Search results for ""author arthur"

In 1940, every draft of every film script had to be approved by the Ministry of Information. Cast and crew were waiting to be called up at any moment, travel was restricted and filming was interrupted by regular bombing raids. And so it is that we find a disparate group of characters whose paths would never have crossed in peacetime: Ambrose Hilliard, a washed up old ham from the golden era of silent movies; Catrin Cole, formerly an advertising copywriter drafted in to 'write women' for the Ministry of Information; Edith Beadmore, a wardrobe assistant at Madame Tussauds; and Arthur Frith, peacetime catering manager turned wartime Special Military Advisor. This distinct group find themselves thrown together in the wilds of Norfolk to 'do their bit' on the latest propaganda film - a heart-warming tale of derring do, of two sisters who set out in a leaking old wooden boat to rescue the brave men trapped at Dunkirk. All completely fabricated, of course, but what does that matter when the nation's morale is at stake? Newly crowned actor, script-writer, costumier and military attaché must swallow their mutual distaste, ill-will and mistrust and unite for the common good, for King and country, and - in one case - for better or worse...

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The story of the making of the New Testament is one in which scrolls bumped across cobbled Roman roads and pitched through rolling Mediterranean seas, finally finding their destinations in stuffy, dimly lit Christian house churches in Corinth or Colossae. There they were read aloud and reread, handled and copied, forwarded and collected, studied and treasured. And eventually they were brought together to make up our New Testament. This revised and expanded edition of The Making of the New Testament is a textbook introduction to the origin, collection, copying and canonizing of the New Testament documents. Like shrewd detectives reading subtle whispers of evidence, biblical scholars have studied the trail of clues and pieced together the story of these books. Arthur Patzia tells the story, answering our many questions: * How were books and documents produced in the first century? * What motivated the early Christians to commit teaching and narrative and vision to papyrus? * How were the stories and sayings of Jesus circulated, handed down and shaped into Gospels? * What do we know about ancient letter writing, secretaries and â€~copy shops’? * Why were four Gospels included instead of just one? * How were Paul's letters, sent here and there, gathered into a single collection? * Who decided - and by what criteria - which documents would be included in the New Testament? Explore these questions and more about these Scriptures whose everyday, gritty story rings true to their extraordinary message: the palpable mystery of the Word made flesh.

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George III described Sheffield as a 'damned bad place' at a time when the town was notorious for radical agitation. This book traces this radical tradition right up to the 1980s, when David Blunkett's Socialist Republic of South Yorkshire fought Mrs Thatcher. The book tells of dramatic events - the burning of the vicar's Broomhall residence, Samual Holberry's attempted Chartist uprising, the 'Sheffield outrages' of the 1860s, John Ruskin's Communist experiment in Totley, the Sheffield mass trespass and the raising of the red flag over the town hall in 1981. There are colourful personalities, such as Joseph Gales, a brilliant newspaper editor who fled fo Maerica; Mary Anne Rawson, an impassioned anti-slavery campaigner; John Arthur Roebuck, a radical MP who brought down the government; Edward Carpenter, a socialist prophet and gay pioneer; Father Ommanney, whose ritualism outraged Protestants, J.T. Murphy, who fraternised with Lenin and Staline; and Ethel Haythornthwaite, who fough to save the countryside. The book is valuable historically in describing the important part played in Britain's radical history by his great Northern city, with its dissenting middle classes, its independent-minded artisans, its championship of the weak against the strong and its unwillingness to be pushed around.

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Postcolonialism Revisited is a ground-breaking book, the first to explore and analyse Anglophone Welsh writing, both literary and otherwise, in the context of contemporary thinking about colonial and post-colonial cultures. Kirsti Bohata considers how far the paradigms of postcolonial theory may be usefully adopted and adapted to provide an illuminating exploration of Welsh writing in English, while simultaneously considering the challenges that such writing might offer to the field of postcolonial theory. In addition to dealing with a range of theorists in the field, including Frantz Fanon, Albert Memmi, Charlotte Williams and Homi Bhabha, the book looks at how Wales has been constructed as a colonized nation in nineteenth- and twentieth-century writing. Themed chapters include the treatment of place in English- and Welsh-language writing of the 1950s and 1960s; hybridity and assimilation; the position of the Welsh as 'outsiders inside'; the women's movement in Wales during the fin de siecle; and postcolonial understanding of linguistic power struggles. A variety of forgotten writers have been unearthed in this study and are considered alongside more famous names such as R. Thomas, Margiad Evans, Arthur Machen, Christopher Meredith and Rhys Davies. Written in an accessible style, Postcolonialism Revisited will be required reading for those involved in the study of Welsh writing in English.

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Oasis’s incendiary 1994 debut album Definitely Maybe managed to summarize almost the entire history of post-fifties guitar music from Chuck Berry to My Bloody Valentine in a way that seemed effortless. But this remarkable album was also a social document that came closer to narrating the collective hopes and dreams of a people than any other record of the last quarter century. In a Britain that had just undergone the most damaging period of social upheaval in a century under the Thatcher government, Noel Gallagher ventriloquized slogans of burning communitarian optimism through the mouth of his brother Liam and the playing of the other Oasis ‘everymen’: Paul McGuigan, Paul Arthurs and Tony McCarroll. On Definitely Maybe, Oasis communicated a timeworn message of idealism and hope against the odds, but one that had special resonance in a society where the widening gap between high and low demanded a newly superhuman kind of leaping. Alex Niven charts the astonishing rise of Oasis in the mid 1990s and celebrates the life-affirming, communal force of songs such as “Live Forever,” “Supersonic,” and “Cigarettes & Alcohol.” In doing so, he seeks to reposition Oasis in relation to their Britpop peers and explore one of the most controversial pop-cultural narratives of the last thirty years.

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The Welsh kings and queens who ruled prior to the Norman Conquest of Wales are shrouded in mystery. Most of what we know is from legend, names in annals, and from their opponents. This book sets out to identify what we know or can reasonably surmise about these rulers, to disentangle their history, and to assess their achievements. The Welsh ruled over large areas of Britain in the pre- and post- Roman eras, before they were pushed back into Wales itself by the Anglo-Saxons. Caratacus and Boudicca are names that stand out from early tribal states, and medieval Welsh legends refer to shadowy ‘High Kings’ who ruled after the Romans left – Vortigern, Ambrosius, and, of course, the enigmatic ‘Arthur’. Venning explores these mysterious figures before discussing the kings and queens of each area of what we now know as Wales – the north, the centre and south-west, and the south-east – as well as the short-lived Welsh states in the rest of Britain. The thirteenth-century unifiers of Wales, Llywelyn ‘Fawr’ and his grandson Llywelyn ‘the Last’, were contemporaries of great nation-builders in England, Scotland, and France, but their political achievements did not last. The precarious Welsh state was permanently overrun by the English war machine.

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An extensive review of the great range of contemporary New York photographers and their widely diverse, surprisingly divergent, images. It presents their subject matter and etheir very definitions of photography, darkroom and digital. Their photographs have been seen in publications, galleries, and museums. Included are such iconic figures as Annie Liebovitz, Jay Maisel, Amy Arbus, Hugh Bell, Arnold Crane, Bruce Davidson, Carrie Mae Weems, Elliott Erwitt, Helen Levitt, David Gahr, Lee Friedlander, Arthur Leipzig, Builder Levy, Duane Michals, Joel Meyerowitz, Jamel Shabazz, John Loengard, Tony Vaccaro, Mary Ellen Mark, Pete Turner, Burke Uzzle, Deborah Willis, and others, as well as many less familiar but no less brilliant photographers. The works span over 50 years, from Rebecca Lepkoff’s 1937 Lower East Side outside fishmarket, to Gilles Peress’s 2008 Rwanda genocide victim. Beside powerful social and political commentary, there are well-known and unfamiliar personalities, land- and city-scapes, fashion, sports, dance, food, botanical, animal and other subjects. You will find experimental and strong digital images as well as classic film techniques.

