Search results for ""author pete"

This book collects Thomas Nagel's recent philosophical reflections on topics of fundamental interest: ethics, moral psychology, science and religion, death, the holocaust, and the metaphysics of mind. Among the figures discussed are Peter Singer, Alvin Plantinga, Christine Korsgaard, Tony Judt, Elizabeth Anscombe, Philippa Foot, Iris Murdoch, T. M. Scanlon, Ronald Dworkin, Samuel Scheffler, Daniel Kahneman, Jonathan Haidt, Joshua Greene, and Daniel Dennett. Nagel consistently defends a realist interpretation of moral truth and resists reductive attempts to subsume ethics to psychology and evolutionary theory. He also defends a pluralistic conception of the content of morality as opposed to utilitarianism, one that includes deontological elements such as rights and special responsibilities. A realist outlook also informs his discussion of metaphysical and epistemological questions. The book closes with tributes to a number of people Nagel has known over the course of his career. The essays are all addressed to a general audience, and should appeal not only to philosophers but to anyone interested in current attempts to understand human life, human values, and how we fit into the world.

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Jet Lassiter likes being a pilot for Argeneau Inc. Perks include travelling to exotic locations and meeting interesting people, even if they are the blood-sucking kind. He's living the good life, until his plane goes down in the mountains and four of his passengers are gravely injured. They need blood to heal . . . and Jet is the only source.Quinn Peters never wanted to be immortal. Once a renowned heart surgeon, she was turned against her will and now she has to drink blood to survive. Before she can ask how her 'life' can get any worse, she's in a plane crash. One of the few survivors, Quinn is desperate to get the mortal pilot to safety before her fellow immortals succumb to their blood lust and drain Jet dry.But hungry vampires are the least of their worries -- the crash wasn't an accident, and someone is trying to kill Quinn. Will she and Jet find their happily ever after as life mates, or will her assassin find her first?

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In many countries, government and society have undergone a major shift in recent years, now tending toward 'smaller government' and 'bigger society'. This development has lent increased meaning to the notion of interactive governance, a concept that this book takes not as a normative ideal but as an empirical phenomenon that needs constant critical scrutiny, reflection and embedding in modern societies.Critical Reflections on Interactive Governance assesses the fundamental changes we can see in civic engagement in interactive governance to new forms of civic self-organization. Eminent scholars across a host of varying disciplines critically discuss a wealth of surrounding issues such as; the role of politicians in interactive governance; whether government strategies - stressing increasing responsibilities for citizens - exclude and mainstream certain people; the type of leadership required for interactive governance to work and what new forms of co-production between governmental institutions, civic organisations and citizens arise. The book concludes with the prospect of potential hybrid institutional and organizational arrangements, like the co-operative model to democracy or the social enterprise, in developing and implementing public services and products. Astute and engaging, Critical Reflections on Interactive Governance will appeal to students in the areas of political science, sociology, public administration and organization management. Scholars and practitioners in the field of interactive governance, participation and civic self-organization will also be particularly interested in this book.Contributors include: H.P. Bang, K.P.R. Bartels, V. Bekkers, T. Bovaird, T. Brandsen, E. Czaika, B. Denters, M. Duijn, M. Duniam, J. Edelenbos, G.J. Ellen, R. Eversole, S. Groeneveld, E.H. Klijn, J. Kooiman, E. Loeffler, S. Moyson, B. Ottow, Y. Papadopoulos, K.L. Patterson, B.G. Peters, J. Pierre, M. Ranahan, A. Røiseland, D. Rumore, M. Russo, T. Schenk, R.M. Silverman, J.D. Sobels, T. Søndergård Madsen, E. Sørensen, J. Torfing, P. Triantafillou, S.I. Vabo, A. van Buuren, S. Van de Walle, I. van Meerkerk, W. Voorberg, H. Wagenaar, L. Yin

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When Owl’s house is blown down in a blusterous storm there’s only one Small Animal who can save the day. This story first appeared in A.A.Milne’s The House at Pooh Corner, accompanied by E.H.Shepard’s original, iconic decorations. Classic Winnie-the-Pooh Story Piglet Does a Very Grand Thing – With The Original Text By A.A.Milne And Decorations By E.H.Shepard It’s A Timeless Gift For Fans Of All Ages. Collect The Range. When Owl’s house is blown down in a blusterous storm there’s only one Small Animal who can save the day. This story first appeared in A.A.Milne’s The House at Pooh Corner. This book is all the more special due to E.H.Shepard’s decorations, which are shown in full, glorious colour. They contributed to him being known as ‘the man who drew Pooh’. Look out for all the titles in the collection: Winnie-the-Pooh and the Wrong Bees Winnie-the-Pooh: Pooh Goes Visiting Winnie-the-Pooh: Piglet Meets a Heffalump Winnie-the-Pooh: Piglet Does a Very Grand Thing Winnie-the-Pooh: Eeyore Has a Birthday Winnie-the-Pooh: A House is Built for Eeyore Winnie-the-Pooh: Pooh Invents A New Game Winnie-the-Pooh: Eeyore Loses a Tail The nation’s favourite teddy bear has been delighting generations of children for over 95 years. Milne’s classic children’s stories – featuring Piglet, Eeyore, Christopher Robin and, of course, Pooh himself – are gently humorous while teaching lessons about friendship and kindness. Pooh ranks alongside other beloved character such as Paddington Bear, and Peter Rabbit as an essential part of our literary heritage. Whether you’re 5 or 55, Pooh is the bear for all ages.

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A nuanced look at how nature has been culturally constructed in South and Southeast Asia, Nature in the Global South is a major contribution to understandings of the politics and ideologies of environmentalism and development in a postcolonial epoch. Among the many significant paradigms for understanding both the preservation and use of nature in these regions are biological classification, state forest management, tropical ecology, imperial water control, public health, and community-based conservation. Focusing on these and other ways that nature has been shaped and defined, this pathbreaking collection of essays describes projects of exploitation, administration, science, and community protest. With contributors based in anthropology, ecology, sociology, history, and environmental and policy studies, Nature in the Global South features some of the most innovative and influential work being done in the social studies of nature. While some of the essays look at how social and natural landscapes are created, maintained, and transformed by scientists, officials, monks, and farmers, others analyze specific campaigns to eradicate smallpox and save forests, waterways, and animal habitats. In case studies centered in the Philippines, India, Pakistan, Thailand, Indonesia, and South and Southeast Asia as a whole, contributors examine how the tropics, the jungle, tribes, and peasants are understood and transformed; how shifts in colonial ideas about the landscape led to extremely deleterious changes in rural well-being; and how uneasy environmental compromises are forged in the present among rural, urban, and global allies. Contributors:Warwick AndersonAmita BaviskarPeter BrosiusSusan DarlingtonMichael R. DoveAnn Grodzins GoldPaul GreenoughRoger JefferyNancy PelusoK. SivaramakrishnanNandini SundarAnna Lowenhaupt TsingCharles Zerner

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How has the United Nations dealt with the question of terrorism before and after September 11? What does it mean that the UN itself has become a target of terrorism? Terrorism and the UN analyzes how the UN's role in dealing with terrorism has been shaped over the years by the international system, and how events such as September 11 and the American intervention in Iraq have reoriented its approach to terrorism. The first half of the book addresses the international context. Chapters in this part consider the impact of September 11 on the UN's concern for the rights and security of states relative to those of individuals, as well as the changing attitudes of various Western powers toward multilateral vs. unilateral approaches to international problems.The second half of the book focuses more closely on the UN, its values, mechanisms, and history and its future role in preventing and reacting to terrorism. The Security Council's position on and reactions to terrorist activities are contrasted with the General Assembly's approach to these issues. What role the UN might play in suppressing the political economy of terrorism is considered. A concluding chapter looks at broader, more proactive strategies for addressing the root causes of terrorism, with an emphasis on social justice as a key to conflict prevention, a primary concern of the UN, particularly the General Assembly, before September 11.Contributors are Jane Boulden, Chantal de Jonge Oudraat (Georgetown University), Edward C. Luck (Columbia University), S. Neil MacFarlane (University of Oxford), Rama Mani (Geneva Centre for Security Policy), M. J. Peterson (University of Massachusetts, Amherst), Nico Schrijver (Vrije Universiteit, Amsterdam), Mónica Serrano (Colegio de México and University of Oxford), Thierry Tardy (Geneva Centre for Security Policy), Karin von Hippel (King's College, London), and Thomas G. Weiss.

