Search results for ""author pete"

Throwing things away makes rubbish. Lots of things can be reused and recycled to reduce waste, save energy and help the Earth.Read it yourself with Ladybird is one of Ladybird's best-selling reading series. For over thirty-five years it has helped young children who are learning to read develop and improve their reading skills. Each Read it yourself book is very carefully written to include many key, high-frequency words that are vital for learning to read, as well as a limited number of story words that are introduced and practised throughout. Simple sentences and frequently repeated words help to build the confidence of beginner readers and the different levels of books support children all the way from very first reading practice through to independent, fluent reading.There are more than one hundred titles in the Read it yourself series, ranging from classic fairy tales and traditional stories from around the world, to favourite children's brands such as Peppa Pig, Kung Fu Panda and Peter Rabbit. A range of specially written first reference titles complete the series, with information books about favourite subjects that even the most reluctant readers will enjoy. Each book has been carefully checked by educational consultants and can be read independently at home or used in a guided reading session at school. Further content includes comprehension questions or puzzles, helpful notes for parents, carers and teachers, and book band information for use in schools.Recycling is a Level 3 Read it yourself book, suitable for children who are developing reading confidence and are eager to start reading more information with a wider vocabulary. More complex information with comparisons made across subjects and themes. Includes contents, index and a picture glossary.

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Pretty Thumbelina is the size of a thumb! Find out what happens when she meets lots of strange characters. The classic fairy tale, retold especially for Read it yourself with Ladybird.Read it yourself with Ladybird is one of Ladybird's best-selling reading series. For over thirty-five years it has helped young children who are learning to read develop and improve their reading skills.Each Read it yourself book is very carefully written to include many key, high-frequency words that are vital for learning to read, as well as a limited number of story words that are introduced and practised throughout. Simple sentences and frequently repeated words help to build the confidence of beginner readers and the four different levels of books support children all the way from very first reading practice through to independent, fluent reading.There are more than ninety titles in the Read it yourself series, ranging from classic fairy tales and traditional world stories to favourite children's brands such as Peppa Pig, Angry Birds and Peter Rabbit. All-new, first reference titles complete the range, with information books about favourite subjects that even the most reluctant readers will enjoy.Each book has been carefully checked by educational consultants and can be read independently at home or used in a guided reading session at school. Further content includes comprehension questions or puzzles, helpful notes for parents, carers and teachers, and book band information for use in schools.Thumbelina is a Level 3 Read it yourself book, suitable for children who are developing reading confidence and stamina, and are eager to start reading longer stories with a wider vocabulary.

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In 2008, Bloodaxe published the world's first DVD-anthology, In Person: 30 Poets, a new concept in publishing: readings by 30 poets published by Bloodaxe in its first 30 years captured on film, with all the poems included in the footage printed in the book of the films. Its sequel, In Person: World Poets, is another international collaboration between Bloodaxe Books and award-winning film-maker Pamela Robertson-Pearce. Her style of filming combines directness and simplicity, sensitivity and warmth - the perfect combination for these intimate readings. It is as if the poet were sitting in the room with you, reading just to you, and sometimes saying a few things about the poems. This new compilation on DVD with accompanying anthology covers a wide range of poets from many parts of the world, including America, Australia, Canada, Denmark, Estonia, Finland, Guyana, India, Italy, Jamaica, Korea, Lithuania, Macedonia, Malawi, the Netherlands, Pakistan, Poland and Sweden, as well as from Britain and Ireland. Most of the films present informal, one-to-one readings, with the poets reading to you in person. They enhance your appreciation of the poetry.You hear how the poems sound; you see how the poets read and present their work. Poets writing in other languages read in the original with the English translations read by themselves or by their translators. Some poets are also captured in live performance. T.S. Eliot once described poetry as 'one person talking to another', while W.H. Auden believed it was essential to hear poetry read aloud, for 'no poem, which when mastered, is not better heard than read is good poetry'. In Person: World Poets presents the oral art of poetry in that spirit. There are over 14 hours of readings on four DVDs packaged with the book, and all the poems included in the films are printed in the book, with poems written in other languages alongside the translations, enabling you to follow either language as they are read on the film. Like the original In Person: 30 Poets, this new compilation gives readers a personal festival of poetry in DVD and book form for viewing at home on laptop or TV. It is also a unique educational resource for the teaching and appreciation of poetry. In Person: World Poets includes: Robert Adamson, Moniza Alvi, Antonella Anedda, Simon Armitage, Ana Blandiana, Jean 'Binta' Breeze, Dan Chiasson, Polly Clark, Stewart Conn, Peter Didsbury, Katie Donovan, Tishani Doshi, Ruth Fainlight, Roy Fisher, Carolyn Forché, Tua Forsström, Tess Gallagher, Deborah Garrison, Jane Griffiths, Philip Gross, Choman Hardi, Robert Hass, John Hegley, Rita Ann Higgins, Tony Hoagland, Matthew Hollis, Esther Jansma, Jenny Joseph, Jaan Kaplinski, Ko Un, Luljeta Lleshanaku, Thomas Lux, Nikola Madzirov, Jennifer Maiden, Jack Mapanje, Samuel Menashe, Esther Morgan, Julie O'Callaghan, Leanne O'Sullivan, Clare Pollard, Adélia Prado, Sally Read, Lawrence Sail, Carole Satyamurti, Karen Solie, Piotr Sommer, Ruth Stone, Arundhathi Subramaniam, Matthew Sweeney, Pia Tafdrup, Tomas Tranströmer, Brian Turner, Chase Twichell, Priscila Uppal, Tomas Venclova, Mark Waldron, Susan Wicks and Robert Wrigley. None of these poets was included in In Person: 30 Poets.

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The Afro-Latin@ Reader focuses attention on a large, vibrant, yet oddly invisible community in the United States: people of African descent from Latin America and the Caribbean. The presence of Afro-Latin@s in the United States (and throughout the Americas) belies the notion that Blacks and Latin@s are two distinct categories or cultures. Afro-Latin@s are uniquely situated to bridge the widening social divide between Latin@s and African Americans; at the same time, their experiences reveal pervasive racism among Latin@s and ethnocentrism among African Americans. Offering insight into Afro-Latin@ life and new ways to understand culture, ethnicity, nation, identity, and antiracist politics, The Afro-Latin@ Reader presents a kaleidoscopic view of Black Latin@s in the United States. It addresses history, music, gender, class, and media representations in more than sixty selections, including scholarly essays, memoirs, newspaper and magazine articles, poetry, short stories, and interviews.While the selections cover centuries of Afro-Latin@ history, since the arrival of Spanish-speaking Africans in North America in the mid-sixteenth-century, most of them focus on the past fifty years. The central question of how Afro-Latin@s relate to and experience U.S. and Latin American racial ideologies is engaged throughout, in first-person accounts of growing up Afro-Latin@, a classic essay by a leader of the Young Lords, and analyses of U.S. census data on race and ethnicity, as well as in pieces on gender and sexuality, major-league baseball, and religion. The contributions that Afro-Latin@s have made to U.S. culture are highlighted in essays on the illustrious Afro-Puerto Rican bibliophile Arturo Alfonso Schomburg and music and dance genres from salsa to mambo, and from boogaloo to hip hop. Taken together, these and many more selections help to bring Afro-Latin@s in the United States into critical view.Contributors: Afro–Puerto Rican Testimonies Project, Josefina Baéz, Ejima Baker, Luis Barrios, Eduardo Bonilla-Silva, Adrian Burgos Jr., Ginetta E. B. Candelario, Adrián Castro, Jesús Colón, Marta I. Cruz-Janzen, William A. Darity Jr., Milca Esdaille, Sandra María Esteves, María Teresa Fernández (Mariposa), Carlos Flores, Juan Flores, Jack D. Forbes, David F. Garcia, Ruth Glasser, Virginia Meecham Gould, Susan D. Greenbaum, Evelio Grillo, Pablo “Yoruba” Guzmán, Gabriel Haslip-Viera, Tanya K. Hernández, Victor Hernández Cruz, Jesse Hoffnung-Garskof, Lisa Hoppenjans, Vielka Cecilia Hoy, Alan J. Hughes, María Rosario Jackson, James Jennings, Miriam Jiménez Román, Angela Jorge, David Lamb, Aida Lambert, Ana M. Lara, Evelyne Laurent-Perrault, Tato Laviera, John Logan, Antonio López, Felipe Luciano, Louis Pancho McFarland, Ryan Mann-Hamilton, Wayne Marshall, Marianela Medrano, Nancy Raquel Mirabal, Yvette Modestin, Ed Morales, Jairo Moreno, Marta Moreno Vega, Willie Perdomo, Graciela Pérez Gutiérrez, Sofia Quintero, Ted Richardson, Louis Reyes Rivera, Pedro R. Rivera , Raquel Z. Rivera, Yeidy Rivero, Mark Q. Sawyer, Piri Thomas, Silvio Torres-Saillant, Nilaja Sun, Sherezada “Chiqui” Vicioso, Peter H. Wood

