Search results for ""Notorious""

In a world of globetrotting explorers and record-breaking journeys - of which he has been part himself - Johno Ellison decided to return to his roots and walk the entire length of the River Wharfe, the Yorkshire waterway beside which he grew up. In his new book for Bradt, Walking the Wharfe, Ellison retraces the steps of Victorian author Edmund Bogg to investigate how the riverscape and its communities have evolved during the intervening 120 years. While wild camping, meeting modern-day Vikings, wartime ghosts and the fearless 'Dales Dippers', and learning how not to deal with a herd of over-inquisitive cows, Ellison encounters a microcosm of English history and culture. Starting in the Vale of York, Ellison walks upstream to explore the region's Viking and Roman heritage, as well as more modern developments such as Tadcaster's disastrous bridge collapse in 2015. He examines a profusion of Victorian spa towns, considers the impact of the Industrial Revolution and enjoys rare wildlife such as red kites and an otter, creatures that have returned to the area following successful conservation initiatives. Traversing the Yorkshire Dales National Park, including along the Dales Way long-distance footpath, Ellison is first bewitched by local legends of giants, trolls and witches, then seduced into wild swimming in a chilly river - albeit not the Strid, a section of the Wharfe notorious worldwide for reportedly drowning everyone who has ever tumbled into it - before seeking refuge in a candlelit pub during a storm that caused a power blackout. During his ascent, Ellison learns from a family who have farmed the Yorkshire hills for five generations before reaching the Wharfe's trickling source amid a vast boggy moorland. This enchanting travelogue is a must-read for anyone interested in nature, 'the great outdoors', or English history and culture. Residents and fans of Yorkshire will love it, as will anyone who has hiked the Dales Way. Above all, by combining personal connections with journalistic curiosity and a nose for a story, Walking the Wharfe affirms that even lesser-known parts of the small island of Britain can hold their own against renowned tourist sites the world over.

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A TELEGRAPH BOOK OF THE YEARA TIMES BOOK OF THE YEARA WATERSTONES PAPERBACK OF THE YEAR'Superbly told' Simon Heffer, Daily Telegraph'A hamper of treats' Sunday Telegraph'[Grant employs] scholarship and depth of evidence' London Review of Books'These tales of eleven trials are shocking, squalid, titillating and illuminating: each of them says something fascinating about how our society once was' The Times'Deceptively thrilling' Sunday Times'Excellent . . . Thomas Grant offers detailed accounts of eleven cases at the Old Bailey's Court Number One, with protagonists ranging from the diabolical to the pathetic. There is humour . . . but this is ultimately an affecting study of how the law gets it right - and wrong' GuardianCourt Number One of the Old Bailey is the most famous court room in the world, and the venue of some of the most sensational human dramas ever to be played out in a criminal trial.The principal criminal court of England, historically reserved for the more serious and high-profile trials, Court Number One opened its doors in 1907 after the building of the 'new' Old Bailey. In the decades that followed it witnessed the trials of the most famous and infamous defendants of the twentieth century. It was here that the likes of Madame Fahmy, Lord Haw Haw, John Christie, Ruth Ellis, George Blake (and his unlikely jailbreakers, Michael Randle and Pat Pottle), Jeremy Thorpe and Ian Huntley were defined in history, alongside a wide assortment of other traitors, lovers, politicians, psychopaths, spies, con men and - of course - the innocent.Not only notorious for its murder trials, Court Number One recorded the changing face of modern British society, bearing witness to alternate attitudes to homosexuality, the death penalty, freedom of expression, insanity and the psychology of violence. Telling the stories of twelve of the most scandalous and celebrated cases across a radically shifting century, this book traces the evolving attitudes of Britain, the decline of a society built on deference and discretion, the tensions brought by a more permissive society and the rise of trial by mass media.From the Sunday Times bestselling author of Jeremy Hutchinson's Case Histories, Court Number One is a mesmerising window onto the thrills, fears and foibles of the modern age.

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Even more compelling reading since the murder of Whitey Bulger! Writer Kevin Weeks was top Lieutenant to James "Whitey" Bulger, head of the South Boston Irish Mob, who was on the run for more than 16 years before his capture on June 22, 2011. While on the FBI Most Wanted list with a two million dollar reward, Whitey had been second only to Osama bin Laden. HUNTED DOWN is a story of murder, friendship and loyalty within the mob, using many situations that Weeks could have omitted from his NYT bestselling memoir, BRUTAL: THE UNTOLD STORY OF MY LIFE INSIDE WHITEY BULGER'S IRISH MOB. While HUNTED DOWN is fiction, its insider knowledge makes it all the more intriguing, with hints toward where Whitey and his companion Catherine Greig may actually have spent those 16 years on the run. In this story, Joey Donahue is released from prison after serving six years for racketeering and crimes committed as deputy to the infamous South Boston Irish Mob boss and psychopathic murderer Whitey Bulger. This time, he is determined to stay clear of the life of crime that has supported him for the past twenty-five years. After a year of trying unsuccessfully to find a job due to his notorious association with Bulger, Joey finally surrenders to the temptation of a friend's offer to join him in a fast score, a simple robbery of a drug dealer that should pay the bills until he finds a viable job. The robbery turns out to be a sting operation set up by the FBI for the express purpose of forcing Joey to cooperate in the frustratingly unsuccessful search for his onetime mentor. With Joey reluctantly partnered with an FBI agent, the hunt for Whitey takes place against an international backdrop until the old friends finally meet up in a high-stakes climax, ending the game of cat and mouse once and for all. It is speculated that Bulger is also the inspiration for the ruthless crime kingpin Francis "Frank" Costello, played by Jack Nicholson in Martin Scorsese's Academy Award-winning film The Departed (2006).

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For nearly a century, the Federal Bureau of Investigation has been famous for tracking and apprehending gangsters, kidnappers, spies, and, much more recently, international terrorists. The agency itself has done much to promote its successes, helping to embellish its legendary aura. Athan Theoharis, however, contends that a closer look at the historical record reveals a much less idealized and much more disturbing vision of the FBI. Created in 1908 with a staff of three dozen, the FBI has grown to more than 27,000 agents and support personnel, while its role has shifted dramatically from law enforcement to intelligence operations. Theoharis, America's leading authority on the FBI, assesses the consequences of this shift for democratic politics, showing how the agency's obsession with absolute secrecy has undermined both civil liberties and agency accountability. As Theoharis reveals, FBI history has been marked by operational failures, overrated abilities, and the frequent use of highly suspect means - wiretaps, buggings, break-ins - that challenge the Constitution's guarantee against illegal searches. The agency has also gathered and disseminated derogatory (and often untrue) information in an effort to discredit citizens whose views are seen as ""dangerous."" Most disturbing, it has drifted toward equating political dissent with genuine subversion, an approach with potentially grave consequences for free and open public discourse. Theoharis also shows that the FBI's vaunted spy-catching prowess has been vastly overrated, from the early days of the ""Communist conspiracy"" to the more recent Wen Ho Lee and Robert Hanssen fiascos. And he criticizes Hoover's longstanding refusal to admit that organized crime actually existed, perhaps due to his preoccupation with the sex lives of public figures like JFK, Martin Luther King, and Rock Hudson, whose amorous escapades he recorded in his ""Do Not File"" files. More recently, the notorious incidents at Ruby Ridge, Waco, and Oklahoma City, as well as the 9/11 attacks, have further eroded public confidence in the FBI and tarnished its reputation. Throughout, Theoharis raises serious questions about the extralegal nature of the FBI's activities and its troubling implications for the rule of law in America.

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The author of the #1 New York Times bestseller Orphan Train returns with an ambitious, emotionally resonant historical novel that captures the hardship, oppression, opportunity and hope of a trio of women’s lives—two English convicts and an orphaned Aboriginal girl — in nineteenth-century Australia.Seduced by her employer’s son, Evangeline, a naïve young governess in early nineteenth-century London, is discharged when her pregnancy is discovered and sent to the notorious Newgate Prison. After months in the fetid, overcrowded jail, she learns she is sentenced to “the land beyond the seas,” Van Diemen’s Land, a penal colony in Australia. Though uncertain of what awaits, Evangeline knows one thing: the child she carries will be born on the months-long voyage to this distant land. During the journey on a repurposed slave ship, the Medea, Evangeline strikes up a friendship with Hazel, a girl little older than her former pupils who was sentenced to seven years transport for stealing a silver spoon. Canny where Evangeline is guileless, Hazel—a skilled midwife and herbalist—is soon offering home remedies to both prisoners and sailors in return for a variety of favors. Though Australia has been home to Aboriginal people for more than 50,000 years, the British government in the 1840s considers its fledgling colony uninhabited and unsettled, and views the natives as an unpleasant nuisance. By the time the Medea arrives, many of them have been forcibly relocated, their land seized by white colonists. One of these relocated people is Mathinna, the orphaned daughter of the Chief of the Lowreenne tribe, who has been adopted by the new governor of Van Diemen’s Land. In this gorgeous novel, Christina Baker Kline brilliantly recreates the beginnings of a new society in a beautiful and challenging land, telling the story of Australia from a fresh perspective, through the experiences of Evangeline, Hazel, and Mathinna. While life in Australia is punishing and often brutally unfair, it is also, for some, an opportunity: for redemption, for a new way of life, for unimagined freedom. Told in exquisite detail and incisive prose, The Exiles is a story of grace born from hardship, the unbreakable bonds of female friendships, and the unfettering of legacy.

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A “compelling” (The Wall Street Journal) account of the only mutiny in the history of the United States Navy—a little-known but once notorious event that cost three young men their lives—part murder mystery, part courtroom drama, and as propulsive and dramatic as the bestselling novels of Patrick O’Brian.On December 16, 1842, the US brig-of-war Somers dropped anchor in the New York Harbor at the end of a voyage intended to teach a group of adolescents the rudiments of naval life. But this routine exercise ended in catastrophe. Commander Alexander Slidell Mackenzie came ashore claiming he had prevented a mutiny that would have left him and his officers dead. Some of the thwarted mutineers were being held under guard, but three had already been hanged at sea: Boatswain’s Mate Samuel Cromwell, Seaman Elisha Small, and Acting Midshipman Philip Spencer, whose father was the secretary of war, John Spencer. Eighteen-year-old Philip Spencer, according to his commander, had been the ringleader who encouraged the crew to seize the ship and become pirates so that they might rape and pillage their way through the northern coast of South America and the Caribbean. While the young man might have been fascinated by stories of pirates, it soon became clear the order that condemned the three men had no legal basis. And, worse, it appeared possible that no mutiny had actually occurred, and that the ship might instead have been seized by a creeping hysteria that ended in the sacrifice of three innocents. Months of accusations and counteraccusations were followed by a highly public court-martial that put Mackenzie on trial for his life, and a storm of anti-Navy sentiment drew the attention of such leading writers of the day as Herman Melville and James Fenimore Cooper. But some good did come out of it: public disgust with Mackenzie’s hapless “training” gave birth to Annapolis, the distinguished naval academ that within a century would produce the mightiest navy the world had ever known. Vividly told and filled with tense shown directly in court-martial transcripts, Richard Snow’s masterly account of this all-but-forgotten episode is “a hell of a yarn” (Kirkus Reviews) and naval history at its finest.

