Search results for ""notorious""

A breath-taking psychological suspense about obsession and dangerous love. If you loved Verity, this is the No.1 bestselling book you need to read next . . . Sloan will go through hell and back for those she loves. And she does so, every single day. Caught up with the alluring Asa Jackson, a notorious drug trafficker, Sloan has finally found a lifeline to cling to, even if it's meant compromising her morals. She was in dire straits trying to pay for her brother's care until she met Asa. But as Sloan became emotionally and economically reliant on him, he in turn developed a disturbing obsession with her - one that becomes increasingly dangerous every day. When undercover DEA agent Carter enters the picture, Sloan's surprised to feel an immediate attraction between them, despite knowing that if Asa finds out, he will kill him. And Asa has always been a step ahead of everyone in his life, including Sloan. No one has ever gotten in his way. No one except Carter. Together, Sloan and Carter must find a way out before it's too late . . .This is the new edition of Too Late from the TikTok phenomenon. SEE WHAT READERS ARE SAYING . . .'Had me absolutely hooked. I literally did not have a clue what would happen next!' ***** Reader Review'Colleen Hoover is my go-to author and she honestly never fails to deliver' ***** Reader Review'She doesn't sugarcoat the bad parts and glitter the good ones, the heroes are flawed and the villains are human' ***** Reader Review'There is seriously no other author who writes books that take you right to the brink and then bring you back' ***** Reader Review'A dark and twisty romance that keeps you on the edge of your seat' ***** Reader Review'Another incredible book by Colleen Hoover. Her writing gets to me every time. I was so invested in this' ***** Reader ReviewToo Late was a No.1 Kindle bestseller on 26.08.23

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William C. Morris Award FinalistAlabama Library Association 2019 Young Adult Award WinnerKirkus Best Book of 20172018 Best Fiction for Young Adults, YALSA2019 Sequoia Master List2018-2019 Green Mountain Book Award Master List2019-2020 Volunteer State Book Award Nominee2020 Georgia Peach Book Award NomineeAge range 14+Killing isn't supposed to be easy. But it is. It's the after that's hard to deal with. Nate was eight the first time he stabbed someone, he was eleven when he earned his red laces — a prize for spilling blood for 'the cause.' And he was fourteen when he murdered his father (and the leader of The Fort, a notorious white supremacist compound) in self-defense, landing in a treatment centre while the state searched for his next of kin. Now, in the custody of an uncle he never knew existed, who wants nothing to do with him, Nate just wants to disappear. Enrolled in a new school under a false name, so no one from The Fort can find him, he struggles to forge a new life, trying to learn how to navigate a world where people of different races interact without enmity. But he can't stop awful thoughts from popping into his head, or help the way he shivers with a desire to commit violence. He wants to be different — he just doesn't know where to start. Then he meets Brandon, a person The Fort conditioned Nate to despise on sight. But Brandon's also the first person to treat him like a human instead of a monster. Brandon could never understand Nate's dark past, so Nate keeps quiet. And it works for a while. But all too soon, Nate's worlds crash together, and he must decide between his own survival and standing for what's right, even if it isn't easy. Even if society will never be able to forgive him for his sins.

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Rick Antonson has lots of miles under his belt: from the summit of Mount Ararat in eastern Turkey, to the abandoned stretches of Route 66, from going to Timbuktu for a haircut, to travels in Iraq and Iran. He didn't think twice when one day a chance Australian acquaintance invited him for a "walk across the country" of Papua New Guinea.The "walk" turned out to be a grueling trek on the notorious Kokoda Trail — a narrow, 60-mile footpath featuring rough jungle, 6,000 feet in elevation change, and punishing weather extremes. The Kokoda Trail featured some of the fiercest fighting of World War II among the Australian, Japanese, and American armies. The stark history unfolds with each conquered mile, as Antonson's astute asides bring out real names and people from the faceless fog of history.Antonson sets out to understand the magnetism of Papua New Guinea, a place both misunderstood and lionised by the likes of Amelia Earhart, Errol Flynn, and Michael Rockefeller, whose cameos add vibrant colours to his journey. Antonson struggles with his own demons summoned by the unforgiving trail: travelling with a mostly Australian group, he catches himself sympathising with the Australian war casualties over the Japanese ones, despite being intellectually aware of the impartial horrors of war. Further, Antonson fights the temptation to carry on the sensationalist reportage of headhunting and cannibalism, the scourging stereotypes the young country is still trying to shake off. His writing shows that dated imagery in sharp contrast to today's realities, and Antonson's new-forged friendships with the expedition's porters, Bowrie, Winterford, and Woody, who represent the best of Papua New Guinea: proud of their land and eager to share it without sacrificing their dignity. Walking with Ghosts in Papua New Guinea is like the Kokoda Trail itself: a winding path that glimmers with beauty one moment, and darkness the next, illuminated by its inhabitants, both living and ghosts.