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Over recent years Complexity Science has revealed to us new limits to our possible knowledge and control in social, cultural and economic systems. Instead of supposing that past statistics and patterns will give us predictable outcomes for possible actions, we now know the world is, and will always be, creative and surprising. Continuous structural evolution within such systems may change the mechanisms, descriptors, problems and opportunities, often negating policy aims. We therefore need to redevelop our thinking about interventions, policies and policy making, moving perhaps to a humbler, more learning approach. In this Handbook, leading thinkers in multiple domains set out these new ideas and allow us to understand how these new ideas are changing policymaking and policies in this new era.'- Peter M Allen, Cranfield University, UK'Complexity Theory has come to the fore because the world we live in is complex and many of the issues which confront us cannot be handled by the conventional tools of science, including social science. In public policy and professional practice, we are well aware of wicked issues where simple interventions often make things worse instead of better. The chapters in this excellent Handbook put complexity to work where it matters in informing our thinking and action across governance and public policy.'- David Byrne, Durham University, UKThough its roots in the natural sciences go back to the early 20th century, complexity theory as a scientific framework has developed rapidly from the 1970s onwards. Since the 1990s, it has been increasingly integrated into the social sciences and public policy. The ground-breaking and wide-ranging Handbook on Complexity and Public Policy brings together the latest work from top academics, researchers and policy actors working with complexity and policy from Europe, North America, Brazil and China and organizes it into three clear and cohesive parts:- Theory and Tools- Methods and Modelling for Policy Research and Action- Applying Complexity to Local, National and International Policy.With its distinctive combination of theory, methods and policy applications, comprehensive coverage of the field and state of the art overview, this Handbook is an essential read for students, academics and policy practitioners.Contributors include: S. Astill, U.Bilge, T. Bovaird, P. Cairney, A. Caloffi, T. Carmichael, M. Darking, G. de Roo, B. Edmonds, C. Gershenson, R. Geyer, M. Givel, B. Gray, M. Hadzikadic, P. Haynes, C. Hobbs, M. Howlett, L. Johnson, R. Kenny, K.E. Lehmann, A. Little, Q. Liu, E. Mitleton-Kelly, G. Morçöl, D. Nohrstedt, S. Occelli, J. Price, J. Rayner, C. Ricaurte, G. Room, F. Rossi, M. Russo, F. Semboloni, K. Treadwell Shine, J. Stroud, T. Tenbensel, C. Warren-Adamson, T.E. Webb, A. Wellstead, J. Whitmeyer

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This volume brings together cutting-edge scholarship on an under-researched and topical issue. Quasi-marketization and managerialization of welfare organizations are found to constitute common reform trends in many European countries and across social policy domains, following similar timings albeit with different intensities. The analysis, carried out at the meso and micro levels, reveals that ex-post control by states has been strengthened, managers are becoming relevant or even central actors, while professionals in public welfare institutions are seeing their role and autonomy challenged.'- Ana M. Guillén, University of Oviedo, Spain'In the contemporary welfare state public management has become a profession of its own. At the same time professionals in public welfare bureaucracies have incorporated market considerations and managerial objectives in their daily work. This current evolution of welfare governance, path dependent as it is, has been documented thoroughly in this book, both in depth and from a comparative perspective. It makes the book a must read for all who are interested in the welfare state and care about its future.'- Peter Hupe, Erasmus University Rotterdam, the Netherlands'This edited collection on welfare governance across Europe will prove itself invaluable for research and teaching purposes. It usefully brings together the whole range of social sciences in a series of well organized, evidenced and argued chapters. The book is organized into two parts, the first focusing on the impact of marketization and managerialization across Europe and across sectors within the welfare state, while the second half focuses on the professions and the emerging human resource management issues. Both are crucial aspects of the new governance and together deliver a coherent and comprehensive set of papers addressing a highly pertinent set of questions for policymakers, analysts and managers for the next decade and will become recommended reading for the students, the welfare state, social and health policy as well as public sector management and administration.'- Mike Dent, Staffordshire University, UKQuasi-markets and managerial steering techniques have spread in the provision of welfare state services and are now a salient feature. This innovative book explores the introduction and impact of marketization and managerialism in social policy by adopting a dual perspective - one on regulation and governance, the other on human resources - covering five fields of social service delivery.Welfare governance (for example, welfare mix, regulation, employment conditions and customer involvement) has changed significantly in the past decade. In particular, the new governance models not only clash with traditional ideas of bureaucratic regulation but also with the norms and standards of professional service delivery. The fact that the labor force in welfare organizations is made up of 'professionals' implies that the introduction of new modes of welfare governance often results in organizational conflicts. The editors and contributors collectively assesses these processes not only by comparing different policy fields and countries, but also by taking a close look inside organizations, examining the coping strategies of professionals, and how they adapt to new models of governing welfare organizations.An ideal compliment to undergraduate and postgraduate study, Restructuring Welfare Governance is essential reading for scholars in the fields of social policy, public administration and comparative welfare state analysis.Contributors: K. Baadsgaard, V. Burau, F.A. Ceravolo, B. Jantz, H. Jørgensen, T. Klenk, E. Kuhlmann, R. Moscati, M. Noordegraaf, I. Nørup, E. Pavolini, T. Peetz, M. Rostan, U. Schimank, A. Stanchi, C. Teelken, H. Theobald, M. Thunnissen, M. Turri

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An art expert joins a detective to investigate a horrific murder on a Swedish island, leading them to a mystery rooted in Viking rites and Scandinavia's deepest, darkest winter. The Queen of French Noir returns with a chilling, utterly captivating gothic thriller, based on a true story. FIRST in a new series. ‘A dark, dark slice of Scandi Noir’ Heat magazine *Book of the Month* ‘Gustawsson’s writing is so vivid, it’s electrifying’ Peter James ‘Remember her name. Johana Gustawsson has become a leading figure in French crime fiction [and] Yule Island is impossible to put down’ Le Monde ***Winner of the Cultura Ligue de l'Imaginaire Award 2023*** ________ Art expert Emma Lindahl is anxious when she's asked to appraise the antiques and artefacts in the infamous manor house of one of Sweden's wealthiest families, on the island of Storholmen, where a young woman was murdered nine years earlier, her killer never found. Emma must work alone, and the Gussman family apparently avoiding her, she sees virtually no one in the house. Do they have something to hide? As she goes about her painstaking work and one shocking discovery yields clues that lead to another, Emma becomes determined to uncover the secrets of the house and its occupants. When the lifeless body of another young woman is found in the icy waters surrounding the island, Detective Karl Rosén arrives to investigate, and memories his failure to solve the first case come rushing back. Could this young woman's tragic death somehow hold the key? Battling her own demons, Emma joins forces with Karl to embark upon a chilling investigation, plunging them into horrifying secrets from the past – Viking rites and tainted love – and Scandinavia's deepest, darkest winter… ________ PRAISE FOR JOHANA GUSTAWSSON ‘Wonderfully dark and intricately woven … will have you hooked from the very first page’ B A Paris ‘Johana Gustawsson has become the queen of the French thriller genre’ Le Point ‘Intriguingly dark and vivid, and so cleverly told’ Essie Fox `A gripping story of murder and black magic …Gustawsson slowly weaves together three seemingly disparate strands of her narrative with a skill that shows why she is such an admired crime writer in her native France´ The Times ‘A wonderfully creepy, unsettling read, with a superb twist in its tail‘ James Oswald ‘Bewitching and wonderfully gothic’ Sunday Express ‘Johana Gustawsson brilliantly illuminates the depths of the human heart’ Le Figaro `A whirlpool that draws you irresistibly into levels of darkness so much deeper than you can possibly be ready for´ Ambrose Parry ‘Ethereal, romantic and as cold as death, this nerve-shattering and powerful novel immerses us in a cruel and thrilling Nordic tale where love smashes against the rocks of madness’ La Fringale culturelle ‘A stunning and beautifully written gothic thriller’ Alexandra Benedict ‘Johana Gustawsson has no equal when it comes to hooking us with stunning twists and unexpected leaps in time’ Les Echos 'A bold and intelligent read' Guardian 'Utterly compelling' Woman's Own `Brilliant … the last chapters knocked me sideways, and it’s a long time since that’s happened´ Lisa Hall `A dark world of elegance and grotesque … mesmeric´ Matt Wesolowski 'Cleverly plotted, simply excellent' Ragnar Jónasson 'A must-read' Daily Express

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The vast and mysterious universe is explored in this anthology from award-winning editor and anthologist Neil Clarke (Clarkesworld magazine, The Best Science Fiction of the Year).The urge to explore and discover is a natural and universal one, and the edge of the unknown is expanded with each passing year as scientific advancements inch us closer and closer to the outer reaches of our solar system and the galaxies beyond them.Generations of writers have explored these new frontiers and the endless possibilities they present in great detail. With galaxy-spanning adventures of discovery and adventure, from generations ships to warp drives, exploring new worlds to first contacts, science fiction writers have given readers increasingly new and alien ways to look out into our broad and sprawling universe. Stories include are: A Jar of Goodwill — Tobias S. Buckell Mono no aware — Ken Liu Rescue Mission — Jack Skillingstead Shiva in Shadow — Nancy Kress Slow Life — Michael Swanwick Three Bodies at Mitanni — Seth Dickinson The Deeps of the Sky — Elizabeth Bear Diving into the Wreck — Kristine Kathryn Rusch The Voyage Out — Gwyneth Jones The Symphony of Ice and Dust — Julie Novakova Twenty Lights to “The Land of Snow” — Michael Bishop The Firewall and the Door — Sean McMullen Permanent Fatal Errors — Jay Lake Gypsy — Carter Scholz Sailing the Antarsa — Vandana Singh The Mind is Its Own Place — Carrie Vaughn The Wreck of the Godspeed — James Patrick Kelly Seeing — Genevieve Valentine Travelling into Nothing — An Owomoyela Glory — Greg Egan The Island — Peter Watts The Final Frontier delivers stories from across this literary spectrum, a reminder that the universe is far large and brimming with possibilities than we could ever imagine, as hard as we may try.

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Within the collections of the Victoria and Albert Museum in London, the world's leading museum of art and design, there lies an extraordinary wealth of material relating to a single individual: the playwright William Shakespeare. This book presents a fascinating selection of one hundred objects – often surprising, always delightful – chosen by the museum’s curators for the insight each affords into the world of Shakespeare and his plays. The objects are drawn from across the V&A's rich and varied collections. There are paintings, sculptures, pieces of jewellery, engravings and figurines. There are posters and playbills, costume designs, photographs, illustrations and film stills. Also included are original costumes worn by Henry Irving, Vivien Leigh, Laurence Olivier, Rudolf Nureyev and Ian McKellen. Amongst the more unexpected objects are a bed (the Great Bed of Ware, which Shakespeare mentions in Twelfth Night), a sword (presented to Edmund Kean after his performance as Macbeth) and a real human skull (Yorick to Jonathan Pryce's Hamlet). Some of the greatest Shakespearean performances and productions of all time are memorialised, including Sarah Bernhardt’s Hamlet, Ellen Terry's Lady Macbeth, John Gielgud's Lear, Olivier's Richard III, Paul Robeson's Othello, many of Henry Irving's performances, David Garrick's celebratory Shakespeare Jubilee of 1769 and Peter Brook's iconic 1970 production of A Midsummer Night's Dream. Each object is illustrated in full colour and is accompanied by a compact essay on its history, its provenance, and what it has to tell us about Shakespeare and his plays, particularly in performance. The result is a book that not only underlines Shakespeare's infinite variety, but also reveals his astonishing legacy in material things, a substantial pageant that has not faded.

