Search results for ""Author Sixth"

Completely hilarious … kind of The League of Gentlemen for kids' Zoe Ball Shabba me whiskers! It's a bold new look for Mr Gum, the best-selling cult classic, ready for a new generation of nibbleheads. Mr Gum's back! But what's he up to this time? Oh, dreadful things my friends, dreadful things indeed. It seems he's found himself a brand new treat – rancid kebabs just dripping with dirty grey sauce. And he just can't get enough of them. He's gotta have more! More! Less! I mean, More! But not everyone's too happy about Mr Gum's new dinnertime arrangements and soon the town of Lamonic Bibber is gearing up for war. Can Polly and her friends save the town from being torn apart? Will Mr Gum's hunger ever be satisfied? And who on earth is Thora Gruntwinkle? All will be revealed when you read "What's For Dinner, Mr Gum?" You'll see a gingerbread man driving through London! You'll see an annoying little monkey driving everyone mad! You'll see Friday O'Leary falling asleep in a hedge! Yes, it's all there in glorious black and white, my friends. Except for the cover, which is in colour. It's Bonus. What's for Dinner, Mr Gum? is the sixth book in the internationally best-selling series by Andy Stanton, which has won everything from the Blue Peter Book Award (twice) to the Roald Dahl Funny Prize and the Red House Children’s Book Award. Don't miss Mr Gum's other villainously brilliant adventures… You're a Bad Man, Mr Gum! Mr Gum and the Biscuit Billionaire Mr Gum and the Goblins Mr Gum and the Power Crystals Mr Gum and the Dancing Bear What's for Dinner, Mr Gum? Mr Gum and the Cherry Tree Mr Gum and the Secret Hideout Andy Stanton studied English at Oxford but they kicked him out. Before becoming a children’s writer he was a film script reader, a market researcher, an NHS lackey, a part-time sparrow and a grape. He is best known for the hilarious, bestselling and award-winning Mr Gum series and has also written picture books, including Danny McGee Drinks the Sea. Andy lives in North London and likes cartoons, books and music (even jazz). David Tazzyman studied illustration at Manchester Metropolitan University. As well as illustrating the Mr Gum series, he has illustrated many picture books Eleanor's Eyebrows, You Can't Take an Elephant on the Bus, Michael Rosen's Jelly Boots, Smelly Boots and My Mum's Growing Down by Laura Dockrill. He lives in Leicester with his wife and three sons.

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The book aims at a new exposition of the basic idea of modern aesthetics by way of a reconstruction of its genesis in the 18th century, between Baumgarten’s Aesthetics and Kant’s Critique of Judgment. The claim is that the historical invention of aesthetics was not about expanding the range of legitimate objects of philosophical inquiry—these objects all existed before aesthetics. Rather, aesthetics, by introducing the category of the “aesthetic,” fundamentally redefined these objects. But most importantly, the reconstruction of the historical genesis of aesthetics shows that the introduction of the category of the “aesthetic” required nothing less than a transformation of the fundamental terms of philosophy. What begins in—or as—aesthetics is modern philosophy. More precisely, Force shows that in—or as—aesthetics modern philosophy began twice, in two different, even opposite forms. On the one hand, Baumgarten’s Aesthetics is organized around the new concept of the “subject”: the concept of the subject as the totality of faculties, as the agent defined by his capabilities; of the subject as one who is able. By conceiving sensible cognition and (re)presentation as the exercise of subjective faculties acquired in practice, Baumgarten has framed the modern conception of human practices (and of philosophy as the inquiry into the conditions that enable the success of these practices). That is why aesthetics, the reflection upon the aesthetic, is a central pillar of modern philosophy: in aesthetics, the philosophy of the subject or of the subject’s faculties assures itself of its own possibility. Yet here, in the aesthetic and the reflection on it, the aesthetics “in the Baumgartian manner” (Herder), as the theory of the sensible faculties of the subject, at once faces a different aesthetics: the aesthetics of force, which conceives the aesthetic not as sensible cognition but instead as a play of expression—propelled by a force that, rather than being exercised, like a faculty, in practices, realizes itself; a force that does not recognize or represent anything because it is “obscure” and unconscious; a force not of the subject but of man as distinct from the same man as subject. The aesthetics of force is a science of the nature of man: of his aesthetic nature as distinct from the culture, acquired by practice, of his practices. That is the hypothesis the six chapters of Force intend to unfold. The first chapter, analyzing the rationalist concept of the sensible, recollects the point of departure of aesthetics: the sensible is that which is without determinable definition or measure. The second chapter reconstructs Baumgarten’s aesthetics of sensible cognition as a theory of the subject and its faculties. The third and fourth chapters draw on writings by Herder, Sulzer, and Mendelssohn to develop the basic motifs of a counter-model, an aesthetics of force: the aesthetic, as the operation of an “obscure” force, is a performance without generality, divorced from all norm, law, and purpose—a play. And the aesthetic, as the pleasure of self-reflection, is a process of the transformation of the subject, of its faculties and practices—a process of aestheticization. The aesthetics of force founds an anthropology of difference: between force and faculty, between man and subject. The two concluding chapters explore the consequences: for the idea of philosophical aesthetics; and for ethics as the theory of the good. The fifth chapter engages Kant to show that an aesthetics conceived as an aesthetics of force is the scene of an irresolvable contention: aesthetics unfolds within philosophy the contention between philosophy and aesthetic experience. The sixth chapter draws on Nietzsche to demonstrate the ethical import of aesthetic experience as the experience of the play of force: it teaches us to distinguish between action and life; it teaches the other good of life. – “The last word of aesthetics is human freedom.”

