Search results for ""author louise"

In this highly original study of Confederate ideology and politics, Jeffrey Zvengrowski suggests that Confederate president Jefferson Davis and his supporters saw Bonapartist France as a model for the Confederate States of America. They viewed themselves as struggling not so much for the preservation of slavery but for antebellum Democratic ideals of equality and white supremacy. The faction dominated the Confederate government and deemed Republicans a coalition controlled by pro-British abolitionists championing inequality among whites. Like Napoleon I and Napoleon III, pro-Davis Confederates desired to build an industrial nation-state capable of waging Napoleonic-style warfare with large conscripted armies. States' rights, they believed, should not preclude the national government from exercising power. Anglophile anti-Davis Confederates, in contrast, advocated inequality among whites, favoured radical states' rights, and supported slavery-in-the-abstract theories that were dismissive of white supremacy. Having opposed pro-Davis Democrats before the war, they preferred decentralised guerrilla warfare to Napoleonic campaigns and hoped for support from Britain. The Confederacy, they avowed, would willingly become a de facto British agricultural colony upon achieving independence. Pro-Davis Confederates, wanted the Confederacy to become an ally of France and protector of sympathetic northern states.Zvengrowski traces the origins of the pro-Davis Confederate ideology to Jeffersonian Democrats and their faction of War Hawks, who lost power on the national level in the 1820s but regained it during Davis' term as secretary of war. Davis used this position to cultivate friendly relations with France and later warned northerners that the South would secede if Republicans captured the White House. When Lincoln won the 1860 election, Davis endorsed secession. The ideological heirs of the pro-British faction soon came to loathe Davis for antagonizing Britain and for offering to accept gradual emancipation in exchange for direct assistance from French soldiers in Mexico.Zvengrowski's important new interpretation of Confederate ideology situates the Civil War in a global context of imperial competition. It also shows how anti-Davis ex-Confederates came to dominate the postwar South and obscure the true nature of Confederate ideology. Furthermore, it updates the biographies of familiar characters: John C. Calhoun, who befriended Bonapartist officers; Davis, who was as much a Francophile as his namesake, Thomas Jefferson; and Robert E. Lee, who as West Point's superintendent mentored a grand-nephew of Napoleon I.

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The Civil War era marked the dawn of American wars of military occupation, inaugurating a tradition that persisted through the late nineteenth and early twentieth centuries and that continues to the present. In the Wake of War traces how volunteer and even professional soldiers found themselves tasked with the unprecedented project of wartime and peacetime military occupation, initiating a national debate about the changing nature of American military practice that continued into Reconstruction.In the Mexican-American War and the Civil War, citizen-soldiers confronted the complicated challenges of invading, occupying, and subduing hostile peoples and nations. Drawing on firsthand accounts from soldiers in United States occupation forces, Andrew F. Lang shows that many white volunteers equated their martial responsibilities with those of standing armies, which were viewed as corrupting institutions hostile to the republican military ethos. With the advent of emancipation came the enlistment of African American troops into Union armies, facilitating an extraordinary change in how provisional soldiers interpreted military occupation. Black soldiers, many of whom had been formerly enslaved, garrisoned regions defeated by Union armies and embraced occupation as a tool for destabilizing the South's long-standing racial hierarchy. Ultimately, Lang argues, traditional fears about the army's role in peacetime society, grounded in suspicions of standing military forces and heated by a growing ambivalence about racial equality, governed the trials of Reconstruction.Focusing on how U.S. soldiers, white and black, volunteer and regular, enacted and critiqued their unprecedented duties behind the lines during the Civil War era, In the Wake of War reveals the dynamic, often problematic conditions of military occupation.

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In Maintaining Segregation, LeeAnn G. Reynolds explores how black and white children in the early twentieth-century South learned about segregation in their homes, schools, and churches. As public lynchings and other displays of racial violence declined in the 1920s, a culture of silence developed around segregation, serving to forestall, absorb, and deflect individual challenges to the racial hierarchy. The cumulative effect of the racial instruction southern children received, prior to highly publicized news such as the Brown v. Board of Education decision and the Montgomery bus boycott, perpetuated segregation by discouraging discussion or critical examination.As the system of segregation evolved throughout the early twentieth century, generations of southerners came of age having little or no knowledge of life without institutionalized segregation. Reynolds examines the motives and approaches of white and black parents to racial instruction in the home and how their methods reinforced the status quo. Whereas white families sought to preserve the legal system of segregation and their place within it, black families faced the more complicated task of ensuring the safety of their children in a racist society without sacrificing their sense of self-worth. Schools and churches functioned as secondary sites for racial conditioning, and Reynolds traces the ways in which these institutions alternately challenged and encouraged the marginalization of black Americans both within society and the historical narrative.In order for subsequent generations to imagine and embrace the sort of racial equality championed by the civil rights movement, they had to overcome preconceived notions of race instilled since childhood. Ultimately, Reynolds's work reveals that the social change that occurred due to the civil rights movement can only be fully understood within the context of the segregation imposed upon children by southern institutions throughout much of the early twentieth century.