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An entertaining and engrossing collection of British customs, superstitions and legends from past and present. Did you know, in Cumbria it was believed a person lying on a pillow stuffed with pigeon’s feathers could not die? Or that green is an unlucky colour for wedding dresses? In Scotland it was thought you could ward off fairies by hanging your trousers from the foot of the bed, and in Gloucestershire you could cure warts by cutting notches in the bark of an ash tree. You’ve heard about King Arthur and St George, but how about the Green Man, a vegetative deity who is seen to symbolise death and rebirth? Or Black Shuck, the giant ghostly dog who was reputed to roam East Anglia? In this beautifully illustrated book, Dee Dee Chainey tells tales of mountains and rivers, pixies and fairy folk, and witches and alchemy. She explores how British culture has been shaped by the tales passed between generations, and by the land that we live on. As well as looking at the history of this subject, this book lists the places you can go to see folklore alive and well today. The Whittlesea Straw Bear Festival in Cambridgeshire or the Abbots Bromley Horn Dance in Staffordshire for example, or wassailing cider orchards in Somerset.

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This is a memoiristic book and a dual portrait, built around intense friendships with two leading public intellectuals who achieved celebrity status—Susan Sontag on a global scale, George Steiner principally in Europe, though also for a time in the US. For audiences at Woody Allen movies Sontag was the prime embodiment of the term “intellectual,” whose famous 1965 essay “Notes on Camp” won her an enormous following. For viewers of French, German and British television over decades Steiner was the primary interview show talking head, igniting controversy on many fronts, while also commanding a loyal audience for thirty years as a book critic at The New Yorker. To know Sontag and Steiner, as this memoir suggests, was often to feel overmatched and yet also bemused and awe-struck. Both of them gave off an air of omniscience and self-confidence, as if they had taken to heart the words of the Nobel laureate Elias Canetti, who wrote, “I cannot become modest; too many things burn in me.”Maestros & Monsters is the work of a well-known public intellectual who was close to Sontag and Steiner over a half century, and who managed to bring them together on several occasions—the only times they ever met. Those encounters are among the most bizarre episodes in this narrative, which also features extended encounters with such literary figures as Arthur Koestler, Edward Said, Phillip Rieff, James Wood and others.

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In What's Left of the Left, distinguished scholars of European and U.S. politics consider how center-left political parties have fared since the 1970s. They explore the left's responses to the end of the postwar economic boom, the collapse of the Soviet Union, the erosion of traditional party politics, the expansion of market globalization, and the shift to a knowledge-based economy. Their comparative studies of center-left politics in Scandinavia, France, Germany, southern Europe, post-Cold War Central and Eastern Europe, the United Kingdom, and the United States emphasize differences in the goals of left political parties and in the political, economic, and demographic contexts in which they operate. The contributors identify and investigate the more successful center-left initiatives, scrutinizing how some conditions facilitated them, while others blocked their emergence or limited their efficacy. In the contemporary era of slow growth, tight budgets, and rapid technological change, the center-left faces pressing policy concerns, including immigration, the growing population of the working poor, and the fate of the European Union. This collection suggests that such matters present the left with daunting but by no means insurmountable challenges. Contributors Sheri Berman James Cronin Jean-Michel de Waele Arthur Goldhammer Christopher Howard Jane Jenson Gerassimos Moschonas Sofia Perez Jonas Pontusson George Ross James Shoch Sorina Soare Ruy Teixeira

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Happiness: as elusive as a working inkjet printer, and as slippery as an eel covered in baby oil. When we chase happiness, it runs away like a cat when you're trying to give it a bath, but the world of pop psychology is filled with competing advice that either claims it can help you catch it or warns you not to seek it out at all. Comedian Ariane Sherine is determined to help us find the true path to happiness, and public health expert David Conrad has the key: 50 well-selected research studies that show you exactly what to do to find happiness in your relationships, your friendships, your finances, your sex life and your career. Using wide-ranging evidence from around the world, Conrad and Sherine show us the true science behind what makes people happy and outline the simple, practical steps we can take to attain this too. This book has all the facts, stats and entertainment you could ever need to live a blissfully content life. And celebrities weigh in with their own versions of happiness too, so you'll find contributions from Derren Brown, Stewart Lee, Jeremy Vine, Rosie Holt, Femi Oluwole, Robin Ince, Sanjeev Kohli, Bec Hill, Arthur Smith and many more.

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The Farm as Natural Habitat is a vital new contribution to the debate about agriculture and its impacts on the land. Arising from the conviction that the agricultural landscape as a whole could be restored to a healthy diversity, the book challenges the notion that the dominant agricultural landscape - bereft of its original vegetation and wildlife and despoiled by chemical runoff - is inevitable if we are to feed ourselves. Contributors bring together insights and practices from the fields of conservation biology, sustainable agriculture, and environmental restoration to link agriculture and biodiversity, farming and nature, in celebrating a unique alternative to conventlonal agriculture. Rejecting the idea that "ecological sacrifice zones" are a necessary part of feeding a hungry world, the book offers compelling examples of an alternative agriculture that can produce not only healthful food, but fully functioning ecosystems and abundant populations of native species. Contributors include Collin Bode, George Boody, Brian DeVore, Arthur (Tex) Hawkins, Buddy Huffaker, Rhonda Janke, Richard Jefferson, Nick Jordan, Cheryl Miller, Heather Robertson, Carol Shennan, Judith Soule, Beth Waterhouse, and others. The Farm as Natural Habitat is both hopeful and visionary, grounded in real examples, and guided by a commitment to healthy land and thriving communities. It is the first book to offer a viable approach to addressing the challenges of protecting and restoring blodiversity on private agricultural land and is essential reading for anyone concerned with issues of land or blodiversity conservation, farming and agriculture, ecological restoration, or the health of rural communities and landscapes.

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From the most trusted name in travel, Frommer’s Yosemite & Neighboring Parks is a savvy, easily carryable, completely up-to-date guide to one of the United States' most storied vacation destinations. With helpful advice and honest recommendations, the book covers these parks iconic attractions, plus their hidden gems. This guide contains: Insider advice on the best ways to experience some of the country's most dazzling natural landscapes, including tips on the best views, the best backcountry trails, the best scenic drives, and the best activities outside of the parks Insightful commentary on park landmarks and specific trails Detailed practical information, including tips on safety, advice for beginning backpackers, and when and where to go to avoid crowds Opinionated write-ups of hotels, campgrounds, and restaurants―no bland descriptions or lukewarm recommendations here Exact prices listed for every establishment and activity, so there's no guessing or nasty surprises Helpful maps throughout About Frommer's: There’s a reason Frommer’s has been the most trusted name in travel for more than 60 years. Arthur Frommer created the best-selling guide series in 1957 to help American servicemen fulfill their dreams of travel in Europe, and since then, we have published thousands of titles, become a household name, and helped millions upon millions of people realize their own dreams of seeing our planet. Travel is easy with Frommer’s.