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Walter Benjamin was one of the most original and important critical voices of the twentieth century, but until now only a few of his writings have been available in English. Harvard University Press has now undertaken to publish a significant portion of his work in definitive translation, under the general editorship of Michael W. Jennings. This volume, the first of three, will at last give readers of English a true sense of the man and the many facets of his thought. (The magnum opus of Benjamin’s Paris years, The Arcades Project, has been published in a separate volume.) Walter Benjamin emerged from the head-on collision of an idealistic youth movement and the First World War, which Benjamin and his close friends thought immoral. He walked away from the wreck scarred yet determined “to be considered as the principal critic of German literature.” But the scene, as he found it, was dominated by “talented fakes,” so—to use his words—“only a terrorist campaign would I suffice” to effect radical change. This book offers the record of the first phase of that campaign, culminating with “One Way Street,” one of the most significant products of the German avant-garde of the Twenties. Against conformism, homogeneity, and gentrification of all life into a new world order, Benjamin made the word his sword. Volume I of the Selected Writings brings together essays long and short, academic treatises, reviews, fragments, and privately circulated pronouncements. Fully five-sixths of this material has never before been translated into English. The contents begin in 1913, when Benjamin, as an undergraduate in imperial Germany, was president of a radical youth group, and take us through 1926, when he had already begun, with his explorations of the world of mass culture, to emerge as a critical voice in Weimar Germany’s most influential journals. The volume includes a number of his most important works, including “Two Poems by Friedrich Hölderlin,” “Goethe’s Elective Affinities,” “The Concept of Criticism in German Romanticism,” “The Task of the Translator,” and “One Way Street.” He is as compelling and insightful when musing on riddles or children’s books as he is when dealing with weightier issues such as the philosophy of language, symbolic logic, or epistemology. We meet Benjamin the youthful idealist, the sober moralist, the political theorist, the experimentalist, the translator, and, above all, the virtual king of criticism, with his magisterial exposition of the basic problems of aesthetics. Benjamin’s sentences provoke us to return to them again and again, luring us as though with the promise of some final revelation that is always being postponed. He is by turns fierce and tender, melancholy and ebullient; he is at once classically rooted, even archaic, in his explorations of the human psyche and the world of things, and strikingly progressive in his attitude toward society and what he likes to call the organs of the collective (its architectures, fashions, signboards). Throughout, he displays a far-sighted urgency, judging the present on the basis of possible futures. And he is gifted with a keen sense of humor. Mysterious though he may sometimes be (his Latvian love, Asia Lacis, once described him as a visitor from another planet), Benjamin remains perhaps the most consistently surprising and challenging of critical writers.

