Search results for ""author dom"

Amy Sargeant's compelling and meticulous study of Joseph Losey's The Servant (1963) sets the film in the context of a long tradition of fictional depictions of the master-servant relationship, from Shakespeare to Cervantes, Henry James, Dorothy L. Sayers and P.G. Wodehouse. Sargeant points out that while many of these relationships are played for comic effect, that of the 'young master' Tony (James Fox) and his manservant Barrett (Dirk Bogarde) unfolds in a far more sinister manner, with Barrett coming to dominate and humiliate the hapless Tony. Sargeant's reading pays particular attention to the contribution not only of Losey and Harold Pinter, who adapted the screenplay from Robin Maugham's novella, but also of the cinematographer Douglas Slocombe, designer Richard Macdonald and costume designer Beatrice 'Bumble' Dawson. She analyses the performances of Sarah Miles as Barrett's lover Vera and Wendy Craig as Tony's fiancee Susan, as well as those of Fox and Bogarde, and gives careful consideration to how the film uses architectural form, interior design and decoration, and clothing to establish character and relationships. In the context of the collapse of the British Empire, and a beleaguered Establishment beset by spy and sex scandals, the film can be read, Sargeant argues, as a metaphor for the 'state of the nation' in the early 1960s. Finally, Sargeant considers the film's critical and commercial reception in Britain, Europe and the United States - its release, how it was received as one of a number of 'emigre' films, and Losey's surprising denial of a homoerotic intent in the Tony-Barrett relationship. In her new foreword to this edition, Amy Sargeant considers contemporary resonances of the film's depiction of a twisted master-servant relationship in recent TV and cinema including The Crown, Downton Abbey and The Trial of Christine Keeler.

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A Telegraph Book of the YearA Guardian Book of the YearA Shindig Book of the Year A Virgin Radio Book of the YearAwarded the certificate of merit in the 2023 Association for Recorded Sound Collections Awards for ExcellenceIn 1970, pop was in trouble. The Beatles were no more. Pink Floyd devoted themselves to progressive epics. Led Zeppelin dismissed anything beyond their 'musical statements' as childish frippery. Thankfully, help was on its way.This comprehensive chronicle by music historian Will Hodgkinson explores how an unlikely mix of backroom songwriters, revitalised rockers, actors, producers, teen stars and children turned pop into the dominant sound and vision of the 1970s.While bands such as the Eagles and Fleetwood Mac were ruling the albums chart, the singles chart was swinging along to the tune of million-selling blockbusters by the likes of Brotherhood of Man, the Sweet and the Wombles. These were the songs you heard on Radio 1, during Saturday-night TV, at youth clubs, down the pub and even emanating from your parents' record player...It was never cool, but it was the real soundtrack of the decade.Against a rainy, smog-filled backdrop of three-day weeks, national strikes, IRA bombings and the Winter of Discontent, this unrelenting stream of novelty songs, sentimental ballads, glam-rock stomps and blatant rip-offs offered escape, uplift, romance and the promise of eternal childhood - all released with one goal in mind: a smash hit.In Perfect Harmony takes the reader on a journey through the most colour-saturated era in music, examining the core themes and camp spectacle of '70s singalong pop, as well as its reverberations through British culture since. This is the pioneering social history of a musical revolution.

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A lavishly illustrated account of the buildings of the friars in the Middle Ages, bringing them vividly to life. with contributions from Ian M. Betts, Jens Röhrkasten, Mark Samuel, and Christian Steer. Nominated for the Current Archaeology Book of the Year Award 2019 The friaries of medieval London formed an important partof the city's physical and spiritual landscape between the thirteenth and sixteenth centuries. These urban monasteries housed 300 or more preacher-monks who lived an enclosed religious life and went out into the city to preach. The most important orders were the Dominican Black friars and the Franciscan Grey friars but London also had houses of Augustine, Carmelite and Crossed friars, and, in the thirteenth century, Sack and Pied friars. This book offers an illustrated interdisciplinary study of these religious houses, combining archaeological, documentary, cartographic and architectural evidence to reconstruct the layout and organisation of nine priories. After analysing anddescribing the great churches and cloisters, and their precincts with burial grounds and gardens, it moves on to examine more general historical themes, including the spiritual life of the friars, their links to living and dead Londoners, and the role of the urban monastery. The closure of these friaries in the 1530s is also discussed, along with a brief revival of one friary in the reign of Mary. NICK HOLDER is a historian and archaeologist atEnglish Heritage and the University of Exeter. He has written extensively on medieval and early modern London. IAN M. BETTS is a building materials specialist at Museum of London Archaeology; JENS ROHRKASTEN was Lecturerin Medieval History at the University of Birmingham; MARK SAMUEL is an independent architectural historian; CHRISTIAN STEER is an independent historian, specialising in burials in medieval churches.

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From D.W. Griffith's The Birth of a Nation to Spike Lee's Malcolm X, Ed Guerrero argues, the commercial film industry reflects white domination of American society. Written with the energy and conviction generated by the new black film wave, Framing Blackness traces an ongoing epic—African Americans protesting screen images of blacks as criminals, servants, comics, athletes, and sidekicks. These images persist despite blacks' irrepressible demands for emancipated images and a role in the industry. Although starkly racist portrayals of blacks in early films have gradually been replaced by more appealing characterizations, the legacy of the plantation genre lives on in Blaxpoitation films, the fantastic racialized imagery in science fiction and horror films, and the resubordination of blacks in Reagan-era films. Probing the contradictions of such images, Guerrero recalls the controversies surrounding role choices by stars like Sidney Poitier, Eddie Murphy, Whoopie Goldberg, and Richard Pryor. Throughout his study, Guerrero is attentive to the ways African Americans resist Hollywood's one-dimensional images and superficial selling of black culture as the latest fad. Organizing political demonstrations and boycotts, writing, and creating their own film images are among the forms of active resistance documented. The final chapter awakens readers to the artistic and commercial breakthrough of black independent filmmakers who are using movies to channel their rage at social injustice. Guerrero points out their diverse approaches to depicting African American life and hails innovative tactics for financing their work. Framing Blackness is the most up-to-date critical study of how African Americans are acquiring power once the province of Hollywood alone: the power of framing blackness. In the series Culture and the Moving Image, edited by Robert Sklar.

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Throughout the Western world, governments and financial elites responded to the financial crisis of 2008 by trying to restore the conditions of business as usual, but the economic, social and human damage inflicted by the crisis has given rise to a reconsideration of the inevitability of unfettered capitalism as a fact of life. A number of economic practices and organizations emerged in Europe and the United States that embodied alternative values: the value of life over the value of money; the effectiveness of cooperation over cut-throat competition; the social responsibility of corporations and responsible regulation by governments over the short-term speculative strategies that brought the economy to the brink of catastrophe. This book examines the blossoming of innovative new experiments in organizing work and life that emerged in the wake of the financial crisis: cooperatives, barter networks, ethical banking, community currencies, shared time banks, solidarity networks, sharing of goods, non-monetary transactions, etc., experiments that paved the way for the emergence of a sharing economy in all domains of activity oriented toward the satisfaction of human needs. Other innovations included the creation of cryptographic virtual currencies, epitomized by bitcoin, which blended a libertarian, entrepreneurial spirit with information technology to provide an alternative to standard forms of currency. On the basis of a cross-cultural analysis of alternative economic practices, this book develops an important theoretical argument: that the economy, as a human practice, is shaped by culture, and that the diversity of cultures, as revealed in a time of crisis, implies the possibility of different economies depending on the values and power relations that define economic institutions. This book will be of great interest to students and scholars in sociology, economics and the social sciences generally, and to anyone who wishes to understand how our societies and economies are changing today.

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Reveals the systematic marginalization of women within pop culture fan communities When Ghostbusters returned to the screen in 2016, some male fans of the original film boycotted the all-female adaptation of the cult classic, turning to Twitter to express their disapproval and making it clear that they considered the film’s “real” fans to be white, straight men. While extreme, these responses are far from unusual, with similar uproars around the female protagonists of the new Star Wars films to full-fledged geek culture wars and harassment campaigns, as exemplified by the #GamerGate controversy that began in 2014. Over the past decade, fan and geek culture has moved from the margins to the mainstream as fans have become tastemakers and promotional partners, with fan art transformed into official merchandise and fan fiction launching new franchises. But this shift has left some people behind. Suzanne Scott points to the ways in which the “men’s rights” movement and antifeminist pushback against “social justice warriors” connect to new mainstream fandom, where female casting in geek-nostalgia reboots is vilified and historically feminized forms of fan engagement—like cosplay and fan fiction—are treated as less worthy than male-dominant expressions of fandom like collection, possession, and cataloguing. While this gender bias harkens back to the origins of fandom itself, Fake Geek Girls contends that the current view of women in fandom as either inauthentic masqueraders or unwelcome interlopers has been tacitly endorsed by Hollywood franchises and the viewer demographics they selectively champion. It offers a view into the inner workings of how digital fan culture converges with old media and its biases in new and novel ways.