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In San Francisco, CA, in 1858, a young African American man was freed from the claims of a white man who sought to return him to slavery in Mississippi. This was one year after the Supreme Court’s notorious Dred Scott decision and during the California Gold Rush, which saw the population of the state rise from 7,000 to more than 60,000 in a few short years. Archy Lee was the name of the man who, with the aid of anti-slavery lawyers and determined opponents of human bondage, had just won his freedom from the claims of Charles Stovall. With the aid of pro-slavery lawyers and equally determined supporters, Stovall had sought to capture him and carry him back to a far-away slave plantation. Yet the book is not solely about Archy Lee. It is also about the travel routes that the gold-seekers followed to California in the 1850s, some by land over the Great Plains, some by sea around Cape Horn, yet others by sailing from the east coast of North America to the isthmus of Panama, where they crossed over the land there by train and continued on by sea to San Francisco. It is about the efforts of the racially motivated lawmakers to suppress the rights of all of California’s residents except whites, and to subject people of African, Asian, Hispanic, and Native American descent to second-, third-, or even fourth-class citizenship. It is about the residents of the state—including many whites—who fought back against those efforts, seeking to ameliorate or repeal the discriminatory laws and introduce a measure of fairness and justice into California’s civil life. It is about the lawyers and judges who participated in Archy Lee’s legal struggles in 1858, some supporting his claims for freedom while others ferociously opposed them and, in the process, elevated their own political and professional profiles.

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A visual tour de force showcasing Toronto’s vast concert history.“Not sure there’s ever been anything like this...The graphics are fascinating, the script is comprehensive. It’s staggering what’s been unleashed from the Vault.” — Gary Topp, promoter, half of the legendary duo the Garys“These pages will take you on a musical magical mystery tour of Toronto’s important place in concert history. Reading The Flyer Vault gives you a rush, just like the one you get when the house lights go down!” — Dan Kanter, multi-platinum-selling songwriter/producer“The Flyer Vault book helps bottle the lore, bringing me a little bit closer to my Toronto and its shows that have only grown in renown.” —Danko Jones, lead singer/guitarist of the rock trio Danko Jones Duke Ellington. Johnny Cash. David Bowie. Nirvana. Bob Marley. Wu-Tang Clan. Daft Punk. These are just some of the legendary names that played Toronto over the last century. Drawing from Daniel Tate’s extensive flyer collection, first archived on his Flyer Vault Instagram account, Tate and Rob Bowman have assembled a time capsule that captures a mesmerizing history of Toronto concert and club life, ?running the gamut of genres from vaudeville to rock, jazz to hip-hop, blues to electronica, and punk to country.The Flyer Vault: 150 Years of Toronto Concert History traces seminal live music moments in the city, including James Brown’s debut performance in the middle of a city-wide blackout, a then-unknown Jimi Hendrix backing up Wilson Pickett in 1966 — the year a new band from London named Led Zeppelin performed in Toronto six times — and the one and only show by the Notorious B.I.G., which almost caused a riot in the winter of 1995.Complementing the book’s flyers is the story of the music, highlighting such iconic venues as Massey Hall, the Concert Hall/Rock Pile/Club 888, and the BamBoo, alongside lesser-known but equally important clubs such as Industry Nightclub and the Edge.

