Search results for ""author pete"

'Gripping' Sunday Express'Action-packed' New York Daily News'Another monster hit by a giant of a writer' The Daily Express'The Lost World moves at a spanking pace. . . recommended as first-rate entertainment' The Spectator_____________________The bestselling sequel to Jurassic ParkSomething has survived.Six years have passed since the secret disaster at Jurassic Park. In the years since the extraordinary dream of science and imagination came to a crashing end, the island has been indefinitely closed to the public, its park dismantled, the dinosaurs themselves destroyed.Or so it was thought.But something has survived. And when a team led by maverick scientist Ian Malcolm enters the mysterious 'Site B' to investigate, they are determined that this, at last, will be the end of the dinosaurs..._____________________More praise for The Lost World'Harrowing thrills. . . fast-paced and engaging' People'Fast and gripping' The Washington Post'A very scary read' Entertainment Weekly'An edge-of-the-seat tale' St. Petersburg Times

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WHAT DRIVES GOOD MEN TO MURDER?'If you're not a fan yet, why not?' Val McDermid'William Shaw is an outstanding storyteller' Peter May'Grips the reader by the throat and never lets go' Independent Sergeant William South has always avoided investigating murder. A passionate birdwatcher and quiet man, he has few relationships and prefers it that way.But when his only friend is found brutally beaten, South's detachment is tested. Not only is he bereft - it seems that there's a connection between the suspect and himself.For South has a secret. He knows the kind of rage that killed his friend. He knows the kind of man who could do it. He knows, because Sergeant William South himself is a murderer. Moving from the storm-lashed, bird-wheeling skies of the Kent Coast to the wordless war of the Troubles, The Birdwatcher is a crime novel of suspense, intelligence and powerful humanity about fathers and sons, grief and guilt and facing the darkness within.

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'His exploration of warped minds is as gripping as the kinks in the complex plot' The Times'An intelligent and dark ride' Peterborough Telegraph'A book that will delight [...] with its familiar mix of detection and psychological insight' Shots Magazine_________________________The electrifying new Alex Delaware thriller from the #1 New York Times bestselling master of suspense.At 5am in the upscale neighbourhood of Westwood Village, two removal men are making a routine pick-up when they make a fatal hit. It's a man - who appeared from nowhere - naked and with no means of identification.Not long after, a woman is found dead in a house nearby, which neighbours suspect to be a brothel. Could the man have come from there?When LAPD homicide lieutenant Milo Sturgis calls brilliant psychologist Alex Delaware is called to the scene, the case gets even more complicated. Delaware has met the woman before. She's a psychologist too.Are the two deaths linked? Or is there a darker force at work?

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Disciple Matthew, a former tax collector, is invited to work with Peter, James, and John in Jerusalem. He dreams of preaching and performing miracles like his fellow apostles, but he finds his dreams postponed because of a request from Yeshua's mother. Well aware of the passing years, Mary asks Matthew to help her record the stories of Yeshua while the eyewitnesses are still alive. Reluctantly, he agrees, though the longer he and Mary work together, the more difficult their task becomes. Not only are they pressured by opposition from friends and foes alike, but Gaius Caesar, better known as Caligula, is determined to raise a statue of himself in the Holy Temple, even if it means killing every man in Israel. As Matthew works to save his people, Mary encourages him to come to terms with issues from his past. When they finally near the completion of their project, Matthew realizes that the job he reluctantly accepted might be his God-given destiny.

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'Mackrell's enthralling biography restores Lydia Lopokova to her rightful position centre-stage' DAILY MAIL'Superb ... Mackrell, with her insider's knowledge of ballet and theatre, lovingly recreates Lydia's many worlds' GAY & LESBIAN REVIEW'A hugely entertaining and informative study of the Ballets Russes star' SPECTATORBorn in 1891 in St Petersburg, Lydia Lopokova lived a long and remarkable life. Her vivacious personality and the sheer force of her charm propelled her to the top of Diaghilev's Ballet Russes. Through a combination of luck, determination and talent, Lydia became a star in Paris, a vaudeville favourite in America, the toast of Britain and then married the world-renowned economist, and formerly homosexual, John Maynard Keynes.Lydia's story links ballet and the Bloomsbury group, war, revolution and the economic policies of the super-powers. She was an immensely captivating, eccentric and irreverent personality: a bolter, a true bohemian and, eventually, an utterly devoted wife.

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In 50 brief chapters, originally delivered as public audiences to the faithful in St Peter's Square, Benedict XVI offers absorbing, perceptive, and often edifying sketches of some of Christianity's greatest thinkers and writers. The book is divided in four parts: The Apostolic Fathers: Witnesses from the first generations after the New Testament; The Patristic Theologians: From councils and controversies, from Origen to Augustine; Early Medieval Thinkers: The beginnings of scholastic and monastic theologies; Later Medieval Thinkers: The flowering of Christian theology in the high Middle Ages. Benedict discusses the most notable theologians from East and West, along with figures whose primary witness was as ascetics, poets, mystics, and a number of popes, politicians, and missionaries. The historical circumstances and theological ideas of each are explained with the clarity of an experienced teacher. Benedict always has an eye to their deepest religious convictions and struggles as well as to their present importance to the church and Christian life today.

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WHAT WOULD YOU DO TO SAVE YOUR LOVED ONE?AND DO YOU KNOW WHO SHE REALLY IS?'Great plots, great characters, great action' LEE CHILD'Simon Kernick writes with his foot pressed hard on the pedal' HARLAN COBENThey took your fiancée.They framed you for murder.You're given one chance to save her. To clear your name.You must kill someone for them.They give you the time and place.The weapon. The target.You have less than 24 hours.You only know that no-one can be trusted...and nothing is what it seems.'A fast, furious and unpredictable read' The Sun Book of the Week'That thud you hear is Kernick whipping the rug from under your feet again.' The Times Best thrillers of the month'An absolute master of the adrenaline-fuelled ride' PETER JAMES'One of Britain's top thriller writers' The Sun

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Now available for the first time—more than 50 years after it was written—is the memoir of Michael Dillon/Lobzang Jivaka (1915–62), the British doctor and Buddhist monastic novice chiefly known to scholars of sex, gender, and sexuality for his pioneering transition from female to male between 1939 and 1949, and for his groundbreaking 1946 book Self: A Study in Ethics and Endocrinology. Here at last is Dillon/Jivaka’s extraordinary life story told in his own words. Out of the Ordinary captures Dillon/Jivaka’s various journeys—to Oxford, into medicine, across the world by ship—within the major narratives of his gender and religious journeys. Moving chronologically, Dillon/Jivaka begins with his childhood in Folkestone, England, where he was raised by his spinster aunts, and tells of his days at Oxford immersed in theology, classics, and rowing. He recounts his hormonal transition while working as an auto mechanic and fire watcher during World War II and his surgical transition under Sir Harold Gillies while Dillon himself attended medical school. He details his worldwide travel as a ship’s surgeon in the British Merchant Navy with extensive commentary on his interactions with colonial and postcolonial subjects, followed by his “outing” by the British press while he was serving aboard The City of Bath. Out of the Ordinary is not only a salient record of an early sex transition but also a unique account of religious conversion in the mid–twentieth century. Dillon/Jivaka chronicles his gradual shift from Anglican Christianity to the esoteric spiritual systems of George Gurdjieff and Peter Ouspensky to Theravada and finally Mahayana Buddhism. He concludes his memoir with the contested circumstances of his Buddhist monastic ordination in India and Tibet. Ultimately, while Dillon/Jivaka died before becoming a monk, his novice ordination was significant: It made him the first white European man to be ordained in the Tibetan Buddhist tradition. Out of the Ordinary is a landmark publication that sets free a distinct voice from the history of the transgender movement.