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How and why the idea of wellness holds such rhetorical—and harmful—power.In Why Wellness Sells, Colleen Derkatch examines why the concept of wellness holds such rhetorical power in contemporary culture. Public interest in wellness is driven by two opposing philosophies of health that cycle into and amplify each other: restoration, where people use natural health products to restore themselves to prior states of wellness; and enhancement, where people strive for maximum wellness by optimizing their body's systems and functions. Why Wellness Sells tracks the tension between these two ideas of wellness across a variety of sources, including interviews, popular and social media, advertising, and online activism. Derkatch examines how wellness manifests across multiple domains, where being "well" means different things, ranging from a state of pre-illness to an empowered act of good consumer-citizenship, from physical or moral purification to sustenance and care, and from harm reduction to optimization. Along the way, Derkatch demonstrates that the idea of wellness may promise access to the good life, but it serves primarily as a strategy for coping with a devastating and overwhelming present.Drawing on scholarship in the rhetoric of health and medicine, the health and medical humanities, and related fields, Derkatch offers a nuanced account of how language, belief, behavior, experience, and persuasion collide to produce and promote wellness, one of the most compelling—and harmful—concepts that govern contemporary Western life. She explains that wellness has become so pervasive in the United States and Canada because it is an ever-moving, and thus unachievable, goal. The concept of wellness entrenches an individualist model of health as a personal responsibility, when collectivist approaches would more readily serve the health and well-being of whole populations.

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At the beginning of the twenty-first century, India seemed to stand on the brink of an exciting new era. Second only to China as the fastest growing major economy in the world, gleaming shopping malls were being built around the country to service a rapidly expanding middle class, and mobile phones were reaching even the remotest villages. The installation of Manmohan Singh as Prime Minister in 2004 seemed to promise more good times ahead. Singh had unleashed ‘shining’ India’s potential more than a decade before as finance minister, introducing the liberalising economic reforms that had set the country on a new course towards prosperity. Yet a decade later, the dream has crumbled. A series of corruption scandals has badly tarnished the nation’s image and undermined its self-confidence, while the economy has slowed and violence against women has dominated the headlines. Their country is no longer ‘shining’ and Indians are left wondering where the magic has gone. Reporting from across India, meeting activists, farmers, factory and office workers and media figures, and interviewing influential political leaders including Narendra Modi, Rahul Gandhi and Arvind Kejriwal, Denyer exposes the battles taking place all across the nation between powerful vested interests and those trying to foster change. By delving into many of the country’s most troublesome issues, from gender relations to education, from corruption to populist politics, he analyses the Indian malaise and, equally important, discovers signs of new and vigorous life and a deep desire for change. If the world’s largest democracy can control the greed, corruption and bad governance that bedevils it, its future may indeed be truly dazzling.

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Eighteen years have passed since ten countries from Central & Eastern Europe joined the European Union and more than three decades since the Berlin Wall was torn down in 1989 - but ignorance about what is popularly still called Eastern Europe is as widespread as ever. Slovenia still gets mixed up with Slovakia, the Slavs remain a mystery in a Europe apparently dominated by Romanic and Germanic nations and a country like the Czech Republic is labelled as Eastern European, although one needs to travel west to get from Vienna to Prague. First published in 2009 under the title What's so eastern about Eastern Europe?, this book is much more than a revised and updated version of the first edition. Its presentation of the political and cultural history of Central, Eastern and South-Eastern Europe, written in an accessible language is now complemented with recent developments in the region. The new edition digs into the reasons behind the illiberal turn in Poland, Hungary and elsewhere, putting the alleged democratic backslide into the wider context of European populism. Leon Marc offers a new and fresh perspective in explaining the roots of populism and social conservatism in the region, which the book sees in a mixture of historical factors, economic conditions, the heavy burden of Communist legacy, as well as a reaction to contemporary social developments in the West. Drawing on a wide range of literature, the book calls for more sensibility to these underlying causes, critical examination of the true European values, and for a coalition of defenders of Humanism and Judeo-Christian tradition as key pillars of its identity, in order to save Europe and its liberal democracy. This updated and expanded edition contains a brand new chapter bringing this book up to date with recent events, including Covid-19 and the Ukrainian conflict.

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Secular criticism is a term invented by Edward Said to denote not a theory but a practice that counters the tendency of much modern thinking to reach for a transcendentalist comfort zone, the very space philosophy wrested away from religion in the name of modernity. Using this notion as a compass, this book reconfigures recent secularism debates on an entirely different basis, by showing (1) how the secular imagination is closely linked to society’s radical poiesis, its capacity to imagine and create unprecedented forms of worldly existence; and (2) how the space of the secular animates the desire for a radical democratic politics that overturns inherited modes of subjugation, whether religious or secularist. Gourgouris’s point is to disrupt the co-dependent relation between the religious and the secular—hence, his rejection of fashionable languages of postsecularism—in order to engage in a double critique of heteronomous politics of all kinds. For him, secular criticism is a form of political being: critical, antifoundational, disobedient, anarchic, yet not negative for negation’s sake but creative of new forms of collective reflection, interrogation, and action that alter not only the current terrain of dominant politics but also the very self-conceptualization of what it means to be human. Written in a free and combative style and given both to close readings of texts and to gazing off into the broad horizon, these essays cover a range of issues—historical and philosophical, archaic and contemporary, literary and political—that ultimately converge in the significance of contemporary radical politics: the assembly movements we have seen in various parts of the world in recent years. The secular imagination demands a radical pedagogy and unlearning a great many established thought patterns. Its most important dimension is not battling religion per se but dismantling theological politics of sovereignty in favor of radical conditions for social autonomy.

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The neoliberal project in the West has created an increasingly polarized and impoverished world, to the point that the vast majority of its citizens require liberation from their present socioeconomic circumstances. The marxist theorist Kenneth Surin contends that innovation and change at the level of the political must occur in order to achieve this liberation, and for this endeavor marxist theory and philosophy are indispensable. In Freedom Not Yet, Surin analyzes the nature of our current global economic system, particularly with regard to the plight of less developed countries, and he discusses the possibilities of creating new political subjects necessary to establish and sustain a liberated world.Surin begins by examining the current regime of accumulation—the global domination of financial markets over traditional industrial economies—which is used as an instrument for the subordination and dependency of poorer nations. He then moves to the constitution of subjectivity, or the way humans are produced as social beings, which he casts as the key arena in which struggles against dispossession occur. Surin critically engages with the major philosophical positions that have been posed as models of liberation, including Derrida’s notion of reciprocity between a subject and its other, a reinvigorated militancy in political reorientation based on the thinking of Badiou and Zizek, the nomad politics of Deleuze and Guattari, and the politics of the multitude suggested by Hardt and Negri. Finally, Surin specifies the material conditions needed for liberation from the economic, political, and social failures of our current system. Seeking to illuminate a route to a better life for the world’s poorer populations, Surin investigates the philosophical possibilities for a marxist or neo-marxist concept of liberation from capitalist exploitation and the regimes of power that support it.

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In the early twentieth century, Native American baskets, blankets, and bowls could be purchased from department stores, “Indian stores,” dealers, and the U.S. government’s Indian schools. Men and women across the United States indulged in a widespread passion for collecting Native American art, which they displayed in domestic nooks called “Indian corners.” Elizabeth Hutchinson identifies this collecting as part of a larger “Indian craze” and links it to other activities such as the inclusion of Native American artifacts in art exhibitions sponsored by museums, arts and crafts societies, and World’s Fairs, and the use of indigenous handicrafts as models for non-Native artists exploring formal abstraction and emerging notions of artistic subjectivity. She argues that the Indian craze convinced policymakers that art was an aspect of “traditional” Native culture worth preserving, an attitude that continues to influence popular attitudes and federal legislation.Illustrating her argument with images culled from late-nineteenth- and early-twentieth-century publications, Hutchinson revises the standard history of the mainstream interest in Native American material culture as “art.” While many locate the development of this cross-cultural interest in the Southwest after the First World War, Hutchinson reveals that it began earlier and spread across the nation from west to east and from reservation to metropolis. She demonstrates that artists, teachers, and critics associated with the development of American modernism, including Arthur Wesley Dow and Gertrude Käsebier, were inspired by Native art. Native artists were also able to achieve some recognition as modern artists, as Hutchinson shows through her discussion of the Winnebago painter and educator Angel DeCora. By taking a transcultural approach, Hutchinson transforms our understanding of the role of Native Americans in modernist culture.