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In 1914, the U.S. Navy established its first air station in Pensacola, Florida. Two years later, the U.S. Army, after training its pilots in the skies of Texas, conducted its first combat flights. In the decades that followed and through World War II, the Gulf South welcomed over two hundred air bases and Naval air stations. By the close of the twentieth century these installations had fostered critical advances in pilot training, producing many of the most acclaimed military personnel to take to the skies. Vincent P. Caire's authoritative and inspiring photographic survey recognizes Gulf South aviation heroes like Brig. Gen. Claire Chennault and honors the role of key southern military air facilities like Eglin and Maxwell Air Force bases.For more than a hundred years, the Gulf South- defined here as Florida, Georgia, Alabama, Mississippi, Louisiana, and Texas- has supported advancement in every branch of military aviation, contributing both technical prowess and fearless pilots to U.S. forces. Through many never-before-published photographs and an informative text, Military Aviation in the Gulf South celebrates these achievements, including the massive expansion of aviation in World War II, establishment of training facilities for officers- including Hollywood stars and the Tuskegee airmen- and commissioning of the U.S. Navy's Blue Angels flight demonstration squadron. Caire's comprehensive history also highlights innovation- such as the designs of Lt. Harold L. Clark for Randolph Air Force Base- and sacrifice, like that of World War I pilot 2nd Lt. Samuel Keesler, the namesake of the Biloxi, Mississippi, base.For generations of servicemen and women, their families, and the local civilian communities that support them, Military Aviation in the Gulf South pays tribute to the enduring impact of the region's aviation programs on America's security and the defense of freedom worldwide.

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Drawing on the history of the British gentry to explain the contrasting sentiments of American small farmers and plantation owners, James L. Huston's expansive analysis offers a new understanding of the socioeconomic factors that fueled sectionalism and ignited the American Civil War. This groundbreaking study of agriculture's role in the war defies long-held notions that northern industrialization and urbanization led to clashes between North and South. Rather, Huston argues that the ideological chasm between plantation owners in the South and family farmers in the North led to the political eruption of 1854-56 and the birth of a sectionalized party system. Huston shows that over 70 percent of the northern population-by far the dominant economic and social element-had close ties to agriculture. More invested in egalitarianism and personal competency than in capitalism, small farmers in the North operated under a free labor ideology that emphasized the ideals of independence and mastery over oneself. The ideology of the plantation, by contrast, reflected the conservative ethos of the British aristocracy, which was the product of immense landed inequality and the assertion of mastery over others. By examining the dominant populations in northern and southern congressional districts, Huston reveals that economic interests pitted the plantation South against the small-farm North. The northern shift toward Republicanism depended on farmers, not industrialists: While Democrats won the majority of northern farm congressional districts from 1842 to 1853, they suffered a major defection of these districts from 1854 to 1856, to the antislavery organizations that would soon coalesce into the Republican Party. Utilizing extensive historical research and close examination of the voting patterns in congressional districts across the country, James Huston provides a remarkable new context for the origins of the Civil War.

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Long after the Civil War ended, one conflict raged on: the battle to define and shape the war's legacy. Across the Bloody Chasm deftly examines Civil War veterans' commemorative efforts and the concomitant -- and sometimes conflicting -- movement for reconciliation.Though former soldiers from both sides of the war celebrated the history and values of the newly reunited America, a deep divide remained between people in the North and South as to how the country's past should be remembered and the nation's ideals honored. Union soldiers could not forget that their southern counterparts had taken up arms against them, while Confederates maintained that the principles of states' rights and freedom from tyranny aligned with the beliefs and intentions of the founding fathers. Confederate soldiers also challenged northern claims of a moral victory, insisting that slavery had not been the cause of the war, and ferociously resisting the imposition of postwar racial policies. M. Keith Har-ris argues that although veterans remained committed to reconciliation, the sectional sensibilities that influenced the memory of the war left the North and South far from a meaningful accord.Harris's masterful analysis of veteran memory assesses the ideological commitments of a generation of former soldiers, weaving their stories into the larger narrative of the process of national reunification. Through regimental histories, speeches at veterans' gatherings, monument dedications, and war narratives, Harris uncovers how veterans from both sides kept the deadliest war in American history alive in memory at a time when the nation seemed determined to move beyond conflict.

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A Broken Regiment recounts the tragic history of one of the Civil War's most ill-fated Union military units. organised in the late summer of 1862, the 16th Connecticut Volunteer Infantry was unprepared for battle a month later, when it entered the fight at Antietam. The results were catastrophic: nearly a quarter of the men were killed or wounded, and Connecticut's 16th panicked and fled the field. In the years that followed, the regiment participated in minor skirmishes before surrendering en masse in North Carolina in 1864. Most of its members spent months in southern prison camps, including the notorious Andersonville stockade, where disease and starvation took the lives of over one hundred members of the unit.The struggles of the 16th led survivors to reflect on the true nature of their military experience during and after the war, and questions of cowardice and courage, patriotism and purpose, were often foremost in their thoughts. Over time, competing stories emerged of who they were, why they endured what they did, and how they should be remembered. By the end of the century, their collective recollections reshaped this troubling and traumatic past, and the ""unfortunate regiment"" emerged as ""The Brave Sixteenth,"" their individual memories and accounts altered to fit the more heroic contours of the Union victory.The product of over a decade of research, Lesley J. Gordon's A Broken Regiment illuminates this unit's complex history amid the interplay of various, and often competing, voices. The result is a fascinating and heartrending story of one regiment's wartime and postwar struggles.

