Search results for ""Author James"

THE NEW YORK TIMES BESTSELLERThe one and only autobiography by the iconic Lucille Ball, hailed by TV Guide as the “#1 Greatest TV Star of All Time.”Love, Lucy is the valentine Lucille Ball left for her fans—a warm, wise, and witty memoir written by Lucy herself. The legendary star of the classic sitcom I Love Lucy was at the pinnacle of her success when she sat down to record the story of her life. No comedienne had made America laugh so hard, no television actress had made the leap from radio and B movies to become one of the world's best-loved performers. This is her story—in her own words.The story of the ingenue from Jamestown, New York, determined to go to Broadway, destined to make a big splash, bound to marry her Valentino, Desi Arnaz. In her own inimitable style, she tells of their life together—both storybook and turbulent; intimate memories of their children and friends; wonderful backstage anecdotes; the empire they founded; the dissolution of their marriage. And, with a heartfelt happy ending, her enduring marriage to Gary Morton.Here is the lost manuscript that her fans and loved ones will treasure. Here is the laughter. Here is the life. Here’s Lucy...“The comic actress in her own words...intensley moving.”—San Francisco Chronicle“Filled with light and laughter.”—New York Times Book Review

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Post-Postmodernism begins with a simple premise: we no longer live in the world of "postmodernism," famously dubbed "the cultural logic of late capitalism" by Fredric Jameson in 1984. Far from charting any simple move "beyond" postmodernism since the 1980s, though, this book argues that we've experienced an intensification of postmodern capitalism over the past decades, an increasing saturation of the economic sphere into formerly independent segments of everyday cultural life. If "fragmentation" was the preferred watchword of postmodern America, "intensification" is the dominant cultural logic of our contemporary era. Post-Postmodernism surveys a wide variety of cultural texts in pursuing its analyses—everything from the classic rock of Black Sabbath to the post-Marxism of Antonio Negri, from considerations of the corporate university to the fare at the cineplex, from reading experimental literature to gambling in Las Vegas, from Badiou to the undergraduate classroom. Insofar as cultural realms of all kinds have increasingly been overcoded by the languages and practices of economics, Nealon aims to construct a genealogy of the American present, and to build a vocabulary for understanding the relations between economic production and cultural production today—when American-style capitalism, despite its recent battering, seems nowhere near the point of obsolescence. Post-postmodern capitalism is seldom late but always just in time. As such, it requires an updated conceptual vocabulary for diagnosing and responding to our changed situation.

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The shape, lineation, and prosody of postmodern poems are extravagantly inventive, imbuing both form and content with meaning. Through a survey of American poetry and poetics from the end of World War II to the present, Michael Golston traces the proliferation of these experiments to a growing fascination with allegory in philosophy, linguistics, critical theory, and aesthetics, introducing new strategies for reading American poetry while embedding its formal innovations within the history of intellectual thought. Beginning with Walter Benjamin's explicit understanding of Surrealism as an allegorical art, Golston defines a distinct engagement with allegory among philosophers, theorists, and critics from 1950 to today. Reading Fredric Jameson, Angus Fletcher, Roland Barthes, and Craig Owens, and working with the semiotics of Charles Sanders Pierce, Golston develops a theory of allegory he then applies to the poems of Louis Zukofsky and Lorine Niedecker, who, he argues, wrote in response to the Surrealists; the poems of John Ashbery and Clark Coolidge, who incorporated formal aspects of filmmaking and photography into their work; the groundbreaking configurations of P. Inman, Lyn Hejinian, Myung Mi Kim, and the Language poets; Susan Howe's "Pierce-Arrow," which he submits to semiotic analysis; and the innovations of Craig Dworkin and the conceptualists. Revitalizing what many consider to be a staid rhetorical trope, Golston positions allegory as a creative catalyst behind American poetry's postwar avant-garde achievements.

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Modern theory needs a history lesson. Neither Marx nor Nietzsche first gave us theory - Hegel did. To support this contention, Andrew Cole's The Birth of Theory presents a refreshingly clear and lively account of the origins and legacy of Hegel's dialectic as theory. Cole explains how Hegel boldly broke from modern philosophy when he adopted medieval dialectical habits of thought to fashion his own dialectic. While his contemporaries rejected premodern dialectic as outdated dogma, Hegel embraced both its emphasis on language as thought and its fascination with the categories of identity and difference, creating what we now recognize as theory, distinct from systematic philosophy. Hegel also used this dialectic to expose the persistent archaism of modern life itself, Cole shows, establishing a method of social analysis that has influenced everyone from Marx and the nineteenth-century Hegelians, to Nietzsche and Bakhtin, all the way to Deleuze and Jameson. By uncovering these theoretical filiations across time, The Birth of Theory will not only change the way we read Hegel, but also the way we think about the histories of theory. With chapters that powerfully reanimate the overly familiar topics of ideology, commodity fetishism, and political economy, along with a groundbreaking reinterpretation of Hegel's famous master/slave dialectic, The Birth of Theory places the disciplines of philosophy, literature, and history in conversation with one another in an unprecedented way.

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Post-Modernity is the creative destruction that has shattered our present times into fragments. It dynamited modernism which had dominated the western world for most of the 20th century. Post-modernism stood for everything modernism rejected: fun, exuberance, irresponsibility. But beneath its glitzy surface, post-modernism had a dirty secret: it was the fig leaf for a rapacious new kind of capitalism. It was alsoseemsthe forcing ground of the 'post truth', by means of which western values got turned upside down. But where do these ideas come from and how have they impacted on the world? In his brilliant history of a dangerous idea, Stuart Jeffries tells a narrative that starts in the early 1970s and continue to today. He tells this history through a riotous gallery that includes, amongst others: David Bowie * the Ipod * Frederic Jameson * the demolition of Pruit-Igoe * Madonna * Post-Fordism * Jeff Koon's 'Rabbit' * Deleuze and Guattari * the Nixon Shock * The Bowery series * Judith Butler * Las Vegas * Margaret Thatcher * Grand Master Flash * I Love Dick * the RAND Corporation * the Sex Pistols *Princess Diana * the Musee D'Orsay * Grand Theft Auto* Perry Anderson * Netflix * 9/11We are today scarcely capable of conceiving politics as a communal activity because we have become habituated to being consumers rather than citizens. Politicians treat us as consumers to whom they must deliver. Can we do anything else than suffer from buyer's remorse?

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Slavery existed in North America long before the first Africans arrived at Jamestown in 1619. For centuries, from the pre-Columbian era through the 1840s, Native Americans took prisoners of war and killed, adopted, or enslaved them. Christina Snyder's pathbreaking book takes a familiar setting for bondage, the American South, and places Native Americans at the center of her engrossing story. Indian warriors captured a wide range of enemies, including Africans, Europeans, and other Indians. Yet until the late eighteenth century, age and gender more than race affected the fate of captives. As economic and political crises mounted, however, Indians began to racialize slavery and target African Americans. Native people struggling to secure a separate space for themselves in America developed a shared language of race with white settlers. Although the Indians' captivity practices remained fluid long after their neighbors hardened racial lines, the Second Seminole War ultimately tore apart the inclusive communities that Native people had created through centuries of captivity.Snyder's rich and sweeping history of Indian slavery connects figures like Andrew Jackson and Cherokee chief Dragging Canoe with little-known captives like Antonia Bonnelli, a white teenager from Spanish Florida, and David George, a black runaway from Virginia. Placing the experiences of these individuals within a complex system of captivity and Indians' relations with other peoples, Snyder demonstrates the profound role of Native American history in the American past.