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White trash. The phrase conjures up images of dirty rural folk who are poor, ignorant, violent, and incestuous. But where did this stigmatizing phrase come from? And why do these stereotypes persist? Matt Wray answers these and other questions by delving into the long history behind this term of abuse and others like it. Ranging from the early 1700s to the early 1900s, Not Quite White documents the origins and transformations of the multiple meanings projected onto poor rural whites in the United States. Wray draws on a wide variety of primary sources—literary texts, folklore, diaries and journals, medical and scientific articles, social scientific analyses—to construct a dense archive of changing collective representations of poor whites. Of crucial importance are the ideas about poor whites that circulated through early-twentieth-century public health campaigns, such as hookworm eradication and eugenic reforms. In these crusades, impoverished whites, particularly but not exclusively in the American South, were targeted for interventions by sanitarians who viewed them as “filthy, lazy crackers” in need of racial uplift and by eugenicists who viewed them as a “feebleminded menace” to the white race, threats that needed to be confined and involuntarily sterilized. Part historical inquiry and part sociological investigation, Not Quite White demonstrates the power of social categories and boundaries to shape social relationships and institutions, to invent groups where none exist, and to influence policies and legislation that end up harming the very people they aim to help. It illuminates not only the cultural significance and consequences of poor white stereotypes but also how dominant whites exploited and expanded these stereotypes to bolster and defend their own fragile claims to whiteness.

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Initially developed in Japan by Nintendo as a computer game, Pokémon swept the globe in the late 1990s. Based on a narrative in which a group of children capture, train, and do battle with over a hundred imaginary creatures, Pokémon quickly diversified into an array of popular products including comic books, a TV show, movies, trading cards, stickers, toys, and clothing. Pokémon eventually became the top grossing children's product of all time. Yet the phenomenon fizzled as quickly as it had ignited. By 2002, the Pokémon craze was mostly over. Pikachu’s Global Adventure describes the spectacular, complex, and unpredictable rise and fall of Pokémon in countries around the world.In analyzing the popularity of Pokémon, this innovative volume addresses core debates about the globalization of popular culture and about children’s consumption of mass-produced culture. Topics explored include the origins of Pokémon in Japan’s valorization of cuteness and traditions of insect collecting and anime; the efforts of Japanese producers and American marketers to localize it for foreign markets by muting its sex, violence, moral ambiguity, and general feeling of Japaneseness; debates about children’s vulnerability versus agency as consumers; and the contentious question of Pokémon’s educational value and place in school. The contributors include teachers as well as scholars from the fields of anthropology, media studies, sociology, and education. Tracking the reception of Pokémon in Japan, the United States, Great Britain, France, and Israel, they emphasize its significance as the first Japanese cultural product to enjoy substantial worldwide success and challenge western dominance in the global production and circulation of cultural goods.Contributors. Anne Allison, Linda-Renée Bloch, Helen Bromley, Gilles Brougere, David Buckingham, Koichi Iwabuchi, Hirofumi Katsuno, Dafna Lemish, Jeffrey Maret, Julian Sefton-Green, Joseph Tobin, Samuel Tobin, Rebekah Willet, Christine Yano

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Winner of the 2015 Abbott Lowell Cummings prize from the Vernacular Architecture Forum Winner of the 2015 Sprio Kostof Book Award from the Society of Architectural Historians Winner of the 2016 International Planning History Society Book Prize for European Planning History Honorable Mention: 2016 Wylie Prize in French Studies In the three decades following World War II, the French government engaged in one of the twentieth century’s greatest social and architectural experiments: transforming a mostly rural country into a modernized urban nation. Through the state-sanctioned construction of mass housing and development of towns on the outskirts of existing cities, a new world materialized where sixty years ago little more than cabbage and cottages existed.Known as the banlieue, the suburban landscapes that make up much of contemporary France are near-opposites of the historic cities they surround. Although these postwar environments of towers, slabs, and megastructures are often seen as a single utopian blueprint gone awry, Kenny Cupers demonstrates that their construction was instead driven by the intense aspirations and anxieties of a broad range of people. Narrating the complex interactions between architects, planners, policy makers, inhabitants, and social scientists, he shows how postwar dwelling was caught between the purview of the welfare state and the rise of mass consumerism.The Social Project unearths three decades of architectural and social experiments centered on the dwelling environment as it became an object of modernization, an everyday site of citizen participation, and a domain of social scientific expertise. Beyond state intervention, it was this new regime of knowledge production that made postwar modernism mainstream. The first comprehensive history of these wide-ranging urban projects, this book reveals how housing in postwar France shaped both contemporary urbanity and modern architecture.

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Suzhou, near Shanghai, is among the great garden cities of the world. The city's masterpieces of classical Chinese garden design, built from the eleventh through the nineteenth centuries, attract thousands of visitors each year and continue to influence international design. In The Gardens of Suzhou, landscape architect and scholar Ron Henderson guides visitors through seventeen of these gardens. The book explores UNESCO world cultural heritage sites such as the Master of the Nets Garden, Humble Administrator's Garden, Lingering Garden, and Garden of the Peaceful Mind, as well as other lesser-known but equally significant gardens in the Suzhou region. Unlike the acclaimed religious and imperial gardens found elsewhere in Asia, Suzhou's gardens were designed by scholars and intellectuals to be domestic spaces that drew upon China's rich visual and literary tradition, embedding cultural references within the landscapes. The elements of the gardens confront the visitor: rocks, trees, and walls are pushed into the foreground to compress and compact space, as if great hands had gathered a mountainous territory of rocky cliffs, forests, and streams, then squeezed it tightly until the entire region would fit into a small city garden. Henderson's commentary opens Suzhou's gardens, with their literary and musical references, to non-Chinese visitors. Drawing on years of intimate experience and study, he combines the history and spatial organization of each garden with personal insights into their rockeries, architecture, plants, and waters. Fully illustrated with newly drawn plans, maps, and original photographs, The Gardens of Suzhou invites visitors, researchers, and designers to pause and observe astonishing works from one of the world's greatest garden design traditions.

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From the very beginnings of their existence, human beings have distinguished themselves from other animals by not taking immediate experience for granted. Everything was symbolized according to its meaning and value: a fallen branch from a tree became a lever; a tree trunk floating in the river became a canoe. Homo logos created communities based on cultures: humanity's first megaproject. Further symbolization of the human community and its relation to nature led to the possibility of creating societies and civilizations. Everything changed as these interposed themselves between the group and nature. Homo societas created ways of life able to give meaning, direction, and purpose to many groups by means of very different cultures: humanity's second megaproject. What Das Kapital did for the nineteenth century and La technique did for the twentieth, Willem H. Vanderburg's Living in the Labyrinth of Technology seeks to create for the twenty-first century: an attempt at understanding the world in a manner not shackled to overspecialized scientific knowing and technical doing. Western civilization may well be creating humanity's third megaproject, based not on symbolization for making sense of and living in the world, but on highly specialized desymbolized knowing stripped of all peripheral understanding. Vanderburg focuses on two interdependent forces in his narrative, namely, people changing technology and technology changing people. The latter aspect, although rarely considered, turns out to be the more critical one for understanding the spectacular successes and failures of contemporary ways of life. As technology continues to change the social and physical world, the experiences of this world 'grow' people's minds and society's cultures, thereby re-creating human life in the image of technology. Living in the Labyrinth of Technology argues that the twenty-first century will be dominated by this pattern unless society intervenes on human (as opposed to technical) terms.

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A new revolution in homeownership and living has been sweeping the booming cities of China. This time the main actors on the social stage are not peasants, migrants, or working-class proletariats but middle-class professionals and entrepreneurs in search of a private paradise in a society now dominated by consumerism. No longer seeking happiness and fulfillment through collective sacrifice and socialist ideals, they hope to find material comfort and social distinction in newly constructed gated communities. This quest for the good life is profoundly transforming the physical and social landscapes of urban China. Li Zhang, who is from Kunming, the capital of Yunnan province, turns a keen ethnographic eye on her hometown. She combines her analysis of larger political and social issues with fine-grained details about the profound spatial, cultural, and political effects of the shift in the way Chinese urban residents live their lives and think about themselves. In Search of Paradise is a deeply informed account of how the rise of private homeownership is reconfiguring urban space, class subjects, gender selfhood, and ways of life in the reform era. New, seemingly individualistic lifestyles mark a dramatic move away from yearning for a social utopia under Maoist socialism. Yet the privatization of property and urban living have engendered a simultaneous movement of public engagement among homeowners as they confront the encroaching power of the developers. This double movement of privatized living and public sphere activism, Zhang finds, is a distinctive feature of the cultural politics of the middle classes in contemporary China. Theoretically sophisticated and highly accessible, Zhang's account will appeal not only to those interested in China but also to anyone interested in spatial politics, middle-class culture, and postsocialist governing in a globalizing world.