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The Creole praline arrived in New Orleans with the migration of formerly enslaved people fleeing Louisiana plantations after the Civil War. As it uncovers the history of a sweet dessert made of sugar and pecans, this book tells a fascinating story of Black entrepreneurship, toxic white nostalgia, and the rise of tourism in the Crescent City.

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Between 1919 and 1941, five relatives of Christopher Lee Manes were diagnosed with an illness then referred to as ""leprosy"" and now known as Hansen's disease. After their diagnosis, the five Landry siblings were separated from their loved ones and sent to the National Leprosarium in Carville, Louisiana, where they remained in quarantine until their deaths. Drawing on historical documents and imaginative reconstructions, Naming the Leper tells through poetry this family's haunting story of exile and human suffering. While confined at Carville, the Landry siblings attempted to keep some connection to the outside world by writing letters to family members and other loved ones. Manes incorporates materials from this correspondence, along with medical records, the leprosarium newsletter, and personal interviews, as he crafts poems that reconstruct his relatives' daily lives at Carville. Although much can only be imagined, their words remain factual and their feelings of loneliness, abandonment, and pain become explicit. Poetry cannot bring Manes's relatives back to life, nor can it heal wounds nearly a century old, but it can capture the sufferings and traumas caused by disease and exile. As a work of documentary poetry, Naming the Leper demonstrates that a term like ""leper,"" whether a stigma attached to patients suffering from illness or a word inscribed on the caskets of the deceased, cannot define the lives of individuals or encompass the full extent of their legacies.

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In The Soldier's Two Bodies, James M. Greene investigates an overlooked genre of early American literature- the Revolutionary War veteran narrative- showing that it by turns both promotes and critiques a notion of military heroism as the source of U.S. sovereignty. Personal narratives by veterans of the American Revolution indicate that soldiers in the United States have been represented in two contrasting ways from the nation's first days: as heroic symbols of the body politic and as human beings whose sufferings are neglected by their country. Published from 1779 through the late 1850s, narrative accounts of Revolutionary War veterans' past service called for recognition from contemporary audiences, inviting readers to understand the war as a moment of violence central to the founding of the nation. Yet, as Greene reveals, these calls for recognition at the same time underscored how many veterans felt overlooked and excluded from the sovereign power they fought to establish. Although such narratives stem from a discourse that supports centralized, continental nationalism, they disrupt stable notions of a unified American people by highlighting those left behind. Greene discusses several well-known examples of the genre, including narratives from Ethan Allen, Joseph Plumb Martin, and Deborah Sampson, along with Herman Melville's fictional adaptation of the life of Israel Potter. Additional chapters focus on accounts of postwar frontier actions, including narratives collected by Hugh Henry Brackenridge that voice concerns over populist violence, along with stranger narratives like those of Isaac Hubbell and James Roberts, which register as fantastic imitations of the genre commenting on antebellum racial politics. With attention to questions of historical context and political ideology, Greene charts the process by which veteran narratives promote exception, violence, and autonomy, while also encouraging restraint, sacrifice, and collectivity. Revolutionary War veteran narratives offer no easy solutions to the appropriation of veterans' lives within military nationalism and sovereign violence. But by bringing forward the paradox inherent in the figure of the U.S. soldier, the genre invites considerations of how to reimagine those representations. Drawing attention to paradoxes presented by the memory of the American Revolution, The Soldier's Two Bodies locates the origins of a complicated history surrounding the representation of veterans in U.S. politics and culture.

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A Scrap in the Blessings Jar, a volume of new and selected poems by David Bottoms, captures the evolution of the poet's spiritual quest over the past fifty years. A native and longtime resident of Georgia, Bottoms draws inspiration from the American South, and his work examines themes related to family dynamics, the woods, animals, fishing, and music in an effort to, as he once told an interviewer, "reveal something about the hidden things of the world, the vague or shadowy relationships and connections that exist just below the surface of our daily lives." This book charts his progression from tightly wrought naturalistic narratives to works that reflect his shifting conception of the interplay between memory, the present, and the metaphysical. At heart, Bottoms remains a storyteller who employs figurative language to discover the extraordinary in the seemingly mundane, and whose poetry explores the depths of our existential condition and common humanity.

