Search results for ""author paul"

Finalist, Pauli Murray Book Prize in Black Intellectual History, African American Intellectual History SocietyShortlisted, 2023 Historical Nonfiction Legacy Award, Hurston / Wright FoundationOne of the foremost Black writers and intellectuals of his era, Claude McKay (1889–1948) was a central figure in Caribbean literature, the Harlem Renaissance, and the Black radical tradition. McKay’s life and writing were defined by his class consciousness and anticolonialism, shaped by his experiences growing up in colonial Jamaica as well as his early career as a writer in Harlem and then London. Dedicated to confronting both racism and capitalist exploitation, he was a critical observer of the Black condition throughout the African diaspora and became a committed Bolshevik.Winston James offers a revelatory account of McKay’s political and intellectual trajectory from his upbringing in Jamaica through the early years of his literary career and radical activism. In 1912, McKay left Jamaica to study in the United States, never to return. James follows McKay’s time at the Tuskegee Institute and Kansas State University, as he discovered the harshness of American racism, and his move to Harlem, where he encountered the ferment of Black cultural and political movements and figures such as Hubert Harrison and Marcus Garvey. McKay left New York for London, where his commitment to revolutionary socialism deepened, culminating in his transformation from Fabian socialist to Bolshevik.Drawing on a wide variety of sources, James offers a rich and detailed chronicle of McKay’s life, political evolution, and the historical, political, and intellectual contexts that shaped him.

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Becoming a Reflective English Teacher builds firm bridges between theory and practice, exploring how these can be brought together to create powerful contexts for teaching and learning across the broad spectrum of elements of the English secondary curriculum. By combining both theoretical and practical dimensions, the book enables you to reflect meaningfully on the processes and impact of your teaching. In a structured and practical way this book introduces you to the paradigmatic and theoretical issues underpinning English teaching. Through its focus on the significant aspects of the role of the English teacher, the book enables you to consider not just the practice of English, but also a range of historical, social policy and theoretical perspectives relating to the development and formulation of English as a subject. Overall the book provides a detailed understanding of the major foundations of English as an academic discipline, as well as what this means for your teaching. Key features include: Professional reflection –targeted reflective activities M level tasks –designed to help develop strong and meaningful connections between academic and practical components of the teacher’s role Into Practice –opportunities to think about the practical application of material in the book This book supports students training to teach English in secondary schools, as well as the professional development of teachers of English early in their careers.Contributors: Angella Cooze, Robert Fisher, Jenny Grahame, Bethan Marshall, Jo McIntyre, Debra Myhill, Vicky Obied, Maggie Pitfield, Richard Quarshie, Gary Snapper, Linda Varley, Annabel Watson, Paula Zwozdiak-Myers

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The sensational final instalment in comic legend Sue Townsend's hilarious and iconic Adrian Mole series'Effortlessly hilarious. Brilliant satire and tragedy' Times'My comfort read. The best diaries ever written - with apologies to Samuel Pepys, Bridget Jones and me' ADAM KAYRead as Adrian continues to struggle with his love life, endures a painfully awkward school play and contemplates the unsettling prospect of applying genital poultice . . .__________Sunday 1st JulyNO SMOKING DAY. A momentous day! Smoking in a public place or place of work is forbidden in England. Though if you are a prisoner, an MP or a member of the Royal Family you are exempt.Adrian Mole is thirty-nine and a quarter. He lives in the country in a semi-detached converted pigsty with his wife Daisy and their daughter. His parents George and Pauline live in the adjoining pigsty. But all is not well.The secondhand bookshop in which Adrian works is threatened with closure. The spark has fizzled out of his marriage. His mother is threatening to write her autobiography (A Girl Called Shit). And Adrian's nightly trips to the lavatory have become alarmingly frequent . . .This laugh-out-loud final chapter in Adrian's story will have you hooked from the first page as you discover what he gets up to next.__________'A tour de force by a comic genius and if it isn't the best book published this year, I'll eat my bookshelf' Daily Mail, Books of the Year'Hilarious. Comic gold' Sunday Times'The funniest person in the world' Caitlin Moran

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2023 Honorable Mention, Jonathan Brown Award, Society for Iberian Global Art (SIGA)Painted Cloth explores the production, meaning, and representation of garments used in civil and religious settings across Latin America during the 1700s. Both the exhibition at the Blanton Museum of Art and this accompanying catalogue, reflect on the ways in which clothing played an essential role in articulating socioeconomic, gender, and racial identity among various Indigenous groups, African slaves, Spanish colonizers, and their mixed-raced descendants. The project spotlights aesthetic components of the artistic production of the Spanish Americas while also encouraging wider conversations about the impact of the colonial period in shaping the social fabric of the region. In addition to a foreword by Blanton director Simone Wicha, and an introduction and essay by Rosario I. Granados, Painted Cloth features essays by Julia McHugh, Trent A. Carmichael Curator of Academic Initiatives at the Nasher Museum of Art at Duke University; Ana Paulina Gámez, independent scholar and curator in Mexico City; Ricardo Kusonoki, Curator of Colonial and Republican Art, Museo de Arte de Lima; Patricia Diìaz Cayeros, fulltime researcher, Instituto de Investigaciones Esteìticas, Universidad Nacional Autoìnoma de Meìxico; and Maya Stanfield-Mazzi, associate professor of art history, University of Florida Gainesville.

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Presenting a stimulating contribution to the quickly advancing field of welfare attitudes research, this important book develops the understanding of welfare legitimacy. It does so by assessing the nature of popular judgments about welfare deservingness, as well as the roots and consequences of these attitudes, offering a state-of-the-art picture of the latest theoretical, conceptual and methodological developments. The Social Legitimacy of Targeted Welfare provides a multidisciplinary view on deservingness attitudes, with contributions from sociology, political science, media studies and social psychology. It advocates a multi-actor perspective, looking not only at citizens' attitudes, but also at attitudes of social administrators and policy-makers. The chapters also present new research methods in the field, including discrete choice experiments, factorial surveys, focus groups, and media content analysis. This book will be of interest to students and researchers in sociology, political science, and the fields of social psychology, philosophy, economics and history. It will help practitioners and policymakers in social policy, social work and healthcare understand popular perceptions and beliefs regarding just distributions of welfare.Contributors include: H. Blomberg, A. Bos, C. Buss, R. de Vries, M. De Wilde, B. Ebbinghaus, S. Evers, A. Fladmoe, B.B. Geiger, M. Hiligsmann, M. Jeene, J. Kallio, O. Kangas, A. Kootstra, C. Kroll, S. Kumlin, T. Laenen, D. Lepianka, B. Meuleman, E. Naumann, M. Niemelä, A. Paulus, J. Ragusa, T. Reeskens, F. Roosma, M. Sadin, K. Steen-Johnson, W. Uunk, M. van der Aa, T. van der Meer, B. van Doorn, W. van Oorschot, D. Wollebaek

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Transnational Portuguese Studies offers a radical rethinking of the role played by the concepts of ‘nationhood’ and ‘the nation’ in the epistemologies that underpin Portuguese Studies as an academic discipline. Portuguese Studies offers a particularly rich and enlightening challenge to methodological nationalism in Modern Languages, not least because the teaching of Portuguese has always extended beyond the study of the single western European country from which the language takes its name. However, this has rarely been analysed with explicit, or critical, reference to the ‘transnational turn’ in Arts and Humanities. This volume of essays from leading scholars in Portugal, Brazil, the USA and the UK, explores how the histories, cultures and ideas constituted in and through Portuguese language resist borders and produce encounters, from the manoeuvres of 15th century ‘globalization’ and cartography to present-day mega events such as the Rio Olympics. The result is a timely counter-narrative to the workings of linguistic and cultural nationalism, demonstrating how texts, paintings and photobooks, musical forms, political ideas, cinematic representations, gender identities, digital communications and lexical forms, may travel, translate and embody transcultural contact in ways which only become readable through the optics of transnationalism.Contributors: Ana Margarida Dias Martins, Anna M. Klobucka, Christopher Larkosh, Claire Williams, Cláudia Pazos Alonso, Edward King, Ellen W. Sapega, Fernando Arenas, Hilary Owen, José Lingna Nafafé, Kimberly DaCosta Holton, Maria Luísa Coelho, Paulo de Medeiros, Sara Ramos Pinto, Sheila Moura Hue, Simon Park, Susana Afonso, Tatiana Heise, Toby Green, Tori Holmes, Vivien Kogut Lessa de Sá and Zoltán Biedermann.

