Search results for ""author robert"

'Do you believe in magic?' When Zoe McCourt was sixteen she had been dazzled by the handsome and wealthy James Marshall. He had taken her innocence and left her to bring up their child alone. Now, after ten years of struggle, Zoe's life is finally coming together. Her son, Simon, is her pride and joy, and she is about to venture into business with her new-found friends Malory and Dana. There is even a hint of romance on the horizon, in the very sexy form of Bradley Charles Vane IV, a man whose wealth and good looks make Zoe a little wary but seriously tempted to throw caution to the wind. But before she can embrace her future she has a challenge to face. For Malory, Dana and Zoe have been chosen to undergo a quest to free the souls of three demi-goddesses trapped by an ancient evil. It is a challenge that promises great riches but also grave danger. And, of all of them, Zoe has the most to lose. Three women. Three keys to find. If one fails, they all lose. If they all succeed - money, power and a new destiny awaits. It will take more than intellect, more than determination. They will have to open their hearts, their minds, and believe that everything and anything is possible.

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Eve Benedict is a legend: a movie goddess with two Oscars, four ex-husbands and a legion of lovers to her name. She knows the truth behind every Hollywood scandal - and now she's planning to tell all in a no-holds-barred memoir. But telling the truth can be a dangerous business, especially in a town built on dreams and secrets. Eve's stepson Paul Winthrop is worried that the book will only bring trouble. But he can't argue with Eve's choice of ghostwriter, the talented and very beautiful Julia Summers. As Paul and Julia clash over Eve's book, they also have to fight a deep and growing attraction to each other. Struggling against their intense feelings, they don't realise they are also tangled in a very dark plot. Eve has one last, great secret to reveal - and it will put them all in danger . . .

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A SUNDAY TIMES BEST PAPERBACK OF 2021* Shortlisted for the 2021 Stanford Dolman Travel Book of the Year prize* A critically-acclaimed Sunday Times, Spectator and Independent Book of 2020* Now with colour photography by Michael Turek'Richly absorbing... An impressive exploration of Siberia's terrifying past.' Guardian'Evocative and wonderfully original.' Colin Thubron__________Siberia's expansive history is traditionally one of exiles, bitter cold and suffering. Yet there is another tale to tell.Dotted throughout this remote and beautiful landscape are pianos created during the boom years of the nineteenth century. They tell the story of how, ever since entering Russian culture under the influence of Catherine the Great, piano music has run through the country like blood. How these pianos made the journey into this snow-bound wilderness in the first place is remarkable. That they might be capable of making music in such a hostile landscape feels like a miracle.The Lost Pianos of Siberia is an absorbing story about a piano hunt - a quixotic quest through two centuries of Russian history and eight time zones stretching across an eleventh of the world's land surface. It reveals not only an unexpected musical legacy, but profound and brave humanity in the last place on earth you might expect to find it.__________What readers are saying about The Lost Pianos of Siberia:***** 'You know a book's good when, on finishing it, you just want to start again.'***** 'Beautifully written, full of compelling anecdotes celebrating Siberia's extraordinary history.'***** 'The most unusual and intelligent way to tell a travel story.'

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'A match for end-of-the-world classics like Stephen King's The Stand' - New York Times Review of Books 'Breathtaking' - Heat Thirteen years ago, a catastrophic pandemic known as The Doom killed billions. For those left behind, it is a chance to build a new world. But The Doom was no ordinary virus. In some survivors, it awoke strange powers - to heal, to harm, even to predict the future. Fallon Swift has no memories of the old world - but she is destined to shape this new one. Growing up with her three brothers on a quiet farm, she has been protected from danger by her mother and stepfather. Now she must leave them, and learn to fight. Because Fallon is not only a powerful 'Uncanny' - she also has a pivotal role to play in the bloody battles ahead. A war between good and evil is brewing, and Fallon - young, tough, headstrong - must be ready. A sequel to the number one bestselling Year One, this breathtaking novel of love, war, family and magic is a gripping and deeply satisfying continuation of an extraordinary new trilogy.

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Passions are about to flare for the Concannon sisters . . .Maggie and Brianna Concannon are two very different sisters. The calm and gentle Bri seems able to weather any storm, even the constant criticism that rains down on them both from their mother, but Maggie is a passionate and fiery artist whose temper is as bold as her art. Their mother's bitterness is a mystery to Bri and Maggie, until secrets from the past challenge everything they've come to believe. It's Maggie's skill as a glass blower that brings Rogan Sweeney, the international gallery owner, to her small cottage in County Clare. His interest in her is purely professional, until their personalities clash and sparks begin to fly . . . As her career takes off, how will Maggie cope with the heat of the spotlight and feelings for Rogan that she would rather ignore?

