Search results for ""author pete"

The compelling story of a woman who survived marriage to one of the UK’s most notorious serial killers.In 2006, Cathy Wilson turned on the television and screamed with horror when a familiar face appeared on the news. Peter Tobin, her ex-husband and her son’s father, was a serial killer. After a criminal case that gripped the nation, he was found guilty of the murders of three women and is now serving a life sentence.In Escape from Evil, Cathy reveals the shocking truth about her life with Tobin. They met when she was just sixteen and he seemed caring, until she started to catch glimpses of a very different man hiding behind his normal façade. He became controlling, then violent, until Cathy found herself trapped in a terrifyingly abusive marriage. Eventually, for the sake of her young son, she found the strength to escape and build a better life.In her chilling memoir, Cathy describes how she helped the police build a case, and finally stood in court as a witness against the man who could so easily have murdered her too.

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Marlene hosts a dinner party in a London restaurant to celebrate her promotion to managing director of 'Top Girls' employment agency. Her guests are five women from the past: Isabella Bird (1831- 1904) - the adventurous traveller; Lady Nijo (b1258) - the mediaeval courtesan who became a Buddhist nun and travelled on foot through Japan; Dull Gret, who as Dulle Griet in a Bruegel painting, led a crowd of women on a charge through hell; Pope Joan - the transvestite early female pope and last but not least Patient Griselda, an obedient wife out of Chaucer's Canterbury Tales. As the evening continues we are involved with the stories of all five women and the impending crisis in Marlene's own life. A classic of contemporary theatre, Churchill's play is seen as a landmark for a new generation of playwrights. It was premiered by the Royal Court in 1982. "Top Girls has a combination of directness and complexity which keeps you both emotionally and intellectually alert. You can smell life, and at the same time feel locked in an argument with an agile and passionate mind." (John Peter, Sunday Times)

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For me it begins in such an ordinary way ... with a gorilla, a blonde,and a gun ...Mid- 20th century Hollywood; 'RaymondChandler's LA before Pilates and cell phones'. Clancy Sigal (who would later bethe inspiration for Doris Lessing's 'Saul Green') is just back fromfighting in the Second World War and an abortive solo attempt to assassinate HermannGoering at the Nurenburg trials. Charming his way into a job as anagent with the Sam Jaffe agency, Sigal plunges into a chaotic Hollywood peopled by fastwomen, washed-up screenwriters, wily directors, and starstruck FBI agentstrailing 'subversives'. He parties with the likes of Humphrey Bogart, Barbara Stanwyck, TonyCurtis and an anxious Peter Lorre, who becomes a drinking buddy.But this is the era of the Hollywood Blacklistand Sigal, like many of his contemporaries, is subpoenaed to testify before theHUAC. Will he give up the list of nine names, burning a hole in his pocket, tosave his own skin? Hilarious, touching, intimate and revealing: Sigal'smemoir reads like a forgotten hardboiled detective novel and has all the makings of aninstant classic.

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The world is changing, and humanity must change with it. Rising seas and soaring temperatures have radically transformed the face of Earth. Meanwhile, Earth is being observed from afar by other civilizations . . . and now they are ready to make contact.Vying to prepare humanity for first contact are a group of dreamers and changemakers, including Peter Hendrix, the genius inventor behind the most advanced VR tech; Charyssa, a beloved celebrity icon with a passion for humanitarian work; and Kanoa, a member of a global council of young people drafted to reimagine the relationship between humankind and alien societies.And they may have an unexpected secret weapon: Owen, a pop megastar whose ability to connect with his adoring fans is more than charisma. His hidden talent could be the key to uniting Earth as it looks toward the stars.But Owen's abilities are so unique that no one can control him and so seductive that he cannot help but use them. Can he transcend his human limitations and find the freedom he has always dreamed of? Or is he doomed to become the dictator of his nightmares?

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This book collects Thomas Nagel's recent philosophical reflections on topics of fundamental interest: ethics, moral psychology, science and religion, death, the holocaust, and the metaphysics of mind. Among the figures discussed are Peter Singer, Alvin Plantinga, Christine Korsgaard, Tony Judt, Elizabeth Anscombe, Philippa Foot, Iris Murdoch, T. M. Scanlon, Ronald Dworkin, Samuel Scheffler, Daniel Kahneman, Jonathan Haidt, Joshua Greene, and Daniel Dennett. Nagel consistently defends a realist interpretation of moral truth and resists reductive attempts to subsume ethics to psychology and evolutionary theory. He also defends a pluralistic conception of the content of morality as opposed to utilitarianism, one that includes deontological elements such as rights and special responsibilities. A realist outlook also informs his discussion of metaphysical and epistemological questions. The book closes with tributes to a number of people Nagel has known over the course of his career. The essays are all addressed to a general audience, and should appeal not only to philosophers but to anyone interested in current attempts to understand human life, human values, and how we fit into the world.

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Jet Lassiter likes being a pilot for Argeneau Inc. Perks include travelling to exotic locations and meeting interesting people, even if they are the blood-sucking kind. He's living the good life, until his plane goes down in the mountains and four of his passengers are gravely injured. They need blood to heal . . . and Jet is the only source.Quinn Peters never wanted to be immortal. Once a renowned heart surgeon, she was turned against her will and now she has to drink blood to survive. Before she can ask how her 'life' can get any worse, she's in a plane crash. One of the few survivors, Quinn is desperate to get the mortal pilot to safety before her fellow immortals succumb to their blood lust and drain Jet dry.But hungry vampires are the least of their worries -- the crash wasn't an accident, and someone is trying to kill Quinn. Will she and Jet find their happily ever after as life mates, or will her assassin find her first?

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After Sylvia is an anthology of new writing celebrating the work and legacy of Sylvia Plath. Published by Nine Arches Press in October 2022, the book honours the 90th anniversary of Plath’s birth through a range of compelling poems and thought-provoking essays by leading and up-and-coming poets and scholars from the UK and beyond.After Sylvia is shaped around five inspiring chapters, each exploring a key Plathian theme: Nature, Rebirth, Womanhood, Mothers & Fathers and Magic. Co-edited by Ian Humphreys and Sarah Corbett, contributors include Mona Arshi, Emily Berry, Mary Jean Chan, Heather Clark, Pascale Petit and Jacob Polley.This vital anthology sets out to help dispel the myth of Sylvia Plath as tortured genius destined to her fate, by expressing the power and complexity of her work, legacy and reputation as one of the most important and influential writers of the 20th century.Full list of contributors: Moniza Alvi, Romalyn Ante, Mona Arshi, Polly Atkin, Tiffany Atkinson, Sally Baker, Colin Bancroft, Emily Berry, Nina Billard Sarmadi, Caroline Bird, Sharon Black, David Borrott, Mary Jean Chan, Heather Clark, Angela Cleland, Jane Commane, Sarah Corbett, Jonah Corren, Gail Crowther, Mari Ellis Dunning, Samatar Elmi, Ruth Fainlight, Daniel Fraser, Rosie Garland, Victoria Gatehouse, Rebecca Goss, Annie Hayter, Gaia Holmes, Ian Humphreys, Julie Irigaray, Bhanu Kapil, Victoria Kennefick, Martin Kratz, Zaffar Kunial, Jennifer Lee Tsai, Carola Luther, Karen McCarthy Woolf, Roy McFarlane, Nina Mingya Powles, Mark Pajak, Caleb Parkin, Pascale Petit, Jacob Polley, Niamh Prior, Shivanee Ramlochan, Clara Rosarius, Devina Shah, Penelope Shuttle, Jean Sprackland, Laura Stanley, Paul Stephenson, Degna Stone, Dorka Tamás, Anastasia Taylor-Lind, Peter Wallis, Tom Weir, Sarah Westcott, Merrie Joy Williams, Sarah Wimbush, Tamar Yoseloff.