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The meaning of the American Revolution has always been a much-contested question, and asking it is particularly important today: the standard, easily digested narrative puts the Founding Fathers at the head of a unified movement, failing to acknowledge the deep divisions in Revolutionary-era society and the many different historical interpretations that have followed. Whose American Revolution Was It? speaks both to the ways diverse groups of Americans who lived through the Revolution might have answered that question and to the different ways historians through the decades have interpreted the Revolution for our own time. As the only volume to offer an accessible and sweeping discussion of the period’s historiography and its historians, Whose American Revolution Was It? is an essential reference for anyone studying early American history. The first section, by Alfred F. Young, begins in 1925 with historian J. Franklin Jameson and takes the reader through the successive schools of interpretation up to the 1990s. The second section, by Gregory H. Nobles, focuses primarily on the ways present-day historians have expanded our understanding of the broader social history of the Revolution, bringing onto the stage farmers and artisans, who made up the majority of white men, as well as African Americans, Native Americans, and women of all social classes.

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Taxation in Colonial America examines life in the thirteen original American colonies through the revealing lens of the taxes levied on and by the colonists. Spanning the turbulent years from the founding of the Jamestown settlement to the outbreak of the American Revolution, Alvin Rabushka provides the definitive history of taxation in the colonial era, and sets it against the backdrop of enormous economic, political, and social upheaval in the colonies and Europe. Rabushka shows how the colonists strove to minimize, avoid, and evade British and local taxation, and how they used tax incentives to foster settlement. He describes the systems of public finance they created to reduce taxation, and reveals how they gained control over taxes through elected representatives in colonial legislatures. Rabushka takes a comprehensive look at the external taxes imposed on the colonists by Britain, the Netherlands, and Sweden, as well as internal direct taxes like poll and income taxes. He examines indirect taxes like duties and tonnage fees, as well as county and town taxes, church and education taxes, bounties, and other charges. He links the types and amounts of taxes with the means of payment--be it gold coins, agricultural commodities, wampum, or furs--and he compares tax systems and burdens among the colonies and with Britain. This book brings the colonial period to life in all its rich complexity, and shows how colonial attitudes toward taxation offer a unique window into the causes of the revolution.

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Caroline Bancroft History Prize 2021, Denver Public Library Armitage-Jameson Prize 2021, Coalition of Western Women's History David J. Weber Prize 2021, Western History Association W. Turrentine Jackson Prize 2021, Western History AssociationTiny You tells the story of one of the most successful political movements of the twentieth century: the grassroots campaign against legalized abortion. While Americans have rapidly changed their minds about sex education, pornography, arts funding, gay teachers, and ultimately gay marriage, opposition to legalized abortion has only grown. As other socially conservative movements have lost young activists, the pro-life movement has successfully recruited more young people to its cause. Jennifer L. Holland explores why abortion dominates conservative politics like no other cultural issue. Looking at anti-abortion movements in four western states since the 1960s—turning to the fetal pins passed around church services, the graphic images exchanged between friends, and the fetus dolls given to children in school—she argues that activists made fetal life feel personal to many Americans. Pro-life activists persuaded people to see themselves in the pins, images, and dolls they held in their hands and made the fight against abortion the primary bread-and-butter issue for social conservatives. Holland ultimately demonstrates that the success of the pro-life movement lies in the borrowed logic and emotional power of leftist activism.

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Misterio, amor y el viaje personal de una mujer que intenta reconstruir su vida rota.Hace meses un brutal suceso cambió la vida de Reece Gilmore y la sumió en el miedo. Desde entonces ha estado viajando por el país sin rumbo fijo, sintiéndose incapaz de echar raíces en ningún sitio. Hasta que una avería en el coche la obliga a detenerse en Angel?s Fist, un pequeño pueblo de Wyoming. No sabe qué la ha traído hasta aquí, pero siente como si la hubiera guiado la mano del destino. Cuando ve una oferta de trabajo como cocinera en un restaurante local, no duda y se presenta.Poco a poco Reece empieza a recomponer los pedazos de su vida y a volver a ser una mujer fuerte e independiente. Su paz se trunca, sin embargo, la mañana que presencia un asesinato y, excepto Jameson Brody, un joven escritor que se ha establecido en la zona, nadie la cree.Pero Reece sabe lo que ha visto, porque antes ya vivió esta situación... y esta vez no piensa permitir que un criminal se salga con la suya.

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Put on comfortable shoes or boots to journey through 14 self-guided walking and biking tours of the strange and haunted locations across some lesser-known regions of Rhode Island. Tales of mythical monsters, ghosts, and spirits from a murder or two may greet you as you explore Providence, Newport, Jamestown, and surrounding areas. Meet fabled half-deer, half-goat "doat," a demonic dog that has been scaring visitors for centuries, and ghosts that may be slightly more welcoming. Find out whether the Newport Tower is the true location of the lost Viking city of Norumbega, and visit the strange locations made famous by Rhode Island's favorite son of horror fiction: H. P. Lovecraft. Nine maps will guide you along your route and historical backgrounds provide the backdrop for the supernatural. To date, no one taking these tours has died at the hands of a mysterious lurking creature, so you should be fine...

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Caroline Bancroft History Prize 2021, Denver Public Library Armitage-Jameson Prize 2021, Coalition of Western Women's History David J. Weber Prize 2021, Western History Association W. Turrentine Jackson Prize 2021, Western History AssociationTiny You tells the story of one of the most successful political movements of the twentieth century: the grassroots campaign against legalized abortion. While Americans have rapidly changed their minds about sex education, pornography, arts funding, gay teachers, and ultimately gay marriage, opposition to legalized abortion has only grown. As other socially conservative movements have lost young activists, the pro-life movement has successfully recruited more young people to its cause. Jennifer L. Holland explores why abortion dominates conservative politics like no other cultural issue. Looking at anti-abortion movements in four western states since the 1960s—turning to the fetal pins passed around church services, the graphic images exchanged between friends, and the fetus dolls given to children in school—she argues that activists made fetal life feel personal to many Americans. Pro-life activists persuaded people to see themselves in the pins, images, and dolls they held in their hands and made the fight against abortion the primary bread-and-butter issue for social conservatives. Holland ultimately demonstrates that the success of the pro-life movement lies in the borrowed logic and emotional power of leftist activism.

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The first comprehensive English-language study of literary trends in the fiction of Taiwan over the last forty years, this pioneering work explores a rich tradition of literary Modernism in its shifting relationship with Chinese politics and culture. Situating her subject in its historical context, Sung-sheng Yvonne Chang traces the connection between Taiwan's Modernists and the liberal scholars of pre-Communist China. She discusses the Modernists' ambivalent relationship with contemporary Taiwan's conservative culture, and provides a detailed critical survey of the strife between the Modernists and the socialistically inclined, anti-Western Nativists. Chang's approach is comprehensive, combining Chinese and comparative perspectives. Employing the critical insights of Raymond Williams, Peter Burger, M. M. Bahktin, and Fredric Jameson, she investigates the complex issues involved in Chinese writers' appropriation of avant-gardism, aestheticism, and various other Western literary concepts and techniques. Within this framework, Chang offers original, challenging interpretations of major works by the best-known Chinese Modernists from Taiwan.As an intensive introduction to a literature of considerable quality and impact, and as a case study of the global spread of Western literary Modernism, this book will be of great interest to students of Chinese and comparative literature, and to those who wish to understand the broad patterns of twentieth-century literary history.

