Search results for ""Author Robert"

A new multi-volume series covering United States Naval patches from World War II to the present – each volume contains over 1000 patches in full color.

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Ling-Temco-Vought A-7 Corsair II won the 1963 competition for a new attack aircraft. The A-7 design was based on the F-8 Crusader but with many differences. Each individual aircraft history starts with the Contract Manufacturers Number, followed by the Bureau Number, Navy acceptance date, flight records, and where available, crash notes and date sent to Davis-Monthan AFB for storage. The 1,200 aircraft photographs capture the A-7 at literally every phase of its operation: starting with engineering drawings, productio, all but two of the commands that flew the aircraft, storage, salvage, plus accidents and crashes. The 136 patches represent the aircraft, air wings, commands, and squadrons. Its use by the Hellenic Air Force HAF (Greece), Portuguese Air Force, and Royal Thai Navy Division RTND are also represented.

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A new multi-volume series covering United States Naval patches from World War II to the present – each volume contains over 1000 patches in full color.

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Lavishly illustrated account of forty magnificent country houses, destroyed in the last century. The Lost Country Houses of Suffolk, well-researched and written and copiously illustrated, will help the reader to imagine the county's landscape refurnished with the many elegant mansions which are now sadly lost. JOHN BLATCHLY During the twentieth century some forty of Suffolk's finest country houses vanished forever, a few by fire, but more frequently through demolition, either because uneconomic to run, or through the deterioration oftheir fabric. This book relates their tragic stories, with lavish use of engravings, images and pictures to bring to life what has now gone forever. It offers an account of each house [its history, its family, its architect], with a description of the buildings, and particular information on how it came to be destroyed. The houses are put into their wider context by an introductory section, covering the economic and social circumstances which caused difficulties for the owners of country houses at the time, and comparing the loss in Suffolk with losses in England as a whole. Houses covered: Acton Place, Assington Hall, Barking Hall, Barton Hall, Boulge Hall, Bramford Hall, Branches Park, Bredfield House, Brome Hall, Campsea Ashe High House, Carlton Hall, Cavenham Hall, Chediston Hall, Downham Hall, Drinkstone Park, Easton Park, Edwardstone Hall, Flixton Hall, Fornham Hall, Hardwick House, HenhamHall, Hobland Hall, Holton Hall, Hunston Hall, Livermere Hall, The Manor House Mildenhall, Moulton Paddocks, Oakley Park, Ousden Hall, The Red House Ipswich, Redgrave Hall, Rendlesham Hall, Rougham Hall, Rushbrooke Hall, Stoke Park, Sudbourne Hall, Tendring Hall, Thorington Hall, Thornham Hall, Ufford Place.

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The patch is a customized emblem designed specifically for a particular organization. An emblem is often displayed on patches, decals, plaques, and other memorabilia. Pride and comraderie in the crew is a direct result of the patch as a daily reminder that a specific unit is the best in the Navy. This volume covers over 1,900 patches of US Navy rotary wing aircraft in full color, covering the patches of individual helicopters, schools, organizations, air wings and detachments for all the squadron types HAL, HC, HCS, HCT, HM, HS, HSC, HSL, HSM, HT, HU, HUQ and HX.

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Cunning, monstrous, virtuous. Rediscover the overlooked women of Greek myth.Goddesses and mortals, warriors and muses, women are at the heart of ancient Greek folklore, but their stories have long been eclipsed by those of men. Heroines of Olympus tells the tales of fifty of these enthralling women, including majestic Athena, goddess of war; vengeful Nemesis, goddess of retribution; and gladiatorial Hippolyta, queen of the Amazon.With beautifully written retellings of Greek myths and a fascinating dive into their place in history, alongside exquisite illustrations, celebrate the dazzling and diverse heroines of ancient Greece.

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This volume collects over 350 works created by Francesco Jodice – artist, photographer and filmmaker – over 25 years of his career. His entire production is accompanied by texts by 65 critics, curators and artists. Photographs, films, maps and installations bring about a kaleidoscopic fresco of our time. Texts by: Cecilia Andersson, Gabriele Basilico, Marcella Beccaria, Stefano Boeri, Ilaria Bonacossa, Annelie Bortolotti, Silvia Camporesi, Raúl Cárdenas Osuna, Luca Cerizza, Laura Cherubini, Antonella Crippa, Denis Curti, Catherine David, Anna Dethridge, Giacinto Di Pietrantonio, Sergio Edelsztein, Emiliano Gandolfi, Walter Guadagnini, Anna Maria Guash, Rafael Doctor Roncero, Patrick Henry, Horacio Hernandez, Mimmo Jodice, Filippo Maggia, Rem Koolhaas, Bruno Latour, Amparo Lozano, Gianfranco Maraniello, Thomas Mayr, Massimo Melotti, Marco Meneguzzo, Francesca Alfano Miglietti, Juan José Millás, Luca Molinari, Roberto Murgia, Nobuo Nakamura, Franziska Nori, Rosa Olivares, Costanza Paissan, Cristiana Perrella, Saverio Pesapane, Sandro Petraglia, Christopher Phillips, Rafael Pinilla, Andrea Pinkets, Carlo Artuto Quintavalle, Letizia Ragaglia, Cathy Rémy, Eleonora Roaro, Carlo Sala, Francesco Sala, Gabriele Sassone, Gabi Scardi, Thomas Seelig, Marta Sesé, Angela tecce, The Cool Couple, Roberta Valtorta, Lea vergine, Eugenio Viola, Paul Virilio, Arianna Visani, Francesco Zanot, and Miguel Zugaza.

