating story about these special people, whose pirate spirit and guerrilla style of naval combat is reminiscent of the ancient pirates and their own way of warfare.

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During winter 1944/45 few German officers believed that the Allies would attack the wooded Reichswald Plug on the narrow neck of land between the rivers Rhine and Maas. Consequently, relying on the natural defences of the forest, the vaunted Siegfried Line had been allowed to peter out. The 84th Infantry Division held field defences that had been worked on all autumn, but the defenders were thinly spread, and most German soldiers now faced the certainty of defeat. Originally hoping to use the frozen winter ground for a speedy assault, days before Operation VERITABLE began a thaw set in and the Allies faced attacking in the worst possible ground conditions. On the morning of 8 February, after protracted bombardment, delays multiplied as vehicles became bogged in saturated fields and shell holes, and roads broke up under heavy armour. However, just enough assault engineer equipment reached the outer German defences, where they found the enemy infantry largely stunned by the bombardment. It took all of the first day to break through the mud and defences into the Reichswald, while to the north, Canadians and Scots struggled across equally sodden open country with the Rhine floods rising fast. Despite the conditions, overnight the Canadians took to the flood waters to seize what were now island villages and the Scots dashed to capture the vital Materborn, which overlooked Kleve. With heavy rain compounding difficulties, mud and flood waters made movement of men and supplies increasingly difficult. Despite this and the arrival of German reinforcements, the Allies fought their way forward, forcing the Reichswald Plug and opening the way into the Rhineland and the final phases of the war.

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"Sundin's novels set the gold standard for historical war romance, and When Twilight Breaks is arguably her most brilliant and important work to date."--Booklist starred review "Sundin is a must-buy . . . and her latest World War II tale positively crackles with tension."--Library Journal starred review Munich, 1938. Evelyn Brand is an American foreign correspondent as determined to prove her worth in a male-dominated profession as she is to expose the growing tyranny in Nazi Germany. To do so, she must walk a thin line. If she offends the government, she could be expelled from the country--or worse. If she fails to truthfully report on major stories, she'll never be able to give a voice to the oppressed--and wake up the folks back home. In another part of the city, American graduate student Peter Lang is working on his PhD in German. Disillusioned with the chaos in the world due to the Great Depression, he is impressed with the prosperity and order of German society. But when the brutality of the regime hits close, he discovers a far better way to use his contacts within the Nazi party--to feed information to the shrewd reporter he can't get off his mind. This electric standalone novel from fan-favorite Sarah Sundin puts you right at the intersection of pulse-pounding suspense and heart-stopping romance. "Sundin combines suspense and romance to great effect . . . Inspirational fans who like high-octane action will enjoy this thrilling story."--Publishers Weekly "Sundin masterfully combines action and attraction to generate multilayered thrills while exploring such themes as individual freedom versus the common good, gender and racial discrimination, and the polarization of viewpoints, which all have deep relevance today."--Booklist starred review

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***Discover your next reading obsession with Alex Gray's bestselling Scottish detective series*** ***Don't miss the latest from Alex Gray. Book 20 in the Lorimer series, QUESTIONS FOR A DEAD MAN, is out now and Book 21, OUT OF DARKNESS, is available to pre-order.*** Whether you've read them all or whether this is your first Lorimer novel, STILL DARK is perfect if you love Ian Rankin, Val McDermid and Ann Cleeves WHAT THEY'RE SAYING ABOUT THE LORIMER SERIES:'Warm-hearted, atmospheric' ANN CLEEVES'Relentless and intriguing' PETER MAY'Move over Rebus' DAILY MAIL'Exciting, pacey, authentic' ANGELA MARSONS'Superior writing' THE TIMES'Immensely exciting and atmospheric' ALEXANDER MCCALL SMITH_______________ Crime always hides in the shadows . . . New Year's Eve should be a time for celebrating. A chance to spend time with loved ones and look forward to the year ahead. For DSI William Lorimer, however, this New Year's Eve will be one that he will never forget. Called to a house after gunshots are reported, the carnage he finds there will have a powerful impact on his life - leaving him questioning his future with Police Scotland.Meanwhile, the man who eluded police capture during Lorimer's last investigation - the Quiet Release case involving the euthanasia of vulnerable patients - is back, and this time he's aligned with a powerful gangster from Glasgow's underworld.As Lorimer struggles to return to duty and stop this mystery killer once and for all, he discovers that there are forces high up within Police Scotland that are protecting the gangster that holds the key to finding the man they are looking for. Can Lorimer and his team get a killer off the streets for good before more innocent people die?