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Abortion is a contentious issue in social life but it has rarely been subjected to careful scrutiny in the social sciences. While the legalization of abortion has brought it into the public domain, it still remains a sensitive topic in many cultures, often hidden from view and rarely spoken about, consigned to a shadowy existence. Drawing on reports gathered from hospital settings and in-depth interviews with women who have had abortions, Luc Boltanski sets out to explain the ambiguous status of this social practice. Abortion, he argues, has to remain in the shadows, for it reveals a contradiction at the heart of the social contract: the principle of the uniqueness of beings conflicts with the postulate of their replaceable nature, a postulate without which no society would achieve demographic renewal. This leads Boltanski to explore the way human beings are engendered and to analyze the symbolic constraints that preside over their entry into society. What makes a human being is not the foetus as such, ensconced within the body, but rather the process by which it is taken up symbolically in speech - that is, its symbolic adoption. But this symbolic adoption presupposes the possibility of discriminating among embryos that are indistinguishable. For society, and sometimes for individuals, the arbitrary character of this discrimination is hard to tolerate. The contradiction is made bearable, Boltanski shows, by a grammatical categorization: the “project” foetus - adopted by its parents, who use speech to welcome the new being and give it a name - is juxtaposed to the “tumoral” foetus, an accidental embryo that will not be the object of a life-forming project. Bringing together grammar, narrations of life experience and an historical perspective, this highly original book sheds fresh light on a social phenomenon that is widely practised but poorly understood.

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Why did the size of the U.S. economy increase by 3 percent on one day in mid-2013--or Ghana's balloon by 60 percent overnight in 2010? Why did the U.K. financial industry show its fastest expansion ever at the end of 2008--just as the world's financial system went into meltdown? And why was Greece's chief statistician charged with treason in 2013 for apparently doing nothing more than trying to accurately report the size of his country's economy? The answers to all these questions lie in the way we define and measure national economies around the world: Gross Domestic Product. This entertaining and informative book tells the story of GDP, making sense of a statistic that appears constantly in the news, business, and politics, and that seems to rule our lives--but that hardly anyone actually understands. Diane Coyle traces the history of this artificial, abstract, complex, but exceedingly important statistic from its eighteenth- and nineteenth-century precursors through its invention in the 1940s and its postwar golden age, and then through the Great Crash up to today. The reader learns why this standard measure of the size of a country's economy was invented, how it has changed over the decades, and what its strengths and weaknesses are. The book explains why even small changes in GDP can decide elections, influence major political decisions, and determine whether countries can keep borrowing or be thrown into recession. The book ends by making the case that GDP was a good measure for the twentieth century but is increasingly inappropriate for a twenty-first-century economy driven by innovation, services, and intangible goods.

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This is a major, wide-ranging history of analytic philosophy since 1900, told by one of the tradition's leading contemporary figures. The first volume takes the story from 1900 to mid-century. The second brings the history up to date. As Scott Soames tells it, the story of analytic philosophy is one of great but uneven progress, with leading thinkers making important advances toward solving the tradition's core problems. Though no broad philosophical position ever achieved lasting dominance, Soames argues that two methodological developments have, over time, remade the philosophical landscape. These are (1) analytic philosophers' hard-won success in understanding, and distinguishing the notions of logical truth, a priori truth, and necessary truth, and (2) gradual acceptance of the idea that philosophical speculation must be grounded in sound prephilosophical thought. Though Soames views this history in a positive light, he also illustrates the difficulties, false starts, and disappointments endured along the way. As he engages with the work of his predecessors and contemporaries--from Bertrand Russell and Ludwig Wittgenstein to Donald Davidson and Saul Kripke--he seeks to highlight their accomplishments while also pinpointing their shortcomings, especially where their perspectives were limited by an incomplete grasp of matters that have now become clear. Soames himself has been at the center of some of the tradition's most important debates, and throughout writes with exceptional ease about its often complex ideas. His gift for clear exposition makes the history as accessible to advanced undergraduates as it will be important to scholars. Despite its centrality to philosophy in the English-speaking world, the analytic tradition in philosophy has had very few synthetic histories. This will be the benchmark against which all future accounts will be measured.

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A powerful and challenging look at what “success” and belonging mean in America through the eyes of Latino high schoolers. This book challenges dominant representations of the so-called American Dream, those “patriotic” narratives that focus on personal achievement as the way to become an American. This narrative misaligns with the lived experience of many first- and second-generation Latino immigrant youth who thrive because of the nurture of their loved ones. A story of social reproduction and change, The Succeeders illustrates how ideological struggles over who belongs in this country, who is valuable, and who is an American are worked out by young people through their ordinary acts of striving in school and caring for friends and family. In this eye-opening book, Andrea Flores examines how ideological struggles over who belongs in this country, who is valued, and who is considered to be an American are worked out by young people through ordinary acts of striving in school and caring for friends and family. Through examining the experiences of everyday Latino high school students—some undocumented, some citizens, and some from families with mixed immigration status—Flores traces how these youth, in the college-access program Succeeders, leverage educational success toward national belonging for themselves and their families, friends, and communities. These young people come to redefine what it means to belong in the United States by both conforming to and contesting the myth of the American Dream rooted in individual betterment. Their efforts demonstrate that meaningful national belonging can be based in our actions of caring for others. Ultimately, The Succeeders emphasizes the vital role that immigrants play in strengthening the social fabric of society, helping communities everywhere to thrive.

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Building applications for the Internet is a complex and fast-moving field which utilizes a variety of continually evolving technologies. Whether your perspective is from the client or server side, there are many languages to master – X(HTML), JavaScript, PHP, XML and CSS to name but a few. These languages have to work together cleanly, logically and in harmony with the systems they run on, and be compatible with any browsers with which they interact. Developing Web Applications presents script writing and good programming practice but also allows students to see how the individual technologies fit together. It includes recent technical developments to provide a practical and modern introduction to building web applications. Assuming no prior programming experience, this concise, accessible book ensures that essential concepts on the client side are quickly grasped, and goes on to examine the server environment and available languages, including discussion of dynamic, modern scripting languages such as PHP. Network and security issues are also discussed. The aim of this book is to deliver exactly what is needed to start producing working applications as soon as possible – and have fun along the way. Ideal for course use or self-study, this book includes practical suggestions for mini-projects which encourage the reader to explore his or her own imaginative solutions, as well as more theoretical end-of-chapter questions. It can also easily be used as a reference work as each section is self-contained, amplifying the key aspects of its particular topic. Most software covered is freely available in the public domain and no particular development environments are required. It is a direct, contemporary and extremely useful resource for anyone interested in learning how to program applications for the World Wide Web.

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This volume demonstrates how, from the beginning of the Atlantic slave trade, enslaved and free Africans in the Americas used Catholicism and Christian-derived celebrations as spaces for autonomous cultural expression, social organization, and political empowerment. Their appropriation of Catholic-based celebrations calls into question the long-held idea that Africans and their descendants in the diaspora either resignedly accepted Christianity or else transformed its religious rituals into syncretic objects of stealthy resistance.In cities and on plantations throughout the Americas, men and women of African birth or descent staged mock battles against heathens, elected Christian queens and kings with great pageantry, and gathered in festive rituals to express their devotion to saints. Many of these traditions endure in the twenty-first century. The contributors to this volume draw connections between these Afro-Catholic festivals—observed from North America to South America and the Caribbean—and their precedents in the early modern kingdom of Kongo, one of the main regions of origin of men and women enslaved in the New World. This transatlantic perspective offers a useful counterpoint to the Yoruba focus prevailing in studies of African diasporic religions and reveals how Kongo-infused Catholicism constituted a site for the formation of black Atlantic tradition.Afro-Catholic Festivals in the Americas complicates the notion of Christianity as a European tool of domination and enhances our comprehension of the formation and trajectory of black religious culture on the American continent. It will be of great interest to scholars of African diaspora, religion, Christianity, and performance.In addition to the editor, the contributors include Kevin Dawson, Jeroen Dewulf, Junia Ferreira Furtado, Michael Iyanaga, Dianne M. Stewart, Miguel A. Valerio, and Lisa Voigt.

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This volume demonstrates how, from the beginning of the Atlantic slave trade, enslaved and free Africans in the Americas used Catholicism and Christian-derived celebrations as spaces for autonomous cultural expression, social organization, and political empowerment. Their appropriation of Catholic-based celebrations calls into question the long-held idea that Africans and their descendants in the diaspora either resignedly accepted Christianity or else transformed its religious rituals into syncretic objects of stealthy resistance.In cities and on plantations throughout the Americas, men and women of African birth or descent staged mock battles against heathens, elected Christian queens and kings with great pageantry, and gathered in festive rituals to express their devotion to saints. Many of these traditions endure in the twenty-first century. The contributors to this volume draw connections between these Afro-Catholic festivals—observed from North America to South America and the Caribbean—and their precedents in the early modern kingdom of Kongo, one of the main regions of origin of men and women enslaved in the New World. This transatlantic perspective offers a useful counterpoint to the Yoruba focus prevailing in studies of African diasporic religions and reveals how Kongo-infused Catholicism constituted a site for the formation of black Atlantic tradition.Afro-Catholic Festivals in the Americas complicates the notion of Christianity as a European tool of domination and enhances our comprehension of the formation and trajectory of black religious culture on the American continent. It will be of great interest to scholars of African diaspora, religion, Christianity, and performance.In addition to the editor, the contributors include Kevin Dawson, Jeroen Dewulf, Junia Ferreira Furtado, Michael Iyanaga, Dianne M. Stewart, Miguel A. Valerio, and Lisa Voigt.