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There is a delicious irony and humour in this Jamesian story about Eustace and Hilda, an Edwardian brother and sister, with its famous opening scene as nine-year-old Eustace watches an anemone devour a shrimp in a tidepool among the rocks on a Norfolk beach during the summer holidays. A shadow begins to be cast over the children's innocent conversations and gaucherie, revealing their anxieties about themselves, and the constraints of their cosseted lives, as the outside world - of other children, dancing lessons, adults, illness, funerals, money, excursions in landaus, future schools - impinges in Eustace and Hilda's intimacies and fantasies.

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Nelly Richard is one of the most prominent cultural theorists writing in Latin America today. As a participant in Chile’s neo-avantgarde, Richard worked to expand the possibilities for cultural debate within the constraints imposed by the Pinochet dictatorship (1973–1990), and she has continued to offer incisive commentary about the country’s transition to democracy. Well known as the founder and director of the influential Santiago-based journal Revista de crítica cultural, Richard has been central to the dissemination throughout Latin America of work by key contemporary thinkers, including Néstor García Canclini, Jacques Derrida, Fredric Jameson, and Diamela Eltit. Her own writing provides rigorous considerations of Latin American identity, postmodernism, gender, neoliberalism, and strategies of political and cultural resistance. Richard helped to organize the 1987 International Conference on Latin American Women’s Literature in Santiago, one of the most significant literary events to take place under the Pinochet dictatorship. Published in Chile in 1993, Masculine/Feminine develops some of the key issues brought to the fore during that landmark meeting. Richard theorizes why the feminist movement has been crucial not only to the liberation of women but also to understanding the ways in which power operated under the military regime in Chile. In one of her most widely praised essays, she explores the figure of the transvestite, artistic imagery of which exploded during the Chilean dictatorship. She examines the politics and the aesthetics of this phenomenon, particularly against the background of prostitution and shantytown poverty, and she argues that gay culture works to break down the social demarcations and rigid structures of city life. Masculine/Feminine makes available, for the first time in English, one of Latin America’s most significant works of feminist theory.

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Taxation in Colonial America examines life in the thirteen original American colonies through the revealing lens of the taxes levied on and by the colonists. Spanning the turbulent years from the founding of the Jamestown settlement to the outbreak of the American Revolution, Alvin Rabushka provides the definitive history of taxation in the colonial era, and sets it against the backdrop of enormous economic, political, and social upheaval in the colonies and Europe. Rabushka shows how the colonists strove to minimize, avoid, and evade British and local taxation, and how they used tax incentives to foster settlement. He describes the systems of public finance they created to reduce taxation, and reveals how they gained control over taxes through elected representatives in colonial legislatures. Rabushka takes a comprehensive look at the external taxes imposed on the colonists by Britain, the Netherlands, and Sweden, as well as internal direct taxes like poll and income taxes. He examines indirect taxes like duties and tonnage fees, as well as county and town taxes, church and education taxes, bounties, and other charges. He links the types and amounts of taxes with the means of payment--be it gold coins, agricultural commodities, wampum, or furs--and he compares tax systems and burdens among the colonies and with Britain. This book brings the colonial period to life in all its rich complexity, and shows how colonial attitudes toward taxation offer a unique window into the causes of the revolution.

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"Leckie is a gifted writer with the ability to explain complicatedmilitary matters in layperson's terms, while sustaining the dramainvolved in a life-and-death struggle. His portraits of the keyplayers in that struggle . . . are seamlessly interwoven with hisexciting narrative." -Booklist"As always, [Leckie] describes themaneuvers, battles, and results in telling detail with a cinematicstyle, and his portraits . . . are first-rate."-The Dallas MorningNews"Leckie's accounts of battles, important individuals, and therole of Native Americans bring to life the distant drama of theFrench and Indian Wars."-The Daily Reflector With his celebrated sense of drama and eye for colorful detail,acclaimed military historian Robert Leckie charts the long, savageconflict between England and France in their quest for supremacy inpre-Revolutionary America. Packed with sharply etched profiles ofall the major players-including George Washington, Samuel deChamplain, William Pitt, Edward Braddock, Count Frontenac, JamesWolfe, Thomas Gage, and the nobly vanquished Marquis deMontcalm-this panoramic history chronicles the four great colonialwars: the War of the Grand Alliance (King William's War), the Warof the Spanish Succession (Queen Anne's War), the War of theAustrian Succession (King George's War), and the decisive Frenchand Indian War (the Seven Years' War). Leckie not only providesperspective on exactly how the New World came to be such a fiercelycontested prize in Western Civilization, but also shows us exactlywhy we speak English today instead of French-and reminds us howeasily things might have gone the other way.

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"A collection that might have been called CSI: 1912."—Kirkus ReviewsThe seventh book in the esteemed Library of Congress Crime Classics, an exciting new classic mystery series created in exclusive partnership with the Library of Congress. This short story collection features twelve tales of intrigue and suspense, starring Craig Kennedy, the "American Sherlock Holmes."New York City, early 1900s.Craig Kennedy, a university professor who uses science to help catch criminals, investigates crimes in and around NYC boroughs featuring deaths by apparent-but-inexplicable means. These highly imaginative crimes include spontaneous combustion and vengeful spirits, along with less fatal crimes involving kidnapping, safe-cracking, and a missing fortune in diamonds. With his impressive knowledge, friend Walter Jameson (his own Watson!), and use of cutting-edge technology of the day, Kennedy cracks each case using unorthodox yet entertaining means.Arthur B. Reeve's Craig Kennedy stories were so popular in his time that he went on to publish twenty-six books featuring the professor, who also appeared in comic strips and a number of films. Readers of classic crime fiction will delight in this collection of twelve short stories. Fans of Sherlock Holmes will especially appreciate Kennedy's insistence on logic and science over brawn.

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Mireille Duval Jameson is living a fairy tale. The strong-willed youngest daughter of one of Haiti's richest sons, she has an adoring husband, a precocious infant son, by all appearances a perfect life. The fairy tale ends one day when Mireille is kidnapped in broad daylight by a gang of heavily armed men, in front of her father's Port au Prince estate. Held captive by a man who calls himself The Commander, Mireille waits for her father to pay her ransom. As it becomes clear her father intends to resist the kidnappers, Mireille must endure the torments of a man who resents everything she represents. An Untamed State is a novel of privilege in the face of crushing poverty, and of the lawless anger that corrupt governments produce. It is the story of a wilful woman attempting to find her way back to the person she once was, and of how redemption is found in the most unexpected of places. An Untamed State establishes Roxane Gay as a writer of prodigious, arresting

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All organisms and species are transitory, yet life endures. The origin, extinction, and evolution of species-interconnected in the web of life as "eternal ephemera"-are the concern of evolutionary biology. In this riveting work, renowned paleontologist Niles Eldredge follows leading thinkers as they have wrestled for more than two hundred years with the eternal skein of life composed of ephemeral beings, revitalizing evolutionary science with their own, more resilient findings. Eldredge begins in France with the naturalist Jean-Baptiste Lamarck, who in 1801 first framed the overarching question about the emergence of new species. The Italian geologist Giambattista Brocchi followed, bringing in geology and paleontology to expand the question. In 1825, at the University of Edinburgh, Robert Grant and Robert Jameson introduced the astounding ideas formulated by Lamarck and Brocchi to a young medical student named Charles Darwin. Who can doubt that Darwin left for his voyage on the Beagle in 1831 filled with thoughts about these daring new explanations for the "transmutation" of species. Eldredge revisits Darwin's early insights into evolution in South America and his later synthesis of knowledge into a theory of the origin of species. He then considers the ideas of more recent evolutionary thinkers, such as George Gaylord Simpson, Ernst Mayr, and Theodosius Dobzhansky, as well as the young and brash Niles Eldredge and Steven Jay Gould, who set science afire with their concept of punctuated equilibria. Filled with insights into evolutionary biology and told with a rich affection for the scientific arena, this book celebrates the organic, vital relationship between scientific thinking and its subjects.