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With In the Shadow of Invisibility, Sterling Lecater Bland Jr. offers a long-overdue reconsideration of Ralph Ellison, examining the trajectory of his intellectual thought in relation to its resonances in twenty-first-century American culture. Bland charts Ellison's evolving attitudes on several central topics including democracy, race, identity, social community, place, and political expression. This compelling new exploration of Ellison's legacy stresses the perpetual need to reexamine the intersections of race, literature, and American culture, with particular attention to how the democratic principle has grown increasingly urgent in the nation's ongoing, and often contentious, conversations about race. Arguing that Ellison saw racial and social identity as being inseparable from the nation's past and its complicated history of racial anxiety, In the Shadow of Invisibility traces the growth and transformation of Ellison's ideas across his life and work, from his early apprentice writing that culminated in his groundbreaking first novel, Invisible Man, through the posthumous publication of his unfinished second novel, Three Days before the Shooting . . . Focused on his mythic vision of the promise of America, this book firmly situates Ellison in the sociopolitical environments from which his ideas arose, with close consideration of his published writings, including his influential essays on literature and jazz, as well as his working notes and correspondence. Bland foregrounds Ellison's thinking on the responsibilities of Black writers to examine democratic ideals, the legacies of slavery and Jim Crow, and the impacts of civil rights movements. Interweaving biography, history, and literary criticism, and drawing from extensive archival research, In the Shadow of Invisibility reveals the extent to which Ellison's work exposes the contradictions inherent in American culture, arguing anew for the importance and immediacy of his writings in the broader context of American intellectual thought.

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It's Father's Day 1972 and a young boy's dad takes him to visit a string of unimpressive ex-girlfriends that could have been his mother; the unconventional detective work of a koan-speaking, Kung Fu-loving uncle solves a case of arson during a pancake breakfast; and a former geology professor, recovering from addiction, finds himself sharing a taxicab with specters from a Jim Crow-era lynching. Set in and around the fictional town of Steepleburg, South Carolina, the loosely tied stories in George Singleton's Staff Picks place sympathetic, oddball characters in absurd, borderline surreal situations that slowly reveal the angst of southern history with humor and bite. In the tradition of Donald Barthelme, T. C. Boyle, Flannery O'Connor, and Raymond Carver, Singleton creates lingering, darkly comedic tales by drawing from those places where familiarity and alienation coexist. A remarkable and distinct effort from an acclaimed chronicler of the South, Staff Picks reaffirms Singleton's gift for crafting short story collections that both deliver individual gems and shine as a whole.

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Penelope Lemon is back for more madcap mom adventures in Inman Majors's hilariously unruly Operation Dimwit. It's summertime, and son Theo is away at camp. Feeling frisky, free, and tired of living vicariously through nighttime trysts with erotic novels, Penelope can begin phase two of her postdivorce life. First on the agenda is a date with the mysterious Fitzwilliam Darcy, who lives in a mansion with his snobbish cat, Algernon, and who spends his spare time painting massive nude portraits. Meanwhile, back at the trailer-park office, Penelope's boss, Missy, has become obsessed with getting rid of Dimwit, the backwoods interloper who may be stealing personal items from female residents. A sting operation to catch him in the act is planned, something so kooky and ill-advised that only a legendary goofball such as Missy could set it into motion. Throw in a bully trainer at Penelope's new gym, plus an infestation of skunks that requires the services of a wildlife expert and homespun mystic known as the Critter Catcher, and it becomes clear that Penelope's two weeks off from parenting won't be as relaxing and incident-free as she hoped. Building on the comedic hijinks of Penelope Lemon: Game On!, Operation Dimwit is a warmhearted look at the challenges of being a single working mom trying to stay afloat in the middle class after a divorce. Zany, stylish, and uproariously funny, this southern comedy will have readers laughing out loud at familiar absurdities of life in the twenty-first-century USA.

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Born in 1830, Christina Rossetti began composing verse at the age of eleven and continued to write for the remaining fifty-three years of her life. Her brother Dante Gabriel Rossetti, himself a poet and painter, soon recognised her genius and urged her to publish her poems. By the time of her death in 1894, Christina had written more than eleven hundred poems and had published over nine hundred of them. Although she is regarded as the greatest woman poet of the Victorian period, there has not been until now and authoritative edition of her poetry.In this second volume of the three-volume The Complete Poems of Christina Rossetti, R.W. Crump continues the editorial standards she established n Volume I, published in 1979. She gives the reader a comprehensive text with notes revealing Christina's process of composition and revision and her painstaking concern for the technical details of her work. The variant readings in the notes are taken from extant manuscripts, individual poems as published or privately printed before being incorporated into her published collections, and all the English and American editions of her poems through William Michael Rossetti's The Poetical Works of Christina Georgina Rossetti (1904). A special feature of both Volumes I and II is a complete list of holographs and their locations.Volume II contains Sing-Song: A Nursery Rhyme Book (1872), A Pageant and Other Poems (1881), and Verses (1893), as well as the poems added to these volumes after their original publication. Volume III contains poems Christina published but did not include in any of her collections as well as poems that have not previously appeared in print.

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In this companion to The Life of Johnny Reb, Bell Irvin Wiley explores the daily lives of the men in blue who fought to save the Union. With the help of many soldiers' letters and diaries, Wiley explains who these men were and why they fought, how they reacted to combat and the strain of prolonged conflict, and what they thought about the land and the people of Dixie. This fascinating social history reveals that while the Yanks and the Rebs fought for very different causes, the men on both sides were very much the same. ""This wonderfully interesting book is the finest memorial the Union soldier is ever likely to have.... [Wiley] has written about the Northern troops with an admirable objectivity, with sympathy and understanding and profound respect for their fighting abilities. He has also written about them with fabulous learning and considerable pace and humor.

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With an entirely new approach to poetry and the art of collage, Jessy Randall transforms diagrams, schematics, charts, graphs, and other visual documents from very old books into poems that speak to the absurdities, anxieties, and joys of life in this modern age.