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"A riveting tale told through personal accounts and sketches along the way - ultimately, a story of success against great odds. I enjoyed it enormously." - Tom Brokaw The Ghost Army of World War II is the first book to tell the full story of how a traveling road show of artists wielding imagination, paint, and bravado saved thousands of American lives - now updated with new material. In the summer of 1944, a handpicked group of young GIs - including such future luminaries such as Bill Blass, Ellsworth Kelly, Arthur Singer, Victor Dowd, Art Kane, and Jack Masey - landed in France to conduct a secret mission. From Normandy to the Rhine, the 1,100 men of the 23rd Headquarters Special Troops, known as the Ghost Army, conjured up phony convoys, phantom divisions, and make-believe headquarters to fool the enemy about the strength and location of American units. Every move they made was top secret and their story was hushed up for decades after the war's end. Hundreds of color and black-and-white photographs illuminate how their creations supported the war tactics that helped open the way for the final drive to Germany. The stunning art created between missions offers a glimpse of life behind the lines during World War II. Collectors of World War II books will find The Ghost Army of World War II an essential addition to their library.

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"We owe you our lives, Sergeant, but you are our worst nightmare . . ."Burma, 1852. Sergeant Arthur Bowman, a sergeant in the East India Company, is sent on a secret mission during the Second Anglo-Burmese War. But the expedition is foiled - his men are captured and tortured. Throughout their ordeal, a single word becomes Bowman's mantra, a word that will stiffen their powers of endurance in the face of unimaginable suffering: "Survival". But for all that, only a handful escape with their lives.Some years later in London, battling his ghosts through a haze of alcohol and opium, Bowman discovers a mutilated corpse in a sewer. The victim appears to have been subjected to the same torments as Bowman endured in the Burmese jungle. And the word "Survival" has been daubed in blood by the body's side. Persuaded that the culprit is one of the men who shared his captivity, Bowman resolves to hunt him down.From the Burmese jungle to the slums of London to the conquest of the Wild West, Antonin Varenne takes us on a thrilling journey full of sound and unabated fury, reviving the lapsed tradition of the great writers of boundless adventure. Sergeant Bowman belongs to that breed of heroes who inhabit the imaginations of Conrad, Kipling, Stevenson . . . Lost soldiers who have plunged into the heart of darkness and will cross the globe in search of vengeance and redemption.Translated from the French by Sam Taylor

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This book traces the history of Vaticanism from 1864 to 1869. The sources of the information contained in this work are, 1. Official documents; 2. Histories having the sanction of the Pope or of bishops; 3. Scholastic works of the present pontificate, and of recognized authority; 4. Periodicals and journals, avowed organs of the Vatican or of its policy, with books and pamphlets by bishops and other Ultramontane writers; 5. The writings of Liberal Catholics.

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Citizens are political simpletons--that is only a modest exaggeration of a common characterization of voters. Certainly, there is no shortage of evidence of citizens' limited political knowledge, even about matters of the highest importance, along with inconsistencies in their thinking, some glaring by any standard. But this picture of citizens all too often approaches caricature. Paul Sniderman and Benjamin Highton bring together leading political scientists who offer new insights into the political thinking of the public, the causes of party polarization, the motivations for political participation, and the paradoxical relationship between turnout and democratic representation. These studies propel a foundational argument about democracy. Voters can only do as well as the alternatives on offer. These alternatives are constrained by third players, in particular activists, interest groups, and financial contributors. The result: voters often appear to be shortsighted, extreme, and inconsistent because the alternatives they must choose between are shortsighted, extreme, and inconsistent. Facing the Challenge of Democracy features contributions by John Aldrich, Stephen Ansolabehere, Edward Carmines, Jack Citrin, Susanna Dilliplane, Christopher Ellis, Michael Ensley, Melanie Freeze, Donald Green, Eitan Hersh, Simon Jackman, Gary Jacobson, Matthew Knee, Jonathan Krasno, Arthur Lupia, David Magleby, Eric McGhee, Diana Mutz, Candice Nelson, Benjamin Page, Kathryn Pearson, Eric Schickler, John Sides, James Stimson, Lynn Vavreck, Michael Wagner, Mark Westlye, and Tao Xie.

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Arthur Bloch ha conseguido, gracias a su agudísimo sentido del humor, ser uno de los autores más leídos del mundo. Su pesimismo existencial, que le lleva a pensar que si algo puede salir mal, saldrá mal, es un recurso del que sabiamente se sirve para hacer reír a los lectores con aquello que de por sí no tendría la menor gracia.- Si se encuentra bien, no se preocupe. Se le pasará.- Cuando a usted se le ocurra la solución ideal, alguien habrá resuelto ya el problema.- Es más fácil desarmar cualquier cosa que montarla.- Si se encuentra un objeto que estaba perdido, desaparecerá otro.- Cuando se equivoca al marcar nunca está comunicando.- Si ha visto sólo una vez una serie de televisión, cuando la vuelva a ver será una reposición del mismo capítulo.- Cuantas más cosas prepare, menos comerán los invitados.- La duración de un minuto depende del lado de la puerta del baño en que se encuentre.- La bolsa que se rompe es siempre la de los huevos.Adéntrese

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Encuadernación: CartonéColección: Colección Sillón OrejeroAlan Moore y Eddie Campbell vuelven a unir sus esfuerzos creativos para ofrecernos una nueva obra sobre la historia de la Tierra, la Luna, el Universo, el desenterramiento de Oliver Cromwell, para ser juzgado, condenado y ejecutado por sus crímenes contra la monarquía, y el de Elizabeth Siddall, a quien Dante Gabriel Rossetti hizo exhumar para recuperar los poemas con los que la había enterrado, y la naturaleza visionaria de las experiencias de Arthur Machen tras la muerte de su primera esposa.El título de Serpientes y escaleras hace referencia a un juego hindú que simboliza el recorrido moral a lo largo de toda una vida, hasta alcanzar el cielo. Las escaleras son nuestros actos virtuosos, que acortan el viaje, y las serpientes son la representación de la maldad humana que nos condena a reencarnaciones en formas de vida inferiores.La presente edición de Serpientes y escaleras, un título que estaba agotado desde hace

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Mai un llibre en català havia protagonitzat una sortida tan fulgurant en l'àmbit internacional. Publicant en 37 llengües. La segona novella de Sánchez Piñol confirma la qualitat i l'amplitud de l'èxit d'aquest escriptor.Mai no som infinitament lluny d'aquells qui odiem. Per la mateixa raó, doncs, podríem creure que mai no serem absolutament a prop d'aquells qui estimem.Quan el van desembarcar a la platja amb una xalupa, el va sorprendre que l'únic habitant de l'illa no sortís a rebre'l. Però aviat descobreix que apareixen cada nit molts visitants misteriosos i amenaçadors. Des d'aquest moment, la seva vida -que haurà de compartir amb el brutal Batís Caffó i Aneris, la de la pell freda- es converteix en una lluita frenètica amb ell mateix i amb els altres, on es barregen els sentiments de rebuig i de desig, de crueltat i d'amor, de por i d'esperança.Ressenyes:Després de The Narrative of Arthur Gordon Pym d'Edgar Allan Poe, ben poques vegades havíem expe