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Examination of Musculoskeletal Injuries, Fourth Edition With Web Resource, guides current and future athletic trainers and rehabilitation professionals through the examination and evaluation of musculoskeletal injuries both on and off the field. The text presents injury examination strategies in on-site, acute, and clinical settings and provides the information on mastering the skills needed for the Board of Certification examination for athletic trainers as determined by the sixth edition of Athletic Training Role Delineation Study/Practice Analysis for entry-level athletic trainers. This updated fourth edition contains foundational information on a wide spectrum of injuries and the appropriate tests for examining and diagnosing them. Readers will learn to obtain an accurate injury history from the patient, inspect the injury and related areas, test motion control, palpate both bone and soft tissues, and examine function in order to gauge the player’s readiness to return to play. The fourth edition also includes the following enhancements: • A new online video library contains more than 51 short video clips that correspond to and demonstrate evaluation techniques for various musculoskeletal disorders found throughout the text. • Full-color photos and medical artwork have been added throughout the text to clarify testing techniques and enhance knowledge of relevant body structures. • Substantial updates provide the most recent evidence-based clinical information. • An expanded selection of special tests and injury-specific examinations are now presented in a more accessible format and include a photo or video, description of the purpose, patient and clinician positions for the test, procedures performed, and possible outcomes. The content of Examination of Musculoskeletal Injuries, Fourth Edition With Web Resource, has been restructured and focused to provide applicable information in a straightforward manner. Part I is aimed at entry-level students and presents general and introductory skills for each component of injury examination, including basic terminology and a breakdown of the examination procedure. Each component is then explored in depth along with general purposes and techniques. Part I ends by incorporating the various components into a systematic strategy for examination based on severity of injury and environment. Part II then applies the principles learned in the previous chapters to the recognition and examination of injuries organized by specific regions of the body. Each chapter includes strategies for examination immediately after an injury as well as examinations seen later in a clinical setting. To assist student comprehension and knowledge retention, key terms are in boldface throughout the text and are defined in the glossary. Symbols throughout the text alert students to essential procedures and highlight important information. The web resource houses printable tables of special tests, examination checklists and forms that students can use in laboratory work and review sessions, and a robust video library. To aid instructors, the text includes a suite of ancillary materials featuring a test package, instructor guide, and presentation package plus image bank. Examination of Musculoskeletal Injuries, Fourth Edition With Web Resource, is an essential resource ffor students of athletic training and therapy as well as current practitioners in the field who wish to use evidence-based procedures in their clinical practice to ensure safe and accurate diagnoses of injuries.

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The book aims at a new exposition of the basic idea of modern aesthetics by way of a reconstruction of its genesis in the 18th century, between Baumgarten’s Aesthetics and Kant’s Critique of Judgment. The claim is that the historical invention of aesthetics was not about expanding the range of legitimate objects of philosophical inquiry—these objects all existed before aesthetics. Rather, aesthetics, by introducing the category of the “aesthetic,” fundamentally redefined these objects. But most importantly, the reconstruction of the historical genesis of aesthetics shows that the introduction of the category of the “aesthetic” required nothing less than a transformation of the fundamental terms of philosophy. What begins in—or as—aesthetics is modern philosophy. More precisely, Force shows that in—or as—aesthetics modern philosophy began twice, in two different, even opposite forms. On the one hand, Baumgarten’s Aesthetics is organized around the new concept of the “subject”: the concept of the subject as the totality of faculties, as the agent defined by his capabilities; of the subject as one who is able. By conceiving sensible cognition and (re)presentation as the exercise of subjective faculties acquired in practice, Baumgarten has framed the modern conception of human practices (and of philosophy as the inquiry into the conditions that enable the success of these practices). That is why aesthetics, the reflection upon the aesthetic, is a central pillar of modern philosophy: in aesthetics, the philosophy of the subject or of the subject’s faculties assures itself of its own possibility. Yet here, in the aesthetic and the reflection on it, the aesthetics “in the Baumgartian manner” (Herder), as the theory of the sensible faculties of the subject, at once faces a different aesthetics: the aesthetics of force, which conceives the aesthetic not as sensible cognition but instead as a play of expression—propelled by a force that, rather than being exercised, like a faculty, in practices, realizes itself; a force that does not recognize or represent anything because it is “obscure” and unconscious; a force not of the subject but of man as distinct from the same man as subject. The aesthetics of force is a science of the nature of man: of his aesthetic nature as distinct from the culture, acquired by practice, of his practices. That is the hypothesis the six chapters of Force intend to unfold. The first chapter, analyzing the rationalist concept of the sensible, recollects the point of departure of aesthetics: the sensible is that which is without determinable definition or measure. The second chapter reconstructs Baumgarten’s aesthetics of sensible cognition as a theory of the subject and its faculties. The third and fourth chapters draw on writings by Herder, Sulzer, and Mendelssohn to develop the basic motifs of a counter-model, an aesthetics of force: the aesthetic, as the operation of an “obscure” force, is a performance without generality, divorced from all norm, law, and purpose—a play. And the aesthetic, as the pleasure of self-reflection, is a process of the transformation of the subject, of its faculties and practices—a process of aestheticization. The aesthetics of force founds an anthropology of difference: between force and faculty, between man and subject. The two concluding chapters explore the consequences: for the idea of philosophical aesthetics; and for ethics as the theory of the good. The fifth chapter engages Kant to show that an aesthetics conceived as an aesthetics of force is the scene of an irresolvable contention: aesthetics unfolds within philosophy the contention between philosophy and aesthetic experience. The sixth chapter draws on Nietzsche to demonstrate the ethical import of aesthetic experience as the experience of the play of force: it teaches us to distinguish between action and life; it teaches the other good of life. – “The last word of aesthetics is human freedom.”