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A vengeful goddess hunts for three jewels: fallen stars that will give her endless power. To save the world, six friends have joined forces to stop her. Now, on the wild and beautiful coast of County Clare, their battle reaches its dramatic climax. Doyle Mac Cleirich - soldier and reluctant immortal - has always vowed never to return home. But when his search for the final star leads him to Ireland, it becomes clear that fate has other plans.Solitary by inclination, Doyle is also fighting his growing attraction to archaeologist Riley. His warrior spirit is drawn to the wild - and there's no one more familiar with the wild than Riley. As the six guardians face their final challenge, Riley and Doyle are prepared to risk their lives in battle. But without love to sustain them, the quest is doomed to failure...

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A dark and powerful goddess hunts for three jewels: fallen stars that will give her endless power. To save the world, six friends have joined forces to stop her. Now, on the beautiful island of Capri, their battle continues...Mermaid Annika is proud to have been chosen for such an important quest. But now that her identity has been revealed, her time is running out. She knows that soon she must return to her people. But she also knows that she is in love with Sawyer King - the brave and loyal adventurer with secrets of his own. As Annika, Sawyer and their four friends hunt for the mysterious 'star of water', the goddess Nerezza sends a terrifying foe to destroy them. It seems there is no place for love and desire at such a dark time. And so Sawyer tries to protect Annika by pushing her away. But true love cannot be denied. And in a battle between the dark and the light - it might be the only thing that can save them from a terrible fate.

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Sasha Riggs is a reclusive artist, haunted by vivid dreams that she turns into extraordinary paintings. Desperate to understand her visions, she finds herself drawn to the Greek island of Corfu. She has only just arrived when she encounters Bran Killian, an Irish magician with a warm charisma and secrets dancing in his eyes. Sasha has never met Bran before, but she knows him only too well - because this is the man from her dreams. The man she seems fated to be with...if she can find the courage to accept who she really is.Sasha soon discovers that four other strangers have been lured to the island. Like Bran, they are all searching for a mysterious jewel known as the fire star - before it falls into the wrong hands. Together, they might just succeed. But first they must learn to trust one another, and reveal their deepest secrets.On the sun-drenched island of Corfu, love and magic are sparked into life. And for Sasha, nothing will ever be the same again.

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Proceedings of the Brandeis conference on Jewish Germanists who fled Nazi Germany and their impact on Anglo-American German studies. Among the Jewish academics and intellectuals expelled from Germany and Austria during the Nazi era were many specialists in German literature. Strangely, their impact on the practice of Germanistik in the United States, England, and Canada has been given little attention. Who were they? Did their vision of German literature and culture differ significantly from that of those who remained in their former homeland? What problems did they face in theAmerican and British academic settings? Above all, how did they help shape German studies in the postwar era? This unique and important symposium, which convened at Brandeis University under the auspices of its Center for Germanand European Studies, addresses these and many other questions. Among its distinguished participants--who numbered over thirty in all--are Peter Demetz (Yale, emeritus), Gesa Dane (Göttingen), Amir Eshel (Stanford), Willi Goetschel (Toronto), Barbara Hahn (Princeton), Susanne Klingenstein (MIT), Christoph König (Deutsches Literaturarchiv, Marbach), Ritchie Robertson (Oxford), Egon Schwarz (Washington University St. Louis, emeritus), Hinrich Seeba (UC Berkeley), Walter Sokel (University of Virginia, emeritus), Frank Trommler (University of Pennsylvania), and many more. The volume includes not only the (revised) essays of the participants but also their prepared responses, transcripts of the panel discussion, and dialogue of the participants with members of the audience. Stephen D. Dowden is professor of German at Brandeis University; Meike G. Werner is assistant professor of German at Vanderbilt University.

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Three subtly connected stories converge in this chimerical debut, each burrowing into a turning point in a person’s life: a young woman gives a melancholy account of her obsession with climbing Mount Everest; a Peruvian-Brazilian vanishes into the forest after staying in a musty, semi-abandoned inn in the haunted depths of the Brazilian countryside; a young playwright embarks on the production of a play about the city of Sevastopol and a Russian painter portraying Crimean War soldiers. Inspired by Tolstoy’s The Sevastopol Sketches, Emilio Fraia masterfully weaves together these stories of yearning and loss, obsession and madness, failure and the desire to persist, in a restrained manner reminiscent of Anton Chekhov, Roberto Bolano, and Rachel Cusk.