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The fate of Sir Walter Raleigh's 1587 "Lost Colony" on Roanoke Island has been one of the most enduring mysteries in the history of European settlement in North America. For generations, writers, scholars, and others have speculated about the disappearance of more than one hundred colonists, whose only obvious clue left behind was the word "CROATOAN" carved on the palisade of the settlement. But in the early 1990s, archaeologists at Roanoke opened fresh lines of inquiry, and in 2012 the search for evidence gained new momentum when a reexamination of an Elizabethan map revealed a hidden symbol. The symbol seemed to indicate the location of a Renaissance-style fort some distance from Roanoke Island, starting the quest for "Site X." After leading a team to explore multiple lines of research, Eric Klingelhofer here draws together the fullest possible account of what can be known today about the colony. The book features authoritative research by historians, archaeologists, and other experts, and it is richly illustrated with maps and photographs, including never-before-seen artifacts recovered in recent excavations. While some of the Lost Colony's mysteries may never be solved, readers will enjoy this informative and accessible account of efforts to reconstruct events more than four centuries ago.Contributors include: Peter Barber, Phillip Evans, James Horn, Karen Ordahl Kupperman, Nicholas Luccketti, Kim Sloan, Beverly Straube, and Clay Swindell.Published in association with the First Colony Foundation.

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Discover how Jack Frost keeps the hearts of children happy in the third picture book in Academy Award winner William Joyce'sbestselling and "dazzlingly inventive" The Guardians of Childhood series. Before Jack Frost was Jack Frost, he was Nightlight, the most trusted and valiant companion of Mim, the Man in the Moon. But when Pitch destroys Mim's world, he nearly destroys Nightlight too, sending him plunging to Earth where, like Peter Pan, he is destined to remain forever a boy, frozen in time. And while Nightlight has fun sailing icy winds and surfing clouds, he is also lonely without his friend Mim. To keep the cold in his heart from taking over, he spreads it to the landscapes around him and earns a new name: Jack Overland Frost. But a true friend always comes through, and on one particularly bleak night, Mim shines down and shows Jack a group of children in great peril. Through helping them, Jack finds the warmth he's been yearning for, and realizes bringing joy to others can melt his own chill. It is this realization-that there will always be children who need moments of bravery, who need rosy cheeks, who need to build snowmen, and who are then eager for a spring day-that makes Jack realize why he is a forever boy, and worthy of becoming a Guardian of Childhood.

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David Graeber was not only one of today’s most important living thinkers, but also one of the most influential. He was also one of the very few engaged intellectuals who has a proven track record of effective militancy on a world scale, and his impact on the international left cannot be overstated. Graeber has offered up perhaps the most credible path for exiting capitalism—as much through his writing about debt, bureaucracy, or “bullshit jobs” as through his crucial involvement in the Occupy Wall Street movement, which led to his more-or-less involuntary exile from the American academy. In short, Anarchy—In a Manner of Speaking presents a series of interviews with a first-rate intellectual, a veritable modern hero on the order of Julian Assange, Edward Snowden, Linus Torvald, Aaron Swartz, and Elon Musk. Interviewers Mehdi Belhaj Kacem and Assia Turquier-Zauberman asked Graeber not only about the history of anarchy, but also about its contemporary relevance and future. Their conversation also explores the ties between anthropology and anarchism, and the traces of its DNA in the Occupy Wall Street and Yellow Vest movements. Finally, Graeber discussed the meaning of anarchist ethics—not only in the political realm, but also in terms of art, love, sexuality, and more. With astonishing humor, verve, and erudition, this book redefines the contours of what could be (in the words of Peter Kropotkin) “anarchist morality” today.

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Hugging the coast and crammed between two rivers, Aberdeen grew up isolated from Scotland's other urban centres. Yet Aberdeen experienced its share of crime in the 19th century. The city was plagued by a plethora of prostitutes, ravaged by riots and aggravated by assaults. There were streets such as Shuttle Lane which respectable people were well advised not to enter; a military garrison that could be more trouble than it was worth and dead bodies buried behind a girl's school. Trying to keep the city under control were the Town Sergeants and an infant police force that, according to Superintendent George Cran, relied on the Spengie switch by day and the oaken staff by night. The surrounding countryside was every bit as rough. As if truculent fishermen and murderous railway navigators were not enough, there were also thimble riggers and the Cock o' the North to contend with, while both city and countryside were plagued by juvenile criminals. But overshadowing all, and bringing this part of Scotland on the map of international crime, were the fraudsters. The North East seemed to breed an extraordinary number of women who lived their lives by deceiving others.One such was Mrs Gordon Baillie from Peterhead, who fooled and beguiled people from Melbourne to New York, and her story is now revealed along with the other crimes of 19th century Aberdeen and the North East.

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It was love at first sight. We drove up the long track, pulled into the yard, and wow! What a view. I did the drawings myself, the maximum we were told (in those days) about what one could get away with in terms of planning permission. A local architect did the formal drawings and submitted them for planning permission. I did not intend to do the work myself, it simply happened by circumstance. I put the groundwork out to tender to six contractors. Only one bothered to reply and the quotation was astronomic. The steelwork looked very complicated, but I went to the structural engineer’s office in Gloucester to chat about it. I asked: ‘It looks complicated, but could I do this myself?’ Peter Rowntree was very reassuring. ‘It looks complicated because you are looking at it in its entirety. Let me show you this corner here.’ And he then explained how the steels fitted together and how one wired them up. After a quarter of an hour, he summarised by saying ‘Yes, you could do it.’ And I did! Working only on Saturdays, and even then, not every Saturday, it took me seven years to complete it to a point where we could move into the extension. I was extremely sad to leave Hydefield and putting this book together has been cathartic. I was tremendously proud of what I managed to build and have wanted to produce this photo book to bring back the memories of every little achievement.