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Digital culture is often characterized as radically breaking with past technologies, practices, and ideologies rather than as reflecting or incorporating them. Memory Bytes seeks to counter such ahistoricism, arguing for the need to understand digital culture—and its social, political, and ethical ramifications—in historical and philosophical context. Looking at a broad range of technologies, including photography, print and digital media, heat engines, stereographs, and medical imaging, the contributors present a number of different perspectives from which to reflect on the nature of media change. While foregrounding the challenges of drawing comparisons across varied media and eras, Memory Bytes explores how technologies have been integrated into society at different moments in time.These essays from scholars in the social sciences and humanities cover topics related to science and medicine, politics and war, mass communication, philosophy, film, photography, and art. Whether describing how the cultural and legal conflicts over player piano rolls prefigured controversies over the intellectual property status of digital technologies such as mp3 files; comparing the experiences of watching QuickTime movies to Joseph Cornell’s “boxed relic” sculptures of the 1930s and 1940s; or calling for a critical history of electricity from the Enlightenment to the present, Memory Bytes investigates the interplay of technology and culture. It relates the Information Age to larger and older political and cultural phenomena, analyzes how sensory effects have been technologically produced over time, considers how human subjectivity has been shaped by machines, and emphasizes the dependence of particular technologies on the material circumstances within which they were developed and used.Contributors. Judith Babbitts, Scott Curtis, Ronald E. Day, David Depew, Abraham Geil, Sharon Ghamari-Tabrizi, Lisa Gitelman, N. Katherine Hayles, John Durham Peters, Lauren Rabinovitz, Laura Rigal, Vivian Sobchack, Thomas Swiss

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Aleksandr Solzhenitsyn's March 1917, Book 2, covers three days of the February Revolution when the nation unraveled, leading to the Bolshevik takeover eight months later. The Red Wheel is Nobel Prize–winner Aleksandr Solzhenitsyn's multivolume epic work about the Russian Revolution. He spent decades writing about just four of the most important periods, or "nodes.” This is the first time that the monumental March 1917—the third node—has been translated into English. It tells the story of the Russian Revolution itself, during which the Imperial government melts in the face of the mob, and the giants of the opposition also prove incapable of controlling the course of events. The action of Book 2 (of four) of March 1917 is set during March 13–15, 1917, the Russian Revolution's turbulent second week. The revolution has already won inside the capital, Petrograd. News of the revolution flashes across all Russia through the telegraph system of the Ministry of Roads and Railways. But this is wartime, and the real power is with the army. At Emperor Nikolai II’s order, the Supreme Command sends troops to suppress the revolution in Petrograd. Meanwhile, victory speeches ring out at Petrograd's Tauride Palace. Inside, two parallel power structures emerge: the Provisional Government and the Executive Committee of the Petrograd Soviet of Workers' and Soldiers’ Deputies, which sends out its famous "Order No. 1," presaging the destruction of the army. The troops sent to suppress the Petrograd revolution are halted by the army’s own top commanders. The Emperor is detained and abdicates, and his ministers are jailed and sent to the Peter and Paul Fortress. This sweeping, historical novel is a must-read for Solzhenitsyn's many fans, as well as those interested in twentieth-century history, Russian history and literature, and military history.

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Aleksandr Solzhenitsyn's March 1917, Book 2, covers three days of the February Revolution when the nation unraveled, leading to the Bolshevik takeover eight months later. The Red Wheel is Nobel Prize–winner Aleksandr Solzhenitsyn's multivolume epic work about the Russian Revolution. He spent decades writing about just four of the most important periods, or "nodes.” This is the first time that the monumental March 1917—the third node—has been translated into English. It tells the story of the Russian Revolution itself, during which the Imperial government melts in the face of the mob, and the giants of the opposition also prove incapable of controlling the course of events. The action of Book 2 (of four) of March 1917 is set during March 13–15, 1917, the Russian Revolution's turbulent second week. The revolution has already won inside the capital, Petrograd. News of the revolution flashes across all Russia through the telegraph system of the Ministry of Roads and Railways. But this is wartime, and the real power is with the army. At Emperor Nikolai II’s order, the Supreme Command sends troops to suppress the revolution in Petrograd. Meanwhile, victory speeches ring out at Petrograd's Tauride Palace. Inside, two parallel power structures emerge: the Provisional Government and the Executive Committee of the Petrograd Soviet of Workers' and Soldiers’ Deputies, which sends out its famous "Order No. 1," presaging the destruction of the army. The troops sent to suppress the Petrograd revolution are halted by the army’s own top commanders. The Emperor is detained and abdicates, and his ministers are jailed and sent to the Peter and Paul Fortress. This sweeping, historical novel is a must-read for Solzhenitsyn's many fans, as well as those interested in twentieth-century history, Russian history and literature, and military history.

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"No serious student of film should miss the great work collected in this volume."—W. A. Vincent, Choice"When so much writing about film is based on overall impressions or shadowy memories, on notes scribbled in the dark or published shot breakdowns that are often overgeneralized or even inaccurate, it is refreshing to be confronted with such scholarly work, characterized by a genuinely attentive eye and a punctilious observation of detail. This long-awaited collection, gathering Bellour's ground breaking studies into one volume, will surely be a crucial source of inspiration for future generations of film scholars." —Peter Wollen, BookforumThe Analysis of Film brings together Raymonds Bellour's now classic studies of classic Hollywood film. It is at once a book about the methods of close film analysis, the narrative structure of Hollywood film, Hitchcock's work—The Birds, Marnie, Psycho, North by Northwest—and the role of the woman in western representation. But, finally, it is a book about cinema itself and the love for cinema that drives the passion for analyzing the supreme art form of the twentieth century.Bellour creatively reworks the ideas and methods of structuralism, semiology, and psychoanalysis to unravel the knot of significations that is the filmic text. The introductory chapter sketches out a history of the way the close analysis of film developed. And then, beginning with a study of the Bodega Bay sequence of The Birds, the book goes on to examine every aspect of that singular critical practice, "the analysis of film."The book is also a model of how to write about the intricacies of film narrative, shot by shot, sequence by sequence, while addressing larger contextual issues of subjectivity, desire, and identification in Western cultural forms. A new, final chapter on D. W. Griffith's The Lonedale Operator brilliantly demonstrates that the dynamics of repetition and alternation that Bellour discovered to be the heartbeat of Hollywood narrative film were already there in nascent form at the beginnings of cinema.

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How the Jesuits re-emerged after forty years of suppressionIn 1773, Pope Clement XIV suppressed the Society of Jesus. For the 823 Jesuits living in the Low Countries, it meant the end of their institutional religious life. In the Austrian Netherlands, the Jesuits were put under strict surveillance, but in the Dutch Republic they were able to continue their missionary work. It is this regional contrast and the opportunities it offered for the Order to survive that make the Low Countries an exceptional and interesting case in Jesuit history.Just as in White Russia, former Jesuits and new Jesuits in the Low Countries prepared for the restoration of the Order, with the help of other religious, priests, and lay benefactors. In 1814, eight days before the restoration of the Society by Pope Pius VII, the novitiate near Ghent opened with eleven candidates from all over the United Netherlands. Barely twenty years later, the Order in the Low Countries – by then counting one hundred members – formed an independent Belgian Province. A separate Dutch Province followed in 1850. Obviously, the reestablishment, with new churches and new colleges, carried a heavy survival burden: in the face of their old enemies and the black legends they revived, the Jesuits had to retrieve their true identity, which had been suppressed for forty years.Contributors: Peter van Dael, SJ (Vrije Universiteit Amsterdam & Pontifical Gregorian University Rome), Pierre Antoine Fabre (École des hautes études en sciences sociales Paris), Joep van Gennip (Tilburg School of Catholic Theology), Michel Hermans, SJ (University of Namur), Marek Inglot, SJ (Pontifical Gregorian University Rome), Frank Judo (lawyer Brussels), Leo Kenis (KU Leuven) Marc Lindeijer, SJ (Bollandist Society Brussels), Jo Luyten (KADOC-KU Leuven), Kristien Suenens (KADOC-KU Leuven), Vincent Verbrugge (historian)This publication is GPRC-labeled (Guaranteed Peer-Reviewed Content).