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It's the summer break in Shadyside, Queens, and Team Pom's investigation into the mysterious organization called C.A.O.S, and its sinister boss Steve, have hit a dead end. Seeking a bit of inspiration, Roberta, Ruby and Agnes head to the Natural History Museum to spend time with Ruby's aunt, a de-extinction biologist in training who's just stumbled upon a precious sample of Dodo remains. But C.A.O.S. lurks in the shadows with Dodo schemes of their own! Can Team Pom foil Steve's plans in time to save the entire city? Can peanut butter really fight evil? Or is New York City finally going to the birds?

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When Roberta, Peter and Phyllis's father is taken away and they move to a tiny cottage in the countryside, the only advantage is the nearby railway. Join them on their adventures as they befriend all those who work with the trains, prevent a railway disaster and try to discover the truth behind their father's disappearance.The Railway Children, a much-loved children's classic, was first published in 1906 and has never been out of print.

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The ensemble with its prominent twin towers that Egon Eiermann (1904–1970) built in Frankfurt am Main for the Italian office machinery company Olivetti, was the Karlsruhe architect’s last major project. His priorities lay in the slender form, derived from the task, the construction and the material to create a characteristic silhouette. Adriano Olivetti, the son of the company’s founder, valued not only the firm’s products, which became cult objects of Italianità in the field of design and which established the ‘Stile Olivetti’. He also made the same demands regarding quality in architecture. The grandson, Roberto Olivetti, commissioned Eiermann, a famous representative of German postwar Modernism, to design the German branch offices. For the architect the project formed the culmination of his career, while for the Karlsruhe student Klaus Kinold it marked the beginning of a career as a photo g-rapher of architecture. He maintained that he had learned more for his future profession from his teacher Egon Eiermann than from anyone else.

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"The miracle of the preserved word, in whatever medium—print, audio text, video recording, digital exchange—means that it may transfer into new times and new places." —From the Introduction Margaret Mackey draws together memory, textual criticism, social analysis, and reading theory in an extraordinary act of self-study. In One Child Reading, she makes a singular contribution to our understanding of reading and literacy development. Seeking a deeper sense of what happens when we read, Mackey revisited the texts she read, viewed, listened to, and wrote as she became literate in the 1950s and 1960s in St. John’s, Newfoundland. This tremendous sweep of reading included school texts, knitting patterns, musical scores, and games, as well as hundreds of books. The result is not a memoir, but rather a deftly theorized exploration of how a reader is constructed. One Child Reading is an essential book for librarians, classroom teachers, those involved in literacy development in both scholarly and practical ways, and all serious readers. Foreword by Roberta Seelinger Trites.

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Lonely Planet: The world's leading travel guide publisher Lonely Planet's Cape Town & the Garden Route is your passport to the most relevant, up-to-date advice on what to see and skip, and what hidden discoveries await you. Soak in the view from the summit of Table Mountain, take a boat to Robben Island for an insight into the country's history, and explore the beaches, forests and verdant mountains along the majestic Garden Route - all with your trusted travel companion. Get to the heart of Cape Town and begin your journey now! Inside Lonely Planet's Cape Town & the Garden Route: Colour maps and images throughout Highlights and itineraries help you tailor your trip to your personal needs and interests Insider tips to save time and money and get around like a local, avoiding crowds and trouble spots Essential info at your fingertips - hours of operation, phone numbers, websites, transit tips, prices Honest reviews for all budgets - eating, sleeping, sightseeing, going out, shopping, hidden gems that most guidebooks miss Cultural insights provide a richer, more rewarding travel experience - covering history, people, music, landscapes, wildlife, cuisine, politics Covers City Bowl, Foreshore, Bo-Kaap & De Waterkant, East City, District Six, Woodstock & Observatory Gardens & Surrounds, Green Point & Waterfront, Sea Point to Hout Bay, Southern Suburbs, Simon's Town & Southern Peninsula, Cape Flats & Northern Suburbs, Stellenbosch, Franschhoek, Paarl, Robertson, Hermanus, Stanford, Darling, Langebaan, The Garden Route The Perfect Choice: Lonely Planet's Cape Town & the Garden Route is our most comprehensive guide to Cape Town, and is perfect for discovering both popular and offbeat experiences. Travelling further afield? Check out Lonely Planet's South Africa, Lesotho & Swaziland for a comprehensive look at what all these southern African countries have to offer. About Lonely Planet: Lonely Planet is a leading travel media company and the world's number one travel guidebook brand, providing both inspiring and trustworthy information for every kind of traveller since 1973. Over the past four decades, we've printed over 145 million guidebooks and grown a dedicated, passionate global community of travellers. You'll also find our content online, and in mobile apps, video, 14 languages, nine international magazines, armchair and lifestyle books, ebooks, and more. 'Lonely Planet guides are, quite simply, like no other.' - New York Times 'Lonely Planet. It's on everyone's bookshelves, it's in every traveller's hands. It's on mobile phones. It's on the Internet. It's everywhere, and it's telling entire generations of people how to travel the world.' - Fairfax Media (Australia)