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A sparkling return to the Golden Age of Crime Fiction, where even the most fiendish of mysteries can be unlocked by a keen eye and a sharp mind... 1938, London. Ambitious lawyer Edmund Ibbs has got his teeth into the case of a lifetime – defending the young woman accused of shooting her husband in the infamous ‘Ferris Wheel Murder’ case. Despite a plethora of evidence against his client, Ibbs is certain he can secure her acquittal. But after a night of magic and illusion at London’s Pomegranate Theatre, Ibbs finds himself behind bars, accused of a double murder. The renowned prestidigitator Professor Paolini and the operator of said notorious Ferris wheel are dead, and as far as Scotland Yard’s Inspector Flint is concerned, all signs point to the lawyer’s guilt. Luckily for Ibbs, illusionist turned sleuth Joseph Spector also attended the theatre that night. Can Spector’s eye for detail pierce the veil of deceit in a world of illusion and misdirection, where seeing is not always believing? Reviews for The Murder Wheel 'Wildly entertaining... Confirms Tom Mead’s status as a master of the locked-room mystery.' Tim Major 'Pitch perfect magical locked-room extravaganza. Astounds and amazes.' Barbara Nadel 'Tom Mead establishes himself as the current master of the locked-room mystery.' Aaron Elkins 'A delicious locked room feast of impossibilities. I love the Mephistophelean Joseph Spector!' Ovidia Yu ‘An absolute masterclass in the locked room mystery... I love this series. More please!’ Victoria Dowd Reviews for the Spector Locked-Room Mystery series: 'An intricate 'impossible' crime that completely fooled me.' Peter Lovesey 'A sharply drawn period piece with memorable characters.' New York Times 'Great fun.' The Times

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In 1957 Horace Stoneham took his Giants of New York baseball team and headed west, starting a gold rush with bats and balls rather than pans and mines. But San Francisco already had a team, the Seals of the Pacific Coast League, and West Coast fans had to learn to embrace the newcomers. Starting with the franchise’s earliest days and following the team up to recent World Series glory, Home Team chronicles the story of the Giants and their often topsy-turvy relationship with the city of San Francisco. Robert F. Garratt shines light on those who worked behind the scenes in the story of West Coast baseball: the politicians, businessmen, and owners who were instrumental in the club’s history.Home Team presents Stoneham, often left in the shadow of Dodgers owner Walter O’Malley, as a true baseball pioneer in his willingness to sign black and Latino players and his recruitment of the first Japanese player in the Major Leagues, making the Giants one of the most integrated teams in baseball in the early 1960s. Garratt also records the turbulent times, poor results, declining attendance, two near-moves away from California, and the role of post-Stoneham owners Bob Lurie and Peter Magowan in the Giants’ eventual reemergence as a baseball powerhouse. Garratt’s superb history of this great ball club makes the Giants’ story one of the most compelling of all Major League franchises.

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Contemporary artists such as Ghada Amer and Clare Twomey have gained international reputations for work that transforms ordinary craft media and processes into extraordinary conceptual art, from Amer’s monumental stitched paintings to Twomey’s large, ceramics-based installations. Despite the amount of attention that curators and gallery owners have paid to these and many other conceptual artists who incorporate craft into their work, few art critics or scholars have explored the historical or conceptual significance of craft in contemporary art. Extra/Ordinary takes up that task. Reflecting on what craft has come to mean in recent decades, artists, critics, curators, and scholars develop theories of craft in relation to art, chronicle how fine-art institutions understand and exhibit craft media, and offer accounts of activist crafting, or craftivism. Some contributors describe generational and institutional changes under way, while others signal new directions for scholarship, considering craft in relation to queer theory, masculinity, and science. Encompassing quilts, ceramics, letterpress books, wallpaper, and textiles, and moving from well-known museums to home workshops and political protests, Extra/Ordinary is an eclectic introduction to the “craft culture” referenced and celebrated by artists promoting new ways of thinking about the role of craft in contemporary art. Contributors. Elissa Auther, Anthea Black, Betty Bright, Nicole Burisch, Maria Elena Buszek, Jo Dahn, M. Anna Fariello, Betsy Greer, Andrew Jackson, Janis Jefferies, Louise Mazanti, Paula Owen, Karin E. Peterson, Lacey Jane Roberts, Kirsty Robertson, Dennis Stevens, Margaret Wertheim