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Leading scholars address the myriad ways in which America’s attitudes about race informed the production of Hollywood films from the 1920s through the 1960s. From the predominantly white star system to segregated mise-en-scènes, Hollywood films reinforced institutionalized racism. The contributors to this volume examine how assumptions about white superiority and colored inferiority and the politics of segregation and assimilation affected Hollywood’s classic period.Contributors: Eric Avila, UCLA; Aaron Baker, Arizona State U; Karla Rae Fuller, Columbia College; Andrew Gordon, U of Florida; Allison Graham, U of Memphis; Joanne Hershfield, U of North Carolina; Cindy Hing-Yuk Wond, College of Staten Island, CUNY; Arthur Knight, William and Mary; Sarah Madsen Hardy, Bryn Mawr; Gina Marchetti, U of Maryland; Gary W. McDonogh; Chandra Mukerji, UC, San Diego; Martin F. Norden, U of Massachusetts; Brian O'Neil, U of Southern Mississippi; Roberta E. Pearson, Cardiff U; Marguerite H. Rippy, Marymount U; Nicholas Sammond; Beretta E. Smith-Shomade, U of Arizona; Peter Stanfield, Southampton Institute; Kelly Thomas; Hernan Vera, U of Florida; Karen Wallace, U of Wisconsin, Oshkosh; Thomas E. Wartenberg, Mount Holyoke; Geoffrey M. White, U of Hawai’i; and Jane Yi.

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December 1862 drove the United States toward a breaking point. The Battle of Fredericksburg shattered Union forces and Northern confidence. As Abraham Lincoln’s government threatened to fracture, this critical moment also tested five extraordinary individuals whose lives reflect the soul of a nation. The changes they underwent led to profound repercussions in the country’s law, literature, politics, and popular mythology. Taken together, their stories offer a striking restatement of what it means to be American. Guided by patriotism, driven by desire, all five moved toward singular destinies. A young Harvard intellectual steeped in courageous ideals, Oliver Wendell Holmes Jr. confronted grave challenges to his concept of duty. The one-eyed army chaplain Arthur Fuller pitted his frail body against the evils of slavery. Walt Whitman, a gay Brooklyn poet condemned by the guardians of propriety, and Louisa May Alcott, a struggling writer seeking an authentic voice and her father’s admiration, tended soldiers’ wracked bodies as nurses. On the other side of the national schism, John Pelham, a West Point cadet from Alabama, achieved a unique excellence in artillery tactics as he served a doomed and misbegotten cause. A Worse Place Than Hell brings together the prodigious forces of war with the intimacy of individual lives. Matteson interweaves the historic and the personal in a work as beautiful as it is powerful.

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December 1862 drove the United States towards a breaking point. The Battle of Fredericksburg shattered Union forces and Northern confidence. As Abraham Lincoln’s government threatened to fracture, this critical moment also tested five extraordinary individuals whose lives reflect the soul of a nation. The changes they underwent led to profound repercussions in the country’s law, literature, politics and popular mythology. Taken together, their stories offer a striking restatement of what it means to be American. Guided by patriotism, driven by desire, all five moved towards singular destinies. A young Harvard intellectual steeped in courageous ideals, Oliver Wendell Holmes Jr confronted grave challenges to his concept of duty. The one-eyed army chaplain Arthur Fuller pitted his frail body against the evils of slavery. Walt Whitman—a gay Brooklyn poet condemned by the guardians of propriety; and Louisa May Alcott—a struggling writer, seeking an authentic voice and her father’s admiration-tended soldiers’ wracked bodies as nurses. On the other side of the national schism, John Pelham, a West Point cadet from Alabama, achieved a unique excellence in artillery tactics as he served a doomed and misbegotten cause. A Worse Place Than Hell brings together the prodigious forces of war with the intimacy of individual lives. Matteson interweaves the historic and the personal in a work as beautiful as it is powerful.

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BASED ON THE LONG-RUNNING BBC RADIO 4 McLEVY DRAMA SERIES...WHILE THE STREETS OF LONDON HAD SHERLOCK HOLMES, THE DARK ALLEYS OF EDINBURGH HAD INSPECTOR JAMES McLEVYELEGANT AND CONVINCING' The Times | 'ASHTON IS THE DIRECT HEIR TO ROBERT LOUIS STEVENSON' Brian Cox | 'EXCELLENT' The Sherlock Holmes Society | 'DRIPPING WITH MELODRAMA AND DERRING-DO' HeraldHalloween 1881, Edinburgh, and the dead are restless.In respectable Edinburgh society, beautiful young American spiritualist, Sophia Adler, is causing a furore with her dramatic séances. But the ghosts of the past seem hell-bent on retribution.Inspector James McLevy finds his investigations distracted by more earthly concerns when Muriel Grierson, an outwardly genteel widow is robbed at home. Her knight in shining armour - one Arthur Conan Doyle, recently graduated from medical school - is keen to learn from such a master of detection as the renowned inspector, but McLevy is less sure that he requires a new acolyte.A vicious murder occurs with evidence of supernatural strength and violence. Treachery revenged from a battle long ago. All roads lead to Sophia Adler and the inspector becomes involved with one of the most dangerous women he has ever encountered. THE INSPECTOR MCLEVY SERIES1 - Shadow of the Serpent2 - Fall from Grace3 - A Trick of the Light4 - Nor Will He Sleep

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From his school days to his tragic early death, George Orwell, who never wrote an autobiography, chronicled the dramatic events of his turbulent life in a profusion of powerful letters. Indeed, one of the twentieth century’s most revered icons was a lively, prolific correspondent who developed in rich, nuanced dispatches the ideas that would influence generations of writers and intellectuals. This historic work—never before published in America and featuring many previously unseen letters—presents an account of Orwell’s interior life as personal and absorbing as readers may ever see. Over the course of a lifetime, Orwell corresponded with hundreds of people, including many distinguished political and artistic figures. Witty, personal, and profound, the letters tell the story of Orwell’s passionate first love that ended in devastation and explains how young Eric Arthur Blair chose the pseudonym "George Orwell." In missives to luminaries such as T. S. Eliot, Stephen Spender, Arthur Koestler, Cyril Connolly, and Henry Miller, he spells out his literary and philosophical beliefs. Readers will encounter Orwell’s thoughts on matters both quotidian (poltergeists and the art of playing croquet) and historical—including his illuminating descriptions of war-shattered Barcelona and pronouncements on bayonets and the immanent cruelty of chaining German prisoners. The letters also reveal the origins of his famous novels. To a fan he wrote, "I think, and have thought ever since the war began…that our cause is the better, but we have to keep on making it the better, which involves constant criticism." A paragraph before, he explained that the British intelligentsia in 1944 were "perfectly ready for dictatorial methods, secret police, systematic falsification of history," prefiguring the themes of 1984. Entrusting the manuscript of Animal Farm to Leonard Moore, his literary agent, Orwell describes it as "a sort of fairy story, really a fable with political meaning…This book is murder from the Communist point of view." Hardly known outside a small circle of Orwell scholars, these rare letters include Orwell’s message to Dwight Macdonald of 5 December 1946 explaining Animal Farm; his correspondence with his first translator, R. N. Raimbault (with English translations of the French originals); and the moving encomium written about Orwell by his BBC head of department after his service there. The volume concludes with a fearless account of the painful illness that took Orwell’s life at age forty-seven. His last letter concerns his son and his estate and closes with the words, "Beyond that I can’t make plans at present." Meticulously edited and fully annotated by Peter Davison, the world’s preeminent Orwell scholar, the volume presents Orwell “in all his varieties” and his relationships with those most close to him, especially his first wife, Eileen. Combined with rare photographs and hand-drawn illustrations, George Orwell: A Life in Letters offers "everything a reader new to Orwell needs to know…and a great deal that diehard fans will be enchanted to have" (New Statesmen).