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DISCOVER THE GRIPPING 2024 BRITISH CRIME NOVEL EVERYONE IS TALKING ABOUT:'A remarkable debut. It is funny, creepy, gory and moving.' THE TIMES 'Utterly mesmerising' - PETER JAMES'A crime novel I wish I had written' - LYNDA LA PLANTE'Marie's writing is beautiful' - BELINDA BAUER'Exceptional in every way' - CHRIS WHITAKER 'A dark glittering gem of a book' - LISA GRAY'Gloriously dark, deadly and deathly' - C. J. SKUSE'An incredible debut. Damn near perfect' - SUSI HOLLIDAY'Tierney is a name to watch' - SAM HOLLAND'A masterpiece' - WILLIAM HUSSEYThirteen-year-old Ava Bonney possesses an unusual intellect far beyond her years. While her friends play, Ava's fascination lies in the intricate process of animal decomposition, studying roadkill found in the streets around her home.But, one night, Ava's secret nocturnal routine takes a chilling turn when she stumbles upon the lifeless body of fellow schoolmate, Mickey Grant.As Detective Seth Delahaye takes charge of the perplexing case, Ava refuses to sit idle. Determined and resourceful, she embarks on a daring quest to unveil the truth behind the string of chilling deaths plaguing her community. Armed with her unique skills and unrivalled local knowledge, Ava becomes an unlikely force in the race to apprehend the elusive killer before more lives are claimed.'Deadly Animals is a shockingly beautiful, rare and heartbreaking gem. I really can't recommend it highly enough' - CHRIS WHITAKER

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Philip Hook takes the lid off the world of art dealing to reveal the brilliance, cunning, greed and daring of its practitioners. In a richly anecdotal narrative he describes the rise and occasional fall of the extraordinary men and women who over the centuries have made it their business to sell art to kings, merchants, nobles, entrepreneurs and museums. From its beginnings in Antwerp, where paintings were sometimes sold by weight, to the rich hauteur of the contemporary gallery in London, Paris and New York, art dealing has been about identifying what is intangible but infinitely desirable, and then finding clients for whom it is irresistible. Those who have purveyed art for a living range from tailors, spies and the occasional anarchist to scholars, aristocrats, merchants and connoisseurs, each variously motivated by greed, belief in their own vision of art and its history, or simply the will to win. The cast of characters includes Paul Durand-Ruel, the Impressionists' champion; Herwath Walden, who first brought Modernism into the limelight; Daniel-Henry Kahnweiler, high priest of Cubism; Leo Castelli, dealer-midwife to Abstract Expressionism and Pop Art; and Peter Wilson, the charismatic Sotheby's chairman who made the auction room theatre. Philip Hook's history is one of human folly, greed and duplicity, interspersed with ingenuity, inspiration and acts of heroism. Rogues' Gallery is learned, witty and irresistibly readable.

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This final volume of Bernth Lindfors's definitive biography records the remarkable achievements and experiences of Ira Aldridge in the last years of his life, when he performed at theaters throughout Europe. Ira Aldridge The Last Years, 1855-1867, the fourth volume of Bernth Lindfors's definitive biography, places on record Aldridge's remarkable achievements and experiences in the final phase of his life, when he performed at theaters throughout Europe. His first Continental tour in 1852-1855 had been a spectacular success, and though he returned to Britain periodically afterwards, he spent much of the remainder of his career entertaining audiences in central and eastern Europe, mainly in Ukraine and Russia. His Shakespearean performances in St. Petersburg in 1858 and Moscow in 1862 were among his greatest triumphs and led to numerous appearances elsewhere in provincial cities and towns. During his forty-three years on stage in Europe, Ira Aldridge traveled more widely and won more honors, decorations, and awards than any other actor of his day. He is remembered not only as a talented thespian but also as a very visible representative of his race, someone who changed European perceptions of black people through the sheer brilliance of his artistry on stage. And by doing so, he helped to humanize the image of Africans andtheir descendants in Europe at an important transitional moment in history, when the movement to abolish slavery was gathering force and winning international acceptance. Bernth Lindfors is Professor Emeritus of English and African literatures at the University of Texas at Austin.

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A fascinating survey of the changing fortunes of Steinbeck's critical reputation. This work by a prominent Steinbeck scholar begins with a study of the novelist's early celebrity in the 1930s and 1940s. Ditsky shows that by the late 1940s there was some falling off in Steinbeck's critical reputation, and yet that is also the period in which the 'first generation' of Steinbeck critics did their first work: seminal commentary by Peter Lisca, Warren French, and Joseph Fontenrose. These critics were unwilling to accept the fact that the proletarian writer of the 1930s was a thing of the past, and that formally he had become much more experimental. In the 1960s, a second generation of critics such as Robert DeMott, Louis Owens, Mimi Gladstein and others, led by the Steinbeck Society's Tetsumaro Hayashi, began to show what the later Steinbeck was about. As the anniversaries of publication of the classic early works approached in the 1970s, there was a quantitative peaking of book-length criticism, accompanied by a spate of conferences in various worldwide venues. A number of anthologies of journal-published articles were published, including one edited by Professor Ditsky. The last two decades have seen new voices emerge, many going beyond close readings to apply contemporary critical methods to a writer increasingly seen as postmodernist. John Ditsky teaches at the University of Windsor, Ontario, Canada. He has published more than 1300 poems and has written four critical works, three of them on Steinbeck.

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Rochdale is a town in post-industrial Britain, but it could be anywhere on the digitalised, environmentally decimated planet: a place devoid of hope, where poverty, violence, and squalor are the near-future consequences of decisions being made at this very moment. Grime is the dazzling multi voice story of four teenagers haphazardly brought together by individual tragedy and a collective love of grime, the music genre that replaced punk as the sound of the angry and the dispossessed: martial-arts-obsessed Don(atella); Peter, a traumatised Polish boy; Karen, a tech-savvy girl with albinism; and Hannah, an orphan from Liverpool. Despite the increasingly sophisticated workings of an authoritarian surveillance state, the four set out to exact revenge on the people they hold responsible for their misery. But what starts out as a teen hit squad evolves into a makeshift family as the four kids attempt to create a home on the fringes - both physically and mentally - of society. In this stylistically innovative epic, acclaimed novelist Sibylle Berg addresses the question currently being debated around the world: where will climate change, artificial intelligence, the rise of right-wing populism, and the inexorable expansion of surveillance lead? This masterful dystopian satire is a merciless and surgically precise evisceration of neoliberalism, and beneath its rage and brutality beats a deeply human heart. Grime spent 25 weeks on European bestseller lists and won the Swiss Book Prize.

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Now almost 20 years old, the digital turn in architecture has already gone through several stages and phases. Architectural Design (AD) has captured them all – from folding to cyberspace, nonlinearity and hypersurfaces, from versioning to scripting, emergence, information modelling and parametricism. It has recorded and interpreted the spirit of the times with vivid documentary precision, fostering and often anticipating crucial architectural and theoretical developments. This anthology of AD’s most salient articles is chronologically and thematically arranged to provide a complete historical timeline of the recent rise to pre-eminence of computer-based design and production. Mario Carpo provides an astute overview of the recent history of digital design in his comprehensive introductory essay and in his leaders to each original text. A much needed pedagogical and research tool for students and scholars, this synopsis also relates the present state of digitality in architecture to the history and theory of its recent development and trends, and raises issues of crucial importance for the contemporary practice of the design professions. A comprehensive anthology on digital architecture edited by one of its most eminent scholars in this field, Mario Carpo. Includes seminal texts by Bernard Cache, Peter Eisenman, John Frazer, Charles Jencks, Greg Lynn, Achim Menges and Patrik Schumacher. Features key works by FOA, Frank Gehry, Zaha Hadid, Ali Rahim, Lars Spuybroek/NOX, Kas Oosterhuis and SHoP.