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Critique—a program of thought as well as a disposition toward the world—is a crucial resource for politics and thought today, yet it is again and again instrumentalized by institutional frames and captured by market logics. Technologies of Critique elaborates a critical practice that eludes such capture. Building on Chile’s history of dissident artists and the central entangling of politics and aesthetics, Thayer engages continental philosophical traditions, from Aristotle, Descartes and Heidegger through Walter Benjamin and Gilles Deleuze, and in implicit conversation with the Judith Butler, Roberto Esposito, and Bruno Latour, to help pinpoint the technologies and media through which art intervenes critically in socio-political life.

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Graph theory is one of the fastest growing branches of mathematics. Until recently, it was regarded as a branch of combinatorics and was best known by the famous four-color theorem stating that any map can be colored using only four colors such that no two bordering countries have the same color. Now graph theory is an area of its own with many deep results and beautiful open problems. Graph theory has numerous applications in almost every field of science and has attracted new interest because of its relevance to such technological problems as computer and telephone networking and, of course, the internet. In this new book in the Johns Hopkins Studies in the Mathematical Science series, Bojan Mohar and Carsten Thomassen look at a relatively new area of graph theory: that associated with curved surfaces. Graphs on surfaces form a natural link between discrete and continuous mathematics. The book provides a rigorous and concise introduction to graphs on surfaces and surveys some of the recent developments in this area. Among the basic results discussed are Kuratowski's theorem and other planarity criteria, the Jordan Curve Theorem and some of its extensions, the classification of surfaces, and the Heffter-Edmonds-Ringel rotation principle, which makes it possible to treat graphs on surfaces in a purely combinatorial way. The genus of a graph, contractability of cycles, edge-width, and face-width are treated purely combinatorially, and several results related to these concepts are included. The extension by Robertson and Seymour of Kuratowski's theorem to higher surfaces is discussed in detail, and a shorter proof is presented. The book concludes with a survey of recent developments on coloring graphs on surfaces.

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The Gruffalo quo, "Ye'll dae as I bid -Niver set fit in the deep derk wid."Bit ae snawy nicht the Gruffalo's Bairn ignores fit her faither has tellt her an tip-taes oot intae the cauld. Eftir aa, there's nae sic thing as the Muckle Coorse Moose... is there?In 2015, following on from the huge success of James Robertson's Scots translation of The Gruffalo, Itchy Coo published four dialect versions: the Orkney, Shetland, Doric and Dundee Gruffalos have all proved immensely popular as celebrations of the Scots language's astonishing regional diversity.Sheena Blackhall's Doric version of The Gruffalo is now followed by The Doric Gruffalo's Bairn. A cautionary tale about what happens when a small Gruffalo leaves the comfort of its cave and sets off into the dark wood on a wintry night, this is sure to be another big hit in the North-East and with Doric speakers wherever they bide.

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An ice-cold mystery haunts Reykjavík in 1986, in this heart-stopping crime novel co-written by the Icelandic Prime Minister Katrín JakobsdottirA classic crime novel, its noir at its finest' The Sunday TimesNordic noir at its most authoritative' Financial Times---What happened to Lara?Iceland, 1956. Fourteen-year-old Lara spends the summer on the small island of Videy, just off the coast of Reykjavík. In early August, the girl disappears without a trace. The mystery becomes Iceland''s greatest unsolved case. What happened to the young girl? Is she still alive? Did she leave the island, or did something happen to her there? Thirty years later, journalist Valur Robertsson begins his own investigation into Lara''s case. But as he draws closer to discovering the secret, it''s soon clear that this is a mystery someone will stop at nothing to keep unsolved...---A

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HarperCollins is proud to present its new range of best-loved, essential classics. ‘…when the Green Dragon tore shrieking out of the mouth of its dark lair, which was the tunnel, all three children stood on the railing and waved their pocket-handkerchiefs without stopping to think whether they were clean handkerchiefs or the reverse.’ When their father is mysteriously sent away, Roberta, Peter and Phyllis have to leave London with their mother to live in a cottage in the countryside. Finding comfort in the nearby railway station and friendship in Perks the Porter and the Station Master, the children watch every day for the passing London train. Every day they wave at the same old Gentleman on the train, not knowing that he may hold the key to their father’s whereabouts.

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Declaration on Freedom for Writers and Readers is an anthology of poetry and prose exploring freedom of expression. The year 2020 marks the 700th anniversary of the Declaration of Arbroath in which the Scottish nobility appealed to the Pope to support the nation’s fight for freedom from ‘the rule of the English’. The need to hear and understand each other is as urgent now as it ever was. This project was conceived and realised by Scottish PEN which, for nearly 100 years, has been campaigning for freedom of expression and the free exchange of ideas across borders. Declarations includes many voices, featuring some of Scotland’s leading writers such as Karen Campbell, A C Clarke, Carl MacDougall, and James Robertson, as well as writers from overseas.