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Cutting across literature, film, art, and philosophy, Art of the Ordinary is a trailblazing, cross-disciplinary engagement with the ordinary and the everyday. Because, writes Richard Deming, the ordinary is always at hand, it is, in fact, too familiar for us to perceive it and become fully aware of it. The ordinary he argues, is what most needs to be discovered and yet is something that can never be approached, since to do so is to immediately change it. Art of the Ordinary explores how philosophical questions can be revealed in surprising places—as in a stand-up comic’s routine, for instance, or a Brillo box, or a Hollywood movie. From negotiations with the primary materials of culture and community, ways of reading "self" and "other" are made available, deepening one’s ability to respond to ethical, social, and political dilemmas. Deming picks out key figures, such as the philosophers Stanley Cavell, Arthur Danto, and Richard Wollheim; poet John Ashbery; artist Andy Warhol; and comedian Steven Wright, to showcase the foundational concepts of language, ethics, and society. Deming interrogates how acts of the imagination by these people, and others, become the means for transforming the alienated ordinary into a presence of the everyday that constantly and continually creates opportunities of investment in its calls on interpretive faculties. In Art of the Ordinary, Deming brings together the arts, philosophy, and psychology in new and compelling ways so as to offer generative, provocative insights into how we think and represent the world to others as well as to ourselves.

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By the late nineteenth century, Canadian women had begun forging careers as professional actresses, appearing not just in Canada, but in the United States, Britain, Australia, and New Zealand. They played an integral role in theatrical networks and helped shape transnational middle-class culture.Taking the approach of feminist collective biography, Sweet Canadian Girls Abroad writes the lives of women who, despite their renown during their lifetimes, have been all too easily forgotten. Cecilia Morgan examines these “sweet girls’” childhoods, their experiences of work, touring, and company management, the plays in which they appeared, and the celebrity they enjoyed. In so doing she shows how women helped convey messages about race, empire, and white identity in popular culture. Investigating a period from the 1870s to the 1940s, Morgan demonstrates how actresses evolved within a period of change in theatre, how they coped with new challenges, and how they brought their craft to new media. Paying particular attention to the careers of Margaret Bannerman, Tony Award-winner Beatrice Lillie, Margaret Anglin, Julia Arthur, and Frances Doble, among many others, this book explores how being an actress abroad became work as well as profession for Canadian women.Extensively researched and generously illustrated, Sweet Canadian Girls Abroad argues for the importance of theatre, both to Canadian women’s history and to our understanding of Canada in a transnational world.

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Fern Mallis is the award-winning creator of New York Fashion Week and is often called the Godmother of Fashion. She hosts the sold-out conversation series Fashion Icons with Fern Mallis, assembling an incredible list of guests at the 92nd Street Y. Mallis goes one-on-one with her guests in front of a live audience to discuss everything from their childhood aspirations, career struggles and triumphs, to dishing on the inner workings of the notoriously high-pressure fashion industry. No topic is off-limits. This second volume features fifteen new, provoca-tive, and inspiring interviews with the boldest and brightest names in the fashion world including: Christian Siriano, Billy Porter, Stan Herman, Zandra Rhodes, Bob Mackie, Iris Apfel, Tim Gunn, Leonard Lauder, Arthur Elgort, Victoria Beckham, Rosita and Angela Missoni, Bethann Hardison, and Valentino. The book also features when, by popular demand, the tables were turned and Fern Mallis was interviewed by the smart and sassy Bevy Smith. Each fashion icon shares never-before-seen personal photographs, sketches, and memorabilia to bring their story to life. For readers interested in the fashion industry, popular culture, style and design, this book takes a look behind the very public and glamorous lives of famed designers, creatives, photographers, tastemakers, and media personalities alike.

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Carry Walt Whitman’s wisdom with you in this inspirational guide that features 60 selections from his most insightful poems. Walt Whitman, the great American poet of the 19th century (1819–1892), celebrated his body, the land, the commonest of people, the plants and leaves, and the cosmos in Leaves of Grass, first published in 1855. Working variously as a printer, journalist, teacher, and Civil War nurse, Whitman traveled across the continent, soaking the ink of the wilds and the urban into his pen. His poetry is an invitation into the wilds of Nature and human nature. In Meditations of Walt Whitman, editor Chris Highland pairs 60 short selections from Whitman’s poetry with a relevant quote from a historical or contemporary writer and thinker, from Aristotle to Alice Walker, Lord Byron to Arthur C. Clarke. Take this pocket-size guide with you on backpacks, nature hikes, and camping trips. Let Whitman’s words enrich your experience as you ponder the wilderness from riverbank, mountaintop, or as you relax beside your campfire. Inside you’ll find: 60 inspiring selections of poetry from Walt Whitman Relevant text from other philosophical minds Short excerpts for convenient reading This sampler from Whitman’s poems draws from the heart of each passage. Let Whitman’s words accompany you on your own trails of discovery and help you discover the earth, your likeness.

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The first in the Echoes of the Fall series, The Tiger and the Wolf is an epic fantasy novel by Adrian Tchaikovsky, winner of the Arthur C. Clarke Award and British Fantasy Award for Best Novel.‘One of the most interesting and accomplished writers in speculative fiction’ – Christopher PaoliniIn the bleak northern crown of the world, war is coming . . .Maniye’s father is the Wolf clan’s chieftain, but she’s an outcast. Her mother was queen of the Tiger and these tribes have been enemies for generations. Maniye also hides a deadly secret. All can shift into their clan’s animal form, but Maniye can take on tiger and wolf shapes. She refuses to disown half her soul so escapes, rescuing a prisoner of the Wolf clan in the process. The killer Broken Axe is set on their trail to drag them back for retribution.The Wolf chieftain plots to rule the north, and controlling his daughter is crucial to his schemes. However, other tribes also prepare for strife. Strangers from the far south appear too, seeking allies in their own conflict. It’s a season for omens as priests foresee danger and a darkness falling across the land. Some say a great war is coming, overshadowing even Wolf ambitions. A time of testing and broken laws is near – but what spark will set the world ablaze?Continue this sweeping coming-of-age fantasy with The Bear and the Serpent.

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Cornwall in Photographs captures a range of stunning landscapes that make up this most south-westerly part of England. The coastline is full of contrasts, from granite cliffs to sandy beaches, and crashing Atlantic Ocean waves to gently lapping water in tranquil river estuaries. With Land’s End at the tip of its long peninsula, no inland area is more than 20 miles from the sea. Humans have left their mark on the landscape too with wave-battered harbours, the atmospheric Tintagel (believed to be where the story of King Arthur began), quaint fishermen’s cottages, and soaring church spires. Photographer Gabriel Fuchs takes you on a photographic journey through the ancient Celtic county of Kernow, revealing many of her wonderful and varied delights. Gabriel Fuchs has been taking photographs since his parents gave him his first camera, a Kodak Instamatic, in the 1970s. After mastering darkroom work in the ’80s, Gabriel stepped into the digital world in the 2000s. Now his passion for photography means there is always time to take photos, talk about photography, or think about what equipment to buy next. Gabriel concentrates on landscape and travel photography and has also written extensively on the subject, looking into the peculiarities of photographers and their world. When not taking photos, Gabriel spends time with his family, hikes the Swiss mountains, and daydreams.