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It’s not what you do, it’s how you think about what you do. Mindframes—your internal set of beliefs about your role as school leader—determine the high-impact leadership practices you choose to implement. In other words, how you think about the impact of the actions you take has more effect on student achievement than your leadership practices themselves. Building on over twenty-five years of Visible Learning research and girded by a theory of action that ensures school leaders have the expertise to select, implement, and evaluate high impact interventions, 10 Mindframes for Leaders: The VISIBLE LEARNING® Approach to School Success brings the mindframes of ten world-renowned educators to life. Ten chapters, each written by a different thought leader, detail a mindframe at the heart of successful school leadership, along with the high probability influences that make each mindframe visible. A must-have resource for any educator working toward student achievement at ever-higher levels, each chapter includes: • The most current, up-to-date findings from the Visible Learning research, including the factors from Visible Learning that support each mindframe • Practical ideas for leaders to implement high-impact strategies in classrooms and schools • Vignettes, questions, insights, and exercises to help educators clarify and refine their own mindframes Lead your school to reform from the inside out. Cultivate these ways of thinking, and you’re more likely to have major impacts on the learning lives of those students entrusted to your care. Includes Contributions From…John Hattie, Peter DeWitt, Raymond L. Smith, Doug Fisher, Janet Clinton, Nancy Frey, Dylan Wiliam, Dominique Smith, Jenni Donohoo, Laura Link, Michael Fullan, Sugata Mitra, Zaretta Hammond, Jim Knight

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After Sylvia is an anthology of new writing celebrating the work and legacy of Sylvia Plath. Published by Nine Arches Press in October 2022, the book honours the 90th anniversary of Plath’s birth through a range of compelling poems and thought-provoking essays by leading and up-and-coming poets and scholars from the UK and beyond.After Sylvia is shaped around five inspiring chapters, each exploring a key Plathian theme: Nature, Rebirth, Womanhood, Mothers & Fathers and Magic. Co-edited by Ian Humphreys and Sarah Corbett, contributors include Mona Arshi, Emily Berry, Mary Jean Chan, Heather Clark, Pascale Petit and Jacob Polley.This vital anthology sets out to help dispel the myth of Sylvia Plath as tortured genius destined to her fate, by expressing the power and complexity of her work, legacy and reputation as one of the most important and influential writers of the 20th century.Full list of contributors: Moniza Alvi, Romalyn Ante, Mona Arshi, Polly Atkin, Tiffany Atkinson, Sally Baker, Colin Bancroft, Emily Berry, Nina Billard Sarmadi, Caroline Bird, Sharon Black, David Borrott, Mary Jean Chan, Heather Clark, Angela Cleland, Jane Commane, Sarah Corbett, Jonah Corren, Gail Crowther, Mari Ellis Dunning, Samatar Elmi, Ruth Fainlight, Daniel Fraser, Rosie Garland, Victoria Gatehouse, Rebecca Goss, Annie Hayter, Gaia Holmes, Ian Humphreys, Julie Irigaray, Bhanu Kapil, Victoria Kennefick, Martin Kratz, Zaffar Kunial, Jennifer Lee Tsai, Carola Luther, Karen McCarthy Woolf, Roy McFarlane, Nina Mingya Powles, Mark Pajak, Caleb Parkin, Pascale Petit, Jacob Polley, Niamh Prior, Shivanee Ramlochan, Clara Rosarius, Devina Shah, Penelope Shuttle, Jean Sprackland, Laura Stanley, Paul Stephenson, Degna Stone, Dorka Tamás, Anastasia Taylor-Lind, Peter Wallis, Tom Weir, Sarah Westcott, Merrie Joy Williams, Sarah Wimbush, Tamar Yoseloff.

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Digital culture is often characterized as radically breaking with past technologies, practices, and ideologies rather than as reflecting or incorporating them. Memory Bytes seeks to counter such ahistoricism, arguing for the need to understand digital culture—and its social, political, and ethical ramifications—in historical and philosophical context. Looking at a broad range of technologies, including photography, print and digital media, heat engines, stereographs, and medical imaging, the contributors present a number of different perspectives from which to reflect on the nature of media change. While foregrounding the challenges of drawing comparisons across varied media and eras, Memory Bytes explores how technologies have been integrated into society at different moments in time.These essays from scholars in the social sciences and humanities cover topics related to science and medicine, politics and war, mass communication, philosophy, film, photography, and art. Whether describing how the cultural and legal conflicts over player piano rolls prefigured controversies over the intellectual property status of digital technologies such as mp3 files; comparing the experiences of watching QuickTime movies to Joseph Cornell’s “boxed relic” sculptures of the 1930s and 1940s; or calling for a critical history of electricity from the Enlightenment to the present, Memory Bytes investigates the interplay of technology and culture. It relates the Information Age to larger and older political and cultural phenomena, analyzes how sensory effects have been technologically produced over time, considers how human subjectivity has been shaped by machines, and emphasizes the dependence of particular technologies on the material circumstances within which they were developed and used.Contributors. Judith Babbitts, Scott Curtis, Ronald E. Day, David Depew, Abraham Geil, Sharon Ghamari-Tabrizi, Lisa Gitelman, N. Katherine Hayles, John Durham Peters, Lauren Rabinovitz, Laura Rigal, Vivian Sobchack, Thomas Swiss

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Aleksandr Solzhenitsyn's March 1917, Book 2, covers three days of the February Revolution when the nation unraveled, leading to the Bolshevik takeover eight months later. The Red Wheel is Nobel Prize–winner Aleksandr Solzhenitsyn's multivolume epic work about the Russian Revolution. He spent decades writing about just four of the most important periods, or "nodes.” This is the first time that the monumental March 1917—the third node—has been translated into English. It tells the story of the Russian Revolution itself, during which the Imperial government melts in the face of the mob, and the giants of the opposition also prove incapable of controlling the course of events. The action of Book 2 (of four) of March 1917 is set during March 13–15, 1917, the Russian Revolution's turbulent second week. The revolution has already won inside the capital, Petrograd. News of the revolution flashes across all Russia through the telegraph system of the Ministry of Roads and Railways. But this is wartime, and the real power is with the army. At Emperor Nikolai II’s order, the Supreme Command sends troops to suppress the revolution in Petrograd. Meanwhile, victory speeches ring out at Petrograd's Tauride Palace. Inside, two parallel power structures emerge: the Provisional Government and the Executive Committee of the Petrograd Soviet of Workers' and Soldiers’ Deputies, which sends out its famous "Order No. 1," presaging the destruction of the army. The troops sent to suppress the Petrograd revolution are halted by the army’s own top commanders. The Emperor is detained and abdicates, and his ministers are jailed and sent to the Peter and Paul Fortress. This sweeping, historical novel is a must-read for Solzhenitsyn's many fans, as well as those interested in twentieth-century history, Russian history and literature, and military history.

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Aleksandr Solzhenitsyn's March 1917, Book 2, covers three days of the February Revolution when the nation unraveled, leading to the Bolshevik takeover eight months later. The Red Wheel is Nobel Prize–winner Aleksandr Solzhenitsyn's multivolume epic work about the Russian Revolution. He spent decades writing about just four of the most important periods, or "nodes.” This is the first time that the monumental March 1917—the third node—has been translated into English. It tells the story of the Russian Revolution itself, during which the Imperial government melts in the face of the mob, and the giants of the opposition also prove incapable of controlling the course of events. The action of Book 2 (of four) of March 1917 is set during March 13–15, 1917, the Russian Revolution's turbulent second week. The revolution has already won inside the capital, Petrograd. News of the revolution flashes across all Russia through the telegraph system of the Ministry of Roads and Railways. But this is wartime, and the real power is with the army. At Emperor Nikolai II’s order, the Supreme Command sends troops to suppress the revolution in Petrograd. Meanwhile, victory speeches ring out at Petrograd's Tauride Palace. Inside, two parallel power structures emerge: the Provisional Government and the Executive Committee of the Petrograd Soviet of Workers' and Soldiers’ Deputies, which sends out its famous "Order No. 1," presaging the destruction of the army. The troops sent to suppress the Petrograd revolution are halted by the army’s own top commanders. The Emperor is detained and abdicates, and his ministers are jailed and sent to the Peter and Paul Fortress. This sweeping, historical novel is a must-read for Solzhenitsyn's many fans, as well as those interested in twentieth-century history, Russian history and literature, and military history.