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Don't turn out the lights . . . but open the cover, if you dare, and reveal the chilling delights that await you within the pages of A Book of Horrors. 'Stephen King, John Ajvide Linqvist, Lisa Tuttle and many more masters of the macabre issue a call to arms for the horror story in this collection of the very best in chiller fiction edited by Stephen Jones, one of the world's premier anthologists' - Crime TimeStephen Jones, Britain's most acclaimed horror editor, has gathered together masters of the macabre from across the world in this cornucopia of classic chills and modern menaces. Within these pages you will discover the most successful and exciting writers of horror and dark fantasy today, with a spine-chilling selection of stories displaying the full diversity of the genre, from classic pulp style to more contemporary psychological tales, to cutting-edge terror fiction that will leave you uneasily looking over your shoulder, or in the wardrobe, or under the bed . . . An original anthology of all-new horror and dark fantasy fiction, in all of its many and magnificent guises, by those devoted to the dark side. Including stories by Ramsey Campbell, Peter Crowther, Dennis Etchison, Elizabeth Hand, Brian Hodge, Caitlin R. Kiernan, Stephen King, John Ajvide Lindqvist, Richard Christian Matheson, Reggie Oliver, Robert Shearman, Angela Slatter, Michael Marshall Smith and Lisa Tuttle.

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In a major rethinking of the functions, methods, and aims of narrative poetics, David Herman exposes important links between modernist and postmodernist literary experimentation and contemporary language theory. Ultimately a search for new tools for narrative theory, his work clarifies complex connections between science and art, theory and culture, and philosophical analysis and narrative discourse.Following an extensive historical overview of theories about universal grammar, Herman examines Joyce’s Ulysses, Kafka’s The Trial, and Woolf’s Between the Acts as case studies of modernist literary narratives that encode grammatical principles which were (re)fashioned in logic, linguistics, and philosophy during the same period. Herman then uses the interpretation of universal grammar developed via these modernist texts to explore later twentieth-century cultural phenomena. The problem of citation in the discourses of postmodernism, for example, is discussed with reference to syntactic theory. An analysis of Peter Greenaway’s The Cook, The Thief, His Wife, and Her Lover raises the question of cinematic meaning and draws on semantic theory. In each case, Herman shows how postmodern narratives encode ideas at work in current theories about the nature and function of language.Outlining new directions for the study of language in literature, Universal Grammar and Narrative Form provides a wealth of information about key literary, linguistic, and philosophical trends in the twentieth century.

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This volume shows Charles Ives in the context of his world in a number of revealing ways. Five new essays examine Ives's relationships to European music and to American music, politics, business, and landscape. J. Peter Burkholder shows Ives as a composer well versed in four distinctive musical traditions who blended them in his mature music. Leon Botstein explores the paradox of how, in the works of Ives and Mahler, musical modernism emerges from profoundly antimodern sensibilities. David Michael Hertz reveals unsuspected parallels between one of Ives's most famous pieces, the Concord Piano Sonata, and the piano sonatas of Liszt and Scriabin. Michael Broyles sheds new light on Ives's political orientation and on his career in the insurance business, and Mark Tucker shows the importance for Ives of his vacations in the Adirondacks and the representation of that landscape in his music. The remainder of the book presents documents that illuminate Ives's personal life. A selection of some sixty letters to and from Ives and his family, edited and annotated by Tom C. Owens, is the first substantial collection of Ives correspondence to be published. Two sections of reviews and longer profiles published during his lifetime highlight the important stages in the reception of Ives's music, from his early works through the premieres of his most important compositions to his elevation as an almost mythic figure with a reputation among some critics as America's greatest composer.

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Continuing Patrick McGilligan's highly acclaimed series on Hollywood screenwriters, these engrossing, informative, provocative interviews give wonderfully detailed and personal stories from veteran screenwriters of the seventies and eighties, focusing on their craft, their lives, and their profession. "Backstory 4" is a riveting insider's look at how movies get made; a rich perspective on many of the great movies, directors, and actors of the seventies and eighties; and an articulate, forthright commentary on the art and the business of screenwriting. The screenwriters interviewed for this volume include well-known Oscar winners as well as cult filmmakers, important writers who were also distinguished directors, and key practitioners of every commercial genre. These writers have worked with Steven Spielberg, Woody Allen, Peter Bogdanovich, George Lucas, Francis Ford Coppola, Robert Altman, Clint Eastwood, and other film giants of the so-called New Hollywood. The stories of their collaborations - some divine, some disastrous - provide some of the most fascinating material in this volume. They also discuss topics, including how they got started writing screenplays, their working routines, their professional relationships, their influences, and the work of other major writers and directors. "Backstory 4" features interviews with Robert Benton, Larry Cohen, Blake Edwards, Walter Hill, Ruth Prawer Jhabvala, Lawrence Kasdan, Elmore Leonard, Paul Mazursky, Nancy Meyers, John Milius, Frederic Raphael, Alvin Sargent, and Donald E. Westlake.

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Systems: Concepts, Methodologies and Applications Second Edition Brian Wilson Department of Systems and Information Management Lancaster University, UK The result of many years’ experience, this book, now extensively revised and updated, emphasizes the application of systems concepts and methodologies that have been developed at Lancaster University. In particular the book is about problem solving and the relationship between theory and practice. Complementary to Systems Thinking, Systems Practice by Peter Checkland (Wiley, 1981), which has become a classic in the field, this book shows how systems ideas can be used to cope with real-life problems. Reviews of the first edition— … an excellent book which provides a synthesis of the action-research undertaken by the well-known Department of Systems, University of Lancaster … Wilson’s lucid style of writing and the historical perspective of the Lancaster learning experience provide a strong contextural case for the concept of a human activity system to investigate ‘badly-defined’ [Checkland’s ‘soft’] systems. Chris Beaumont, Journal of the Operational Research Society, January 1985 … This volume, expertly compiled by Brian Wilson, is the latest and probably the clearest statement in book form of the philosophy of that department [Department of Systems, University of Lancaster] … a volume which deserves to be read … E. R. Carson, Kybernetes, 12, 1985 … Systems: Concepts, Methodologies and Applications is Wilson’s account of his professional life at Lancaster since then (1966). His careful reflection on the work of so many years deserves attention. Trevor Williams, Futures, December 1985

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Betsy Beinecke Shirley, one of the great collectors of American children’s literature, gathered a peerless collection of books, original illustrations, manuscripts, and ephemera. This gorgeously illustrated book presents over 200 selected original artworks from the enchanting collection she bequeathed to the Beinecke Rare Book and Manuscript Library of Yale University. Guiding the reader on a lively tour through the stages of childhood reading, this volume begins with ABCs and nursery books. It continues through adventure stories, magazines, and more, then concludes with a miscellany section of wonderful odds and ends. The delightfully varied images demonstrate how children’s books evolved, from the nation’s first days of independence to our own times. Artists whose works are represented include many beloved favorites, among them Ludwig Bemelmans, Maurice Sendak, A. B. Frost, Wanda Gag, Peter Newell, N. C. Wyeth, Tony Sarg, Robert Lawson, and Johnny Gruelle. From variant illustrations for Goodnight Moon and Where the Wild Things Are to little-known sketches for nineteenth-century periodicals that delighted generations of children, Drawn to Enchant offers a unique opportunity to study the reading lives of children throughout American history. Just as important, it invites each reader to recollect favorite images from the treasured books of his or her own childhood. Distributed for the Beinecke Rare Book and Manuscript Library