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"Breast cancer may very well be history's oldest malaise, known as well to the ancients as it is to us. The women who have endured it share a unique sisterhood. Queen Atossa and Dr. Jerri Nielsen-separated by era and geography, by culture, religion, politics, economics, and world view-could hardly have been more different. Born 2,500 years apart, they stand as opposite bookends on the shelf of human history. One was the most powerful woman in the ancient world, the daughter of an emperor, the mother of a god; the other is a twenty-first-century physician with a streak of adventure coursing through her veins. From the imperial throne in ancient Babylon, Atossa could not have imagined the modern world, and only in the driest pages of classical literature could Antarctica-based Jerri Nielsen even have begun to fathom the Near East five centuries before the birth of Christ. For all their differences, however, they shared a common fear that transcends time and space." -from Bathsheba's Breast In 1967, an Italian surgeon touring Amsterdam's Rijks museum stopped in front of Rembrandt's Bathsheba at Her Bath, on loan from the Louvre, and noticed an asymmetry to Bathsheba's left breast; it seemed distended, swollen near the armpit, discolored, and marked with a distinctive pitting. With a little research, the physician learned that Rembrandt's model, his mistress Hendrickje Stoffels, later died after a long illness, and he conjectured in a celebrated article for an Italian medical journal that the cause of her death was almost certainly breast cancer. A horror known to every culture in every age, breast cancer has been responsible for the deaths of 25 million women throughout history. An Egyptian physician writing 3,500 years ago concluded that there was no treatment for the disease. Later surgeons recommended excising the tumor or, in extreme cases, the entire breast. This was the treatment advocated by the court physician to sixth-century Byzantine empress Theodora, the wife of Justinian, though she chose to die in pain rather than lose her breast. Only in the past few decades has treatment advanced beyond disfiguring surgery. In Bathsheba's Breast, historian James S. Olson-who lost his left hand and forearm to cancer while writing this book-provides an absorbing and often frightening narrative history of breast cancer told through the heroic stories of women who have confronted the disease, from Theodora to Anne of Austria, Louis XIV's mother, who confronted "nun's disease" by perfecting the art of dying well, to Dr. Jerri Nielson, who was dramatically evacuated from the South Pole in 1999 after performing a biopsy on her own breast and self-administering chemotherapy. Olson explores every facet of the disease: medicine's evolving understanding of its pathology and treatment options; its cultural significance; the political and economic logic that has dictated the terms of a war on a "woman's disease"; and the rise of patient activism. Olson concludes that, although it has not yet been conquered, breast cancer is no longer the story of individual women struggling alone against a mysterious and deadly foe.