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The Nearly Man is the true, yet almost unbelievable, story of one man's incredible life, beginning in rural Scotland in the reign of Queen Victoria, and ending on the west coast of Canada in the 1970s. In one of the 20th century's great untold stories we travel with Francis Metcalfe on an amazing journey from the great estates of Scotland to the battlefields of Flanders, and the trenches of the Somme. His associations with the soon-to-be famous and his brushes with death were followed by his heroics in the ice fields of Arctic Russia, wasted years in post-war London, and a narrow escape from being murdered by Sinn Fein in Ireland. After a spell in prison for fraud, Metcalfe became a fugitive from Scottish Law as he engineered a daring escape to France, while the attention of the police was diverted. After hiding in Paris during the 1920s, among the 'Lost Generation' of writers, Metcalfe was arrested at gunpoint and thrown in France's most notorious jail. In his own words, Metcalfe tells the astounding story of his flight from justice, his subsequent trial, imprisonment, followed by release, his second escape from the police, his capture and his decision to start a new life in Canada. . . . only to become embroiled in Communist riots, the hardship of the depression, the infamous 'Ottawa Trek', and the impending war. The Nearly Man tells the story of one man's adventures through some of the last century's lesser- known conflicts, and his encounters with the famous thinkers, writers and soldiers of his time. But it also shows how his exploits impacted the people around him. Francis Metcalfe almost became one of Britain's notable war heroes, poets, writers, adventurers, businessmen and criminals. If Metcalfe had succeeded, he would doubtless be immortalised in history. Instead, his incredible adventures through some of history's forgotten events had become lost in time, until his story was painstakingly unearthed for this book.

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Raised in Alabama, she sent shockwaves through the South when she launched a public broadside against Jim Crow and donated to the NAACP. She used her fame to oppose American intervention in WWI. She spoke out against Hitler the month he took power in 1933 and embraced the anti-fascist cause during the Spanish Civil War. She was one of the first public figures to alert the world to the evils of Apartheid, raising money to defend Nelson Mandela when he faced the death penalty for High Treason, and she lambasted Joseph McCarthy at the height of the Cold War, even as her contemporaries shied away from his notorious witch hunt. But who was this revolutionary figure?She was Helen Keller.From books to movies to Barbie dolls, most mainstream portrayals of Keller focus heavily on her struggles as a deafblind child-portraying her Teacher, Annie Sullivan, as a miracle worker. This narrative-which has often made Keller a secondary character in her own story-has resulted in few people knowing that her greatest accomplishment was not learning to speak, but what she did with her voice when she found it.After the Miracle is a much-needed corrective to this antiquated narrative. In this first major biography of Keller in decades, Max Wallace reveals that the lionization of Sullivan at the expense of her famous pupil was no accident, and calls attention to Keller's efforts as a card-carrying socialist, fierce anti-racist, and progressive disability advocate. Despite being raised in an era when eugenics and discrimination were commonplace, Keller consistently challenged the media for its ableist coverage and was one of the first activists to highlight the links between disability and capitalism, even as she struggled against the expectations and prejudices of those closest to her.Peeling back the curtain that obscured Keller's political crusades in favor of her "inspirational" childhood, After the Miracle chronicles the complete legacy of one of the 20th century's most extraordinary figures.

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EVE Online is a socially complex, science-fiction-themed universe simulation and massively multiplayer online game (MMOG) first released in 2003. Notorious for its colossal battles and ruthless player culture, it has hundreds of thousands of players today. In this fascinating book, scholars, players, and EVE’s developer (CCP Games) examine the intricate world of EVEOnline--providing authentic accounts of lived experience within a game with more than a decade of history and millions of “real” dollars behind it.Internet Spaceships Are Serious Business features contributions from outstanding EVE Online players, such as The Mittani, an infamous member of the game’s community, as well as academics from around the globe. They cover a wide range of subjects: the game’s technicalities and its difficulty; its projection of humanity’s future in space; the configuration of its unique, single-server game world; the global nature of warfare in its “nullsec” territory (and how EVE players have formed a global concept of time); stereotypes of Russian players; espionage play; in-game memorials to Vile Rat (aka U.S. State Department official Sean Smith, murdered in the 2012 Benghazi attack); its gendered playing experience; and CCP Games’ relationship with players; and its history and legacy.Internet Spaceships Are Serious Business is a must for EVE Online players interested in a broad perspective on their all-consuming game. It is also accessible to scholars, game designers seeking to understand and replicate the successful aspects unique to EVE Online, and even those who have never played this notoriously complex game.Contributors: William Sims Bainbridge, National Science Foundation; Chribba; Jedrzej Czarnota; Kjartan Pierre Emilsson; Dan Erdman; Rebecca Fraimow; Martin R. Gibbs, U of Melbourne; Catherine Goodfellow; Kathryn Gronsbell; Keith Harrison; Kristin MacDonough; Mantou (Zhang Yuzhou); Oskar Milik; The Mittani (Alexander Gianturco); Joji Mori; Richard Page; Christopher Paul, Seattle U; Erica Titkemeyer, U of North Carolina at Chapel Hill; Nick Webber, Birmingham City U.