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Have you ever watched Douglas Gordon cook? Do you know Harun Farocki’s favourite dal? Would you like to nibble straight from the pot with Keren Cytter or recreate Agnieszka Polska’s pirogi with trumpets of death? Cookbooks are a dime a dozen. And there’s even a certain tradition of artists’ cookbooks. But there is only the one Videoart at Midnight Artists’ Cookbook: 80 of the most renown video artists of our time reveal their favourite recipes. Some simple, others elaborate, yet all to be recreated. And the best thing about this book is that each and every single recipe tells its own personal story. Artists Monira Al Qadiri, Ulf Aminde, Julieta Aranda, Marc Aschenbrenner, Ed Atkins, Yael Bartana, Lucy Beech, Bigert & Bergström, John Bock, Pauline Boudry & Renate Lorenz, Erik Bünger, Martin Brand, Ulu Braun, Klaus vom Bruch, Filipa César, Creischer & Siekmann, Keren Cytter, Chto Delat, Christoph Draeger, Antje Engelmann, Shahram Entekhabi, Köken Ergun, Theo Eshetu, Simon Faithfull, Christian Falsnaes, Harun Farocki, Omer Fast, Fischer & el Sani, Dani Gal, Delia Gonzalez, Douglas Gordon, Andy Graydon, Assaf Gruber, Mathilde ter Heijne, Isabell Heimerdinger, Benjamin Heisenberg, Kerstin Honeit, Christian Jankowski, Anja Kirschner, Knut Klaßen, Korpys/Löffler, Zhenhua Li, Joep van Liefland, Melissa Logan, Dafna Maimon, Antje Majewski, Melanie Manchot, Lynne Marsh, Bjørn Melhus, Almagul Menlibayeva, Ari Benjamin Meyers, Eléonore de Montesquiou, Matthias Müller, Bettina Nürnberg & Dirk Peuker, Marcel Odenbach, Stefan Panhans, Mario Pfeifer, Agnieszka Polska, Ulrich Polster, Mario Rizzi, Julian Rosefeldt, Willem de Rooij, Safy Sniper, Anri Sala, Erik Schmidt, Sandra Schäfer, Amie Siegel, Pola Sieverding, Martin Skauen, Jan-Peter E.R. Sonntag, Vibeke Tandberg, Rebecca Ann Tess, Guido van der Werve, Gernot Wieland, Ming Wong, Ina Wudtke, Shingo Yoshida, Katarina Zdjelar, Stefan Zeyen, Tobias Zielony

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The Night Before Christmas is an enchanting Christmas story that has brought Santa Claus to life for generations. Celebrate the holiday season with the #1?New York Times bestselling edition of the classic poem written by Clement C. Moore. This is the classic paperback coloring book edition, perfect for gifting or a fun family activity!'Twas the night before Christmas, when all through the houseNot a creature was stirring, not even a mouseCarry on a family tradition or start one of your own with this new version of the classic Christmas book for children and families. Initially published anonymously as A Visit from Saint Nicholas, and credited as a work by Clement Clark Moore, this timeless tale is the perfect family read as children prepare for Santa and his reindeer on Christmas Eve.This Paperback Coloring Book edition includes: Beautifully designed coloring book pages to bring this Christmas classic to life Lavish vintage inspired illustrations by renowned, New York Times #1 Bestselling artist Charles Santore The original poem by Clement Clark Moore A nod to Dutch references in the poem, specifically the Dutch name "Donder" for one of the reindeer The Night Before Christmas Coloring Book: Is perfect activity for family gatherings during the holiday’s An ideal boredom buster for boys and girls during holiday road trips Makes a great holiday, Advent, or Christmas gift A classic for children ages 1-4 or the nostalgic young at heart Can be colored with pencil, crayon, or pen Charles Santore’s works has been widely exhibited in museums and celebrated with recognitions such as the prestigious Hamilton King Award, the Society of Illustrators Award of Excellence, and the Original Art 2000 Gold Medal from the Society of Illustrators. He is best known for his luminous interpretations of classic children’s stories, including Aesop Fables, The Velveteen Rabbit, The Classic Tale of Peter Rabbit, and more!

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The NBER Macroeconomics Annual 2021 presents research-central issues in contemporary macroeconomics. Robert Hall and Marianna Kudlyak examine unemployment dynamics during economic recoveries. They present new empirical findings and explore models in which the labor market gradually draws down the stock of unemployed workers in the aftermath of a downturn. Titan Alon, Sena Coskun, Matthias Doepke, David Koll, and Michèle Tertilt analyze the relative decline in employment of women during the COVID-19 pandemic and the associated global recession. They show that increased childcare needs, which fell more heavily on women, and differences in occupations both contributed. In the case of the US, however, each of these factors account for less than 20% of the gender gap in hours worked during the pandemic. Richard Rogerson and Johanna Wallenius study the employment rates of older workers in OECD countries over the last forty years. An expansion of institutions incentivizing retirement, concurrent with negative aggregate shocks between 1970 and 1995, led to falling employment rates. This trend started to reverse in the mid-1990s when many of these institutions, such as public pension programs, were cut back. Michael Barnett, William Brock, and Lars Peter Hansen explore the consequences of risk, ambiguity, and model misspecification in climate policy design. They consider carbon emissions pricing and the effects of different sources of uncertainty—such as future information about environmental damage, uncertainties in carbon and temperature dynamics and damage functions, and the role of future green technologies—on policy design. Michael Kremer, Jack Willis, and Yang You present new evidence suggesting a steady trend toward income convergence across countries since the late 1980s. They find convergence in various determinants of economic growth across countries and a flattening of the relationship between growth and these determinants. The paper challenges theories of growth arising after earlier rejections of the neoclassical growth model.

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”Theology of Religions” is among the most burning issues within Christian theology today. The challenge to study and discuss different ways of handling conflicting truth claims and religious narratives between religions is taken up by a growing number of theologians across denominational boundaries. This is a common and ecumenical effort undertaken by Christian theologians all over the world. And yet, the impact of specific ecclesiastical or theological traditions on different concepts of theology of religions should not be underestimated. As well known, the Second Vatican council with its pivotal decree Nostra Aetate (On the relation to other religions) not only set the agenda for Catholic theology, but even influenced the wider discussion on the topic. The papers of this volume were all given at a conference in Uppsala, Sweden in October 2017. The structure of Faithful Interpretations follows closely the way the conference was conducted.A general introduction to the development and present status of ”Theology of Religions” by Marianne Moyaert opens the book. Archbishop J Augustine Di Noia of the Vatican Congregation for the Doctrine of Faith then treats the recent developments in the teaching of the Magisterium regarding theology of religions. Anna Bonta Moreland adresses the issue of Muhammad and Christian Prophecy. Diego R Sarrió Cucarella focuses on early Christian theological views of Islam and concludes that Islam has been from the begining a ”disturbing” factor in the Christian view of salvation history. Wilhelmus G B M Valkenberg discusses the impact of Nostra Aetate on the Church’s relation to Muslims, using especially the precedent of Nicolaus of Cues as regards a constructive approach to Islam. Klaus von Stosch adresses a sensitive issue in Muslim-Christian relations and illustrates the advantages of the comparative theology approach for the theology of religions.Complementing this perspective, Peter Jonkers offers a hermeneutical perspective on truth claims, and reflects on ”the religious Other” with references to Jacques Derrida among others. Reinhold Bernhardt argues in favour of a biblically grounded “relational-existential” theory of truth, which would be most helpful with regard to other religions. To conclude, the prominent Catholic specialist on Theology of Religions, Gavin D’Costa, widened the perspective by addressing the relation to Judaism from the point of view of the covenant and the promises of the land. Altogether, the papers of this volume give a clear impression of the status of Roman Catholic Theology of Religions.