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When the Trinidadian novelist, Harold Sonny Ladoo was found dead soon after the publication of his classic novel, No Pain Like This Body, for Christopher Laird, it became an obsession to try to discover the writer behind the work and what had brought about his untimely end. Equal to Mystery – words written by Ladoo – is the record of that pursuit.When, as the editor of a Trinidadian literary journal in the radical years of the early 1970s, Christopher Laird was sent Harold Sonny Ladoo’s novel, No Pain Like This Body (1973) to review, he knew he was looking at something revolutionary in Caribbean fiction. It is a novel that has recently been republished as a Penguin Modern Classic. But the next news Laird heard of Ladoo was that he had returned to Trinidad from Canada and had been found dead – very probably murdered – in the canefields outside his family’s village of McBean. Laird follows in the path of Ladoo to Canada, where he went to make a name for himself as a writer, and tracks him as a student and young married man through conversations with his widow and other family members. He looks in detail at his relationships with two Canadian writers, Dennis Lee and Peter Such, who supported his work, and in Lee’s case published him. Here there is an acute account of their meetings across the line of race, of the mix of generous contact and elusive flight in their relationship. Above all, with access to Ladoo’s unpublished material -- short stories and fragments of the vast body of fiction he announced he was writing -- Laird offers acute analysis of what is there, honest bafflement about just what Ladoo was up to, with a tragic sense of the talent that was lost through his untimely death.

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'I loved it!' - Phillipa Ashley A gripping tale of family secrets, sibling rivalry and summer romance, set against the backdrop of New York's sizzling urban beach. Sisters Sophie and Celia haven't been on speaking terms for years. So it's a huge shock when they discover their grandmother has left them her quirky old house on Rockaway Beach, New York. Just a stone's throw from the bright lights of Manhattan, they spent many idyllic summers there as children, swimming in the Atlantic ocean, playing in the sand and watching day trippers come and go. Then suddenly, the visits stopped. Sophie knows her mother and grandmother fell out, but has never found out why. Together, the sisters return to Rockaway, and can't agree on anything. Sophie wants to keep the house, Celia's determined to sell. It seems they'll never see eye to eye, until Sophie makes a shattering discovery that forces her to question everything... Why do she and Celia have such different memories of their grandmother? What caused the rift with their mother? Can Sophie trust the handsome stranger who seems to take such an interest in her? And who is the mysterious old woman watching them from afar? Praise for The House on Rockaway Beach: 'Brilliant' Phillipa Ashley 'A novel to lose yourself in' Faith Hogan 'Step into a world of pure escapism in this gripping tale of family secrets, sibling rivalry and summer romance' Chat Magazine Praise for Emma Burstall: 'A charming, warm-hearted read... Pure escapism' Alice Peterson 'Burstall is a great writer, and this is not your usual run-of-the-mill chick lit... I was gripped from the start' Daily Mail 'Burstall has a true knack for transporting you to her world' Jane Corry

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'Chris Bilton pursues a critical issue for everyone in arts and entertainment. The giants of the internet age have disintermediated IP owners. How can creators of content reclaim their relationship with their audiences?'- Peter Bazalgette, Chair of ITV and previously Chair of Arts Council England 2012-2016 The Disappearing Product combines analysis of developments in the creative economy with practical guidance for marketing in the creative industries. Using theoretical models and extensive practical examples, this book challenges cultural producers to reclaim their place in the creative economy. Marketing is situated in the context of social, cultural and technological change that has revolutionised the creative and media industries. Traditional broadcasters, publishers and record labels have been displaced by a new generation of intermediaries including Amazon, Apple, Facebook and Google. These new intermediaries are marginalising cultural producers, devaluing products and monopolising consumer attention. Bilton's analysis focuses on how the creative industries must respond to these structural changes with new, innovative marketing methods for cultural products. Key features include: a defined approach to marketing geared towards the cultural and creative industries, distinguished from `business as usual' and `arts marketing' case studies and questions for discussion that can be used in the classroom analysis of the creative economy highlighting practical strategies for marketers and managers key examples of recent innovative marketing by artists and cultural entrepreneurs. An essential guide for students of creative industries, marketing and management, this book allows readers to develop their own tailored approach to marketing. Cultural entrepreneurs, marketers and managers will benefit from the in-depth insight into new patterns of consumption, transformed markets and emerging business models.

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Accompanied Voices is a unique book: not only is it a highly readable anthology of some of the most memorable and accessible international writing about classical music, but also a moving commentary by one set of practisingartists on the work of another. Accompanied Voices is a unique book: not only is it a highly readable anthology of some of the most memorable and accessible international writing about classical music, and a moving commentary by one set of practising artists on the work of another. There have been several anthologies of "music poems", but never one which follows the story of western music through from the Renaissance to the twenty-first century. This is in effect a chronologicalguide to the major composers of the last four hundred years, written in the language which comes closest to music itself - poetry. Readers will find in Accompanied Voices the same pleasure that they might find in simply putting on a CD and listening. Every page brings something to arrest or transport and there is extraordinary diversity of response. Anecdote, epiphany, portrait, meditation... but many of these poets offer intellectual insights too and even critiques - there is far more variety here than any straightforward music essay can manage. These poems move beyond the mere names of composers and their works, reaching for more universal concerns. Major poets represented include Geoffrey Hill, Ted Hughes, Elizabeth Jennings, Michael Longley, Andrew Motion, Peter Porter, Siegfried Sassoon, Jo Shapcott, Anne Stevenson and Charles Tomlinson among a total of nearly a hundred writers. JOHN GREENING is a poet and received a Cholmondeley Award in 2008. He is also a Hawthornden Fellow and a Fellow of the English Association. He has published studies of the Poets of the First World War, Yeats, Hardy, Edward Thomas and Elizabethan Love Poets.

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No single-volume publication brings together as many diverse and stimulating perspectives on secured financing law as does this EE Research Handbook. Its great strengths are asking hard questions and recognizing how difficult reform is. Contributors report on what works (and what doesn't), drawing on evidence from legal systems less often studied in this context (e.g., Brazil, Morocco). I cannot imagine a researcher in the field who would not be intrigued by analysis of such issues as access of women to secured financing, constraints Shari ah places on use of security devices, and reasons for Russia's meandering path to modernization.'- Peter Winship, SMU Dedman School of Law, USThis cutting-edge Handbook presents an overview of research and thinking in the field of secured financing, examining international standards and best practices of secured transactions law reform and its economic impact. Expert contributors explore the breadth and depth of the subject matter across diverse sectors, and illustrate the choices and trade-offs that policy makers face via a number of illuminating case studies.The book explores groundbreaking research across a comprehensive range of sectors and countries, including new, original analysis of Shari'ah compliant collateral regimes and improved access to finance for women. A diverse group of experts offer cutting-edge points of view as well as case studies from England and Wales, Morocco, Russia and Romania.The result is a unique and wide-ranging examination of secured transactions reform across the world and a valuable resource for researchers, government and development agencies, banks, and law firms.Contributors: J. Armour, S. Bazinas, N. Budd, A. Burtoiu, R. Calnan, F. Dahan, M. Dubovec, L. Gullifer, I. Istuk, T. Johnson, O. Lemseffer, C. de Lima Ramos, J. Lymar, C. Manuel, M.J.T. McMillen, A.P. Menezes, M. Mourahib, E. Murray, N. Nikitina, V. Padurari, J.-H. Röver, M. Uttamchandani, K. van Zwieten, P.R. Wood

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Jennifer Hedda analyzes the ideas and activities of the parish clergy serving in St. Petersburg, the capital of imperial Russia, in order to discover how the Russian Orthodox Church responded theologically and pastorally to the profound social, economic, and cultural changes that transformed Russia during the nineteenth and early twentieth centuries. The challenges of modernity forced the Orthodox clergy, like other members of educated society, to re-examine their interpretation of the Church's earthly mission and their own role in fulfilling it. During the mid-nineteenth century, Orthodox theologians began to argue that the church had a responsibility to society as well as to individuals, and to assert that its mission was to lead believers in building a society that manifested the gospel principles of love, mercy, charity, and justice. The idea of creating "the kingdom of God" on earth inspired many clergymen, who dramatically increased their social outreach work in the last two decades of the nineteenth century: preaching during church services, teaching outside their churches, organizing charities, establishing temperance societies, and engaging in a host of other activities that involved them in the daily lives of their parishioners. The clergy's work culminated in 1905, when a workers' organization established by an Orthodox priest became a mass political movement whose activities sparked a revolution. His Kingdom Come challenges many common assumptions about the Orthodox Church as a weak and passive institution that did not respond to the demands of the modern world—demonstrating that it played an active and creative role in late imperial society, albeit on its own terms rather than those of its secular critics. This book will be of particular interest to those who study the politics and society of Russia in the imperial period, the history of the Russian Orthodox Church in the modern era, the relationship of religious institutions to

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Emphasizing how profoundly the American research university has been shaped by business and the humanities alike, Ivy and Industry is a vital contribution to debates about the corporatization of higher education in the United States. Christopher Newfield traces major trends in the intellectual and institutional history of the research university from 1880 to 1980. He pays particular attention to the connections between the changing forms and demands of American business and the cultivation of a university-trained middle class. He contends that by imbuing its staff and students with seemingly opposed ideas—of self-development on the one hand and of an economic system existing prior to and inviolate of their own activity on the other—the university has created a deeply conflicted middle class.Newfield views management as neither inherently good nor bad, but rather as a challenge to and tool for negotiating modern life. In Ivy and Industry he integrates business and managerial philosophies from Taylorism through Tom Peters’s “culture of excellence” with the speeches and writings of leading university administrators and federal and state education and science policies. He discusses the financial dependence on industry and government that was established in the university’s early years and the equal influence of liberal arts traditions on faculty and administrators. He describes the arrival of a managerial ethos on campus well before World War II, showing how managerial strategies shaped even fields seemingly isolated from commerce, like literary studies. Demonstrating that business and the humanities have each had a far stronger impact on higher education in the United States than is commonly thought, Ivy and Industry is the dramatic story of how universities have approached their dual mission of expanding the mind of the individual while stimulating economic growth.