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Music historian Craig Harris explores more than five hundred years of Indigenous history, religion, and cultural evolution in Rise Up! Indigenous Music in North America. More than powwow drums and wooden flutes, Indigenous music intersects with rock, blues, jazz, folk music, reggae, hip-hop, classical music, and more. Combining deep research with personal stories by nearly four dozen award-winning Indigenous musicians, Harris offers an eye-opening look at the growth of Indigenous music. Among a host of North America’s most vital Indigenous musicians, the biographical narratives include new and well-established figures such as Mildred Bailey, Louis W. Ballard, Cody Blackbird, Donna Coane (Spirit of Thunderheart), Theresa “Bear” Fox, Robbie Robertson, Buffy Sainte-Marie, Joanne Shenandoah, DJ Shub (Dan General), Maria Tallchief, John Trudell, and Fawn Wood.

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Step into a magical world of beautiful princesses and handsome princes, wicked witches and good fairies. Here are ten of the best-loved fairy tales from the Brothers Grimm, retold in a friendly, accessible way that's perfect for young children, and now in a beautiful new edition.Featuring glowing illustrations by Emma Chichester Clark, and translated from Saviour Pirotta's lively retellings, these classic fairy tales are now shared in Scots for the first time, translated by a host of well known Scottish writers.Featured Stories: The Sleepin Princess (Matthew Fitt); The Enchantit Gingebreid Hoose (Lari Don); The Magic Bear and the Bonnie Prince (Val McDermid); The Golden-Haired Lassie in the Tower (Sanjeev Kohli); The Wee Moosie and the Swickfu Cat (Shane Strachan); The Princess and the Seeven Wee Gadgies (Thomas Clark); The Swans and the Guid Sister (Ashley Douglas); The Princess and the Puddock (James Robertson); The Lassie That Spun Strae intae Gowd (Matthew Mackie); The Twelve Dauncin Princesses (Susi Briggs)

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It is the only anthology which includes all thirty-one English lyrics from MS Harley 2253, all the verses by Friar Herebert printed in Brown XIV, and all the important poems given in Robbins' Secular Lyrics. In all there are 245 lyrics, arranged thematically. To make these delightful poems accessible to the modern reader, the editors have removed many of the orthographic impediments inherent in Middle English verse and have modernized punctuation, capitalization, and obsolete letters while scrupulously seeking to retain the substantive integrity of the poems. "Critical and Historical Backgrounds" are provided in essays by Peter Dronke, Stephen Manning, Raymond Oliver, and Rosemary Woolf. In a special section, six poems are singled out for critical comment by A. K. Moore, Edmund Reiss, D. W. Robertson, Jr., E. T. Donaldson, John Speirs, Thomas Jemielity, D. G. Halliburton, Leo Spitzer, and others. Two of these lyrics, "Maiden in the mor lay" and "I sing of a maiden," are discussed by four different scholars. In all, twenty-five poems are discussed in the essays. The volume also includes a list of Abbreviations, a Table of Textual Sources and Dates, a Select Bibliography, and an Index of First Lines.

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Since the publication of his first novel in 1972, Alexander Theroux has won great acclaim for his dazzling style and forceful intellect. That first novel, Three Wogs , was named Book of the Year by Encyclopedia Britannica and nominated for the National Book Award, as was his second novel, Darconville's Cat (1981), which Anthony Burgess called one of the 99 best novels of the 20th century. Since then Theroux has published numerous other books, won several awards, and has been the subject of academic studies and theses. In addition to Burgess, he has been praised by such writers as Saul Bellow, Guy Davenport, Robertson Davies, Fred Exley, Jonathan Franzen, William H. Gass, Norman Mailer, D. Keith Mano, Cormac McCarthy, James McCourt, Annie Proulx, John Updike, and Paul West. Alexander Theroux: A Fan's Notes is the first book-length study of Theroux's complete body of work, concluding with a chapter on his contentious relationship with his best-selling brother Paul Theroux. Critic Steven Moore, who has known Theroux for nearly 40 years and helped with the publication of some of his books, illuminates Theroux's work in a scholarly yet accessible style.

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This encyclopedia offers the most comprehensive and up-to-date resource on the European integration process. Under the editorial directorship of Finn Laursen and associate editors Derek Beach, Roberto Domínguez, Sung-Hoon Park, Sophie Vanhoonacker, and Amy Verdun, the publication brings together peer-reviewed contributions by leading researchers on the European Union as a global actor. Topics include the basic treaties, institutions, and policies of the European Union and the previous European Communities, the European Coal and Steel Community, the European Economic Community, and the European Atomic Energy Community. It also includes articles on the various conceptual frameworks and theories that have been developed by political scientists to guide research into the integration process and the policy- and decision-making processes with a focus on the roles of the different institutions, the European Council, the European Commission, the European Parliament, and the Court of Justice of the EU. Additionally, the publication includes articles on the member states as well as external relations and foreign policies of the EU. As a result, the Oxford Encyclopedia of European Union Politics is a vital resource for students, scholars, and policymakers.