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In these dense and startling stories, Maya Sonenberg telescopes seasons, decades, and generations in candid depictions of women’s family lives. What happens when the urge to ditch your family outpaces the desire to love them? The stories in Bad Mothers, Bad Daughters, winner of the Richard Sullivan Prize in Short Fiction, attempt to answer this question, heading straight for the messiness of domestic relationships and the constraints society places on women as they navigate their obligations. Daughters desert their rheumy-eyed elders in dusty museums, steal a mother’s favorite teacup, or consider throwing their dead parents’ nostalgia-riddled belongings out the window. Mothers conclude that they love one child more than their others. Fathers puzzle over a wife’s inability to balance family and career or accuse a partner of blaming their child for her own misdeeds. Women mourn the children they decided not to have and fret over the legacy they’ll leave the children they do have. But sometimes the generations reconcile or siblings manage to rescue each other. Love tears these people apart, but it mends them too. The emotions expressed in these stories are combustible, both fraught and nuanced, uncontrollable and common, but above all often ignored or hushed because we’re not supposed to be bored by our children or annoyed with our aged parents, even as we love them. The careful shapes of these stories adapted from fairy tales, verse, letters, or newspaper announcements, the surprise of their wordplay, and the blaze of their lyrical sentences allow them to dig into and contain all those messy emotions at the same time. In these works, constraint creates both understanding and fire.

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True democracy has been long in coming to Mexico, but citizen rebellion and the work of social leaders helped bring about dramatic changes at the end of the twentieth century. The traditional dominance of the one-party state has yielded to a more democratic structure marked by growing decentralization and the adoption of fairer election rules and procedures. Vikram Chand examines the role of major institutions in fostering democratization in Mexico during the 1980s and 1990s, offering an understanding of how these changes came about and why they are likely to last. He focuses on three important factors that fostered this transition: the growing participation of the Catholic Church and its lay organizations in politics, the proliferation of non-governmental civic associations dedicated to promoting clean elections, and the emergence of vibrant opposition parties. He particularly highlights the conservative National Action Party, about which little has been written in English. Chand tells how the rise of a more politically-aware citizenry and the growing power of non-state institutions pressured the ruling Institutional Revolutionary Party into adopting electoral reforms, resulting in the first open primary for gubernatorial elections in 1998. Using the state of Chihuahua as a case study, he draws on primary research—including 250 interviews with key figures in the political process—to demonstrate how the mutual interaction of national and regional politics has helped bring about these democratic transitions. Mexico’s Political Awakening is a "bottom-up" perspective on democratization, correcting analyses which view that process in Mexico as flowing down from the President. It challenges existing theories of democratization by emphasizing the importance of strong social institutions for the development of democracy, and it demonstrates that increases in political participation play a vital role in strengthening those institutions.

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After the terrorist attacks of September 11, 2001, a general sense that the world was different - that nothing would ever be the same - settled upon a grieving nation; and the events of that day were received as cataclysmic disruptions of an ordered world. Refuting this claim, David Simpson examines the complex and paradoxical character of American public discourse since that September morning, considering the ways the event has been aestheticized, exploited, and appropriated, while "Ground Zero" remains the contested site of an effort at adequate commemoration. In 9/11, Simpson argues that elements of the conventional culture of mourning and remembrance - grieving the dead, summarizing their lives in obituaries, and erecting monuments in their memory - have been co-opted for political advantage. He also confronts those who labeled the event an "apocalypse," condemning their exploitation of 9/11 for the defense of torture and war. In four elegant chapters - two of which expand on essays originally published in the "London Review of Books" to great acclaim - Simpson analyzes the response to 9/11: the nationally syndicated "Portraits of Grief" obituaries in the "New York Times"; the debates over the rebuilding of the World Trade Center towers and the memorial design; the representation of American and Iraqi dead after the invasion of March 2003, along with the worldwide circulation of the Abu Ghraib torture photographs; and the urgent and largely ignored critique of homeland rhetoric from the domain of critical theory. Calling for a sustained cultural and theoretical analysis, "9/11" is the first book of its kind to consider the events of that tragic day with a perspective so firmly grounded in the humanities and so persuasive about the contribution they can make to our understanding of its consequences.

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As the Scotland electorate wakes up in the day after the referendum, everything has changed and nothing has changed. Scottish and UK politics is broken, it desperately needs fixed. The future of Scotland will be centre stage, but so will our democracy and the future of a Union in decline.Our politics once again needs to inspire, enthuse, educate and be relevant to the needs and aspirations of the public and reconnect with the values that underpin our society. There are urgent issues that we need to deal with now – the most important of which being rampant inequality. We have to move away from the mindless tribalism and partisanship that too often dominates much of what passes as political debate.Over the past year it has become clear that regardless of their stance on the referendum debate, the Scottish people are united on one front, the yearning for change for the betterment of their nation, their institutions and their politics. For McLeish, the referendum debate is merely the beginning. It is a symptom of the need for a more fundamental shift in the way we engage with politics in the UK and Scotland today.Former First Minister of Scotland, Henry McLeish is well placed to diagnose the crisis at the heart of Scotland and UK politics. In Rethinking Our Politics McLeish looks critically at the conditions which have created an increasingly divided and alienated public and forged Scotland’s yearning for radical change. He rails against the stagnation of the union and makes a rousing and persuasive case for a complete overhaul of our political thinking, demanding that instead of making decisions on the basis of fear and insecurity, we rediscover the founding moral purpose of government.This is a must read for those who care about the future of our nation.

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Rock and roll was born in the United States during the 1950s. Its popularity rapidly grew spreading across the Atlantic to England. The Brits transformed rock bringing it back to the States in a new form with the British Invasion. Since that time the two countries have dominated headlines and histories in terms of rock music.ÞWhat's often forgotten in these histories is the evolution of Canadian rock and roll during the same period. Over the years a huge contingent of Canadian artists has made invaluable contributions to rock and roll. The list of innovative Canadian artists is quite impressive: Neil Young Joni Mitchell Paul Anka Arcade Fire The Band Bryan Adams Rush Leonard Cohen Celine Dion Diana Krall Gordon Lightfoot Sarah McLachlan Alanis Morissette Tegan and Sara Feist Nickelback and many others not to mention the all-star producers such as Daniel Lanois (U2 Bob Dylan Peter Gabriel) Bob Rock (Metallica Aerosmith Bon Jovi) Bob Ezrin (Pink Floyd Alice Cooper Kiss) and David Foster (Michael Jackson Celine Dion).ÞThe history of Canadian rock and roll is a lively entertaining and largely untold tale. Bob Mersereau presents a streamlined informative trip through the country's rich history and depth of talent from the 1950s to today covering such topics as: Toronto's club scene the folk rock and psychedelic rock of the 1960s Canadian artists who hit major stardom in the United States the challenges and reform of the Canadian broadcasting system the huge hits of the 1970s Canadian artists' presence all over the pop charts in the 1990s and Canada's indie-rock renaissance of the 2000s.

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Elizabeth I consciously and determinedly provided a Government mediation and arbitration scheme. A wealth of primary sources show that she had a special concern for women, the poor and anyone disadvantaged by the costs and delays of the law. Her Privy Council arranged arbitrations with no fees and with free legal aid for those who needed it. The archives are voluminous, not only in the Acts of the Privy Council but in the National Archives and local collections. Her arbitration scheme dominates this book, but the background was private arbitration, arranged by the parties. In Elizabethan England arbitration was the ordinary way to settle a dispute the parties could not end themselves. Each side chose one or more arbitrators and that even number would try to mediate a settlement. If they failed, they would at least try to get the parties to agree on whom they would appoint to decide for them. The arbitrators include well-known personalities: Cecil and Walsingham, Raleigh and Hawkins, Coke and Bacon. Women are shown participating at all levels, as claimants and defendants, in matters of title to land, commerce and all kinds of family squabbles. They could even act as arbitrator or mediator. Elizabeth I herself did both. Many of the disputes were between foreign merchants and some were submitted to their arbitration. What law there was on arbitration, as the courts developed it over the 45 years of the reign, had little impact on practice. But the most important revelation is the Queen's concern for the poor: 'If the phrases "legal aid" and even "welfare state" had been coined by then, it may be unwise to assume that Elizabeth I's Government would have used them as terms of abuse.'