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The remarkable story of seven contemporary Russian-language poets whose experimental work anchors a thriving dissident artistic movement opposed to both Putin’s regime and Western liberalism.What does leftist art look like in the wake of state socialism? In recent years, Russian-language avant-garde poetry has been seeking the answers to this question. Marijeta Bozovic follows a constellation of poets at the center of a contemporary literary movement that is bringing radical art out of the Soviet shadow: Kirill Medvedev, Pavel Arseniev, Aleksandr Skidan, Dmitry Golynko, Roman Osminkin, Keti Chukhrov, and Galina Rymbu. While their formal experiments range widely, all share a commitment to explicitly political poetry. Each one, in turn, has become a hub in a growing new-left network across the former Second World.Joined together by their work with the Saint Petersburg–based journal [Translit], this circle has staunchly resisted the Putin regime and its mobilization of Soviet nostalgia. At the same time, the poets of Avant-Garde Post– reject Western discourse about the false promises of leftist utopianism and the superiority of the liberal world. In opposing both narratives, they draw on the legacies of historical Russian and Soviet avant-gardes as well as on an international canon of Marxist art and theory. They are also intimately connected with other artists, intellectuals, and activists around the world, collectively restoring leftist political poetry to global prominence.The avant-garde, Bozovic shows, is not a relic of the Soviet past. It is a recurrent pulse in Russophone—as well as global—literature and art. Charged by that pulse, today’s new left is reimagining class-based critique. Theirs is an ongoing, defiant effort to imagine a socialist future that is at once global and egalitarian.

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Edward Hincks (1792-1866), the Irish Assyriologist and decipherer of Mesopotamian cuneiform, was born in Cork and spent forty years of his life at Killyleagh, Co. Down, where he was the Church of Ireland Rector. He was educated at Midleton College, Co. Cork and Trinity College, Dublin, where he was an exceptionally gifted student. With the decipherment of ancient Egyptian hieroglyphs by Jean Francois Champollion in 1822, Hincks became one of that first group of scholars to contribute to the elucidation of the language, chronology and religion of ancient Egypt. But his most notable achievement was the decipherment of Akkadian, the language of Babylonia and Assyria, and its complicated cuneiform writing system. Between 1846 and 1852 Hincks published a series of highly significant papers by which he established for himself a reputation of the first order as a decipherer. Most of the letters in these volumes have not been previously published. Much of the correspondence relates to nineteenth-century archaeological and linguistic discoveries, but there are also letters concerned with ecclesiastical affairs, the Famine and the Hincks family. Volume III 1857-1866: Edward Hincks continued his scholarly activities throughout the final decade of his life. He contributed one of four translations of an inscription of Tiglath Pileser I independently made in a bid to convince sceptical scholars that the decipherment of Akkadian had been accomplished. There was a satisfactory end to the disgraceful treatment of his translations of Akkadian texts which had been prepared for the Trustees of the British Museum in 1854. In 1859 he began his friendly correspondence with the Egyptologist Peter le Page Renouf of the Catholic University in Dublin and in 1863 the Prussian King Wilhelm I conferred on him the Ordre pour merite. During the last two years of his life he wrote "Specimen Chapters of an Assyrian Grammar" which was published just after his death.

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His mother walked across America in the seventies. Her past fascinates him. Her faith confounds him. They embark on a 5,000-mile journey to discover how families can stay together when beliefs are pulling them apart.When his mother, Barbara, turns seventy, Jedidiah Jenkins is reminded of a sobering truth: Our parents won’t live forever. For years, he and Barbara have talked about taking a trip together, just the two of them. They disagree about politics, about God, about the project of society – disagreements that hurt. But they love thrift stores, they love eating at diners, they love true crime, and they love each other. Jedidiah wants to step into Barbara’s world and get to know her in a way that occasional visits haven’t allowed.They land on an idea: To retrace the thousands of miles Barbara trekked with Jedidiah’s father, travel writer Peter Jenkins, as part of the Walk Across America book trilogy that became a sensation in the 1970s. Beginning in New Orleans, they set out for the Oregon coast, listening to podcasts about outlaws and cult leaders – the only media they can agree on – while reliving the journey that changed Barbara’s life. Jedidiah discovers who Barbara was as a thirty-year old writer walking across America and who she is now, as a parent who loves her son yet holds on to a version of faith that sees his sexuality as a sin.Along the way, he peels back the layers of questions millions are asking today: How do we stay in relationships when it hurts? When do boundaries turn into separation? When do we stand up for ourselves, and when do we let it go?Tender, smart, and profound, Mother, Nature is a story of a remarkable mother-son bond and a moving meditation on the complexities of love.

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Brought together for the first time in one volume are three books by the titan of chess, Jose Capablanca. ----- One of the greatest chess prodigies of all time, he evolved the most perfect chess technique seen on a chessboard. A former World champion, and one of the most successful tournament players in the history of the game, Capablanca's uncanny position judgment empowered him to produce games that were masterful pieces of position play, and that culminated often in combinations of startling brilliancy. ----- My Chess Career. Written one year before he became chess champion of the world, this book relives in Capablanca's own words 35 of his greatest games and those events of his life relevant to his chess career. The seminal work of the Cuban genius who repeated the exploits of Morphy, suddenly bursting onto the European scene and annihilating the great masters who had hitherto dominated the international arena. This book captures the magic of Capablanca's early victory at San Sebastian 1911 and his second place - bowing only to Lasker - at St Petersburg 1914. ----- Chess Fundamentals.Capablanca's classic instructional manual first appeared in 1921, the year he defeated Emanuel Lasker for the world championship title. This handbook is packed with timeless advice on different aspects of practical play and illustrated by Capablanca's own games. ----- A Primer of Chess. Capablanca's introduction to chess is an ideal first chess book for players of all ages. In systematic fashion, Capablanca lucidly explains the rules and basic principles of this fascinating game, and illustrates these with a wide range of practical examples. ----- After capturing the world championship in in 1921, Capablanca was for a time regarded as practically invincible. Although he surprisingly lost his title to Alexander Alekhine in 1927, Capablanca remained a leading player until his death in New York in 1942.

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The Schnellbootwaffe was created in the early 1930s, before the Second World War, in concurrence with the regenerated Kriegsmarine, and young officers, most of whom learned their craft in the old Imperial Navy, would take responsibility for the operational use of these revolutionary vessels. Working with the naval engineers of Lurssen Shipyard, the Germans designed combat weapons that were never surpassed by their opponents. After the first series of Schnellboote were launched, constantly improved versions of these vessels would follow. The Schnellbootwaffe would achieve significant victories for the Kriegsmarine at the beginning of the war by using these vessels in high-level strategies, including a style of guerrilla warfare. The British often call German torpedo boats E-boats, and these fast vessels were a genuine threat not only to coastal trade, but also to the movement of Allied ships after D-Day. Indeed, Admiral Rudolf Petersen's flotillas remained combat-ready until the very end, even after the balance of power was in favour of the Allies. Allied air bombardment of German torpedo boat bases from 1944 onwards failed to destroy the offensive potential of the Schnellboote and their crews. The Allied disaster at Lyme Bay at the end of April 1944 shows how this guerrilla war at sea was still dangerous, even at this stage of the war. The Allied invasions plans were not yet known to the Germans, but Eisenhower learned a great deal from Lyme Bay and the Schnellbootwaffe was still potentially dangerous right until the end of the war. This book tells the fascinating story about these special people, whose pirate spirit and guerrilla style of naval combat is reminiscent of the ancient pirates and their own way of warfare.

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During winter 1944/45 few German officers believed that the Allies would attack the wooded Reichswald Plug on the narrow neck of land between the rivers Rhine and Maas. Consequently, relying on the natural defences of the forest, the vaunted Siegfried Line had been allowed to peter out. The 84th Infantry Division held field defences that had been worked on all autumn, but the defenders were thinly spread, and most German soldiers now faced the certainty of defeat. Originally hoping to use the frozen winter ground for a speedy assault, days before Operation VERITABLE began a thaw set in and the Allies faced attacking in the worst possible ground conditions. On the morning of 8 February, after protracted bombardment, delays multiplied as vehicles became bogged in saturated fields and shell holes, and roads broke up under heavy armour. However, just enough assault engineer equipment reached the outer German defences, where they found the enemy infantry largely stunned by the bombardment. It took all of the first day to break through the mud and defences into the Reichswald, while to the north, Canadians and Scots struggled across equally sodden open country with the Rhine floods rising fast. Despite the conditions, overnight the Canadians took to the flood waters to seize what were now island villages and the Scots dashed to capture the vital Materborn, which overlooked Kleve. With heavy rain compounding difficulties, mud and flood waters made movement of men and supplies increasingly difficult. Despite this and the arrival of German reinforcements, the Allies fought their way forward, forcing the Reichswald Plug and opening the way into the Rhineland and the final phases of the war.