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An appeal for the importance of theory, utopia, and close consideration of our contemporary dark times What does any particular theory allow us to do? What is the value of doing so? And who benefits? In Invoking Hope, Phillip E. Wegner argues for the undiminished importance of the practices of theory, utopia, and a deep and critical reading of our current situation of what Bertolt Brecht refers to as finsteren Zeiten, or dark times.Invoking Hope was written in response to three events that occurred in 2016: the five hundredth anniversary of the publication of Thomas More’s Utopia; the one hundredth anniversary of the founding text in theory, Ferdinand de Saussure’s Course in General Linguistics; and the rise of the right-wing populism that culminated in the election of Donald Trump. Wegner offers original readings of major interventions in theory alongside dazzling utopian imaginaries developed from classical Greece to our global present—from Theodor Adorno, Ernst Bloch, Alain Badiou, Jacques Derrida, Fredric Jameson, Sarah Ahmed, Susan Buck-Morss, and Jacques Lacan to such works as Plato’s Republic, W. E. B. Du Bois’s John Brown, Isak Dinesen’s “Babette’s Feast,” Kim Stanley Robinson’s 2312, and more. Wegner comments on an expansive array of modernist and contemporary literature, film, theory, and popular culture.With Invoking Hope, Wegner provides an innovative lens for considering the rise of right-wing populism and the current crisis in democracy. He discusses challenges in the humanities and higher education and develops strategies of creative critical reading and hope against the grain of current trends in scholarship.

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America began, we are often told, with the Founding Fathers, the men who waged a revolution and created a unique place called the United States. We may acknowledge the early Jamestown and Puritan colonists and mourn the dispossession of Native Americans, but we rarely grapple with the complexity of the nation’s pre-revolutionary past. In this pathbreaking revision, Daniel Richter shows that the United States has a much deeper history than is apparent—that far from beginning with a clean slate, it is a nation with multiple pasts that stretch back as far as the Middle Ages, pasts whose legacies continue to shape the present.Exploring a vast range of original sources, Before the Revolution spans more than seven centuries and ranges across North America, Europe, and Africa. Richter recovers the lives of a stunning array of peoples—Indians, Spaniards, French, Dutch, Africans, English—as they struggled with one another and with their own people for control of land and resources. Their struggles occurred in a global context and built upon the remains of what came before. Gradually and unpredictably, distinctive patterns of North American culture took shape on a continent where no one yet imagined there would be nations called the United States, Canada, or Mexico.By seeing these trajectories on their own dynamic terms, rather than merely as a prelude to independence, Richter’s epic vision reveals the deepest origins of American history.

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In Irish Kitchen Cocktails, industry pro Oisin Davis shows you how easy it is to make cocktails with Irish spirits using everyday kitchen equipment. Ireland is home to some of the best distilleries on the planet, and it's no longer just whiskey. We're also creating incredible Irish gins, poitins, vodkas, rums, liqueurs, meads, vermouths and fruit distillates. Understanding the basics of cocktails will allow you to explore these Irish spirits in delicious - and easy - ways. Do you have a spoon and a large bowl? You can stir up the perfect punch for any kind of party, like Mrs Doyle's Iced Tea. Remember that NutriBullet you bought because you wanted to go on a smoothie diet? Dust it off and you can rock out a whole heap of frozen cocktails, like a Frozen Jameson, Ginger Ale & Lime. Got a decent-sized jug and a hand blender? You can lash together amazing cocktails in minutes, including a Wicklow Wanderer. Found yourself in a cocktail emergency? Be prepared with drinks such as The Ginger Divil. Slainte!

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What unites and what divides Americans as a nation? Who are we, and can we strike a balance between an emphasis on our divergent ethnic origins and what we have in common? Opening with a survey of American literature through the vantage point of ethnicity, Werner Sollors examines our evolving understanding of ourselves as an Anglo-American nation to a multicultural one and the key role writing has played in that process. Challenges of Diversity contains stories of American myths of arrival (pilgrims at Plymouth Rock, slave ships at Jamestown, steerage passengers at Ellis Island), the powerful rhetoric of egalitarian promise in the Declaration of Independence and the heterogeneous ends to which it has been put, and the recurring tropes of multiculturalism over time (e pluribus unum, melting pot, cultural pluralism). Sollors suggests that although the transformation of this settler country into a polyethnic and self-consciously multicultural nation may appear as a story of great progress toward the fulfillment of egalitarian ideals, deepening economic inequality actually exacerbates the divisions among Americans today.

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Professor River Song returns in four new adventures. She encounters royalty, killer robots and her own, occupied tomb, before being reunited in the digital afterlife with Proper Dave. 10.1 The Two Rivers by Tim Foley. River Song finds herself on an irresistible mission - investigating the tomb of the legendary River Song! Except the statues don't resemble her and the tomb contains the body of someone very different... or does it? 10.2 Beauty on the Inside by Lizzie Hopley. It would seem to be a perfectly ordinary painting of a forgettable royal family - so why did a biochemist smuggle it out of a closed colony at the cost of her own life? River is determined to find out. 10.3 Black Friday by Lauren Mooney and Stewart Pringle. Omnia Forum might just be the greatest shop in the galaxy and it's celebrating two hundred years at the heart of the retail sector. But when River attends the celebratory gala she finds it less 'everything must go' and more 'everything has gone'... apart from the Autons. 10.4 Firewall by Barnaby Kay. River is living her dream life with her dream husband. But every paradise has a serpent and this husband might not quite be up to the task. The Time War incarnation of the Doctor's best enemy is back, and the two Time Lords face each other once more - but who remembers whom? CAST: Tom Baker (The Doctor), Colin Baker (The Doctor), Paul McGann (The Doctor), Tim Treloar (The Doctor), Robert Daws (Timble Feebis/Thug 2), India Fisher (Charlotte Pollard), Rebecca Front (Tara), Anthony Howell (Volen Steasel/Thug 1), Louise Jameson (Leela), Damian Lynch (Mr Quave/White Lighning), Sadie Miller (Sarah Jane Smith), Emily Casey (Letícia Giallo), Imogen Church (Dr Kleeb/Krevellon General/Envoy Gilbar), Raj Ghatak (Monk of High Dream/Professor Klovis), Susan Hingley (Mari Yoshida), David Rintoul (Butler), Sam Stafford (Sam Duffy/Orderly/Radio DJ), Dan Starkey (The Hoxx of Balhoon), Ozloma Whenu (Francesca). Other parts played by members of the cast.