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THE COMPELLING NOVEL FROM SUNDAY TIMES BESTSELLER PHILIPPA GREGORY'There is only one bond that I trust: between a woman and her sisters. We never take our eyes off each other. In love and in rivalry, we always think of each other.' When Katherine of Aragon is brought to the Tudor court as a young bride, the oldest princess, Margaret, takes her measure. With one look, each knows the other for a rival, an ally, a pawn, destined – with Margaret’s younger sister Mary – to a sisterhood unique in all the world. The three sisters will become the queens of England, Scotland and France. United by family loyalties and affections, the three queens find themselves set against each other. Katherine commands an army against Margaret and kills her husband James IV of Scotland. But Margaret’s boy becomes heir to the Tudor throne when Katherine loses her son. Mary steals the widowed Margaret’s proposed husband, but when Mary is widowed it is her secret marriage for love that is the envy of the others. As they experience betrayals, dangers, loss and passion, the three sisters find that the only constant in their perilous lives is their special bond, more powerful than any man, even a king.Praise for Philippa Gregory: ‘Meticulously researched and deeply entertaining, this story of betrayal and divided loyalties is Gregory on top form’ Good Housekeeping ‘Gregory has popularised Tudor history perhaps more than any other living fiction writer…all of her books feature strong, complex women, doing their best to improve their lives in worlds dominated by men’ Sunday Times ‘Engrossing’ Sunday Express ‘Popular historical fiction at its finest, immaculately researched and superbly told’ The Times

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'This is a rip-roaring read, full of derring-do and sometimes comic, often foolhardy bravery. [Jenny] sounds an absolute hoot, and her book is never anything less' – Daily Mail ‘A fascinating and quirky take on how easily we can be hoodwinked and hacked. Next time you hear anyone complain about the cost of cyber-protection, hand them a copy of People Hacker. It could save them a fortune’ – The Times -------'From an early age, locked doors, high fences and the secrets kept by businesses, buildings and people, fascinated me. I wanted to find out what they wanted to hide away.' A burglar for hire, con-artist and expert in deception and physical infiltration – Jenny Radcliffe is a professional people hacker. After being schooled in the art of breaking and entering by her family, she became an expert social engineer, doing an insider’s job to exploit the flaws and weaknesses in top-grade security operations. In People Hacker, Jenny reveals how she uses her inimitable blend of psychology, stagecraft and charm to gain access to top-grade private and commercial properties. From the back streets of Liverpool to the City of London's Square Mile, across rooftops, cellars and staircases in Europe to the mansions of gangsters in the Far East, Jenny has risked it all to earn the title ‘People Hacker’. This is Jenny insider’s account of how her working-class upbringing, northern sense of humour and femininity in a male-dominated industry all helped her to become one of the most sought-after social engineers in the world. Told in her trademark colourful style, and packed full of stories of the crazy and dangerous situations she has found herself in along the way, Jenny shines a light on the security mistakes we all make – and how to avoid them.

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The revised edition of this facilitation classic offers a wealth of targeted techniques for facilitators who seek effective, consistent, and repeatable results. Based on Michael Wilkinson's proven SMART (Structured Meeting And Relating Techniques) approach, The Secrets of Facilitation can help to achieve stellar results when managing, presenting, teaching, planning, and selling, as well as other professional and personal situations. This expanded edition includes new chapters on facilitating virtual meetings, cross-cultural teams, and large groups and conferences. It also provides a series of strategies for engaging teams, additional information about making meetings more productive, and further guidance on preventing dysfunctional behavior. In addition, the book contains a wealth of fresh case studies and an ancillary website with must-have tools and techniques for both the beginner and the seasoned facilitator. Praise for the First Edition of The Secrets of Facilitation "One of the single most powerful processes is the ability to successfully lead a group to an impactful, actionable outcome. In The Secrets of Facilitation, beginning and experienced facilitators alike will find tools to take their results to the next level." —Jim Canfield, chief learning officer, TEC International "This book shares 'The Secrets' that have been the basis of my facilitation practice for over a decade." —Kerri McBride, past chair, International Association of Facilitators "In my career, I've seen many, many facilitators. Michael Wilkinson is the best. 'The Secrets' explain why." —Len Roberts, CEO, RadioShack "We have trained over 100 leaders and business analysts in 'The Secrets.' Great facilitation works." —Peter Scott, executive general manager, MLC–National Australia Bank "At last there is a practical, hands-on guide for anyone who works with groups or teams. This book delivers!" —Ann Herrmann-Nehdi, CEO, Herrmann International, Herrmann Brain Dominance Indicator

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A radical new approach to economic policy that addresses the symptoms and causes of inequality in Western society todayFueled by populism and the frustrations of the disenfranchised, the past few years have witnessed the widespread rejection of the economic and political order that Western countries built up after 1945. Political debates have turned into violent clashes between those who want to “take their country back” and those viewed as defending an elitist, broken, and unpatriotic social contract. There seems to be an increasing polarization of values. The Economics of Belonging argues that we should step back and take a fresh look at the root causes of our current challenges. In this original, engaging book, Martin Sandbu argues that economics remains at the heart of our widening inequality and it is only by focusing on the right policies that we can address it. He proposes a detailed, radical plan for creating a just economy where everyone can belong.Sandbu demonstrates that the rising numbers of the left behind are not due to globalization gone too far. Rather, technological change and flawed but avoidable domestic policies have eroded the foundations of an economy in which everyone can participate—and would have done so even with a much less globalized economy. Sandbu contends that we have to double down on economic openness while pursuing dramatic reforms involving productivity, regional development, support for small- and medium-sized businesses, and increased worker representation. He discusses how a more active macroeconomic policy, education for all, universal basic income, and better taxation of capital could work together for society’s benefit.Offering real answers, not invective, for facing our most serious political issues, The Economics of Belonging shows how a better economic system can work for all.

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In the graveyard of economic ideology, dead ideas still stalk the land. The recent financial crisis laid bare many of the assumptions behind market liberalism--the theory that market-based solutions are always best, regardless of the problem. For decades, their advocates dominated mainstream economics, and their influence created a system where an unthinking faith in markets led many to view speculative investments as fundamentally safe. The crisis seemed to have killed off these ideas, but they still live on in the minds of many--members of the public, commentators, politicians, economists, and even those charged with cleaning up the mess. In Zombie Economics, John Quiggin explains how these dead ideas still walk among us--and why we must find a way to kill them once and for all if we are to avoid an even bigger financial crisis in the future. Zombie Economics takes the reader through the origins, consequences, and implosion of a system of ideas whose time has come and gone. These beliefs--that deregulation had conquered the financial cycle, that markets were always the best judge of value, that policies designed to benefit the rich made everyone better off--brought us to the brink of disaster once before, and their persistent hold on many threatens to do so again. Because these ideas will never die unless there is an alternative, Zombie Economics also looks ahead at what could replace market liberalism, arguing that a simple return to traditional Keynesian economics and the politics of the welfare state will not be enough--either to kill dead ideas, or prevent future crises. In a new chapter, Quiggin brings the book up to date with a discussion of the re-emergence of pre-Keynesian ideas about austerity and balanced budgets as a response to recession.

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Among German crimes of the Second World War, the Nazi massacre of 642 men, women, and children at Oradour-sur-Glane on June 10, 1944, is one of the most notorious. On that Saturday afternoon, four days after the Allied landings in Normandy, SS troops encircled the town in the rolling farm country of the Limousin. Soldiers marched the men to nearby barns, lined them up, and shot them. They then locked the women and children in the church, shot them, and set the building and the rest of the town on fire. Residents who had been away for the day returned to a blackened scene of horror, carnage, and devastation. In 1946 the French State expropriated and preserved the entire ruins of Oradour. The forty acres of crumbling houses, farms and shops became France's village martyr, set up as a monument to French suffering under the German occupation. Today, the village is a tourist destination, complete with maps and guidebooks. In this first full-scale study of the destruction of Oradour and its remembrance over the half century since the war, Sarah Farmer investigates the prominence of the massacre in French understanding of the national experience under German domination. Through interviews with survivors and village officials, as well as extensive archival research, she pieces together a fascinating history of both a shattering event and its memorial afterlife. Complemented by haunting photographs of the site, Farmer's eloquent dissection of France's national memory addresses the personal and private ways in which, through remembrance, people try to come to terms with enormous loss. Martyred Village will have implications for the study of the history and sociology of memory, testimonies about remembrances of war and the Holocaust, and postmodern concerns with the presentation of the past.

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Lignites are a fuel resource upon which there has been heavy reliance for a long time in several parts of the world. Indeed, lignite (also known as low-rank coal, brown coal or braunkohle), has been used for electricity generation in some regions for a century or more. These coals can, after a mild drying process, be used directly as a fuel and this remains the dominant form of usage. The coals can however be beneficiated in a number of ways including moulding into briquettes for export. Other new technologies applied to brown coals include slurrying and solar drying to make a hard product also suitable for export. Very importantly, over a period of 70+ years there has been hydrogenation of such coals to make liquid fuels. This volume covers all aspects of the subject from the nature of lignites in situ to detailed coverage of fuel usage including figures for electricity generation and carbon dioxide release. Processing technologies including briquetting and carbonisation are described as are gasification, to make a fuel gas or a synthesis gas, and their conversion to liquid fuels.The book provides an international review, setting in context the use of lignite in various regions of the world. Where appropriate the book includes information about industrial plant and processes and uses information from key research and development. It also considers the important issue of carbon dioxide emissions which in the past has sometimes worked against lignite utilisation. This issue is covered with some emphasis and also deals with carbon capture and sequestration from power plants. Co-firing of lignites with biomass is also considered. This is the only recent comprehensive volume on the subject, bringing together for the first time a full account of this important fuel.