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Abelard in Four Dimensions: A Twelfth-Century Philosopher in His Context and Ours by John Marenbon, one of the leading scholars of medieval philosophy and a specialist on Abelard's thought, originated from a set of lectures in the distinguished Conway Lectures in Medieval Studies series and provides new interpretations of central areas of Peter Abelard's philosophy and its influence. The four dimensions of Abelard to which the title refers are that of the past (Abelard's predecessors), present (his works in context), future (the influence of his thinking up to the seventeenth century), and the present-day philosophical culture in which Abelard's works are still discussed and his arguments debated. For readers new to Abelard, this book provides an introduction to his life and works along with discussion of his central ideas in semantics, ethics, metaphysics, and philosophy of religion. For specialists, the book contains new arguments about the authenticity and chronology of Abelard's logical work, fresh evidence about his relations with Anselm and Hugh of St. Victor, a new understanding of how he combines the necessity of divine action with human freedom, and reinterpretations of important passages in which he discusses semantics and metaphysics. For all historians of philosophy, it sets out and illustrates a new methodological approach, which can be used for any thinker in any period and will help to overcome the divisions between "historians" based in philosophy departments and scholars with historical or philological training.

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The ten novels explored in Critical Children portray children so vividly that their names are instantly recognizable. Richard Locke traces the 130-year evolution of these iconic child characters, moving from Oliver Twist, David Copperfield, and Pip in Great Expectations to Tom Sawyer and Huckleberry Finn; from Miles and Flora in The Turn of the Screw to Peter Pan and his modern American descendant, Holden Caulfield; and finally to Lolita and Alexander Portnoy. "It's remarkable," writes Locke, "that so many classic (or, let's say, unforgotten) English and American novels should focus on children and adolescents not as colorful minor characters but as the intense center of attention." Despite many differences of style, setting, and structure, they all enlist a particular child's story in a larger cultural narrative. In Critical Children, Locke describes the ways the children in these novels have been used to explore and evade large social, psychological, and moral problems. Writing as an editor, teacher, critic, and essayist, Locke demonstrates the way these great novels work, how they spring to life from their details, and how they both invite and resist interpretation and provoke rereading. Locke conveys the variety and continued vitality of these books as they shift from Victorian moral allegory to New York comic psychoanalytic monologue, from a child who is an agent of redemption to one who is a narcissistic prisoner of guilt and proud rage.

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1808. Parted from his new bride, Captain Sir Thomas Kydd is called away to join the Northern Expedition to Sweden, now Britain's only ally in the Baltic. Following the sudden declaration of war by Russia and with the consequent threat of the czar's great fleet in St Petersburg, the expedition must defend Britain's dearly-won freedom in those waters. However Kydd finds his popular fame as a frigate captain is a poisoned chalice; in the face of jealousy and envy from his fellow captains, the distrust of the commander-in-chief and the betrayal of friendship by a former brother-in-arms now made his subordinate, can he redeem his reputation?In an entirely hostile sea Tyger ranges from the frozen north to the deadly confines of the Danish Sound - and plays a pivotal role in the situation ensuing after the czar's sudden attack on Finland. This climaxes in the first clash of fleets between Great Britain and Russia in history. To the victor will be the prize of the Baltic!******************PRAISE FOR JULIAN STOCKWIN'S THOMAS KYDD SERIES'Paints a vivid picture of life aboard the mighty ship-of-the-line' Daily Express'This heady adventure blends fact and fiction in rich, authoritative detail' Nautical Magazine on VICTORY'Fans of fast-paced adventure will get their fill with this book' Historical Naval Society on THE ADMIRAL'S DAUGHTER

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Films provide valuable spaces for aesthetic experimentation and analysis, for cinema's openness to other media has always allowed it to expand its own. In Aesthetic Spaces, Brigitte Peucker shows that when painterly or theatrical conventions are appropriated by the medium of film, the dissonant effects produced open it up to intermedial reflection and tell us a great deal about cinema itself. The films studied in these chapters include those by Abbas Kiarostami, Alfred Hitchcock, Michelangelo Antonioni, Jean-Luc Godard, Carl Th. Dreyer, Peter Greenaway, Rainer Werner Fassbinder, Ingmar Bergman, Jacques Rivette, Fritz Lang, F. W. Murnau, Lars von Trier, Spike Jonze, Éric Rohmer, Lech Majewski, and others. Where two media are in evidence in these films, there is usually a third, and often theater mediates between film and painting. Aesthetic Spaces interrogates issues of cinematic space and mise-en-scène from different but interconnected theoretical perspectives, organizing its chapters around some of the formal principles—space, spectator, frame, color and lighting, props, décor, and actor—that shape films.Drawing on the older arts to renew cinema, the films examined deploy paintings as material: Poussin and Bruegel, Rembrandt, Hals and Klimt, and medieval illustrations and modernist abstractions are used to expand our notions of cinematic space. Peucker shows that when different media come together in film, they create effects of dissonance out of which new modes of looking may arise.

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A large part of photographer/artist/printmaker Steve Miller's work has been devoted to walking the line to the intersection of art and science. In Radiographic we get to see the first collision of these incredible experiments in book form. Working with scientific equipment including electron microscopes, X-rays, MRI machines, and even Rorschach blots, Miller examines natural subjects (and sometimes man-made ones) through an x-ray technology that results in the creation of surprisingly beautiful representational and abstract imagery. Admired equally by scientists with whom he has worked at places like New York's Brookhaven National Laboratory; art curators who have exhibited and/or written about his work, like The National Academy of Sciences in Washington, DC and essayist Peter Schjeldahl; as well as consumers who eagerly snatch up his wall-sized prints at places like Artspace, Miller's totally breakthrough and exciting explorations have created the unique profile of an artist who thinks conceptually while engaging universally, making exquisite artworks based on such diverse elements as blood cells, x-rays of plants and animals from the Amazon rainforest, the folding of proteins, and the movement of ions. Impossible to describe without sounding ridiculously arcane, but impossible to resist once the artworks are viewed, this book offers an opportunity to see the work of a creative talent described by The New Yorker magazine as "qualifying as a Prophet". Here is a man who has expanded the boundaries of what we know as 'art'.

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MoMA PS1 presents the fourth iteration of Greater New York. Recurring every five years, the exhibition has traditionally showcased the work of emerging artists living and working in the New York metropolitan area. Considering the “greater” aspect of its title in terms of both geography and time, Greater New York. begins roughly with the moment when MoMA PS1 was founded in 1976 as an alternative venue that took advantage of disused real estate, reaching back to artists who engaged the margins of the city. In conjunction with the exhibition, MoMA PS1 is publishing a series of readers that will be released throughout the run of the exhibition. These short volumes revisit older histories of New York while also inviting speculation about its future, highlighting certain works in the exhibition and engaging a range of subjects including disco, performance anxiety, real estate and newly unearthed historical documents. The series features contributions from Fia Backström, Mark Beasley, Gregg Bordowitz, Susan Cianciolo, Douglas Crimp, Catherine Damman, David Grubbs, Angie Keefer, Aidan Koch, Glenn Ligon, Gordon Matta-Clark, Claudia Rankine, Collier Schorr, and Sukhdev Sandhu, concluding with a round-table conversation with exhibition curators Peter Eleey, Douglas Crimp, Thomas J. Lax and Mia Locks. The series is edited by Jocelyn Miller, Curatorial Associate, MoMA PS1.