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Shortlisted for the Arthur C. Clarke Award Longlisted for the Goldsboro Books Glass Bell Award 'Unputdownable … An extraordinary book … as insightful and as premonitory as Orwell’s 1984’ Litro 'With echoes of Emily St John Mandel and Megan Hunter' Elizabeth Macneal ‘Stylish and thoughtful … The eerie claustrophobia of the setting will stay with the reader for a long while.' Literary Review ___________________________________________________ Not all that is hidden is lost… For twelve years Aina and Whitney have been in exile on an island for a crime they committed together, tethered to a croft by pills they take for survival every eight hours. They’ve kept busy - Aina with her garden, her jigsaw, her music; Whitney with his sculptures and maps - but something is not right. Shipwrecks have begun washing up, supply drops have stopped and on the day their punishment is meant to end, the Warden does not come. Instead a sheep appears; but sheep can’t swim. Aina becomes convinced that they’ve been abandoned, and that Whitney has been keeping secrets. As she starts testing the limits of their prison, investigating ways she might escape, she is confronted by decisions that haunt her past. Little does she realise that her biggest choice is yet to come… 'Taut, unsettling and so completely charged with both tension and emotion' Naomi Ishiguro 'As moving as it is chilling' Emma Stonex Reader Reviews 'An original and gripping read' 'Addictive and atmospheric' 'A haunting and original dystopian story' 'Compelling and absorbing' 'A refreshing change from the norm'

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'If you have never entered the curious world of Bryant and May, you're in for a treat.' THE TIMESIt was the kind of story that barely made the news.When 91-year-old Amelia Hoffman died in her top-floor flat on a busy London road, it's considered an example of what has gone wrong with modern society: she slipped through the cracks in a failing system.But detectives Arthur Bryant and John May of the Peculiar Crimes Unit have their doubts. Mrs Hoffman was once a government security expert, even though no one can quite remember her. When a link emerges between the old lady and a diplomat trying to flee the country, it seems that an impossible murder has been committed.Mrs Hoffman wasn't the only one at risk. Bryant is convinced that other forgotten women with hidden talents are also in danger. And, curiously, they all own models of London Bridge.With the help of some of their more certifiable informants, the detectives follow the strangest of clues in an investigation that will lead them through forgotten alleyways to the city's oldest bridge in search of a desperate killer.But just when the case appears to be solved, they discover that Mrs Hoffman was smarter than anyone imagined. There's a bigger game afoot that could have terrible consequences. It's time to celebrate Bryant and May's twentieth anniversary as their most lunatic case yet brings death and rebirth to London's most peculiar crimes unit.

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In Possessed, Rebecca R. Falkoff asks how hoarding—once a paradigm of economic rationality—came to be defined as a mental illness. Hoarding is unique among the disorders included in the American Psychiatric Association's DSM-5, because its diagnosis requires the existence of a material entity: the hoard. Possessed therefore considers the hoard as an aesthetic object produced by clashing perspectives about the meaning or value of objects. The 2000s have seen a surge of cultural interest in hoarding and those whose possessions overwhelm their living spaces. Unlike traditional economic elaborations of hoarding, which focus on stockpiles of bullion or grain, contemporary hoarding results in accumulations of objects that have little or no value or utility. Analyzing themes and structures of hoarding across a range of literary and visual texts—including works by Nikolai Gogol, Arthur Conan Doyle, Carlo Emilio Gadda, Luigi Malerba, Song Dong and E. L. Doctorow—Falkoff traces the fraught materialities of the present to cluttered spaces of modernity: bibliomaniacs' libraries, flea markets, crime scenes, dust-heaps, and digital archives. Possessed shows how the figure of the hoarder has come to personify the economic, epistemological, and ecological conditions of modernity. Thanks to generous funding from New York University and its participation in TOME (Toward an Open Monograph Ecosystem), the ebook editions of this book are available as Open Access (OA) volumes from Cornell Open (cornellpress.cornell.edu/cornell-open) and other Open Access repositories.

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The personal testimony of individuals engaged in healing practices and the opposing voices of orthodox and alternative medicines are the center of Healing Powers. Focusing on medical norms and practices and on competing philosophies of the mind, the body, reality, and rationality across radically different "belief systems", Fred Frohock clarifies the social and legal dilemmas represented by "scientific medicine" and "alternative care.""Frohock goes beyond the often irreconcilable differences between scientific biomedicine and alternative care by clarifying the social and legal dilemmas they present. . . . A noteworthy contribution forcing us to rethink what medical care is all about."—Jeffrey Michael Clare, Journal of the American Medical Association"The book does more and better than simply provide a social-scientific proposal. It also gives not only a hearing but a voice to those who follow alternative therapies. . . . Frohock's accounts of their stories—along with the stories of the medical professionals—are eloquent and fascinating."—Allen Verhey, Medical Humanities Review"Contains a storehouse of valuable information about the historical, philosophical, and psychological bases of alternative approaches to healing."—Marshall B. Kapp, New England Journal of Medicine"Frohock introduces us to the scientific naturopaths and to physicians who believe in the mind's power to heal, to charismatics who believe in but cannot explain their powers, to those who test God and those who merely accept. He writes so well that I felt I had met these people."—Arthur W. Frank, Christian Century

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The Germany between the two world wars, which produced some of the greatest literary lights of the century, also produced a forum worthy of them: the brilliantly edited, crusading, lef-oriented (but not party-affiliated) Weltbühne. The present book tells the history of this weekly Berlin journal, discusses the men that ran it and wrote it, and outlines the causes for which it fought. The Weltbühne had three editors--the uncompromising style-conscious Siegfried Jacobsohn, the sharp-tongued, satirical Kurt Tucholsky, and the enigmatic, aristocratic Carl von Ossietzky, martyred by the Nazis. The radical, intellectual elite of Germany (and to come extent outside Germany) contributed to the journal -- Heinrich Mann, Alfred Polgar, Erich Kästner, Alfred Doblin, Bertolt Brecht, Leonhard Frank, Theodor Plievier, Rene Schickele, Lion Feuchtwanger, Ernst Toller, Arnold Zweig; also Arthur Koestler, Romain Rolland, Henry Barbusse, and Leon Trotsky. These men stood for the demilitarization of Germany, the purge of the reactionary administration and judiciary, the end of all restraints on human rights (including the restraints on abortion and homosexuality), complete equality of women, pacifist educational policies, the intellectualization of politics and politicization of the intellectuals, unity of the working-class parties, and socialism. When, on May 11, 1933, on Opera Square in Berlin, the stormtroopers burned books of fifteen authors sinning against the German Volk, thirteen of them had made contribution to the Weltbühne; and since many of them were Jews, the auto-da-fé gave special pleasure to the mob. Mr. Deak recreates with unusual empathy the atmosphere of the era, characterized by terrific social and political issues, which eventually lead to the disaster of the Thirties. The campaigns of the Weltbühne failed, and the contributors were killed or went into exile, with the journal itself moving from Berlin to Vienna to Prague to Paris before it died. Mr. Deak makes a lasting contribution to history by opening to a broader public the records preserved in the pages of this important but largely ignored journal, by selecting and interpreting the issues, and by brining to life the personalities that gave the era its intellectual profile. And understanding of the Weltbühne campaigns is indispensable for an appraisal of Central European politics in the first half of our century. Mr. Deak, in this readable book written with the passionate interest of a person who seems to have been a participant rather than a chronicler, makes this understanding possible by a lucid exposition and a searching analysis of the events. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1968.