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After 1750 the Americas lived political and popular revolutions, the fall of European empires, and the rise of nations as the world faced a new industrial capitalism. Political revolution made the United States the first new nation; revolutionary slaves made Haiti the second, freeing themselves and destroying the leading Atlantic export economy. A decade later, Bajío insurgents took down the silver economy that fueled global trade and sustained Spain’s empire while Britain triumphed at war and pioneered industrial ways that led the U.S. South, still-Spanish Cuba, and a Brazilian empire to expand slavery to supply rising industrial centers. Meanwhile, the fall of silver left people from Mexico through the Andes searching for new states and economies. After 1870 the United States became an agro-industrial hegemon, and most American nations turned to commodity exports, while Haitians and diverse indigenous peoples struggled to retain independent ways. Contributors. Alfredo Ávila, Roberto Breña, Sarah C. Chambers, Jordana Dym, Carolyn Fick, Erick Langer, Adam Rothman, David Sartorius, Kirsten Schultz, John Tutino

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Songs that sell the most copies become hits, but some of those hits become something more - iconic recordings that not only inspire a generation but also alter the direction of music. In this follow-up to his classic Anatomy of a Song, writer and music historian Marc Myers tells the stories behind fifty-five more rock, pop, R&B, country and reggae hits through intimate interviews with the artists who wrote and recorded them.Part oral history, part musical analysis, Anatomy of 55 More Songs ranges from Creedence Clearwater Revival's 'Bad Moon Rising' to Dionne Warwick's 'Walk On By', The Beach Boys' 'Good Vibrations' and Black Sabbath's 'Paranoid'. Bernie Taupin recalls how he wrote the lyrics to Elton John's 'Rocket Man'; Joan Jett remembers channeling her rage against how she had been unfairly labeled and treated into 'Bad Reputation' and Ozzy Osbourne, Elvis Costello, Bob Weir, Sheryl Crow, Alice Cooper, Roberta Flack, John Mellencamp, Keith Richards, Carly Simon and many others reveal the emotions and technique behind their major works.

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“A new series that promises to be just as engrossing [as Frontlines]…the action just as exciting, the science just as solid, the tension just as high. I gulped down the first book in a day, and I am already eager for the next one.” —George R. R. Martin Across the six-planet expanse of the Gaia system, the Earthlike Gretia struggles to stabilize in the wake of an interplanetary war. Amid an uneasy alliance to maintain economies, resources, and populations, Aden Robertson reemerges. After devoting twelve years of his life to the reviled losing side, with the blood of half a million casualties on his hands, Aden is looking for a way to move on. He’s not the only one. A naval officer has borne witness to inconceivable attacks on a salvaged fleet. A sergeant with the occupation forces is treading increasingly hostile ground. And a young woman, thrust into responsibility as vice president of her family’s raw materials empire, faces a threat she never anticipated. Now, on the cusp of an explosive and wide-reaching insurrection, Aden plunges once again into the brutal life he longed to forget. He’s been on the wrong side of war before. But this time, the new enemy has yet to reveal themselves…or their dangerous endgame.

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National league glory last visited Manchester City in 1968, when the likes of Bell, Lee and Summerbee lifted the English Football League Championship trophy. Fast forward forty-four years. The 2011/12 Premiership season belongs to Manchester City. It has been a long wait, but premiership glory has finally come to rest at the Ethiad Stadium. My Eyes Have Seen the Glory is a match-by-match, blow-by-blow, superbly illustrated account of the most memorable season of English football in recent years. The world has looked on as Man City has grown in strength under the steady leadership of Roberto Mancini. The chairman expected, the fans expected; Mancini has delivered. It has been a season of magnificent highs - the 6-1 trouncing of Manchester United, named by Sir Alex Ferguson as 'the worst result in my history' - and depressing lows - the infamous Carlos Tevez saga - but there has always been drama, passion and world-class football. Victory in the Premiership is to be cherished; My Eyes Have Seen the Glory is the book every Man City fan has been waiting to read. Read it, bask in the glory of long-awaited victory, and celebrate the birth of a new era in the Premiership - Manchester City's era.

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**Don't miss Jenny Holmes's latest wartime series, The Air Raid Girls. Part 3 - The Air Raid Girls: Wartime Brides - is available now!**----------------------------Planes to deliver. A war to be won. Bobbie Fraser, Mary Holland and Jean Thornton are Atta Girls - part of the Air Transport Auxiliary team flying planes between bases. Taking to the air in anything they're given, their work is dangerous but their courage always comes through. Now there's a new girl joining the ranks - Canadian Viv Robertson, who is bright, brash and brave. But can Viv settle into her new home with the other girls? And when life on the ground leaves them as vulnerable as in the air, can they stick together through the tough times ahead and ultimately fly to victory?A heart-warming, romantic story of friendship, camaraderie and triumph over adversity that fans of Donna Douglas, Nancy Revell and Elaine Everest will adore.----------------------------Readers love Jenny Holmes'A delight to read''I highly recommend this book, great job Jenny!''Really enjoyed this book cant wait to read the next one''Lovely historical drama''I love reading these books on life in WW2''A book you can't put down'