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A practical guide to the challenges and successes of global fundraising, written by an international team of highly respected philanthropy professionals and edited by two of the leading nonprofit thinkers, Global Fundraising is the first book to genuinely offer a global overview of philanthropy with an internationalist perspective. As the world becomes more interdependent, and economies struggle, global philanthropy continues to increase. More than that, nonprofits are taking up roles that have traditionally been filled by the government—including social welfare, healthcare, and human rights. Global Fundraising provides complete coverage of the implications of this growth for nonprofit culture and how it drives changes in fundraising practices. Organized into thematic chapters—a mixture of geographic and topical issues—it places North American philanthropy in a wider context It features a companion website with a variety of online tools and materials The book includes contributions by international leading experts Matt Ide, Mair Bosworth, Usha Menon, Anup Tiwari, Paula Guillet de Monthoux, Angela Cluff, Norma Galafassi, Mike Muchilwa, Tariq Cheema, Lu Bo and Nan Fang, Masataka Uo, Chris Carnie, Sean Triner, Andrea McManus, Marcelo Inniarra, Ashley Baldwin, Rebecca Mauger, YoungWoo Choi, R.F. Shangraw, Jr., Sudeshna Mukherjee, and Anca Zaharia. The book skillfully tracks how the world of fundraising is changing rapidly due to a number of factors including: continuing growth of great wealth; non-profit innovation emerging everywhere; growth of indigenous NGOs; increased professionalism in fundraising; and the value and role of new and social technologies. Written by a team of philanthropy leaders, Global Fundraising offers timely coverage of fundraising around the world. A must-have for INGO leaders and anyone, anywhere, interested in the future of philanthropy and effective fundraising practices.

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The Elgar Companion to the International Criminal Tribunal for Rwanda is a one-stop reference resource on this complex tribunal, established in the aftermath of the 1994 genocide in Rwanda, which closed its doors on 31 December 2015. This Companion provides an insightful account of the workings and legacy of the ICTR in the field of international criminal justice.Surveying and analyzing the contributions from different disciplinary angles, the Companion is comprised of four comprehensive parts. It begins with a detailed account of the establishment of the ICTR, covering the setting up of the tribunal, its mandate, structure and personnel. The second part explores substantive law and examines issues such as genocide, crimes against humanity, war crimes, sexual violence and modes of liability. The third part discusses procedural law and explores investigation, arrest, trial/appeal, evidence, rights of the accused, rights of victims and sentencing. It concludes with the fourth part, which considers the contribution of the ICTR to international criminal justice, as well as to the lives of Rwandans.An important contribution to the jurisprudence of international criminal courts, the Companion will appeal to academics, students and legal practitioners alike. It will be fascinating reading for anyone interested in international criminal law or the recent history of Rwanda.Contributors include: P. Akhavan, K. Ambos, S. Bock, C. Buisman, N.A. Combs, A.-M. de Brouwer, M.A. Drumbl, H. Hintjens, B. Holá, H.B. Jallow, U. Kaitesi, G.W. Mugwanya, R. Muzigo-Morrison, F.M. Ndahinda, F.-X. Nsanzuwera, A. Odora-Obote, V. Oosterveld, C. Paulussen, N Pillay, A. Smeulers

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“Mr. Allan Burns, I am here to tell you an example, the example of the Hunchbacks.” So said Paulino Yamá, traditionalist and storyteller, to Allan Burns, anthropologist and linguist, as he began one story that found its way into this book. Paulino Yamá was just one of several master storytellers from the Yucatán Peninsula of Mexico from whom Burns learned not only the Mayan language but also the style and performance of myths, stories, riddles, prayers, and other forms of speech of their people. The result is An Epoch of Miracles, a wonderfully readable yet thoroughly scholarly set of translations from the oral literature of the Yucatec Maya, an important New World tradition never before systematically described. An Epoch of Miracles brings us over thirty-five long narratives of things large, small, strange, and “regular” and as many delightful short pieces, such as bird lore, riddles, and definitions of anteaters, rainbows, and other commonplaces of the Mayan world. Here are profound narratives of the Feathered Serpent, the mighty Rain God Chac and his helpers, and the mysterious cult of the Speaking Cross. But because these are modern, “Petroleum Age” Maya, here too are a discussion with Cuba’s Fidel Castro and a greeting to former president Richard Nixon. All pieces are translated ethnopoetically; examples of several genres are presented bilingually.  An especially valuable feature is the indication of performance style, such as pauses and voice quality, given with each piece.

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Lost for decades, the manuscript of Hermann Beckh's final lectures on the subject of music present fundamentally new insights into its cosmic origins. Beckh characterises the qualities of musical development, examines select musical works (that represent for him the peak of human ingenuity), and throws new light on the nature and source of human creativity and inspiration. Published here for the first time, the lectures demonstrate a distinctive approach founded on the raw material of musical perception. Beckh discusses the whistling wind, the billowing wave, the song of the birds and particularly the theme of longing. Never losing the ground from under his feet, he penetrates perennial themes: from the yearning for real spontaneity and the 'Mystery background' uniting heaven and earth, to spiritual knowledge that can meet the demands of the twenty-first century. Out of the cosmic context, Beckh writes to the individual situation. From there, he seeks again the re-won cosmic context. He does not write as a musical specialist and then turn to universal human concerns; rather, Beckh writes from universal human concerns and reveals music as of special concern to everyone. In addition to the transcripts of fifteen lectures, this book contains a valuable introduction and editorial footnotes. It also features appendices including Beckh's essay 'The Mystery of the Night in Wagner and Novalis'; reminiscences of Beckh by August Pauli and Harro Ruckner; Donald Francis Tovey's 'Wagnerian harmony and the evolution of the Tristan-chord', and several contemporaneous reviews of Beckh's published works.