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Postcolonial theory has developed mainly in the U.S. academy, and it has focused chiefly on nineteenth-century and twentieth-century colonization and decolonization processes in Asia, Africa, the Middle East, and the Caribbean. Colonialism in Latin America originated centuries earlier, in the transoceanic adventures from which European modernity itself was born. Coloniality at Large brings together classic and new reflections on the theoretical implications of colonialism in Latin America. By pointing out its particular characteristics, the contributors highlight some of the philosophical and ideological blind spots of contemporary postcolonial theory as they offer a thorough analysis of that theory’s applicability to Latin America’s past and present. Written by internationally renowned scholars based in Latin America, the United States, and Europe, the essays reflect multiple disciplinary and ideological perspectives. Some are translated into English for the first time. The collection includes theoretical reflections, literary criticism, and historical and ethnographic case studies focused on Ecuador, Guatemala, Mexico, Brazil, the Andes, and the Caribbean. Contributors examine the relation of Marxist thought, dependency theory, and liberation theology to Latin Americans’ experience of and resistance to coloniality, and they emphasize the critique of Occidentalism and modernity as central to any understanding of the colonial project. Analyzing the many ways that Latin Americans have resisted imperialism and sought emancipation and sovereignty over several centuries, they delve into topics including violence, identity, otherness, memory, heterogeneity, and language. Contributors also explore Latin American intellectuals’ ambivalence about, or objections to, the “post” in postcolonial; to many, globalization and neoliberalism are the contemporary guises of colonialism in Latin America.Contributors: Arturo Arias, Gordon Brotherston, Santiago Castro-Gómez, Sara Castro-Klaren, Amaryll Chanady, Fernando Coronil, Román de la Campa, Enrique Dussel, Ramón Grosfoguel, Russell G. Hamilton, Peter Hulme, Carlos A. Jáuregui, Michael Löwy, Nelson Maldonado-Torres, José Antonio Mazzotti, Eduardo Mendieta, Walter D. Mignolo, Mario Roberto Morales, Mabel Moraña, Mary Louise Pratt, Aníbal Quijano, José Rabasa, Elzbieta Sklodowska, Catherine E. Walsh

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Set yourself on the path to greatness.If you read nothing else on performing at your highest level, read these 10 articles. We've combed through hundreds of Harvard Business Review articles and selected the most important ones to help you learn what successful people do differently, find inspiration in your work, and achieve your full potential.This book will inspire you to: Identify the patterns that are holding you back Turn weaknesses into strengths and strengths into success Form the right habits to reach your goals Focus on the work that matters most Avoid the pitfalls of being a star performer Set the stage for others to excel This collection of articles includes "The Making of an Expert," by K. Anders Ericsson, Michael J. Prietula, and Edward T. Cokely; "Managing Oneself," by Peter F. Drucker; "Are You a High Potential?," by Douglas A. Ready, Jay A. Conger, and Linda A. Hill, "Making Yourself Indispensable," by John H. Zenger, Joseph R. Folkman, and Scott K. Edinger; "How to Play to Your Strengths," by Laura Morgan Roberts, Gretchen Spreitzer, Jane Dutton, Robert Quinn, Emily Heaphy, and Brianna Barker Caza; "The Power of Small Wins," by Teresa M. Amabile and Steven J. Kramer; "Nine Things Successful People Do Differently," by Heidi Grant; "Make Time for the Work That Matters," by Julian Birkinshaw and Jordan Cohen; "Don't Be Blinded by Your Own Expertise," by Sydney Finkelstein; "Mindfulness in the Age of Complexity," by Ellen Langer and Alison Beard; "Primal Leadership," by Daniel Goleman, Richard Boyatzis, and Annie McKee; and "The Right Way to Form New Habits," by James Clear and Alison Beard.HBR's 10 Must Reads paperback series is the definitive collection of books for new and experienced leaders alike. Leaders looking for the inspiration that big ideas provide, both to accelerate their own growth and that of their companies, should look no further. HBR's 10 Must Reads series focuses on the core topics that every ambitious manager needs to know: leadership, strategy, change, managing people, and managing yourself. Harvard Business Review has sorted through hundreds of articles and selected only the most essential reading on each topic. Each title includes timeless advice that will be relevant regardless of an ever‐changing business environment.

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Ben is afraid of dogs, even his new neighbor's old scaredy-dog, Max. Can big, brave Ben overcome his fear and make a new kind of friend? Ben was upset when his friend Peter moved away, but now the new neighbors are moving in across the street and Ben can’t wait to go say hello and make friends. That is, until he notices that this family has a pet dog; and unlike his sister and brother, Ben isn’t so sure around dogs. The big jaws and big teeth make him nervous. But what Ben doesn’t realize is that Max is an “old scaredy-dog” who feels nervous too. Can Ben overcome his fear and come to see eye-to-eye with a new kind of friend? The award-winning team that produced A+ for Big Ben and Ben Says Goodbye have come together once again in Ben and the Scaredy-Dog, a heart-warming story about a thoughtful yet anxious boy who overcomes his fear of dogs. Sarah Ellis highlights the all-too-common childhood dread of canines as she once again explores the world through the eyes of Ben, a boy who wants to be brave but just can't help anticipating the worst when it comes to a new experience. Kim La Fave perfectly captures his characters' thoughts and intentions through spot-on expressions and body language, as he contrasts Ben's drawings of the creature he sees in his mind's eye with the reality of the big and cuddly dog next door, who just happens to have his own fear issues. The result is a gently funny book that explores the courageous heart that can be found within an anxious child.

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Since its beginnings, Open Spaces has been on the cutting edge of thinking about the Pacific Northwest - an intelligent, provocative, beautifully conceived magazine for thoughtful readers who are searching for new ways to understand the region, themselves, and many of the major issues of our time. The Pacific Northwest is known for its innovative solutions. Whether the challenge is integration with the natural world, the relationship of science and policy, learning to use what we know, or simply enjoying a balanced and fulfilling life, these writers, leaders in their respective disciplines, provide the background necessary to understand the issues and move forward. This lasting collection from the magazine is an invaluable resource for students, educators, and practitioners working in various fields as well as decision makers in government, business, and other sectors looking for real-world answers to ongoing conflicts. Collectively, the writers in this volume apply their expertise and talent to provide an intelligent and informed context through which to see public issues and make sense of the changes that continue to shape the region and our world. Individually, they touch on our deepest sense of human experience and continuity and reflect the spirit of the Northwest. Open Spaces enlightens, challenges, and inspires. Featured writers: Bruce Babbitt R. Peter Benner Linda Besant Emory Bundy Jeff Curtis Bob Davison Sandra Dorr Angus Duncan David James Duncan Tom Grant Stephen J. Harris Roy Hemmingway Thomas F. Hornbein William Kittredge Jane Lubchenco Kathleen Dean Moore Lee C. Neff James Opie Diarmuid F. O'Scannlain Jarold Ramsey Richard Rapport Eric Redman William D. Ruckelshaus Robert Sack Edward W. Sheets Scot Siegel Kim Stafford John Struloeff Ann Ware Charles Wilkinson For more information go to: http://www.open-spaces.com

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The Belgian artist Georges Remi's (Hergé) legendary creation, Tintin is a figure whose adventures have enchanted readers in Europe for the last eighty years. The series is one of the most popular European comics of the twentieth century, with translations published in over 50 languages and more than 200 million copies of the books sold to date. With the proliferation of Tintin blogs, Steven Spielberg's and Peter Jackson's planned cinematographic adaptations, and a Tintin museum scheduled to open in Belgium in the near future, there are many signs that the popularity of Hergé's boy hero continues to grow. The Metamorphoses of Tintin is the English translation of the first critical study of the canonical Tintin cartoons. Published in French in 1984 and republished many times since, this pioneering work examines the long career of both the cartoonist and his creation. Hergé's right-wing upbringing, all too apparent in his first two albums, brought accusations of misogyny, anti-Semitism, and racism, but in the endless revisions he undertook over the course of his career, he proved skillful at evading his critics. After the Second World War, Tintin's adventures became more psychological than political, thus appealing to a wider range of readers. He left behind the real world and came to occupy the center of a fictional universe where he tirelessly championed the underdog. A figure without origins, he turned international hero at the very moment that Western nations were becoming homogenized and transmitting their commodities and values on a global scale. Arguing that the series of albums thus offers a reflection on the whole of twentieth-century life, Jean-Marie Apostolidès traces the evolution of Tintin's character and reveals the unity of Hergé's masterpiece.