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"No serious student of film should miss the great work collected in this volume."—W. A. Vincent, Choice"When so much writing about film is based on overall impressions or shadowy memories, on notes scribbled in the dark or published shot breakdowns that are often overgeneralized or even inaccurate, it is refreshing to be confronted with such scholarly work, characterized by a genuinely attentive eye and a punctilious observation of detail. This long-awaited collection, gathering Bellour's ground breaking studies into one volume, will surely be a crucial source of inspiration for future generations of film scholars." —Peter Wollen, BookforumThe Analysis of Film brings together Raymonds Bellour's now classic studies of classic Hollywood film. It is at once a book about the methods of close film analysis, the narrative structure of Hollywood film, Hitchcock's work—The Birds, Marnie, Psycho, North by Northwest—and the role of the woman in western representation. But, finally, it is a book about cinema itself and the love for cinema that drives the passion for analyzing the supreme art form of the twentieth century.Bellour creatively reworks the ideas and methods of structuralism, semiology, and psychoanalysis to unravel the knot of significations that is the filmic text. The introductory chapter sketches out a history of the way the close analysis of film developed. And then, beginning with a study of the Bodega Bay sequence of The Birds, the book goes on to examine every aspect of that singular critical practice, "the analysis of film."The book is also a model of how to write about the intricacies of film narrative, shot by shot, sequence by sequence, while addressing larger contextual issues of subjectivity, desire, and identification in Western cultural forms. A new, final chapter on D. W. Griffith's The Lonedale Operator brilliantly demonstrates that the dynamics of repetition and alternation that Bellour discovered to be the heartbeat of Hollywood narrative film were already there in nascent form at the beginnings of cinema.

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How the Jesuits re-emerged after forty years of suppressionIn 1773, Pope Clement XIV suppressed the Society of Jesus. For the 823 Jesuits living in the Low Countries, it meant the end of their institutional religious life. In the Austrian Netherlands, the Jesuits were put under strict surveillance, but in the Dutch Republic they were able to continue their missionary work. It is this regional contrast and the opportunities it offered for the Order to survive that make the Low Countries an exceptional and interesting case in Jesuit history.Just as in White Russia, former Jesuits and new Jesuits in the Low Countries prepared for the restoration of the Order, with the help of other religious, priests, and lay benefactors. In 1814, eight days before the restoration of the Society by Pope Pius VII, the novitiate near Ghent opened with eleven candidates from all over the United Netherlands. Barely twenty years later, the Order in the Low Countries – by then counting one hundred members – formed an independent Belgian Province. A separate Dutch Province followed in 1850. Obviously, the reestablishment, with new churches and new colleges, carried a heavy survival burden: in the face of their old enemies and the black legends they revived, the Jesuits had to retrieve their true identity, which had been suppressed for forty years.Contributors: Peter van Dael, SJ (Vrije Universiteit Amsterdam & Pontifical Gregorian University Rome), Pierre Antoine Fabre (École des hautes études en sciences sociales Paris), Joep van Gennip (Tilburg School of Catholic Theology), Michel Hermans, SJ (University of Namur), Marek Inglot, SJ (Pontifical Gregorian University Rome), Frank Judo (lawyer Brussels), Leo Kenis (KU Leuven) Marc Lindeijer, SJ (Bollandist Society Brussels), Jo Luyten (KADOC-KU Leuven), Kristien Suenens (KADOC-KU Leuven), Vincent Verbrugge (historian)This publication is GPRC-labeled (Guaranteed Peer-Reviewed Content).

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Have you ever watched Douglas Gordon cook? Do you know Harun Farocki’s favourite dal? Would you like to nibble straight from the pot with Keren Cytter or recreate Agnieszka Polska’s pirogi with trumpets of death? Cookbooks are a dime a dozen. And there’s even a certain tradition of artists’ cookbooks. But there is only the one Videoart at Midnight Artists’ Cookbook: 80 of the most renown video artists of our time reveal their favourite recipes. Some simple, others elaborate, yet all to be recreated. And the best thing about this book is that each and every single recipe tells its own personal story. Artists Monira Al Qadiri, Ulf Aminde, Julieta Aranda, Marc Aschenbrenner, Ed Atkins, Yael Bartana, Lucy Beech, Bigert & Bergström, John Bock, Pauline Boudry & Renate Lorenz, Erik Bünger, Martin Brand, Ulu Braun, Klaus vom Bruch, Filipa César, Creischer & Siekmann, Keren Cytter, Chto Delat, Christoph Draeger, Antje Engelmann, Shahram Entekhabi, Köken Ergun, Theo Eshetu, Simon Faithfull, Christian Falsnaes, Harun Farocki, Omer Fast, Fischer & el Sani, Dani Gal, Delia Gonzalez, Douglas Gordon, Andy Graydon, Assaf Gruber, Mathilde ter Heijne, Isabell Heimerdinger, Benjamin Heisenberg, Kerstin Honeit, Christian Jankowski, Anja Kirschner, Knut Klaßen, Korpys/Löffler, Zhenhua Li, Joep van Liefland, Melissa Logan, Dafna Maimon, Antje Majewski, Melanie Manchot, Lynne Marsh, Bjørn Melhus, Almagul Menlibayeva, Ari Benjamin Meyers, Eléonore de Montesquiou, Matthias Müller, Bettina Nürnberg & Dirk Peuker, Marcel Odenbach, Stefan Panhans, Mario Pfeifer, Agnieszka Polska, Ulrich Polster, Mario Rizzi, Julian Rosefeldt, Willem de Rooij, Safy Sniper, Anri Sala, Erik Schmidt, Sandra Schäfer, Amie Siegel, Pola Sieverding, Martin Skauen, Jan-Peter E.R. Sonntag, Vibeke Tandberg, Rebecca Ann Tess, Guido van der Werve, Gernot Wieland, Ming Wong, Ina Wudtke, Shingo Yoshida, Katarina Zdjelar, Stefan Zeyen, Tobias Zielony

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The Night Before Christmas is an enchanting Christmas story that has brought Santa Claus to life for generations. Celebrate the holiday season with the #1?New York Times bestselling edition of the classic poem written by Clement C. Moore. This is the classic paperback coloring book edition, perfect for gifting or a fun family activity!'Twas the night before Christmas, when all through the houseNot a creature was stirring, not even a mouseCarry on a family tradition or start one of your own with this new version of the classic Christmas book for children and families. Initially published anonymously as A Visit from Saint Nicholas, and credited as a work by Clement Clark Moore, this timeless tale is the perfect family read as children prepare for Santa and his reindeer on Christmas Eve.This Paperback Coloring Book edition includes: Beautifully designed coloring book pages to bring this Christmas classic to life Lavish vintage inspired illustrations by renowned, New York Times #1 Bestselling artist Charles Santore The original poem by Clement Clark Moore A nod to Dutch references in the poem, specifically the Dutch name "Donder" for one of the reindeer The Night Before Christmas Coloring Book: Is perfect activity for family gatherings during the holiday’s An ideal boredom buster for boys and girls during holiday road trips Makes a great holiday, Advent, or Christmas gift A classic for children ages 1-4 or the nostalgic young at heart Can be colored with pencil, crayon, or pen Charles Santore’s works has been widely exhibited in museums and celebrated with recognitions such as the prestigious Hamilton King Award, the Society of Illustrators Award of Excellence, and the Original Art 2000 Gold Medal from the Society of Illustrators. He is best known for his luminous interpretations of classic children’s stories, including Aesop Fables, The Velveteen Rabbit, The Classic Tale of Peter Rabbit, and more!

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The NBER Macroeconomics Annual 2021 presents research-central issues in contemporary macroeconomics. Robert Hall and Marianna Kudlyak examine unemployment dynamics during economic recoveries. They present new empirical findings and explore models in which the labor market gradually draws down the stock of unemployed workers in the aftermath of a downturn. Titan Alon, Sena Coskun, Matthias Doepke, David Koll, and Michèle Tertilt analyze the relative decline in employment of women during the COVID-19 pandemic and the associated global recession. They show that increased childcare needs, which fell more heavily on women, and differences in occupations both contributed. In the case of the US, however, each of these factors account for less than 20% of the gender gap in hours worked during the pandemic. Richard Rogerson and Johanna Wallenius study the employment rates of older workers in OECD countries over the last forty years. An expansion of institutions incentivizing retirement, concurrent with negative aggregate shocks between 1970 and 1995, led to falling employment rates. This trend started to reverse in the mid-1990s when many of these institutions, such as public pension programs, were cut back. Michael Barnett, William Brock, and Lars Peter Hansen explore the consequences of risk, ambiguity, and model misspecification in climate policy design. They consider carbon emissions pricing and the effects of different sources of uncertainty—such as future information about environmental damage, uncertainties in carbon and temperature dynamics and damage functions, and the role of future green technologies—on policy design. Michael Kremer, Jack Willis, and Yang You present new evidence suggesting a steady trend toward income convergence across countries since the late 1980s. They find convergence in various determinants of economic growth across countries and a flattening of the relationship between growth and these determinants. The paper challenges theories of growth arising after earlier rejections of the neoclassical growth model.