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The follow-up to the groundbreaking Black Queer Studies, the edited collection No Tea, No Shade brings together nineteen essays from the next generation of scholars, activists, and community leaders doing work on black gender and sexuality. Building on the foundations laid by the earlier volume, this collection's contributors speak new truths about the black queer experience while exemplifying the codification of black queer studies as a rigorous and important field of study. Topics include "raw" sex, pornography, the carceral state, gentrification, gender nonconformity, social media, the relationship between black feminist studies and black trans studies, the black queer experience throughout the black diaspora, and queer music, film, dance, and theater. The contributors both disprove naysayers who believed black queer studies to be a passing trend and respond to critiques of the field's early U.S. bias. Deferring to the past while pointing to the future, No Tea, No Shade pushes black queer studies in new and exciting directions.Contributors. Jafari S. Allen, Marlon M. Bailey, Zachary Shane Kalish Blair, La Marr Jurelle Bruce, Cathy J. Cohen, Jennifer DeClue, Treva Ellison, Lyndon K. Gill, Kai M. Green, Alexis Pauline Gumbs, Kwame Holmes, E. Patrick Johnson, Shaka McGlotten, Amber Jamilla Musser, Alison Reed, Ramón H. Rivera-Servera, Tanya Saunders, C. Riley Snorton, Kaila Story, Omise'eke Natasha Tinsley, Julia Roxanne Wallace, Kortney Ziegler

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Severely wounded in the Iraq war, Leroy has lived a half-life in a group home for eight years. Unable to bear it any longer, he commits a desperate act which helps him to disappear to another place. Freddie is the night porter at the home, who works two jobs yet can't make ends meet. Buried in debt from his younger daughter's medical bills, he's forced to consider a criminal proposition. Pauline is the nurse who tends Leroy, who lives her life in an uncomplicated way, emotionally removed, until she meets a young runaway. An extraordinary portrait of contemporary America, and a testament to the resilience of the human heart, The Free is Willy Vlautin's most moving and affecting novel to date.

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Mary Norris has spent more than three decades guarding The New Yorker’s grand traditions of grammar and usage. Now she brings her vast experience and sharpened pencil to help the rest of us in a charming language book as full of life as it is of practical advice. Between You & Me features Norris’s laugh-out-loud exhortations about exclamation marks and emoticons, comma faults and swear words; her memorable exchanges about usage with writers such as Ian Frazier, Pauline Kael, Philip Roth and George Saunders; and her loving meditations on the most important tools of the trade. Readers and writers will find in Norris neither a scold nor a softie but a wise new friend in love with language.

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A story of obsession, revenge and deceit, and a woman caught up in terrifying circumstances. Perfect for fans of Paula Hawkins, C. L. Taylor and Helen Fields. Laura Maxwell appears to have it all – perfect career, perfect husband, perfect life. But how well do you really know the people around you? All it takes is one tiny crack to shatter the whole façade. A series of accidents causes Laura to believe that someone is deliberately targeting her, trying to harm her. Fear starts to pervade every part of her life, affecting her work and her marriage, and she feels increasingly isolated. If no one believes Laura’s story, who will be there to protect her when her attacker closes in for the kill?

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Character Design Quarterly (CDQ) is a lively, creative magazine bringing inspiration, expert insights, and leading techniques from professional illustrators, artists, and character art enthusiasts worldwide. Each issue provides detailed tutorials on creating diverse characters, enabling you to explore the processes and decision making that go into creating amazing characters. Learn new ways to develop your own ideas, and discover from the artists what it is like to work for prolific animation studios such as Disney, Warner Bros., and DreamWorks. The cover for issue 24 has been created by Nathanna Érica - an illustrator and paper artist based in São Paulo, Brazil. Inside we interview Justin Runfola, a character designer and visual-development artist with years of experience in the animation industry.

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'Excellent . . . reveals that high accomplishment has a signature pattern that reoccurs from sport to politics to business to government' Matthew SyedThere is no secret formula for success, especially when tackling a new challenge. But what if there were a pattern you could follow? A way of mapping the route and navigating the obstacles that arise?Michael Barber has spent many years advising governments, businesses and major sporting teams around the world on how to achieve ambitious goals on time. Drawing on stories of historic visionaries and modern heroes - from Mary Fischer and Rosa Parks to Paula Radcliffe and Gareth Southgate - Barber presents a unique combination of personal anecdote, historical evidence and interviews from inspirational figures to unpack the route to success.

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Van resseguir la rue de Seine gairebé sense veure el carrer, pendents com estaven l?un de l?altre. El JeanPierre, cicerone amb ganes d?agradar, explicava curiositats del barri que ella escoltava en silenci. Allà on la vorera es feia més estreta, va semblar-li que, sense voler, es fregaven les mans. Pell amb pell. I va tenir una esgarrifança. Van trencar per la rue de Buci, atapeïda de turistes asseguts a les terrasses amb ombra, i de seguida van ser al boulevard Saint-Germain. El Jean-Pierre Zanardi, galerista a la Rive Gauche, és un esperit lliure. La Paulina Homs, de vida tranquilla i familiar a Barcelona, arriba a París per al casament de la seva cosina.

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In recent decades, experimental music has flourished outside of European and American concert halls. The principles of indeterminacy, improvisation, nonmusical sound, and noise, pioneered in concert and on paper by the likes of Henry Cowell, John Cage, and Ornette Coleman, can now be found in a variety of new locations: activist films, rock recordings, and public radio broadcasts, not to mention in avant-garde movements around the world.The contributors to Tomorrow Is the Question explore these previously unexamined corners of experimental music history, considering topics such as Sonic Youth, Julius Eastman, the Downtown New York pop avant-garde of the 1970s, Fluxus composer Benjamin Patterson, Tokyo’s Music group (aka Group Ongaku), the Balinese avant-garde, the Leicester school of British experimentalists, Cuba’s Grupo de Experimentación Sonora del ICAIC, Pauline Oliveros’s score for the feminist documentary Maquilapolis, NPR’s 1980s RadioVisions, and the philosophy of experimental musical aesthetics. Taken together, this menagerie of people, places, and things makes up an experimentalism that is always partial, compromised, and invented in its local and particular formations—in other words, these individual cases suggest that experimentalism has been a far more variegated set of practices and discourses than previously recognised. Asking new questions leads to researching new materials, individuals, and contexts and, eventually, to the new critical paradigms that are necessary to interpret these new materials. Tomorrow Is the Question, gathering contributions from historical musicology, enthnomusicology, history, philosophy, and cultural studies, generates future research directions in experimental music studies by way of a productive inquiry that sustains and elaborates critical conversations.

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Die Arbeit analysiert durch exegetische und narratologische Untersuchungen die Charakteristika des lukanischen Doppelwerks. These ist, dass die Geschichte der Jünger bereits im Passionsbericht des Evangeliums antizipierend mitgedacht ist. Die lk Passionsgeschichte stellt die Jünger als Co-Subjekt des Leidens dar. Darüber hinaus weist diese Geschichte eine multiple story line auf. D.h., die Jüngergruppe treibt als Protagonist auch einen eigenständigen Subplot voran, während Jesus als Mentor ihnen hilft. Da dieselbe Erzählstruktur, in der die Jünger leiden und Jesus ihnen hilft, auch in Acta zu beobachten ist, erweist sich die lk Passionsgeschichte als Angelpunkt in der Erzählstruktur des Doppelwerks, während in der Auslegungsgeschichte bisher nur von Parallele die Rede war. Dadurch dass die Passio Christi und die Tribulatio Discipuli bei Lukas terminologisch voneinander unterschieden und in ein hierarchisches Verhältnis zueinander gebracht werden, lenkt Lukas die Leserempathie durch verschiedene Erzählfaktoren konsistent von Jesus auf die Jünger. Im Gegensatz zum übrigen NT und zur LXX unterscheidet Lukas beide Typen des Leidens vom Subjekt her, nämlich das Leiden Jesu als pa?e?? (passio) und das der Jünger als ??????(tribulatio). Lukas benutzt ??????als terminus technicus, mit dem er ausschließlich die Leidenssituationen der Jünger beschreibt. Für die Analyse der Empathie-Konstellation im lk Doppelwerk werden aktuelle Forschungen zur narrativen Empathie aufgegriffen und ein Modell kreiert, mit dem man quantitative Analysen durchführen kann. Verglichen werden u. a. die Perikopen Kreuzigung Jesu vs. Steinigung des Stephanus und letztes Gespräch Jesu vs. nAbschiedsrede des Paulus. Die Arbeit entwickelt zum Schluss ein Modell für eine Leidenshermeneutik. Das Modell nimmt sich als Leidensspirale aus.