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This volume brings together presentations from two sessions organized for the XVII World UISPP Conference that was held from 1-7 September 2014 in Burgos (Spain). The sessions are: The scientific value of 3D archaeology, organised by Hans Kamermans, Chiara Piccoli and Roberto Scopigno, and Detecting the Landscape(s) – Remote Sensing Techniques from Research to Heritage Management, organised by Axel Posluschny and Wieke de Neef. The common thread amongst the papers presented here is the application of digital recording techniques to enhance the documentation and analysis of the spatial component intrinsically present in archaeological data. For a long time the capturing of the third dimension, the depth, the height or z-coordinate, was problematic. Traditionally, excavation plans and sections were documented in two dimensions. Objects were also recorded in two dimensions, often from different angles. Remote sensing images like aerial photographs were represented as flat surfaces. Although depth could be visualized with techniques such as stereoscopes, analysis of relief was troublesome. All this changed at the end of the last century with the introduction of computer based digitization technologies, 3D software, and digital near-surface sampling devices. The spatial properties of the multi-scale archaeological dataset can now be accurately recorded, analysed and presented. Relationships between artefacts can be clarified by visualizing the records in a three dimensional space, computer-based simulations can be made to test hypotheses on the past use of space, remote sensing techniques help in detecting previously hidden features of landscapes, thus shedding light on bygone land uses.

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We are living in an age of crisis—or an age in which everything is labeled a crisis. Financial, debt, and refugee “crises” have erupted. The word has also been applied to the Arab Spring and its aftermath, Brexit, the 2016 U.S. election, and many other international events. Yet the term has contradictory political and strategic meanings for those challenging power structures and those seeking to preserve them. For critics of the status quo, can the rhetoric of crisis be used to foment urgency around issues like climate change and financialization, or does framing a situation as a “crisis” play into the hands of the existing political order, which then seeks to tighten the leash by creating a state of emergency?Critical Theory at a Crossroads presents conversations with prominent theorists about the crises that have marked the past years, the protest movements that have risen up in response, and the use of the term in political discourse. Tariq Ali, Rosi Braidotti, Wendy Brown, Maurizio Lazzarato, Angela McRobbie, Jean-Luc Nancy, Antonio Negri, Jacques Rancière, Saskia Sassen, and Joseph Vogl offer their views on contemporary challenges and how we might address them, candidly discussing the alternatives that new social movements have offered, alongside an exchange between Zygmunt Bauman and Roberto Esposito on theories of community. Sparring over crucial developments in these past years of catastrophe and the calamity of everyday life under capitalism, they shed light on how crises and the discourse of crisis can both obscure and reveal fundamental aspects of modern societies.

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Helen, along with sixty-seven million other people, is in lockdown. Unfortunately, Helen's neighbour, Mrs Delgado, is not. Mike Bartlett's funny and poignant play for one actor tells a story of desire, control, raised blinds and lowered boundaries. Mrs Delgado was first performed by Ellen Robertson and directed by Clare Lizzimore in December 2021 at the Old Fire Station, Oxford, where Bartlett's play Snowflake premiered to critical acclaim. This edition also includes the monologue Phoenix, a powerful story of fire and destruction, self-deceit and the corrosion of trust. Phoenix was first performed in 2020 by Bertie Carvel as an audio drama, part of English Touring Theatre and Headlong's Signal Fires storytelling project.

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Miguel O''Hara is back in 2099 - but it''s a world he doesn''t recognise. One that is altogether more... sinister. He wakes to find himself held captive by six villains. But how is it that his native timeline is so different from the one he left behind? Can Spidey escape his tormentors, find a way back to the past and fix the future? Or will the Sinister Six reign supreme in 2099? Meanwhile, Roberta Mendez, aka Captain America 2099, returns to her own time in a bid to find her family. But little does she know that the heroes of this era are being hunted. Will this be the end of 2099 as we know it? Collecting: Spider-Man 2099 (2015) #13-#25.

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When Roberta, Peter and Phyllis's father is imprisoned after being falsely accused of spying, they and their mother have to leave their comfortable London home to go and live in a small house in the country. However, the children soon come to love the railway that runs near their cottage, and have many adventures - stopping a train from disaster, saving an infant and dog from a barge canal on fire, and getting help when they find an injured boy in the trail tunnel. When they befriend an Old Gentleman who regularly takes the 9:15 train near their home, he helps them to prove their father's innocence, and the family is reunited at last.

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Many books have been written about nineteenth-century Oxford theology, but what was happening in Cambridge? This book provides the first continuous account of what might be called 'the Cambridge theological tradition', by discussing its leading figures from Richard Watson and William Paley, through Herbert Marsh and Julius Hare, to the trio of Lightfoot, Westcott and Hort. It also includes a chapter on nonconformists such as Robertson Smith, P.T. Forsyth and T.R. Glover. The analysis is organised around the defences that were offered for the credibility of Christianity in response to hostile and friendly critics. In this period the study of theology was not yet divided into its modern self-contained areas. A critical approach to scripture was taken for granted, and its implications for ecclesiology, the understanding of salvation and the social implications of the Gospel were teased out (in Hort's phrase) through enquiry and controversy as a way to discover truth. Cambridge both engaged with German theology and responded positively to the nineteenth-century 'crisis of faith'.