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Ben is afraid of dogs, even his new neighbor's old scaredy-dog, Max. Can big, brave Ben overcome his fear and make a new kind of friend? Ben was upset when his friend Peter moved away, but now the new neighbors are moving in across the street and Ben can’t wait to go say hello and make friends. That is, until he notices that this family has a pet dog; and unlike his sister and brother, Ben isn’t so sure around dogs. The big jaws and big teeth make him nervous. But what Ben doesn’t realize is that Max is an “old scaredy-dog” who feels nervous too. Can Ben overcome his fear and come to see eye-to-eye with a new kind of friend? The award-winning team that produced A+ for Big Ben and Ben Says Goodbye have come together once again in Ben and the Scaredy-Dog, a heart-warming story about a thoughtful yet anxious boy who overcomes his fear of dogs. Sarah Ellis highlights the all-too-common childhood dread of canines as she once again explores the world through the eyes of Ben, a boy who wants to be brave but just can't help anticipating the worst when it comes to a new experience. Kim La Fave perfectly captures his characters' thoughts and intentions through spot-on expressions and body language, as he contrasts Ben's drawings of the creature he sees in his mind's eye with the reality of the big and cuddly dog next door, who just happens to have his own fear issues. The result is a gently funny book that explores the courageous heart that can be found within an anxious child.

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Since its beginnings, Open Spaces has been on the cutting edge of thinking about the Pacific Northwest - an intelligent, provocative, beautifully conceived magazine for thoughtful readers who are searching for new ways to understand the region, themselves, and many of the major issues of our time. The Pacific Northwest is known for its innovative solutions. Whether the challenge is integration with the natural world, the relationship of science and policy, learning to use what we know, or simply enjoying a balanced and fulfilling life, these writers, leaders in their respective disciplines, provide the background necessary to understand the issues and move forward. This lasting collection from the magazine is an invaluable resource for students, educators, and practitioners working in various fields as well as decision makers in government, business, and other sectors looking for real-world answers to ongoing conflicts. Collectively, the writers in this volume apply their expertise and talent to provide an intelligent and informed context through which to see public issues and make sense of the changes that continue to shape the region and our world. Individually, they touch on our deepest sense of human experience and continuity and reflect the spirit of the Northwest. Open Spaces enlightens, challenges, and inspires. Featured writers: Bruce Babbitt R. Peter Benner Linda Besant Emory Bundy Jeff Curtis Bob Davison Sandra Dorr Angus Duncan David James Duncan Tom Grant Stephen J. Harris Roy Hemmingway Thomas F. Hornbein William Kittredge Jane Lubchenco Kathleen Dean Moore Lee C. Neff James Opie Diarmuid F. O'Scannlain Jarold Ramsey Richard Rapport Eric Redman William D. Ruckelshaus Robert Sack Edward W. Sheets Scot Siegel Kim Stafford John Struloeff Ann Ware Charles Wilkinson For more information go to: http://www.open-spaces.com

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The Belgian artist Georges Remi's (Hergé) legendary creation, Tintin is a figure whose adventures have enchanted readers in Europe for the last eighty years. The series is one of the most popular European comics of the twentieth century, with translations published in over 50 languages and more than 200 million copies of the books sold to date. With the proliferation of Tintin blogs, Steven Spielberg's and Peter Jackson's planned cinematographic adaptations, and a Tintin museum scheduled to open in Belgium in the near future, there are many signs that the popularity of Hergé's boy hero continues to grow. The Metamorphoses of Tintin is the English translation of the first critical study of the canonical Tintin cartoons. Published in French in 1984 and republished many times since, this pioneering work examines the long career of both the cartoonist and his creation. Hergé's right-wing upbringing, all too apparent in his first two albums, brought accusations of misogyny, anti-Semitism, and racism, but in the endless revisions he undertook over the course of his career, he proved skillful at evading his critics. After the Second World War, Tintin's adventures became more psychological than political, thus appealing to a wider range of readers. He left behind the real world and came to occupy the center of a fictional universe where he tirelessly championed the underdog. A figure without origins, he turned international hero at the very moment that Western nations were becoming homogenized and transmitting their commodities and values on a global scale. Arguing that the series of albums thus offers a reflection on the whole of twentieth-century life, Jean-Marie Apostolidès traces the evolution of Tintin's character and reveals the unity of Hergé's masterpiece.

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Jean Bethke Elshtain (1941–2013) was a noted ethicist, political philosopher, and public intellectual. Her four decades of scholarship defy easy categorization: she wrote both seminal works of theory and occasional pieces for the popular press, and she was variously viewed as radical and conservative, feminist and traditionalist, anti-war and pro-interventionist. Jean Bethke Elshtain: Politics, Ethics, and Society is the first attempt to evaluate Elshtain’s entire published body of work and to give shape to a wide-ranging scholarly career, with an eye to her work’s ongoing relevance. This collection of essays brings together scholars and public intellectuals from across the spectrum of disciplines in which Elshtain wrote. The volume is organized around four themes, which identify the central concerns that shaped Elshtain’s thought: (1) the nature of politics; (2) politics and religion; (3) international relations and just war; and (4) the end(s) of political life. The essays have been chosen not only for the expertise of each contributor as it bears on Elshtain’s work but also for their interpretive and analytic scope. This volume introduces readers to the work of a key contemporary thinker, using Elshtain’s writing as a lens through which to reflect on central political and scholarly debates of the last few decades. Jean Bethke Elshtain will be of great interest to specialists researching Elshtain and to scholars of multiple disciplines, particularly political theory, international relations, and religion. Contributors: Debra Erickson Sulai, Michael Le Chevallier, Robin W. Lovin, William A. Galston, Arlene W. Saxonhouse, Don Browning, Peter Berkowitz, Nancy J. Hirschmann, Michael Kessler, Lisa Sowle Cahill, Nigel Biggar, Gilbert Meilaender, Eric Gregory, Daniel Philpott, Marc LiVecche, Nicholas Rengger, John D. Carlson, Chris Brown, Michael Walzer, James Turner Johnson, Erik Owens, Francis Fukuyama, Carl Gershman, and Patrick J. Deneen.

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Presents the latest research on the causes and consequences of British population change from the medieval period to the eve of the Industrial Revolution, in both town and countryside Population, Welfare and Economic Change presents the latest research on the causes and consequences of British population change from the medieval period to the eve of the Industrial Revolution, in both town and countryside. Its overarching concern is with the economic and demographic decision-making of individuals and groups and the extent to which these were constrained by institutions and resources. Within this, the volume's particular focus is on population growth: its causes and the welfare challenges it posed. Several chapters investigate the success with which the English Old Poor Law provided care for the poor and elderly, and new work on alternative welfare institutions, such as almshouses, is also presented. A further distinctive feature of this book is its comparative perspective. By making systematic comparisons between economic and demographic developments in pre-industrial Britain and those taking place in various regions of contemporary Continental Europe and Russia, several chapters uncover how far Britain in this period was 'different'. Stimulating to experts and students alike, Population, Welfareand Economic Change offers overviews and summaries of the latest scholarship by leading economic historians and historical demographers, alongside detailed case studies which showcase the original research of younger scholars. Chris Briggs is Lecturer in Medieval British Economic and Social History at the University of Cambridge and a Fellow of Selwyn College. P.M. Kitson is a former Research Associate at the Cambridge Group for the Historyof Population and Social Structure and Bye-Fellow of Downing College, Cambridge. S.J. Thompson is a former J.H. Plumb Fellow and Director of Studies in History at Christ's College, Cambridge. CONTRIBUTORS: Lorraine Barry, Jeremy Boulton, Chris Briggs, Bruce M.S. Campbell, Tracy Dennison, Nigel Goose, R.W. Hoyle, Peter Kitson, Julie Marfany, Rebecca Oakes, Sheilagh Ogilvie, Stephen Thompson, Samantha Williams, Sir Tony Wrigley, Margaret Yates

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Suciedad, slums, industria, hombres acorralados, nuevas y continuas epidemias... la crítica a la gran ciudad y a la vida modernas ha existido siempre desde el surgimiento de las metrópolis en el siglo XIX. Por otra parte, la vida de tales ciudades ofrece nuevas posibilidades: abundancia de ofertas culturales, innovadores sistemas de comunicación y de transporte, la iluminación artificial... la creación de una infraestructura que, en resumidas cuentas, ha transformado la vida de los hombres de manera decisiva. Mánchester, San Petersburgo, Múnich y Barcelona son cuatro metrópolis fascinantes y tan típicas como peculiares, cuya cambiante historia expone, de manera comparativa, el autor, atendiendo al trasfondo social y cultural de cada una de ellas.