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Victorian London harbours many secrets: alien visitors, strange phenomena and unearthly powers. But a trio of investigators stands ready to delve into such mysteries - the Great Detective, Madame Vastra; her resourceful spouse, Jenny Flint; and their loyal valet, Strax. If an impossible puzzle needs solving, or a grave injustice needs righting, help can be found on Paternoster Row. But even heroes can never escape their past...Contains three new adventures - 1.Dining with Death by Dan Starkey. When negotiations between two warring alien races are sabotaged, Madame Vastra offers Paternoster Row as neutral ground upon which to continue their diplomacy – and the celebrate the treaty with a feast. While Strax frets about hosting two species with very different dietary needs, Jenny investigates the dissenters who want to halt the peace process. But a deadly plot is brewing, and the diners way not survive the cheese course...2.The Screaming Ceiling by Guy Adams. In one of the earliest cases of his illustrious career, Thomas Carnacki heads to the Highlands to embark upon the terrifying investigation of Castle Kraighten. On arrival, he finds that another party of sleuths has been engaged – surely these amateurs of Paternoster Row have nothing to teach the great Ghost Finder? But this is no ordinary haunting. A room in the castle has a mouth in the ceiling. And it screams...3. Spring-Heeled Jack by Gemma Arrowsmith. People are being stolen from the streets by a monster. By all accounts, it has burning eyes, breathes blue flames, and can leap the height of a building at a bound. While Vastra and Jenny fend off an over-eager member of the gutter press, Strax dives into dangerous waters. CAST: Neve McIntosh (Madame Vastra), Catrin Stewart (Jenny Flint), Dan Starkey (Strax), Hywel Morgan (Baron Gallos Flambo), Polly Kemp (Duchess Callys Flambo), Glen McCready (Auditor-General Otak Lame), Joe Jameson (Carnacki), David Shaw-Parker (John Campbell), Caroline Guthrie(Anna Campbell), Janet Henfrey (Dorothy), Isabella Inchbald (Elizabeth), Daniel Easton (Jimmy), Sophie Cotton (Gwendoline Platt), Joe Sims (Sergeant Grout). Other parts played by members of the cast.

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This book explores how modernity gives rise to temporal disorders when time cannot be assimilated and integrated into the realm of lived experience. Inspired by Walter Benjamin's description of the shock experience of modernity through readings of Baudelaire, the book turns to Baudelaire and Flaubert in order to derive insights into the many temporal disorders (such as trauma, addiction, and fetishism) that pervade contemporary culture. Through close readings of Baudelaire's Flowers of Evil and Flaubert's Madame Bovary, Elissa Marder argues that these nineteenth-century texts can, paradoxically, make us aware of aspects of present-day life that are not easily described or perceived. Following reflections by Benjamin, Jameson, and Lyotard, she shows that the ability to measure time increases in inverse proportion to the human ability to express it and create meaning through it. Although we have increased our ability to record events, we have become collectively less able to assimilate the experience of the very events that new technologies enable us to record. The literary articulations of addiction and fetishism in Baudelaire and Flaubert reveal that these temporal disorders can be understood structurally as expressions of an inability to live in time. At a psychic level, they can be read as attempts to ward off increased stimuli and unwanted aspects of reality by stopping time. The book also interrogates the relationship between misogyny and modernity. By revealing the privileged function assigned to feminine figures in Baudelaire and Flaubert, and engaging with contemporary writings in psychoanalysis, feminism, and cultural studies, this work shows how the experience of time—and the attempts to stop it—become inscribed on a feminine or feminized body. Dead Time provides us with a way of understanding how our own collective temporal disorders may be part of the unassimilated legacy of nineteenth-century modernity.

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More than four hundred years ago, explorers of the New World carried a biscuit known as hardtack on their voyages. Hardtack was made from flour, water, and sometimes salt and was sturdy and long-lasting, making it suitable for hard, treacherous journeys. The composition and texture of the hardtack biscuit changed at the hands of the Jamestown settlers, who had access to three necessary ingredients that would transform the difficult-to-bite and bland tasting hardtack into a soft, delicious biscuit: soft winter wheat, fat in the form of lard from pigs, and milk or buttermilk from cows.Today’s version of biscuits barely resembles its predecessor. Our preference is for soft, billowy, flaky, and delicious biscuits that can be eaten alone, used as a vehicle for fillings and toppings, or incorporated as an ingredient in a recipe. While biscuits are wildly popular in our culture, they are known to intimidate home cooks. Jackie Garvin overcame her decades long biscuit-making failures by research and trial and error, and has emerged to write a cookbook that simplifies and demystifies biscuit baking and highlights the prevalence of biscuits throughout the United States.Rich in Southern history, as well as touching family memories, Biscuits presents a collection of more than seventy recipes including raspberry biscuit pudding with vanilla ice cream sauce, ham biscuits with honey mustard butter, loaded baked potato biscuits, and spicy pimento cheese bites. Also included are recipes for multiple gravies, toppings, and biscuit “neighbors” such as peach raspberry scones, chocolate toffee monkey bread, hush puppies, and chicken ’n’ dumplings.

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In The Portable Postmodernist, Arthur Asa Berger introduces key concepts written by postmodernism's leading theorists including Lyotard, Baudrillard, and Jameson. This collage of influential writing is followed by Berger's concise, accessible comments. Written for the newcomer, Berger's lucid explanations define the postmodernism's most elusive ideas. Organized in fifty segments, the book runs the gamut from postmodern architecture to feminism to punk music. Berger weaves these diverse topics together, exploring and challenging postmodernism's role in popular culture. This highly-readable book is essential reading for students and anyone interested in media, social, and cultural studies.

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An examination of how women's writings shaped public opinion and morality from the Victorians to the mid-twentieth century. In nineteenth-century Britain, public debates about the nation's moral health and about men's and women's responsibility for it were shaped decisively by a tradition of female moralists. This book looks at the cultural criticism of eight of the most significant of these writers: Anna Jameson, Hannah Lawrance, Margaret Oliphant, Marian Evans ("George Eliot"), Eliza Lynn Linton, Beatrice Hastings, Rebecca West and Virginia Woolf, providing a detailed and compelling account of how their writing on history, literature and visual art changed contemporaries' understanding of the lessons to be drawn from each field at the same time as they contested and redefined contemporary understandings of masculinity and femininity. It recovers these moralists' understanding of themselves as part of a tradition of women of letters stretching from eighteenth-century bluestockings to their own time, and the growing consensus across the political range of periodicals that women's intellectual potential was equal to men's, and not determined by their sex. Benjamin Dabby is an independent historian.