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Celebrated plantsman Roy Lancaster’s birth on 5th December 1937 was the start of something big for plants and horticulture. His chance find of a Mexican tobacco plant in a local allotment brought him fame as a Bolton schoolboy and sowed the seeds of his future career. This book is the story of his adventures as he sees tropical plants for the first time in the jungles of Malaya, meets Roberto Burle Marx at his garden near Rio de Janeiro, and hunts for pitcher plants in North America. Well-known for his encylopedic botanical knowledge and for introducing many popular garden plants, Roy is also a consummate story-teller and wise philosopher. His acute sense of life’s comic moments, spirited sense of adventure and respect for the natural world make this a remarkable read.

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In 2001, Eduardo Costantini, the founder of the Museo de Arte Latinoamericano de Buenos Aires (MALBA), began collecting artworks from across Latin America. Today, the renowned Costantini Collection consists of more than two hundred works, encompassing drawings, paintings, sculptures, and objects by seventy-eight artists from various countries, including Argentina, Brazil, Colombia, Costa Rica, Cuba, Chile, Ecuador, Mexico, Uruguay, and Venezuela.In the spirit of cultural exchange, MALBA and the International Center for the Arts of the Americas (ICAA) at the Museum of Fine Arts, Houston, are joining together to exhibit fifty of these works, spanning from the beginning of the 20th century to the present day. Among the celebrated artists represented in this beautiful book are Frida Kahlo, Wifredo Lam, Roberto Matta, and Diego Rivera. Also of note are works by Tarsila do Amaral, Rafael Barradas, Antonio Berni, and Alfredo Guttero. An interview by Mari Carmen Ramírez with Costantini sheds light on his philosophy of collecting, and texts by Marcelo Pacheco offer insights into the broad range of modern and contemporary art created in Latin America.Distributed for the Museum of Fine Arts, HoustonExhibition Schedule:The Museum of Fine Arts, Houston (04/22/12–08/05/12)

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Many of the most imaginative designs by the world s great jewelry houses and artisans take inspiration from the animal kingdom. From Cartier s iconic panthers to Bulgari s snakes and JAR s butterflies, these spectacular objects dripping with precious stones are akin to wearable art. Beautiful Creatures depicts some of the most spectacular beasts ever transformed into sparkling treasures and accompanies a special exhibition in the American Museum of Natural History s Allison and Roberto Mignone Halls of Gems and Minerals, opening in fall 2020. The 120 pieces featured date from the mid-1800s to the present, representing species from the realms of land, air, and water. Gorgeous studio photography of the jewelry is complemented by images of iconic personalities, including Elizabeth Taylor, Twiggy, and the Duchess of Windsor wearing famous animal-inspired jewels. Guest curator Marion Fasel relays the stories behind the individual pieces through entertaining anecdotes and reveals the colorful histories and fascinating symbolism of these remarkable creatures in precious gems and metals that intrigue and delight and that we never tire of wearing.

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Leading scholars address the myriad ways in which America’s attitudes about race informed the production of Hollywood films from the 1920s through the 1960s. From the predominantly white star system to segregated mise-en-scènes, Hollywood films reinforced institutionalized racism. The contributors to this volume examine how assumptions about white superiority and colored inferiority and the politics of segregation and assimilation affected Hollywood’s classic period.Contributors: Eric Avila, UCLA; Aaron Baker, Arizona State U; Karla Rae Fuller, Columbia College; Andrew Gordon, U of Florida; Allison Graham, U of Memphis; Joanne Hershfield, U of North Carolina; Cindy Hing-Yuk Wond, College of Staten Island, CUNY; Arthur Knight, William and Mary; Sarah Madsen Hardy, Bryn Mawr; Gina Marchetti, U of Maryland; Gary W. McDonogh; Chandra Mukerji, UC, San Diego; Martin F. Norden, U of Massachusetts; Brian O'Neil, U of Southern Mississippi; Roberta E. Pearson, Cardiff U; Marguerite H. Rippy, Marymount U; Nicholas Sammond; Beretta E. Smith-Shomade, U of Arizona; Peter Stanfield, Southampton Institute; Kelly Thomas; Hernan Vera, U of Florida; Karen Wallace, U of Wisconsin, Oshkosh; Thomas E. Wartenberg, Mount Holyoke; Geoffrey M. White, U of Hawai’i; and Jane Yi.

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The first-ever complete study of the Aldwych farce films (1924-1954) and the plays they were based on. The thirteen Aldwych farces were phenomenally successful in the West End between 1922 and 1933. The stars - Ralph Lynn, Tom Walls and Robertson Hare transferred their work to the screen equally successfully in the early 1930s. With humour that relied more on characterisation and clever wordplay than slapstick, they became top stars of the new sound films, 'talkies'. Also covered in the book are the screen originals written for the team by Ben Travers, the 1930s solo vehicles for both Lynn and Walls, and the later plays and films in which Hare appeared with Alfred Drayton. Each of the forty-eight films featured in the book is described in full, with its cast, credits, plot, history, availability and reviews. Ninety short profiles of the personnel involved (stars, leading ladies, supporting actors, playwrights, screenwriters, producers and directors) are included, as well as 200 rare illustrations.