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A trail-blazing writer of great repute in her day, but now unjustly neglected, Baroness Emmuska Orczy’s name was synonymous with the mystery genre in the early twentieth century, particularly for her Scarlet Pimpernel books, set during the French Revolution. But perhaps the most revolutionary of her works is the lesser-known Lady Molly of Scotland Yard, a short-story collection revolving around Molly Robertson-Kirk, a fictional London detective – indeed, published in 1910, Molly was one of the first fictional female detectives, and served as a prototype for many that followed. Beautifully presented and with helpful explanatory notes, this edition celebrates Orczy’s heroine and aims to reintroduce her for a new generation of readers.

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The subjects of the essays in Latin American Shakespeares range from the nineteenth century through the present; from high- to middle- to low-brow stories, plays, films, and poems; from Mexico to Argentina, Chile, Cuba, the U.S. barrio, and diverse sections of Brazil; from artists deservedly famous to artists undeservedly obscure. Shakespeare in Latin America is often implicated in struggles for power - tangentially or directly - and therefore swells the story of world wide political Shakespeare. For Latin American artists, the Shakespearean legacy is available for co-optation not only through parody, adaptation, and both reverent and irreverent (re)creation but also through absorption into unique indigenous genres. Rick J. Santos in his introduction writes of mestizo Shakespeare - mixed as are the native, colonial, and immigrant populations throughout Latin America. In part 1, Jose Roberto O'Shea queries whether the father of Brazilian theatre can be an impresario who performed Shakespeare rather than encouraging native writers. Roberto Ferreira da Rocha explores how a planned political statement against a military dictatorship failed to make its point. Jesus Tronch-Perez discusses the independence of two adaptors of Hamlet who push the view of the inactive prince to its limits. Gregary J. Racz explains how Pablo Neruda acted upon his understanding of Romeo and Juliet as an exemplar of his views about society. Juan J. Zaro explores political exile Leon Felipe's spiritual rather than political approach. Catherine Boyle examines the translation of Lear by Nicanor Parra during the transitional period after the fall of the Pinochet dictatorship. Margarida Gandara Rauen offers a close-up view of Guilherme Schiffer Duraes's transgressive use of Caliban. In part 2, Grace Tiffany explores Borges's oeuvre widely and deeply, confirming the fiction writer's fascination with the poet-playwright. Jose Luiz Passos clarifies the debt of Brazilian realist novelist Joaquim Maria Machado de

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The acclaimed and accessible Hidden in Plain Sight series showcases the extraordinary contributions made by Aboriginal peoples to Canadian identity and culture. This collection features new accounts of Aboriginal peoples working hard to improve their lives and those of other Canadians, and serves as a powerful contrast to narratives that emphasize themes of victimhood, displacement, and cultural disruption. In this second volume of the series, leading scholars and other experts pay tribute to the enduring influence of Aboriginal peoples on Canadian economic and community development, environmental initiatives, education, politics, and arts and culture. Interspersed are profiles of many significant Aboriginal figures, including singer-songwriter and educator Buffy Sainte-Marie, politician Elijah Harper, entrepreneur Dave Tuccaro, and musician Robbie Robertson. Hidden in Plain Sight continues to enrich and broaden our understandings of Aboriginal and Canadian history, while providing inspiration for a new generation of leaders and luminaries.

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In the fall of 2008, the world watched in horror as the U.S. housing finance system shattered, triggering a global financial panic and ultimately the Great Recession. Now, nearly a decade later, the long and slow housing recovery has reached a critical moment. Though the housing finance system has stabilized, it remains in the hands of the federal government, leaving taxpayers exposed to the credit risk while private funding remains mostly on the sidelines. Principles of Housing Finance Reform identifies the changes necessary to modernize the housing finance system, identifying guiding principles that should underlie a rebuilt system. Contributors to the volume set out a wealth of innovative solutions that are possible within this framework, presenting proposals for long-term structural reforms that would infuse new life into the U.S. housing finance system while enhancing long-term stability. Nearly a decade after the inception of the Great Recession, reform proposals have arisen across the political spectrum. This is a moment of opportunity for rebuilding a key sector of the U.S. economy. The research in this volume represents the best thinking of policy researchers and economic experts on the challenges that lie ahead and provides a roadmap for reforms to create a system characterized by liquidity, stability, access, and sustainability. Contributors: W. Scott Frame, Meghan Grant, John Griffith, Diana Hancock, Stephanie Heller, Akash Kanojia, Patricia C. Mosser, Kevin A. Park, Wayne Passmore, Roberto G. Quercia, David Scharfstein, Phillip Swagel, Joseph Tracy, Susan M. Wachter, Dale A. Whitman, Mark A. Willis, Joshua Wright.