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Jean Bethke Elshtain (1941–2013) was a noted ethicist, political philosopher, and public intellectual. Her four decades of scholarship defy easy categorization: she wrote both seminal works of theory and occasional pieces for the popular press, and she was variously viewed as radical and conservative, feminist and traditionalist, anti-war and pro-interventionist. Jean Bethke Elshtain: Politics, Ethics, and Society is the first attempt to evaluate Elshtain’s entire published body of work and to give shape to a wide-ranging scholarly career, with an eye to her work’s ongoing relevance. This collection of essays brings together scholars and public intellectuals from across the spectrum of disciplines in which Elshtain wrote. The volume is organized around four themes, which identify the central concerns that shaped Elshtain’s thought: (1) the nature of politics; (2) politics and religion; (3) international relations and just war; and (4) the end(s) of political life. The essays have been chosen not only for the expertise of each contributor as it bears on Elshtain’s work but also for their interpretive and analytic scope. This volume introduces readers to the work of a key contemporary thinker, using Elshtain’s writing as a lens through which to reflect on central political and scholarly debates of the last few decades. Jean Bethke Elshtain will be of great interest to specialists researching Elshtain and to scholars of multiple disciplines, particularly political theory, international relations, and religion. Contributors: Debra Erickson Sulai, Michael Le Chevallier, Robin W. Lovin, William A. Galston, Arlene W. Saxonhouse, Don Browning, Peter Berkowitz, Nancy J. Hirschmann, Michael Kessler, Lisa Sowle Cahill, Nigel Biggar, Gilbert Meilaender, Eric Gregory, Daniel Philpott, Marc LiVecche, Nicholas Rengger, John D. Carlson, Chris Brown, Michael Walzer, James Turner Johnson, Erik Owens, Francis Fukuyama, Carl Gershman, and Patrick J. Deneen.

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Hop on Pop showcases the work of a new generation of scholars—from fields such as media studies, literature, cinema, and cultural studies—whose writing has been informed by their ongoing involvement with popular culture and who draw insight from their lived experiences as critics, fans, and consumers. Proceeding from their deep political commitment to a new kind of populist grassroots politics, these writers challenge old modes of studying the everyday. As they rework traditional scholarly language, they search for new ways to write about our complex and compelling engagements with the politics and pleasures of popular culture and sketch a new and lively vocabulary for the field of cultural studies.The essays cover a wide and colorful array of subjects including pro wrestling, the computer games Myst and Doom, soap operas, baseball card collecting, the Tour de France, karaoke, lesbian desire in the Wizard of Oz, Internet fandom for the series Babylon 5, and the stress-management industry. Broader themes examined include the origins of popular culture, the aesthetics and politics of performance, and the social and cultural processes by which objects and practices are deemed tasteful or tasteless. The commitment that binds the contributors is to an emergent perspective in cultural studies, one that engages with popular culture as the culture that "sticks to the skin," that becomes so much a part of us that it becomes increasingly difficult to examine it from a distance. By refusing to deny or rationalize their own often contradictory identifications with popular culture, the contributors ensure that the volume as a whole reflects the immediacy and vibrancy of its objects of study.Hop on Pop will appeal to those engaged in the study of popular culture, American studies, cultural studies, cinema and visual studies, as well as to the general educated reader.Contributors. John Bloom, Gerry Bloustein, Aniko Bodroghkozy, Diane Brooks, Peter Chvany, Elana Crane, Alexander Doty, Rob Drew, Stephen Duncombe, Nick Evans, Eric Freedman, Joy Fuqua, Tony Grajeda, Katherine Green, John Hartley, Heather Hendershot, Henry Jenkins, Eithne Johnson, Louis Kaplan, Maria Koundoura, Sharon Mazer, Anna McCarthy, Tara McPherson, Angela Ndalianis, Edward O’Neill, Catherine Palmer, Roberta Pearson, Elayne Rapping, Eric Schaefer, Jane Shattuc, Greg Smith, Ellen Strain, Matthew Tinkhom, William Uricchio, Amy Villarego, Robyn Warhol, Charles Weigl, Alan Wexelblat, Pamela Robertson Wojcik, Nabeel Zuberi

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Hop on Pop showcases the work of a new generation of scholars—from fields such as media studies, literature, cinema, and cultural studies—whose writing has been informed by their ongoing involvement with popular culture and who draw insight from their lived experiences as critics, fans, and consumers. Proceeding from their deep political commitment to a new kind of populist grassroots politics, these writers challenge old modes of studying the everyday. As they rework traditional scholarly language, they search for new ways to write about our complex and compelling engagements with the politics and pleasures of popular culture and sketch a new and lively vocabulary for the field of cultural studies.The essays cover a wide and colorful array of subjects including pro wrestling, the computer games Myst and Doom, soap operas, baseball card collecting, the Tour de France, karaoke, lesbian desire in the Wizard of Oz, Internet fandom for the series Babylon 5, and the stress-management industry. Broader themes examined include the origins of popular culture, the aesthetics and politics of performance, and the social and cultural processes by which objects and practices are deemed tasteful or tasteless. The commitment that binds the contributors is to an emergent perspective in cultural studies, one that engages with popular culture as the culture that "sticks to the skin," that becomes so much a part of us that it becomes increasingly difficult to examine it from a distance. By refusing to deny or rationalize their own often contradictory identifications with popular culture, the contributors ensure that the volume as a whole reflects the immediacy and vibrancy of its objects of study.Hop on Pop will appeal to those engaged in the study of popular culture, American studies, cultural studies, cinema and visual studies, as well as to the general educated reader.Contributors. John Bloom, Gerry Bloustein, Aniko Bodroghkozy, Diane Brooks, Peter Chvany, Elana Crane, Alexander Doty, Rob Drew, Stephen Duncombe, Nick Evans, Eric Freedman, Joy Fuqua, Tony Grajeda, Katherine Green, John Hartley, Heather Hendershot, Henry Jenkins, Eithne Johnson, Louis Kaplan, Maria Koundoura, Sharon Mazer, Anna McCarthy, Tara McPherson, Angela Ndalianis, Edward O’Neill, Catherine Palmer, Roberta Pearson, Elayne Rapping, Eric Schaefer, Jane Shattuc, Greg Smith, Ellen Strain, Matthew Tinkhom, William Uricchio, Amy Villarego, Robyn Warhol, Charles Weigl, Alan Wexelblat, Pamela Robertson Wojcik, Nabeel Zuberi

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Zinaida Poliakova (1863–1953) was the eldest daughter of Lazar Solomonovich Poliakov, one of the three brothers known as the Russian Rothschilds. They were moguls who dominated Russian finance and business and built almost a quarter of the railroad lines in Imperial Russia. For more than seventy-five years, Poliakova kept detailed diaries of her world, giving us a rare look into the exclusive world of Jewish elites in Moscow and St. Petersburg. These rare documents reveal how Jews successfully integrated into Russian aristocratic society through their intimate friendships and patronage of the arts and philanthropy. And they did it all without converting—in fact, while staunchly demonstrating their Jewishness. Poliakova’s life was marked by her dual identity as a Russian and a Jew. She cultivated aristocratic sensibilities and lived an extraordinarily lifestyle, and yet she was limited by the confessional laws of the empire and religious laws that governed her household. She brought her Russian tastes, habits, and sociability to France following her marriage to Reuben Gubbay (the grandson of Sir Albert Abdullah Sassoon). And she had to face the loss of almost all her family members and friends during the Holocaust. Women’s voices are often lost in the sweep of history, and so A Jewish Women of Distinction is an exceptional, much-needed collection. These newly discovered primary sources will change the way we understand the full breadth of the Russian Jewish experience.