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A killer so clever, nobody hears the screams . . .When the mutilated body of a woman is discovered in her home, DCI Bishop from the Met murder squad is called in to oversee the case. The horrific killing bears a striking resemblance to three other murders years before, but the cases were never solved. Bishop knows they need the help of Holly Wakefield, a criminal psychologist who specialises in getting inside the minds of serial killers.The grisly murders occur every three years, but it is the stick-man drawing left at each crime scene that has the police baffled. A post-mortem also detects a cocktail of drugs that can leave a victim screaming in silence. No one would have heard their cries for help.Holly suspects that they are a missing a vital clue that links the victims. But can she discover the link before the killer comes knocking at her door?The twisty, heart-racing new serial killer thriller in the Holly Wakefield series, perfect for fans of Robert Bryndza, Angela Marsons and Stuart MacBride.PRAISE FOR THE HOLLY WAKEFIELD THRILLERS:'A thrilling new talent' PETER JAMES'Creepy, twisted and gripping' SUN'Dark, compelling' M. W. CRAVEN'Mightily impressive . . . Deviously plotted' DAILY MAIL'Utterly compelling' LESLEY KARA'As many twists and turns as a rollercoaster!' AMY LLOYD

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'Truly frightening . . . a British Silence Of The Lambs' DAILY MAIL 'A thrilling new talent' PETER JAMESOUT OF THE DARKNESS, A KILLER RISES AGAIN . . .Holly Wakefield was just nine years old when her parents were murdered by notorious serial killer The Animal. The devastating event influenced her career as a criminal psychologist and now she helps the Met Police catch the most dangerous psychopaths.But Holly's world is turned upside down when she starts discovering messages at gruesome crime scenes from the person she fears above all else. The world believe The Animal is dead, yet Holly knows he is alive and killing again - and he wants her to know.DI Bishop is the only person who trusts Holly's instinct above reason and the pair embark on a covert investigation as further murders are detected across the country.However The Animal has a more twisted game in store for Holly than they could ever have imagined. And it's one he intends to finish properly this time . . .The heart-racing new serial killer thriller in the Holly Wakefield series, perfect for fans of Robert Bryndza, Angela Marsons and Stuart MacBride.Praise for Mark Griffin . . .'Creepy, twisted and gripping' SUN'Mightily impressive . . . deviously plotted' DAILY MAIL'Dark, compelling and expertly paced' M. W. CRAVEN'Meticulously plotted . . . utterly compelling' LESLEY KARA

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‘For fans of Agatha Christie’ Mail on Sunday The new DI Richard Poole mystery Two dead bodies. A family of suspects. And one very disgruntled detective. Reluctantly stationed on the sweltering Caribbean island of Saint-Marie, Detective Inspector Richard Poole dreams of cold winds, drizzly rain and a pint in his local pub. Just as he is feeling as fed up as can be, a mysterious vagrant is found dead in the grounds of the historic Beaumont plantation. Immediately assumed to be suicide, DI Poole is not so convinced and determined to prove otherwise. Never mind that the only fingerprints on the murder weapon belong to the victim. Or that the room was locked from the inside. Before long, death knocks twice and a second body turns up. The hunt is on to solve the case – despite the best efforts of the enigmatic Beaumont family… Praise for Robert Thorogood: ‘Very funny and dark with great pace. I love Robert Thorogood’s writing’Peter James ‘This second DEATH IN PARADISE NOVEL is a gem’DAILY EXPRESS ‘Deftly entertaining … satisfyingly pushes all the requisite Agatha Christie-style buttons’Barry Forshaw, THE INDEPENDENT ‘For fans of Agatha Christie’MAIL ON SUNDAY ‘A treat’RADIO TIMES ‘This brilliantly crafted, hugely enjoyable and suitably goosebump-inducing novel is an utter delight from start to finish’HEAT ‘Plenty of red herrings and twists to keep readers guessing’ DAILY EXPRESS 'Fans will enjoy returning to DI Richard Poole… just switch off and relax'LOVE READING

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Create bespoke garments that fit and flatter! In this comprehensive, informative book, Helen explains how to create beautiful, customized dresses for every shape and size. Choose the exact size that fits and flatters you from a bespoke sizing chart that takes into account differences in body size across bust, waist and hips. Trace off your pattern pieces, then create a sample (toile) in calico which you can then adapt to create the dress of your dreams, in your own choice of fabulous fabric. There are four style options each for sleeves and necklines, including a flared sleeve, a capped sleeve, a sweetheart neckline or a boatneck; and five skirt options, including a fitted pencil-style skirt, a zhuzhy circle skirt, and an A-line, with or without pleats. You can also choose to add a sweet, classic Peter Pan collar, or inseam pockets, to your garment. Alternatively, you can even create a skirt as a separate garment, simply by adding a waistband or facing. The language of sewing and dressmaking is demystified at the beginning of the book, as well as the equipment you need to get started. Nothing is left unexplained; and stunning images of the finished dresses, on a mannequin and on a model, are interspersed throughout the book to inspire your own finished pieces. Extra copies of the full-size pattern sheets/pattern templates exclusive to Dressmaking: The Easy Guide by Helen Rhiannon are available here.

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Offering a fresh perspective on one of the most prolific and well-loved catalogs of songs in the rock 'n' roll canon ÊFleetwood Mac FAQ: All That's Left to Know About the Iconic Rock SurvivorsÊ digs deeper than your average music compendium and sidesteps the tediousness of most generalized band histories.ÞProfessional yet playful the book's most unique feature is its structure: a hybrid of historical breakdowns Q&As music criticism and best of lists chronicling the band's influence and legacy. No Fleetwood Mac book would be complete without addressing the sensationalism of ÊRumoursÊ or the mythic psychological breakdown of Peter Green. But ÊFleetwood Mac FAQÊ casts a wide net ä avoiding monotony for longtime fans by presenting new criticism and reporting and engaging with newcomers by addressing the most essential chapters in the band's story.ÞIncluded are interviews with former Fleetwood Mac members (guitarists Rick Vito and Billy Burnette) producers (Ken Caillat Richard Dashut John Shanks and Mike Vernon) studio crew members (Rich Feldman Ray Lindsey and Ken Perry) rock critics who've covered the group (Anthony DeCurtis) and others who've been privileged to join the band's inner circle. Sure the book touches on the band's notorious drug use romantic affairs and brutal in-fighting ä more importantly it also sheds fascinating new light on the band's innovative ever-evolving music.