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Los Angeles Times Book Prize FinalistWinner of the Willie Lee Rose PrizeWinner of the PROSE Award in United States HistoryHagley Prize in Business History FinalistA Smithsonian Best History Book of the Year“Vaping gets all the attention now, but Milov’s thorough study reminds us that smoking has always intersected with the government, for better or worse.”—New York Times Book ReviewFrom Jamestown to the Marlboro Man, tobacco has powered America’s economy and shaped some of its most enduring myths. The story of tobacco’s rise and fall may seem simple enough—a tale of science triumphing over corporate greed—but the truth is more complicated.After the Great Depression, government officials and tobacco farmers worked hand in hand to ensure that regulation was used to promote tobacco rather than protect consumers. As evidence of the connection between cigarettes and cancer grew, scientists struggled to secure federal regulation in the name of public health. What turned the tide, Sarah Milov reveals, was a new kind of politics: a movement for nonsmokers’ rights. Activists took to the courts, the streets, city councils, and boardrooms to argue for smoke-free workplaces and allied with scientists to lobby elected officials. The Cigarette puts politics back at the heart of tobacco’s rise and fall, dramatizing the battles over corporate influence, individual choice, government regulation, and science.“A nuanced and ultimately devastating indictment of government complicity with the worst excesses of American capitalism.”—New Republic“An impressive work of scholarship evincing years of spadework…A well-told story.”—Wall Street Journal“If you want to know what the smoke-filled rooms of midcentury America were really like, this is the book to read.”—Los Angeles Review of Books

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Perfect for planning and enjoying a stress-free family holiday, this easy-to-use guide book is packed with insider tips and information on the best family-friendly activities and attractions.Take a tour of the White House, admire the monuments and memorials of the National Mall or visit the National Air and Space Museum. From recommendations of child-friendly restaurants to suggestions for rainy-day activities, this guide book takes the work out of planning a family trip to Washington, DC.Inside Family Guide Washington, DC:- Each major listing includes details of the closest toilets, the nearest places to grab a snack or meal, what do if it rains, and where kids can play and let off steam- Contains cartoons, quizzes and games to keep young travellers happy all day long- Detailed coloured maps of all the major attractions and areas help you navigate with ease- Colour-coded area guides make it easy to find information - At-a-glance pages highlight all the best sights and activities in each area so you can plan your day quickly- Features expert suggestions for the best places for families to stay, eat and shop - Gives essential travel information, including transport, visa and health information- Covers National Air and Space Museum, National Gallery of Art, Washington Monument, World War II Memorial, Lincoln Memorial, Franklin Delano Roosevelt Memorial, Thomas Jefferson Memorial, United States Capitol, the White House, Smithsonian American Art Museum and National Portrait Gallery, Georgetown, George Washington's Mount Vernon Estate, Jamestown, Busch GardensTM and moreLooking for a comprehensive guide to Washington? Try our DK Eyewitness Travel Guide Washington, DC. On a shorter trip and want to see the highlights? Try our Top 10 Washington, DC travel guide.

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'Carter's novels hark back to the halcyon days of Agatha Christie... [her] bending of the classic tropes into the bleak, raw-boned setting of the Inishowen Peninsula sets her books apart' Irish Times'Her best yet... Andrea conjures up a phenomenal sense of place. She is such an assured, stylish writer and The Body Falls is remarkably gripping' Jo Spain'Tense, atmospheric - it grips the reader ever tighter as the mystery deepens' Brian McGillowayApril in Florida and Ben O'Keeffe is enjoying balmy temperatures, working the last few days of a six-month stint with her old law firm. A week later she returns to Glendara, Inishowen where a charity cycle race is taking place. But it starts to rain, causing the cyclists to postpone the start of their event and stay overnight in the town. But the rain doesn't stop; it increases to become relentless, torrential.In the middle of the night Sergeant Tom Molloy is called out to Mamore Gap, where a body, dislodged from a high bank by the heavy rain, has fallen onto the vet's jeep. It is identified as Bob Jameson, a well-known local charities boss, and the organiser of the cycling event. Stunned, the GP confirms that the man has suffered a snakebite.Terrible weather persists and soon bridges are down and roads are impassable. Glendara is completely cut off, with a killer at the heart of the community. Who is responsible for Bob Jameson's death? One of the strangers in town or someone closer to home? It's left to Molloy, with Ben's assistance, to find out what is going on.'Starting a new Inishowen novel is like settling in for a gossip with a really good friend. Ben O'Keeffe is a totally engaging main character and her adventures are as convincing as they are gripping. The Body Falls is a hugely entertaining small-town mystery with a very satisfying resolution; I can't wait to read the next in the series' Jane CaseyPraise for Andrea Carter's Inishowen Mysteries series'Atmospheric and vivid' The Irish Times'I adored this traditional crime novel; it's modern day Agatha Christie with Ben as Miss Marple' Irish Examiner'The colourful cast of characters may be fictional, but the landscapes, towns and villages are instantly recognisable' Irish Daily Mail'A beguiling heroine - clever, sympathetic and bearing a weight of guilt' The Times

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Postcolonial Naturalism proposes an innovative periodizing schema for historicizing contemporary Anglophone fiction. Engaging and revising the materialist paradigm of the Warwick Research Collective’s concept of “world-literature,” Fredric Jameson’s mapping of modernity’s cultural periods, and Christopher L. Hill’s positing of a transnational naturalism, Eric D. Smith theorizes “postcolonial naturalism” as a structurally determined cultural logic rather than as a literary technique or style. Supported by careful, theoretically and critically sophisticated analyses of exemplary literary works, this important intervention invites us to reconsider the living history of aesthetic naturalism as well as its social and political implications for the practice of world-literature in the aftermath of anticolonial resistance.

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Since the first English settlers landed at Jamestown with the legacy of centuries of European warfare in tow, the military has been an omnipresent part of America. In American Military History: A Very Short Introduction, Joseph T. Glatthaar explores this relationship from its origins in the thirteen colonies to today's ongoing conflicts in the Middle East. During the Revolutionary War, tension grew between local militias and a standing army. The Founding Fathers attempted to strike a balance, enshrining an army, navy, and a "well-regulated Militia" in the Constitution. The US soon witnessed the rise of a professional military, a boon to its successes in the War of 1812, the Mexican War, and the Civil War. However, after the Civil War, the US struggled to learn that the purpose of a peacetime army is to prepare for war. When war did arrive, it arrived with a vengeance, gutting the trenches of the Great War with effective innovations: tanks, planes, machine guns, and poison gas. The US embraced the technology that would win both world wars and change the nature of battle in the Second World War. The US emerged from World War II as the most powerful nation in the war, but over the next several decades it was forced to confront the limits of its power. The nuclear era brought encounters defined by stalemate--from the Cold War conflicts of Korea and Vietnam to the wars in Afghanistan and Iraq. Since 9/11, the US has been frustrated by unconventional warfare, including terrorism and cyberwar, largely negating the technological advantage it had held. Glatthaar examines all these challenges, looking to the future of the U.S. military and its often proud and complicated legacy.

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An appeal for the importance of theory, utopia, and close consideration of our contemporary dark times What does any particular theory allow us to do? What is the value of doing so? And who benefits? In Invoking Hope, Phillip E. Wegner argues for the undiminished importance of the practices of theory, utopia, and a deep and critical reading of our current situation of what Bertolt Brecht refers to as finsteren Zeiten, or dark times.Invoking Hope was written in response to three events that occurred in 2016: the five hundredth anniversary of the publication of Thomas More’s Utopia; the one hundredth anniversary of the founding text in theory, Ferdinand de Saussure’s Course in General Linguistics; and the rise of the right-wing populism that culminated in the election of Donald Trump. Wegner offers original readings of major interventions in theory alongside dazzling utopian imaginaries developed from classical Greece to our global present—from Theodor Adorno, Ernst Bloch, Alain Badiou, Jacques Derrida, Fredric Jameson, Sarah Ahmed, Susan Buck-Morss, and Jacques Lacan to such works as Plato’s Republic, W. E. B. Du Bois’s John Brown, Isak Dinesen’s “Babette’s Feast,” Kim Stanley Robinson’s 2312, and more. Wegner comments on an expansive array of modernist and contemporary literature, film, theory, and popular culture.With Invoking Hope, Wegner provides an innovative lens for considering the rise of right-wing populism and the current crisis in democracy. He discusses challenges in the humanities and higher education and develops strategies of creative critical reading and hope against the grain of current trends in scholarship.