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The first-ever biography of Richard Wagner's artistically gifted granddaughter who fought against Hitler's Germany but achieved no personal success for her troubles. She was not the 'black sheep' of her family, as often claimed, but a heroic rebel. Friedelind Wagner (1918-1991), Richard Wagner's independent-minded granddaughter, daughter of Siegfried and Winifred Wagner, despised her mother'sclose liaison with Adolf Hitler and was the only member of the Wagner clan who fled Germany in protest. Although Winifred warned her that the Nazis would 'exterminate' her, should she continue her open opposition, she travelled toLondon and published articles pillorying the Nazi élite. All the same, her former proximity to Hitler & Co. made her suspicious in the eyes of the authorities, who promptly interned her. Even the British Parliament debated her fate. Only with the help of the world-famous conductor Arturo Toscanini was she able to gain an exit visa. Once she arrived in New York she broadcast, lectured and published against the Nazis, wrote an autobiography, and became friends with many other emigrants including singers who had themselves abandoned Bayreuth. After the war the Mayor of Bayreuth asked her to run the Festival, but she declined in favour of her brothers. They showed little gratitude, however, for after Friedelind returned to Germany in 1953 she found herself manoeuvred out of any role in the Festival management. She still made a remarkable effort to find a niche in post-war German society and culture, and did her best to cope with a family notorious for its intrigues past and present. Friedelind Wagner remained a staunch friend of artists such as Wilhelm Furtwängler, Frida Leider, Otto Klemperer, Erich Kleiber, Leonard Bernstein, WalterFelsenstein, Michael Tilson Thomas and many others. Drawing on archival research in many countries, Eva Rieger has here written the first-ever biography of Richard Wagner's talented, artistic granddaughter who fought againstHitler's Germany, but achieved no personal success for her troubles. Her book gives many new insights into wartime and postwar musical life in Germany, Europe and the United States. EVA RIEGER is a feminist musicologist and author of many books on music.

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One of the most iconic characters in children’s literature Hergé’s classic comic book creation Tintin is one of the most recognisable characters in children’s books. These highly collectible editions of the original 24 adventures will delight Tintin fans old and new. Perfect for lovers of graphic novels, mysteries and historical adventures. The world’s most famous travelling reporter sets out in search of Red Rackham’s treasure. Determined to find the treasure of the notorious pirate Red Rackham, Tintin and Captain Haddock set sail aboard the Sirius to find the shipwreck of the Unicorn. With the help of an ingenious shark-shaped submarine, Tintin follows the clues deep down on this ocean adventure. Join the most iconic character in comics as he embarks on an extraordinary adventure spanning historical and political events, and thrilling mysteries. Still selling over 100,000 copies every year in the UK and having been adapted for the silver screen by Steven Spielberg and Peter Jackson in 2011. The Adventures of Tintin continue to charm more than 90 years after they first found their way into publication. Since then more than 230 million copies have been sold, proving that comic books have the same power to entertain children and adults in the 21st century as they did in the early 20th. Hergé (Georges Remi) was born in Brussels in 1907. Over the course of 54 years he completed over 20 titles in The Adventures of Tintin series, which is now considered to be one of the greatest, if not the greatest, comics series of all time. Have you collected all the graphic novel adventures? Tintin in the Land of the SovietsTintin in AmericaTintin: Cigars of the PharaohTintin: The Blue LotusTintin: The Broken EarTintin: The Black IslandTintin: King Ottakar’s SceptreTintin: The Crab with the Golden ClawsTintin: The Shooting StarTintin: The Secret of the UnicornTintin: Red Rackham’s TreasureTintin: The Seven Crystal BallsTintin: Prisoners of the SunTintin: Land of Black GoldTintin: Destination MoonTintin: Explorers of the MoonTintin: The Calculus AffairTintin: The Red Sea SharksTintin in TibetTintin: The Castafiore EmeraldTintin: Flight 714 to SydneyThe Adventures of Tintin and the PicarosTintin and Alph-Art

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Named the #1 Bestselling Non-Fiction Title by the Calgary Herald To camp means to occupy a place and/or time provisionally or under special circumstances. To camp can also mean to queer. And for many children and young adults, summer camp is a formative experience mixed with homosocial structure and homoerotic longing. In Queer as Camp, editors Kenneth B. Kidd and Derritt Mason curate a collection of essays and critical memoirs exploring the intersections of “queer” and “camp,” focusing especially on camp as an alternative and potentially nonnormative place and/or time. Exploring questions of identity, desire, and social formation, Queer as Camp delves into the diverse and queer-enabling dimensions of particular camp/sites, from traditional iterations of camp to camp-like ventures, literary and filmic texts about camp across a range of genres (fantasy, horror, realistic fiction, graphic novels), as well as the notorious appropriation of Indigenous life and the consequences of “playing Indian.” These accessible, engaging essays examine, variously, camp as a queer place and/or the experiences of queers at camp, including Vermont’s Indian Brook, a single-sex girls’ camp that has struggled with the inclusion of nonbinary and transgender campers and staff; the role of Jewish summer camp as a complicated site of sexuality, social bonding, and citizen-making as well as a potentially if not routinely queer-affirming place. They also attend to cinematic and literary representations of camp, such as the Eisner award-winning comic series Lumberjanes, which revitalizes and revises the century-old Girl Scout story; Disney’s Paul Bunyan, a short film that plays up male homosociality and cross-species bonding while inviting queer identification in the process; Sleepaway Camp, a horror film that exposes and deconstructs anxieties about the gendered body; and Wes Anderson’s critically acclaimed Moonrise Kingdom, which evokes dreams of escape, transformation, and other ways of being in the world. Highly interdisciplinary in scope, Queer as Camp reflects on camp and Camp with candor, insight, and often humor. Contributors: Kyle Eveleth, D. Gilson, Charlie Hailey, Ana M. Jimenez-Moreno, Kathryn R. Kent, Mark Lipton, Kerry Mallan, Chris McGee, Roderick McGillis, Tammy Mielke, Alexis Mitchell, Flavia Musinsky, Daniel Mallory Ortberg, Annebella Pollen, Andrew J. Trevarrow, Paul Venzo, Joshua Whitehead

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Named the #1 Bestselling Non-Fiction Title by the Calgary Herald To camp means to occupy a place and/or time provisionally or under special circumstances. To camp can also mean to queer. And for many children and young adults, summer camp is a formative experience mixed with homosocial structure and homoerotic longing. In Queer as Camp, editors Kenneth B. Kidd and Derritt Mason curate a collection of essays and critical memoirs exploring the intersections of “queer” and “camp,” focusing especially on camp as an alternative and potentially nonnormative place and/or time. Exploring questions of identity, desire, and social formation, Queer as Camp delves into the diverse and queer-enabling dimensions of particular camp/sites, from traditional iterations of camp to camp-like ventures, literary and filmic texts about camp across a range of genres (fantasy, horror, realistic fiction, graphic novels), as well as the notorious appropriation of Indigenous life and the consequences of “playing Indian.” These accessible, engaging essays examine, variously, camp as a queer place and/or the experiences of queers at camp, including Vermont’s Indian Brook, a single-sex girls’ camp that has struggled with the inclusion of nonbinary and transgender campers and staff; the role of Jewish summer camp as a complicated site of sexuality, social bonding, and citizen-making as well as a potentially if not routinely queer-affirming place. They also attend to cinematic and literary representations of camp, such as the Eisner award-winning comic series Lumberjanes, which revitalizes and revises the century-old Girl Scout story; Disney’s Paul Bunyan, a short film that plays up male homosociality and cross-species bonding while inviting queer identification in the process; Sleepaway Camp, a horror film that exposes and deconstructs anxieties about the gendered body; and Wes Anderson’s critically acclaimed Moonrise Kingdom, which evokes dreams of escape, transformation, and other ways of being in the world. Highly interdisciplinary in scope, Queer as Camp reflects on camp and Camp with candor, insight, and often humor. Contributors: Kyle Eveleth, D. Gilson, Charlie Hailey, Ana M. Jimenez-Moreno, Kathryn R. Kent, Mark Lipton, Kerry Mallan, Chris McGee, Roderick McGillis, Tammy Mielke, Alexis Mitchell, Flavia Musinsky, Daniel Mallory Ortberg, Annebella Pollen, Andrew J. Trevarrow, Paul Venzo, Joshua Whitehead

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There is a longstanding confusion of Johann Fust, Gutenberg's one-time business partner, with the notorious Doctor Faustus. The association is not surprising to Elizabeth L. Eisenstein, for from its very early days the printing press was viewed by some as black magic. For the most part, however, it was welcomed as a "divine art" by Western churchmen and statesmen. Sixteenth-century Lutherans hailed it for emancipating Germans from papal rule, and seventeenth-century English radicals viewed it as a weapon against bishops and kings. While an early colonial governor of Virginia thanked God for the absence of printing in his colony, a century later, revolutionaries on both sides of the Atlantic paid tribute to Gutenberg for setting in motion an irreversible movement that undermined the rule of priests and kings. Yet scholars continued to praise printing as a peaceful art. They celebrated the advancement of learning while expressing concern about information overload. In Divine Art, Infernal Machine, Eisenstein, author of the hugely influential The Printing Press as an Agent of Change, has written a magisterial and highly readable account of five centuries of ambivalent attitudes toward printing and printers. Once again, she makes a compelling case for the ways in which technological developments and cultural shifts are intimately related. Always keeping an eye on the present, she recalls how, in the nineteenth century, the steam press was seen both as a giant engine of progress and as signaling the end of a golden age. Predictions that the newspaper would supersede the book proved to be false, and Eisenstein is equally skeptical of pronouncements of the supersession of print by the digital. The use of print has always entailed ambivalence about serving the muses as opposed to profiting from the marketing of commodities. Somewhat newer is the tension between the perceived need to preserve an ever-increasing mass of texts against the very real space and resource constraints of bricks-and-mortar libraries. Whatever the multimedia future may hold, Eisenstein notes, our attitudes toward print will never be monolithic. For now, however, reports of its death are greatly exaggerated.

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Italy has grappa, Russia has vodka, Jamaica has rum. Around the world, certain drinks—especially those of the intoxicating kind—are synonymous with their peoples and cultures. For Mexico, this drink is tequila. For many, tequila can conjure up scenes of body shots on Cancún bars and coolly garnished margaritas on sandy beaches. Its power is equally strong within Mexico, though there the drink is more often sipped rather than shot, enjoyed casually among friends, and used to commemorate occasions from the everyday to the sacred. Despite these competing images, tequila is universally regarded as an enduring symbol of lo mexicano. ¡Tequila! Distilling the Spirit of Mexico traces how and why tequila became and remains Mexico's national drink and symbol. Starting in Mexico's colonial era and tracing the drink's rise through the present day, Marie Sarita Gaytán reveals the formative roles played by some unlikely characters. Although the notorious Pancho Villa was a teetotaler, his image is now plastered across the labels of all manner of tequila producers—he's even the namesake of a popular brand. Mexican films from the 1940s and 50s, especially Western melodramas, buoyed tequila's popularity at home while World War II caused a spike in sales within the whisky-starved United States. Today, cultural attractions such as Jose Cuervo's Mundo Cuervo and the Tequila Express let visitors insert themselves into the Jaliscan countryside—now a UNESCO-protected World Heritage Site—and relish in the nostalgia of pre-industrial Mexico. Our understanding of tequila as Mexico's spirit is not the result of some natural affinity but rather the cumulative effect of U.S.-Mexican relations, technology, regulation, the heritage and tourism industries, shifting gender roles, film, music, and literature. Like all stories about national symbols, the rise of tequila forms a complicated, unexpected, and poignant tale. By unraveling its inner workings, Gaytán encourages us to think critically about national symbols more generally, and the ways in which they both reveal and conceal to tell a story about a place, a culture, and a people. In many ways, the story of tequila is the story of Mexico.