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E = mc2 and the Periodic Table . . . RELATIVISTIC EFFECTS IN CHEMISTRY This century's most famous equation, Einstein's special theory of relativity, transformed our comprehension of the nature of time and matter. Today, making use of the theory in a relativistic analysis of heavy molecules, that is, computing the properties and nature of electrons, is the work of chemists intent on exploring the mysteries of minute particles. The first work of its kind, Relativistic Effects in Chemistry details the computational and analytical methods used in studying the relativistic effects in chemical bonding as well as the spectroscopic properties of molecules containing very heavy atoms. The first of two independent volumes, Part A: Theory and Techniques describes the basic techniques of relativistic quantum chemistry. Its systematic five-part format begins with a detailed exposition of Einstein's special theory of relativity, the significance of relativity in chemistry, and the nature of relativistic effects, especially with molecules containing both main group atoms and transition metal atoms. Chapter 3 discusses the fundamentals of relativistic quantum mechanics starting from the Klein-Gordon equation through such advanced constructs as the Breit-Pauli and Dirac multielectron Hamiltonian. Modern computational techniques, of importance with problems involving very heavy molecules, are outlined in Chapter 4. These include the relativistic effective core potentials, ab initio CASSCF, CI, and RCI techniques. Chapter 5 describes relativistic symmetry using the double group symmetry of molecules and the classification of relativistic electronic states and is of special importance to chemists or spectroscopists interested in computing or analyzing electronic states of molecules containing very heavy atoms. An exceptional introduction to one of chemistry's foremost analytical techniques, Relativistic Effects in Chemistry is also evidence of the still unending reverberations of Einstein's revolutionary theory.

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A Kirkus Reviews Best Nonfiction Book of 2023A Library Journal Recommended Read for 2023A Ms. Magazine Most Anticipated Book of 2023A vibrant collection of personal and lyric essays in conversation with archival objects of Black history and memory.What are the politics of nature? Who owns it, where is it, what role does it play in our lives? Does it need to be tamed? Are we ourselves natural? In A Darker Wilderness, a constellation of luminary writers reflect on the significance of nature in their lived experience and on the role of nature in the lives of Black folks in the United States. Each of these essays engages with a single archival object, whether directly or obliquely, exploring stories spanning hundreds of years and thousands of miles, traveling from roots to space and finding rich Blackness everywhere.Erin Sharkey considers Benjamin Banneker’s 1795 almanac, as she follows the passing of seasons in an urban garden in Buffalo. Naima Penniman reflects on a statue of Haitian revolutionary François Makandal, within her own pursuit of environmental justice. Ama Codjoe meditates on rain, hair, protest, and freedom via a photo of a young woman during a civil rights demonstration in Alabama. And so on—with wide-ranging contributions from Carolyn Finney, Ronald Greer II, Alexis Pauline Gumbs, Sean Hill, Michael Kleber-Diggs, Glynn Pogue, Katie Robinson, and Lauret Savoy—unearthing evidence of the ways Black people’s relationship to the natural world has persevered through colonialism, slavery, state-sponsored violence, and structurally racist policies like Jim Crow and redlining.A scrapbook, a family chest, a quilt—and an astounding work of historical engagement and literary accomplishment—A Darker Wilderness is a collection brimming with abundance and insight.

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The final installment of John Zorn's major series of new music theory, with Oren Ambarchi, Peter Blegvad, Annea Lockwood, Henry Threadgill and many more Initiated in 1997 and now in its tenth and final installment, John Zorn's acclaimed Arcana series is a major source of new music theory and practice in the 21st century. Illuminating directly via the personal vision and experience of the practitioners themselves, who experience music not from a cool, safe distance, but from the white-hot center of the creative crucible itself, Arcana elucidates through essays, manifestos, scores, interviews, notebooks and critical papers. Over 25 years the ten volumes of Arcana have presented the writings of over 300 of the most extraordinary musical thinkers of our time, who address composing, performing, improvising, touring, collaborating, living and thinking about music from diverse, refreshing and often surprising perspectives. Technical, philosophical, political, artistic and mystical in nature, these writings provide direct connections to the creative processes and hidden stratagems of musicians from the worlds of classical, rock, jazz, film soundtrack, improvised music and more. Contributors include: Susan Alcorn, Oren Ambarchi, Ran Blake, Peter Blegvad, Tyondai Braxton, Patricia Brennan, John Butcher, Ben Coniguliaro, Amir Elsaffar, Kenny Grohowski, Tom Guralnick, Mark Helias, David Hertzberg, Stefan Jackiw, Dan Kaufman, Derek Keller, Richard Kessler, Pauline Kim, Ulrich Krieger, Hannah Lash, Dan Lippel, Annea Lockwood, Dave Lombardo, Charlie Looker, Thomas Morgan, Stephen O’Malley, Laura Ortman, Alex Paxton, Alexandria Smith, Conrad Tao, Pat Thomas, Henry Threadgill, Anna Webber, Fay Victor, Christian Wolff and Miguel Zenon.

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Mean Streets was Martin Scorsese’s third feature film, and the one that confirmed him as a major new talent. On its premiere at the New York Film Festival in 1973, the critic Pauline Kael hailed the film as ‘a true original of our period, a triumph of personal film-making’. The tale of combative friends and small-time crooks is set amid the bars, pool halls, tenements and streets of Manhattan’s Little Italy. Scorsese has said of his childhood neighbourhood, ‘its very texture was interwoven with organised crime’, and this quality would dramatically inform the tone and restless energy of his seminal film. Demetrios Matheou’s insightful study considers Mean Streets’ production history in the context of the New Hollywood period of American cinema, noting also the key roles played by John Cassavetes and Roger Corman. He analyses the importance of Scorsese’s background to the film’s characters and themes, including preoccupations with guilt, redemption and criminal subcultures; the development of the director’s film-making process and signature style; the way in which he both drew upon and invigorated the crime genre; his relationship with emerging stars Robert De Niro and Harvey Keitel, and the film’s reception and legacy. Matheou argues that while Taxi Driver (1976) and Raging Bull (1980) are regarded as Scorsese’s greatest films of the period, Mean Streets is the more influential achievement. With it, Scorsese not only paved the way for a new kind of crime movie, not least his own GoodFellas (1990), but also inspired generations of independently-minded film-makers.

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A Sunday Times Art Book of the Year: the first critical illustrated biography of this much-loved artist, locating her firmly in the art worlds of late 19th- and early 20th-century London and Paris. One of the most significant British artists of the twentieth century, Gwen John (1867-1939) made her life and work within the heady art worlds of London and Paris. This critical biography demolishes the myth of Gwen John as a recluse and situates her, brilliant, singular and assured, amid a rich cultural milieu that included James McNeill Whistler, Henri Matisse, Pablo Picasso, Paula Modersohn-Becker and Maude Gonne. Art historian, curator and novelist Alicia Foster draws on previously unpublished archival sources to explore John’s many relationships with artists and writers, including her affair with Auguste Rodin, passionate friendships with Jeanne Robert Foster and Véra Oumançoff, and correspondence with, among others, the poet Rainer Maria Rilke and her Slade compatriot and fellow painter Ursula Tyrwhitt. John’s library, ranging from writing by her friends Rilke and Arthur Symonds to French philosophy and religious thought, is considered, as is her part in the increasing presence and visibility of women artists in the early-twentieth-century art world. From the life rooms of the Slade to the Paris salons, this is the story of an artist both devoted to her craft and deeply involved in the life and creativity of her era. With over 120 illustrations, Gwen John: Art and Life in London and Paris offers a lively, meticulously researched portrait of Gwen John as a vital and utterly compelling figure in twentieth-century art history.