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Brick Lane is famous for many things: for being home to the biggest Bangladeshi community in the UK, for its curry houses and Bengali sweet shops, for its graffti, its long-running market and its beigel shops. Now, its also increasingly well known for its thriving art and fashion scene and the in- credible street food available there. Dina Begum is East London born and bred, a British Bengali who has been visiting Brick Lane since childhood and has been witness to the many changes in the area. In her frst book, she celebrates the diverse food cultures of Brick Lane: from the homestyle curries she grew up eating to her luscious and indulgent bakes inspired by the many cafes, from Chinese-style burgers to classic Buffalo wings, from smoothie bowls to raw coffee brownies. With contributions from street food traders and restaurants including Beigel Bakes, Blanchette, Chez Elles, St Sugar of London, Cafe 1001 and Moo Cantina, The Brick Lane Cookbook captures Lon- don at its multifaceted, chaotic, crazy best. Dina Begum writes the food blog Syrup & Glaze, and has written for The Telegraph and Metro. She also sells her delicious, Asian-fusion jams and chutneys at markets around London. Photography by Peter Watson (aka Atlas & Boots) and illustration by Want Some Studios.

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This richly illustrated book celebrates in words and pictures the beautiful work that award-winning artist Alan Lee produced for J.R.R. Tolkien’s The Hobbit, and includes dozens of brand-new paintings and pencil drawings exploring the world of Bilbo Baggins. Since The Hobbit was first published in 1937, generations of readers have fallen under its spell. That magic was reignited sixty years later, when Alan Lee was commissioned to produce a special illustrated edition, and his delicate pencil drawings and beautiful watercolour paintings have become for many the definitive vision of J.R.R. Tolkien’s Middle-earth. In this sumptuous, large-format hardback Alan Lee reveals in pictures and in words how he created these images, which would prove so powerful, matching perfectly with Tolkien’s own vision, that they would eventually define the look of Peter Jackson’s film adaptations and earn Alan a coveted Academy Award. The Hobbit Sketchbook is filled with more than 100 of his sketches and early conceptual pieces that reveal how the project progressed from idea to finished art. It also contains a wealth of brand-new full-colour paintings and sketches drawn specially for this book, which unlock the secrets of how Alan creates his own magic and provide a fascinating insight into the imagination of the man who breathed new life into Tolkien’s vision.

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'I hope The Long Walk will remain as a memorial to all those who live and die for freedom, and for all those who for many reasons could not speak for themselves'Slavomir RawiczSlavomir Rawicz was a young Polish cavalry officer. On 19 November 1939 he was arrested by the Russians and after brutal interrogation he was sentenced to twenty-five years in a gulag.After a three-month journey in the dead of winter to Siberia, life in a Soviet labour camp meant enduring hunger, extreme cold, untreated wounds and illnesses and facing the daily risk of arbitrary execution. Realising that to remain meant almost certain death, Rawicz, along with six companions, escaped. In June 1941, they crossed the trans-Siberian railway and headed south, climbing into Tibet and freedom in British India nine months later, in March 1942, having travelled over four thousand miles on foot through some of the harshest regions in the world, including the Gobi Desert, Tibet and the Himalayas.First published in 1956, this is one of the greatest true stories of escape, adventure and survival against all odds. In 2010, a film, The Way Back, based on the book, directed by six-time Academy Award-nominee Peter Weir (Master and Commander, The Truman Show, and The Dead Poets Society) was released. It starred Colin Farrell, Jim Sturgess and Ed Harris.

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A shattered moon. A secret plan. Last girl standing. Perfect for fans of Peter Hamilton, Alastair Reynolds and Charles Stross.Orry's father is the best conman in the quadrant, running elaborate heists with Orry and her brother Ethan to target the ruling families of the Ascendancy. This time should be no different: straight in and out with a fortune in spice paragon in hand . . .. . . until Orry goes off-script and everything falls apart. Less than an hour later the Count of Delf's only grandson is dead and she's on the run, accused of a murder she didn't commit.Turns out, the pendant Orry stole was crafted by the mysterious civilisation who once lived on the Shattermoon - and a lot of powerful people want it. It doesn't take ruthless space pirate Morven Dyas long to track her down, and he's not the only one on her tail. When she's unexpectedly rescued by loner Jurgen Mender and his spaceship, Dainty Jane, Orry knows there's only one thing to do.It requires all of her powers of persuasion to get Mender to agree to her plan, especially when even she can see the madness of pitting an inexperienced young grifter, a space-dog long past his best and an obsolete spaceship against the Imperial Fleet, the worst of the space pirates - and the alien Kadiran, who are getting bored with their uneasy truce with humankind . . . But what other choice does she have?

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**A TIMES, GUARDIAN, TELEGRAPH, SPECTATOR, THE CRITIC, MAIL ON SUNDAY, ECONOMIST AND PROSPECT BOOK OF THE YEAR**'A gifted narrative historian, eloquent, graceful and witty; the stories she tells are the ones we all should know' Hilary MantelIt was a time of climate change and colonialism, puritans and populism, witch hunts and war . . .This is the story of a home that became a warzone. Basing House in Hampshire saw one of the longest and bloodiest sieges of the English Civil War. Defended for over two years by artists and aristocrats, actors and apothecaries, women and children, it became a symbol of royalist defiance and a microcosm of the wider conflict.Drawing on unpublished manuscripts and the voices of dozens of soldiers and civilians, award-winning historian Jessie Childs weaves a thrilling tale of war and peace, terror and faith, savagery and civilization.__________'Extraordinary, thrilling, immersive ... at times almost Tolstoyan in its emotional intelligence and literary power' Simon Schama'Compellingly readable... [a] beautifully written and lucid account' Mail on Sunday'Brilliant. Original. Gripping.' Antonia Fraser'Beautifully written and gripping from first page to last. A sparkling book by one of the UK's finest historians' Peter Frankopan'The Siege of Loyalty House is not only deeply researched. Childs has composed a wonderfully poetic narrative and adds a touch of the gothic' The Times'Successfully brings the ghastliness of the period to life, dramatically, vividly and with pathos' Charles Spencer, Spectator

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CLASSIC GOLDEN AGE MYSTERY PERFECT FOR FANS OF AGATHA CHRISTIEMiss Silver must unravel a tangled web of marriage, mystery and murder'Ranks with the best of the golden-age detectives' Daily MailNo one has seen Allegra Trent since she got married. Her husband swept her off her feet and out of London, to a faraway town called Bleake. She has stopped writing letters, and her family has begun to worry. Allegra's husband is a strange man. He is consumed with his dream of owning the ramshackle estate curiously known as Ladies' Bane, and he intends to use his new wife's money to do it. Why he wants to live there no one knows, but Josepha Bowden does not want his castle to become her goddaughter's prison. She asks the help of Maud Silver, the former governess who now makes a living using her reason to unravel the intricacies of murder. There has been no killing in Bleake, but if Miss Silver doesn't intervene quickly, there could be one soon.'A first-rate storyteller' Daily Telegraph'You can't go wrong with Miss Maud Silver' Observer'Miss Silver is marvellous' Daily Mail'Better than Miss Marple' Mary Stewart'A particular favourite' Andrew Taylor 'Miss Wentworth's plot is ingenious, her characterization acute, her solution satisfying' Scotsman'Miss Silver has her place in detective fiction as surely as Lord Peter Wimsey or Hercule Poirot' Manchester Evening News