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"The unfulfilled and unsatisfied mother around whom the child ascends the upward slope of his narcissism is someone real. She is right there, and like all other unfulfilled creatures, she is in search of what she can devour, quaerens quem devoret. What the child once found as a means of quashing the symbolic unfulfilment is what he may possibly find across from him again as a wide-open maw [...] To be devoured is a grave danger that our fantasies reveal to us. We find it at the origin, and we find it again at this turn in the path where it yields us the essential form in which phobia presents. We find it again when we look at the fears of Little Hans [...] With the support of what I have shown you today, you will better see the relationships between phobia and perversion [...] I shall go so far as to say that you will interpret the case better than did Freud himself [...]"Extract from Chapter XI "[...] it's no accident that what has been perceived but dimly, yet perceived nevertheless, is that castration bears just as much relation to the mother as to the father. We can see in the description of the primordial situation how maternal castration implies for the child the possibility of devoration and biting. In relation to this anteriority of maternal castration, paternal castration is a substitute [...]"Extract from Chapter XXI "[In the case of little Hans] The initial transformation, which will prove decisive, is […] the transformation of the biting into the unscrewing of the bathtub, which is something utterly different, in particular for the relationship between the protagonists. Voraciously to bite the mother, as an act or an apprehension of her altogether natural signification, indeed to dread in return the notorious biting that is incarnated by the horse, is something quite different from unscrewing, from ousting, the mother, and mobilising her in this business, bringing her into the system as a whole, for this first time as a mobile element and, by like token, an element that is equivalent to all the rest."Extract from Chapter XXIII

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They called themselves "Vampires," "Dragons," and "Egyptian Kings." They were divided by race, ethnicity, and neighborhood boundaries, but united by common styles, slang, and codes of honor. They fought--and sometimes killed--to protect and expand their territories. In postwar New York, youth gangs were a colorful and controversial part of the urban landscape, made famous by West Side Story and infamous by the media. This is the first historical study to explore fully the culture of these gangs. Eric Schneider takes us into a world of switchblades and slums, zoot suits and bebop music to explain why youth gangs emerged, how they evolved, and why young men found membership and the violence it involved so attractive. Schneider begins by describing how postwar urban renewal, slum clearances, and ethnic migration pitted African-American, Puerto Rican, and Euro-American youths against each other in battles to dominate changing neighborhoods. But he argues that young men ultimately joined gangs less because of ethnicity than because membership and gang violence offered rare opportunities for adolescents alienated from school, work, or the family to win prestige, power, adulation from girls, and a masculine identity. In the course of the book, Schneider paints a rich and detailed portrait of everyday life in gangs, drawing on personal interviews with former members to re-create for us their language, music, clothing, and social mores. We learn what it meant to be a "down bopper" or a "jive stud," to "fish" with a beautiful "deb" to the sounds of the Jesters, and to wear gang sweaters, wildly colored zoot suits, or the "Ivy League look." He outlines the unwritten rules of gang behavior, the paths members followed to adulthood, and the effects of gang intervention programs, while also providing detailed analyses of such notorious gang-related crimes as the murders committed by the "Capeman," Salvador Agron. Schneider focuses on the years from 1940 to 1975, but takes us up to the present in his conclusion, showing how youth gangs are no longer social organizations but economic units tied to the underground economy. Written with a profound understanding of adolescent culture and the street life of New York, this is a powerful work of history and a compelling story for a general audience.

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“A critical intervention in the high stakes debate about the social value of jails and what we could do instead to create safety and justice.” —Alex Vitale, author of The End of Policing In the tradition of Locking Up Our Own and The New Jim Crow, a rarely seen, thought-provoking journey into Rikers Island and the American justice system that “reframes the debate the country’s incarceration crisis, with a compelling focus on architecture as a path forward (Tony Messenger, Pulitzer Prize–winning author of Profit and Punishment).For nearly a century, the Rikers Island jail complex has stood on a 413-acre manmade island in the East River of New York. Today it is the largest correctional facility in the city, housing eight active jails and thousands of incarcerated individuals who have not yet been tried. It is also one of the most controversial and notorious jails in America. Which is why, when mayor Bill de Blasio announced in 2017 that Rikers would be closed within the next decade, replaced with four newly designed jails located within the city boroughs, the surface reaction seemed largely positive. Many were enthusiastic, including Eva Fedderly, a journalist focused on the intersections of social justice and design, who was covering the closure and its impact for Architectural Digest. But as Fedderly dug deeper and spoke to more people involved, she discovered that the consensus was hardly universal. Among architects tasked with redesigns that reconcile profits and progress, the members of law enforcement working to stop incarceration cycles in community hot spots, the reformers and abolitionists calling for change, and, most wrenchingly, the incarcerated and formerly incarcerated people whose lives will be most affected, some agreed that closing Rikers was a step in the right direction, but many were quick to point out that Rikers was being replaced, not removed. On one point, however, there was firm agreement: whatever the outcome, the world would be watching. Part on-the-ground reporting, part deep social and architectural history, These Walls is an eye-opening, “insightful…bracing look at how the nation’s jails—and the nation itself—ought to be reformed” (Kirkus Reviews) and a challenge to our long-held beliefs about what constitutes power and justice.

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'It is a Lord of the Flies parable with Bhagwan as lord. The book is a fascinating social history, with many celebrities, from Diana Ross to Prince Charles. - Helen Rumbelow, The TimesThis is the story of a Englishman who gave up a job in journalism to spend fourteen years with the controversial Indian mystic Osho, also known as Bhagwan Shree Rajneesh and frequently referred to as 'the sex guru'. His guru was always controversial with his teachings on sex and spirituality, rumours of orgies and because he owned ninety-three Rolls Royces.Early in 1976, Subhuti travelled to India to meet Rajneesh in his ashram in Pune, became initiated as his disciple and immediately began to have mystical experiences, which he attributed to the powerful energy field surrounding the guru. He stayed for six months, participating in the ashram's notorious Encounter Group and other therapies designed to release suppressed emotions and awaken sexual energySubhuti would stay to live and work on his master's ashrams for fourteen years, first as his press officer in Pune, India, then as editor of the community's weekly newspaper when Bhagwan and his followers shifted to Oregon, USA, and built a whole new town on the massive Big Muddy Ranch.There Subhuti was a first-hand witness to the scandals and hullabaloo that accompanied the guru, including tales of broken bones in no-holds-barred therapy groups and Tantra groups that encouraged total sexual freedom, and the increasing hostility with the locals which would lead to Bhagwan's attempt to flee America, his arrest and imprisonment. .He was on the Oregon Ranch when Rajneesh's secretary, Ma Anand Sheela, plotted against rival cliques within the ashram as well as a range of murderous crimes against state and federal officials which feature in hit Netflix series Wild Wild Country.Yet, amidst it all, Subhuti could see the profound revolution in spirituality that Bhagwan was creating, leaving a lasting impact on our ideas about society, religion, meditation and personal transformation.According to the author's understanding, it was the controversy itself, plus Bhagwan's refusal to tread the path of a spiritual saint, that became the stepping stone to a new vision of what it means to be a spiritual seeker.

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Scribners tells the inside story of five generations--over 150 years--at the legendary publishing house of Charles Scribner's Sons, beginning with its founding in an unused chapel in downtown New York through its golden era on Fifth Avenue above the famous landmark bookstore down to the present-day. The author, the fifth of the Charleses to work at that house of celebrated authors, provides here an inside view--"between the covers" of illustrious and notorious books--of the family members, editors, and authors of this colorful literary history. Among the writers who illuminate this story we find in the early years Robert Louis Stevenson, Rudyard Kipling, Henry James, Edith Wharton, Teddy Roosevelt, Winston Churchill, John Galsworthy and the artists Charles Dana Gibson, N. C. Wyeth, and Maxfield Parrish, who illustrated Scribner's Magazine as well as Scribner books. Then with the arrival of "editor of genius" Max Perkins, the story takes off into the heights of twentieth-century fiction with Scott Fitzgerald, Thomas Wolfe, Marjorie Kinnan Rawlings, Marcia Davenport, Alan Paton, James Jones and--above all--Ernest Hemingway, that most loyal and enduring author whose works were published by four generations of Scribners. Famous children's classics The Wind in the Willows, Peter Pan, and The Yearling also take their place of honor in the firm's contribution to new generations of readers.This engaging personal account of family history--both in and out of the office--includes the most colorful controversies: from Mussolini and Trotsky to Lindbergh and C. P. Snow--as well as behind-the-scenes adventures of the author's father as he navigated the seas with industry storms and publishing corsairs before finding a safe harbor at Macmillan and finally, after the demise of tycoon Robert Maxwell, Simon & Schuster. The author, an art historian, found himself for thirty years in the company of writers by "an accident of birth." But it proved an adventure beyond his reckoning, here told with the candor and informality of a family gathering, as well as with humor and affection for his father, P. D. James, Louis Auchincloss, Andrew Greeley, and other authors with whom he worked personally. As Scott Fitzgerald wrote, "If it wasn't life, it was magnificent."

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From the bestselling author of Leaving Berlin comes an explosive and richly imagined thriller set in the early days of the Cold War. SOME SECRETS SHOULD NEVER BE TOLDMoscow, 1961: With the launch of Sputnik, the Soviet Union's international prestige is at an all-time high. And the most notorious of the defectors to the Soviet Union, former CIA agent Frank Weeks, is about to publish his memoir. What he reveals will send shock waves through the West. Weeks' defection in the early 1950s shook Washington to its core – and forced the resignation of his brother, Simon, from the State Department. Simon, now a publisher in New York, is given the opportunity to read and publish his brother’s memoir. He knows the US government will never approve the publication of what is clearly intended as KGB propaganda. Yet the offer is irresistible: it will finally give him the chance to learn why his brother chose to betray his country.But what he discovers in Moscow is far more shocking than he ever imagined . . . PRAISE FOR JOSEPH KANON: 'Joseph Kanon continues to demonstrate that he is up there with the very best of the current crop of spy thriller writers . . . he is the master of the shadows of the era . . . a frightening, convincing portrait of the state's capacity to control every aspect of the lives of its subjects and even its visitors. Kanon writes beautifully, superbly conveying human sadness and regret' The Times on Defectors 'The critical stock of Joseph Kanon will add further lustre to his reputation . . . There are pleasing echoes here of the "entertainments" of Graham Greene' Guardian on Defectors 'Defectors [is] as readable and suspenseful as the fine espionage novels of Eric Ambler, Graham Greene, Charles McCarry, Robert Littell, Alan Furst and John Le Carré — and its roller-coaster plot will keep you guessing until the final page' Washington Post 'An excellent tale about secrets, loyalty and betrayal' Sun 'One of the most exciting books I've read in years' Alexander McCall Smith on Leaving Berlin 'Spectacular in every way' Lee Child on Stardust 'Tense and atmospheric, with sinister intrigue' Wall Street Journal on Istanbul Passage

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Whether you are a new or longtime Formula 1 fan, here is your ultimate, unofficial armchair companion to the popular Netflix series Formula 1: Drive to Survive, providing deeper insight into the players, tech, and history that drive the show’s plot points. F1 expert Stuart Codling is your guide to all things F1. The Formula 1 Drive to Survive The Unofficial Companion is a feature-rich guide that takes you beyond the series’ personalities and off-track drama to present further context. Topics covered include: People – Who does what to keep F1 teams rolling? From personal trainers to race engineers, mechanics, pit crew, and team principal, what does it take to succeed in F1? Sidebars and callouts include significant past players and great rivalries including that between Toto Wolff and Christian Horner. F1 History in 20 Cars – From Fangio’s postwar Alfa Romeo to Max Verstappen’s Honda-powered Red Bull and Lewis Hamilton’s Mercedes, all the great teams feature: Ferrari, Williams, McLaren, Lotus, and more. Callouts features driver gear and great past drivers like Andretti, Brabham, Moss, Schumacher, and more. Technology – Who designs and builds today’s mind-bending cars and engines and what does the process entail? Side journeys explore safety features, technology behind key components, and big ideas that flopped. F1 Circuits – A look at F1 race course in today, along with features on circuit design, past circuits, and notorious circuit features like Loew’s Hairpin at Monaco and Eau Rouge at Spa Francorchamps. Race Strategy – The rules and strategies of race day. Sidebars explore things like tire strategy, the anatomy of a pit stop, and the role of analytics. Business – Who pays for the multibillion-dollar spectacle on display in Drive to Survive and how is it possibly profitable? Features and callouts explore the evolution of sponsorship, driver salaries, and backroom deals. Where relevant, Codling relates content to specific seasons and episodes, providing even more context for the reality series. The visuals include scores of action and off-track photos. The result is a visually stunning guide to accompany a wildly popular TV series, and an engaging history spanning seventy-plus years of the world’s most popular motorsport.