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The fields of insurance law and insurance economics have long and distinguished scholarly histories, but participants in the two disciplines have not always communicated well across academic silos. This Handbook encourages more policy-relevant insurance economics scholarship and more economically sophisticated legal scholarship by bringing together original contributions from leading scholars in both fields.The benefits of this inter-disciplinary approach are introduced and illustrated in four comprehensive sections:- Why and how do individuals purchase insurance?- The role of the state in insurance markets- The regulation of insurance- Insurance law in the courts.Overall, this Handbook synthesizes the insights of insurance economics with the flourishing body of economically oriented research in insurance law.As well as providing a new approach for scholars, the Handbook will prove a useful reference for insurance lawyers and insurance regulators owing to its policy relevant, practical approach.Contributors: K.S. Abraham, D. Asmat, R. Avraham, T. Baker, E.F. Brown, P.-A. Chiappori, M.F. Grace, S.E. Harrington, D. Jaffee, R.W. Klein, H.C. Kunreuther, J. Kwak, K.D. Logue, J.A. Nyman, M.V. Pauly, D. Schwarcz, P. Siegelman, C. Silver, R. Squire, S. Tennyson

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In today'?s globalised world, the relationship between human rights and investment is an important societal and legal issue. This Research Handbook unravels this complex interaction and sheds light on all of its dimensions; it takes stock of the impact that investment operations can have on human rights and it examines how international law addresses, and contributes to, this complicated interplay. Taking a unique approach, the Handbook contains insightful chapters that provide analyses of specific international law regimes, with a particular focus on international investment law standards and investor-state arbitration. It also offers in-depth discussions of the corporate and home State responsibilities that can result from the activities of multinational corporations. Sectorial and regional case studies are also explored; they provide a grounding for the more theoretical aspects of the Handbook and highlight the key industries, such as the agricultural and extractive industries, that are prone to human rights violations. Academics, practitioners and policy-makers, with an interest in human rights law, international economic law and the activities of multinational corporations, will find this Research Handbook to be an important resource in their daily research and practice.Contributors include: D. Baumann-Pauly, A. Berkes, L. Boisson de Chazournes, K. Cordes, E. De Brabandere, M. Fanou, M. Hazelzet, S.M. Jastram, U. Kriebaum, J. Kyriakakis, G. Lehane, G. Lhuilier, D. Lim, J. Loutit, J. Mandelbaum, R. Mella, R. Polanco, Y. Radi, M. Tignino, R.V. Vadi, V. Tzevelekos

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A TIME 'New Books You Should Read' A People magazine 'Book of the Week' A New York Times Editors' Choice With a foreword by Elizabeth Strout ‘Electric: with wit, with rage, with grief, with the kind of prose that makes you both laugh and thrill to the darker, spikier emotions just barely visible under the bright surface. What a wonderful collection of stories’ Lauren Groff Another day! And then another and another and another. It seemed as if it would all go on forever in that exquisitely boring and beautiful way. But of course it wouldn’t; everyone knows that. In this collection, Hilma Wolitzer invites us inside the private world of domestic bliss, seen mostly through the lens of Paulie and Howard’s gloriously ordinary marriage. From hasty weddings to meddlesome neighbours, ex-wives who just won’t leave, to sleepless nights spent worrying about unanswered chainmail, Wolitzer captures the tensions, contradictions and unexpected detours of daily life with wit, candour and an acutely observant eye. Including stories first published in magazines in the 1960s and 1970s – alongside new writing from Wolitzer, now in her nineties – Today a Woman Went Mad in the Supermarket reintroduces a beloved writer to be embraced by a new generation of readers. ‘A fascinating time capsule of womanhood, marriage and motherhood over the last century … A fabulous book’ Emma Straub ‘Immensely gratifying, poignant, funny … Breathtaking’ Elizabeth Strout, from the foreword

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Stacey Margolis rethinks a key chapter in American literary history, challenging the idea that nineteenth-century American culture was dominated by an ideology of privacy that defined subjects in terms of their intentions and desires. She reveals how writers from Nathaniel Hawthorne to Henry James depicted a world in which characters could only be understood—and, more importantly, could only understand themselves—through their public actions. She argues that the social issues that nineteenth-century novelists analyzed—including race, sexuality, the market, and the law—formed integral parts of a broader cultural shift toward understanding individuals not according to their feelings, desires, or intentions, but rather in light of the various inevitable traces they left on the world.Margolis provides readings of fiction by Hawthorne and James as well as Susan Warner, Mark Twain, Charles Chesnutt, and Pauline Hopkins. In these writers’ works, she traces a distinctive novelistic tradition that viewed social developments—such as changes in political partisanship and childhood education and the rise of new politico-legal forms like negligence law—as means for understanding how individuals were shaped by their interactions with society. The Public Life of Privacy in Nineteenth-Century American Literature adds a new level of complexity to understandings of nineteenth-century American culture by illuminating a literary tradition full of accidents, mistakes, and unintended consequences—one in which feelings and desires were often overshadowed by all that was external to the self.

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Art school Britain in the 1960s and 1970s – a hotbed of experimental DIY creativity blurring the lines between art and music. In Blank Canvas, multi-genre musician turned university lecturer Simon Strange paints a picture of the diverse range of people who broke down the barriers between art, life and the creative self. Tracing lines from the Bauhaus 'blank slate' through the white heat of the Velvet Underground and the cutting edge of the Slits, Blank Canvas draws on interviews with giants of the genre across music, gender and race spectrums, from Brian Eno to Pauline Black, Cabaret Voltaire to Gaye Advert. Illustrated is a picture of two decades erupting in a devastatingly diverse flow of outspoken originality as an eclectic range of musical styles and cultures fused. Does modern day music education suffocate the soul and inhibit the impact of the bohemian artist? This book asks questions of today's artists, musicians, and educators, looking for the essence of creativity and suggests how lessons learnt in and around art school education show a path for the cultural evolution of both musicians and artists hoping to create the future. Audience will include university students at all levels in popular music, popular culture and creative arts education. Academics, educators and researchers working in popular culture and creativity. May also appeal to a more general reader interested in popular culture and creativity. With a Blank Canvas, anything is possible…

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What happens when God turns up?'Has God become as familiar and forgettable as a fridge magnet? That's the danger Krish Kandiah faces up to in this wonderfully readable and very challenging book. Bible stories come to life as Krish tells them afresh, richly illustrated with personal experience and social relevance, and in each case the living God turns up - strange, dangerous, and, like Aslan, not safe but good.' CHRIS WRIGHT, LANGHAM PARTNERSHIPIn an age of social and political uncertainty, Krish Kandiah turns to less familiar and more uncomfortable parts of the Bible to discover the true character of God - but be warned: he may be stranger than you think. Building on the challenges he explored in PARADOXOLOGY, Krish strips us of our comfortable assumptions and invites us to look afresh at God's character. When Abraham welcomes three men for dinner, he ends up pleading for the life of a city. When Jacob meets God by the river, they end up in a fight. And when two forlorn disciples meet a stranger on the road, their lives are turned upside down.GOD IS STRANGER challenges us to lay down our expectations of God and delight in the power that is proven by his very strangeness.'Be warned: this book could seriously affect your view of yourself, of the world and of God - I highly recommend it to you!' PAULA GOODER, BIBLE SOCIETY'An important and timely book from someone who lives out its message.' PETE GREIG, 24-7 PRAYER INTERNATIONAL