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For ten years James Robertson walked the twenty-one-mile round-trip from his Detroit home to his factory job; when his story went viral, it brought him an outpouring of attention and support. But what of Robertson’s Detroit neighbors, likewise stuck in a blighted city without services as basic as a bus line? What they’re left with, after decades of disinvestment and decline, is DIY urbanism—sweeping their own streets, maintaining public parks, planting community gardens, boarding up empty buildings, even acting as real estate agents and landlords for abandoned homes.DIY Detroit describes a phenomenon that, in our times of austerity measures and market-based governance, has become woefully routine as inhabitants of deteriorating cities “domesticate” public services in order to get by. The voices that animate this book humanize Detroit’s troubles—from a middle-class African American civic activist drawn back by a crisis of conscience; to a young Latina stay-at-home mom who has never left the city and whose husband works in construction; to a European woman with a mixed-race adopted family and a passion for social reform, who introduces a chicken coop, goat shed, and market garden into the neighborhood. These people show firsthand how living with disinvestment means getting organized to manage public works on a neighborhood scale, helping friends and family members solve logistical problems, and promoting creativity, compassion, and self-direction as an alternative to broken dreams and passive lifestyles.Kimberley Kinder reveals how the efforts of these Detroiters and others like them create new urban logics and transform the expectations residents have about their environments. At the same time she cautions against romanticizing such acts, which are, after all, short-term solutions to a deep and spreading social injustice that demands comprehensive change.

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Schleiermacher, Hegel und Schelling zählen zu den Klassikern der modernen Religionsphilosophie - einer Disziplin, an deren Gründung sie maßgeblich beteiligt waren. In ihren religionsphilosophischen Werken entwickeln sie nicht nur eine allgemeine Theorie der Religion überhaupt und eine besondere Theorie der christlichen Religion, sondern widmen sich auch und gerade der historischen Vielfalt der Religionen. Sie setzen sich dabei einerseits von Religionstheorien der Aufklärung ab, welche die Religionen auf einen konstanten vernünftigen Kern reduzieren und ihre Unterschiede als zufälliges Beiwerk verbuchen. Zugleich wenden sie sich andererseits gegen eine unkritische Gleichsetzung der christlichen Religion mit dem Wesen der Religion. Im Gegenzug zu beiden Positionen suchen Schleiermacher, Hegel und Schelling vielmehr auf je eigene Weise einen Begriff von Religion zu entwickeln, der dem Reichtum der Religionen, ihren Unterschieden und ihrer Geschichte gerecht wird. Ihr Unternehmen, die Vielfalt der Religionen auf einen angemessenen Begriff zu bringen, stellt für die heutigen Debatten in Philosophie, Theologie und Religionswissenschaft zweifellos eine Herausforderung dar und lädt zur Überprüfung der eigenen Voraussetzungen ein. Denn die drei Klassiker ziehen sich nicht auf Urteilsenthaltung zurück, sondern nehmen die divergierenden Wahrheitsansprüche der Religionen ernst und unterziehen sie einer kritischen Würdigung. Wie sie das tun, wird im vorliegenden Band von international renommierten Experten auf den Gebieten der Schleiermacher-, Hegel- und Schellingforschung rekonstruiert und diskutiert. Mit Beiträgen von:Thomas Buchheim, Richard Crouter, Stefan Gerlach, Wilhelm Gräb, Jens Halfwassen, Friedrich Hermanni, Eilert Herms, Stephen Houlgate, Wilhelm G. Jacobs, Christian König, Amit Kravitz, Thomas A. Lewis, Burkhard Nonnenmacher, Jan Rohls, Friedrike Schick, Ulrich Schlösser, Christoph Schwöbel, Henning Tegtmeyer, Roberto Vinco, Martin Wendte, Paul Ziche

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The notion of what it means to "distort" a text is here explored through a rich variety of individual case studies. Distortion is nearly always understood as negative. It can be defined as perversion, impairment, caricature, corruption, misrepresentation, or deviation. Unlike its close neighbour, "disruption", it remains resolutely associatedwith the undesirable, the lost, or the deceptive. Yet it is also part of a larger knowledge system, filling the gap between the authentic event and its experience; it has its own ethics and practice, and it is necessarily incorporated in all meaningful communication. Need it always be a negative phenomenon? How does distortion affect producers, transmitters and receivers of texts? Are we always obliged to acknowledge distortion? What effect does a distortive process have on the intentionality, materiality and functionality, not to say the cultural, intellectual and market value, of all textual objects? The essays in this volume seek to address these questions,They range fromthe medieval through the early modern to contemporary periods and, throughout, deliberately challenge periodisation and the canonical. Topics treated include Anglo-Saxon manuscripts, Reformation documents and poems, Global Shakespeare, the Oxford English Dictionary, Native American spiritual objects, and digital tools for re-envisioning textual relationships. From the written to the spoken, the inhabited object to the remediated, distortion is demonstrated to demand a rich and provocative mode of analysis. Elaine Treharne is Roberta Bowman Denning Professor of Humanities, Professor of English, Director of the Centre for Spatial and Textual Analysis, and Director of Stanford Technologies at Stanford University; Greg Walker is Regius Professor of Rhetoric and English Literature at the University of Edinburgh. Contributors: Matthew Aiello, Emma Cayley, Aaron Kelly, Daeyeong (Dan) Kim, Sarah Ogilvie, Timothy Powell, Giovanni Scorcioni, Greg Walker, Claude Willan.