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Inspired by the oldest and best compendium of military science and competitive strategies, these 120+ pages invite you to channel your own power and success as you color them in. Sun Tzu wrote his famous battle treatise in the sixth century BC for Ho Lu, the King of Wu. The story goes that the king was so impressed with The Art of War that he appointed Sun Tzu general. After that, Ho Lu’s armies won major victories—while Sun Tzu’s fame spread. What can we learn from his book? Though first written more than 2,000 years ago, The Art of War wasn’t translated into English until the twentieth century. While translations differ, one thing they agree on is that rather than the nitty-gritty specifics about warfare, it is about strategy and tactics…strategy and tactics that are often now applied to business, politics, and everyday life. Whether you’re in business or politics—or somewhere entirely different—there’s something for you in The Art of War Coloring Book. The 120+ gorgeous coloring designs are designed to help you get coloring while you explore your own personal creative side. Because, despite the conflict connotations of this topic, the rhythm and tactile experience of applying color to paper helps you connect to your body, while the simple act of picking up a crayon can calm the mind. Whether you’re focusing on coloring dragons and warriors or lanterns and quotations, you can quiet your everyday thoughts. In addition to images of dragons, tigers, and the landscapes and architecture of ancient China, pages also include colorable quotations from Sun Tzu, such as: "He will win who knows when to fight and when not to fight." "In the midst of chaos, there is also opportunity." "He who wishes to fight must first count the cost." "The greatest victory is that which requires no battle." Just as there is no right or wrong way to use this book, there is no right or wrong way to color. You can color these unique, line-drawn illustrations however you wish and in whatever way feels right to you. Deep blues, vibrant yellows, rich reds, it’s all up to you! This is about getting in touch with what makes you powerful and distinctive, so if one coloring template doesn’t appeal to you, simply move on to one that does. On the back of each page is a meditative pattern to color in, making each drawing unique. So why make such a coloring book? One of the great things about coloring is that it’s accessible to anyone. Being able to add your own colors helps make the experience more personal, and, unlike in the boardroom, there’s no pressure to make these drawings perfect. You can cherish these masterpieces forever. So, what are you waiting for? Pick a page and get coloring.Chartwell Coloring Books is the ultimate coloring book series, encompassing designs of every kind. From intriguing abstract patterns to beautiful pictures from the natural, technological, and fantasy worlds, each of these coloring books will soothe the mind and inspire the inner creative in anyone. With so many variations of complex, beautiful designs in each book, you’ll have plenty of pages to bring to life. Whether young or old, creative or not, this series has something for you.

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'She lifted the flap of the envelope and pulled out the single white page. As she opened it up she stared, open mouthed. Four words were typed on the page. I am watching you.' When Amy Whyte and Penny Brogan leave a local nightclub in the early hours of Sunday morning and don't arrive home, their families are beside themselves with worry. Conor Dowling has just been released from prison, a man full of hatred for Amy, the girl who put him behind bars in the first place.The case is given to Detective Lottie Parker, when the girls' blood-soaked bodies are found, days later, in a derelict squat. Chillingly, both girls are clutching silver coins in their hands - what message is this killer leaving behind? All the signs point to Conor but his alibi is water tight.As Lottie examines Penny and Amy's final days alive in a desperate search for clues, two more girls are found stabbed to death in a luxury apartment complex. Caught up in what is fast becoming her toughest case yet, Lottie is unaware that somebody is watching her every move.Then Lottie's two daughters, Katie and Chloe suddenly disappear from the town centre. Terrified that the killer has her girls, the stakes have never been higher for Lottie. But as Lottie puts everything on the line to find her daughters and solve the case, she's about to find herself in terrible danger - someone has a personal axe to grind with her and they know the best way to get to her is to hurt the ones she loves the most.If you love Karin Slaughter, Robert Dugoni and Rachel Abbott, you'll be hooked by this heart-stopping thriller from Patricia Gibney. Final Betrayal will keep you guessing until the very last page. Readers are loving Final Betrayal:'Another absolutely riveting, gut gripping and unputdownable book from Patricia Gibney!! Had this read in record time!! From start to finish it was brilliant!! Literally can't wait for the next one and the outcome for Lottie and Boyd!!!!' Goodreads reviewer, 5 stars'YES . . . I just love this series! . . . With Leo Belfield back in Ragmullin . . . you know things are not going to end well!!! . . . I absolutely loved this book, I love this series, I can never say a bad word against them, they reel you in and grip you from the get-go, its like a rollercoaster which so much going on and twists and turns, your neck will be sore, is it too early to ask when the next one is ready????' Goodreads reviewer, 5 stars'The Lottie Parker series just gets better and better with each book released and Final Betrayal was just another amazing and gripping read. The town of Ragmullin is one of my favourite settings and I love how vividly Patricia Gibney brings it to life . . . What I love about Patricia Gibney is her talent at writing brilliantly twisted mysteries . . . It's an expertly and intricately-woven plot that completely had me consumed as I read, it was one of those books I was constantly thinking about when I wasn't reading it . . . It really was a fantastic read from start to finish. Roll on book seven.' Goodreads reviewer, 5 stars'I adore Lottie Parker . . . Go pick up the latest release by this fabulous author. Patricia Gibney is the best!!!!' Goodreads Reviewer, 5 stars'Well I am now a fan of Lottie Parker!! This is my first book in the series but I am off to buy the rest ! Final Betrayal is a page turning, twists and turns book. So many dead bodies. I can tell you that if I am missing or in trouble , it's Lottie Parker and her team of detectives I want on my side . . . Can't wait to read more of Lottie's exploits!' Goodreads Reviewer, 5 stars'A dark and gripping read...There are so many heart stopping moments that had me hold my breath. I was carried along by the authors writing, making assumptions along the way. Lets just say nil points to me as I totally got it wrong . . . Final Betrayal is a story that is guaranteed to set your pulse racing. I was totally hooked and enjoyed being part of this thrilling journey that I was taken on alongside Lottie whose character I really enjoyed. Without a doubt I will be going back and reading the rest of the books in the series as this just ticked all the boxes for what I look for in a crime series.' Bytheletterbookreviews, 5 stars'An epic, compelling story . . . I look forward to getting reacquainted with DI Lottie Parker every time a new book comes out, and I'm yet to be disappointed. In fact, every time one comes out, I make the same mistake of picking it up and starting, not realising I'm going to get very little done until I've finished it. Yes, it happened again, I read this book over two days, well I did have to stop to sleep.' Nigel Adams Bookworm, 5 stars'This series is one of the best in current crime fiction. Lottie Parker is a fascinating character . . . Always engrossing and I was gripped from the very start. Excellent.' Goodreads Reviewer, 5 stars 'Brilliant. I love this series and the characters and this, the sixth in the series, is as engaging a read as the rest. Lottie's fresh start is at risk as her past and old cases threaten those closest to her.' Goodreads Reviewer, 5 stars'I always enjoy these books and am really looking forward to the next one. Many thanks to Patricia Gibney for all her work on creating these for us! I'm a happy reader!' Books, Tea and Me