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"Sundin's novels set the gold standard for historical war romance, and When Twilight Breaks is arguably her most brilliant and important work to date."--Booklist starred review "Sundin is a must-buy . . . and her latest World War II tale positively crackles with tension."--Library Journal starred review Munich, 1938. Evelyn Brand is an American foreign correspondent as determined to prove her worth in a male-dominated profession as she is to expose the growing tyranny in Nazi Germany. To do so, she must walk a thin line. If she offends the government, she could be expelled from the country--or worse. If she fails to truthfully report on major stories, she'll never be able to give a voice to the oppressed--and wake up the folks back home. In another part of the city, American graduate student Peter Lang is working on his PhD in German. Disillusioned with the chaos in the world due to the Great Depression, he is impressed with the prosperity and order of German society. But when the brutality of the regime hits close, he discovers a far better way to use his contacts within the Nazi party--to feed information to the shrewd reporter he can't get off his mind. This electric standalone novel from fan-favorite Sarah Sundin puts you right at the intersection of pulse-pounding suspense and heart-stopping romance. "Sundin combines suspense and romance to great effect . . . Inspirational fans who like high-octane action will enjoy this thrilling story."--Publishers Weekly "Sundin masterfully combines action and attraction to generate multilayered thrills while exploring such themes as individual freedom versus the common good, gender and racial discrimination, and the polarization of viewpoints, which all have deep relevance today."--Booklist starred review

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***Discover your next reading obsession with Alex Gray's bestselling Scottish detective series*** ***Don't miss the latest from Alex Gray. Book 20 in the Lorimer series, QUESTIONS FOR A DEAD MAN, is out now and Book 21, OUT OF DARKNESS, is available to pre-order.*** Whether you've read them all or whether this is your first Lorimer novel, STILL DARK is perfect if you love Ian Rankin, Val McDermid and Ann Cleeves WHAT THEY'RE SAYING ABOUT THE LORIMER SERIES:'Warm-hearted, atmospheric' ANN CLEEVES'Relentless and intriguing' PETER MAY'Move over Rebus' DAILY MAIL'Exciting, pacey, authentic' ANGELA MARSONS'Superior writing' THE TIMES'Immensely exciting and atmospheric' ALEXANDER MCCALL SMITH_______________ Crime always hides in the shadows . . . New Year's Eve should be a time for celebrating. A chance to spend time with loved ones and look forward to the year ahead. For DSI William Lorimer, however, this New Year's Eve will be one that he will never forget. Called to a house after gunshots are reported, the carnage he finds there will have a powerful impact on his life - leaving him questioning his future with Police Scotland.Meanwhile, the man who eluded police capture during Lorimer's last investigation - the Quiet Release case involving the euthanasia of vulnerable patients - is back, and this time he's aligned with a powerful gangster from Glasgow's underworld.As Lorimer struggles to return to duty and stop this mystery killer once and for all, he discovers that there are forces high up within Police Scotland that are protecting the gangster that holds the key to finding the man they are looking for. Can Lorimer and his team get a killer off the streets for good before more innocent people die?

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A sparkling return to the Golden Age of Crime Fiction, where even the most fiendish of mysteries can be unlocked by a keen eye and a sharp mind... 1938, London. Ambitious lawyer Edmund Ibbs has got his teeth into the case of a lifetime – defending the young woman accused of shooting her husband in the infamous ‘Ferris Wheel Murder’ case. Despite a plethora of evidence against his client, Ibbs is certain he can secure her acquittal. But after a night of magic and illusion at London’s Pomegranate Theatre, Ibbs finds himself behind bars, accused of a double murder. The renowned prestidigitator Professor Paolini and the operator of said notorious Ferris wheel are dead, and as far as Scotland Yard’s Inspector Flint is concerned, all signs point to the lawyer’s guilt. Luckily for Ibbs, illusionist turned sleuth Joseph Spector also attended the theatre that night. Can Spector’s eye for detail pierce the veil of deceit in a world of illusion and misdirection, where seeing is not always believing? Reviews for The Murder Wheel 'Wildly entertaining... Confirms Tom Mead’s status as a master of the locked-room mystery.' Tim Major 'Pitch perfect magical locked-room extravaganza. Astounds and amazes.' Barbara Nadel 'Tom Mead establishes himself as the current master of the locked-room mystery.' Aaron Elkins 'A delicious locked room feast of impossibilities. I love the Mephistophelean Joseph Spector!' Ovidia Yu ‘An absolute masterclass in the locked room mystery... I love this series. More please!’ Victoria Dowd Reviews for the Spector Locked-Room Mystery series: 'An intricate 'impossible' crime that completely fooled me.' Peter Lovesey 'A sharply drawn period piece with memorable characters.' New York Times 'Great fun.' The Times

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In the space of a few years, Bitcoin has gone from an idea ignored or maligned by almost everyone to an asset with a market cap of more than $12 billion. Venture capital firms, Goldman Sachs, the New York Stock Exchange, and billionaires such as Richard Branson and Peter Thiel have invested more than $1 billion in companies built on this groundbreaking technology. Bill Gates has even declared it ‘better than currency’. The pioneers of Bitcoin were twenty-first-century outlaws – cryptographers, hackers, Free Staters, ex-cons and drug dealers, teenage futurists and self-taught entrepreneurs – armed with a renegade ideology and a grudge against big government and big banks. Now those same institutions are threatening to co-opt or curtail the impact of digital currency. But the pioneers, some of whom have become millionaires themselves, aren’t going down without a fight. Sweeping and provocative, How Money Got Free reveals how this disruptive technology is shaping the debate around competing ideas of money and liberty, and what that means for our future.

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From Beauregard and Custer to Lee and Sherman, twelve commanders from each side vividly describe what they and their men experienced at twelve of the war's most legendary battles from Fort Sumter to Appomattox Court House in accounts gathered from letters, memoirs, reports, and testimonies. They relate noted incidents and personal triumphs and tragedies while covering strategies and explaining battlefield decisions. Trench warfare at Petersburg and Sherman's scorched earth policy in Georgia foreshadowed the world wars to come, and technological advancements—such as armored steamships, landmines, and machine guns—literally changed the landscape of war. Submarines and a time bomb even came into play. Informative biographies and headnotes for each battle give parallel statistics at a glance and establish context; sidebars cover notable tactics and technologies, including espionage, aerial reconnaissance, and guerilla warfare; and a concise roll-call outline each commander's life in full after the war. Here, from the men who conducted and controlled it, is an invaluable sourcebook of what happened in the War Between the States and why.

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The first book dedicated to the career of the preeminent American architect, Henry N. Cobb. As a builder, teacher, and mentor, Henry N. Cobb has been one of the most eloquent voices in architecture for well over half a century. A founding partner of Pei Cobb Freed & Partners, where he has worked actively and continuously since its inception in 1955, his practice encompasses a wide variety of building types, with projects across the world that resound in the public imagination. Cobb's sensitivity to place and use generate surprising and unparalleled forms in educational and civic buildings - such as the Portland Museum of Art in Maine, the Anderson School of Management at UCLA, the John Joseph Moakley U.S. Courthouse in Boston, and Palazzo Lombardia in Milan - or in corporate and commercial projects, such as the John Hancock Tower in Boston, Fountain Place Tower in Dallas, Tour EDF at La Défense in Paris, and Four Seasons Hotel and Residences at One Dalton, now under construction in Boston. Henry N. Cobb: Words & Works 1948-2018 is his first book, uniquely combining poetic analyses of his distinguished works with essays and lectures that cover topics about architecture's past, present, and future. His voice is complemented by interviews and discussions with Michael Graves, Robert A.M. Stern, Hal Foster, Charles Gwathmey, Paolo Conrad Bercah, Cynthia Davidson, Peter Eisenman, Mark Pasnik, and John Hejduk. Handsomely designed by OverUnder, this book is packaged in a portable size evocative of the Library of America series. A longtime educator--and chair of the Harvard Graduate School of Design from 1980 to 1985 - Cobb takes up his extensive subject matter in a thoughtful and engaging manner. To anyone interested in the development of American architecture in its transition from modernism to postmodernism and into the era of high-tech starchitecture, there are a number of treasures here to discover. Henry N. Cobb is a landmark survey - in words and works - of one of the great architects of our time.

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Go, Thomas, Go! is a book and a toy in one! Young children will love wheeling their Go, Thomas, Go! book around on his sturdy wheels and then stopping to enjoy the story about the time Thomas raced around Sodor doing all sorts of important jobs for The Fat Controller. They'll love hearing about Thomas taking wagons of wood to the Docks, beautiful blooms to the flower stall, soft straw to some newborn lambs and steaming back to the Station as soon as he could. Did Thomas manage to be Really Useful and complete all his jobs in record time? Cheer Thomas on by saying, "Go, Thomas, Go!" Shaped to look just like Thomas, this fun, interactive board book is perfect for even the youngest Thomas fans. Suitable for children aged ten months and over, it's particularly appealing to curious two-to-four year olds, who love playing with trains and making choo choo noises. Toddlers will like holding their Thomas-shaped book and turning the wheels as they run it around on floors, tables, sofas, in fact anywhere and everywhere. When they're ready for some quiet time, they'll love turning the pages to see how Thomas got on during his busy day. With illustrations showing different areas around the Island of Sodor, it includes questions about colours and counting, so children will can really enjoy looking at the details in each scene whilst learning key concepts. Thomas has been teaching children lessons about life and friendship for 75 years. He ranks alongside other beloved characters such as Paddington Bear, Winnie-the-Pooh and Peter Rabbit as an essential part of our literary heritage. Look out for more Thomas & Friends books to share with young children including: Thomas & Friends: Pocket Library – 9781405293006 Thomas & Friends: Noisy Sound Book – 9781405295208 Thomas & Friends: My Thomas Potty Book – 9781405289566 Thomas & Friends: My First Words Sticker Book – 9781405288941