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JAM BUTTIES AND A PAN OF SCOUSE is a gritty yet heart-warming memoir set against the backdrop of Liverpool's tightknit working-class docklands community. The story covers Maggie Clarke's upbringing in the tenements close to the docks, the River Mersey and the Leeds and Liverpool Canal: an area notorious for having the worst slums in Britain, yet the closest community as well.At the tender age of 11, Maggie Clarke finds herself the matriarch of the family when her Irish mother runs off with another man. Leaving school at 14 to work at a local factory putting sticks into lollies, she is determined to make a better life for herself and her family - before starting her own family with her childhood sweetheart, who she marries at 19 after 'falling in the family way'. She has one night of married life with her husband before he is sent to India with the Navy and is devastated when she never hears from him again, presuming him a casualty of the war that is raging at home and abroad. Another tragedy strikes when Maggie's brother Tommy is also claimed by the war, leaving her father inconsolable, but Maggie knows life has to go on and falls in love with Joseph, an Irish settler who she has 8 children with. But her happiness is short-lived as her first husband suddenly appears out of the blue demanding a divorce, and her new husband drinks away what little money they have, returning in fits of rage that leave Maggie and her children hungry and afraid. Many times she is only able to feed her brood by the kindness of neighbours putting a 'pan of scouse' on the range for her, or feeding her kids jam butties to help out. Maggie's story sweeps across the changing face of Liverpool, from its squalid dock streets, the tenement blocks and cobbled roads to the decline of the docklands, new council housing, the rise of the Mersey beat, the Beatles and the energy and passion of a city that is home to a cast of colourful characters with the resilience to withstand the heartbreak and hardships that only the poorest can know.

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Sunday Times No 1 bestseller John Grisham returns to Mississippi in his most gripping thriller yet.'As ever with Grisham there are corkscrew twists and turns as he ratchets up the suspense. It is exceptional story-telling, which leaves the reader begging for the novel never to end. Grisham has sold more than 300 million copies of his work. This shows exactly why' DAILY MAILFor most of the last hundred years, Biloxi was known for its beaches, resorts, and seafood industry. But it had a darker side. It was also notorious for corruption and vice, everything from gambling, prostitution, bootleg liquor, drugs . . . even contract killings. The vice was controlled by a small cabal of mobsters, many of them rumoured to be members of the Dixie Mafia.Keith Rudy and Hugh Malco grew up in Biloxi in the sixties and were childhood friends. But as teenagers, their lives took them in different directions. Keith's father became a legendary prosecutor, determined to 'clean up the Coast.' Hugh's father became the 'Boss' of Biloxi's criminal underground. Keith went to law school and followed in his father's footsteps. Hugh preferred the nightlife and worked in his father's clubs. The two families were headed for a showdown, one that would happen in a courtroom.Rich with history and with a large cast of unforgettable characters, The Boys from Biloxi is a sweeping saga of two sons of immigrant families who grow up as friends, but ultimately find themselves in a knife-edge legal confrontation in which life itself hangs in the balance.In this novel, Grisham takes his powerful storytelling to the next level, his trademark twists and turns will keep you tearing through the pages until the stunning conclusion.'It's a story that spans half a century and ends inevitably in a courtroom showdown. A morally complex, compelling and illuminating read' MAIL ON SUNDAY'Invites comparisons with the Godfather trilogy - it spans two generations and several postwar decades - and has a vast cast and a winning energy' SUNDAY TIMES 350+ million copies, 45 languages, 10 blockbuster films:NO ONE WRITES DRAMA LIKE JOHN GRISHAM

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Since before the time of Alexander the Great trained soldiers have sold their expertise on battlefield around the World, fighting and dying in other people's wars for money, glory or the lust for violence and combat. In this book Harry McCallion explores the development of modern mercenary forces from the British SAS led deniable operation in Yemen in late 1960's, during which the Israelis were persuaded to arm the SAS led Yemeni tribesmen, through the bush wars in Africa, Britain's ill fated intervention in the war in Afghanistan right up to today's War in Ukraine. Many of the modern day British mercenaries were known to the author personally. including such notably figures as the legendary SAS Fijian warriors Tak Takevesia who, although in his early sixties shot his way out of an ambush in Bagdad and Fred Big Fred' Mrafano who devoted himself to the cause of the people of Serra Leone. SAS veteran .Bill Scully who received the Queen's Gallantry Medal single-handedly protected 1,300 civilians from rebel troops during the uprising in May 199 7after the Sierra Leone coup and American Vietnam veteran Major Mac' Mackenzie, who although badly wounded in Vietnam, rose from trooper to command a Rhodesian SAS squadron and was one of the units most highly decorated soldiers. Also included are more notorious figures like Costas Georgiou also known by his alias Colonel Callan who served in the 1st Battalion of the Parachute Regiment but was dishonourably discharged and sentenced to five years in prison for a post office robbery, later he proclaimed himself a Colonel' and led a group of psychopathic mercenaries in the Angolan War of Independence, before being captured and executed by Angolan forces. The book explores the roles of modern day mercenaries, who's use has expanded precisely because they are mercenaries, fighting for money and not love of country, their deaths are not seen as a patriotic sacrifice, often they go unreported and in turn helps to conceal the true tragic human cost of waging a war. As one former private military contractor recently stated to Australian TV If you want to conquer in the 21st century you use mercenaries, special forces, things to keep war secret and nobody's better at secret wars than mercenaries.

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'It's impossible to visit Church on the Street and not be deeply moved by the work the organisation does for those in need. It is an extraordinary place ... 'HRH THE PRINCE OF WALES, from the Foreword 'There are so few people like Pastor Mick that this book deserves a shelf all to itself.' JEREMY VINE, BROADCASTER AND JOURNALIST An autobiography that is fast-paced, stirring and a powerful testament to the love of God, Blown Away tells the story of Pastor Mick Fleming. No conventional clergyman, Pastor Mick led a life of crime and addiction before being called by God to become a Christian minister. Brutally raped as a child, he was about to confide in his parents when the dreadful news came that his sister had died of a sudden heart-attack. Mick didn't cry again for 30 years, masking his pain with drink and drugs and working as notorious underworld fixer - until the day a revelation of faith unravelled his world, and he found himself utterly 'blown away'. Here he relates his incredible journey from hardened criminal to discovering who he truly is in Christ; from helping to destroy lives through drug dealing, to helping others and saving lives through selflessly serving those in poverty. Laying bare his struggles in full for the first time, including a failed attempt at suicide, Pastor Mick tells how sharing his pain has helped others who are suffering. Since that first call that set him on the road to becoming a Christian minister he has seen miracles happen - including being able not only to forgive, but to help, the man who ruined his life. Blown Away is a thought-provoking and inspiring Christian autobiography that offers insight into the violent underworld of crime, addiction and substance abuse in the UK and reveals the extraordinary power of faith, forgiveness and redemption. Pastor Mick's story will move and inspire you on your own faith journey, and offer hope to those struggling with addiction, grief and suffering. Told with raw honesty and full of warmth and humanity, Blown Away is an amazing example of how God can help those even in the darkest places.

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Thirty years ago five L.A. punks unleashed their debut album upon the atrophied and decadent rock charts of Reagan's America. Within weeks ÊAppetite for DestructionÊ ascended to number one on the U.S. charts; to date ÊAppetiteÊ has sold more than thirty million copies making it the bestselling U.S. debut album of all time. To say that Guns N' Roses redefined rock 'n' roll is akin to asserting that Jimi Hendrix revolutionized surf music ä a statement that while technically true does more to conceal the truth than elucidate it. GN'R turned back the tide of MTV-spawned New Wave/synth pop by infusing the blistering hard rock of Led Zeppelin and Aerosmith with a punk sensibility that hearkened back to the onstage anarchy of the Stooges New York Dolls and Sex Pistols. In ÊGuns N' Roses FAQ: All That's Left to Know About the Bad Boys of Sunset StripÊ Rich Weidman charts the amazing journey of this seminal record and the band behind it. From the gutters of West Hollywood to the Rock and Roll Hall of Fame from ÊAppetiteÊ to ÊThe Spaghetti Incident?Ê these 400 pages of hedonistic nihilism salacious debauchery and raw unadulterated rock are guaranteed to turn your head blow out your eardrums obliterate your comfort zone and leave you begging for more.ÞWritten in Backbeat's popular FAQ format ÊGuns N' Roses FAQÊ breaks the band's story into a series of chapters equally suitable for a straight-through read or piecemeal consumption. Weidman's treasure trove of facts trivia stories and photographs touch on every topic imaginable. Subjects explored include the band's earliest influences and venues most notorious concerts and opening acts highlights from their seemingly endless ÊAppetite for DestructionÊ and ÊUse Your IllusionÊ tours bizarre TV appearances (like the time they destroyed the set of MTV's ÊHeadbangers Ball!Ê) public and private feuds music videos best and worst covers (Pat Boone anyone?) and much more. From the golden years of the late eighties and early nineties to the outrageous antics and self-destructive tendencies that to irreconcilable inner turmoil from the band's West Hollywood club days to the reunion of three of the five classic band members during the 2016 Not in This Lifetime Tour ÊGuns N' Roses FAQÊ paints a portrait replete with sheer talent raw power dangerous rivalries rock excess and sudden reconciliation that's simply unrivaled by anything else on the market.

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"With her eye for historical detail and flair for sympathetic heroines, Francesca Stanfill breathes new life into the medieval court of Eleanor of Aquitaine. The Falcon’s Eyes is a novel of epic proportions that succeeds in being both intimate and vast. History is Stanfill’s canvas, humanity her inspiration."—Amanda Foreman, bestselling author of Georgiana: Duchess of Devonshire“Stanfill has persuasively re-imagined the Middle Ages, surrounding the legendary Queen Eleanor of Aquitaine with indelible characters in an immersive tale of intrigue, bravery, ruthlessness, and compassion. . . . The Falcon’s Eyes is a dazzling adventure, with riveting twists and turns and a surprising yet deeply satisfying conclusion."—Sally Bedell Smith, author of Elizabeth the QueenSet in France and England at the end of the twelfth century, the moving story of a spirited, questing young woman, Isabelle, who defies convention to forge a remarkable life, one profoundly influenced by the fabled queen she idolizes and comes to know – Eleanor of AquitaineWillful and outspoken, sixteen-year-old Isabelle yearns to escape her stifling life in provincial twelfth century France. The bane of her mother’s existence, she admires the notorious queen most in her circle abhor: Eleanor of Aquitaine. Isabelle’s arranged marriage to Gerard --- a rich, charismatic lord obsessed with falcons --- seems, at first, to fulfill her longing for adventure. But as Gerard’s controlling nature, and his consuming desire for a male heir, become more apparent, Isabelle, in the spirit of her royal heroine, makes bold, often perilous, decisions which will forever affect her fate.A suspenseful, sweeping tale about marriage, freedom, identity, and motherhood, THE FALCON’S EYES brings alive not only a brilliant century and the legendary queen who dominated it, but also the vivid band of complex characters whom the heroine encounters on her journey to selfhood: noblewomen, nuns, servants, falconers, and courtiers. The various settings — Château Ravinour, Fontevraud Abbey, and Queen Eleanor’s exiled court in England — are depicted as memorably as those who inhabit them. The story pulses forward as Isabelle confronts one challenge, one danger, after another, until it hurtles to its final, enthralling, page. With the historical understanding of Hillary Mantel and the storytelling gifts of Ken Follett, Francesca Stanfill has created an unforgettable character who, while firmly rooted in her era, is also a woman for all times.