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BMA Book Awards - Winner of Basic and Clinical Sciences category! The perfect up-to-date imaging guide for a complete and 3-dimensional understanding of applied human anatomy Imaging is ever more integral to anatomy education and throughout modern medicine. Building on the success of previous editions, this fully revised sixth edition provides a superb foundation for understanding applied human anatomy, offering a complete view of the structures and relationships within the whole body, using the very latest imaging techniques. All relevant imaging modalities are included, from plain radiographs to more advanced imaging of ultrasound, CT, MRI, functional imaging and angiography. Coverage is further enhanced by a carefully selected range of BONUS electronic content, including clinical photos and cases, ultrasound videos, labelled radiograph 'slidelines', cross-sectional imaging stacks and test-yourself materials. Uniquely, key syllabus image sets are now highlighted throughout to aid efficient study, as well as the most common, clinically important anatomical variants that you should be aware of. This superb package is ideally suited to the needs of medical students, as well as radiologists, radiographers and surgeons in training. It will also prove invaluable to the range of other students and professionals who require a clear, accurate, view of anatomy in current practice. Fully revised legends and labels and new high-quality images-featuring the latest imaging techniques and modalities as seen in clinical practice Covers the full variety of relevant modern imaging-including cross-sectional views in CT and MRI, angiography, ultrasound, fetal anatomy, plain film anatomy, nuclear medicine imaging and more - with better resolution to ensure the clearest anatomical views Core syllabus image sets now highlighted throughout-to help you focus on the most essential areas to excel on your course and in examinations Unique summaries of the most common, clinically important anatomical variants for each body region-reflects the fact that around 20% of human bodies have at least one clinically significant variant New orientation drawings-to help you understand the different views and the 3D anatomy of 2D images, as well as the conventions between cross-sectional modalities Ideal as a stand-alone resource or in conjunction with Abrahams' and McMinn's Clinical Atlas of Human Anatomy-where new links help put imaging in the context of the dissection room Now a more complete learning package than ever before, with superb BONUS electronic enhancements embedded within the accompanying eBook, including: Labelled image 'stacks'-that allow you to review cross-sectional imaging as if using an imaging workstation Labelled image 'slidelines'-showing features in a full range of body radiographs to enhance understanding of anatomy in this essential modality Self-test image 'slideshows' with multi-tier labelling-to aid learning and cater for beginner to more advanced experience levels Labelled ultrasound videos-bring images to life, reflecting this increasingly clinically practiced technique Questions and answers accompany each chapter-to test your understanding and aid exam preparation 34 pathology tutorials-based around nine key concepts and illustrated with hundreds of additional pathology images, to further develop your memory of anatomical structures and lead you through the essential relationships between normal and abnormal anatomy High-yield USMLE topics-clinical photos and cases for key topics, linked and highlighted in chapters