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In Television as Digital Media, scholars from Australia, the United Kingdom, and the United States combine television studies with new media studies to analyze digital TV as part of digital culture. Taking into account technologies, industries, economies, aesthetics, and various production, user, and audience practices, the contributors develop a new critical paradigm for thinking about television, and the future of television studies, in the digital era. The collection brings together established and emerging scholars, producing an intergenerational dialogue that will be useful for anyone seeking to understand the relationship between television and digital media.Introducing the collection, James Bennett explains how television as digital media is a non-site-specific, hybrid cultural and technological form that spreads across platforms such as mobile phones, games consoles, iPods, and online video services, including YouTube, Hulu and the BBC’s iPlayer. Television as digital media threatens to upset assumptions about television as a mass medium that has helped define the social collective experience, the organization of everyday life, and forms of sociality. As often as we are promised the convenience of the television experience “anytime, anywhere,” we are invited to participate in communities, share television moments, and watch events live. The essays in this collection demonstrate the historical, production, aesthetic, and audience changes and continuities that underpin the emerging meaning of television as digital media.Contributors. James Bennett, William Boddy, Jean Burgess, John Caldwell, Daniel Chamberlain, Max Dawson, Jason Jacobs, Karen Lury, Roberta Pearson, Jeanette Steemers, Niki Strange, Julian Thomas, Graeme Turner

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A mediados del s. XIII el monarca noruego Hákon Hákonarson promovió una actividad cultural sin precedentes en las tierras del norte con la intención de introducir las formas y modales cortesanos europeos en su país y emular a los soberanos de los reinos del sur del continente. Fruto de aquella política artística y cultural, fueron las traducciones y adaptaciones a la antigua lengua nórdica de obras ampliamente divulgadas en las cortes europeas. Producción característica de aquel período son las llamadas ?sagas de caballeros? o riddarasögur, basadas algunas de ellas en traducciones de textos de procedencia francesa, mientras que otras son obras de origen islandés salpicadas de elementos autóctonos nórdicos y otros de origen extranjero.Al primer grupo pertenece la versión de la celebérrima leyenda de Tristán e Iseo que en 1226 llevó a cabo cierto hermano Roberto por indicación del propio Hákon. Basada muy probablemente en el roman de Tristan de Thomas, poeta normando de la corte de E

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Maurice Druon ha sabido narrar como ningún otro las historias secretas, las pasiones y las debilidades de ese periodo turbio de la historia de Europa en este tercer volumen de la saga Los Reyes Malditos.Los venenos de la corona resucita los conflictos, odios, intrigas y crímenes que plagaron el reinado de dieciocho meses de Luis X.El desgraciado destino de la hermosa Clemencia de Hungría, llamada a ser reina de Francia y repentinamente viuda; los destinos truncados del joven lombardo Guccio Baglioni y de María Cressay, cuyos amores debieron enfrentarse a las prohibiciones sociales; los destinos violentos de la condesa Mahaut de Artois y de su sobrino Roberto, separados por un odio acérrimo, y, por fin, el trágico destino del rey Luis X, que en pocos meses lleva la obra del Rey de Hierro al borde de su destrucción.En Junio de 1316, el rey muere envenenado. Es la primera vez en tres siglos que un monarca de Francia fallece sin dejar heredero varón.

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With Numinous Seditions, celebrated poet and essayist Tim Lilburn investigates inner dispositions that might help us bear the new sorrows of the climate crisis. The book draws from the West’s almost forgotten contemplative tradition in its Platonic, Islamic, Christian, and Zoharic forms. It also explores ideas from modern philosophers Jan Zwicky, Gillian Rose, Dorothy Day, and Simone Weil, and from contemporary poets Don Domanski, Philip Kevin Paul, Anne Szumigalski, and Roberto Harrison. Lilburn suggests that listening, noticing, reading, and stretching our imaginations are all part of an interior stance that can assist with the difficult tasks of forming deep relationships with the land, with Indigenous peoples, and with pedagogy itself. Numinous Seditions is for scholars and readers interested in poetry, environmental philosophy, and in the possibility of a contemplative politics.