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"Pendragon has all the hallmarks of a traditional historical adventure story . . . However, there is also intellectual heft to this story, with its themes of myth-making and the nature of power." Antonia Senior THE TIMES Here is the beginning of a legend. Long before Camelot rose, a hundred years before the myth of King Arthur was half-formed, at the start of the Red Century, the world was slipping into a Dark Age…It is AD 367. In a frozen forest beyond Hadrian’s Wall, six scouts of the Roman army are found murdered. For Lucanus, known as the Wolf and leader of elite unit called the Arcani, this chilling ritual killing is a sign of a greater threat.But to the Wolf the far north is a foreign land, a place where daemons and witches and the old gods live on. Only when the child of a friend is snatched will he venture alone into this treacherous world - a territory ruled over by a barbarian horde - in order to bring the boy back home. What he finds there beyond the wall will echo down the years.A secret game with hidden factions is unfolding in the shadows: cabals from the edge of Empire to the eternal city of Rome itself, from the great pagan monument of Stonehenge to the warrior kingdoms of Gaul will go to any length to find and possess what is believed to be a source of great power, signified by the mark of the Dragon. A soldier and a thief, a cut-throat, courtesan and a druid, even the Emperor Valentinian himself - each of these has a part to play in the beginnings of this legend…the rise of the House of Pendragon.

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In twentieth-century Canada, mainline Protestants, fundamentalists, liberal nationalists, monarchists, conservative Anglophiles, and left-wing intellectuals had one thing in common: they all subscribed to a centuries-old world view that Catholicism was an authoritarian, regressive, untrustworthy, and foreign force that did not fit into a democratic, British nation like Canada. Analyzing the connections between anti-Catholicism and national identity in English Canada, Not Quite Us examines the consistency of anti-Catholic tropes in the public and private discourses of intellectuals, politicians, and clergymen, such as Arthur Lower, Eugene Forsey, Harold Innis, C.E. Silcox, F.R. Scott, George Drew, and Emily Murphy, along with those of private Canadians. Challenging the misconception that an allegedly secular, civic, and more tolerant nationalism that emerged excised its Protestant and British cast, Kevin Anderson determines that this nationalist narrative was itself steeped in an exclusionary Anglo-Protestant understanding of history and values. He shows that over time, as these ideas were dispersed through editorials, cartoons, correspondence, literature, and lectures, they influenced Canadians' intimate perceptions of themselves and their connection to Britain, the ethno-religious composition of the nation, the place of religion in public life, and national unity. Anti-Catholicism helped shape what it means to be "Canadian" in the twentieth century. Not Quite Us documents how equating Protestantism with democracy and individualism permeated ideas of national identity and continues to define Canada into the twenty-first century.

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A series of kilns at ancient Corinth known as the Tile Works are given final publication in this long-awaited book, based on excavations conducted in 1939 and 1940 (as war was closing in) by Carl Roebuck and Arthur Parsons, and renewed briefly in 1950 by Gladys Weinberg. The artisans at the Tile Works produced not only roof tiles but a whole range of terracotta articles from the 6th to 4th centuries B.C., with one break in production in the late 5th to early 4th century. These products included, at different periods, architectural sculpture and decorated revetments; heavy household pottery such as mortars and lekanai; loomweights; votive furniture such as altars and plaques; and even some fine and semi-fine pottery. The standard of craftsmanship was very high and the artifacts produced found enthusiastic markets in other parts of Greece; as the revetments of roofs at Delphi, for example, and as mortars in the markets of Athens. The Tile Works, therefore, along with the Potters' Quarter, was one of the major and most prolific industrial establishments in ancient Corinth. In this study, the principal features and deposits are first discussed, in order to establish the chronology of the three successive kilns on the site, and to try to relate them to known events in Corinth. The manufactures are then considered, beginning with a discussion of fabrics and techniques of manufacture, then moving on to typology and dating. The study concludes with a presentation of the Corinthian pottery and other artifacts found at the Tile Works but not made there, and a catalogue of terracottas by Charles K. Williams II.

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Memoirs of British soldiers who fought in the Peninsular War are commonplace and histories of the momentous campaigns and battles of Sir John Moore and Sir Arthur Wellesley, the future Duke of Wellington, can be numbered by the score. Yet surprisingly little has been published in English on their opponents, the French. Using previously unseen material from the French army archives in Paris, which includes numerous memoires that have not even been published in France, renowned historian Paul Dawson tells the story of the early years of the Peninsular War as never before. Eyewitness accounts of the horrific Siege of Zaragoza, in which more than 50,000 soldiers and civilians were killed defending the city, and of the cataclysmic Spanish defeats at Medellin and Ocana are interspersed with details of campaign life in the Iberian Peninsula and of struggling through the Galician mountains in pursuit of the British army marching to Corunna. As well as the drama of the great battles and the ever-present fear of Spanish guerrillas - the knife in the back, the flash of steel in the dark - Paul Dawson draws on the writings of the French soldiers to examine the ordinary conscript's belief in the war they were fighting for their Emperor, Napoleon. In this much-needed study of the Peninsular War from the French perspective, Paul Dawson has produced an unprecedented, yet vital addition to our understanding of the war in Iberia. _Napoleon's Peninsular War_ is destined to become one of the classic accounts of this turbulent, yet endlessly fascinating era.

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The enfant terrible of French letters, Jean-Nicholas-Arthur Rimbaud (1854-91) was a defiant and precocious youth who wrote some of the most remarkable prose and poetry of the nineteenth century, all before leaving the world of verse by the age of twenty-one. More than a century after his death, the young rebel-poet continues to appeal to modern readers as much for his turbulent life as for his poetry; his stormy affair with fellow poet Paul Verlaine and his nomadic adventures in eastern Africa are as iconic as his hallucinatory poems and symbolist prose. The first translation of the poet's complete works when it was published in 1966, "Rimbaud: Complete Works, Selected Letters" introduced a new generation of Americans to the alienated genius - among them the Doors's lead singer Jim Morrison, who wrote to translator Wallace Fowlie to thank him for rendering the poems accessible to those who "don't read French that easily." Forty years later, the book remains the only side-by-side bilingual edition of Rimbaud's complete poetic works. Thoroughly revising Fowlie's edition, Seth Whidden has made changes on virtually every page, correcting errors, reordering poems, adding previously omitted versions of poems and some letters, and updating the text to reflect current scholarship; left in place are Fowlie's literal and respectful translations of Rimbaud's complex and nontraditional verse. Whidden also provides a foreword that considers the heritage of Fowlie's edition and adds a bibliography that acknowledges relevant books that have appeared since the original publication. On its fortieth anniversary, "Rimbaud" remains the most authoritative - and now, completely up-to-date - edition of the young master's entire poetic oeuvre.

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New edition, with facing English translation, of one of the most important Arthurian works from the middle ages. Erec is the earliest extant German Arthurian romance, freely adapted and translated into Middle High German by the Swabian knight, Hartmann von Aue, from the first Old French Arthurian romance, Chrétien de Troyes' Erec et Enide. Hartmann's work dates from c. 1180, but the only (almost) complete manuscript dates from the early sixteenth century, copied into the huge two-volume Ambraser Heldenbuch, now housed in Vienna - the most comprehensive extant compilation of medieval German romances and epics, commissioned by Emperor Maximilian I. Otherwise, only a few earlier medieval fragments survive. Erec tells the story of a young knight at King Arthur's court, whose early prowess wins him high repute, and a beautiful wife, Enite. He falls into disrepute because of his excessively zealous devotion of his time to her. Alerted to his notoriety, he embarks on a series of symbolic adventures, which eventually lead to his achieving a new balance between the claims of love and those of society. Far more than a simple translation, Hartmann's first attempt at an Arthurian romance is notable for its zest and gusto. This is the first edition with a parallel text translation into English; it is presented with explanatory notes and variant readings. Cyril Edwards is a Senior Research Fellow of Oxford University's Faculty of Medieval and Modern Languages, and an Honorary Research Fellow of University College London.