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The retrospective on the work of couturier Thierry Mugler (1948-2022) at the Brooklyn Museum includes more than 150 costumes designed between 1977 and 2014, along with many unpublished archive documents and sketches. It showcases the multiple worlds of this one-of-a-kind artistic figure—a visionary fashion designer, director, photographer and perfumer—through a display of his prêt-à-porter and haute couture silhouettes. Thierry Mugler staged the most spectacular fashion shows of his time. He dressed many celebrities, including Diana Ross, David Bowie, Lady Gaga, Liza Minnelli, Céline Dion and Kim Kardashian. He created the costumes for many of Mylène Farmer’s and Beyoncé’s tours and videos. A photographer and director, he filmed clips as well as short films starring actresses like Isabelle Huppert and Juliette Binoche. This book was published in conjunction with the exhibition and is organised into several main sections. It reproduces a selection of full-page photographs, most of which have not been published before, by the greatest artists who worked with Mugler throughout his career—Helmut Newton, Peter Knapp, Jacques-Henri Lartigue, David LaChapelle, Stéphane Sednaoui, Jean-Baptiste Mondino, Jean-Paul Goude, Pierre & Gilles, Patrice Stable, Inez & Vinoodh, to name just a few. It also includes views of the exhibition layout and displays. Prior tour dates and locations: Kunsthal Rotterdam, Netherlands - 10.13.2019 - 03.08.2020 Hypo-Kunsthalle Munich, Germany - 05.25.2020 - 04.13.2021 Musée des Arts Décoratifs, Paris - 09.30.2021 - 04.24.2022 Text in English and French.

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This second in the series of three volumes builds upon the basic theory of linear PDE given in volume 1, and pursues more advanced topics. Analytical tools introduced here include pseudodifferential operators, the functional analysis of self-adjoint operators, and Wiener measure. The book also develops basic differential geometrical concepts, centered about curvature. Topics covered include spectral theory of elliptic differential operators, the theory of scattering of waves by obstacles, index theory for Dirac operators, and Brownian motion and diffusion. The book is targeted at graduate students in mathematics and at professional mathematicians with an interest in partial differential equations, mathematical physics, differential geometry, harmonic analysis, and complex analysis.The third edition further expands the material by incorporating new theorems and applications throughout the book, and by deepening connections and relating concepts across chapters. It includes new sections on rigid body motion, on probabilistic results related to random walks, on aspects of operator theory related to quantum mechanics, on overdetermined systems, and on the Euler equation for incompressible fluids. The appendices have also been updated with additional results, ranging from weak convergence of measures to the curvature of Kahler manifolds.Michael E. Taylor is a Professor of Mathematics at the University of North Carolina, Chapel Hill, NC.Review of first edition: “These volumes will be read by several generations of readers eager to learn the modern theory of partial differential equations of mathematical physics and the analysis in which this theory is rooted.”(Peter Lax, SIAM review, June 1998)

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Beloved by fans across the globe, The Secret Garden explores the coming-of-age story of a little girl determined to bring a mysterious garden--and her uncle's broken heart--back to life. This time-honored classic is now available as an exclusive collector's edition featuring: A beautiful, high-end hardcover with Laci Fowler's distinctive hand-painted art and embossing/debossing treatments to bring the art to life Story details are incorporated into the cover art as surprise finds for the consummate fan Decorative interior pages containing quotes throughout Matching ribbon marker and gold page edges When orphaned Mary Lennox comes to live at her uncle's great house with nearly one hundred rooms, she finds it full of secrets. Her uncle keeps himself locked up, and at night Mary hears the sound of crying echoing down one of the long corridors. The gardens surrounding the large property are her only escape. Then one day Mary discovers a secret garden, surrounded by walls and a locked gate. With the help of two unexpected companions, Mary discovers a way in--and becomes determined to bring the garden back to life.Exploring themes of magical wonder, the necessity of friendship, and the beauty of the natural world, this unique collector's edition presents Frances Hodgson Burnett's beloved tale of friendship and family in a giftable new way.This edition of The Secret Garden is part of a four-volume collection, which also includes Anne of Green Gables, Winnie-the-Pooh and Other Delightful Stories, and Peter Pan.