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This collection provides vivid ethnographic explorations of particular, local Christianities as they are experienced by different groups around the world. At the same time, the contributors, all anthropologists, rethink the vexed relationship between anthropology and Christianity. As Fenella Cannell contends in her powerful introduction, Christianity is the critical “repressed” of anthropology. To a great extent, anthropology first defined itself as a rational, empirically based enterprise quite different from theology. The theology it repudiated was, for the most part, Christian. Cannell asserts that anthropological theory carries within it ideas profoundly shaped by this rejection. Because of this, anthropology has been less successful in considering Christianity as an ethnographic object than it has in considering other religions. This collection is designed to advance a more subtle and less self-limiting anthropological study of Christianity.The contributors examine the contours of Christianity among diverse groups: Catholics in India, the Philippines, and Bolivia, and Seventh-Day Adventists in Madagascar; the Swedish branch of Word of Life, a charismatic church based in the United States; and Protestants in Amazonia, Melanesia, and Indonesia. Highlighting the wide variation in what it means to be Christian, the contributors reveal vastly different understandings and valuations of conversion, orthodoxy, Scripture, the inspired word, ritual, gifts, and the concept of heaven. In the process they bring to light how local Christian practices and beliefs are affected by encounters with colonialism and modernity, by the opposition between Catholicism and Protestantism, and by the proximity of other religions and belief systems. Together the contributors show that it not sufficient for anthropologists to assume that they know in advance what the Christian experience is; each local variation must be encountered on its own terms.Contributors. Cecilia Busby, Fenella Cannell, Simon Coleman, Peter Gow, Olivia Harris, Webb Keane, Eva Keller, David Mosse, Danilyn Rutherford, Christina Toren, Harvey Whitehouse

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"Flame Wars," the verbal firefights that take place between disembodied combatants on electronic bulletin boards, remind us that our interaction with the world is increasingly mediated by computers. Bit by digital bit we are being "Borged," as devotees of Star Trek: The Next Generation would have it—transformed into cyborgian hybrids of technology and biology through our ever more frequent interaction with machines, or with one another through technological interfaces. The subcultural practices of the "incurably informed," to borrow the cyberpunk novelist Pat Cadigan’s coinage, offer a precognitive glimpse of mainstream culture in the near future, when many of us will be part-time residents in virtual communities. Yet, as the essays in this expanded edition of a special issue of the South Atlantic Quarterly confirm, there is more to fringe computer culture than cyberspace. Within these pages, readers will encounter flame warriors; new age mutant ninja hackers; technopagans for whom the computer is an occult engine; and William Gibson’s "Agrippa," a short story on software that can only be read once because it gobbles itself up as soon as the last page is reached. Here, too, is Lady El, an African American cleaning woman reincarnated as an all-powerful cyborg; devotees of on-line swinging, or "compu-sex"; the teleoperated weaponry and amok robots of the mechanical performance art group, Survival Research Laboratories; an interview with Samuel Delany, and more.Rallying around Fredric Jameson’s call for a cognitive cartography that "seeks to endow the individual subject with some new heightened sense of place in the global system," the contributors to Flame Wars have sketched a corner of that map, an outline for a wiring diagram of a terminally wired world. Contributors. Anne Balsamo, Gareth Branwyn, Scott Bukatman, Pat Cadigan, Gary Chapman, Erik Davis, Manuel De Landa, Mark Dery, Julian Dibbell, Marc Laidlaw, Mark Pauline, Peter Schwenger, Vivian Sobchack, Claudia Springer

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"Flame Wars," the verbal firefights that take place between disembodied combatants on electronic bulletin boards, remind us that our interaction with the world is increasingly mediated by computers. Bit by digital bit we are being "Borged," as devotees of Star Trek: The Next Generation would have it—transformed into cyborgian hybrids of technology and biology through our ever more frequent interaction with machines, or with one another through technological interfaces. The subcultural practices of the "incurably informed," to borrow the cyberpunk novelist Pat Cadigan’s coinage, offer a precognitive glimpse of mainstream culture in the near future, when many of us will be part-time residents in virtual communities. Yet, as the essays in this expanded edition of a special issue of the South Atlantic Quarterly confirm, there is more to fringe computer culture than cyberspace. Within these pages, readers will encounter flame warriors; new age mutant ninja hackers; technopagans for whom the computer is an occult engine; and William Gibson’s "Agrippa," a short story on software that can only be read once because it gobbles itself up as soon as the last page is reached. Here, too, is Lady El, an African American cleaning woman reincarnated as an all-powerful cyborg; devotees of on-line swinging, or "compu-sex"; the teleoperated weaponry and amok robots of the mechanical performance art group, Survival Research Laboratories; an interview with Samuel Delany, and more.Rallying around Fredric Jameson’s call for a cognitive cartography that "seeks to endow the individual subject with some new heightened sense of place in the global system," the contributors to Flame Wars have sketched a corner of that map, an outline for a wiring diagram of a terminally wired world. Contributors. Anne Balsamo, Gareth Branwyn, Scott Bukatman, Pat Cadigan, Gary Chapman, Erik Davis, Manuel De Landa, Mark Dery, Julian Dibbell, Marc Laidlaw, Mark Pauline, Peter Schwenger, Vivian Sobchack, Claudia Springer

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THE FIRST IN A THRILLING NEW SERIES FROM THE NO.1 BESTSELLERKaren Pirie returns . . . Pre-order Past Lying, the eagerly-awaited new Karen Pirie thriller, publishing October 2023____________________She's on the hunt for a killer story . . . 1979. It's the winter of discontent, and Allie Burns is chasing her first big scoop. One of few women in the newsroom, she needs something explosive for the boys' club to take her seriously.Soon Allie and fellow reporter Danny Sullivan are making powerful enemies with their investigations - and Allie won't stop there. When she discovers a terrorist threat close to home, she devises a dangerous plan to make her name.But Allie is a woman in a man's world . . . and putting a foot wrong could be fatal.____________________'A supremo of the genre at the height of her powers' PETER JAMES'The Queen of Crime has delivered another masterpiece' DAVID BALDACCI'Allie is a fabulous character, I'll go wherever she takes me' MARIAN KEYES'A thrilling snapshot of a fascinating era' JANE HARPER'McDermid at her nail-biting, heart-rending best' CHRIS WHITAKER'Her best book in years' THE TIMES, BOOK OF THE MONTH'Allie Burns is off to a flying start, and well worth following' SCOTSMAN'A perfect snapshot of the social and political issues of the time' LINWOOD BARCLAY'Full of wit, thrills and incisive social observation and features a marvellous new character' MICK HERRON'I have been reading Val McDermid for twenty-five years, so I am really saying something when I tell you I enjoyed this novel the most' CHRIS BROOKMYRE'The good news is that this excellent novel marks the start of a new series' GUARDIAN'Brilliant characters, masterful plotting' CHRIS HAMMER'An excellent opener to what promises to be an outstanding series' SPECTATOR'The fast-paced storytelling flows irresistibly' IRISH TIMES'Riveting' DAILY EXPRESS'Sensational. One of Britain's most accomplished writers' SUNDAY EXPRESS'A nail-biting new series' OBSERVER

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A new edition of the essential chronicle of disco culture In 1973, Vince Aletti became the first person to write about the emerging disco scene. His engagement with disco nightlife continued throughout the decade as he wrote his weekly column for Record World magazine, which incorporated top ten playlists from DJs across the US (such as Larry Levan, Larry Sanders, Walter Gibbons, Tee Scott and Nicky Siano) alongside Aletti's own writings and interviews. As disco grew from an underground secret to a billion-dollar industry, Aletti was there to document it, and The Disco Files is his personal memoir of those days, containing everything he wrote on the subject (most of it between 1974 and1978) augmented with photography by Peter Hujar and Toby Old. This book is the definitive and essential chronicle of disco, true from-the-trenches reporting that details, week by week, the evolution of the clubs, the DJs, and above all, the music, through magazine articles, beautiful photographs, hundreds of club charts and thousands of record reviews. Photocopies of Aletti's Record World columns circulated for years among DJs and music lovers, until they were finally collected in 2009 into the first edition of The Disco Files, an instant classic that quickly sold out. This new edition of The Disco Files brings Aletti's compulsively readable disco writing back into print, adding an interview with Fran Lebowitz originally published in the Village Voice in 1990. Throughout his career, curator, writer and critic Vince Aletti (born 1945) has been at the forefront of music, culture and the arts. He wrote for Record World and Rolling Stone and covered the club scene in the late 1970s and 1980s for the Village Voice, where he would serve as art editor until 2005. In addition to curating numerous photography exhibitions, Aletti writes about photography for the New Yorker.

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THE BRAND NEW BLOCKBUSTER NOVEL WITH THE HIGH-STAKES THRILLS OF SLOW HORSES AND THE ADRENALINE-SOAKED EXCITEMENT OF BOX 88**SUNDAY TIMES THRILLER OF THE MONTH**'A breathtaking thriller. A classic in the making' PETER JAMES'A shot in the arm for thriller fans' THE TIMES'Hugely impressive and compelling' WILLIAM BOYD'Look out for The Scarlet Papers . . . Engrossing' STEVE CAVANAGH'The most impressive espionage debut since Mick Herron's Slow Horses' DAILY MAIL'Magnificent' LITERARY REVIEW'Superbly constructed and written with flair. This might be the best spy novel of the year' SUNDAY TIMES'The Cold War is given a new twist ... Impressive, superior spy stuff' SHOTS MAGAZINE___________VIENNA, 1946: A brilliant German scientist snatched from the ruins of Nazi Europe.MOSCOW, 1964: A US diplomat caught in a clandestine love affair as the Cold War rages.RIGA, 1992: A Russian archivist selling secrets that will change the twentieth century forever.LONDON, THE PRESENT DAY: A British academic on the run with the chance to solve one of history's greatest mysteries.Their stories, their lives, and the fate of the world are bound by a single manuscript. A document feared and whispered about in capitals across the globe. In its pages, history will be rewritten. It is only ever known as . . .THE SCARLET PAPERSThe devastating secrets contained within teased by a brief invitation:Tomorrow 11AM. Take a cab and pay in cash. Tell no one.___________'Smart, slick and totally gripping . . . The Scarlet Papers is always credible, always startling and almost painfully human. A total triumph' TONY PARSONS'A masterpiece' TIM GLISTER'Grand in scope and packed with fascinating insights' MICK HERRON'An extraordinary novel' HOLLY WATT'Addictive, original and outrageously entertaining . . . Matthew Richardson proves himself a writer of huge talent and skill' CHARLOTTE PHILBY'An epic read!' JEREMY DUNS