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Hop on Pop showcases the work of a new generation of scholars—from fields such as media studies, literature, cinema, and cultural studies—whose writing has been informed by their ongoing involvement with popular culture and who draw insight from their lived experiences as critics, fans, and consumers. Proceeding from their deep political commitment to a new kind of populist grassroots politics, these writers challenge old modes of studying the everyday. As they rework traditional scholarly language, they search for new ways to write about our complex and compelling engagements with the politics and pleasures of popular culture and sketch a new and lively vocabulary for the field of cultural studies.The essays cover a wide and colorful array of subjects including pro wrestling, the computer games Myst and Doom, soap operas, baseball card collecting, the Tour de France, karaoke, lesbian desire in the Wizard of Oz, Internet fandom for the series Babylon 5, and the stress-management industry. Broader themes examined include the origins of popular culture, the aesthetics and politics of performance, and the social and cultural processes by which objects and practices are deemed tasteful or tasteless. The commitment that binds the contributors is to an emergent perspective in cultural studies, one that engages with popular culture as the culture that "sticks to the skin," that becomes so much a part of us that it becomes increasingly difficult to examine it from a distance. By refusing to deny or rationalize their own often contradictory identifications with popular culture, the contributors ensure that the volume as a whole reflects the immediacy and vibrancy of its objects of study.Hop on Pop will appeal to those engaged in the study of popular culture, American studies, cultural studies, cinema and visual studies, as well as to the general educated reader.Contributors. John Bloom, Gerry Bloustein, Aniko Bodroghkozy, Diane Brooks, Peter Chvany, Elana Crane, Alexander Doty, Rob Drew, Stephen Duncombe, Nick Evans, Eric Freedman, Joy Fuqua, Tony Grajeda, Katherine Green, John Hartley, Heather Hendershot, Henry Jenkins, Eithne Johnson, Louis Kaplan, Maria Koundoura, Sharon Mazer, Anna McCarthy, Tara McPherson, Angela Ndalianis, Edward O’Neill, Catherine Palmer, Roberta Pearson, Elayne Rapping, Eric Schaefer, Jane Shattuc, Greg Smith, Ellen Strain, Matthew Tinkhom, William Uricchio, Amy Villarego, Robyn Warhol, Charles Weigl, Alan Wexelblat, Pamela Robertson Wojcik, Nabeel Zuberi

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Hop on Pop showcases the work of a new generation of scholars—from fields such as media studies, literature, cinema, and cultural studies—whose writing has been informed by their ongoing involvement with popular culture and who draw insight from their lived experiences as critics, fans, and consumers. Proceeding from their deep political commitment to a new kind of populist grassroots politics, these writers challenge old modes of studying the everyday. As they rework traditional scholarly language, they search for new ways to write about our complex and compelling engagements with the politics and pleasures of popular culture and sketch a new and lively vocabulary for the field of cultural studies.The essays cover a wide and colorful array of subjects including pro wrestling, the computer games Myst and Doom, soap operas, baseball card collecting, the Tour de France, karaoke, lesbian desire in the Wizard of Oz, Internet fandom for the series Babylon 5, and the stress-management industry. Broader themes examined include the origins of popular culture, the aesthetics and politics of performance, and the social and cultural processes by which objects and practices are deemed tasteful or tasteless. The commitment that binds the contributors is to an emergent perspective in cultural studies, one that engages with popular culture as the culture that "sticks to the skin," that becomes so much a part of us that it becomes increasingly difficult to examine it from a distance. By refusing to deny or rationalize their own often contradictory identifications with popular culture, the contributors ensure that the volume as a whole reflects the immediacy and vibrancy of its objects of study.Hop on Pop will appeal to those engaged in the study of popular culture, American studies, cultural studies, cinema and visual studies, as well as to the general educated reader.Contributors. John Bloom, Gerry Bloustein, Aniko Bodroghkozy, Diane Brooks, Peter Chvany, Elana Crane, Alexander Doty, Rob Drew, Stephen Duncombe, Nick Evans, Eric Freedman, Joy Fuqua, Tony Grajeda, Katherine Green, John Hartley, Heather Hendershot, Henry Jenkins, Eithne Johnson, Louis Kaplan, Maria Koundoura, Sharon Mazer, Anna McCarthy, Tara McPherson, Angela Ndalianis, Edward O’Neill, Catherine Palmer, Roberta Pearson, Elayne Rapping, Eric Schaefer, Jane Shattuc, Greg Smith, Ellen Strain, Matthew Tinkhom, William Uricchio, Amy Villarego, Robyn Warhol, Charles Weigl, Alan Wexelblat, Pamela Robertson Wojcik, Nabeel Zuberi

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“Once upon a time, a very long time ago now, about last Friday, Winnie-the-Pooh lived in a forest all by himself under the name of Sanders.” Curl up with a true children’s classic by reading A.A.Milne’s Winnie-the-Pooh with iconic decorations by E.H.Shepard. Winnie-the-Pooh may be a bear of very little brain, but thanks to his friends Piglet, Eeyore and, of course, Christopher Robin, he’s never far from an adventure. In this much-loved classic story collection Pooh gets into a tight place, nearly catches a Woozle and heads off on an ‘expotition’ to the North Pole with the other animals. This stunning edition of A.A.Milne’s world-famous story is once again brought to life by E.H.Shepard’s beautiful decorations which are shown in full, glorious colour. They are truly iconic and contributed to him being known as ‘the man who drew Pooh’. Milne’s masterpiece conveys a child’s imagination like no other story before or since. Do you own all the classic Pooh titles? Winnie-the-PoohThe House at Pooh CornerWhen We Were Very YoungNow We Are SixReturn to the Hundred Acre WoodThe Best Bear in All the WorldOnce There Was a Bear The nation’s favourite teddy bear has been delighting generations of children for over 95 years. Milne’s classic children’s stories – featuring Piglet, Eeyore, Christopher Robin and, of course, Pooh himself – are gently humorous while teaching lessons about friendship and kindness. Pooh ranks alongside other beloved character such as Paddington Bear, and Peter Rabbit as an essential part of our literary heritage. Whether you’re 5 or 55, Pooh is the bear for all ages.

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A beautiful little storybook all about Eeyore, one of A.A.Milne's most beloved characters that's guaranteed to be a bedtime favourite for children aged 5 and up. Classic Winnie-the-Pooh Story A House Is Built For Eeyore – With The Original Text By A.A.Milne And Decorations By E.H.Shepard It’s A Timeless Gift For Fans Of All Ages. Collect The Range. One snowy day Pooh and Piglet decide to build a house for Eeyore. But Eeyore already has a house, and now he’s very puzzled because it seems to have disappeared … let's hope Christopher Robin can find it for him. This charming story first appeared in A.A.Milne’s The House at Pooh Corner, accompanied by E.H.Shepard’s original, iconic decorations. Look out for all the titles in the collection: Winnie-the-Pooh and the Wrong Bees Winnie-the-Pooh: Pooh Goes Visiting Winnie-the-Pooh: Piglet Meets a Heffalump Winnie-the-Pooh: Piglet Does a Very Grand Thing Winnie-the-Pooh: Eeyore Has a Birthday Winnie-the-Pooh: A House is Built for Eeyore Winnie-the-Pooh: Pooh Invents A New Game Winnie-the-Pooh: Eeyore Loses a Tail The nation’s favourite teddy bear has been delighting generations of children for over 95 years. Milne’s classic children’s stories – featuring Piglet, Eeyore, Christopher Robin and, of course, Pooh himself – are gently humorous while teaching lessons about friendship and kindness. Pooh ranks alongside other beloved character such as Paddington Bear, and Peter Rabbit as an essential part of our literary heritage. Whether you’re 5 or 55, Pooh is the bear for all ages.