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An ISIS-style beheading of a journalist, carried out by a New York City group pledging fealty to that rogue state, becomes more than just another case for NYPD Captain Nikki Heat when the killers announce their next target: her husband, magazine writer Jameson Rook. Desperate to ensure his safety, Heat tries to contact Rook, who is supposed to be writing a profile about independent presidential candidate Legs Kline, a sudden favorite for the White House. Except Rook is suddenly nowhere to be found.But as if that one deeply personal case is not enough to plunge Nikki Heat's world into turmoil, there suddenly comes another. It begins when she catches a glimpse of a street person who she swears is her mother-a woman who has been dead for nearly twenty years.

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Narrowcast explores how mid-century American poets associated with the New Left mobilized tape recording as a new form of sonic field research even as they themselves were being subjected to tape-based surveillance. Media theorists tend to understand audio recording as a technique for separating bodies from sounds, but this book listens closely to tape's embedded information, offering a counterintuitive site-specific account of 1960s poetic recordings. Allen Ginsberg, Charles Olson, Larry Eigner, and Amiri Baraka all used recording to contest models of time being put forward by dominant media and the state, exploring non-monumental time and subverting media schedules of work, consumption, leisure, and national crises. Surprisingly, their methods at once dovetailed with those of the state collecting evidence against them and ran up against the same technological limits. Arguing that CIA and FBI "researchers" shared unexpected terrain not only with poets but with famous theorists such as Fredric Jameson and Hayden White, Lytle Shaw reframes the status of tape recordings in postwar poetics and challenges notions of how tape might be understood as a mode of evidence.

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The history of race and religion in the American South is infused with tragedy, survival, and water—from St. Augustine on the shores of Florida’s Atlantic Coast to the swampy mire of Jamestown to the floodwaters that nearly destroyed New Orleans. Determination, resistance, survival, even transcendence, shape the story of race and southern Christianities. In Christianity and Race in the American South, Paul Harvey gives us a narrative history of the South as it integrates into the story of religious history, fundamentally transforming our understanding of the importance of American Christianity and religious identity. Harvey chronicles the diversity and complexity in the intertwined histories of race and religion in the South, dating back to the first days of European settlement. He presents a history rife with strange alliances, unlikely parallels, and far too many tragedies, along the way illustrating that ideas about the role of churches in the South were critically shaped by conflicts over slavery and race that defined southern life more broadly. Race, violence, religion, and southern identity remain a volatile brew, and this book is the persuasive historical examination that is essential to making sense of it.

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The arguments over postmodernism are among the most important intellectual debates of our time. Going beyond the poststructuralist controversy in its interdisciplinary scope, postmodernism questions the fundamental civil, political, ethical, and cultural criteria that make criticism and theory available, necessary, legitimate, or, indeed, even possible. But given that the key texts are widely scattered, the broad range of arguments remains relatively unknown. Postmodernism: A Reader gathers in one volume a comprehensive selection of articles, essays, and statements by leading figures -- among them Lyotard, Habemas, Jameson, Baudrillard, Eco, and Rorty -- writing across the divergent terrains on which the struggles over postmodernism are taking place: in the fields of philosophy and politics, in the artistic and cultural avant-garde, architecture and urbanicity, feminism and ecology, and in the Third world. The material assembled here enables a serious and rigorous consideration of the question "Are we at -- and should we endore -- the end of modernity?"

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"Flame Wars," the verbal firefights that take place between disembodied combatants on electronic bulletin boards, remind us that our interaction with the world is increasingly mediated by computers. Bit by digital bit we are being "Borged," as devotees of Star Trek: The Next Generation would have it—transformed into cyborgian hybrids of technology and biology through our ever more frequent interaction with machines, or with one another through technological interfaces. The subcultural practices of the "incurably informed," to borrow the cyberpunk novelist Pat Cadigan’s coinage, offer a precognitive glimpse of mainstream culture in the near future, when many of us will be part-time residents in virtual communities. Yet, as the essays in this expanded edition of a special issue of the South Atlantic Quarterly confirm, there is more to fringe computer culture than cyberspace. Within these pages, readers will encounter flame warriors; new age mutant ninja hackers; technopagans for whom the computer is an occult engine; and William Gibson’s "Agrippa," a short story on software that can only be read once because it gobbles itself up as soon as the last page is reached. Here, too, is Lady El, an African American cleaning woman reincarnated as an all-powerful cyborg; devotees of on-line swinging, or "compu-sex"; the teleoperated weaponry and amok robots of the mechanical performance art group, Survival Research Laboratories; an interview with Samuel Delany, and more.Rallying around Fredric Jameson’s call for a cognitive cartography that "seeks to endow the individual subject with some new heightened sense of place in the global system," the contributors to Flame Wars have sketched a corner of that map, an outline for a wiring diagram of a terminally wired world. Contributors. Anne Balsamo, Gareth Branwyn, Scott Bukatman, Pat Cadigan, Gary Chapman, Erik Davis, Manuel De Landa, Mark Dery, Julian Dibbell, Marc Laidlaw, Mark Pauline, Peter Schwenger, Vivian Sobchack, Claudia Springer

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"Flame Wars," the verbal firefights that take place between disembodied combatants on electronic bulletin boards, remind us that our interaction with the world is increasingly mediated by computers. Bit by digital bit we are being "Borged," as devotees of Star Trek: The Next Generation would have it—transformed into cyborgian hybrids of technology and biology through our ever more frequent interaction with machines, or with one another through technological interfaces. The subcultural practices of the "incurably informed," to borrow the cyberpunk novelist Pat Cadigan’s coinage, offer a precognitive glimpse of mainstream culture in the near future, when many of us will be part-time residents in virtual communities. Yet, as the essays in this expanded edition of a special issue of the South Atlantic Quarterly confirm, there is more to fringe computer culture than cyberspace. Within these pages, readers will encounter flame warriors; new age mutant ninja hackers; technopagans for whom the computer is an occult engine; and William Gibson’s "Agrippa," a short story on software that can only be read once because it gobbles itself up as soon as the last page is reached. Here, too, is Lady El, an African American cleaning woman reincarnated as an all-powerful cyborg; devotees of on-line swinging, or "compu-sex"; the teleoperated weaponry and amok robots of the mechanical performance art group, Survival Research Laboratories; an interview with Samuel Delany, and more.Rallying around Fredric Jameson’s call for a cognitive cartography that "seeks to endow the individual subject with some new heightened sense of place in the global system," the contributors to Flame Wars have sketched a corner of that map, an outline for a wiring diagram of a terminally wired world. Contributors. Anne Balsamo, Gareth Branwyn, Scott Bukatman, Pat Cadigan, Gary Chapman, Erik Davis, Manuel De Landa, Mark Dery, Julian Dibbell, Marc Laidlaw, Mark Pauline, Peter Schwenger, Vivian Sobchack, Claudia Springer

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American history and self-understanding have long depended on the notion of a “colonial America”, an era that—according to prevailing accounts—laid the foundation for the modern United States. In Indigenous Continent, the acclaimed historian Pekka Hämäläinen shatters this Eurocentric narrative by retelling the four centuries between first contacts and the peak of Native power from Indigenous points of view. Shifting our perspective away from Jamestown, Plymouth, the American Revolution and other well-worn episodes on the conventional timeline, Hämäläinen depicts a sovereign world of distinctive Native nations whose members, far from simple victims of colonial aggression, controlled the continent well into the nineteenth century, fundamentally shaping the actions of the European imperialists and the development of the United States. Indigenous Continent restores Native Americans to their rightful place at the very fulcrum of American history.