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Before he wrote 'A Series of Unfortunate Events', before the Baudelaires became orphans, even before the invention of Netflix, Lemony Snicket asked all the wrong questions. Four to be exact. This is the account of the third question. Young apprentice Lemony Snicket is investigating a case of arson but soon finds himself enveloped in the ever-increasing mystery that haunts the town of Stain’d-by-the-Sea. Who is setting the fires? What secrets are hidden in the Department of Education? Why are so many schoolchildren in danger? Is it all the work of the notorious villain Hangfire? How could you even ask that? What kind of education have you had? In the tradition of great storytellers, from Dickens to Dahl, comes an exquisitely dark comedy that is both literary and irreverent. You’ll laugh only if you find humour in gothic and mysterious things involving detectives and crime solving. Lemony’s other literary outings in ‘A Series of Unfortunate Events’ have sold 60 million copies worldwide and been made into a Hollywood film starring Jim Carrey and a Netflix series starring Neil Patrick Harris. These regrettable developments mean that millions of fans have found out about the dreadful plight of the Baudelaire orphans, but you do not have to. You have been warned. Have you read all four mysterious titles in the Wrong Questions series? ‘Who Could That Be at the This Hour?’ ‘When Did You Last See Her?’ ‘Shouldn’t You Be in School?’ ‘Why is This Night Different from All Other Nights?’ Author Lemony Snicket was born before you were and is likely to die before you as well. He was born in a small town where the inhabitants were suspicious and prone to riot. He grew up near the sea and currently lives beneath it. Until recently, he was living somewhere else. He is a broken man, wracked with misery and despair as a result of writing 'A Series of Unfortunate Events'. He spends his days wandering the countryside weeping and moaning and his evenings eating hastily-prepared meals. Artist Seth has portrayed suspicious circumstances and shady characters in much of his work. He is a multi-award-winning cartoonist, author and artist, whose works include Palookaville and Clyde Fans. Praise for Who Could That Be at This Hour?: ‘Charming, clever and enormously enjoyable’ Guardian ‘Wonderfully eccentric and addictive … Just beautiful writing’ Observer ‘Better than ever’ Independent ‘A dazzlingly clever, funny and literary concoction’ Irish Times

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The Red Brigades were a far-left terrorist group in Italy formed in 1970 and active all through the 1980s. Infamous around the world for a campaign of assassinations, kidnappings, and bank robberies intended as a "concentrated strike against the heart of the State," the Red Brigades’ most notorious crime was the kidnapping and murder of Italy’s former prime minister Aldo Moro in 1978. In the late 1990s, a new group of violent anticapitalist terrorists revived the name Red Brigades and killed a number of professors and government officials. Like their German counterparts in the Baader-Meinhof Group and today’s violent political and religious extremists, the Red Brigades and their actions raise a host of questions about the motivations, ideologies, and mind-sets of people who commit horrific acts of violence in the name of a utopia. In the first English edition of a book that has won critical acclaim and major prizes in Italy, Alessandro Orsini contends that the dominant logic of the Red Brigades was essentially eschatological, focused on purifying a corrupt world through violence. Only through revolutionary terror, Brigadists believed, could humanity be saved from the putrefying effects of capitalism and imperialism. Through a careful study of all existing documentation produced by the Red Brigades and of all existing scholarship on the Red Brigades, Orsini reconstructs a worldview that can be as seductive as it is horrifying. Orsini has devised a micro-sociological theory that allows him to reconstruct the group dynamics leading to political homicide in extreme-left and neonazi terrorist groups. This "subversive-revolutionary feedback theory" states that the willingness to mete out and suffer death depends, in the last analysis, on how far the terrorist has been incorporated into the revolutionary sect. Orsini makes clear that this political-religious concept of historical development is central to understanding all such self-styled "purifiers of the world." From Thomas Müntzer’s theocratic dream to Pol Pot’s Cambodian revolution, all the violent "purifiers" of the world have a clear goal: to build a perfect society in which there will no longer be any sin and unhappiness and in which no opposition can be allowed to upset the universal harmony. Orsini’s book reconstructs the origins and evolution of a revolutionary tradition brought into our own times by the Red Brigades.

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"She declares, so the bishops will write in their report on the council, that she is unworthy to continue as a married woman. 'Before God and his angels' she bares her heart and confesses to them 'every secret relating to the rumor that had arisen.' The 'rumor'—as will become apparent—concerns her sexual relations with her brother. True, the 'inner wound' which she 'confesses' to God and the bishops was not dealt her of her own volition but under duress, but it is in any event so terrible that she no longer feels herself worthy to share a royal or a marital bed or to marry anyone at all. The bishops and abbots allow her, as she had supposedly requested, to enter a convent."—from The Divorce of Lothar II The Divorce of Lothar II illuminates the origin and development of Western notions of marriage and divorce and the separation of church and state in the context of a notorious royal divorce in late Carolingian Europe. In 857, Lothar II, king of Lotharingia, decided to divorce Theutberga—either because she had allegedly engaged in an incestuous liaison with her brother or simply because Lothar had wished to marry his concubine Waldrada. Karl Heidecker's dramatic and engaging narrative untangles the chaos that resulted: two popes, a host of often quarreling bishops, and Lothar's conniving uncles soon became involved in an epic struggle that did not end even with the death of Lothar. The extraordinary series of events sheds light on the fact that the laws on marriage and divorce were still uncertain. The Church itself was hardly unified in its approach, and its efforts to formulate and impose rules repeatedly foundered against the political machinations characteristic of the Carolingian world. In The Divorce of Lothar II, Heidecker not only discusses the legal aspects of the case but also pays much attention to the often heavy-handed ways in which the players of the story achieved their goals. This ninth-century scandal becomes a study of family dynamics, changing values, and the tenuous relationships between kings, nobles, and bishops around the topic of royal marriage. Though the drama ended with no clear resolution of the Church's position, Lothar's quest is revealed as an early chapter in the emergence of the belief that marriage rests on the personal will of the partners, is monogamous, and should not be dissolved.

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Since it was first published in 2006, Riches, Rivals and Radicals has been the go-to text for introductory museum studies courses. It is also of great value to professionals as well as museum lovers who want to learn the stories behind how and why these institutions have evolved since the day the first mastodon bones, royal portraits and botanical specimens entered their dusty halls. For this third edition, Marjorie Schwarzer has mined new resources, previously unavailable archives and contemporary trends to provide a fresh look at the challenges and innovations that have shaped museums in the United States. Schwarzer argues that museums are fundamentally optimistic institutions. They build and preserve some of the nation’s most extraordinary architecture. They showcase the beauty and promise of new scientific discoveries, historical breakthroughs and artistic creation. They provide places of inspiration and repose. At the same time, museums have succeeded in exposing some of the nation’s most painful legacies – racism, inequity, violence – as they strive to be places for healing and reckoning. This too, one could argue, is an act of optimism, for it expresses the hope that museum visitors will gain empathy and understanding from the evidence of others’ struggles. Schwarzer shows us how museums are rooted in a contentious history tied to social, technological and economic trends and ultimately changing ideas of what it means to be a citizen. Along the way we meet some notorious and eccentric characters including business tycoons, architects, collectors, designers, politicians, political activists and progressive educators, all of whom have exerted their influence on what is a complex yet nonetheless enduring institution. Major additions since the last edition include material on digital curation, emergent exhibitions about civil rights, immersive museum environments, continuing efforts to diversify the field, how museums' role in our increasingly digital society, and a new foreword by American Alliance of Museums President and CEO Laura L. Lott.Museums new to this edition include the National Museum of African American History and Culture, the National Memorial for Peace and Justice, and the 9/11 Memorial and Museum.Beautifully written and lavishly illustrated, the third edition of this accessible, award-winning book brings the reader up to date on the stories behind the people and events that have transformed America’s museums from their beginnings into today’s vibrant cultural institutions.

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"Hossain’s giddy new novel, another inventive blend of mythology and cyberpunk gizmology... puts a clever spin on both high fantasy and hard science tropes as ancient djinns wield futuristic technology to go head-to-head with humans empowered with their own technowizardry. Fans of both genres will find this an enjoyable romp." ―Publishers Weekly Welcome to Dhaka, Bangladesh in 2089. A city notorious for its extreme population density has found an unexpected way to not just survive a global climate apocalypse, but thrive: pump enough biological nanotech into the neighborhood and all of the bodies together form a self-sustaining, and even temperate, microclimate. Of course, this means that millions of humans have to stay put in order to maintain a livable temperature, and people are getting restless. All of the nanotech has also led to some surprises: certain people no longer need food or water while others can live without functioning organs. So the mercenary Djibrel has to carry a machete wherever he goes. Only a swift beheading can ensure the job gets done anymore. Djibrel navigates the crowded streets, humans teeming with genetic mutations, looking for answers about what happened to the Djinn, a magical super race of genies who seem to have disappeared, or merged, with humans for survival. What Djibrel doesn’t know is that his every move is being tracked by the infamous Cyber Mage—better known to his parents as Murzak, a privileged snarky teenager who regularly works for a Russian crime syndicate with a band of elite hackers, like his best friend ReGi, who resides in North Africa’s FEZ (Free Economic Zone). Respected and feared online, Murzak is about to embark on one of his biggest challenges: attending high school IRL. But when he discovers a brand new type of AI, operating on a dark web from the abandoned Kingdom of Bahrain that he thought was just an urban myth, Murzak and Djibrel will have to face the unimaginable in an already inconceivable world. In this laugh-out-loud-funny and totally original new novel, Saad Z. Hossain continues his signature genre mashup of SF and fantasy, challenging and subverting everything previously imagined about our future and climate change. A scathing critique of corporate greed, Hossain shows us how to think beyond the naïve ideas of preening moguls like Jeff Bezos and Elon Musk.

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Enter the glamorous domain of world-famous jewellery house, Harry Winston, and discover the true rags-to-riches story of the immigrant family behind the phenomenon. Harry Winston’s famous slogan for his success was: “knowledge, courage, and the ability to finance.” King of Diamonds: The Flawless World of Harry Winston is the quintessential rags-to-riches success story of a very poor immigrant family emigrating from Ukraine to America. It is the story of how one man, Harry Winston, created a famous name with his company, founded in New York City in 1932. Winston became known for the owning and sales of very large diamonds. At one point, he owned a third of the world’s most famous gems, including the Hope Diamond, which earned him the moniker “King of Diamonds.” The book details how author Ronald Winston’s father got his start and began what would eventually become the most famous jewellery house in the world. Peek inside his first office, an upstairs Fifth Ave location, followed by subsequent locations in Rockefeller Centre, an office across from St. Patrick's Cathedral, and finally an image-building store on Fifth Avenue. Known as the “Jewelleer to the Stars,” Winston’s gems have appeared both on the Hollywood red carpet and in famous Hollywood films like Notorious starring Ingrid Bergman and Cary Grant, The Graduate starring Dustin Hoffman and Anne Bancroft, and How to Lose a Guy in 10 Days starring Kate Hudson and Matthew McConaughey. Celebrities such as Marilyn Monroe, Viola Davis, Helen Mirren, Gwyneth Paltrow, and many more have worn Winston pieces on Hollywood’s biggest nights. The story then follows Harry Winston’s successor and heir, Ronald Winston, and his making of the family name. Under Ronald, the company’s name would not remain just famous, but would become world-famous. Ronald built locations in Los Angeles, Hawaii, Japan, and China. Ronald’s saga continued with his entry into the revolution in Angola, buying diamonds from its charismatic leader, Jonas Savimbi. Ronald Winston risked his life in order to make profits that repaid the death taxes caused by his father’s passing. In all, King of Diamonds is a joyous evocation of two men who added an innumerable amount to the image, story, and marketing of luxury products, as well as to the joy of people who love and purchase these objects. After all, as frequent Winston jewellery-wearer Marilyn Monroe would say, “diamonds are a girl’s best friend.”