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The events of 1942 marked a pivotal year in the history of British air power. For more than two decades the theory that long-range bombing could win wars had dominated British defence policy. The vast majority of warplanes ordered for the RAF were designed either to bomb enemy cities or stop the enemy from bombing British cites. Conventional armies and the air forces that supported them were seen as an outmoded way of waging war. During 1941 evidence began to mount that British policy was wrong. It had become clear the RAF's bomber offensive against Germany had, until that point, achieved very little. Meanwhile, the wars raging in Europe, Africa and Asia were being decided not by heavy bombers, but by armies and their supporting tactical air forces. Britain had never had the resources to build a large army as well as a strategic bomber fleet; it had always had to make a choice. Now it seemed the country might have made the wrong choice. For the first time since 1918 Britain began thinking seriously about a different way of fighting wars. Was it too late to change? Was a strategic bombing campaign the only option open to Britain? Could the United Kingdom help its Soviet ally more by invading France as Stalin so vehemently demanded? Could this be done in 1942? Looking further ahead, was it time to begin the development of an entirely new generation of warplanes to support the Army? Should the RAF have specialist ground attack aircraft and air superiority fighters? The answers to these questions, which are all explored here by aviation historian Greg Baughen, would help shape the development of British air power for decades to come.

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Wife, widow, mother, survivor, the story of the last queen of Henry VIII. Catherine Parr was enjoying her freedom after her first two arranged marriages when she caught the attention of the elderly Henry VIII. The most reluctant of all Henry's wives, she offered to become his mistress rather than submit herself to the dangers of becoming Henry's queen. This only increased Henry's enthusiasm for the vibrant, intelligent young widow and Catherine was forced to abandon her handsome lover, Thomas Seymour, for the decrepit king. She quickly made her role as queen a success, providing Henry VIII with a domestic tranquillity that he had not known since the early days of his first marriage. For Henry, Catherine was a satisfactory choice but he never stopped considering a new marriage, much to Catherine's terror. Catherine is remembered as the wife who survived but, without her strength of character it could have been very different. It was a relief for Catherine when Henry finally died and she could secretly marry Thomas Seymour. Left with no role in government affairs in her widowhood, she retired to the country, spending time at her manors at Chelsea and Sudeley. It was here that her heart was broken by her discovery of a love affair between her stepdaughter, the future Elizabeth I, and her husband. She died in childbirth accusing her husband of plotting her death. Traditionally portrayed as a matronly and dutiful figure, Elizabeth Norton's new biography shows another side to Catherine. Her life was indeed one of duty but, throughout, she attempted to escape her destiny and find happiness for herself. Ultimately, Catherine was betrayed and her great love affair with Thomas Seymour turned sour.

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"In his interdisciplinary review of material culture, Ian Woodward goes beyond synthesis to offer a theoretically innovative reconstruction of the field. It is filled with gems of conceptual insight and empirical discovery. A wonderful book." - Jeffrey C. Alexander, Yale University "A well-grounded and accessible survey of the burgeoning field of material culture studies for students in sociology and consumption studies. While situating the field within the history of intellectual thought in the broader social sciences, it offers detailed and accessible case studies. These are supplemented by very useful directions for further in-depth reading, making it an excellent undergraduate course companion." - Victor Buchli, University College London Why are i-pods and mobile phones fashion accessories? Why do people spend thousands remodelling their perfectly functional kitchen? Why do people crave shoes or handbags? Is our desire for objects unhealthy, or irrational? Objects have an inescapable hold over us, not just in consumer culture but increasingly in the disciplines that study social relations too. This book offers a systematic overview of the diverse ways of studying the material as culture. Surveying the field of material culture studies through an examination and synthesis of classical and contemporary scholarship on objects, commodities, consumption, and symbolization, this book: introduces the key concepts and approaches in the study of objects and their meanings presents the full sweep of core theory - from Marxist and critical approaches to structuralism and semiotics shows how and why people use objects to perform identity, achieve social status, and narrativize life experiences analyzes everyday domains in which objects are important shows why studying material culture is necessary for understanding the social. This book will be essential reading for students and researchers in sociology, anthropology, cultural studies, consumer behaviour studies, design and fashion studies.

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Now a major TV series on Prime Video The seventh novel in the Wheel of Time series - one of the most influential and popular fantasy epics ever published.The war for humanity's survival has begun.Rand al'Thor, the Dragon Reborn, has escaped the snares of the White Tower and the first of the rebel Aes Sedai have sworn to follow him. Attacked by the servants of the Dark, threatened by the invading Seanchan, Rand rallies his forces and brings battle to bear upon Illian, stronghold of Sammael the Forsaken . . . In the city of Ebou Dar, Elayne, Aviendha and Mat struggle to secure the ter'angreal that can break the Dark One's hold on the world's weather - and an ancient bane moves to oppose them. In the town of Salidar, Egwene al'Vere gathers an army to reclaim Tar Valon and reunite the Aes Sedai . . . And in Shadar Logoth, city of darkness, a terrible power awakens . . .'Epic in every sense' Sunday Times'With the Wheel of Time, Jordan has come to dominate the world that Tolkien began to reveal' New York Times'[The] huge ambitious Wheel of Time series helped redefine the genre' George R. R. Martin'A fantasy phenomenon' SFXThe Wheel of Time series:Book 1: The Eye of the WorldBook 2: The Great HuntBook 3: The Dragon RebornBook 4: The Shadow RisingBook 5: The Fires of HeavenBook 6: Lord of ChaosBook 7: A Crown of SwordsBook 8: The Path of DaggersBook 9: Winter's HeartBook 10: Crossroads of TwilightBook 11: Knife of DreamsBook 12: The Gathering StormBook 13: Towers of MidnightBook 14: A Memory of LightPrequel: New SpringLook out for the companion book: The World of Robert Jordan's The Wheel of Time

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Now a major TV series on Prime Video The fifth novel in the Wheel of Time series - one of the most influential and popular fantasy epics ever published.The bonds and wards that hold the Great Lord of the Dark are slowly failing, but still his fragile prison holds. The Forsaken, immortal servants of the shadow, weave their snares and tighten their grip upon the realms of men, sure in the knowledge that their master will soon break free . . . Rand al'Thor, the Dragon Reborn, knows that he must strike at the Enemy, but his forces are divided by treachery and by ambition. Even the Aes Sedai, ancient guardians of the Light, are riven by civil war. Betrayed by his allies, pursued by his enemies and beset by the madness that comes to the male wielders of the One Power, Rand rides out to meet the foe.And the Fires of Heaven scour the world.'Epic in every sense' Sunday Times'With the Wheel of Time, Jordan has come to dominate the world that Tolkien began to reveal' New York Times'[The] huge ambitious Wheel of Time series helped redefine the genre' George R. R. Martin'A fantasy phenomenon' SFXThe Wheel of Time series:Book 1: The Eye of the WorldBook 2: The Great HuntBook 3: The Dragon RebornBook 4: The Shadow RisingBook 5: The Fires of HeavenBook 6: Lord of ChaosBook 7: A Crown of SwordsBook 8: The Path of DaggersBook 9: Winter's HeartBook 10: Crossroads of TwilightBook 11: Knife of DreamsBook 12: The Gathering StormBook 13: Towers of MidnightBook 14: A Memory of LightPrequel: New SpringLook out for the companion book: The World of Robert Jordan's The Wheel of Time

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A comprehensive, engaging, and revisionist account of the Court fight that ties it to contemporary policy debates. In the last past few years, liberals concerned about the prospect of long-term conservative dominance of the federal courts have revived an idea that famously crashed and burned in the 1930s: court packing. Not surprisingly, today's court packing advocates have run into a wall of opposition, with most citing the 1930s episode as one FDR's greatest failures. In early 1937, Roosevelt-fresh off a landslide victory-stunned the country when he proposed a plan to expand the size of the court by up to six justices. Today, that scheme is generally seen as an act of hubris-an instance where FDR failed to read Congress and the public properly. In FDR's Gambit, the eminent legal historian Laura Kalman challenges the conventional wisdom by telling the story as it unfolded, without the distortions of hindsight. Indeed, while scholars have portrayed the Court Bill as the ill-fated brainchild of a hubristic President made overbold by victory, Kalman argues to the contrary that acumen, not arrogance, accounted for Roosevelt's actions. Far from erring tragically from the beginning, FDR came very close to getting additional justices, and the Court itself changed course. As Kalman shows, the episode suggests that proposing a change in the Court might give the justices reason to consider whether their present course is endangering the institution and its vital role in a liberal democracy. Based on extensive archival research, FDR's Gambit offers a novel perspective on the long-term effects of court packing's failure, as a legacy that remains with us today. Whether or not it is the right remedy for today's troubles, Kalman argues that court packing does not deserve to be recalled as one fated for failure in 1937.