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What does the Cuban Revolution look like “from within?" This volume proposes that scholars and observers of Cuba have too long looked elsewhere—from the United States to the Soviet Union—to write the island's post-1959 history. Drawing on previously unexamined archives, the contributors explore the dynamics of sociopolitical inclusion and exclusion during the Revolution's first two decades. They foreground the experiences of Cubans of all walks of life, from ordinary citizens and bureaucrats to artists and political leaders, in their interactions with and contributions to the emerging revolutionary state. In essays on agrarian reform, the environment, dance, fashion, and more, contributors enrich our understanding of the period beginning with the utopic mobilizations of the early 1960s and ending with the 1980 Mariel boatlift. In so doing, they offer new perspectives on the Revolution that are fundamentally driven by developments on the island. Bringing together new historical research with comparative and methodological reflections on the challenges of writing about the Revolution, The Revolution from Within highlights the political stakes attached to Cuban history after 1959. Contributors. Michael J. Bustamante, María A. Cabrera Arús, María del Pilar Díaz Castañón, Ada Ferrer, Alejandro de la Fuente, Reinaldo Funes Monzote, Lillian Guerra, Jennifer L. Lambe, Jorge Macle Cruz, Christabelle Peters, Rafael Rojas, Elizabeth Schwall, Abel Sierra Madero

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A sparkling new 80th anniversary hardback edition of this classic fable. A wise and enchanting fable that, in teaching the secret of what is really important in life, has changed the world forever for its readers. Often seen as a symbol of childhood innocence, Antoine de Saint-Exupery’s best-selling book The Little Prince is cherished by children and adults alike across the globe. Ideal for children aged 7 and up. This beautiful new 80th anniversary edition with a glittering foiled cover contains the definitive translation by Katherine Woods and all the original illustrations. The Little Prince joins the ranks of A Little Princess, The Secret Garden & Peter Pan as a genuine children's classic of the twentieth century. Antoine De Saint-Exupéry was born in 1900 in Lyon. In 1921, he began his training as a pilot By 1926, he had became one of the pioneers of international postal flight. In 1935 he embarked on a record-breaking attempt to fly from Paris to Saigon. Nineteen hours into the flight, his plane crashed in the Sahara desert. He survived the crash but spent three days battling dehydration, limited food and hallucinations. On the fourth day, the was rescued. In part, this experience was the inspiration for The Little Prince. He continued to fly until World War II, during which he took self-imposed exile. On 31 July 1944, he disappeared over the Mediterranean while flying a reconnaissance mission.

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Los lectores y los espectadores de El Hobbit y de la trilogía de El Señor de los Anillos quedan fascinados por el mundo fantástico creado por J.R.R. Tolkien. Pero pocos saben que Tolkien era un ferviente católico, y que los personajes, acontecimientos y los dilemas morales de sus novelas están configurados por los dogmas de su fe. Este aclamado libro de Stratford Caldecott revela los cimientos espirituales de la obra de Tolkien, e incluye comentarios a las adaptaciones cinematográficas de Peter Jackson y referencias a las obras y cartas publicadas tras la muerte de Tolkien que conducen a fascinantes conclusiones.

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The critically acclaimed Mortal Engines quartet is repackaged in a paperback boxset with fantastic and eye-catching covers featuring new artwork by Ian McQue. Mortal Engines launched Philip Reeve's brilliantly-imagined creation, the world of the Traction Era, where mobile cities fight for survival in a post-apocalyptic future. 20 years on from it's first publication, it is hailed as a modern classic. TITLES INCLUDED Mortal Engines Predator's Gold Infernal Devices A Darkling Plain Four paperback novels in a card slipcase, shrinkwrapped. With a story that is epic, beatifully crafted and absorbing for the entire four novels, this boxset is the perfect gift for lovers of fantasy novels and classic science fiction such as Dune. ABOUT THE SERIES Mortal Engines was made into a feature length film starring Hugo Weaving and produced and written by Lord of the Rings director Peter Jackson The first book in the series won the coveted Smarties Gold Book award REVIEWS "Like the moving cities it depicts, Reeve's debut novel is a staggering feat of engineering, a brilliant construction that offers new wonders at every turn." - Publishers Weekly "...readers who enjoy violent, titanic clashes between good and evil will be absorbed from beginning to end." - Kirkus Reviews

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In this provocative collection of memoirs, eight acclaimed writers go about the risky business of telling their own secrets. Collectively, they provide what amounts to a psychic map of American life, from the streets of New York’s East Village–where Peter Trachtenberg’s affair with a fragile ex-prostitute becomes entwined with scenes from an imaginary film noir, to the trailer parks of southern California–where, in a last-ditch bid for affection, Terminator dresses in drag and seduces his abusive mother’s boyfriend. in between, Jane Creighton has an affair with her gentle, sickly brother; Lois Gould recalls Businessman–the flamboyant gentleman who had a string of red-haired mistresses and who, incidentally, was her father; Philip Lopate views his pathologically schlumpy dad in a nursing home; Laurie Stone searches for the connections between her creativity and her addiction to sex; Jerry Stahl remembers his rock-bottom days doing crack in Los Angeles; and Catherine Texier, an accomplished adult, meets her father for the first time in the south of France. In her introduction, award-winning critic Laurie Stone gives the genre an incisive once-over and explores the question: Why is memoir so dominant on the literary scene? These stories–filled with harrowing self-knowledge, as antic as they are haunting–go a long way toward answering that question.

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LeRoy Neiman was arguably the world's most recognizable contemporary artist until his passing in June 2012. He broke the barrier between fine art and popular art while creating indelible images that helped define the twentieth century. But it is the life he lived and the people he knew that make the memoir of this scrappy Depression-era kid who became a swashbuckling bon vivant with the famous mustache such a marvelous historical canvas. Chronicler and confidant of Muhammad Ali, Neiman also traveled with Sinatra, cavorted with Dalí and Warhol, watched afternoon soaps with Dizzy Gillespie, played in Sly Stallone's Rocky movies, exchanged quips with Nixon, smoked cigars with Castro, and experienced the terrorist attacks at the Munich Olympics alongside Peter Jennings, Howard Cosell, and Jim McKay. And then there was his half-century relationship with Hugh Hefner as principle artistic contributor to Playboy, setting up studios in London and Paris to cover his Playboy beat, "Man at His Leisure," and his creation of the Femlin, the iconic Playboy nymphette. With his life's work, and in All Told, LeRoy Neiman captured sports heroes, movie stars, presidents, dishwashers, jet-setters, jockeys, and more than a few Bunnies at the Playboy Mansion—a panoramic record of society like no other.

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“A captivating memoir of a courageous survivor” (Publishers Weekly) and “a window onto the panorama of modern Korean history” (St. Petersburg Times) this is a radiant and engaging story about a young American woman’s discovery about the life of her Korean grandmother.Helie Lee’s grandmother, Hongyong Baek, came of age in a unified but socially repressive Korea, where she was taught the roles that had been prescribed for her: obedient daughter, demure wife, efficient household manager. Ripped from her home first during the Japanese occupation and again during the bloody civil war that divided her country, Hongyong fought to save her family by drawing from her own talents and values. Over the years she proved her spirit indomitable, providing for her husband children by running a successful restaurant, building a profitable opium business, and eventually becoming adept at the healing art of ch’iryo. When she was forced to leave her country, she moved her family to California, where she reestablished her ch’iryo practice. Writing in her grandmother’s voice, Helie Lee recreates an individual experience in a unique culture that is both seductively exotic and strangely familiar. With wit and verve, she claims her own Korean identity and illuminates the intricate experiences of Asian-American women in this century.

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The Hillwood Museum's Russian silver collection is the largest and most comprehensive outside Russia. 'Russian Silver in America' surveys Russian silver production, its changing forms, styles, imagery and techniques over more than 250 years, drawing on the collections of both the Hillwood and other US museums. A beautifully illustrated book which provides a proper cultural, political and historical context in which to view this fascinating collection, it charts the history of Russian silver through the baroque styles of the reigns of Peter and Elizabeth, the move to Rococo and Neoclassicism under Catherine and Paul, revivalist styles under Alexander I and Nicholas I, 19th-century styles up to Faberge and modernist production. Running throughout is the story of how and why so much Russian silver found its way into American collections - much of it sold by the Soviet government in the 1920s and 30s, as having largely been held in church treasuries and private collections, it was considered to be of no artistic value. A dazzling visual history of Russian silver and a vital record of 18th- and 19th-century silver production in Russia, almost none of which remains in the country today. Features over 160 pieces from the Hillwood Museum and other US collections including objects made for the imperial family and growing merchant class.