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A Manager's Guide to Self-Development has become the indispensable guide for building management skillsNow in its sixth and substantially revised edition, this practical self-development guide helps new and experienced managers and leaders to improve their performance, advance their careers and realize their full potential. It provides: A complete picture of the managerial skills and competencies required from change management to coaching A flexible, self-development programme to do alone, with a colleague, or in a group Part Two introduces a framework of 11 key managerial qualities. The diagnostic exercises help you to discover your strength and weaknesses, and identify your goals for self-development. Key features: Part Three features more than 55 practical activities, with references and follow up activities to help you develop your skills and abilities 4 new activities including Planning & Decisions Making, Virtual Leadership, Critical Thinking and Reflective Practice Radically updated 'Career/Life-Planning Activity' chapter featuring a more personal, self-developmental approach New 'Trainer's Guide' offering guidance on how to structure sessions and use the activities with groups "Engaging, innovative and exciting to use in anyone's self development. The exercises are fun andilluminating, and the pace is fast and energising. A must read for any manager wanting to be 'the best'."Prof. Cary L. Cooper, CBE, Lancaster University Management School, UK"This book continues to be the shining light in guiding managers and leaders toward self-development."Dr Gareth Edwards, Bristol Business School, University of the West of England, UK"Fads and fashions in management development come and go but this is an ever-reliable source of inspiration. This is a book that puts the power to act in the hands and heads of leaders and managers themselves."Professor Jeff Gold, Leeds Business School, Leeds Metropolitan University, UK"Ideal for students of Business and Organisational Management at undergraduate and postgraduate levels and is equally suitable for both younger managers in the early parts of their career and experienced managers wishing to refresh their personal qualities after some years of operational experience."Barry Curnow, Head of Human Resources & Organisational Behaviour Department, University of Greenwich Business School, UK "This guide provides real support for managers to take charge of their own learning and all managers need to pay attention to making it happen."Prof Ian Cunningham, Self Managed Learning College, Brighton, UK"The changes introduced in the new edition mirror the strong focus on narrative and reflective sense-making, which are important in preparation for the positions of senior leadership our programme members aspire to."Chris Dalton, Henley Business School, UK"This book is an essential purchase for any manager who takes their development seriously."Kim Turnbull James, Professor of Executive Learning, Cranfield School of Management, UK"My introduction to the book was in 1978 and it has become a staple resource for my teaching ever since. The book recognises the fact that developing individuals is inextricably linked to developing organisations and if individuals are to be effective they need to know themselves and develop appropriate skills and attitudes. "Richard Thorpe, Professor of Management Development and Pro Dean Research, Leeds University Business School, UK

