Search results for ""author davida"

A gardener’s pandemic journal that combines memoir with an exploration of the natural world both inside and outside the garden. In March 2020, Margot Anne Kelley was watching seeds germinate in her greenhouse. At high risk from illness, the planning, planting, and tending to seedlings took on extra significance. She set out to make her pandemic garden thrive but also to better understand the very nature of seeds and viruses. As seeds became seedlings, became plants, became food, Kelley looks back over the last few millennia as successions of pandemics altered human beings and global culture. Seeds and viruses serve as springboards for wide-ranging reflections, such as their shared need for someone to transport them, the centrality of movement to being alive, and the domestication of plants as an act of becoming co-dependent. Pandemic viruses only occurred through humankind’s settling down, taking up agriculture, and givin

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In the desegregation era of the 1970s, a first grader copes with being bused to a white school in this story for young children about racism and an essential time of change. “One of the Ten Best Books of the Year,” The New York Times.Brewster is excited about starting first grade . . . until Mama announces that he'll be attending Central, a school in the white part of town. Mama says they have art and music and a library bursting with books, but Brewster isn’t so sure he’ll fit in.And he’s right. Being black at a white school isn't easy. Brewster winds up spending his first day in detention at the library. But there he meets a very special person: Miss O’Grady. The librarian sees into Brewster’s heart and gives him not only the gift of books but also encourages Brewster to believe in himself.This is an invaluable, unique, view into a tumultous time and the good that came into the lives of school children.

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Catie Copley en voyage á Québec Catie Copley est un labrador retriever noir qui mène une vie exceptionnelle en tant qu’Ambassadrice canine au Fairmont Copley Plaza à Boston. Son travail consiste à accueillir les clients, les faire sentir comme à la maison et aider Jim dans son travail de Chef Concierge de l’hôtel. Santol, qui fût entraîné comme chien-guide, tout comme Catie, est son homologue au Fairmont Le Château Frontenac dans la ville de Québec, Canada. Catie est une chienne très distinguée et bien élevée. Elle est surprise le jour où une grosse bête noire et blanche poilue vient la saluer, lui vole son jouet en forme de homard et s’enfuit. Au début, elle est réticente, mais lorsqu’elle apprend à connaître l’exubérant Santol, ils deviennent vite de très bons amis. Elle est triste lorsque son nouvel ami doit repartir chez lui au Canada. Cependant, lorsque Jim lui oVre de l’amener en vacances – à Québec ! – elle est très excitée. Ce sont ses premières vacances et c’est aussi la première fois qu’elle est laissée seule avec des inconnus, dans une ville étrange où on parle une langue diVérente. Santol lui présente des chèvres et des chevaux et lui fait découvrir des odeurs et des aliments intéressants. Catie trouve qu’il y a plein d’occasions pour l’aventure . . . peut-être même un peu trop.

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The liberating power of anger has rarely felt so good and healing as in this complete collection of a landmark in feminist poetry.“She digs her teeth into the slaveries of woman, she cries them aloud with such fulminating energy that the chains begin to melt of themselves. Reaching into the hive of her angers, she plucks out images of fear and delight that are transparent yet loaded with the darknesses of life. Diane Wakoski is an important and moving poet.”—The New York TimesIn 1971, Diane Wakoski published The Motorcycle Betrayal Poems to tremendous acclaim. In the decades that followed, she wrote additional “betrayal” poems, which are now collected here in one volume for the first time. Relevant, moving—at times shocking—it is Wakoski’s honesty and bravery as an artist that continues to astonish, delight, inspire, and liberate readers.Wakoski responds to betrayal in a variety of ways including fantasies such as drilling bullet holes into the bodies of unfaithful lovers. But even her anger can be winking, as in the book’s sly dedication to “all those men who betrayed me at one time or another, in hopes they will fall off their motorcycles and break their necks.” There is joy here because it is self-knowledge that the writer seeks, as in the collection’s title poem: So some white wolves and I will sing on your grave, old man and dance for the joy of your death. “Is this an angry statement?” “No, it is a statement of joy.” “Will the sun shine again?” “Yes, yes, yes,” because I’m going to dance dance danceDiane Wakoski’s art as a confessional, storytelling poet has rarely been equaled. Her revelations become shared emotional truth with readers. The collection’s new introduction by poet and Green Mountains Review editor Elizabeth A. I. Powell gives context to the long wake of Wakoski’s inspiring influence on generations of readers. Dancing on the Grave of a Son of a Bitch is for anyone who ever lost a love and wishes to embrace the freedom, rather than the pain, it can bring.