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After humble beginnings as faltering British colonies, the United States acquired astonishing wealth and power as the result of what we now refer to as modernization. Originating in England and Western Europe, transplanted to the Americas, then copied around the world in the nineteenth and twentieth centuries, this process locked together science and technology, political democracy, economic freedom, and competitive capitalism. This has produced for some populations unimagined wealth and material comfort, yet it has also now brought the global environment to a tipping point beyond which life as we know it may not be sustainable. How did we come to endanger the very future of life on earth in our heedless pursuit of wealth and happiness? In Laid Waste!, John Lauritz Larson answers that question with a 350-year review of the roots of an American "culture of exploitation" that has left us free, rich, and without an honest sense of how this crisis came to be. Larson undertakes an ambitious historical synthesis, seeking to illuminate how the culture of exploitation grew out of the earliest English settlements and has continually undergirded U.S. society and its cherished myths. Through a series of meditations on key concepts, the story moves from the starving times of early Jamestown through the rise of colonial prosperity, the liberation of the revolutionary generation, the launching of the American republic, and the emergence of a new global industrial power by the end of the nineteenth century. Through this story, the book explores the rise of an American sense of righteousness, entitlement, and destiny that has masked any recognition that our wealth and success has come at expense to anyone or anything. Part polemic, part jeremiad, and part historical overview, Laid Waste! is a provocative and bracing account of how the development of American culture itself has led us to today's crises.

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Library of America presents the first volume in a landmark two-volume collector's edition of the incomparable stories of an American masterBorn into an upper-class New York family, Edith Wharton broke with convention and became a professional writer, earning an enduring place as the grande dame of American letters. This Library of America collection (along with its companion volume, Collected Stories: 1911–1937) presents the finest of Wharton's achievement in short fiction, drawn from the more than eighty stories she published over the course of her career. Opening with her first published story—the charming "Mrs. Manstey's View," about a disruption in the life of an elderly apartment-dweller—this first of two volumes presents a writer, already at the height of her powers, beginning to explore the concerns of a lifetime. In "Souls Belated," two lovers attempt to escape the consequences of their adultery—a subject to which Wharton returns throughout her career. In "The Mission of Jane" (about a remarkable adopted child) and "The Pelican" (about an itinerant lecturer), she discovers her gift for social and cultural satire. Perhaps the finest of her ghost stories, "The Eyes," with its Jamesian sense of evil, is also included, along with two novella-length works, "The Touchstone" and "Sanctuary," revealing the dazzling range of Wharton's fictive imagination. Also included in this edition are a chronology of Wharton's life, explanatory notes, and an essay on the texts.LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

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READERS LOVE YOUNG WOMEN:'Hands down, this is an absolutely phenomenonal book! I recommend Young Women to everyone out there, one you'll be hearing about for a long time to come''Young Women instantly grabbed me from the first chapter. I devoured this novel''Incredibly powerful . . . essential reading for all.''Sharp, beautifully written and powerful'AN INTOXICATING FRIENDSHIP.AN UNFORGIVABLE BETRAYAL.From the Observer debut novelist of the year, an addictive new novel where a fierce new female friendship will unearth a secret that could change everything . . .When Emily meets enigmatic and dazzling actress Tamsin, her life changes. Drawn into Tamsin's world of Soho living, boozy dinners and cocktails at impossibly expensive bars, Emily's life shifts from black and white to technicolour and the two women become inseparable.But after a bombshell news article breaks, Emily begins to realise that Tamsin has been hiding a secret about her past. A secret that threatens to unravel everything . . .'Confirms Jessica Moor as one of the most exciting new voices of the decade' Erin KellyAmbitious and arresting' Beth Underdown 'Vividly engaging' Winnie M. Li'Brilliantly written' Kate Sawyer 'Painfully real' Hanna Jameson'Provocative, thought-provoking' Bexy Cameron 'Visceral' Stylist'A timely read' Prima 'A slick cautionary tale' Sunday Times'Utterly engrossing' Louise Nealon

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The Reification of Desire takes two critical perspectives rarely analyzed together—formative arguments for Marxism and those that have been the basis for queer theory—and productively scrutinizes these ideas both with and against each other to put forth a new theoretical connection between Marxism and queer studies. Kevin Floyd brings queer critique to bear on the Marxian categories of reification and totality and considers the dialectic that frames the work of Georg Lukács, Herbert Marcuse, and Fredric Jameson. Reading the work of these theorists together with influential queer work by such figures as Michel Foucault and Judith Butler, and alongside reconsiderations of such texts as The Sun Also Rises and Midnight Cowboy, Floyd reformulates these two central categories that have been inseparable from a key strand of Marxist thought and have marked both its explanatory power and its limitations. Floyd theorizes a dissociation of sexuality from gender at the beginning of the twentieth century in terms of reification to claim that this dissociation is one aspect of a larger dynamic of social reification enforced by capitalism. Developing a queer examination of reification and totality, Kevin Floyd ultimately argues that the insights of queer theory require a fundamental rethinking of both.

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As the site of the first permanent English settlement in North America, the birthplace of a presidential dynasty, and the gateway to western growth in the nation's early years, Virginia can rightfully be called the ""cradle of America."" Peter Wallenstein traces major themes across four centuries in a brisk narrative that recalls the people and events that have shaped the Old Dominion. The second edition is updated with new material throughout, including a new chapter on Virginia and world affairs from the Korean War through 9/11 and beyond, and, an expanded bibliography.Historical accounts of Virginia have often emphasized harmony and tradition, but Wallenstein focuses on the impact of conflict and change. From the beginning, Virginians have debated and challenged each other's visions of Virginia, and Wallenstein shows how these differences have influenced its sometimes turbulent development. Casting an eye on blacks as well as whites, and on people from both east and west of the Blue Ridge Mountains, he traces such key themes as political power, racial identity, and education.Bringing to bear his long experience teaching Virginia history, Wallenstein takes readers back, even before Jamestown, to the Elizabethan settlers at Roanoke Island and the inhabitants they encountered, as well as to Virginia's leaders of the American Revolution. He chronicles the state's dramatic journey through the Civil War era, a time that revealed how the nation's evolution sometimes took shape in opposition to the vision of many leading Virginians. He also examines the impact of the civil rights movement and considers controversies that accompany Virginia into its fifth century. The text is copiously illustrated to depict not only such iconic figures as Pocahontas, George Washington, and Robert E. Lee, but also such other prominent native Virginians as Edgar Allan Poe, Carter G. Woodson, and Patsy Cline. Sidebars throughout the book offer further insight, while maps and appendixes of reference data make the volume a complete resource on Virginia's history.

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