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Finalist for the 2021 CASEY Award for Best Baseball Book of the Year“For that period of time, he was the greatest player of my generation.”—Keith Hernandez Dave Parker was one of the biggest and most badass baseball players of the late twentieth century. He stood at six foot five and weighed 235 pounds. He was a seven-time All-Star, a two-time batting champion, a frequent Gold Glove winner, the 1978 National League MVP, and a World Series champion with both the Pittsburgh Pirates and the Oakland A’s. Here the great Dave Parker delivers his wild and long-awaited autobiography—an authoritative account of Black baseball during its heyday as seen through the eyes of none other than the Cobra. From his earliest professional days learning the game from such baseball legends as Pie Traynor and Roberto Clemente to his later years mentoring younger talents like Eric Davis and Barry Larkin, Cobra is the story of a Black athlete making his way through the game during a time of major social and cultural transformation. From the racially integrated playing fields of his high school days to the cookie-cutter cathedrals of his prime alongside all the midseason and late-night theatrics that accompany an athlete’s life on the road–Parker offers readers a glimpse of all that and everything in between. Everything. Parker recounts the triumphant victories and the heart-breaking defeats, both on and off the field. He shares the lessons and experiences of reaching the absolute pinnacle of professional athletics, the celebrations with his sports siblings who also got a taste of the thrills, as well as his beloved baseball brothers whom the game left behind. Parker recalls the complicated politics of spring training, recounts the early stages of the free agency era, revisits the notorious 1985 drug trials, and pays tribute to the enduring power of relationships between players at the deepest and highest levels of the sport. With comments at the start of each chapter by other baseball legends such as Pete Rose, Dave Winfield, Willie Randolph, and many more, Parker tells an epic tale of friendship, success, indulgence, and redemption, but most of all, family. Cobra is the unforgettable story of a million-dollar athlete just before baseball became a billion-dollar game.

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‘I would give this more stars if I could. For a debut novel, in this genre, this is simply brilliant, the twists & turns you go through keep you on the edge of your seat, I couldn't put this down!!’ Reader review ⭐⭐⭐⭐⭐ ‘Wow wow wow is all I can say. This book is brilliant . . . such a page turner’ Reader review ⭐⭐⭐⭐⭐ ‘Fabulous debut book. Fast paced and addictive. You won't want to put it down until you've finished reading it’ Reader review ⭐⭐⭐⭐⭐ ‘What a page turner! Fresh and engaging writing . . . absolutely worth the read’ Reader review ⭐⭐⭐⭐⭐ * * * There's a serial killer on the loose. When bodies start washing up along the banks of the River Thames, DI Henley fears it is the work of Peter Olivier, the notorious Jigsaw Killer. But it can’t be him; Olivier is already behind bars, and Henley was the one who put him there. The race is on before more bodies are found. She’d hoped she’d never have to see his face again, but Henley knows Olivier might be the best chance they have at stopping the copycat killer. But when Olivier learns of the new murders, helping Henley is the last thing on his mind . . . Will it take a killer to catch the killer? Now all bets are off, and the race is on tocatch the killer before the body count rises. But who will get there first – Henley, or the Jigsaw Killer? * * * Praise for Nadine Matheson 'So tense and dark. It has a real Silence of the Lambs vibe, and Peter Olivier is my new Hannibal Lecter. Brilliant' Lisa Hall, author of Between You and Me 'Matheson’s voice is exciting, urgent… and, now more than ever, vital’ A.J. Finn, Sunday Times bestselling author of The Woman in the Window ‘Buckle up, readers! From the first scene, Nadine Matheson takes us on a heart-pounding roller coaster ride’ Tami Hoag, Sunday Times bestselling author of The Boy ‘If you like your crime on the gruesome side, this will certainly satisfy’ Heat ‘With a wit that complements her dark subject matter, Matheson writes superbly . . . A book to make you think, feel – and jump out of your chair’ Daily Mirror

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The 18th-century meets the sharp blade of forensic science...Newly released from the notorious asylum known as Bedlam, Lady Lydia Farrell finds herself in an equally terrifying position - as a murder suspect - when she stumbles upon the mutilated body of Sir Montagu Malthus in his study at Boughton Hall. Meanwhile, Dr Thomas Silkstone has been injured in a duel with a man who may or may not have committed the grisly deed of which Lydia is accused. Despite his injury, Thomas hopes to clear his beloved's good name by conducting a postmortem on the victim. With a bit of detective work, he learns that Montagu's throat was slit by no ordinary blade, but a ceremonial Sikh dagger from India - a clue that may be connected to the fabled lost mines of Golconda. From the mysterious disappearance of a cursed diamond buried with Lydia's dead husband, to the undying legend of a hidden treasure map, Thomas must follow a trail of foreign dignitaries, royal agents - and even more victims - to unveil the sinister and shocking secrets in the stones...The Dr Thomas Silkstone Mysteries are perfect for fans of Antonia Hodgson's The Devil in the Marshalsea, E. S. Thomson's Jem Flockhart series and Sarah Perry's The Essex Serpent.Praise for Tessa Harris:'A densely plotted yarn about a crafty 18th-century poisoner wreaking havoc on the Oxfordshire estate of a noble family . . . we await - indeed, demand - the sequel' New York Times Book Review'Harris' research is meticulous. The results are a historical CSI with a romance and excellent mystery' Romantic Times'Populated with real historical characters and admirably researched, Harris's novel features a complex and engrossing plot' Library Journal'The author will have you flipping the pages at each unexpected turn in the plot. The novel is an absorbing read with a shocking twist at the end' Historical Novel Society'Well-rounded characters, cleverly concealed evidence, and an assured prose style point to a long run for this historical series' Publishers Weekly Starred Review'The exceptionally strong historical background in this 1780s London-set novel makes it impossible to put down. With each book, the mysteries have become stronger . . . Silkstone is an admirable character and he captures readers' emotional interest' RT Book ReviewsThe Dr Thomas Silkstone Mysteries:The Anatomist's ApprenticeThe Dead Shall Not RestThe Devil's BreathThe Lazarus CurseShadow of the RavenSecrets in the Stones

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'The Dictionary of Crime is now the first book I reach for when beginning a new novel. An essential resource, it's packed with explanations, insider information, contemporary and historical slang, as well as some downright bizarre laws and practices. It's funny, fascinating and a damn good read'M. W CRAVEN, winner of the 2019 Crime Writers Association Gold Dagger for best crime novel of the year for The Puppet Show'A really good idea . . . executed neatly to come up with the perfect gift for crime lovers' MAT COWARD, Morning Star'I found myself rolling around in it for hours, like a gangster's moll on a bed full of money. Sheer delight!' CATRIONA McPHERSON'Where was this book when I started writing? From Aconite to the Zodiac Killer is the essential companion for any serious reader or writer of crime'LEYE ADENLE, author of When Trouble Sleeps'A fascinating compendium of crime facts which should be on the shelves of every crime writer ­­- and every crime reader'SIMON BRETT'This is a dangerous book in so many ways, chock full of ways of killing people, from undetectable poisons to various types of guns. It contains riveting accounts of notorious murderers, is crammed with fascinating details of slang, and precise particulars of police procedures. The perfect gift for any true crime enthusiast and an indispensable guide for all crime fiction writers.'S. W. WILLIAMS, author of Small Deaths and How to Write Crime Fiction'A remarkable achievement. At once elucidating and compelling, indispensable and unputdownable. It reads like a page-turning thriller. Whether a crime writer who needs to distinguish a blood agent from a bum beef or a reader with an interest in queer coal makers, this lexicon will keep you hooked, and leave you sublimely informed.'GARY DONNELLY, author of Killing in Your Name and Blood Will Be Born'Fascinating, insightful and taking up permanent residency on my desk. Amanda Lees' Dictionary of Crime is my new bible!' CHRIS WHITTAKER, award-winning author of Tall Oaks, All The Wicked Girls and We Begin at the End'What a little gem this is ­- such a great idea and a valuable resource for writers. I found myself dipping into it at intervals and marvelling at the extent of the research that's gone into it, as well as chuckling over some of the more unusual entries. My personal favourites? BINGO seat, nicker, moll buzzer and lully-prigger. Wouldn't have had a clue what they meant . . . but I'm determined to work them in somewhere in a future novel!'G. J. MINETTT, author of The Syndicate 'A fascinating journey through the dark side of the human psyche. Highly recommended for anyone interested in criminals and crime'PATRICK REDMOND, bestselling author of The Wishing GameAn essential popular A-Z reference guide for fans of crime fiction and true crime, in books, TV and film, helping to make sense of everything from asphyxiation to VX nerve agent.This is an indispensable guide for fans of true crime and crime fiction, whether in books, film or on TV, who want to look behind the crime, to understand the mechanics of an investigation, to walk in their favourite detectives' shoes and, most importantly, to solve the clues. To do that, one needs to be fluent in the language of the world of crime. We need to know what that world-weary DI is talking about when she refers to another MISPER. We have to immediately grasp the significance of the presence of paraquat, and precisely why it is still a poison of choice. If you want to know how many murders it takes for a killer to be defined as a serial killer, what Philip Marlowe means when he talks about being 'on a confidential lay' and why the 'fruit of a poisonous tree' is a legal term rather than something you should avoid on a country walk, this is the reference book you've been waiting for. It covers police and procedural terms and jargon of many different countries; acronyms; murder methods; criminal definitions, including different types of killers; infamous killers and famous detectives; notorious cases often referred to in crime fiction and true crime; gangster slang, including that of the Eastern European mafia; definitions of illegal drugs; weapons; forensic terminology; types of poisons; words and phrases used in major crime genres, including detective fiction, legal thrillers, courtroom dramas, hardboiled crime, Scandi and Tartan Noir, cosy crime and psychological thrillers; criminology terms; and the language of the courts and the legal systems of British, American, French, Nordic and other countries. From Aconite to the Zodiac Killer is an essential, go-to resource for readers and even for writers of crime fiction. More than simply a glossary, this is a guide that provides a doorway into a supergenre, and one that is not just for readers, but also for the many fans of film and TV dramas, of podcasts, and crime blogs. It is also an indispensable resource for writers or would-be writers of crime fiction.

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From one of the country's most distinguished journalists, a revisionist and riveting look at the American politician whom history has judged a loser, yet who played a key part in the greatest social movement of the 20th century. During one sweltering week in July 1948, the Democratic Party gathered in Philadelphia for its national convention. The most pressing and controversial issue facing the delegates was not whom to nominate for president -the incumbent, Harry Truman, was the presumptive candidate -but whether the Democrats would finally embrace the cause of civil rights and embed it in their official platform. Even under Franklin Roosevelt, the party had dodged the issue in order to keep a bloc of Southern segregationists—the so-called Dixiecrats—in the New Deal coalition. On the convention's final day, Hubert Humphrey, just 37 and the relatively obscure mayor of the midsized city of Minneapolis, ascended the podium. Defying Truman's own desire to occupy the middle ground, Humphrey urged the delegates to "get out of the shadow of state's rights and walk forthrightly into the bright sunshine of human rights." Humphrey's speech put everything on the line, rhetorically and politically, to move the party, and the country, forward. To the surprise of many, including Humphrey himself, the delegates voted to adopt a meaningful civil-rights plank. With no choice but to run on it, Truman seized the opportunity it offered, desegregating the armed forces and in November upsetting the frontrunner Thomas Dewey, a victory due in part to an unprecedented surge of Black voters. The outcome of that week in July 1948—which marks its 75th anniversary as this book is published—shapes American politics to this day. And it was in turned shaped by Humphrey. His journey to that pivotal speech runs from a remote, all-white hamlet in South Dakota to the mayoralty of Minneapolis as he tackles its notorious racism and anti-Semitism to his role as a national champion of multiracial democracy. His allies in that struggle include a Black newspaper publisher, a Jewish attorney, and a professor who had fled Nazi Germany. And his adversaries are the white supremacists, Christian Nationalists, and America Firsters of mid-century America - one of whom tries to assassinate him. Here is a book that celebrates one of the overlooked landmarks of civil rights history, and illuminates the early life and enduring legacy of the man who helped bring it about.