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In 1951, a young Black woman, working as an overnight caretaker at a county-line beer joint in southwestern Mississippi, shot and killed a white intruder who was likely intending to assault her. Hattie Lee Barnes's killing of Lamar Craft threw the courts into a whirlwind of conflicting stories and murder attempts, illuminating the capriciousness of Mississippi justice, in which race, personal connections, and community expectations mattered a great deal.In Roadhouse Justice, Trent Brown examines the long-forgotten circumstances surrounding this case, revealing not only the details of Craft's death and the lengthy court proceedings that followed, but also the precarious nature of Black lives under the 1950s southern justice system. Told here in full for the first time, the story of Barnes's tribulations and ultimate victory demonstrates her intense determination and refusal to buckle under the enormous pressures she faced.

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Beads are one of the great New Orleans symbols, as much a signifier of the city as a pot of scarlet crawfish or a jazzman's trumpet. They are Louisiana's version of the Hawaiian lei, strung around tourists' and conventioneers' necks to demonstrate enthusiasm for the city. The first in a new LSU Press series exploring facets of Louisiana's iconic culture, Mardi Gras Beads delves into the history of this celebrated New Orleans artefact, explaining how Mardi Gras beads came to be in the first place and how they grew to have such an outsize presence in New Orleans celebrations.Beads are a big business based on valuelessness. Approximately 130 shipping containers, each filled with 40,000 pounds of Chinese-made beads and other baubles, arrive at New Orleans's biggest Mardi Gras throw importer each Carnival season. Beads are an unnatural part of the natural landscape, persistently dangling from the trees along parade routes like Spanish moss. They clutter the doorknobs of the city, sway behind its rearview mirrors, test the load-bearing strength of its attic rafters, and clog its all-important rainwater removal system.Mardi Gras Beads traces the history of these parade trinkets from their origins in Twelfth Night festivities through their ascent to the premier parade catchable by the Depression era. Veteran Mardi Gras reporter Doug MacCash explores the manufacture of Mardi Gras beads in places as far-flung as the Sudetenland, India, and Japan, and traces the shift away from glass beads to the modern, disposable plastic versions. Mardi Gras Beads concludes in the era of coronavirus, when parades (and therefore bead throwing) were temporarily suspended because of health concerns, and considers the future of biodegradable Mardi Gras beads in a city ever more threatened by the specter of climate change.

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What remained of the badly decomposed body of twelve ­-year ­-old Tina Marie Andrews was discovered underneath a discarded sofa in the woods outside of McComb, Mississippi, on August 23, 1969. Ten days earlier, Andrews and a friend had accepted a ride home after leaving the Tiger's Den, a local teenage hangout, but they were driven instead to the remote area where Andrews was eventually murdered. Although eyewitness testimony pointed to two local police officers, no one was ever convicted of this brutal crime, and to this day the case remains officially unsolved. Contemporary local newspaper coverage notwithstanding, the story of Andrews's murder has not been told. Indeed, many people in the McComb community still, more than fifty years later, hesitate to speak of the tragedy. Trent Brown's Murder in McComb is the first comprehensive examination of this case, the lengthy investigation into it, and the two extended trials that followed. Brown also explores the public shaming of the state's main witness, a fifteen-year-old unwed mother, and the subsequent desecration of Andrews's grave. Set against the uneasy backdrop of the civil rights movement, Brown's study deftly reconstructs various accounts of the murder, explains why the juries reached the verdicts they did, and explores the broader forces that shaped the community in which Andrews lived and died. Unlike so many other accounts of violence in the Jim Crow South, racial animus was not the driving force behind Andrews's murder; in fact, most of the individuals central to the case, from the sheriff to the judges to the victim, were white. Yet Andrews, as well as her friend Billie Jo Lambert, the state's key witness, were ""girls of ill repute,"" as one defense attorney put it. To many people in McComb, Tina and Billie Jo were ""trashy"" children whose circumstances reflected their families' low socioeconomic standing. In the end, Brown suggests that Tina Andrews had the great misfortune to be murdered in a town where the locals were overly eager to support law, order, and stability- instead of true justice- amid the tense and uncertain times during and after the civil rights movement.

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More Than This, like David Kirby's previous acclaimed collections, is shot through with the roadhouse fervor of early rock 'n' roll. Yet these rollicking poems also contain an oceanic feeling more akin to the great symphonies of Europe than the two-minute singles of Little Richard and other rock pioneers, as Kirby seeks to startle, to please, to unwind the knots that we get ourselves into and make it possible to being anew. Little goes unnoticed in these poems: death is present, along with love, friendship, food, religious ardor and philosophical skepticism, nights on the town and quiet evenings at home. With More Than This, his twelfth collection, Kirby takes readers back in time and out in space, offering quiet wisdom and a sense of the endless possibilities that art and life give us all.

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In these essays, Gary Fincke combines a journalist's relentless investigations into the darkest corners of the human condition with an academic's love for arcana. In one essay, almost forgotten homeopathic recipes from the pantries of Pennsylvania Dutch country are interwoven with the panicked absurdities of elementary school health classes in the 1960s. In another, old case files of small town murders intertwine with meditations on all the fears, large and small, that accompany parenting. In The Darkness Call, Fincke plumbs the depths- child abuse, violence, illness, grief- not for their sadness but for moments of courage, hope, empathy, and light.