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First published for the fortieth anniversary of the March on Washington, this Library of America volume along with its companion chronicles over thirty tumultuous years in the struggle of African-Americans for freedom and equal rights.The first volume follows the rise of the modern civil rights movement from A. Philip Randolph’s defiant 1941 call for a protest march on Washington to the summer of 1963 and the eve of the march that finally shook the nation’s conscience. Ralph Ellison, Langston Hughes, Pauli Murray, and Bayard Rustin record the growing determination of African-Americans in the 1940s to oppose racial injustice; Murray Kempton and William Bradford Huie report on the lynching of Emmett Till; Ted Poston offers an inside look at the courage and resourcefulness of the Montgomery bus boycotters; Relman Morin in Little Rock and John Steinbeck in New Orleans witness the terrors of mob rage; David Halberstam and Louis Lomax describe the wildfire spread of the sit-in movement; James Baldwin investigates the Nation of Islam.Robert Penn Warren’s “Segregation,” a Southern moderate’s soul-searching interrogation of the traditions of his native region, is included in its entirety, as is Martin Luther King, Jr.’s classic defense of civil disobedience, “Letter from Birmingham Jail.” Remarkable but little-known reporters from the African-American press, among them James Hicks of the Amsterdam News, George Collins of the Baltimore Afro-American, L. O. Swingler of the Atlanta Daily World, and Trezzvant Anderson of the Pittsburgh Courier, are reprinted here for the first time, along with astonishing eyewitness accounts of movement activism by Fannie Lou Hamer, Tom Hayden, and Howard Zinn.Each volume contains a detailed chronology of events, biographical profiles and photographs of the journalists, explanatory notes, and an index.LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

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La novasèriemiddle grade del'autor de thrillermésvenut al'actualitat.JUAN GÓMEZ-JURADO i BÁRBARA MONTES.El seu final és el teu principi.El mateix dia que l'Amanda fa tretze anys rep una carta misteriosa que canviarà la seva vida. I de quina manera.De viure quasi en la misèria, ella i la seva tieta Paula s'installaran a una mansió gegant i laberíntica que ha pertanyut a la família Black durant generacions. Com si no fos suficient, el cos de l'Amanda comença a manifestar habilitats insospitades i esbrina que ha de prendre possessió d'un llegat familiar apassionant, secret i perillós, pel qual haurà de començar a entrenar-se d'immediat.Estaràl'Amanda al'alçada del ques'esperad'ella? Del queelsseus pares, itotsels Blackabansd'ells, varenlluitar per perpetuar iprotegir<

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This guide introduces readers to key issues in the interpretation and reception of Colossians. Anderson first explores the issue of Pauline authorship. She challenges readers to reflect on why the question of authorship has dominated scholarship as well as why and how interpreters create “stories” about the letter. Second, Anderson examines rhetoric and context. She asks readers to consider how the letter constructs and seeks to persuade its addressees past and present. She surveys several pictures of the first audience and “opponents.” Finally, Anderson delves into the functions of the Colossian household code, its reception, and the ethics of interpretation.

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Take a fresh look at the magical and insightful compositions of artists living in Alabama, Florida, Georgia, North Carolina, South Carolina, Virginia, and West Virginia. Here, 100 living artists delineate their creative expression through their personal stories and inspirations, along with several examples of their works. In oil, pastels, sculpture, and wood, with a diversity of styles and influences, including pop surrealism, realism, and expressionism, these artists capture the rich traditions of the south and our world. Essential reading for all who appreciate or practice art today. Foreword by Paula Allen, a Southern painter, sculptor, and illustrator.

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Over a decade ago the field of bioethics was established in response to the increased control over the design of living organisms afforded by both medical genetics and biotechnology. Since its introduction, bioethics has become established as an academic discipline with journals and professional societies, is covered regularly in the media, and affects people everyday around the globe. In response to the increasing need for information about medical genetics and biotechnology as well as the ethical issues these fields raise, Sheed & Ward proudly presents the Readings in Bioethics Series. Edited by Thomas A. Shannon, the series provides anthologies of critical essays and reflections by leading ethicists in four pivotal areas: reproductive technologies, genetic technologies, death and dying, and health care policy. The goal of this series is twofold: first, to provide a set of readers on thematic topics for introductory or survey courses in bioethics or for courses with a particular theme or time limitation. Second, each of the readers in this series is designed to help students focus more thoroughly and effectively on specific topics that flesh out the ethical issues at the core of bioethics. The series is also highly accessible to general readers interested in bioethics. This volume collects critical essays by leading scholars on reproductive technologies, abortion, in vitro fertilization, prenatal diagnosis, and cloning. Included in this volume are David Adamson, James P. Toner, Thomas A. Shannon, Bonnie Steinbock, Laura A. Schieve, Richard J. Paulson, G. Pennings, Thomas H. Murray, Lori B. Andrews, J. M. Phillips.

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Over a decade ago the field of bioethics was established in response to the increased control over the design of living organisms afforded by both medical genetics and biotechnology. Since its introduction, bioethics has become established as an academic discipline with journals and professional societies, is covered regularly in the media, and affects people everyday around the globe. In response to the increasing need for information about medical genetics and biotechnology as well as the ethical issues these fields raise, Sheed & Ward proudly presents the Readings in Bioethics Series. Edited by Thomas A. Shannon, the series provides anthologies of critical essays and reflections by leading ethicists in four pivotal areas: reproductive technologies, genetic technologies, death and dying, and health care policy. The goal of this series is twofold: first, to provide a set of readers on thematic topics for introductory or survey courses in bioethics or for courses with a particular theme or time limitation. Second, each of the readers in this series is designed to help students focus more thoroughly and effectively on specific topics that flesh out the ethical issues at the core of bioethics. The series is also highly accessible to general readers interested in bioethics. This volume collects critical essays by leading scholars on reproductive technologies, abortion, in vitro fertilization, prenatal diagnosis, and cloning. Included in this volume are David Adamson, James P. Toner, Thomas A. Shannon, Bonnie Steinbock, Laura A. Schieve, Richard J. Paulson, G. Pennings, Thomas H. Murray, Lori B. Andrews, J. M. Phillips.

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Irish Ethnologies gives an overview of the field of Irish ethnology, covering representative topics of institutional history and methodology, as well as case studies dealing with religion, ethnicity, memory, development, folk music, and traditional cosmology. This collection of essays draws from work in multiple disciplines including but not limited to anthropology and ethnomusicology. These essays, first published in French in the journal Ethnologie française, illuminate the complex history of Ireland and exhibit the maturity of Irish anthropology. Martine Segalen contends that these essays are part of a larger movement that “galvanized the quiet revolution in the domain of the ethnology of France.” They did so by making specific examples, in this instance Ireland, inform a larger definition of a European identity. The essays, edited by Ó Giolláin, also significantly explain, expand, and challenge “Irish ethnography.” From twelfth-century accounts to Anglo-Irish Romanticism, from topographical surveys to statistical accounts, the statistical and literary descriptions of Ireland and the Irish have prefigured the ethnography of Ireland. This collection of articles on the ethnographic disciplines in Ireland provides an instructive example of how a local anthropology can have lessons for the wider field. This book will interest academics and students of anthropology, folklore studies, history, and Irish Studies, as well as general readers. Contributors: Martine Segalen, Diarmuid Ó Giolláin, Hastings Donnan, Anne Byrne, Pauline Garvey, Adam Drazin, Gearóid Ó Crualaoich, Joseph Ruane, Ethel Crowley, Dominic Bryan, Helena Wulff, Guy Beiner, Sylvie Muller, and Anthony McCann.