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Her first major literary success, Ayn Rand's The Fountainhead is an exalted view of her Objectivist philosophy, portraying a visionary artist struggling against the dull, conformist dogma of his peers; a book of ambition, power, gold and love, published in Penguin Modern Classics.Architect Howard Roark is as unyielding as the granite he blasts to build with. Defying the conventions of the world around him, he embraces a battle over two decades against a double-dealing crew of rivals who will stop at nothing to bring him down. These include, perhaps most troublesome of all, the ambitious Dominique Francon, who may just prove to be Roarke's equal. This epic story of money, power and a man's struggle to succeed on his own terms is a paean to individualism and humanity's creative potential. First published in 1943, The Fountainhead introduced millions to Rand's philosophy of Objectivism: an uncompromising defence of self-interest as the engine of progress, and a jubilant celebration of man's creative potential.Ayn Rand (1905-1982), born Alisa Rosenbaum in St. Petersburg, Russia, emigrated to America with her family in January 1926, never to return to her native land. Her novel The Fountainhead was published in 1943 and eventually became a bestseller. Still occasionally working as a screenwriter, Rand moved to New York City in 1951 and published Atlas Shrugged in 1957. Her novels espoused what came to be called Objectivism, a philosophy that champions capitalism and the pre-eminence of the individual. If you enjoued The Fountainhead, you might like Rand's Atlas Shrugged, also available in Penguin Modern Classics.'In The Fountainhead power, greed, life's grandeur flow hot and red in thrilling descriptions'London Review of Books'Ayn Rand is a writer of great power... she writes brilliantly, beautifully, bitterly' The New York Times

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The Northmen’s Fury tells the Viking story, from the first pinprick raids of the eighth century to the great armies that left their Scandinavian homelands to conquer larger parts of France, Britain and Ireland. It recounts the epic voyages that took them across the Atlantic to the icy fjords of Greenland and to North America over four centuries before Columbus and east to the great rivers of Russia and the riches of the Byzantine empire.One summer’s day in 793, death arrived from the sea. The raiders who sacked the island monastery of Lindisfarne were the first Vikings, sea-borne attackers who brought two centuries of terror to northern Europe. Before long the sight of their dragon-prowed longships and the very name of Viking gave rise to fear and dread, so much so that monks were reputed to pray each night for delivery from ‘the Northmen’s Fury’. Yet for all their reputation as bloodthirsty warriors, the Vikings possessed a sophisticated culture that produced art of great beauty, literature of abiding power and kingdoms of surprising endurance. The Northmen’s Fury describes how and why a region at the edge of Europe came to dominate and to terrorise much of the rest of the continent for nearly three centuries and how, in the end, the coming of Christianity and the growing power of kings tempered the Viking ferocity and stemmed the tide of raids. It relates the astonishing achievement of the Vikings in forging far-flung empires whose sinews were the sea and whose arteries were not roads but maritime trading routes. The blood of the Vikings runs in millions of veins in Europe and the Americas and the tale of their conquests, explorations and achievements continues to inspire people around the world.

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Jérusalem eut histoire mouvementée et une évolution urbaine décrites par les historiens de l’Antiquité. Depuis 130 ans on a cherché à retracer les remparts, à comprendre les sièges, à restituer les grands édifices, à décrypter son urbanisme. Avec leurs regards croisés, on devinait les illustres monuments disparus : le temple d’Hérode, le temple capitolin d’Hadrien, la longue basilique chrétienne de Justinien. Ils n’avaient sous la main que le mur du Temple, le Saint-Sépulcre, le Dôme de la Roche. Ils ont sans relâche scruté Jérusalem, avec compétence et passion qui font toujours autorité, on croyait la connaître. Aujourd’hui elle est devenue un sujet qui suscite la curiosité du monde entier. Les recherches interdisciplinaires qui se multiplient apportent chaque jour de nouveaux documents. Les vieilles cartes, le potentiel de la photographie d’avant 1914 qui sort des tiroirs, la mise à disposition des technologies nouvelles comme la photographie satellitaire, le traitement des données sur ordinateur bouleversent les méthodes d’investigation. L’auteur a pris la ville à bras-le corps, dans toute sa complexité. En apprenant d’abord l’acquis accumulé avec un respect qui est dû, c’est avec une formation d’ingénieur qu’il a mené l’enquête. La méthode qui diffère l’a mené à des intuitions nouvelles. Habitant sur place et au fil des ans arpentant les rues et les ruelles, les endroits secrets, les places comme les arrière-cours il a cherché à vérifier ses intuitions un crayon en main, un décamètre et une machine à calculer. La géométrie des grands travaux dans les quartiers des princes hasmonéens, puis ceux d’Hérode, l’ampleur de l’Aelia Capitolina d’Hadrien lui sont apparues par transparence, transformées par le temps mais dont l’organisation demeure. Le croisement des axes urbains atteste la marque de leurs idéologies. L’emplacement des grandes constructions a laissé l’empreinte de leurs politiques ou de leurs propagandes concurrentes. L’auteur bouleverse la vision de la Jérusalem antique. Son habileté d’horloger excelle à décrire les grilles d’urbanisme et à placer les unes par rapport aux autres. On le suit avec une curiosité accrue au fil de la lecture. Les quartiers ont été fondés par les rois hasmonéens au IIe s. av. J-C et la place de la Porte de Damas s’ouvre en agora. Au nord du Temple, Hérode lotit un quartier pour y mettre un théâtre et son quadriportique. L’arc de l’Ecce Homo redevient une porte hérodienne percée dans le Deuxième mur de la ville. L’ambitieux petit-fils Hérode Agrippa déploie la ville au nord et le Tombeau des Rois y trouve sa place. Tout a été remanié après la destruction du Temple pour l’implantation intra-muros de la Dixième Legio Fretensis. Jérusalem a été embellie par Hadrien qui en fit une colonie romaine pour y célébrer son propre culte et celui de Jupiter, en place du Sépulcre, et sur une plate-forme sacrée de l’ancien Temple juif a trôné la statue équestre d’Hadrien. Le bilan de ces travaux est une recherche audacieuse. Elle ravive un débat qui s’annonce fécond.

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Skidmore, Owings & Merrill, founded in 1936, is one of the largest and most influential architecture firms in the world. SOM has long been known for innovation, experimentation, design excellence, and technical mastery, for an abiding interest in the contributions that buildings can make to the life of cities, and for a collaborative approach that extends to all aspects of the design and construction processes. This volume presents work from the late 1990s and 2000s. In an era of true globalization in design and commerce, SOM has come to occupy a unique place in American and international architecture. Recognized for the exceptional quality of its architectural design and urban planning, the firm is also renowned for its clients, an eminent group of businesses and institutions. In the years 1997–2008, the period represented in this monograph, SOM’s steadfast dedication to a modern expression has produced an important series of works at all scales, in a variety of typologies, in countries around the world. From the diminutive Skyscraper Museum in New York City to the radiant Cathedral of Christ the Light in Oakland, California, to the master plan and two buildings for the University of California Merced, the newest U.C. campus, the works shown here illustrate the remarkable range of SOM’s current practice. Perhaps no work exemplifies the firm’s creative, multifaceted approach as much as 7 World Trade Center, the first structure built at the World Trade Center after September 11, 2001. On a site claimed by commerce but also subject to the demands of memory, SOM created an elegant stainless-steel and glass tower that restores the New York City street grid and begins the process of remaking this part of the city. A suggestive combination of artistic and structural expertise, dedication to finding sustainable design solutions, collaborations with preeminent artists and designers, and commitment to urbanism characterize not only 7 World Trade Center but SOM’s recent body of work. Among the projects shown is the massive U.S. Census Bureau Headquarters in Suitland, Maryland, the first federal office building to receive a LEED rating. The U.S. Embassy in Beijing elegantly responds to the local culture and site. An abundance of airport projects - in New York, San Francisco, Boston, Israel, and Singapore - shows SOM’s mastery of this complex project type. The firm’s commitment to urbanism and its ability to work at a large scale on sites of great visibility are evident in the designs for the Time Warner Center in New York and Tokyo Midtown, as well as in a series of grand master plans: Chongming Island in Shanghai, the redevelopment of the waterfront in Alexandria, Egypt, and Treasure Island in the San Francisco Bay. At the same time, the firm often works at a fine scale, as in the Burr Street School in Connecticut, the retail prototype for Charles Schwab, and the Condé Nast Cafeteria in New York. Kenneth Frampton brings a historian’s perspective to SOM’s recent work, tracing its evolution back to the Miesian modernism dominant at the time of the firm’s founding and forward to the cutting-edge technical advances to which the firm has devoted itself. Large-span structures, high-rise towers, low-rise topographic forms, compositions that incorporate media, and constructivist essays: all contribute to the development of contemporary architecture and contemporary urbanism alike. Well into its eighth decade of practice, SOM continues on a course of twenty-first century modernism, a modernism that is diverse and inclusive, contextual, urbane, and populist.

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