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Inescapably controversial, its very existence challenged by German intellectuals like Günter Grass, the Holocaust Memorial Berlin (or, as it's formally known, the Memorial to the Murdered Jews of Europe) is now finished, some 16 years after it was first proposed. Architect Peter Eisenman's design, which filled a four-football-field-size parcel of land in the middle of Berlin with more than 2,700 concrete slabs, or stelae, was itself hotly debated, with some complaining that its abstractness, Eisenman's trademark, made it a monument that evoked no memories. As the debates give way to accounts of the experience of the space, the readers of this book, produced with Eisenman's cooperation, will be able to compare how successfully the architect's conception matches the reality. The intent is that the visitor, who finds himself winding his way through the concrete forest of varying heights, will be struck by how distant the busy city center seems, and how quiet and reflective--but not graveyard-like--the atmosphere is. Since the monument does not have a specific entrance or exit, visitors will be able to choose their own way in and out of the complex. Passing through the rows of slabs that lean almost imperceptibly and stand on seemingly unstable ground, visitors may experience a sensation of insecurity, and while that is mitigated in much of the site where the whole area is in view, at the center the surrounding slabs are 15 feet high. In this, one can sense the work of Richard Serra, who initally collaborated on the project but left when changes were called for. This volume offers a full picture of the process from conceptual and architectural drawings and digital plans to photographs of construction. It holds the narrative of a difficult task, turning "the place of no meaning," as Eisenman once referred to the site in the hopes of dispelling fears that he was trying to symbolize the deaths that took place during the Holocaust, into a confrontation with the past. The enormity and scale of the horror of the Holocaust is such that any attempt to represent it by traditional means is inevitably inadequate . . . Our memorial attempts to present a new idea of memory as distinct from nostalgia . . . We can only know the past today through a manifestation in the present. 65 illustrations

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When the body of a bushman with puzzlingly young organs is stolen from the morgue and a local witch doctor goes missing, Detective Kubu becomes involved in a life-threatening case. ‘Richly atmospheric … a gritty depiction of corruption and deception’ Publishers Weekly ‘The African Columbo … a smart satisfyingly complex mystery’ Entertainment Weekly ‘A wonderful, original voice – McCall Smith with a dark edge and even darker underbelly’ Peter James _______________ When the body of a Bushman is discovered near the Central Kalahari Game Reserve, the death is written off as an accident. But all is not as it seems. An autopsy reveals that, although he’s clearly very old, his internal organs are puzzlingly young. What’s more, an old bullet is lodged in one of his muscles … but where is the entry wound? When the body is stolen from the morgue and a local witch doctor is reported missing, Detective ‘Kubu’ Bengu gets involved. Kubu and his brilliant young colleague, Detective Samantha Khama, follow the twisting trail through a confusion of rhino-horn smugglers, foreign gangsters and drugs manufacturers. And the deeper they dig, the wider and more dangerous the case becomes… A fresh, new slice of ‘Sunshine Noir’, Dying to Live is a classic tale of greed, corruption and ruthless thuggery, set in one of the world’s most beautiful landscapes, and featuring one of crime fiction’s most endearing and humane heroes. _______________ ‘Detective David “Kubu” Bengu is a wonderful creation, complex and beguiling. Compelling and deceptively written’ New York Journal of Books ‘My favourite writing duo since Ellery Queen’ Ragnar Jónasson ‘Dying to Live is a skilfully plotted story of greed and its consequences; making the case for Detective Kubu absorbing, like the Botswana backdrop' ShotsMag ‘Under the African sun, Michael Stanley’s Detective Kubu investigates crimes as dark as the darkest of Nordic Noir. Call it Sunshine Noir, if you will – a must read’ Yrsa Sigurðardóttir ‘Intelligent, dark and compelling - among the best of today’s crime fiction’ Quentin Bates ‘Fascinating, dark and beautifully written … Kubu is a detective worth knowing. More please!’ Northern Crime