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In this innovative series of public lectures at Newcastle University, leading contemporary poets speak about the craft and practice of poetry to audiences drawn from both the city and the university. The lectures are then published in book form by Bloodaxe, giving readers everywhere the opportunity to learn what the poets themselves think about their own subject. Where and what is the England in which we imagine we live? How do we authenticate this never-to-be-finished project? What are its imaginative origins, and how do contemporary poets stand in relation to those predecessors such as Eliot, Auden, Larkin and Hughes whose imaginary Englands have left such an imprint on the culture? Journeys to the Interior considers the work of a range of contemporary poets, including Peter Didsbury, Carol Ann Duffy, Paul Farley, Roy Fisher, Daljit Nagra, Jo Shapcott and George Szirtes, examining areas of dissent and signs of affirmation. Can England be seen as, in Langland's words, 'a fair field full of folk'? Is Englishness a matter of 'complicated shame', as Jo Shapcott put it? How do those born elsewhere who have made their homes here describe the experience of England? And if, as Auden said, 'all the poet can do is warn', what warning signs are poets receiving and transmitting in this period of doubt and anxiety?

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'A sheer joy' JOANNA LUMLEY 'This book gives me hope ... that life and marriage might permanently include taking the absolute piss while simultaneously dancing in the kitchen' EMMA FREUD 'An endearing portrait of exasperation, laced with hard won tolerance - and love' GUARDIAN Joanna and Roger have been married for over forty years. Children of the Sixties, they're still free spirits, drawn together by their passion for music - and each other. Conversations from a Long Marriage is exactly that: following conversations that take them from the local café, to their kitchen table, taking in her resentment of new glasses - a symbol of ageing - and fury at being lectured by the dental hygienist. He has a dodgy knee and is on statins, and when they discuss the marriage break-up of their closest friends, Sally and Peter, there's jealousy and talk of affairs. She suggests there are advantages to single beds, separate holidays and wants to go clubbing in Ibiza for her imminent 'big' birthday. Witty, big-hearted and a whole lot of fun, Conversations from a Long Marriage will resonate with couples of any age - but especially those who are still dancing in the kitchen, singing in the car and trying to keep the passion alive.

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Examines Naval co-operation between Britain and Russia and the often underappreciated prowess of the Russian navy. Naval co-operation between Britain and Russia continued throughout the eighteenth century, with Britain providing huge assistance to the growth of Russia's navy, and Russia making an essential but often overlooked contribution to Britain's maritime power in the period. From 1698 when Tsar Peter the Great served briefly as a trainee shipwright at Deptford dockyard Russia recruited British, often Scottish, shipwrights, engineers, naval officers and naval surgeons who both helped build up the Russian navy and who were also key advisers to the Russian navy at sea. At the same time, naval stores from Russia, especially after Britain lost the American colonies, were vital for the maintenance of Britain's fleet. Moreover, as this book argues, Russian naval power was much more formidable than is often realised, with the Russian navy active alongside the British fleet in the North Sea and winning decisive battles against the Ottoman navy in the Mediterranean, including the battles of Çeşme in 1770 and Navarino in 1827. Britain did well to have Russia as a naval ally rather than an enemy. This book provides a comprehensive overview of this important subject, at a time when Britain's relationship with Russia is of considerable concern.

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In Life Is Elsewhere, Anne Lounsbery shows how nineteenth-century Russian literature created an imaginary place called "the provinces"—a place at once homogeneous, static, anonymous, and symbolically opposed to Petersburg and Moscow. Lounsbery looks at a wide range of texts, both canonical and lesser-known, in order to explain why the trope has exercised such enduring power, and what role it plays in the larger symbolic geography that structures Russian literature's representation of the nation's space. Using a comparative approach, she brings to light fundamental questions that have long gone unasked: how to understand, for instance, the weakness of literary regionalism in a country as large as Russia? Why the insistence, from Herzen through Chekhov and beyond, that all Russian towns look the same? In a literary tradition that constantly compared itself to a western European standard, Lounsbery argues, the problem of provinciality always implied difficult questions about the symbolic geography of the nation as a whole. This constant awareness of a far-off European model helps explain why the provinces, in all their supposed drabness and predictability, are a topic of such fascination for Russian writers—why these anonymous places are in effect so important and meaningful, notwithstanding the culture's nearly unremitting emphasis on their nullity and meaninglessness.

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In Life Is Elsewhere, Anne Lounsbery shows how nineteenth-century Russian literature created an imaginary place called "the provinces"—a place at once homogeneous, static, anonymous, and symbolically opposed to Petersburg and Moscow. Lounsbery looks at a wide range of texts, both canonical and lesser-known, in order to explain why the trope has exercised such enduring power, and what role it plays in the larger symbolic geography that structures Russian literature's representation of the nation's space. Using a comparative approach, she brings to light fundamental questions that have long gone unasked: how to understand, for instance, the weakness of literary regionalism in a country as large as Russia? Why the insistence, from Herzen through Chekhov and beyond, that all Russian towns look the same? In a literary tradition that constantly compared itself to a western European standard, Lounsbery argues, the problem of provinciality always implied difficult questions about the symbolic geography of the nation as a whole. This constant awareness of a far-off European model helps explain why the provinces, in all their supposed drabness and predictability, are a topic of such fascination for Russian writers—why these anonymous places are in effect so important and meaningful, notwithstanding the culture's nearly unremitting emphasis on their nullity and meaninglessness.

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For decades, artists and architects have struggled to relate to the Holocaust in visual form, resulting in memorials that feature a diversity of aesthetic strategies. In Memory Passages, Natasha Goldman analyzes both previously-overlooked and internationally-recognized Holocaust memorials in the United States and Germany from the postwar period to the present, drawing on many historical documents for the first time. From the perspectives of visual culture and art history, the book examines changing attitudes toward the Holocaust and the artistic choices that respond to it.The book introduces lesser-known sculptures, such as Nathan Rapoport’s Monument to the Six Million Jewish Martyrs in Philadelphia, as well as internationally-acclaimed works, such as Peter Eisenman’s Memorial to the Murdered Jews of Europe in Berlin. Other artists examined include Will Lammert, Richard Serra, Joel Shapiro, Gerson Fehrenbach, Margit Kahl, and Andy Goldsworthy.Archival documents and interviews with commissioners, survivors, and artists reveal the conversations and decisions that have shaped Holocaust memorials.Memory Passages suggests that memorial designers challenge visitors to navigate and activate spaces to engage with history and memory by virtue of walking or meandering. This book will be valuable for anyone teaching—or seeking to better understand—the Holocaust.

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Beauty in architecture matters again. This issue of AD posits that after 80 years of aggressive suppression of engagement with aesthetics, the temporarily dormant preoccupation with beauty is back. This is evidenced by a current cultural shift from the supposedly objective to an emerging trust in the subjective – a renewed fascination for aesthetics supported by new knowledge emanating simultaneously from disparate disciplines. Digital design continues to influence architectural discourse, not only due to changes in manufacturing but also through establishing meaning. The very term 'post-digital' was introduced by computational designers and artists, who accept that digital gains in architectural design are augmented by human judgement and cognitive intuition. The issue takes an interdisciplinary approach to this re-emerging interest in beauty across neuroscience, neuroaesthetics, mathematics, philosophy and architecture, while discussing the work of the international architects, in both practice and academe, who are generating new aesthetics. Contributors: Alisa Andrasek,Izaskun Chinchilla, Marjan Colletti, Peter Cook, Robbert Dijkgraaf, Winka Dubbeldam, David Garcia, Graham Harman, Claudia Pasquero and Marco Poletto, Alan Powers, Gilles Retsin, Kristina Schinegger and Stefan Rutzinger, Fleur Watson and Martyn Hook and Semir Zeki. Featured architects: Archi-Tectonics, ecoLogicStudio, NaJa & deOstos, Kazuyo Sejima + Ryue Nishizawa/SANAA, soma architecture, Studio Gang, John Wardle Architects and Tom Wiscombe Architecture.

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This book explores previously unexamined links between the arbitrary as articulated in linguistic theories on the one hand, and in political discourse about power on the other. In particular, Willam Keach shows how Enlightenment conceptions of the arbitrary were contested and extended in British Romantic writing. In doing so, he offers a new paradigm for understanding the recurrent problem of verbal representation in Romantic writing and the disputes over stylistic performance during this period. With clarity and force, Keach reads these phenomena in relation to a rapidly shifting literary marketplace and to the social pressures in Britain generated by the French Revolution, the Napoleonic Wars, and the class antagonisms that culminated in the Peterloo Massacre. The question of what it means to think of language or politics as arbitrary persists through postmodern thinking, and this book advances an unfinished dialogue between Romantic culture and the critical techniques we currently use to analyze it. Keach's intertwined linguistic and political account of arbitrary power culminates in a detailed textual analysis of the language of revolutionary violence. Including substantial sections on Blake, Wollstonecraft, Wordsworth, Coleridge, Byron, P. B. Shelley, Keats, and Anna Jameson, Arbitrary Power will engage not only students and scholars of eighteenth- and nineteenth-century literature but also those interested in critical and linguistic theory and in social and political history.