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Inspired by the Sheldon Museum of Art’s holdings in geometric abstraction, this book introduces adventurous new thinking about a visual approach that has captivated both artists and viewers for more than a century. Four richly illustrated essays explore the European genesis of geometric abstraction, its translation into an American context, and its current direction, charting the style’s aesthetic, intellectual, and social implications. Sharon L. Kennedy’s essay draws on the Sheldon’s collection to trace the style’s beginnings and its various transformations by twentieth-century American artists. Peter Halley invokes contemporary theory in rethinking how postmodern artists engage with geometry while challenging its most basic presumptions. Jeremy Gilbert-Rolfe delves into the work of four contemporary artists who are taking geometry in new directions, and Jorge Daniel Veneciano reveals the persistent manner in which theorists and defenders of geometric abstraction have obscured aspects of its history and contributed to the esoteric aura of modern art. Featured throughout are full-color reproductions of art from both the Sheldon and private collections, including paintings, sculptures, and works on paper by diverse artists such as Ilya Bolotowsky, Carmen Herrera, Donald Judd, Agnes Martin, Piet Mondrian, Odili Donald Odita, Frank Stella, and Charmion von Wiegand.

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There is fast-growing awareness of the role atmospheres play in architecture. Of equal interest to contemporary architectural practice as it is to aesthetic theory, this 'atmospheric turn' owes much to the work of the German philosopher Gernot Böhme. Atmospheric Architectures: The Aesthetics of Felt Spaces brings together Böhme's most seminal writings on the subject, through chapters selected from his classic books and articles, many of which have hitherto only been available in German. This is the only translated version authorised by Böhme himself, and is the first coherent collection deploying a consistent terminology. It is a work which will provide rich references and a theoretical framework for ongoing discussions about atmospheres and their relations to architectural and urban spaces. Combining philosophy with architecture, design, landscape design, scenography, music, art criticism, and visual arts, the essays together provide a key to the concepts that motivate the work of some of the best contemporary architects, artists, and theorists: from Peter Zumthor, Herzog & de Meuron and Juhani Pallasmaa to Olafur Eliasson and James Turrell. With a foreword by Professor Mark Dorrian (Forbes Chair in Architecture, Edinburgh College of Art) and an afterword by Professor David Leatherbarrow, (Chair of the Graduate Group in Architecture, University of Pennsylvania), the volume also includes a general introduction to the topic, including coverage of it history, development, areas of application and conceptual apparatus.

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A football fan's dream come true – every complete UK Panini sticker album 1986-1993 reproduced as facsimiles for the very first time. 'This book delivers a thousand memories' – Mark Lawrenson WELCOME TO THE GLORIOUS WORLD OF PANINI FOOTBALL STICKERS. Collecting PANINI football stickers has always been a joy. Tearing open those packets and excitedly filling an album is a rite of passage for millions of kids - and adults. It's so popular, it even has its own language - 'swapsies', 'got, got, need' and 'shinies'. Licensed by PANINI, this landmark illustrated book showcases PANINI'S UK domestic football 1986-1993. All the great teams of this era are shown in full PANINI sticker album glory. Inside the book: – Nearly 4,000 images of iconic PANINI stickers, album covers and sticker packet designs. – Hundreds of clubs including Manchester United, Liverpool, Chelsea, Arsenal, Celtic, Rangers, Manchester City, Spurs, Newcastle United, Dundee United, Nottingham Forest, Sunderland, Aston Villa, Aberdeen and West Ham United. – Photographs and pen portraits of the great players of the day, such as Peter Beardsley, Chris Waddle, Mark Hughes, Gary Lineker. Bryon Robson, Paul Gascoigne, Alan Shearer, Eric Cantona, Ian Rush and John Barnes.

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:'Whoever we are, wherever we liveThese are the rights of every child under The sun, and the moon and the stars.'In November 1989 the United Nations formally adopted 54 principles which make up the UN Convention on the Rights of the Child. From the right to a name and a nationality to the right to education and play and special protection for disabled children, the fourteen rights most pertinent to young children have been carefully chosen and interpreted here in simple language. 191 of the world's 193 countries have ratified the Convention making themselves legally bound to comply with its obligations. There is a wonderful international cast of acclaimed illustrators: from Britain, Shirley Hughes, Babette Cole, John Burningham and Peter Weevers; from the US Jerry Pinkney and Rachel Isadora; from Ireland PJ Lynch; French artist Philippe Dumas, Chilean illustrator Claudio Munoz; from Germany Henriette Sauvant; Indian artists Amrit and Rabindra K. D Kaur Singh; from Japan Satoshi Kitamura; Zimbabwe-born Ken Wilson Max; from China a brilliant new young artist Yang Twesi-yu. Each has illustrated a different right with an outstanding double page spread making a powerful and moving book that is both an important souvenir and a stunning picture book to be treasured.

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This is the first English-language introduction to Peter Sloterdijk, the distinguished German philosopher and controversial public intellectual. Sloterdijk, in the tradition of Nietzsche and Heine, is an iconoclast who uses humour and biting critique to challenge many of modernity�s sacred thinkers, from Kant to Heidegger, in the process radically reinterpreting the canon of Western philosophy. In this unique textbook, leading Sloterdijk expert Jean-Pierre Couture explains in accessible language Sloterdijk�s exceptional contribution, breaking his thought down into five key approaches: psychopolitics, anthropotechnics, spherology, controversy, and therapeutics. Sloterdijk�s frequent public controversies, with supporters of Habermas and the Frankfurt school in particular, are assessed and their significance for current philosophical debates explained. This fascinating book will be an essential companion for those interested in the hybrid aesthetics of thought situated at the crossroads of art and philosophy. Its up-to-date analyses of Sloterdijk�s recently translated corpus will make it essential reading for all students and scholars of modern European thought.

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In this innovative volume, Maria Lúcia Pallares-Burke examines the nature of the so-called ‘new history’. In conversation with nine leading scholars associated with the movement, Pallares-Burke investigates the new approaches to the writing of history. In a series of interviews, Asa Briggs, Peter Burke, Robert Darnton, Carlo Ginzburg, Jack Goody, Daniel Roche, Quentin Skinner, Keith Thomas and Natalie Zemon Davis are questioned about their major works and their relation to other key historians and theorists. Urging each historian to justify their methods and to reflect on their intellectual trajectory, Pallares-Burke tries to make explicit the experiences and ideas that are otherwise implicit in the historian’s work. The interviews probe the historians’ personal and intellectual background and offer fresh insight into the possibilities, problems and preoccupations of contemporary historical practice. The result is a lively and illuminating book that will appeal to both students and scholars.

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This collection of essays originated in conferences held at the Gregorian University in Rome and at the University of Notre Dame to commemorate the 150th anniversary of the publication of Charles Darwin's On the Origin of Species. These essays, by leading scholars, assess the continuing relevance of Darwin's work from the perspectives of biological science, history, philosophy, and theology. The contributors focus on three primary areas: developments in evolutionary biology that open up new ground for interdisciplinary dialogue; reflections on human evolution, with a particular focus on evolution and ethics; and new reflections on theology and evolution, particularly from a Roman Catholic perspective, drawing both on traditional perspectives and on new currents in Catholic theology. Contributors: Phillip R. Sloan, Gerald McKenny, Kathleen Eggleson, Scott F. Gilbert, Stuart A. Newman, Alessandro Minelli, David J. Depew, Gennaro Auletta, Ivan Colagè, Paolo D'Ambrosio, Bernard Wood, Robert J. Richards, Paul E. Griffiths, John S. Wilkins, John O'Callaghan, William E. Carroll, Józef Życiński, Celia Deane-Drummond, Peter J. Bowler, and Jean Gayon.