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“Much of life can be understood in rational terms if expressed in the language of chemistry. It is an international language, a language without dialects, a language for all time, a language that explains where we came from, what we are, and where the physical world will allow us to go. Chemical Language has great esthetic beauty and links the physical sciences to the b- logical sciences. ” from The Two Cultures: Chemistry and Biology by Arthur Kornberg (Nobel Prize in Physiology and Medicine, 1959) Over the past two centuries, chemistry has evolved from a relatively pure disciplinary pursuit to a position of central importance in the physical and life sciences. More generally, it has p- vided the language and methodology that has unified, integrated and, indeed, molecularized the sciences, shaping our understanding of the molecular world and in so doing the direction, development and destiny of scientific research. The “language of chemistry” referred to by my former Stanford colleague is made up of atoms and bonds and their interactions. It is a s- tem of knowledge that allows us to understand structure and events at a molecular level and increasingly to use that understanding to create new knowledge and beneficial change. The words on this page, for example, are detected by the eye in a series of events, now generally understood at the molecular level.

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Sulky races at the Mercer County Fair, church suppers, sorghum making, shooting marbles in the school yard, housing tobacco, loafing at the courthouse -- here are 129 beautifully reproduced images of who we were as Kentuckians not so long ago -- during the Depression and the early years of World War II.This collection is part of the remarkable series of photos shot for the Farm Security Administration -- more than 125,000 photographs taken over a period of nine years by some of the best American photographers of the time, including Ben Shahn, Marion Post Wolcott, Russell Lee, John Vachon, and Arthur Rothstein.To reintroduce us to that important slice of our history, Beverly Brannan and David Horvath have selected a rich sampling from among several thousand photos taken in Kentucky for the FSA. They have added an extra dimension to the images by including in their commentary excerpts from the photographers' own correspondence and field notes.Along with a lively introduction by the well-known Kentucky poet Jim Wayne Miller, the text of A Kentucky Album helps us see these photographs as art, as social history, and as an unforgettable composite of the amazing diversity of culture, history, and environment that have made Kentucky unique.

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How will America's colleges and universities adapt to remarkable technological, economic, and demographic change?The United States is in the midst of a profound transformation the likes of which hasn't been seen since the Industrial Revolution, when America's classical colleges adapted to meet the needs of an emerging industrial economy. Today, as the world shifts to an increasingly interconnected knowledge economy, the intersecting forces of technological innovation, globalization, and demographic change create vast new challenges, opportunities, and uncertainties. In this great upheaval, the nation's most enduring social institutions are at a crossroads. In The Great Upheaval, Arthur Levine and Scott Van Pelt examine higher and postsecondary education to see how it has changed to become what it is today—and how it might be refitted for an uncertain future. Taking a unique historical, cross-industry perspective, Levine and Van Pelt perform a 360-degree survey of American higher education. Combining historical, trend, and comparative analyses of other business sectors, they ask• how much will colleges and universities change, what will change, and how will these changes occur? • will institutions of higher learning be able to adapt to the challenges they face, or will they be disrupted by them? • will the industrial model of higher education be repaired or replaced? • why is higher education more important than ever?The book is neither an attempt to advocate for a particular future direction nor a warning about that future. Rather, it looks objectively at the contexts in which higher education has operated—and will continue to operate. It also seeks to identify likely developments that will aid those involved in steering higher education forward, as well as the many millions of Americans who have a stake in its future.Concluding with a detailed agenda for action, The Great Upheaval is aimed at policy makers, college administrators, faculty, trustees, and students, as well as general readers and people who work for nonprofits facing the same big changes.

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Discover a way to end constant power struggles with your defiant, oppositional, impossible 5- to 12-year-old, with the help of leading child psychologist Russell A. Barkley. Dr. Barkley's approach is research based, practical, and doable--and leads to lasting behavior change. Vivid, realistic stories illustrate what the techniques look like in action. Step by step, learn how you can:*Harness the power of positive attention and praise.*Use rewards and incentives effectively.*Stay calm and consistent--even on the worst of days.*Establish a time-out system that works.*Target behavioral issues at home, in school, and in public places.Thoroughly revised to include the latest resources and 15 years' worth of research advances, the second edition also reflects Dr. Barkley's ongoing experiences with parents and kids. Helpful questionnaires and forms can be downloaded and printed in a convenient 8 1/2 x 11 size.Mental health professionals, see also the related title, Defiant Children, Third Edition: A Clinician's Manual for Assessment and Parent Training. For a teen focus, see also Defiant Teens, Second Edition (for professionals), and Your Defiant Teen, Second Edition (for parents), by Russell A. Barkley and Arthur L. Robin.Winner-- Parents' Choice Approved Award

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By the summer of 1917, Canadian troops had captured Vimy Ridge, but Allied offensives had stalled across many fronts of the Great War. To help break the stalemate of trench warfare, the Canadian Corps commander, Lieutenant-General Arthur Currie, was tasked with capturing Hill 70, a German stronghold near the French town of Lens.After securing the hill on 15 August, Canadian soldiers endured days of shelling, machine-gun fire, and poison gas as they repelled relentless enemy counterattacks. Through Their Eyes depicts this remarkable but costly victory in a unique way. With full-colour graphic artwork and detailed illustration, Matthew Barrett and Robert Engen picture the battle from different perspectives – Currie’s strategic view at high command, a junior officer’s experience at the platoon level, and the vantage points of many lesser-known Canadian soldiers who made the ultimate sacrifice. This innovative graphic history invites readers to reimagine the First World War through the eyes of those who lived it and to think more deeply about how we visualize and remember the past.Combining outstanding original art and thought-provoking commentary, Through Their Eyes uncovers the fascinating stories behind this battle while creatively expanding the ways that history is shared and represented.

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It includes selections from the 1830, 1832, and 1842 volumes, together with songs from The Princess and In Memoriam; complete poems from the middle period, including Maud, Enoch Arden, and nine Idylls of the King, including the Dedication; and a generous offering from the late period, 1872-92. The authoritative texts are based on the Cambridge Tennyson; additional selections have been taken from Sir Charles Tennyson's editions of Tennyson's Unpublished Early Poems (1931) and The Devil and the Lady (1930), as well as the Eversley edition, with notes by the poet's son. The texts of the poems are copiously annotated and the lines of poetry conveniently numbered for easy reference. A special section, Juvenilia and Early Responses, offers easy access to work by the young Tennyson, not readily available elsewhere, together with responses from his contemporaries. Criticism includes significant statements on Tennyson as well as interpretations of the major poems. A special feature is Georg Roppen's essay on Tennyson and the theory of evolution. Other critical voices are those of A. C. Bradley, Harold Nicolson, Douglas Bush, Arthur J. Carr, T. S. Eliot, Paull F. Baum, John Killham, F. E. L. Priestley, Francis Golffing, and Robert W. Hill, Jr. A Chronology, Selected Bibliography, and Index are also included.

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