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Valentin and Molina seemingly share little other than a cell in this queer classic ahead of its time.'Dazzling... a triumph' ObserverSometimes they talk all night long. In the still darkness of their Buenos Aires prison cell, Molina re-weaves the glittering and fragile stories of the film he loves, and the cynical Valentin listens. Valentin believes in the just cause that makes all suffering bearable; Molina believes in the magic of love that makes all else endurable. Though they seemingly share little other than a cell, the two form a bond so intimate - and a relationship so profoundly affecting - that only the other could understand.'A visionary work that breathed life into certain dimensions of human possibility long before society at large was prepared to imagine them.' Carolina de Robertis, Los Angeles Review of Books

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Diabhal (Devil) is the story of cults, exorcisms and the devil in 1980’s era Los Angeles. Ceit Robertson, age ten, is the next Matrarc to the Society, a cultish, matriarchal group living in an inconspicuous cul-de-sac in Venice Beach. When Ceit’s mother is attacked by spirits from the old world, a failed exorcism results in Ceit’s exile into the foster care system in Los Angeles. She eventually lands in the infamous MacLaren Hall, a very real and historically auspicious center for disturbed and abandoned children in El Monte, CA. Diabhal is the sympathetic story of the devil in Los Angeles. The exploration of the true nature of evil and how intention colors what our definition of wickedness truly is. Ceit grows into a force of nature, as she contains the potential and mythology of the darkest degree, but discovers that perhaps the devil is not what we should truly fear.

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Valentin and Molina seemingly share little other than a cell in this queer classic ahead of its time.'Dazzling... a triumph' ObserverSometimes they talk all night long. In the still darkness of their Buenos Aires prison cell, Molina re-weaves the glittering and fragile stories of the film he loves, and the cynical Valentin listens. Valentin believes in the just cause that makes all suffering bearable; Molina believes in the magic of love that makes all else endurable. Though they seemingly share little other than a cell, the two form a bond so intimate - and a relationship so profoundly affecting - that only the other could understand.'A visionary work that breathed life into certain dimensions of human possibility long before society at large was prepared to imagine them.' Carolina de Robertis, Los Angeles Review of Books

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In Fragments of Bone, thirteen essayists discuss African religions as forms of resistance and survival in the face of Western cultural hegemony and imperialism. The collection presents scholars working outside of the Western tradition with backgrounds in a variety of disciplines, genders, and nationalities. These experts draw on research, fieldwork, personal interviews, and spiritual introspection to support a provocative thesis: that fragments of ancestral traditions are fluidly interwoven into New World African religions as creolized rituals, symbolic systems, and cultural identities. Contributors: Osei-Mensah Aborampah, Niyi Afolabi, Patrick Bellegarde-Smith, Randy P. Conner, T. J. Desch-Obi, Ina Johanna Fandrich, Kean Gibson, Marilyn Houlberg, Nancy B. Mikelsons, Roberto Nodal, Rafael Ocasio, Miguel "Willie" Ramos, and Denise Ferreira da Silva

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Women have always made video games, from the 1960s and the first-of-its-kind, projector-based Sumerian Game to the blockbuster Uncharted games that defined the early 2000s. Women have been behind the writing, design, scores, and engines that power one of the most influential industries out there. In Gamer Girls, now you can explore the stories of 25 of those women. Bursting with bold artwork, easy-to-read profiles, and real-life stories of the women working on games like Centipede, Final Fantasy, Halo, and more, this dynamic illustrated book shows what a huge role women have played-and will continue to play-in the creation of video games.With additional sidebars about other influential women in the industry, as well as a glossary and additional resources page, Gamer Girls offers a look into the work and lives of influential pixel queens such as: * Roberta Williams (one of the creators of the adventure genre)* Mabel Addis Mergardt (the first person to write a video game)* Muriel Tramis (the French "knight" of video games)* Keiko Erikawa (creator of the otome genre)* Yoko Shimomura (composer for Street Fighter, Final Fantasy, and Kingdom Hearts)* Rebecca Heineman (first national video game tournament champion)* Danielle Bunten Berry (creator of M.U.L.E. and early advocate for multiplayer games)* and more!Whether you're a gamer girl who plays video games, a gamer girl who makes video games, or a parent raising a gamer girl, this entertaining, inspiring book will have you itching to pick up a controller or create your own video games!

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Este libro recoge seis entrevistas realizadas al artista estadounidense Gordon Matta-Clark (1943-1978) en los años más productivos de su trayectoria artística, desde 1974, poco después de completar su famosa obra Splitting que consistió en partir por la mitad una casa suburbana condenada al derribo, hasta el año de su temprana muerte, en 1978, a los 35 años de edad. Artista de pocas palabras, que prefería la acción a las declaraciones teóricas, estas entrevistas constituyen unos valiosos documentos para profundizar en las motivaciones que dieron lugar a sus obras.Gordon Matta-Clark (1943-1978) fue hijo del artista chileno Roberto Matta y de la artista estadounidense Anne Clark. Después de estudiar Literatura francesa en la Sorbona y Arquitectura en la Cornell University. A partir de 1971, Matta-Clark realizo cortes o extracciones de forjados y fachadas de edificios en Nueva York, Génova, Milán, París, Amberes y Chicago cuyo proceso de realización fue registrado en fotografía,