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From SAS To Blood Diamond Wars is the story of an outstanding warrior, even by SAS standards.On the point of being demobbed from the SAS, Fred Marafono was recruited by David Stirling for his private security company. After Stirling's death, Fred found himself in the midst of Sierra Leone's Blood Diamond wars, and formed an unbreakable bonding with the country's champion of democracy, Chief Hinga Norman, whose leadership and tragic death are integral to the story.Fred was recruited by Simon Mann for the finest of all private military companies in Africa, Executive Outcomes. Fewer than two hundred of them defeated the rebels in their strongholds. Through political weakness, Executive Outcomes were made to leave the country, and chaos ensued. Committed men like Hinga Norman and British High Commissioner Peter Penfold saw that, in the absence of military commitment from the west, only highly professional former soldiers could spearhead the fight to restore democracy. Three of these vetera

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Land of Three Rivers is a celebration of North-East England in poetry, featuring its places and people, culture, history, language and stories in poems and songs with both rural and urban settings. Taking its bearings from the Tyne, Wear and Tees of the title (from Vin Garbutt's song 'John North'), the book maps the region in poems relating to past and present, depicting life from Roman times through medieval Northumbria and the industrial era of mining and shipbuilding up to the present-day. The anthology has modern perspectives on historical subjects, such as W.H. Auden's 'Roman Wall Blues' and Alistair Elliot on the aftermath of the Battle of Heavenfield in the 7th century, as well as poets from past ages, starting with Caedmon, the first English poet, writing in the 8th century. There are classic North-East songs from the oral tradition of balladeers and pitmen poets alongside the work of literary chroniclers like Mark Akenside from the 18th century, followed by evocations of Northumberland by decadent gentry poet Algernon Charles Swinburne contrasting with grim tales of life down the pit by Tommy Armstrong, Joseph Skipsey and Thomas Wilson in the 19th century. The region's favourite tipple is championed by 18th-century poet John Cunningham in his eulogy 'Newcastle Beer', while 200 years later, Tony Harrison's defences are 'broken down / on nine or ten Newcastle Brown' in his 'Newcastle Is Peru' (1969). Durham is celebrated in a 12th-century priest's poem but is a trinity of 'University, Cathedral, Gaol' for Tony Harrison. The River Tyne flows through poems by Wilfrid Gibson, James Kirkup, Michael Roberts, Francis Scarfe from early to mid-20th century, while the region's dialects (from Northumbrian to Geordie and Pitmatic) are heard in poems by Basil Bunting, William Martin, Tom Pickard, Katrina Porteous and Fred Reed. Other modern and contemporary poets and songwriters featured include Gillian Allnutt, Peter Armstrong, Peter Bennet, Robyn Bolam, George Charlton, Julia Darling, Richard Dawson, the Elliotts of Birtley, W.N. Herbert, Alan Hull, James Kirkup, Mark Knopfler, Barry MacSweeney, Sean O'Brien, Rodney Pybus, Kathleen Raine, Jon Silkin and Anne Stevenson, as well as poets who've spent time in the North-East, such as Fleur Adcock, David Constantine, Fred D'Aguiar, Frances Horovitz, Philip Larkin, Michael Longley and Carol Rumens, writing highly memorable poems in response to the place, its people and their stories. The book's introduction is in two parts, with Rodney Pybus covering the historical background and Neil Astley the last 50 years. This emphasises the importance of the oral tradition during the centuries when little "written poetry" of note was produced in the region. There are also fascinating commentaries on key historical figures by the late Alan Myers.

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The critically acclaimed Mortal Engines quartet is repackaged in a paperback boxset with fantastic and eye-catching covers featuring new artwork by Ian McQue. Mortal Engines launched Philip Reeve's brilliantly-imagined creation, the world of the Traction Era, where mobile cities fight for survival in a post-apocalyptic future. 20 years on from it's first publication, it is hailed as a modern classic. TITLES INCLUDED Mortal Engines Predator's Gold Infernal Devices A Darkling Plain Four paperback novels in a card slipcase, shrinkwrapped. With a story that is epic, beatifully crafted and absorbing for the entire four novels, this boxset is the perfect gift for lovers of fantasy novels and classic science fiction such as Dune. ABOUT THE SERIES Mortal Engines was made into a feature length film starring Hugo Weaving and produced and written by Lord of the Rings director Peter Jackson The first book in the series won the coveted Smarties Gold Book award REVIEWS "Like the moving cities it depicts, Reeve's debut novel is a staggering feat of engineering, a brilliant construction that offers new wonders at every turn." - Publishers Weekly "...readers who enjoy violent, titanic clashes between good and evil will be absorbed from beginning to end." - Kirkus Reviews

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In this provocative collection of memoirs, eight acclaimed writers go about the risky business of telling their own secrets. Collectively, they provide what amounts to a psychic map of American life, from the streets of New York’s East Village–where Peter Trachtenberg’s affair with a fragile ex-prostitute becomes entwined with scenes from an imaginary film noir, to the trailer parks of southern California–where, in a last-ditch bid for affection, Terminator dresses in drag and seduces his abusive mother’s boyfriend. in between, Jane Creighton has an affair with her gentle, sickly brother; Lois Gould recalls Businessman–the flamboyant gentleman who had a string of red-haired mistresses and who, incidentally, was her father; Philip Lopate views his pathologically schlumpy dad in a nursing home; Laurie Stone searches for the connections between her creativity and her addiction to sex; Jerry Stahl remembers his rock-bottom days doing crack in Los Angeles; and Catherine Texier, an accomplished adult, meets her father for the first time in the south of France. In her introduction, award-winning critic Laurie Stone gives the genre an incisive once-over and explores the question: Why is memoir so dominant on the literary scene? These stories–filled with harrowing self-knowledge, as antic as they are haunting–go a long way toward answering that question.

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LeRoy Neiman was arguably the world's most recognizable contemporary artist until his passing in June 2012. He broke the barrier between fine art and popular art while creating indelible images that helped define the twentieth century. But it is the life he lived and the people he knew that make the memoir of this scrappy Depression-era kid who became a swashbuckling bon vivant with the famous mustache such a marvelous historical canvas. Chronicler and confidant of Muhammad Ali, Neiman also traveled with Sinatra, cavorted with Dalí and Warhol, watched afternoon soaps with Dizzy Gillespie, played in Sly Stallone's Rocky movies, exchanged quips with Nixon, smoked cigars with Castro, and experienced the terrorist attacks at the Munich Olympics alongside Peter Jennings, Howard Cosell, and Jim McKay. And then there was his half-century relationship with Hugh Hefner as principle artistic contributor to Playboy, setting up studios in London and Paris to cover his Playboy beat, "Man at His Leisure," and his creation of the Femlin, the iconic Playboy nymphette. With his life's work, and in All Told, LeRoy Neiman captured sports heroes, movie stars, presidents, dishwashers, jet-setters, jockeys, and more than a few Bunnies at the Playboy Mansion—a panoramic record of society like no other.

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“A captivating memoir of a courageous survivor” (Publishers Weekly) and “a window onto the panorama of modern Korean history” (St. Petersburg Times) this is a radiant and engaging story about a young American woman’s discovery about the life of her Korean grandmother.Helie Lee’s grandmother, Hongyong Baek, came of age in a unified but socially repressive Korea, where she was taught the roles that had been prescribed for her: obedient daughter, demure wife, efficient household manager. Ripped from her home first during the Japanese occupation and again during the bloody civil war that divided her country, Hongyong fought to save her family by drawing from her own talents and values. Over the years she proved her spirit indomitable, providing for her husband children by running a successful restaurant, building a profitable opium business, and eventually becoming adept at the healing art of ch’iryo. When she was forced to leave her country, she moved her family to California, where she reestablished her ch’iryo practice. Writing in her grandmother’s voice, Helie Lee recreates an individual experience in a unique culture that is both seductively exotic and strangely familiar. With wit and verve, she claims her own Korean identity and illuminates the intricate experiences of Asian-American women in this century.

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The Hillwood Museum's Russian silver collection is the largest and most comprehensive outside Russia. 'Russian Silver in America' surveys Russian silver production, its changing forms, styles, imagery and techniques over more than 250 years, drawing on the collections of both the Hillwood and other US museums. A beautifully illustrated book which provides a proper cultural, political and historical context in which to view this fascinating collection, it charts the history of Russian silver through the baroque styles of the reigns of Peter and Elizabeth, the move to Rococo and Neoclassicism under Catherine and Paul, revivalist styles under Alexander I and Nicholas I, 19th-century styles up to Faberge and modernist production. Running throughout is the story of how and why so much Russian silver found its way into American collections - much of it sold by the Soviet government in the 1920s and 30s, as having largely been held in church treasuries and private collections, it was considered to be of no artistic value. A dazzling visual history of Russian silver and a vital record of 18th- and 19th-century silver production in Russia, almost none of which remains in the country today. Features over 160 pieces from the Hillwood Museum and other US collections including objects made for the imperial family and growing merchant class.

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In this innovative series of public lectures at Newcastle University, leading contemporary poets speak about the craft and practice of poetry to audiences drawn from both the city and the university. The lectures are then published in book form by Bloodaxe, giving readers everywhere the opportunity to learn what the poets themselves think about their own subject. Where and what is the England in which we imagine we live? How do we authenticate this never-to-be-finished project? What are its imaginative origins, and how do contemporary poets stand in relation to those predecessors such as Eliot, Auden, Larkin and Hughes whose imaginary Englands have left such an imprint on the culture? Journeys to the Interior considers the work of a range of contemporary poets, including Peter Didsbury, Carol Ann Duffy, Paul Farley, Roy Fisher, Daljit Nagra, Jo Shapcott and George Szirtes, examining areas of dissent and signs of affirmation. Can England be seen as, in Langland's words, 'a fair field full of folk'? Is Englishness a matter of 'complicated shame', as Jo Shapcott put it? How do those born elsewhere who have made their homes here describe the experience of England? And if, as Auden said, 'all the poet can do is warn', what warning signs are poets receiving and transmitting in this period of doubt and anxiety?