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Text in English & German. The central Mosque of the Turkish-Islamic Union in Köln-Ehrenfeld has given us one of the most vigorously discussed German building projects of the past 10 years. With this spectacular domed structure, Paul Böhm, the youngest son of Pritzker Prize-winner Gottfried Böhm and grandchild of Dominikus Böhm, has successfully introduced the Osman mosque typus into the modern age. The dome and minaret provide the Turkish / Islamic community with visual identification points. At the same time, this shell-construction structure is broken up into individual segments in a manner that opens it up to both the neighbourhood and the world. Containing conference halls, rooms for community use, a bazaar, a library and a museum, the complex is intended to convey to the surrounding area a message of retained ties to the historical country of origin coupled with acceptance and integration into the new homeland, and a willingness to engage in dialogue. Up to now the mosque represents the high point of the architectural career of Paul Böhm, who was born in 1959 and who is teaching at the Fachhochschule Köln. His work encompasses a multitude of exciting projects and realised buildings, including cultural buildings, university buildings, administration buildings and residential buildings. It is, perhaps, unsurprising that an architect who comes from a family of church builders should have added an impressive religious structure to uvre. St. Theodor in Köln-Vingst is a central-plan building that possesses a coherent atmosphere suited to contemplation whilst, at the same time, opening itself to a part of the city that suffers from social problems. Figures who have played a significant role in Paul Böhm's professional development include Tadao Ando, the master of velvet-smooth concrete, Oswald Mathias Ungers, the great lover of geometry, and Peter Zumthor, the essentialist of his generation. Like these three figures, the architects who Böhm worked with prior to founding his own firm in 2001, all espoused very different philosophies of architecture: Otto Steidle, Anton Schweighofer, Richard Meier . Paul Böhm does, of course, also owe a debt to the traditions of the family of architects that he comes from -- a tradition that he continues in his own individual way.

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'An extraordinary account of heroism and sacrifice. An unexpected and important story, rivetingly told. Rip roaring stuff. Get this into the paws of the sea dog in your life.' - Griff Rhys Jones 'A book that had to be written' - Let's Talk 'People ashore don’t realise what a grim war we are waging at sea with the Germans. A cold-blooded war, in a way I think requiring the maximum of bravery from the men of both sides in the long run, as it is so ceaseless and intangible. You just don’t know whether the next moment will be your last.' Robert Hichens, RNVSR Several years ago, Julia Jones was searching through long-forgotten items stored at her house and discovered some suitcases of old written material, which turned out to be accounts by her father of his experiences in the RNVSR (Royal Naval Volunteer Supplementary Reserve). She realised that as a child she’d met some of the people mentioned, and although she was too young to truly know them, these youthful impressions spurred her on to rediscovery and understanding. In this absorbing book Julia tells the compelling stories of the yachtsmen. Some were famous (such as Sir Peter Scott), others were wealthy (such as August Courtauld, who returned his pay to help with the war effort) but the majority were just 'ordinary' professionals such as publishers, lawyers and advertising agents, who signed up because they loved sailing. Few could ever have dreamed that they would end up acting in areas that were so far beyond their normal lives, as they found themselves commanding destroyers and submarines, and undertaking covert missions of sabotage. Some undertook the dangerous daily drudgery of minesweeping; others tackled unexploded bombs, engaged the enemy in high-speed attacks or played key roles in Ian Fleming's famous intelligence commandos. This varied crew of men were given tasks vital to the war effort, requiring endurance, extraordinary bravery, resourcefulness and quick thinking. Some died in the process, but for the ones who survived, Julia asks how their experiences changed them. Could their love of sailing and the sea survive the harsh realities of war?