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Encuadernación: CartonéColección: Sillon orejeroUn retrato a cambio de un sueño. Así es como Baudoin y Troubs, abordando a la gente en la calle, se plantean retratar la mexicana Ciudad Juárez, quizá la urbe más peligrosa del mundo, donde los asesinatos de mujeres y la violencia vinculada con el narcotráfico son el pan de cada día. Sin embargo, a través de sus ojos, la ciudad fronteriza resulta rebosar de vida y de sueños.El origen de Viva la vida se halla en la novela del escritor chileno Roberto Bolaño, 2666, que gira en torno a los misteriosos asesinatos de más de 400 mujeres en Ciudad Juárez. Su lectura fue el germen que incitó a Baudoin a emprender el viaje hacia la ciudad fronteriza, junto con Troubs, para reflejar y dar a conocer a través de sus dibujos esa cruda realidad, e intentar comprenderla. Sin embargo, recogiendo los testimonios, los anhelos y los sueños de los lugareños, no sólo fueron conociendo la brutal realidad de Ciudad Juárez, sino también la de una ciuda

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The centrepiece of 'Silent Highway' is the title-poem which celebrates the role of the river Thames in the life of London. It is written as a sequence that looks at history and the present: from Pocahontas's voyage to the arrival of the 'Windrush' bringing immigrants from Jamaica, the mysterious death of Roberto Calvi and the 'Marchioness' disaster, via the Fire of London and many incidents in which the river has been spectator or participant. Howell's mix of verse styles and skill with cameos ensures that interest never flags. In other poems he demonstrates his pleasure in avoiding the predictable and in writing on a wide variety of subjects. Among the many poems of place, in which he excels, are some disturbing descriptions of modern Britain; in the final section, poems inspired by a winter spent in Brazil, he has surprises in store, such as the witty (and true) poem 'In Praise of Shopping'.

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Into the Mèlée probes the mercurial relationship between culture and politics through versatile critical writing on Conrad, Orwell, Sartre, Raymond Williams and Roberto Schwarz, among others. The ‘mèlée’ that Romain Rolland wrote to deplore was the Great War of 1914. The phrase gained general currency as a call to cultural service beyond the pressures of everyday political and social strife, a vocation ‘above the fray’. Francis Mulhern writes in the contrary belief that there is no social location corresponding to this desire, strong and appealing though it may be. Into the Mèlée opens with questions of nationality, from F. R. Leavis’s efforts to assert an English literary subject to Tom Nairn’s political vision of England and Scotland ‘after Britain’. Other essays concern intellectuals and, in one way or another, the politics of revolution and counterrevolution, from Burke to the present. The

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* SPECIFICATIONS: This memory game includes 25 matched pairs of full-color cards (2 1/2 X 3 1/2 inches, 50 cards total, 25 portrait cards and 25 phrase cards) and an illustrated booklet in a two-piece, shrink-wrapped box. * FULL-COLOR ILLUSTRATED PACKAGE: Gift-worthy package is printed in full-color (box, cards, booklet) and features beautiful portraits by artist Gloria Félix.* BOOK INCLUDED: This set includes a fully illustrated 32-page, paperback booklet (3 1/4 X 4 3/4 inches) that highlights inspiring quotes and contributions from 25 Latinas/os throughout U.S. history, as well as game play instructions.* BILINGUAL GAME: All game text, including rules, quotations, and profiles, is presented in both English and Spanish. * FEATURES 25 NOTABLE FIGURES: Sylvia Acevedo, Luis Walter Álvarez, Pura Belpré, Julia de Burgos, César Chávez, Sandra Cisneros, Roberto Clemente, Celia Cruz, Olga Custodio, Jaime Escalante, Emma González, Laurie Hernández, Juan Felip

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In his dark and fetid prison cell, serial killer Daniele de Robertis plans his retribution. The betrayals he has suffered haunt his dreams until, one night, he escapes. In a small, beautiful village in the Tuscan countryside a prominent lawyer and his wife are murdered. As the police inspect the scene they find nine terrifying photographs: nine women, slaughtered. It is Florentine Police Chief Michele Ferrara's worst nightmare: a case involving the untouchable men and women at the top of Italian society, a dark and powerful cult which knows no bounds, and mounting victims. Amongst a web of obsession, manipulation and violence, Ferrara must face his demons. Death Under a Tuscan Sun is an incredibly gripping and atmospheric work of detective fiction, written with incomparable authenticity by former Florentine police chief Michele Giuttari. Originally published in Italian as Il Cuore Oscuro di Firenze.