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Exploring the Crescent City from the ground up, Richard Campanella takes us on a winding journey toward explaining the city's distinct urbanism and eccentricities. In Cityscapes of New Orleans, Campanella- a historical geographer and professor at Tulane University- reveals the why behind the where, delving into the historical and cultural forces that have shaped the spaces of New Orleans for over three centuries.For Campanella, every bewildering street grid and linguistic quirk has a story to tell about the landscape of Louisiana and the geography of its bestknown city. Cityscapes of New Orleans starts with an examination of neighborhoods, from the origins of faubourgs and wards to the impact of the slave trade on patterns of residence. Campanella explains how fragments of New Orleans streets continue to elude Google Maps and why humble Creole cottages sit alongside massive Greek Revival mansions. He considers the roles of modern urban planning, environmentalism, and preservation, all of which continue to influence the layout of the city and its suburbs. In the book's final section, Campanella explores the impact of natural disasters as well-known as Hurricane Katrina and as unfamiliar as ""Sauvé's Crevasse,"" an 1849 levee break that flooded over two hundred city blocks.Cityscapes of New Orleans offers a wealth of perspectives for uninitiated visitors and transplanted citizens still confounded by terms like ""neutral ground,"" as well as native-born New Orleanians trying to understand the Canal Street Sinkhole. Campanella shows us a vibrant metropolis with stories around every corner.

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In poems inspired by and sometimes borrowing their forms from the novena, a nine-day Catholic prayer addressing and seeking intercession from the Virgin Mary, Jacques Rancourt explores the complexities of faith, desire, beauty, and justice. Novena is a collection that invites prayer not to symbols of dogmatic perfection but to those who are outcast or maligned, LGBTQ people, people in prison, people who resist, people who suffer and whose suffering has not been redeemed. In Novena, the Virgin Mary is recast as a drag queen, religious icons are merged with those who are abolished, and spiritual isolation is scrutinised in a queer pastoral.

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In Stepdaughters of History, noted scholar Catherine Clinton reflects on the roles of women as historical actors within the field of Civil War studies and examines the ways in which historians have redefined female wartime participation. Clinton contends that despite the recent attention, white and black women's contributions remain shrouded in myth and sidelined in traditional historical narratives. Her work tackles some of these well-worn assumptions, dismantling prevailing attitudes that consign women to the footnotes of Civil War texts.Clinton highlights some of the debates, led by emerging and established Civil War scholars, which seek to demolish demeaning and limiting stereotypes of southern women as simpering belles, stoic Mammies, Rebel spitfires, or sultry spies. Such caricatures mask the more concrete and compelling struggles within the Confederacy, and in Clinton's telling, a far more balanced and vivid understanding of women's roles within the wartime South emerges. New historical evidence has given rise to fresh insights, including important revisionist literature on women's overt and covert participation in activities designed to challenge the rebellion and on white women's roles in reshaping the war's legacy in postwar narratives. Increasingly, Civil War scholarship integrates those women who defied gender conventions to assume men's roles, including those few who gained notoriety as spies, scouts, or soldiers during the war.As Clinton's work demonstrates, the larger questions of women's wartime contributions remain important correctives to our understanding of the war's impact. Through a fuller appreciation of the dynamics of sex and race, Stepdaughters of History promises a broader conversation in the twenty-first century, inviting readers to continue to confront the conundrums of the American Civil War.

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In the heart of Louisiana's Atchafalaya Basin, a letter sent from an isolated settlement, addressed to Hautes-Pyrénées, France, and marked undeliverable, shows up at the Bayou Chene post office. That same day locals find a dog, nearly dead and tethered to an empty skiff. Odd yet seemingly trivial, the arrival of a masterless dog and a returned letter triggers a series of events that will dramatically change the lives of three friends and affect all of the residents of Bayou Chene.Gwen Roland's debut novel, set in 1907 in a secluded part of Louisiana, follows young adults Loyce Snellgrove, her cousin Lafayette ""Fate"" Landry, and his friend Valzine Broussard as they navigate between revelations about the past and tensions in the present. Forces large and small -- the tragedies of the Civil War, the hardships of swamp life, family secrets, as well as unfailing humor -- create a prismatic depiction of Louisiana folklife at the turn of the twentieth century and provide a realistic setting for this enchanting drama.Roland anchors her work in historical fact and weaves a superb tale of vivid characters. In Postmark Bayou Chene, she uses the captivating voice that described the beauty and challenges of the swamp to legions of readers in her autobiographical Atchafalaya Houseboat. Her ear for dialogue and eye for detail bring the now-vanished community of Bayou Chene and the realities of love and loss on the river back to life in a well-crafted, bittersweet tribute.