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'Cognitive behaviour therapy appears to be an effective and acceptable treatment for adult out-patients with CFS. Its sufferers deserve . . . to be more aware of the potential of this therapy to bring lasting functional benefit.'Cochrane ReviewThis valuable self-help guide offers ways of improving long-lasting fatigue associated with a range of long-term conditions including chronic fatigue syndrome. Using recognised techniques, cognitive behavioural therapy (CBT) helps to change coping strategies. The approach described helps people break the vicious circle of fatigue and for many results in a reduction in symptoms and disability. This fully updated new edition provides:Guidance on how to improve sleepPractical strategies for balancing activity and restTips on setting and working towards targets that would improve your lifeStep-by-step advice on dealing with blocks to recoveryTools for coping with worry and stressWays to challenge unhelpful thoughtsSuggestions for how partners, relatives and friends can helpOvercoming self-help guides use clinically proven techniques to treat long-standing and disabling conditions, both psychological and physical. READING WELLThis book is recommended by the National Reading Well Books on Prescription scheme for England delivered by The Reading Agency and the Society of Chief Librarians with funding from Arts Council England and Wellcome. www.reading-well.org.ukSeries Editor: Professor Peter Cooper

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***Discover your next reading obsession with Alex Gray's bestselling Scottish detective series*** ***Don't miss the latest from Alex Gray. Book 20 in the Lorimer series, QUESTIONS FOR A DEAD MAN, is out now and Book 21, OUT OF DARKNESS, is available to pre-order.*** Whether you've read them all or whether this is your first Lorimer novel, THE RIVERMAN is perfect if you love Ian Rankin, Val McDermid and Ann Cleeves WHAT THEY'RE SAYING ABOUT THE LORIMER SERIES: 'Warm-hearted, atmospheric' ANN CLEEVES 'Relentless and intriguing' PETER MAY 'Move over Rebus' DAILY MAIL 'Exciting, pacey, authentic' ANGELA MARSONS 'Superior writing' THE TIMES 'Immensely exciting and atmospheric' ALEXANDER MCCALL SMITH_______________When the dead body of a man is fished out of Glasgow's River Clyde the morning after an office celebration, it looks like a case of accidental death. An anonymous telephone call and a forensic toxicology test, however, give DCI Lorimer reason to think otherwise.Probing deeper into the life and business of the deceased accountant, Duncan Forbes, a seemingly upright member of the community, Lorimer find only yet more unanswered questions.And when the firm's human resources manager is found dead in her riverside flat these questions become only more complex -- not to mention more disturbing. And Lorimer is having to cope not only with deceptions devised to hide the facts, but also with suspicions from those far closer to home . . .

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When the Tsar’s eighteen-year-old niece Princess Irina Romanov announced her marriage to Prince Felix Youssoupov, heir to the richest fortune in Russia, the Imperial family were shocked. Prince Felix and his wife Princess Irina had it all. When they married in St Petersburg in 1914 immense wealth and social standing were theirs. But fate had other ideas. In 1916 Felix was involved in one of the most famous crimes of the twentieth century – the murder of Gregory Rasputin, evil genius of Empress Alexandra. It was Irina’s royal blood that ensured Felix was never prosecuted for what many saw as a patriotic act. The following year revolution swept the country and in 1919 Felix and Irina were forced into exile for the rest of their lives. How did they survive in the real world when the money began to run out? Why did they live their lives in the shadow of Rasputin? How did Rasputin save them? And how did Felix redeem himself for Rasputin’s murder? No joint biography of Irina and Felix has ever been written. This book utilises little-known Russian sources, as well as documents recently purchased at auction to reveal new facts, throwing fresh light on the couple’s lives, their relationship and how they never quite escaped from the shadow of Rasputin.

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The link between architecture and art and the sublimity it can create has a history that stretches back millennia. From cave paintings to the stained glass and saintly icons in churches and cathedrals, to the geometric and calligraphic treatments of mosques and contemporary artists channelling architecture and vice versa, and so much else. This AD is about the contemporary interactions between living artists and architects, and the artistic practices, such as poetry and abstractions, that architects adopt to develop ideas for their projects. The issue features artists, architects, curators, musicians, poets and designer craftspeople, illustrating the current rich mix of architectonic constructions, interventions and set pieces that range from musical performance to exhibition designs, glass works and digital 3D scanning. It lays out the wide spectrum and beauty of these sublime correspondences, with contributions from architects about their own artistic practices, and creative works viewed through the eyes of architectural commentators. An explosion of colour, form and creative tactics for making multifaceted work that above all is architectural, it offers a cornucopia of possibilities. Contributors: Peter Baldwin, Kathy Battista, Nic Clear, Mathew Emmett, Paul Finch, Paul Greenhalgh, Hamed Khosravi, Eva Menuhin, Felix Robbins, and Simon Withers. Featured architects and artists: a-project, Captivate, Brian Clarke, Andy Goldsworthy, Barbara Hepworth, Danny Lane, Ben Johnson, Brendan Neiland, Ian Ritchie, and Zoe Zenghelis.

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'Truly frightening . . . a British Silence Of The Lambs' DAILY MAIL'A thrilling new talent' PETER JAMESOUT OF THE DARKNESS, A KILLER RISES AGAIN . . .Holly Wakefield was just nine years old when her parents were murdered by notorious serial killer The Animal. The devastating event influenced her career as a criminal psychologist and now she helps the Met Police catch the most dangerous psychopaths.But Holly's world is turned upside down when she starts discovering messages at gruesome crime scenes from the person she fears above all else. The world believe The Animal is dead, yet Holly knows he is alive and killing again - and he wants her to know.DI Bishop is the only person who trusts Holly's instinct above reason and the pair embark on a covert investigation as further murders are detected across the country.However The Animal has a more twisted game in store for Holly than they could ever have imagined. And it's one he intends to finish properly this time . . .The heart-racing new serial killer thriller in the Holly Wakefield series, perfect for fans of Robert Bryndza, Angela Marsons and Stuart MacBride.Praise for Mark Griffin . . .'Creepy, twisted and gripping' SUN'Mightily impressive . . . deviously plotted' DAILY MAIL'Dark, compelling and expertly paced' M. W. CRAVEN'Meticulously plotted . . . utterly compelling' LESLEY KARA

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Maybe Jesus was joking, the disciples didn’t know what they were doing and the New Testament is a lot funnier than you might think. You would think it weird if someone suddenly ascended into heaven, right? Reading between the lines, do we detect a touch of rivalry between Peter and John? And surely the lack of parables in the latter’s mystical tome is simply crying out to be redressed . . . In this sparklingly witty book, BBC sitcom writer James Cary gives us a new and liberating way of looking at the gospel as he entertainingly relates it to a modern context, with references ranging from Charles Dickens to The Vicar of Dibley. Cheerfully playing around with the text, he takes the Bible seriously but allows us to laugh at our own petty vanities and foibles – and be enlightened in the process. The Gospel According to a Sitcom Writer is ideal for anyone wanting to liven up their Bible reading and looking for new ways to be thrilled by this sacred text. It’s also perfect for priests, pastors, youth leaders and all those involved in ministry and giving sermons, as James Cary shows using comedy and humour is a brilliant way to communicate the gospel. Warm, funny and full of brilliant insight and Christian humour, The Gospel According to a Sitcom Writer will make you laugh out loud and shake your head in awe. You’ll never read the Bible the same way again.

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