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The Griffoni Polyptych is regarded as one of the greatest masterpieces of the Italian Renaissance. Published for the exceptional reunification - after 300 years - of its constituent parts, this book offers the results of a new analysis carried out for this important occasion. Commissioned by Floriano Griffoni for the family chapel in the Basilica of San Petronio in Bologna, the polyptych was painted by Francesco del Cossa and Ercole de 'Roberti between 1470 and 1472. The Ferrarese artists created a fundamental work in the search for a modern feeling of space and volumes, proposing a 'compositional mosaic' which can be considered an alternative to the contemporary works of Piero della Francesca or Andrea Mantegna. Dismantled in 1725 by the new owner of the chapel, the polyptych was never again reunited: the paintings that formed it entered the antiques markets and 16 pieces arrived in the nine museums that still preserve them today. This volume is the most complete monograph on this masterpiece.

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As the American Civil War recedes into the past, popular fascination continues to rise. Once a matter that chiefly concerned veterans, separately organized North and South, who gathered to refight old battles and to memorialize the heroes and victims of war, the Civil War has gradually become part of a collective heritage. Issues raised by the war, including its causes and consequences, reverberate through contemporary society. Family and community connections with the war exist everywhere, as do battlefields, memorials, and other physical reminders of the conflict. We, as Americans, are fascinated by the sheer magnitude of the war fought over thousands of miles of American soil and resulting in awesome casualties. It was a gigantic national drama enacted by people who seem both contemporary and remote. Here for the first time, leading Civil War scholars gather to sort out the fact and fiction of our collective memories. Contributors include Pulitzer Prize-winner Mark E. Neely, Jr., Alan T. Nolan, John Y. Simon, James I. "Bud" Robertson, Jr., Gary W. Gallagher, Joseph T. Glatthaar, and Ervin L. Jordan, Jr.

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An exploration of the relations between medical and religious discourse and practice in medieval culture, focussing on how they are affected by gender. Current preoccupations with the body have led to a growing interest in the intersections between religion, literature and the history of medicine, and, more specifically, how they converge within a given culture. This collection of essays explores the ways in which aspects of medieval culture were predicated upon an interaction between medical and religious discourses, particularly those inflected by contemporary gendered ideologies. The essays interrogatethis convergence broadly in a number of different ways: textually, conceptually, historically, socially and culturally. They argue for an inextricable relationship between the physical and spiritual in accounts of health, illness and disability, and demonstrate how medical, religious and gender discourses were integrated in medieval culture. Naoë Kukita Yoshikawa is Professor of English in the Faculty of Humanities and Social Sciences at Shizuoka University. Contributors: Louise M. Bishop, Elma Brenner, Joy Hawkins, Roberta Magnani, Takami Matsuda, Liz Herbert McAvoy, Irina Metzler, Denis Renevey, Patricia Skinner, Juliette Vuille, Diane Watt, Naoë Kukita Yoshikawa.

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Arshia Sattar, que firma un prologo extraordinario, quizas el mejor texto introductorio a este poema epico disponible en nuestra lengua, ha aligerado el texto original de repeticiones, de florituras estilisticas, de interpolaciones espureas y de errores de transcripcion, y lo ha adaptado con sensibilidad y maestria al lenguaje contemporaneo para que pueda leerse ahora con la misma emocion con que se hacia cientos o miles de anos atras. El resultado es espectacular: este Ramayana, lejos de ser un monumento o un objeto de museo, defecto de la mayoria de las versiones occidentales mencionadas (incluida una en latin que refuerza todavia mas esta sensacion de antigualla venerable pero inservible y lejanisima), aparece como un texto vivo, actual, proximo y directo con el que uno, sin importar a que region geografica o mental del mundo pertenezca, puede dialogar sobre todo lo divino y lo humano. Arshia Sattar, que dedico diez anos de trabajo a su version, ha sabido ser fiel a las necesidades

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Pocos ámbitos de la ciencia han experimentado tantos cambios en los últimos años y con tantas implicaciones sociales y personales como la atención a los problemas de fertilidad. El advenimiento de métodos anticonceptivos eficaces, a partir de los años 70, hizo que se postergara la fertilidad y por tanto la edad de la mujer para intentar embarazo, con lo que los casos de parejas infértiles han aumentado. Con las técnicas de reproducción asistida se ha logrado dar respuesta a problemas reproductivos previamente irresolubles. Por otra parte, estas nuevas modalidades terapéuticas se encuentran en continua evolución y mejora. Su aplicación requiere de conocimientos y habilidades específicas y multidisciplinares.En la actualidad la enfermería de la reproducción humana se configura como uno de los pilares básicos en que debe sustentarse la atención a los problemas reproductivos de la pareja. En el presente tratado, sin parangón en su género, se proporciona el bagaje de conocimientos para l

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