Search results for ""Author Davida"

“Beguiling and informative”—Wall Street JournalLearn to see art as an artist does. Discover how a painting’s composition or a sculpture’s spatial structure influence the experience of what you’re seeing. With an artist as your guide, viewing art becomes a powerfully enriching experience that will stay in your mind long after you’ve left a museum.A visit to view art can be overwhelming, exhausting, and unrewarding. Lincoln Perry wants to change that. In fifteen essays—each framed around a specific theme—he provides new ways of seeing and appreciating art. Drawing heavily on examples from the European traditions of art, Perry aims to overturn assumptions and asks readers to re-think artistic prejudices while rebuilding new preferences. Included are essays on how artists “read” paintings, how scale and format influence viewers, how to engage with sculptures and murals, as well as guides to some of the great museums and churches of Europe.Seeing Like an Artist is for any artist, art-lover, or museumgoer who wants to grow their appreciation for the art of others.

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The full, inside story of how the discovery of a previously unknown painting by Raphael, the Italian Renaissance master, went from media sensation to career-destroying scandal.On the eve of its centennial celebrations in December, 1969, the Boston Museum of Fine Arts announced the acquisition of an unknown and uncatalogued painting attributed to Raphael. Boston’s coup made headlines around the world. Soon afterward, an Italian art sleuth began investigating the details of the painting’s export from Italy, challenged the museum’s right to ownership. Simultaneously, experts on both sides of the Atlantic lined up to debate the artwork’s very authenticity.While these contests played themselves out on the international stage, the crisis deepened within the museum as its charismatic director, Perry T. Rathbone, faced the most challenging crossroads of his thirty-year career. The facts about the forces that converged on the museum, and how the

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Summer is fireflies and sparklers. Fat red tomatoes sliced thin and salted. Lemonade and long dreamy days. The treasures of the season are gone much too soon — but they’re captured here, in loving sensuous prose that’s both personal and universal, for you to find any time of year.Experience the most evocative tribute to the meaning of the season, a season whose magical feeling stays with us even in winter. Where does that feeling come from? What is summer made of? The smell of cut grass behind the gasoline of a lawnmower. A crown you’ve made of flowers. Blackberry bush prickers. First hot dog off the grill. Stargazing and sleeping with the windows open. This essay brims with a searching honesty and insight about what this season has meant in our pasts and what it might mean in our lives ahead.Release yourself into the sky and feel, Nina MacLaughlin writes, for a moment: there's time.If summer is the season of your life, if the months between Memorial Day and Labor Day hold your favorite memories, you’ll love Summer Solstice.

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“Instructive and entertaining.”—Wall Street JournalLearn how to argue from the masters. This book is a complete course on the art of argument, taught by the greatest practitioners of it: Churchill, Lincoln, and hundreds of others from the golden age of debate in England and America. The book’s concise chapters provide lessons in all aspects of give and take—the syllogism and the slippery slope, the argumentum ad hominem and reductio ad absurdum, the fallacy and the insult. Ward Farnsworth shows how the full range of such techniques can be used or repelled, and illustrates them with examples that are fascinating, instructive, and fun to read. The result is a browsable reference in which every page is a pleasure. It will leave you better able to win arguments and to defend yourself under fire. It’s also an entertaining reminder that argument can be a source of beauty and delight. As Farnsworth says of t

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In 1968 the photographer Richard Brown fulfilled a romantic childhood dream when he moved to the Northeast Kingdom, a remote corner of Vermont just barely entering the twentieth century. There he encountered a way of life that was fast disappearing, a land of sheep, cattle, work horses, wood-burning stoves, and small family-run farms far removed from the industrial Northeast. Determined to record it before it disappeared, he saw a pastoral vision where, “for the briefest interval, a window opened and the spirit of Vermont’s past—granite hills cleared and formed, hard lives lived and lost, struggle and endurance, a harsh land made starkly beautiful by nature and man—was made palpable.” He saw the land and also a people whose “endless hours of backbreaking, monotonous work were spent with a quiet ferocity” and who believed their “age-old labors were a struggle waged against time itself – labors that might just hold modernity at bay.” And Brown did record it, with an 8 x 10″ large plate view camera. Not only the hauntingly beautiful landscape but also the people who stayed and worked the stubborn hills and “did so with great but fierce attachment.” This is a great ode to an America that has passed before our eyes almost without comment or notice. It is a valiant, indeed a brilliant, effort to make the past tangible, to bring it back to life.

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An account of the arduous journey the Arctic caribou undertake to give birth to their young.

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The eight stories in this collection explore the boundary conditions between self and others. Social realities—racial and ethnic tensions, sexual harassment and abuse—provide the backdrop for struggles that ultimately take place in the heart. While Naslund’s characters accept that their inner tides cannot be brought into obedience, sometimes, in the act of recognizing the force of their own hopes, needs, and fears, they learn to navigate those waters.

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“An original and absorbing guide to English style. Get it if you can.”—Wall Street Journal Say it with style—on paper or in person. This book explains why the best writing sounds that way, with hundreds of examples from Lincoln, Churchill, Douglass, and other masters of the language. As Farnsworth says, “Explaining a precept may take just a few words, but only examples can make it familiar to the ear. So we will consider examples from writers and orators who all have lessons to teach.” Farnsworth shows how small choices about words, sentences, and paragraphs put force into writing and speech that have stood the test of time. What was the secret? Knowledge of choices in the selection of words, the arrangement of sentences, the creation of a cadence. Now that knowledge can be yours through hundreds of examples of the very best use of rhetorical devices, classical cadence patterns, hyperbole and much more. This is must for anyone who wants to speak or write with clear, persuasive, enjoyable, unforgettable style. “A storehouse of effective writing, showing the techniques you may freely adapt to make music of your own.”—The Baltimore Sun

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Twenty-five essays on great works of American art and design from the “Masterpiece” column in The Wall Street Journal. John Wilmerding’s “Masterpiece” column is among the The Wall Street Journal’s most popular features. This book gathers those essays by Wilmerding, the distinguished former curator of American art at the National Gallery. Each essay integrates a detailed visual analysis with insights not only into the art and its creator, but also into the historical context at the time of the artwork’s execution.American Masterpieces features a full-sized reproduction of each sculpture, painting, piece of architecture, and photograph discussed. Some such as Mary Cassatt’s “Little Girl in a Blue Armchair” (along with pieces by Thomas Eakins and Andrew Wyeth) are well known. Many others (such as Henry H. Richardson’s Crane Memorial Library in Quincy, Massachusetts) are largely unregarded. No matter how well you know art, you are certain to make new discoveries. This broad, representative, and eclectic selection of the best this country has produced is for anyone looking for a smart, opinionated, and always engaging guide to American art and art history.

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Watson found himself forced to learn to speak the language when he was invited to present a paper in paris - in French. A private crash course and lessons at the Alliance Francaise only served to point out how difficult it can be to learn any foreign language, especially later in life.

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