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Can you ever escape from the shadows of your past?'I couldn't put it down!' Sam Blake'The narrative is multi-layered and bound by emotional integrity.' Candis'A compelling story of love, relationships, and the grief of two families suffering traumatic losses.' Peterborough Evening Telegraph_________________Eighteen-year-old Emma has loving parents and a promising future ahead of her.So why, one morning, does she leave home without a trace?Her parents, Cath and Jim, are devastated. They have no idea why Emma left, where she is - or even whether she is still alive.A year later, Cath and Jim are still tormented by the unanswered questions Emma left behind, and clinging desperately to the hope of finding her.Meanwhile, tantalisingly close to home, Emma is also struggling with her new existence - and with the trauma that shattered her life.For all of them, reconciliation seems an impossible dream. Does the way forward lie in facing up to the secrets of the past - secrets that have been hidden for years?Secrets that have the power to heal them, or to destroy their family forever ..._________________Readers can't get enough of The Shadow Child ...'Make sure you have plenty of tissues nearby, you are going to need them.' Bunnys Pause'A touching and engaging read.' Sharon Beyond the Books'A compelling, complex book about the twisting paths of life, loss and hope.' Bookmarks and Stages'Beautifully written and I can't recommend it enough, it's just so brilliant!' Two Ladies and a Book'I loved this book.' Varietats'Overall I thought this was an excellent read, and one I couldn't put down!' Books Cats Etc 'It kept me turning the pages as I was drawn into all their lives.' LibcReads 'A book full of emotion, and a really great read.' Curling up with a coffee 'A truly lovely story that I would absolutely recommend.' Kim's Reading Adventure

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Known: A Study of the Good Shepherd is a 10–week Bible study with a strong exegetical bent and a touch of devotion. In it, the reader is taken on a journey to encounter our great Shepherd by using the framework of Psalm 23, layered with other passages of scripture that reveal the Lord as our Shepherd. The reader studies the text to first discover what it tells us about the Lord through observation and interpretation. The goal of the study is for the reader to be able to discover what the Biblical text means to her own life, in light of who God is and what He has done, with application coming after sound observation and interpretation because the Bible is first and foremost about God! The first week of the study is a straight–forward Biblical theology outline on the theme of the Lord as our Shepherd, in which the reader uncovers this theme from the front cover of the Bible to the back. She is invited to spend as much or as little time as her schedule allows in completing this overview, and an appendix with a sample outline is included at the end of the manuscript. The second week of Known ushers in our exegetical studies as we dig deeply into Psalm 23. Each subsequent week contains a study of a different passage of the Bible that correlates with a specific verse of Psalm 23 and highlights an aspect of our Shepherd that is discovered in the psalm. The homework questions assist the reader in studying each of these selections verse–by–verse. We study John 10 to see how Jesus is the Shepherd, we look at Ezekiel 34:11–31 to learn about the pasture provided to us by our Shepherd, we delve into Psalm 30 to discuss restoration by the Shepherd, and we discover our righteousness found in the Shepherd in Romans 4:13–5:2. The study also covers suffering as a follower of the Shepherd as seen in 1 Peter 4:12–5:11, comfort found in the Shepherd with Isaiah 40, the preparation and blessing of the Shepherd which we will study in John 14, and our eternal hope in the Shepherd as we unpack Revelation 21:1–22:5.

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No one in Lochdubh expects Dorothy to stay for long...She is, after all, entirely unsuitable. She's an uptown girl, used to a fancy lifestyle in the big city of Glasgow. She'll never fit in. And how is that work-shy rogue Hamish Macbeth supposed to get anything done when his new assistant is such a distraction? The village needs a police sergeant who can get on with his job, not one who's constantly swooning over his pretty young constable.Yet PC Dorothy McIver quickly shows how determined she is to win over the locals, and she certainly seems to bring out the best in Macbeth. Then comes a brutal murder and the pair find themselves plunged into a tangled web of conspiracy that acquires a sinister strand when the chilling shadow of Glasgow's underworld creeps to the Highlands and the peaceful village of Lochdubh.Through it all, the bond between Hamish and Dorothy grows ever stronger. Has Hamish Macbeth finally found the love of his life - and can he track down the murderer before any hope he has for a blissful future is destroyed?'This Hamish Macbeth novel maintains Beaton's distinctive voice and includes the usual village eccentrics, loads of Scottish lore, and the light humor that Beaton fans have loved through the years. . . A definite purchase for all mystery collections' Starred Review, Library Journal'Unmissable!' Peterborough Telegraph Praise for the Hamish Macbeth series:'First rate ... deft social comedy and wonderfully realized atmosphere.' Booklist'It's always a treat to return to Lochdubh.' New York Times'Readers will enjoy the quirks and unique qualities of the cast ... Beaton catches the beauty of the area's natural geography and succinctly describes its distinct flavour.' Library Journal'Befuddled, earnest and utterly endearing, Hamish makes his triumphs sweetly satisfying.' Publishers Weekly

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Graham Bonnet was born in Skegness in 1947 and had his first hit single with The Marbles in 1968, "Only One Woman" which reached Number 5 in the UK Singles Chart.....So runs Graham Bonnet's wikipedia entry. Of The Skyliners, The Peter Tomlinson Band, The Jimmy Aldred Band, The Jan Ramsden Band, The Missing Links, The Blueset, The Bluesect and The Graham Bonnet Set not a word. This new biography of the much travelled rock singer more than fills the missing gaps. After his work with The Marbles, Bonnet delivered a well-regarded solo album in 1977 which was the spring-board for his rock career, with Ritchie Blackmore's Rainbow the first to call. After the chart album Down To Earth, Rainbow suddenly found themselves with well-crafted AOR hits in the shape of "Since You Been Gone" and "All Night Long". The band headlined the first Donnington Monsters Of Rock festival in 1980, but Bonnet quit to record a star-studded solo album and top ten single Night Games. Bonnet was then quickly snapped up by ex-UFO guitarist Michael Schenker in the Michael Schenker Group (MSG) for the powerful Assault Attack album. Bonnet's most consistent rock project came in 1983 when he decided to put his own band together; Alcatrazz became a huge draw on the rock circuit for the next four years, with a number of albums to their name. They became particularly successful in Japan (where Bonnet remains very successful.) Now based in LA, the ever adaptable Bonnet continues to record and tour on a regular basis, with a new album issued just a few months ago. Watching Rainbow live in 1980, no lesser person than Ozzy Osbourne described Graham's performance as the best by a rock vocalist he had ever witnessed.

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As she checked into the lush Beverly Hills Hotel, Tanya Harris dreaded being away from her husband, Peter, and three teenaged children. Dressed as pure Marin County mom among supermodels and movie stars, Tanya was here to do a major screenplay after years of writing stories and articles on the side, always putting her family first. And when Tanya steps into her temporary home, she is amazed at what she finds: lilies, orchids and roses. A pink marble tub. Her favorite chocolates, a cashmere robe, and slippers that fit perfectly. Things are going to be different in Bungalow 2.From her first day on the set, Tanya is thrust into an intoxicating new world, where friendships and romances come and go . . . and where she feels reborn, energized by the creativity and genius swirling around her. Suddenly she's working alongside A-list actors and a Hollywood legend: Oscar-winning producer Douglas Wayne, a man who always gets what he wants - and seems to have his sights set on her. Flying back to Marin County between shoots, struggling to reconnect with a family that seems to need her less and less, Tanya watches helplessly as her old life is pulled out from under her in the most crushing of ways. As her two lives collide, as one Award-winning film leads to another, Tanya begins to wonder if she can be a wife, a mother and a writer at the same time. And just as she confronts the toughest choice she has faced, she is offered another dazzling opportunity - one that could recast her story in the most amazing of ways, complete with an ending she never could have written herself. In Bungalow 2, Danielle Steel takes us into a world few ever see - a world of fame and fortune, celebrity and genius - daring to show us the real lives, real dreams, and real struggles hidden beneath the flash and glitter of Hollywood.

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'Dr Moore's 1000-day-plus journey evocatively and beautifully describes the mental devastation that personal loss can leave in its wake and offers us the remarkable combination of expert commentary and an intensely personal captivating narrative.'- Peter Fonagy OBE, Professor of Contemporary Psychoanalysis and Head of Division of Psychology and Language Sciences, UCL'A book that appeals to different audiences. It will reach out to those who have lost loved ones and need the comfort and solace of knowing that they are not alone in their suffering.'- Lusia Stopa, Professor of Clinical Psychology, University of SouthamptonVanessa's husband Paul dies suddenly and tragically on their regular Sunday morning swim. How will she cope with her dilapidated house, her teenage children, the patients who depend on her? Will therapy help? Why do mysterious white feathers start appearing in unexpected places?As a clinical psychologist, Vanessa Moore is used to providing therapy and guidance for her patients. But as she tries to work out how to survive the trauma that has derailed her life, she begins to understand her profession from the other side. Like her, many of her patients were faced with life events they hadn't been expecting - a child born with a disability or life-limiting illness, a sudden bereavement, divorce, failure - and it is their struggles and stories of resilience and bravery that begin to help her process her own personal loss. Taking us through her journey towards recovery as she navigates the world of dating and tries to seek the right therapy, Vanessa uses her professional skills to explore the many questions posed by unanticipated death and find a way forwards. Beautifully written and honestly relayed, Sudden Loss, Slow Grieving is a heartbreaking grief memoir of the process of healing experienced as both a bereaved wife and clinical psychologist.