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New Orleans is a city of many storied streets, but only one conjures up as much unbridled passion as it does fervent hatred, simultaneously polarizing the public while drawing millions of visitors a year. A fascinating investigation into the mile-long urban space that is Bourbon Street, Richard Campanella's comprehensive cultural history spans from the street's inception during the colonial period through three tumultuous centuries, arriving at the world-famous entertainment strip of today.Clearly written and carefully researched, Campanella's book interweaves world events- from the Louisiana Purchase to World War II to Hurricane Katrina- with local and national characters, ranging from presidents to showgirls, to explain how Bourbon Street became an intriguing and singular artifact, uniquely informative of both New Orleans's history and American society.While offering a captivating historical-geographical panorama of Bourbon Street, Campanella also presents a contemporary microview of the area, describing the population, architecture, and local economy, and shows how Bourbon Street operates on a typical night. The fate of these few blocks in the French Quarter is played out on a larger stage, however, as the internationally recognized brands that Bourbon Street merchants and the city of New Orleans strive to promote both clash with and complement each other.An epic narrative detailing the influence of politics, money, race, sex, organized crime, and tourism, Bourbon Street: A History ultimately demonstrates that one of the most well-known addresses in North America is more than the epicenter of Mardi Gras; it serves as a battleground for a fundamental dispute over cultural authenticity and commodification.

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Praise for David Kirby ""Kirby is exuberant, irrepressible, maniacal and remarkably entertaining.... Okay, let me just say it: he is a wonderful poet."" -- Steve Kowit, San Diego Union-Tribune""Kirby's voice and matter (teaching, literature, traveling, rock 'n' roll, everyday bozohood) are utterly personal and, despite all the laughter, ultimately moving."" -- Ray Olson, Booklist""[Kirby] is a poet who peels away the layers of our skin to show us who we are: our weaknesses, our strengths, and our hilarious obsessions."" -- Micah Zevin, New Pages""The world that Kirby takes into his imagination and the one that arises from it merge to become a creation like no other, something like the world we inhabit but funnier and more full of wonder and terror."" -- Philip Levine, Ploughshares""These poems may be too cool for words."" -- Carol Muske-Dukes, New York Times Book ReviewInspired by the carpenter's biscuit joint -- a seamless, undetectable fit between pieces of wood -- David Kirby's latest collection dramatizes the artistic mind as a hidden connection that links the mundane with the remarkable. Even in our most ordinary actions, Kirby shows, there lies a wealth of creative inspiration: ""the poem that is written every day if we're there / to read it.""Well known for his garrulous and comic musings, Kirby follows a wandering yet calculated path. In ""What's the Plan, Artists?"" a girl's yawning in a picture gallery leads him to meditations on subjects as diverse as musical composition, the less-than-beautiful human figure, and ""the simple pleasures / of living."" The Biscuit Joint traverses seemingly random thoughts so methodically that the journey from beginning to end always proves satisfying and surprising.

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Molly the pony waits. She waits in her stall. She waits during the storm. She waits for her owner to return.So begins the true story of a patient pony who is rescued from a south Louisiana barn after Hurricane Katrina and finds a new life on a farm with new animal friends. But Molly's tale of courage does not end here.When a dog on the farm attacks Molly, her front leg is badly injured. For a pony, a damaged leg is life threatening. To the amazement of veterinarians, though, Molly rises to her new challenge. She undergoes a rare surgery for horses: amputation of her front leg. Now fitted with a prosthetic limb, Molly relearns how to walk and embarks again on a new mission in life: making new people friends.This plucky pony's story of survival and friendship will win the hearts of readers young and old. All who have had to start over after displacement, abandonment, injury, or amputation will find a friend in Molly as they follow her story of bringing a smile to everyone she meets.

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Offers the first comprehensive general history of the artillery arm that supported infantry and cavalry in the American Civil War. Based on expansive research, yhis book serves as an exhaustive examination with abundant new interpretations that reenvision the Civil War’s military.

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Takes readers on the bold journey of Jake Gold's flight within an epic sweep of treachery and family rivalry ranging from the Civil War to the civil rights era, as the impact of the 1893 murders ripples through the twentieth century and violence besets the owners of Cottoncrest into the 1960s.

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In Speed, Safety, and Comfort: The Origins of Delta Air Lines, former Delta Boeing 767 captain and aviation historian James John Hoogerwerf traces the evolution and growth of one of America's most successful airlines. Delta's story began during the early twentieth century with the fight against the cotton-devouring boll weevil, which devastated the southern economy and compelled scientists to formulate calcium arsenate powder to eradicate the invasive pest. To aid in the elimination effort, Huff Daland Company, a military aircraft manufacturer, constructed the first plane specifically designed to dispense the poison from the air. Crop dusting proved so effective, Huff Daland Dusters, the world's first crop-dusting company, rebranded as Delta Air Service in 1928 to focus more on providing commercial services, including the transport of passengers and air mail. The following year Delta began flying its first passengers from Monroe, Louisiana, eventually establishing routes across the southeastern United States. By the eve of World War II, the firm had assumed the familiar Delta Air Lines name and boasted forward-thinking management, a modern fleet of aircraft, and increased revenue from passenger ticket sales.Now headquartered in Atlanta, Delta counts itself among the oldest and largest airlines in the world, with nearly 90,000 employees and more than 5,400 flights per day. Delta's expansion and survival are anomalies in an industry historically dominated by government and special interests. Hoogerwerf's masterful history of Delta's beginnings underscores the company's contribution to agriculture, southern industrialization, and the development of commercial aviation in the United States.