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A journey through both family history and the fascinating and quintessentially American history of New England’s Merrimack Valley, its farmers, and the immigrant workers caught up in the industrial textile age. After years of living away, Jane Brox made the decision to return to the family farm of her birth, where her aging father still tended the crops. Brox twines two narratives, personal and historic, as she captures the cadences of farm life and those who sustain it, at a time when the viability of both are waning. Amid the turmoil after her father’s death, Brox begins a search for her family’s story. As Brox explores, she also reflects on the place of the family farm as it evolved from the Pilgrims’ brutal progress at Plymouth to the modern world, where much of our food is produced by industrial agriculture while the family farm is both marginalized and romanticized. In the Merrimack Valley brings togeth

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“Writing with tenderness and understated humor, Wisnewski portrays disabilities as a simple fact of life—the obstacles that Trio surmounts are less about physical limitation than about learning how to use his body to get where he wants to be.”—Publishers WeeklyOne of the Best Children’s Picture Books of the Year—Kirkus ReviewsMeet Trio, the runt of the litter, born with only three legs, but very much the little cat that could. He lives his life as any other kitten would: pouncing, sneaking, and jumping like any other feline. Trio especially loves playing with the eleven chickens that share the garage and garden, and he is game to try all their activities: digging up bugs, rolling in the dust, and even caring for eggs. The latter requires real effort, especially making it up into the nesting box, but once he figures it out he returns to it faithfully every day. And his persistence pays off. One day, an egg starts hatching beneath him. Little does he know, the chick that pops out will be his best friend.This is a story about diversity, overcoming obstacles, and acceptance. It is a story children will love—and a natural conversation starter with your child about differences.

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An alphabet book that celebrates the birth of the United States of America. Wendell Minor’s bright illustrations and expressive prose introduce young readers to the rich history behind the colonies and Revolutionary Era.A is for “Acts,” the British tax that incited unrest amongst American patriots. Z is for “Zane,” the daughter of Patriot Colonel Zane, Elizabeth, who saves the day by delivering more gunpowder for the deprived troops at Fort Henry. In between, Paul Revere, Mohawk Chief Joseph Brant, the Boston Tea Party, and the Liberty Bell, and many more people, places, and events of the young America grace these pages. A chronological timeline at the end puts all the events in order.

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A child’s art comes to life and takes him on an out-of-this-world adventure. In this bewitchingly wordless black-and-white picture book, one young child explores the boundless reaches of his imagination. Armed only with a pencil and a pad of paper, he transports himself to the moon, the deep sea, and remote jungles where he meets new friends, visits undiscovered words, and makes his way back home again to his own bed before dawn. Damon Lehrer's visual narrative, a penciled mix of line work and detailed graphite drawings, will appeal to readers of all ages who are invited to help tell the story.

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Drop friends a note with these Cape Cod notecards—featuring the photography of Don Krohn. The outside of each card features one of six different photographs (each duplicated once for a total of 12 cards with matching envelopes) that have captured the Cape during summer, its most cherished season. The inside of each card is blank—ready for your message.

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Twelve iconoclastic and eye-opening essays on life and culture.

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Screams from the Balcony is a collection of letters chronicling Charles Bukowski's life as he tries to get published and work at a postal office, all while drinking and gambling.

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Novelist Robert Olmstead journeys back to his youth on his grandfather’s New Hampshire dairy farm to confront the ghosts that continue to afflict him in this coming-of-age memoir. Robert Olmstead has peopled his fiction with the rough-hewn farmers, loggers, and hired hands of rural New England mountain towns where getting drunk, getting into fights, and getting thrown out of bars are the normal rites of passage. In Stay Here with Me, Olmstead lays bare the acute pain of his father’s alcoholism and the decline of his grandfather, the family patriarch. With delicate sensuality, he also traces the flowering of his first love for a woman who “walks like light would walk if it could.” Authentic, intimate, and intense, Stay Here with Me is about growing up and leaving home and about the acts of rebellion that free the body even as they bind the soul to a place forever. This Nonpa

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The complete guide to achieving classical type and book design with a keyboard and screen.How do we absorb the lessons of the printing tradition’s hot metal past and bring them to the digital era? Distinguished designer Mark Argetsinger guides the reader through every aspect of modern book design and production — from the choosing the proper typeface and leading of type to the choice of paper and specifications for binding. Chapters include “The Classical Tradition,“ “A Short History of Typographical Variations,“ “Desktop Publishing,“ “Composition,“ and “OpenType Fonts and Font Editing.“Illustrated with over 425 images and diagrams, many in color, Argetsinger discusses and delineates typography as a discipline, situating it among other art forms. Two appendices cover the history of cast-type ornaments and of Greek typography. Throughout there is special reference to the historical printers’ grammars—from Moxon to De Vinne—that serve as a present-day apprenticeship in the traditions of classical typography. Whether a novice or an expert, readers will gain a deeper appreciation for text, and all its rules of form, that can make words on a page a joy to the eye.

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