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This book explores previously unexamined links between the arbitrary as articulated in linguistic theories on the one hand, and in political discourse about power on the other. In particular, Willam Keach shows how Enlightenment conceptions of the arbitrary were contested and extended in British Romantic writing. In doing so, he offers a new paradigm for understanding the recurrent problem of verbal representation in Romantic writing and the disputes over stylistic performance during this period. With clarity and force, Keach reads these phenomena in relation to a rapidly shifting literary marketplace and to the social pressures in Britain generated by the French Revolution, the Napoleonic Wars, and the class antagonisms that culminated in the Peterloo Massacre. The question of what it means to think of language or politics as arbitrary persists through postmodern thinking, and this book advances an unfinished dialogue between Romantic culture and the critical techniques we currently use to analyze it. Keach's intertwined linguistic and political account of arbitrary power culminates in a detailed textual analysis of the language of revolutionary violence. Including substantial sections on Blake, Wollstonecraft, Wordsworth, Coleridge, Byron, P. B. Shelley, Keats, and Anna Jameson, Arbitrary Power will engage not only students and scholars of eighteenth- and nineteenth-century literature but also those interested in critical and linguistic theory and in social and political history.

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Late Antiquity and the early Middle Ages are now understood as times of extraordinary skill and creativity in the decorative arts. In the Eastern Roman Empire (Byzantium) artists and craftsmen transitioned from ‘Roman’ to ‘Byzantine’ art and inspired a move from naturalism to a more hieratic and symbolic style, drawing on the deep artistic links connecting the Mediterranean world and the East. The many spectacular artefacts from this period in the Wyvern Collection are luxury objects, most commissioned by wealthy patrons or the Church, ranging in date from the fourth century to around 1300. Masterpieces of great significance for art history, including a 5th-century Artemis missorium, previously unpublished, and an 11th-century enamelled enkolpion from Constantinople are among the highlights of the collection. Other extraordinary objects – Late Roman chariot decorations, a stone funerary door from Syria and brooches brought across Europe by the families of Roman soldiers – complete this artistic panorama of the great Mediterranean and Persian civilizations, whose creative influence extended to the far west of the Islamic world. The catalogue, by Byzantine metalwork expert Marco Aimone, is augmented by three essays from technical specialists: Jack Ogden (enamelling), Peter Northover (metallurgy) and Erica Cruikshank Dodd (hallmarks). Rika Gyselen also contributes readings of Persian inscriptions.

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The New Paradigm in Architecture tells the story of a movement that has changed the face of architecture over the last forty years.The book begins by surveying the counter culture of the 1960s, when Jane Jacobs and Robert Venturi called for a more complex urbanism and architecture. It concludes by showing how such demands began to be realized by the 1990s in a new architecture that is aided by computer design—more convivial, sensuous, and articulate than the Modern architecture it challenges. Promoted by such architects as Frank Gehry, Daniel Libeskind, and Peter Eisenman, it has also been adopted by many schools and offices around the world. Charles Jencks traces the history of computer design which is, at its heart, built on the desire for an architecture that communicates with its users, one based on the heterogeneity of cities and global culture.This book, the first to explore the broad issue of Postmodernism, has fostered its growth in other fields such as philosophy and the arts. First written at the start of an architectural movement in the mid-1970s, it has been translated into eleven languages and has gone through six editions. Now completely rewritten and with two new chapters, this edition brings the history up to date with the latest twists in the narrative and the turn to a new complexity in architecture.

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Theater requires artifice, justice demands truth. Are these demands as irreconcilable as the pejorative term “show trials” suggests? After the Second World War, canonical directors and playwrights sought to claim a new public role for theater by restaging the era’s great trials as shows. The Nuremberg trials, the Eichmann trial, and the Auschwitz trials were all performed multiple times, first in courts and then in theaters. Does justice require both courtrooms and stages?In Staged, Minou Arjomand draws on a rich archive of postwar German and American rehearsals and performances to reveal how theater can become a place for forms of storytelling and judgment that are inadmissible in a court of law but indispensable for public life. She unveils the affinities between dramatists like Bertolt Brecht, Erwin Piscator, and Peter Weiss and philosophers such as Hannah Arendt and Walter Benjamin, showing how they responded to the rise of fascism with a new politics of performance. Linking performance with theories of aesthetics, history, and politics, Arjomand argues that it is not subject matter that makes theater political but rather the act of judging a performance in the company of others. Staged weaves together theater history and political philosophy into a powerful and timely case for the importance of theaters as public institutions.

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David Rowell is a professional journalist and an impassioned amateur musician. He's spent decades behind a drum kit, pondering the musical relationship between equipment and emotion. In Wherever the Sound Takes You, he explores the essence of music's meaning with a wide spectrum of musicians, trying to understand their connection to their chosen instrument, what they've put themselves through for their music, and what they feel when they play. This wide-ranging and openhearted book blossoms outward from there. Rowell visits clubs, concert halls, street corners, and open mics, traveling from the Rock and Roll Hall of Fame in Cleveland to a death metal festival in Maryland, with stops along the way in the Alps and Appalachia. His keen reportorial eye treats us to in-depth portraits of everyone from platinum-selling legend Peter Frampton to a devout Christian who spends his days alone in a storage unit bashing away on one of the largest drum sets in the world. Rowell illuminates the feelings that both spur music's creation and emerge from its performance, as well as the physical instruments that enable their expression. With an uncommon sensitivity and endless curiosity, he charts the pleasure and pain of musicians consumed with their craft-as all of us listen in.

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In this long-awaited book Donald Trelford recalls his adventures and misadventures during nearly sixty years in journalism. Described as the 'Rocky Marciano of newspaper politics', he fought off politicians, owners and predators over a quarter-century at The Observer, including Rupert Murdoch, who said afterwards: 'I made the mistake of underestimating Donald Trelford.' One owner sold The Observer because the editor refused to bow to pressure to support Margaret Thatcher. Another tried to sack him for writing the first report of atrocities committed by Robert Mugabe's forces in Zimbabwe. He tells for the first time the inside story of his complex relationship with Tiny Rowland - often tense, sometimes hilarious - and about his role in the notorious Pamella Bordes affair. He recalls how he was held at gunpoint by the FBI and strip-searched by the KGB. How a black dictator poked him in the chest and yelled: 'Keep out of my politics, white man.' While he was editor, The Observer won more press awards than any other newspaper. Trelford himself was described by Peter Preston, the former Guardian editor, as "a crusader...multi-talented, hands-on, a master of sport as well as news, shrewd and decisive. " Written with style and humour, this is a compelling account of an important period in the history of the British press.

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Join Ned Boulting as he reports on his dozen-th Tour de France, an event in which blokes do amazing things on bikes, and, we’re oft told, the biggest annual sporting event in the world.101 Damnations is a chance to relive the 2014 race, stage for stage, fall after fall, tantrum by tantrum; just the good bits mind, without all the aerial shots of castles. Or sunflowers. (Though it does wax lyrical about some stunning Alpine scenery . . . and, with the race starting in Yorkshire, even some stunning scenery not far from Bradford).From Leeds to Paris (how often do you say that?), Ned details the minutiae of his encounters with the likes of Vincenzo Nibali, David Millar, Chris Froome, Chris Boardman (or ‘Broadman’ as some would have it), Marcel Kittel, Mrs Cavendish (Mark’s wife), Peter Sagan and the rest. Their endeavours, achievements, humour and occasional rancour, sit alongside his own decade-long quest for the ideal end-of-race T-shirt.Ned weaves together the interesting, amusing and unheralded threads of the race itself, and reflects on his own perennial struggle to get round, get on and get by. 101 Damnations encapsulates all that is incredible – and incredibly ordinary – about the greatest race on earth.

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