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"With her eye for historical detail and flair for sympathetic heroines, Francesca Stanfill breathes new life into the medieval court of Eleanor of Aquitaine. The Falcon’s Eyes is a novel of epic proportions that succeeds in being both intimate and vast. History is Stanfill’s canvas, humanity her inspiration."—Amanda Foreman, bestselling author of Georgiana: Duchess of Devonshire“Stanfill has persuasively re-imagined the Middle Ages, surrounding the legendary Queen Eleanor of Aquitaine with indelible characters in an immersive tale of intrigue, bravery, ruthlessness, and compassion. . . . The Falcon’s Eyes is a dazzling adventure, with riveting twists and turns and a surprising yet deeply satisfying conclusion."—Sally Bedell Smith, author of Elizabeth the QueenSet in France and England at the end of the twelfth century, the moving story of a spirited, questing young woman, Isabelle, who defies convention to forge a remarkable life, one profoundly influenced by the fabled queen she idolizes and comes to know – Eleanor of AquitaineWillful and outspoken, sixteen-year-old Isabelle yearns to escape her stifling life in provincial twelfth century France. The bane of her mother’s existence, she admires the notorious queen most in her circle abhor: Eleanor of Aquitaine. Isabelle’s arranged marriage to Gerard --- a rich, charismatic lord obsessed with falcons --- seems, at first, to fulfill her longing for adventure. But as Gerard’s controlling nature, and his consuming desire for a male heir, become more apparent, Isabelle, in the spirit of her royal heroine, makes bold, often perilous, decisions which will forever affect her fate.A suspenseful, sweeping tale about marriage, freedom, identity, and motherhood, THE FALCON’S EYES brings alive not only a brilliant century and the legendary queen who dominated it, but also the vivid band of complex characters whom the heroine encounters on her journey to selfhood: noblewomen, nuns, servants, falconers, and courtiers. The various settings — Château Ravinour, Fontevraud Abbey, and Queen Eleanor’s exiled court in England — are depicted as memorably as those who inhabit them. The story pulses forward as Isabelle confronts one challenge, one danger, after another, until it hurtles to its final, enthralling, page. With the historical understanding of Hillary Mantel and the storytelling gifts of Ken Follett, Francesca Stanfill has created an unforgettable character who, while firmly rooted in her era, is also a woman for all times.

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While the adage may go, “Behind every great man is a great woman,” the story of Maria Longworth Storer necessitates a new adage—at the front of every great city is a great woman. After being shunted into the biographies and history books of other people, Longworth Storer is now finally given center stage on the one hundred and seventieth anniversary of her birth.Maria Longworth Storer: From Music and Art to Popes and Presidents is the most comprehensive biography of this one of a kind Cincinnatian. Known as the founder of the first female-run manufacturing company in the United States, Rookwood Pottery, Longworth Storer was passionate about women’s rights, her city, and issues of poverty and the arts. She owned Rookwood pottery for nine years, and then transferred ownership after earning recognition at the Exhibition of American Art Industry in Philadelphia and receiving a gold medal at the Exposition Universelle in Paris. Aside from her success with Rookwood, Longworth Storer was central to making the Queen City the major cultural landmark it is today. Although the rest of her life was no less remarkable as the wife of notorious diplomat Bellamy Storer, later embroiled in the famous Roosevelt-Storer scandal, little has been written about her contributions and exploits in diplomatic relations and her powerful influence on turn-of-the-twentieth-century political leaders. Featuring new archival research, and never before seen photos of the Storer family, authors Constance J. Moore and Nancy M. Broermann have compiled a portrait of Maria Longworth Storer that is rich in detail, fitting to both the wide, often eclectic, breadth of Longworth Storer’s projects, and to the depth of her impact on leaders from Washington D.C. to Europe. Moving through major moments in both American and Cincinnati history, and intersecting with significant historical figures including Teddy Roosevelt and William Howard Taft, Moore and Broermann expose the broader historical narrative of Longworth Storer’s life without letting her unique spirit and individual accomplishments become overshadowed by them. Through thoughtful, balanced narrative, readers get to know a remarkable woman whose fascinating and dramatic life as a political figure, women’s rights advocate, and patron of the arts has had a long lasting legacy on the Queen City and the Shaping of our nation’s diplomatic policies.

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No one present at the Battle of Cape Lopez in 1722 could have known that they were on the edge of history. There was no way to predict just how monumental an impact this obscure but fierce naval battle off the coast of West Africa would have on British colonies and the future of slavery in America. Gentlemen of Fortune is a groundbreaking exploration of the figures and events surrounding this lesser-known naval battle, the outcome of which signaled a major turning point in the Atlantic slave trade and triggered a deep and lasting legacy.Gentlemen of Fortune focuses on three fascinating figures whose fates would violently converge: Jan Conny, a charismatic leader of the Akan people who made lucrative deals with pirates and smugglers while making enemies out of the British and Dutch; the infamous pirate Black Bart, who worked his way from an anonymous navigator to a pirate king and one of the British Empire’s most notorious enemies in the region; and British naval captain Chaloner Ogle, tasked by the Crown with hunting down and killing Black Bart at all costs. At the Battle of Cape Lopez, these three men and the massive historical forces at their backs would finally find each other—and the world would be transformed forever.By defeating Black Bart at the Battle of Cape Lopez, the British Empire was able to achieve supremacy in the West African slave trade. Chattel slavery—in which an enslaved person is considered fully the private property of an owner—was born, and it was soon brought to America.In this landmark narrative history, historian Angela Sutton outlines the complex network of trade routes spanning the Atlantic Ocean trafficked by agents of empire, private merchants, and brutal pirates alike. Drawing from a wide range of primary historical sources, most of which—because they are written in Dutch and German—have not been engaged with by popular audiences, Sutton offers a new perspective on how a single battle played a pivotal role in reshaping the slave trade in ways that affect America to this day. Between its engaging narrative style filled with swashbuckling naval battles and tales of adventure at sea, its wide array of rigorous and detailed research, and its implications towards modern America, Gentlemen of Fortune is an essential addition to every history reader’s shelves.

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Save when you purchase Volumes 1 and 2 in a bundle! The first volume of Spy Chiefs broadens and deepens our understanding of the role of intelligence leaders in foreign affairs and national security in the United States and United Kingdom from the early 1940s to the present. The figures profiled range from famous spy chiefs such as William Donovan, Richard Helms, and Stewart Menzies to little-known figures such as John Grombach, who ran an intelligence organization so secret that not even President Truman knew of it. The volume tries to answer six questions arising from the spy-chief profiles: how do intelligence leaders operate in different national, institutional, and historical contexts? What role have they played in the conduct of international relations and the making of national security policy? How much power do they possess? What qualities make an effective intelligence leader? How secretive and accountable to the public have they been? Finally, does popular culture (including the media) distort or improve our understanding of them? Many of those profiled in the book served at times of turbulent change, were faced with foreign penetrations of their intelligence service, and wrestled with matters of transparency, accountability to democratically elected overseers, and adherence to the rule of law. This book will appeal to both intelligence specialists and general readers with an interest in the intelligence history of the United States and United Kingdom. The second volume of Spy Chiefs goes beyond the commonly studied spy chiefs of the United States and the United Kingdom to examine leaders from Renaissance Venice to the Soviet Union, Germany, India, Egypt, and Lebanon in the twentieth century. It provides a close-up look at intelligence leaders, good and bad, in the different political contexts of the regimes they served. The contributors to the volume try to answer the following questions: how do intelligence leaders operate in these different national, institutional and historical contexts? What role have they played in the conduct of domestic affairs and international relations? How much power have they possessed? How have they led their agencies and what qualities make an effective intelligence leader? How has their role differed according to the political character of the regime they have served? The profiles in this book range from some of the most notorious figures in modern history, such as Feliks Dzerzhinsky and Erich Mielke, to spy chiefs in democratic West Germany and India.

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*NEW YORK TIMES BESTSELLER* From the #1 New York Times bestselling coauthor of Tiger Woods comes the definitive inside story of the New England Patriots—the greatest sports dynasty of the 21st century. It’s easy to forget that the New England Patriots were once the laughingstock of the NFL, a nearly bankrupt team that had never won a championship and was on the brink of moving to St. Louis. Everything changed in 1994, when Robert Kraft acquired the franchise and soon brought on board head coach Bill Belichick and quarterback Tom Brady. Since then, the Patriots have become a juggernaut, making ten trips to the Super Bowl, winning six of them, and emerging as one of the most valuable sports franchises in the world. How was the Patriots dynasty built? And how did it last for two decades? In The Dynasty, acclaimed journalist Jeff Benedict provides richly reported answers in a sweeping account based on exclusive interviews with more than two hundred insiders—including team executives, coaches, players, players’ wives, team doctors, lawyers, and more—as well as never-before-seen recordings, documents, and electronic communications. Through his exhaustive research, Benedict uncovers surprising new details about the inner workings of a team notorious for its secrecy. He puts us in the room as Robert Kraft outmaneuvers a legion of lawyers and investors to buy the team. We listen in on the phone call when the greatest trade ever made—Bill Belichick for a first-round draft choice—is negotiated. And we look over the shoulder of forty-year-old Tom Brady as a surgeon operates on his throwing hand on the eve of the AFC Championship Game in 2018. But the portrait that emerges in The Dynasty is more rewarding than new details alone. By tracing the team’s epic run through the perspectives of Kraft, Belichick, and Brady—each of whom was interviewed for the book—the author provides a wealth of new insight into the complex human beings most responsible for the Patriots’ success. The result is an intimate portrait that captures the human drama of the dynasty’s three key characters while also revealing the secrets behind their success. “The Dynasty is…[a] masterpiece…It’s a relationship book, it’s a football book, it’s a business book…you’ll just eat up these stories” (Colin Cowherd).

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"I am just an ordinary mum, yet I would go to the ends of the earth to get justice for my daughter. If I can change the way people are treated, then Jodey will not have died in vain. I now feel that this was her destiny; to change the lives of millions of others." While Jodey Whiting was stuck in hospital battling pneumonia over Christmas, a letter dropped on her doormat from the Department of Work and Pensions, asking her to attend an assessment. It was a letter she never saw. Despite suffering from major health problems and needing daily care, the powers-that-be callously halted benefit payments for the mum-of-nine. While waiting for her appeal, and with no money coming in, Jodey killed herself, aged just 42. Another DWP letter pronouncing her 'fit to work' was sent to her home three days after her tragic death. A Mother's Job is the story of how Jodey's mum Joy Dove, 67, took on the system - and won justice for her daughter. A former cleaner and shop-worker, she is intimidated by nothing and nobody. Joy reveals how she struggled to raise her family, as a single mother, living on the now notorious: 'Benefits Street' estate in Stockton-on-Tees. Of how Jodey, her middle daughter, developed problems including curvature of the spine, a brain cyst, and bipolar and personality disorders and how, as her health deteriorated, Joy became her unofficial carer, visiting several times a day. Jodey left farewell notes following her suicide, warning that her youngest son, Cory, a twin, was particularly vulnerable. Tragically, her premonition was realised when, unable to cope with his grief, he died from a drug overdose, aged 19, in May 2020. Joy felt that the DWP had stolen two members from her family. An inquiry after Jodey's death found the DWP had failed to follow its own safeguarding practice. It issued an apology and compensation. The case was discussed in Parliament where the Prime Minister labelled it 'appalling.' Joy launched 'Justice For Jodey' which aims to hold the DWP to account and to prevent other tragedies. She met other grieving families and her campaign saw her take centre stage at the Labour Party conference and argue her case in the High Court.