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'A tense, twisty, addictive read' JO SPAIN'Nail-bitingly tense...leaves you gasping for breath' SARAH PEARSEThe waves are to die for. It's a paradise they'd kill to keep.There's a darkness inside all of us and The Bay has a way of bringing it out. Everyone here has their secrets but we don't go looking for them. Because sometimes it's better not to know.Kenna arrives in Sydney to surprise her best friend, shocked to hear she's going to marry a guy she's only just met. But Mikki and her fiancé Jack are about to head away on a trip, so Kenna finds herself tagging along for the ride.Sorrow Bay is beautiful, wild and dangerous. A remote surfing spot with waves to die for, cut off from the rest of the world. Here Kenna meets the mysterious group of people who will do anything to keep their paradise a secret. Sky, Ryan, Clemente and Victor have come to ride the waves and disappear from life. How will they feel about Kenna turning up unannounced?As Kenna gets drawn into their world, she sees the extremes they are prepared to go to for the next thrill. And everyone seems to be hiding something. What has her best friend got involved in and how can she get her away? But one thing is rapidly becoming clear about The Bay: nobody ever leaves. 'A high octane, addictive summer read' LUCY CLARKE'Gave me the same sinister-yet-wish-you-were-there vibes of The Beach' AMY MCCULLOCH'A compulsive page-turner . . . had me until the very last page' SALLY THORNEReaders love Allie Reynolds:'A knife-sharp locked room mystery' HARRIET TYCE'An exciting, twisty page-turner that will keep you guessing all the way to the end' C. L. TAYLOR'Sensational ' PETER JAMES'A white-knuckle ride' ERIN KELLY'Full of atmospheric twists and turns' SARAH PEARSE'Thoroughly compelling and deliciously twisty... I flew through it' B. P. WALTER'Fresh, thrilling and original with complex, believable characters' KAREN HAMILTON

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St. Thomas Aquinas’s commentaries on the Pastoral Epistles are distinctive and overlooked theological resources. These commentaries provide invaluable insights into the exigencies of the exercise of the episcopal office in bringing about the spiritual perfection of the faithful in Christ. The Ideal Bishop includes a review of the theology of the episcopacy found in St. Thomas’s principal contemporaries including Peter Lombard, St. Albert the Great, and St. Bonaventure of Bagnoregio. It also provides a conspectus of the same in the integrated corpus of Aquinas along with an introduction to St. Thomas’s lectures on the PE, their dating, the provenance of manuscripts, and their method of theological development. But the heart of this book is an examination of the theology and spirituality of the episcopacy found in the lectures on ­ Timothy, ’ Timothy, and Titus. Particular attention is devoted to Aquinas’s treatment of the nature, purpose, requisite virtues, disqualifying vices, special duties, and particular graces of the episcopal office.In his commentary, Aquinas identifies the episcopacy as a state of perfection wherein the prelate ought both to enjoy profound, mystical intimacy with Christ and to love and serve others by leading them to that same intimacy. In so doing, the prelate promotes ecclesial unity and secures his own salvation. Episcopal teaching, governing, and liturgical duties constitute the bishop’s fundamental mission which is established and empowered by the act of episcopal consecration received by the bishop elect. Aquinas grounds the efficacy of the bishop’s pastoral work on the quality of his interior life. Thus construed the episcopal office demands profound holiness, erudition, and pastoral skill. This work of Thomistic ressourcement substantively benefits the contemporary Church in her project of bringing the perennial truth of the Gospel more efficaciously to all, particularly with respect to the exercise of the episcopal office.

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One of the most iconic characters in children’s books Join the world’s most famous travelling reporter in his exciting adventures as he braves an ancient Incan curse in the two-part story The Seven Crystal Balls and Prisoners of the Sun, and investigates espionage in the Middle East in Land of Black Gold. The fifth of eight volumes containing Hergé’s best loved adventure stories, with two thrilling mysteries: The Seven Crystal BallsThe world's most famous travelling reporter is faced with an ancient Incan curse, which is causing its victims to fall into a life-threatening coma. The tomb of Rascar Capac has been unearthed! But one by one, the finders fall into a terrifying coma. Can this be the curse of the Inca gods? Tintin must somehow fathom out the meaning behind his only clue: the shattered crystal ball lying beside each of the victims … Prisoners of the SunWhen Professor Calculus is kidnapped, Tintin and a desperate Captain Haddock set off to Peru on a rescue mission, braving runaway train carriages, yellow fever and avalanches. Then they must find an ancient Inca tribe if they are to find their great friend. Land of Black GoldBoom! Doctored petrol is blowing up vehicles all around the country. Determined to find the culprits, Tintin heads for the Middle East, but he is in for a nasty shock when he encounters a familiar face in the desert. Join the most iconic character in comics as he embarks on extraordinary adventures spanning historical and political events. Still selling over 100,000 copies every year in the UK and having been adapted for the silver screen by Steven Spielberg and Peter Jackson in 2011. The Adventures of Tintin continue to charm more than 90 years after they first found their way into publication. Since then more than 230 million copies have been sold, proving that comic books have the same power to entertain children and adults in the 21st century as they did in the early 20th. Hergé (Georges Remi) was born in Brussels in 1907. Over the course of 54 years he completed over 20 titles in The Adventures of Tintin series, which is now considered to be one of the greatest, if not the greatest, comics series of all time.