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In this "guided" anthology, experts lead students through the major genres and eras of Chinese poetry from antiquity to the modern time. The volume is divided into 6 chronological sections and features more than 140 examples of the best shi, sao, fu, ci, and qu poems. A comprehensive introduction and extensive thematic table of contents highlight the thematic, formal, and prosodic features of Chinese poetry, and each chapter is written by a scholar who specializes in a particular period or genre. Poems are presented in Chinese and English and are accompanied by a tone-marked romanized version, an explanation of Chinese linguistic and poetic conventions, and recommended reading strategies. Sound recordings of the poems are available online free of charge. These unique features facilitate an intense engagement with Chinese poetical texts and help the reader derive aesthetic pleasure and insight from these works as one could from the original. The companion volume How to Read Chinese Poetry Workbook presents 100 famous poems (56 are new selections) in Chinese, English, and romanization, accompanied by prose translation, textual notes, commentaries, and recordings. Contributors: Robert Ashmore (Univ. of California, Berkeley); Zong-qi Cai; Charles Egan (San Francisco State); Ronald Egan (Univ. of California, Santa Barbara); Grace Fong (McGill); David R. Knechtges (Univ. of Washington); Xinda Lian (Denison); Shuen-fu Lin (Univ. of Michigan); William H. Nienhauser Jr. (Univ. of Wisconsin); Maija Bell Samei; Jui-lung Su (National Univ. of Singapore); Wendy Swartz (Columbia); Xiaofei Tian (Harvard); Paula Varsano (Univ. of California, Berkeley); Fusheng Wu (Univ. of Utah)

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Dialogues with Degas demonstrates the ongoing relevance of Edgar Degas to 20th- and 21st-century ideas and art practices. The first in-depth examination of this major artist’s impact on contemporary art, this book explores how contemporary practitioners have used Degas’s creativity as a springboard to engage imaginatively and critically with themes of colonialism, gender, race and class. Individual chapters are devoted to dialogues between Degas’s art and works produced by Frank Auerbach, Cecily Brown, Xinyi Cheng, Ryan Gander, Maggi Hambling, Damien Hirst, Howard Hodgkin, Chantal Joffe, Leon Kossoff, R.B. Kitaj, Juan Muñoz, Paula Rego, Jenny Saville, Yinka Shonibare, Cy Twombly and Rebecca Warren. Through close analyses of selected paintings, drawings, prints and sculptures, Kathryn Brown explores how Degas’s technical and compositional experiments have been extended or challenged in innovative ways. By experimenting with the materials and methods of existing works, contemporary artists generate visual palimpsests that make new demands of the viewer and prompt a reconsideration of ideas that have informed histories of 19th-century French art. The book overturns familiar conceptions of influence by eschewing a genealogical approach and prioritizing, instead, the analysis of non-linear encounters between artworks. This encourages a new conception of the agency of visual artefacts and of the conversations they are capable of entertaining with each other. While this study sheds new light on Degas’s art and that of his interlocutors, it also has methodological significance for the writing of art history.

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The past thirty years have seen dozens of otherwise successful investors try to improve education through the application of market principles. They have funneled billions of dollars into alternative schools, online education, and textbook publishing, and they have, with surprising regularity, lost their shirts.In Class Clowns, professor and investment banker Jonathan A. Knee dissects what drives investors' efforts to improve education and why they consistently fail. Knee takes readers inside four spectacular financial failures in education: Rupert Murdoch's billion-dollar effort to reshape elementary education through technology; the unhappy investors—including hedge fund titan John Paulson—who lost billions in textbook publisher Houghton Mifflin; the abandonment of Knowledge Universe, Michael Milken's twenty-year mission to revolutionize the global education industry; and a look at Chris Whittle, founder of EdisonLearning and a pioneer of large-scale transformational educational ventures, who continues to attract investment despite decades of financial and operational disappointment.Although deep belief in the curative powers of the market drove these initiatives, it was the investors' failure to appreciate market structure that doomed them. Knee asks: What makes a good education business? By contrasting rare successes, he finds a dozen broad lessons at the heart of these cautionary case studies. Class Clowns offers an important guide for public policy makers and guardrails for future investors, as well as an intelligent exposé for activists and teachers frustrated with the repeated underperformance of these attempts to shake up education.

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El pare d'Aleix mor quan ell és encara un xiquet. Sa mare es veu obligada a confiar al senyor Macià l'administració de les terres de la família i d'aquesta manera, el xiquet coneixerà la senyora Pauleta, una xica molt jove per al seu home.

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Provides a clear introduction to the key terms and frameworks in cognitive poetics and stylisticsHow do texts create meaning? How do we arrive at our textual interpretations? Why do we become 'lost in a book' or feel deep emotion in response to a literary character? Through close attention to the way texts are written and the language they use, as well as what we know about the human mind, 'Contemporary Stylistics' provides readers with the tools to begin answering these questions. In doing so, it introduces the theoretical principles and practical frameworks of stylistics and cognitive poetics, supplying the practical skills to analyse your own responses to literary texts. Including innovative activities for students and with case studies of work by writers like Dylan Thomas, EL James and Kazuo Ishiguro, this is a detailed analysis of contemporary stylistics that offers both historical contextualization of the discipline and points towards its possible future direction.Key Features:Introduces the key terms for each contemporary stylistic frameworkOutlines the foundations of the discipline and addresses cutting-edge developments such as reader response research, corpus methods, multimodality and reader emotion Contains practical analyses, innovative exercises for students, and further reading suggestions in each chapterAddresses the recent attention to multimodal and digital literature and research into empiricism and emotionEach topic is explored through original analyses of a wide range of texts, including poetry, prose, dialogue, song lyrics, political discourse, and linguistic transcriptsThere are stylistic and cognitive poetic analyses through the book. The key case studies include:'The Canal' Lee Rourke (2010)'Zang Tumb Tumb' by Marinetti (1914)'River in Spate' by Louis MacNeice'Under Milk Wood' by Dylan Thomas (1954)'Space Sonnet & Polyfilla' by Edwin Morgan (1977)'In Defense of Our Overgrown Garden' by Matthea Harvey (2000)'House of Cards''What is the What' by Dave Eggers (2006)'Ash Wednesday' by Ethan Hawke (2002)'Fresh Meat''Fifty Shades of Grey' by E. L. James (2012)'Received Pronunciation' by Sally Goldsmith (2012)'The house is not the same since you left' by Henry Normal (1993)'The Lives of Others' by Neel Mukherjee (2014)'My Name is Lucy Barton' by Elizabeth Stroud (2016)'How to Get Filthy Rich in Rising Asia' by Mohsin Hamid (2013)'The Unconsoled' by Kazuo Ishiguro (2005)'The One Ronnie''The Girl on the Train' by Paula Hawkins (2015)'I Am The Song' by Charles Causley'Hypothetical' by Maria Taylor'This is the Poem in which I Have Not Left You' by Julia Copus (2012)'13, rue Therese' by Elena Mauli Shapiro (2011)'Illuminae' by Amie Kaufman and Jay Kristoff (2015)'Karen' by Blast Theory (2015)'Blood Story' by Melvin Burgess