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THE SIXTH NOVEL IN THE MULTIMILLION-COPY BESTSELLING ADAM DALGLIESH SERIES FROM THE 'QUEEN OF ENGLISH CRIME' (Guardian) 'I am hooked!! Reading the entire Dalgliesh series! Great character and plot development.' 5* reader review'P. D. James at her very best - fabulous writing and great story line - what more does anyone want or need?' 5* reader review'She does for a forensic science laboratory in East Anglia what Dorothy L. Sayers did for Oxbridge and Ngaio Marsh managed for the London theatre world.' New York TimesPERFECT FOR FANS OF VAL MCDERMID, RUTH RENDELL AND ELLY GRIFFITHS__________________________________________________________________________________Murder has priority. Wasn't that what they always said at the Lab?When a young girl is found murdered in a field, the scientific examination of the remains is just a routine job for the staff of Hoggatt's forensic science laboratory. But nothing could have prepared them for the brutal death of one of their own. When the senior biologist is found dead in his laboratory, Commander Dalgliesh is called to the bleak fens of East Anglia to meet a wealth of potential suspects and cautious forensic scientists quick to pass on the blame. But while Dalgliesh becomes embroiled in the complicated passions that lie hidden beneath the calm surface of the laboratory, the murderer is lying in wait to strike again . . .__________________________________________________________________________________'Perfect - a touchstone British murder mystery.' 5* reader review'James remains one of the greatest word-crafters of the past century, an absolute pleasure to read and contemplate.' 5* reader review'Nobody can put the reader in the eye of the storm quite like P. D. James.' Sunday Express**Now a major Channel 5 series**__________________________________________________________________________________READERS LOVE THE ADAM DALGLEISH SERIES:'If you are not already an Adam Dalgliesh fan, I urge you to become one . . . James can describe a scene or delineate a character with precision and depth, like no other writer I have read.' 5* reader review'This series is now as thrilling and gripping as Agatha Christie's great mysteries . . . A wonderful treat I must savour.' 5* reader review'P. D. James is guaranteed to be worth reading.' 5* reader review'I would never give less than 5 stars to any P. D. James book. She is one of a kind, always constant, always wonderful writing, always great characters, and always a good mystery that you cannot put down.' 5* reader review'P. D. James writes mysteries for ordinary people. Her characters are relatable and her hero is dynamic. But don't expect cell phones or computers. Her stories are strictly old school, which is what I love about them.' 5* reader review'Crime writing at its very best!' 5* reader reviewPRAISE FOR P. D. JAMES:'A legend.' VAL MCDERMID'Masterful.' MICK HERRON'The greatest contemporary writer of classic crime.' SUNDAY TIMES 'Nobody can put the reader in the eye of the storm quite like P. D. James.' SUNDAY EXPRESS'One of the literary greats. Her sense of place was exquisite, characterisation and plotting unrivalled.' MARI HANNAH'There are very few thriller writers who can compete with P. D. James at her best.' SPECTATOR'Simply a wonderful writer.' NEW YORK TIMES'The queen of English crime.' GUARDIAN

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25 pairs of hats and matching goodies to knit! Different designs for both women and men. From cables to colourwork, cowls to mitts, there is an abundance of different techniques and styles to please everyone!

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Want more accessories to knit? This gorgeous entry in the Knit Noro series offers 30 brand-new designs that incorporate fun techniques - cabling, mitred squares, short rows, corrugated ribbing, slip stitch and more - while still remaining accessible to knitters of every skill level. The projects make the most of Noro Yarns' vibrant hues and bold self-striping patterns and include gloves, socks, hats, shawls and ponchos, all selected specifically for the ways in which they show off those trademark colourways and luxurious fibres.

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Looking for something extra special? Our beautiful collection of cardis and jackets are just the ticket. Each design is figure-flattering, whether you prefer short and sweet, longer looks or belted jackets. Choose to crochet a simple stitch, lace or mesh look! Sizes range from small to extra-large. All projects are lovingly made in Red Heart yarns.

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There's nothing a new mother needs and loves more than a pretty blanket for her new baby. This collection of 14 exquisite blankies includes easy granny squares, pretty lace, shells and ripples, and a fun coverlet featuring rubber duckies!

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From fabulous florals to striking bold designs, this book is a must-have addition to your collection. We have scarves for everyone, including lots of ideas for small children, men and your female friends. This booklet contains techniques for all - crocheted flowers, colourwork, lace, plaid, Tunisian, and endless stitch patterns and textures!

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This is the only baby booklet knitters will need. Featuring heirloom blankets and a christening gown, as well as matching sets, cosy jackets, cuddly blankies and the cutest toys. We have all baby bases covered from lace stitches to crochet edgings, and simple stitches to intarsia and colour work cardigans, plus all are knitted in yarns from the Bernat baby collection.

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“Novice knitters will appreciate the variety of projects, as well as the helpful tutorials.” —Library Journal 60 Quick Knits for Beginners is an essential volume for every novice knitter and anyone picking up needles for the first time! Offering a wide array of creative techniques and attractive beginner knitting patterns, this entry in the beloved 60 Quick Knits series is the perfect book for anyone learning to knit. Accessible, fun, illustrated with step-by-step instructions, and featuring insightful sidebars throughout, it demystifies complex skills and instills indispensable knitting wisdom. The projects themselves are everything new or experimenting knitters could ever want, from scarves, cowls, and mittens to shawls, socks, and easy baby knits. And even though several garments have instructions specifically written for beginners, they’re also chic enough for those with more experience.Whether you’re new to knitting and searching for the perfect beginners knitting book, or an experienced knitter looking for stylish knitting pattern books with fast and easy projects, 60 Quick Knits for Beginners is a valuable addition to any knitter’s stash.

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