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Victorian Jamaica explores the extraordinary surviving archive of visual representation and material objects to provide a comprehensive account of Jamaican society during Queen Victoria's reign over the British Empire, from 1837 to 1901. In their analyses of material ranging from photographs of plantation laborers and landscape paintings to cricket team photographs, furniture, and architecture, as well as a wide range of texts, the contributors trace the relationship between black Jamaicans and colonial institutions; contextualize race within ritual and performance; and outline how material and visual culture helped shape the complex politics of colonial society. By narrating Victorian history from a Caribbean perspective, this richly illustrated volume—featuring 270 full-color images—offers a complex and nuanced portrait of Jamaica that expands our understanding of the wider history of the British Empire and Atlantic world during this period. Contributors. Anna Arabindan-Kesson, Tim Barringer, Anthony Bogues, David Boxer, Patrick Bryan, Steeve O. Buckridge, Julian Cresser, John M. Cross, Petrina Dacres, Belinda Edmondson, Nadia Ellis, Gillian Forrester, Catherine Hall, Gad Heuman, Rivke Jaffe, O'Neil Lawrence, Erica Moiah James, Jan Marsh, Wayne Modest, Daniel T. Neely, Mark Nesbitt, Diana Paton, Elizabeth Pigou-Dennis, Veerle Poupeye, Jennifer Raab, James Robertson, Shani Roper, Faith Smith, Nicole Smythe-Johnson, Dianne M. Stewart, Krista A. Thompson

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This title considers aspects of the legacy that makes Film4 synonymous with a rejuvenated national cinema. When Channel 4 was launched in 1982 its policy of commissioning new feature films for television broadcast and selective cinema release marked a shift in British film culture. Widely credited with revitalising a moribund UK film industry, the initiative represented a new intervention on the part of a public service broadcaster and, in turn, redefined the place of film on television with landmark strands from Film on Four to The Eleventh Hour. Channel 4 withstood early criticism from some industry voices and controversy aroused by its broadcast film provision; in 1987 its contribution to European cinema was recognised in the accolade of the Roberto Rosselini award at the Cannes film festival. Since then the international box office successes of many Film4 titles (from My Beautiful Laundrette and The Crying Game to Four Weddings and Funeral and Slumdog Millionaire), have made Film4 synonymous with a rejuvenated national cinema and established television as a vital cornerstone of government film policy. This special issue investigates aspects of that legacy, casting a critical eye upon received wisdom, and drawing on new archival and interview material to offer a revisionist history of the broadcaster's rich and diverse contributions to British film culture. It is indispensible to anyone with an interest in British film over the past 30 years.

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Nicole Brossard, Margaret Christakos, Susan Holbrook, Dorothy Lusk, Karen Mac Cormack, Daphne Marlatt, Erin Moure, M. NourbeSe Philip, Sina Queyras, Lisa Robertson, Gail Scott, Nathalie Stephens, Catriona Strang, Rita Wong, Rachel Zolf. These fifteen women are some of the best writers engaged in avant-garde literary production today, defining the contours of new movements and schools of writing in North America. By showcasing their work alongside extensive interviews, Prismatic Publics stages intimate encounters with these key figures as they work in and against Language, conceptual, post-conceptual, documentary, and investigative poetry traditions -- often across, between and at the interstices of genres. The writers in this anthology do not represent a single movement or tradition, although they all recognize language as inherently problematic and a perpetual subject of inquiry. Theirs is writing that demands a heightened level of attentiveness and attunement to what language can do on the page and in the social worlds of its making. Gathered in a single volume, these selections, some dating back to the early 1970s and others appearing in print for the first time, provide an opportunity to trace the diverse networks, influences, dialogues, dialectics, and interventions that continue make the work of Canada's innovative women writers a powerful force in avant-garde writing around the world.

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Nancy Crow: Drawings: Monoprints and Riffs is a beautifully illustrated catalog showcasing the newest work of renowned artist Nancy Crow. Over the last decade Crow has transformed her quiltmaking by developing a unique monoprinting technique. Monoprinting on cotton fabric, she focuses on drawn lines, layered one upon another, that result in a complex visual tangle. The work in this series simultaneously produces both clarity and depth. In her Riff and Drawing: Riff series, Crow has continued to explore her “drawing with fabric” approach. In these works Crow improvisationally cuts through layers of highly saturated hand-dyed fabrics, creating crisp forms with slight curves and undulations caused by subtle movements of her arm, which are then stitched together in dynamic compositions. This catalog includes Crow’s descriptions of these innovative techniques as well as candid musings on her personal journey as a driven, passionate artist. In addition, Crow’s work is discussed in an essay by Jean Robertson, Chancellor’s Professor Emerita of Art History at the Herron School of Art and Design at Indiana University–Purdue University. Also featured is a foreword by David Hornung, professor of art and art history at Adelphi University, New York. The catalog accompanies a 2020 exhibition of Crow’s work at the International Quilt Museum, University of Nebraska–Lincoln.

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