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Pentecostalism is currently the fastest-growing Christian movement, with hundreds of millions of followers. This growth overwhelmingly takes place outside of the West, and women make up 75 percent of the membership. The contributors to Spirit on the Move examine Pentecostalism's appeal to black women worldwide and the ways it provides them with a source of community and access to power. Exploring a range of topics, from Neo-Pentecostal churches in Ghana that help women challenge gender norms to evangelical gospel musicians in Brazil, the contributors show how Pentecostalism helps black women draw attention to and seek remediation from the violence and injustices brought on by civil war, capitalist exploitation, racism, and the failures of the state. In fleshing out the experiences, theologies, and innovations of black women Pentecostals, the contributors show how Pentecostal belief and its various practices reflect the movement's complexity, reach, and adaptability to specific cultural and political formations. Contributors. Paula Aymer, John Burdick, Judith Casselberry, Deidre Helen Crumbley, Elizabeth McAlister, Laura Premack, Elizabeth A. Pritchard, Jane Soothill, Linda van de Kamp

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Book Prize Winner of the International Alliance for Women in Music of the 2022 Pauline Alderman Awards for Outstanding Scholarship on Women in Music The Heart of a Woman offers the first-ever biography of Florence B. Price, a composer whose career spanned both the Harlem and Chicago Renaissances, and the first African American woman to gain national recognition for her works. Price's twenty-five years in Chicago formed the core of a working life that saw her create three hundred works in diverse genres, including symphonies and orchestral suites, art songs, vocal and choral music, and arrangements of spirituals. Through interviews and a wealth of material from public and private archives, Rae Linda Brown illuminates Price's major works while exploring the considerable depth of her achievement. Brown also traces the life of the extremely private individual from her childhood in Little Rock through her time at the New England Conservatory, her extensive teaching, and her struggles with racism, poverty, and professional jealousies. In addition, Brown provides musicians and scholars with dozens of musical examples.

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The Field Day Theatre Company has been a vital presence on the cultural and intellectual scene since its inception in 1980. This venture represented an attempt by a group of distinguished Irish artists to contribute to a resolution of Northern Ireland's political crisis. Founded by playwright Brian Friel and actor Stephen Rea, Field Day's board of directors has included writers Seamus Heaney, Seamus Deane, Tom Paulin and Thomas Kilroy, and documentary filmmaker David Hammond. Among Field Day's premieres are such modern Irish classics as Friel's ""Translations"" (1980), Kilroy's ""Double Cross"" (1986) and Stewart Parker's ""Pentecost"" (1987). In addition to producing new Irish plays and masterpieces of world drama, since 1983 Field Day has published literary and critical works ranging from pamphlets on Irish language and history to the multi-volume ""Field Day Anthology of Irish Writing"" and an on-going series of essays and monographs edited by Deane. In this study of Field Day, Marilynn Richtarik offers a narrative account of the early years of the company, during which its self-image and public reputation were formed. Drawing on contemporary reviews, pre-production publicity, pronouncements over time by the various directors, and personal interviews, she constructs a background for her discussion of Field Day's evolving aims and concrete achievements.

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Living in the Future reveals the unexplored impact of utopian thought on the major figures of the Civil Rights Movement. Utopian thinking is often dismissed as unrealistic, overly idealized, and flat-out impractical-in short, wholly divorced from the urgent conditions of daily life. This is perhaps especially true when the utopian ideal in question is reforming and repairing the United States' bitter history of racial injustice. But as Victoria W. Wolcott provocatively argues, utopianism is actually the foundation of a rich and visionary worldview, one that specifically inspired the major figures of the Civil Rights Movement in ways that haven't yet been fully understood or appreciated. Wolcott makes clear that the idealism and pragmatism of the Civil Rights Movement were grounded in nothing less than an intensely utopian yearning. Key figures of the time, from Martin Luther King Jr. and Pauli Murray to Father Divine and Howard Thurman, all shared a belief in a radical pacificism that was both specifically utopian and deeply engaged in changing the current conditions of the existing world. Living in the Future recasts the various strains of mid-twentieth-century civil rights activism in a utopian light, revealing the power of dreaming in a profound and concrete fashion, one that can be emulated in other times that are desperate for change, like today.

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A gathering of poetic blossoms.The Greek Anthology (literally, “Gathering of Flowers”) is the name given to a collection of about 4500 short Greek poems (called epigrams but usually not epigrammatic) by about 300 composers. To the collection (called Stephanus, literally, “wreath” or “garland”) made and contributed to by Meleager of Gadara (1st century BC) was added another by Philippus of Thessalonica (late 1st century AD), a third by Diogenianus (2nd century), and much later a fourth, called the Circle, by Agathias of Myrina. These (lost) and others (also lost) were partly incorporated, arranged according to contents, by Constantinus Cephalas (early 10th century?) into fifteen books now preserved in a single manuscript of the Palatine Library at Heidelberg. The grand collection was rearranged and revised by the monk Maximus Planudes (14th century) who also added epigrams lost from Cephalas’ compilation.The fifteen books of the Palatine Anthology are: I, Christian Epigrams; II, Descriptions of Statues; III, Inscriptions in a temple at Cyzicus; IV, Prefaces of Meleager, Philippus, and Agathias; V, Amatory Epigrams; VI, Dedicatory; VII, Sepulchral; VIII, Epigrams of St. Gregory; IX, Declamatory; X, Hortatory and Admonitory; XI, Convivial and Satirical; XII, Strato’s “Musa Puerilis”; XIII, Metrical curiosities; XIV, Problems, Riddles, and Oracles; XV, Miscellanies. Book XVI is the Planudean Appendix: Epigrams on works of art.Outstanding among the poets are Meleager, Antipater of Sidon, Crinagoras, Palladas, Agathias, Paulus Silentiarius.

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`An indispensable series for anyone who wishes to keep abreast of recent work in the field'. WELSH HISTORY REVIEW Volume VI of Thirteenth Century England sees a new impetus behind this biennial series. The conference which generates the studies - a generous thirteen in this volume - has now moved to Durham, where Professor MICHAEL PRESTWICH is Pro-Vice Chancellor and Professor ROBIN FRAME and Dr RICHARD BRITNELL are members of the History Department. It is the publishers' hope that, like Anglo-Norman Studies, the series will now be recognised as one which any library with a serious interest in medieval history will need to possess. This latest volume in the series takes a broad chronological approach, covering a wide range of topics over a period extending from the late twelfth to the early fourteenth century, the so-called `long thirteenth century'. Embracing different aspects of the economic, social and political history of the period, subjects include naval warfare under Richard I; England's relations with Wales and Scotland; the purchasing practices of great households, and the management of the Winchester estates; the expulsion of Jews in 1290; and the construction and political message of the Vita Edwardi Secundi. Two articles concern women, one looking at the role of queens in granting pardons, the other at the fate of widows in the aftermath of rebellion. Contributors: JOHN GILLINGHAM, BARBARA HARVEY, MARK PAGE, PETER COSS,JENS RÖHRKASTEN, ROBERT C. STACEY, SUSAN CRANE, J.J. CRUMP, FIONA WATSON, JOHN PARSONS, PAULA DOBROWOLSKI, CHRIS GIVEN-WILSON, WENDY CHILDS

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