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Joseph Arthur Simon's The Greatest of All Leathernecks is the first comprehensive biography of John Archer Lejeune (1867- 1942), a Louisiana native and the most innovative and influential leader of the United States Marine Corps in the twentieth century. As commandant of the Marine Corps from 1920 to 1929, Lejeune reorganized, revitalized, and modernized the force by developing its new and permanent mission of amphibious assault. Before that transformation, the corps was a constabulary infantry force used mainly to protect American business interests in the Caribbean, a mission that did not place it as a significant contributor to the United States defense establishment. The son of a plantation owner from Pointe Coupee Parish, Lejeune enrolled at Louisiana State University in 1881, aged fourteen. Three years later, he entered the U.S. Naval Academy, afterward serving for two years at sea as a midshipman. In 1890, he transferred to the Marines, where he ascended quickly in rank. During the Spanish-American War, Lejeune commanded and landed Marines at San Juan, Puerto Rico, to rescue American sympathizers who had been attacked by Spanish troops. A few years later, he arrived with a battalion of Marines at the Isthmus of Panama- part of Colombia at the time- securing it for Panama and making possible the construction of the Panama Canal by the United States. He went on to lead Marine expeditions to Cuba and Veracruz, Mexico. During World War I, Lejeune was promoted to major general and given command of an entire U.S. Army division. After the war, Lejeune became commandant of the Marine Corps, a role he used to develop its new mission of amphibious assault, transforming the corps from an ancillary component of the U.S. military into a vibrant and essential branch. He also created the Marine Corps Reserve, oversaw the corps's initial use of aviation, and founded the Marine Corps Schools, the intellectual planning center of the corps that currently exists as the Marine Corps University. As Simon masterfully illustrates, the mission and value of the corps today spring largely from the efforts and vision of Lejeune.

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For three days in 1972 in Gary, Indiana, eight thousand American civil rights activists and Black Power leaders gathered at the National Black Political Convention, hoping to end a years-long feud that divided black America into two distinct camps: integrationists and separatists. While some form of this rift existed within black politics long before the 1968 assassination of Dr. Martin Luther King, Jr., his death- and the power vacuum it created- heightened tensions between the two groups, and convention leaders sought to merge these competing ideologies into a national, unified call to action. What followed, however, effectively crippled the Black Power movement and fundamentally altered the political strategy of civil rights proponents. An intense and revealing history, Leonard N. Moore's The Defeat of Black Power provides the first in-depth evaluation of this critical moment in American history.During the brief but highly charged meeting in March 1972, attendees confronted central questions surrounding black people's involvement in the established political system: reject or accept integration and assimilation; determine the importance or futility of working within the broader white system; and assess the perceived benefits of running for public office. These issues illuminated key differences between integrationists and separatists, yet both sides understood the need to mobilize under a unified platform of black self-determination. At the end of the convention, determined to reach a consensus, officials produced ""The National Black Political Agenda,"" which addressed the black constituency's priorities. While attendees and delegates agreed with nearly every provision, integrationists maintained their rejection of certain planks, namely the call for a U.S. constitutional convention and separatists' demands for reparations. As a result, black activists and legislators withdrew their support less than ten weeks after the convention, dashing the promise of the 1972 assembly and undermining the prerogatives of black nationalists. In The Defeat of Black Power, Moore shows how the convention signaled a turning point for the Black Power movement, whose leaders did not hold elective office and were now effectively barred access to the levers of social and political power. Thereafter, their influence within black communities rapidly declined, leaving civil rights activists and elected officials holding the mantle of black political leadership in 1972 and beyond.

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In an era during which the United States Supreme Court handed down some of its most important decisions, including Brown v. Board of Education (1954), Baker v. Carr (1962), and Miranda v. Arizona (1966), three senators from South Carolina- Olin Johnston, Strom Thurmond, and Ernest ""Fritz"" Hollings- waged war on the court's progressive agenda by targeting the federal judicial nominations process. To Face Down Dixie explores these senators' role in some of the most contentious confirmation battles in recent history, including those of Thurgood Marshall, Abe Fortas, and Clement Haynsworth.In scrutinizing Supreme Court nominees and attempting to restrict the power of the nine justices of the court, these senators defied not only the leadership of the Democratic Party but also the Senate traditions of hierarchy and seniority. Along with South Carolina's conservative, segregationist political establishment, which maintained ironclad control over the state's legislature, Johnston, Thurmond, and Hollings effectively drowned out the many moderate voices in South Carolina that remained critical of their obstructionism, thus advancing their own conservative credentials and boosting their chances of reelection.To Face Down Dixie examines for the first time the central role that South Carolina played in turning Supreme Court nomination hearings into confrontational and political public events. James O. Heath argues that the state's war on the court concealed its antipathy to civil rights by using the confirmation process to challenge the court's function as the final arbiter of policy on questions relating to law and order, obscenity, communist subversion, and school prayer. Heath's study illustrates that while South Carolina's history of ""massive resistance"" is less prominent than that of other states, its politicians acted as persistent antagonists in the complex and dramatic debates in the U.S. Senate during the era of civil rights.

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