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'A sheer joy' JOANNA LUMLEY 'This book gives me hope ... that life and marriage might permanently include taking the absolute piss while simultaneously dancing in the kitchen' EMMA FREUD 'An endearing portrait of exasperation, laced with hard won tolerance - and love' GUARDIAN Joanna and Roger have been married for over forty years. Children of the Sixties, they're still free spirits, drawn together by their passion for music - and each other. Conversations from a Long Marriage is exactly that: following conversations that take them from the local café, to their kitchen table, taking in her resentment of new glasses - a symbol of ageing - and fury at being lectured by the dental hygienist. He has a dodgy knee and is on statins, and when they discuss the marriage break-up of their closest friends, Sally and Peter, there's jealousy and talk of affairs. She suggests there are advantages to single beds, separate holidays and wants to go clubbing in Ibiza for her imminent 'big' birthday. Witty, big-hearted and a whole lot of fun, Conversations from a Long Marriage will resonate with couples of any age - but especially those who are still dancing in the kitchen, singing in the car and trying to keep the passion alive.

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Examines Naval co-operation between Britain and Russia and the often underappreciated prowess of the Russian navy. Naval co-operation between Britain and Russia continued throughout the eighteenth century, with Britain providing huge assistance to the growth of Russia's navy, and Russia making an essential but often overlooked contribution to Britain's maritime power in the period. From 1698 when Tsar Peter the Great served briefly as a trainee shipwright at Deptford dockyard Russia recruited British, often Scottish, shipwrights, engineers, naval officers and naval surgeons who both helped build up the Russian navy and who were also key advisers to the Russian navy at sea. At the same time, naval stores from Russia, especially after Britain lost the American colonies, were vital for the maintenance of Britain's fleet. Moreover, as this book argues, Russian naval power was much more formidable than is often realised, with the Russian navy active alongside the British fleet in the North Sea and winning decisive battles against the Ottoman navy in the Mediterranean, including the battles of Çeşme in 1770 and Navarino in 1827. Britain did well to have Russia as a naval ally rather than an enemy. This book provides a comprehensive overview of this important subject, at a time when Britain's relationship with Russia is of considerable concern.

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In Life Is Elsewhere, Anne Lounsbery shows how nineteenth-century Russian literature created an imaginary place called "the provinces"—a place at once homogeneous, static, anonymous, and symbolically opposed to Petersburg and Moscow. Lounsbery looks at a wide range of texts, both canonical and lesser-known, in order to explain why the trope has exercised such enduring power, and what role it plays in the larger symbolic geography that structures Russian literature's representation of the nation's space. Using a comparative approach, she brings to light fundamental questions that have long gone unasked: how to understand, for instance, the weakness of literary regionalism in a country as large as Russia? Why the insistence, from Herzen through Chekhov and beyond, that all Russian towns look the same? In a literary tradition that constantly compared itself to a western European standard, Lounsbery argues, the problem of provinciality always implied difficult questions about the symbolic geography of the nation as a whole. This constant awareness of a far-off European model helps explain why the provinces, in all their supposed drabness and predictability, are a topic of such fascination for Russian writers—why these anonymous places are in effect so important and meaningful, notwithstanding the culture's nearly unremitting emphasis on their nullity and meaninglessness.

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In Life Is Elsewhere, Anne Lounsbery shows how nineteenth-century Russian literature created an imaginary place called "the provinces"—a place at once homogeneous, static, anonymous, and symbolically opposed to Petersburg and Moscow. Lounsbery looks at a wide range of texts, both canonical and lesser-known, in order to explain why the trope has exercised such enduring power, and what role it plays in the larger symbolic geography that structures Russian literature's representation of the nation's space. Using a comparative approach, she brings to light fundamental questions that have long gone unasked: how to understand, for instance, the weakness of literary regionalism in a country as large as Russia? Why the insistence, from Herzen through Chekhov and beyond, that all Russian towns look the same? In a literary tradition that constantly compared itself to a western European standard, Lounsbery argues, the problem of provinciality always implied difficult questions about the symbolic geography of the nation as a whole. This constant awareness of a far-off European model helps explain why the provinces, in all their supposed drabness and predictability, are a topic of such fascination for Russian writers—why these anonymous places are in effect so important and meaningful, notwithstanding the culture's nearly unremitting emphasis on their nullity and meaninglessness.

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For decades, artists and architects have struggled to relate to the Holocaust in visual form, resulting in memorials that feature a diversity of aesthetic strategies. In Memory Passages, Natasha Goldman analyzes both previously-overlooked and internationally-recognized Holocaust memorials in the United States and Germany from the postwar period to the present, drawing on many historical documents for the first time. From the perspectives of visual culture and art history, the book examines changing attitudes toward the Holocaust and the artistic choices that respond to it.The book introduces lesser-known sculptures, such as Nathan Rapoport’s Monument to the Six Million Jewish Martyrs in Philadelphia, as well as internationally-acclaimed works, such as Peter Eisenman’s Memorial to the Murdered Jews of Europe in Berlin. Other artists examined include Will Lammert, Richard Serra, Joel Shapiro, Gerson Fehrenbach, Margit Kahl, and Andy Goldsworthy.Archival documents and interviews with commissioners, survivors, and artists reveal the conversations and decisions that have shaped Holocaust memorials.Memory Passages suggests that memorial designers challenge visitors to navigate and activate spaces to engage with history and memory by virtue of walking or meandering. This book will be valuable for anyone teaching—or seeking to better understand—the Holocaust.

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Beauty in architecture matters again. This issue of AD posits that after 80 years of aggressive suppression of engagement with aesthetics, the temporarily dormant preoccupation with beauty is back. This is evidenced by a current cultural shift from the supposedly objective to an emerging trust in the subjective – a renewed fascination for aesthetics supported by new knowledge emanating simultaneously from disparate disciplines. Digital design continues to influence architectural discourse, not only due to changes in manufacturing but also through establishing meaning. The very term 'post-digital' was introduced by computational designers and artists, who accept that digital gains in architectural design are augmented by human judgement and cognitive intuition. The issue takes an interdisciplinary approach to this re-emerging interest in beauty across neuroscience, neuroaesthetics, mathematics, philosophy and architecture, while discussing the work of the international architects, in both practice and academe, who are generating new aesthetics. Contributors: Alisa Andrasek,Izaskun Chinchilla, Marjan Colletti, Peter Cook, Robbert Dijkgraaf, Winka Dubbeldam, David Garcia, Graham Harman, Claudia Pasquero and Marco Poletto, Alan Powers, Gilles Retsin, Kristina Schinegger and Stefan Rutzinger, Fleur Watson and Martyn Hook and Semir Zeki. Featured architects: Archi-Tectonics, ecoLogicStudio, NaJa & deOstos, Kazuyo Sejima + Ryue Nishizawa/SANAA, soma architecture, Studio Gang, John Wardle Architects and Tom Wiscombe Architecture.

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This book explores previously unexamined links between the arbitrary as articulated in linguistic theories on the one hand, and in political discourse about power on the other. In particular, Willam Keach shows how Enlightenment conceptions of the arbitrary were contested and extended in British Romantic writing. In doing so, he offers a new paradigm for understanding the recurrent problem of verbal representation in Romantic writing and the disputes over stylistic performance during this period. With clarity and force, Keach reads these phenomena in relation to a rapidly shifting literary marketplace and to the social pressures in Britain generated by the French Revolution, the Napoleonic Wars, and the class antagonisms that culminated in the Peterloo Massacre. The question of what it means to think of language or politics as arbitrary persists through postmodern thinking, and this book advances an unfinished dialogue between Romantic culture and the critical techniques we currently use to analyze it. Keach's intertwined linguistic and political account of arbitrary power culminates in a detailed textual analysis of the language of revolutionary violence. Including substantial sections on Blake, Wollstonecraft, Wordsworth, Coleridge, Byron, P. B. Shelley, Keats, and Anna Jameson, Arbitrary Power will engage not only students and scholars of eighteenth- and nineteenth-century literature but also those interested in critical and linguistic theory and in social and political history.

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