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The St Mihiel Offensive, which took place between the 12th and 16th September 1918, was the first full scale attack that was under the direct command of the Americans, in the person of General J Pershing. He combined his command of the First (at the time the only) American Army with that of Commander in Chief of the AEF, a tremendous burden. The St Mihiel Salient had its origins in the early fighting of the war and had been stabilised by the end of 1914, although there was fierce fighting there in the first half of 1915 as both sides jostled for position; the high ground of Les Eparges became notorious for the intensity of the mine warfare that took place below it, extensive remains of which can be seen today. The American attack (with the assistance of a French Corps) was an outstanding success and the Germans were forced into a rapid withdrawal to the Michel Line, a strongly defended position that formed the Hindenburg Line in this area. On the other hand, the success was in part assisted by the fact that the Germans intended to withdraw from the exposed position of the Salient back to this line, the only question being the timing of such a move. Historians argue about whether the move had actually begun or not; but the reality is that senior German officers knew that it was imminent and certainly some heavier artillery had already been pulled back. Pershing's original hope had been to continue the offensive to seize Metz, crucial rail links and economically vital areas to the German war effort. In fact any such attempt would have taken weeks of preparation, as even a casual examination of the Michel Line defences still existing today would show. It is probable that relatively easy success here led to overconfidence amongst some that the next offensive, the Meuse-Argonne - to the north and scheduled to begin on the 26th, would have a similar outcome. If so they were in for a rude awakening. This book is profusely illustrated with contemporary photographs and numerous maps, the narrative supplemented by a number of first hand accounts; the whole is supported by several walking and car tours. This is the latest in a series of Battleground books by Maarten Otte on the American Expeditionary Forces, with several more in preparation.

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“Brand practices his art to something like perfection.” —The New York Times“Max Brand is the Shakespeare of the Western range.” —Kirkus ReviewsIn "When Iron Turns to Gold," the sequel to Brand’s novel Iron Dust, a pardon exonerates Andrew Lanning of any crime he may have committed during his time as an outlaw. Marshal Hal Dozier, instrumental in obtaining that pardon, has urged Andy to return to Martindale and his former life there as a blacksmith. However, the residents of Martindale will not accept Andy back, fearing that he’ll break the law again. To make things worse, Larry la Roche and the members of the Allister gang are prepared to commit a bold robbery in Martindale and frame Andy for the crime if he refuses to rejoin them.Jimmy Bristol is the titular character in "The Two-Handed Man," with a reputation of being able to fire a six-gun accurately using either hand. Bristol is on the dodge when he stops briefly at the Graney Ranch to rest his horse. There, he meets Joe Graney and his daughter, Margaret, who tell Bristol about the thefts they have suffered at the hands of Dirk van Wey and his gang. Despite being pursued by the law himself, Bristol decides he will take a hand against van Wey.On a stormy night in "The Black Muldoon," a notorious outlaw shows up at the home of the storekeeper, Jefferson Peters. The Black Muldoon has a strange cargo, an infant boy whom he wants to leave with Peters so that he can be raised by Peters and his wife as their son. As young Jerry Peters grows up, he turns out to be exceptional at everything he tries, and as an adult manhunter, it is Jerry who takes to the trail to capture the Black Muldoon.Skyhorse Publishing is proud to publish a broad range of books for readers interested in fiction that takes place in the old West. Westerns—books about outlaws, sheriffs, chiefs and warriors, cowboys and Indians—are a genre in which we publish regularly. Our list includes international bestselling authors like Zane Gray and Louis L’Amour, and many more. While not every title we publish becomes a New York Times bestseller or a national bestseller, we are committed to books on subjects that are sometimes overlooked and to authors whose work might not otherwise find a home.

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“It amazes me that after all these years and countless books, the scope of subject matter on The Beatles is so amazingly large that writers always find a new angle. This book does that in a very unique and clever way. It’s a must for every Beatles fan.” —Billy J. Kramer "...It’s a magical mystery tour through the band’s life and times." —Yahoo Entertainment The It-List "Part biography and part map to the stars, The Beatles: Fab Four Cities is your “Ticket to Ride” and walk in the footsteps of John, Paul, George and Ringo. It’s the next best thing to actually driving their car..."—Nina Violi, Capitol File. and Gotham magazine "While the book can be used as a handy tour guide filled with addresses, maps and photos, it also makes for great reading." —Steve Matteo, The Vinyl District "But now comes a “magic carpet volume” for Beatles fans that blends travel guide with historical reference in an expanded study of The Beatles’ homes, schools, pubs, venues, and important historic sites..." —Jude Southerland Kessler, Culture Sonar John Lennon said: "We were born in Liverpool, but we grew up in Hamburg." To paraphrase Lennon, we could say that: "The Beatles were born in Liverpool, grew up in Hamburg, reached maturity in London, and immortality in New York." Four cities. Four stars. The Fab Four - the Beatles - are revered the world over, but it is in these urban centres that their legacy shines brightest. Liverpool: where the band graduated from church halls, leaving their initial line-up as 'The Quarrymen' far behind. Hamburg: where their raucous stage act was honed; where arrests earned them a more notorious celebrity reputation, but they became a true emblem of rock 'n' roll. London: where The Beatles produced Sgt Pepper, and home to the iconic album cover for Abbey Road. And New York: the city that became John Lennon's home, where their appearance on the Ed Sullivan Show announced them to 73 million Americans. The Beatles: Fab Four Cities invites the reader on a cosmopolitan trek across continents, tracing the Beatles' rise to fame from one metropolis to the next. Flush with timelines, stories, trivia, the numerous links and connections between the cities and both pop cultural and local history, this is a travel guide like no other.

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"With We Carry Their Bones, Erin Kimmerle continues to unearth the true story of the Dozier School, a tale more frightening than any fiction. In a corrupt world, her unflinching revelations are as close as we'll come to justice." –Colson Whitehead, Pulitzer-Prize Winning author of The Nickel Boys and The Underground RailroadForensic anthropologist Erin Kimmerle investigates of the notorious Dozier Boys School—the true story behind the Pulitzer Prize–winning novel The Nickel Boys—and the contentious process to exhume the graves of the boys buried there in order to reunite them with their families.The Arthur G. Dozier Boys School was a well-guarded secret in Florida for over a century, until reports of cruelty, abuse, and “mysterious” deaths shut the institution down in 2011. Established in 1900, the juvenile reform school accepted children as young as six years of age for crimes as harmless as truancy or trespassing. The boys sent there, many of whom were Black, were subject to brutal abuse, routinely hired out to local farmers by the school’s management as indentured labor, and died either at the school or attempting to escape its brutal conditions.In the wake of the school’s shutdown, Erin Kimmerle, a leading forensic anthropologist, stepped in to locate the school’s graveyard to determine the number of graves and who was buried there, thus beginning the process of reuniting the boys with their families through forensic and DNA testing. The school’s poorly kept accounting suggested some thirty-one boys were buried in unmarked graves in a remote field on the school’s property. The real number was at least twice that. Kimmerle’s work did not go unnoticed; residents and local law enforcement threatened and harassed her team in their eagerness to control the truth she was uncovering—one she continues to investigate to this day.We Carry Their Bones is a detailed account of Jim Crow America and an indictment of the reform school system as we know it. It’s also a fascinating dive into the science of forensic anthropology and an important retelling of the extraordinary efforts taken to bring these lost children home to their families—an endeavor that created a political firestorm and a dramatic reckoning with racism and shame in the legacy of America.

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The phenominal million-copy bestselling novel by Martha Hall Kelly.'Harrowing ... Lilac illuminates.' People'A compelling, page-turning narrative ... It's smart, thoughtful and also just an old-fashioned good read.' Fort Worth Star, Telegram'A powerful story for readers everywhere ... A novel that brings to life what these women and many others suffered ... I was moved to tears.' San Francisco Book Review__________or three women living through World War II, the threat of war poses very separate issues - that is, until their lives become intertwined in the most tragic of circumstances.New York socialite Caroline Ferriday has her hands full with her post at the French consulate and a new love on the horizon. But Caroline's world is forever changed when Hitler's army invades Poland in September 1939-and then sets its sights on France.An ocean away from Caroline, Kasia Kuzmerick, a Polish teenager, senses her carefree youth disappearing as she is drawn deeper into her role as courier for the underground resistance movement. In a tense atmosphere of watchful eyes and suspecting neighbors, one false move can have dire consequences.For the ambitious young German doctor, Herta Oberheuser, an ad for a government medical position seems her ticket out of a desolate life. Once hired, though, she finds herself trapped in a male-dominated realm of Nazi secrets and power.The lives of these three women are set on a collision course when the unthinkable happens and Kasia is sent to Ravensbrück, the notorious Nazi concentration camp for women. Their stories cross continents-from New York to Paris, Germany, and Poland-as Caroline and Kasia strive to bring justice to those whom history has forgotten.__________'[A] compelling first novel . . . This is a page-turner demonstrating the tests and triumphs civilians faced during war, complemented by Kelly's vivid depiction of history and excellent characters.' Publishers Weekly'Kelly vividly re-creates the world of Ravensbrück.' Kirkus Reviews'Martha Hall Kelly has woven together the stories of three women during World War II that reveal the bravery, cowardice, and cruelty of those days.' Lisa See'Lilac Girls is the best book I've read all year. It will haunt you.' Jamie Ford'I can't remember the last time I read a novel that moved me so deeply.' Beatriz Williams

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'A gorgeous, clever feminist fantasy novel rich with magic, politics, hunger and fire. An absolute must-read' Tasha Suri, author of The Jasmine Throne Trapped in an arranged marriage to a man she does not love, Nehal dreams of attending the Weaving Academy. There, she can take control of her powers, bending any water to her will, and pursue a glorious future on the battlefield with the first all-female military regiment. Her husband, indifferent and secretive, is in love with another woman, a poor bookseller named Giorgina. Giorgina has her own secret. She is an earthweaver with dangerously uncontrollable powers. Her only solace comes from meetings with the Daughters of Izdihar, a women's rights group fighting for freedom. They come from very different means, yet Nehal and Giorgina have more in common than they think.Enticed by the group's enigmatic leader Malak Mamdouh, the two women are drawn into a web of politics, violence and threats of war as they find themselves fighting to earn - and keep - a lasting freedom.A powerful feminist fantasy set in an Egyptian-inspired world, with breathtaking elemental magic and sapphic romance, perfect for fans of The Jasmine Throne and The Once and Future Witches.Praise for The Daughters of Izdihar:'Hadeer Elsbai has written a powerful story of sisterhood, love, and struggle within a rich, vibrant world with complicated characters that leap from the page to smash the patriarchy!' P. Djèlí Clark, author of A Master of Djinn'A wondrously rich fantasy that highlights the true struggle to revolutionize a society. . . a debut not to be missed' Shannon Chakraborty, author of The City of Brass'Action-packed, magic-filled, and led by two fierce, vividly-rendered women, The Daughters of Izdihar is a compelling and empowering debut' Ava Reid, author of Juniper and Thorn'A thrilling tale of two women's fight for rights in their patriarchal society, peppered with elemental magic, politics, and a relentless desire for that which is wrongly forbidden.' Andrea Stewart, author of The Bone Shard Daughter'A powerful fantasy novel filled with clever magic, intriguing politics, and compelling characters who forge a path toward justice, no matter the obstacle' Chelsea Abdullah, author of The Stardust Thief'An absolutely enthralling tale of two women striving for a better world' Sarah Beth Durst, author of The Queen of Blood'Magnificent, complex, compelling' Davinia Evans, author of Notorious Sorcerer

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