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Three amazing full-colour Agent Moose adventures in one bumper book! Previously published as individual books: Agent Moose, Moose on a Mission and Operation Owl Meet Agent Moose: the best (worst) secret agent in the Big Forest. BOOK 1: Agent Moose - Agent Moose and his sidekick Owlfred are on the case in this full colour graphic novel series. Something fishy is going on at the South Shore. Folks just disappear and are never seen again. But when Agent Moose learns that a key witness has gone missing, he and Owlfred ride to the rescue. Will they find the missing turtle before time runs out? BOOK 2: Moose on a Mission - There's big news in the Big Forest! The circus is in town, Granny Moose is coming to visit, and someone is stealing from innocent animals. Agent Moose and Owlfred rush to investigate, with Granny along for the ride! Can they solve this mystery and catch the crook? BOOK 3: Operation Owl - Strange flash floods are making waves all over the Big Forest! When Madame HQ is nabbed right out of a very wet Woodland HQ, Agent Moose and Owlfred must wade through clues to get her back and stop the mystery criminal making a big splash in Big Forest! Can they find this fiendish villain before Big Forest floats away? Fans of Dog Man, Cat Kid Comic Club and Captain Underpants will love this series Hilarious full-colour pictures on every page Brilliantly illustrated by the winner of the 2021 Blue Peter Best Book with Facts Award for A Day in the Life of a Poo, a Gnu and You. PRAISE FOR AGENT MOOSE "This brilliantly funny and accessible graphic novel stars quirky, likable characters and has just the right amount of witty spy humour to entertain and engage young readers." - BOOKTRUST "Mixing a hint of danger with a lot of humor, O’Hara and Bradley create a winsome forest-animal spin on traditional espionage tales" - Publishers Weekly "The beautiful illustrations, clever word play and twists in the tale make this a recommended read for KS2 readers, particularly for children who may feel overwhelmed with long pages of text." - Just Imagine

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The bestselling business classic on the power of relationships, updated with in-depth advice for making connections in the digital world 'Don't walk . . . RUN to your closest bookstore. The most extraordinary and valuable book I've come across in a long, long time' Tom PetersDo you want to get ahead in life? Climb the ladder to success? Master networker Keith Ferrazzi says the secret is in reaching out to others. As he discovered early in life, what distinguishes highly successful people is the way they use the power of relationships - so that everyone wins. Never Eat Alone: Expanded and Updated lays out the steps and mindset Ferrazzi uses to connect with thousands of colleagues, friends, and associates: people he has helped and who have helped him. This form of connecting to the world is based on generosity; Ferrazzi distinguishes gen­uine relationship-building from crude glad-handing. These practical, proven principles include: don't keep score (make sure other people get what they want, too); 'ping' constantly (reach out to your contacts all the time - not just when you need something); never eat alone ('invisibility' is a fate worse than failure); and become the 'king of content' (use social media to make meaningful connections). In this classic, global bestseller you'll discover the timeless strategies used by the world's most connected people, from Bill Clinton to the Dalai Lama. And you'll learn how to transform your own network, career and life.'A step-by-step way to build relationships with anyone. The tone is engaging and the advice practical' New York Times 'Cleverly mixes anecdotes with cogent advice and suggests concrete steps readers can take toward improvement' USA TodayKeith Ferrazzi is the founder and CEO of the training and con­sulting company Ferrazzi Greenlight and a contributor to Inc., the Wall Street Journal, and Harvard Business Review. Earlier in his career, he was the CMO of Deloitte Consulting and of Starwood Hotels and Resorts, and the CEO of YaYa Media. He lives in Los Angeles.Tahl Raz has written for Inc., the Jerusalem Post, the San Francisco Chronicle, and GQ. Raz lives in New York City.

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Making Believe responds to a remarkable flowering of art by Mennonites in Canada. After the publication of his first novel in 1962, Rudy Wiebe was the only identifiable Mennonite literary writer in the country. Beginning in the 1970s, the numbers grew rapidly and now include writers Patrick Friesen, Sandra Birdsell, Di Brandt, Sarah Klassen, Armin Wiebe, David Bergen, Miriam Toews, Carrie Snyder, Casey Plett, and many more. A similar renaissance is evident in the visual arts (including artists Gathie Falk, Wanda Koop, and Aganetha Dyck) and in music (including composers Randolph Peters, Carol Ann Weaver, and Stephanie Martin). Confronted with an embarrassment of riches that resist survey, Magdalene Redekop opts for the use of case studies to raise questions about Mennonites and art. Part criticism, part memoir, Making Believe argues that there is no such thing as Mennonite art. At the same time, her close engagement with individual works of art paradoxically leads Redekop to identify a Mennonite sensibility at play in the space where artists from many cultures interact. Constant questioning and commitment to community are part of the Mennonite dissenting tradition. Although these values come up against the legacy of radical Anabaptist hostility to art, Redekop argues that the Early Modern roots of a contemporary crisis of representation are shared by all artists. Making Believe posits a Spielraum or play space in which all artists are dissembling tricksters, but differences in how we play are inflected by where we come from. The close readings in this book insist on respect for difference at the same time as they invite readers to find common ground while making believe across cultures.

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Escape to the Cornish coast with this irresistible summer read, perfect for fans of Jill Mansell and Philippa Ashley. The Cornish fishing village of Tremarnock seems to have it all. Charming houses cling to the hillside and cluster round the harbour where fishermen unload their catch each day. Everyone knows everyone, and mostly they look out for each other. But throw a stranger – a beautiful stranger – into the mix and all bets are off. Chabela Penhallow arrives for a holiday from Mexico to find out more about her Cornish ancestors. But no sooner has she arrived than rumours start to fly. Why has she really come? And what is she running from? Can the inhabitants of Tremarnock discover her secrets before their peaceful seaside village is thrown into turmoil? Reviews for the Tremarnock series: 'A charming, warm-hearted read... Pure escapism' Alice Peterson. 'Burstall is a great writer, and this is not your usual run-of-the-mill chick lit... I was gripped from the start' Daily Mail. 'The literary equivalent of a gin and tonic on a hot summer's day... A delicious, delightful and decadent tale' Bookish Jottings. 'Burstall has created a little sanctuary, which will have readers eager to book a Cornish holiday as soon as possible... A heart-warming, "feel-good" novel that makes you feel warm and fuzzy inside. I can't wait for the next book in the series so that I can return' Bookbag. 'Burstall has a true knack for transporting you to her world, amidst beautiful Cornish countryside' Jane Corry.

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The first sustained interrogation of travel in Sebald's literary and essayistic work, employing multivalent and new critical perspectives. W.G. Sebald (1944-2001) is the most prominent and perhaps the most enigmatic German-language writer of recent decades. His books have had a more profound impact outside the German-speaking world than those of any other. His innovative approach to writing brings to the fore concerns that are central to contemporary culture: the relationship between memory, history, and trauma; the experience of exile and our relation to place; and the role of literature (and photography) in the remembrance of the past. This collection of essays places travel at the center of Sebald's poetics and shows how his appropriation of travel in its myriad historical and cultural forms -- tourism, the pilgrimage, the walking vacation, travel as escape -- works to craft intertextual narratives in which the pursuit of individual life stories is mapped onto a wider European cultural history of loss and destruction. Following these cues,the contributors wander the various modalities of travel in Sebald's writing in order to discover how walking, flying, sojourning, and other kinds of peregrination inform the relationship between writing, reading, memory, and place in Sebald's work. At the same time, the essays uncover in innovative ways the affinities between Sebald and literary travelers like Bruce Chatwin, Franz Kafka, Adalbert Stifter, Christoph Ransmayr, and Joseph Conrad. Contributors: Christian Moser, J. J. Long, Carolin Duttlinger, Martin Klebes, Alan Itkin, James Martin, Brad Prager, Neil Christian Pages, Margaret Bruzelius, Barbara Hui, Dora Osborne, Peter Arnds. Markus Zisselsbergeris Assistant Professor of German at the University of Miami, Florida.

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Shortlisted for the Ondaatje Prize 2020 ‘An astonishing novel that is beautifully written but underpinned by a quiet simmering anger about injustice and unrealistic expectations of a family – and of life in contemporary India’ Peter Frankopan ‘A shattering study of disaffection and belonging … This is a concise novel of staggering depth …Disturbing, deep and utterly extraordinary’ Bidisha, Observer An Irish Times Book of the Year 2019 Escaping her failing marriage, Grace has returned to Pondicherry to cremate her mother. Once there, she finds herself heir to an unexpected inheritance. First, there is the strange pink house, blue-shuttered, out on a spit of the wild beach, haunted by the rattle of fishermen in their catamarans. And then there is the sister she never knew she had: Lucia, who has spent her life in a residential facility. Soon Grace sets up a new and precarious life in this lush, melancholy wilderness, with Lucia, the village housekeeper Mallika, the drily witty Auntie Kavitha and an ever-multiplying litter of puppies. Here in Paramankeni, with its vacant bus stops colonised by flying foxes, its temples and step-wells shielded by canopies of teak and tamarind, where every dusk the fishermen line the beach smoking and mending their nets, Grace feels that she has come to the very end of the world. But Grace’s attempts to play house prove first a struggle, then a strain, as she discovers the chaos, tenderness, fury and bewilderment of life with Lucia. Luminous, funny, surprising and heartbreaking, Small Days and Nights is the story of a woman caught in a moment of transformation, and the sacrifices we make to forge lives that have meaning.

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"Through meticulous scholarship and fine writerly craft, Gregory offers a riveting story of two creative geniuses at work."― Slavonic and East European Journal Accessible and engaging, Antosha and Levitasha will appeal to scholars and general readers interested in art history, late nineteenth-century Russian culture, and biographies. Antosha and Levitasha is the first book in English devoted to the complex relationship between Anton Chekhov and Isaac Levitan, one of Russia's greatest landscape painters. Outside of Russia, a general lack of familiarity with Levitan's life and art has undermined an appreciation of the cultural significance of his friendship with Chekhov. Serge Gregory's highly readable study attempts to fill that gap for Western readers by examining a friendship that may have vacillated between periods of affection and animosity, but always reflected an unwavering shared aesthetic. In Russia, where entire rooms of galleries in Moscow and St. Petersburg are devoted to Levitan's paintings, the lives of the famous writer and the equally famous artist have long been tied together. To those familiar with the work of both men, it is evident that Levitan's "landscapes of mood" have much in common with the way that Chekhov's characters perceive nature as a reflection of their emotional state. Gregory focuses on three overarching themes: the artists' similar approach to depicting landscape; their romantic and social rivalries within their circle of friends, which included many of Moscow's leading cultural figures; and the influence of Levitan's personal life on Chekhov's stories and plays. He emphasizes the facts of Levitan's life and his place in late nineteenth-century Russian art, particularly with respect to his dual loyalties to the competing Itinerant and World of Art movements.

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