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One of the most iconic characters in children’s literature Hergé’s classic comic book creation Tintin is one of the most recognisable characters in children’s books. These highly collectible editions of the original 24 adventures will delight Tintin fans old and new. Perfect for lovers of graphic novels, mysteries and historical adventures. The world’s most famous travelling reporter sets out for the Middle East in his latest adventure. Boom! Doctored petrol is blowing up vehicles all around the country. Determined to find the culprits, Tintin heads for the Middle East, but he is in for a nasty shock when he encounters a familiar face in the desert. Join the most iconic character in comics as he embarks on an extraordinary adventure spanning historical and political events, and thrilling mysteries. Still selling over 100,000 copies every year in the UK and having been adapted for the silver screen by Steven Spielberg and Peter Jackson in 2011. The Adventures of Tintin continue to charm more than 90 years after they first found their way into publication. Since then more than 230 million copies have been sold, proving that comic books have the same power to entertain children and adults in the 21st century as they did in the early 20th. Hergé (Georges Remi) was born in Brussels in 1907. Over the course of 54 years he completed over 20 titles in The Adventures of Tintin series, which is now considered to be one of the greatest, if not the greatest, comics series of all time. Have you collected all the graphic novel adventures? Tintin in the Land of the SovietsTintin in AmericaTintin: Cigars of the PharaohTintin: The Blue LotusTintin: The Broken EarTintin: The Black IslandTintin: King Ottakar’s SceptreTintin: The Crab with the Golden ClawsTintin: The Shooting StarTintin: The Secret of the UnicornTintin: Red Rackham’s TreasureTintin: The Seven Crystal BallsTintin: Prisoners of the SunTintin: Land of Black GoldTintin: Destination MoonTintin: Explorers of the MoonTintin: The Calculus AffairTintin: The Red Sea SharksTintin in TibetTintin: The Castafiore EmeraldTintin: Flight 714 to SydneyThe Adventures of Tintin and the PicarosTintin and Alph-Art

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One of the most iconic characters in children’s books Join the world’s most famous travelling reporter in his exciting adventures as he embarks on his most epic journey in the two-part story Destination Moon and Explorers on the Moon, and sets out to rescue his friend the Professor in The Calculus Affair. The sixth of eight volumes containing Hergé’s best loved adventure stories, with three thrilling mysteries: Destination MoonTintin and Captain Haddock are amazed to find that Professor Calculus is planning a top-secret project from the Sprodj Atomic Research Centre in Syldavia. And before our intrepid hero knows it, the next stop on this adventure is … space. Explorers on the MoonFollowing on from the events of Destination Moon, Tintin finds himself in a rocket on a collision course with the moon. And with Snowy the dog, Captain Haddock, Professor Calculus and the Thompson twins aboard, things quickly spiral further and further out of control. The Calculus AffairWindows, mirrors and chandeliers are spontaneously shattering and Tintin is left flummoxed. After a shooting and a break-in, Tintin knows Calculus is in danger, but he has only one clue – an unusual packet of cigarettes. He has a mystery to solve. But can he do it before a terrible weapon falls into the wrong hands? Join the most iconic character in comics as he embarks on extraordinary adventures spanning historical and political events. Still selling over 100,000 copies every year in the UK and having been adapted for the silver screen by Steven Spielberg and Peter Jackson in 2011. The Adventures of Tintin continue to charm more than 90 years after they first found their way into publication. Since then more than 230 million copies have been sold, proving that comic books have the same power to entertain children and adults in the 21st century as they did in the early 20th. Hergé (Georges Remi) was born in Brussels in 1907. Over the course of 54 years he completed over 20 titles in The Adventures of Tintin series, which is now considered to be one of the greatest, if not the greatest, comics series of all time.

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