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A definitive guide for accurate state-of-the-art modelling of free surface flows Understanding the dynamics of free surface flows is the starting point of many environmental studies, impact studies, and waterworks design. Typical applications, once the flows are known, are water quality, dam impact and safety, pollutant control, and sediment transport. These studies used to be done in the past with scale models, but these are now being replaced by numerical simulation performed by software suites called “hydro-informatic systems”. The Telemac system is the leading software package worldwide, and has been developed by Electricité de France and Jean-Michel Hervouet, who is the head and main developer of the Telemac project. Written by a leading authority on Computational Fluid Dynamics, the book aims to provide environmentalists, hydrologists, and engineers using hydro-informatic systems such as Telemac and the finite element method, with the knowledge of the basic principles, capabilities, different hypotheses, and limitations. In particular this book: presents the theory for understanding hydrodynamics through an extensive array of case studies such as tides, tsunamis, storm surges, floods, bores, dam break flood waves, density driven currents, hydraulic jumps, making this a principal reference on the topic gives a detailed examination and analysis of the notorious Malpasset dam failure includes a coherent description of finite elements in shallow water delivers a significant treatment of the state-of-the-art flow modelling techniques using Telemac, developed by Electricité de France provides the fundamental physics and theory of free surface flows to be utilised by courses on environmental flows Hydrodynamics of Free Surface Flows is essential reading for those involved in computational fluid dynamics and environmental impact assessments, as well as hydrologists, and bridge, coastal and dam engineers. Guiding readers from fundamental theory to the more advanced topics in the application of the finite element method and the Telemac System, this book is a key reference for a broad audience of students, lecturers, researchers and consultants, right through to the community of users of hydro-informatics systems.

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'Something Wilder is exactly what we all need right now . . . a true escape within the pages of a book, filled with adventure, rekindled romance and second chances' Jodi Picoult, No.1 New York Times bestselling authorThe New York Times bestselling authors of The Unhoneymooners present a charming, laugh-out-loud novel filled with adventure, treasure, and, of course, love.Lily has never forgotten the man that got away . . . but she certainly hasn't forgiven him either! As the daughter of a notorious treasure hunter, Lily makes ends meet using her father's coveted hand-drawn maps, guiding tourists on fake treasure hunts through the canyons of Utah. When the man she once loved walks back into her life with a motley crew of friends, ready to hit the trails, Lily can't believe her eyes. Frankly, she'd like to take him out into the wilderness - and leave him there.Leo wants nothing more than to reconnect with his first and only love. Unfortunately, Lily is all business: it's never going to happen. But when the trip goes horribly and hilariously wrong, the group wonders if maybe the legend of the hidden treasure wasn't a gimmick after all. Alone under the stars in the isolated and dangerous mazes of the Canyonlands, Leo and Lily must decide whether they'll risk their lives, and their hearts, on the adventure of a lifetime . . . Find out why readers LOVE Christina Lauren . . . 'Pure, irresistible magic from start to finish' Emily Henry, New York Times bestselling author of Beach Read'Witty and downright hilarious . . . a perfect feel-good romantic comedy' Helen Hoang, author of The Kiss Quotient'Pure joy' Sally Thorne, USA Today bestselling author of The Hating Game'Writing duo Christina Lauren are my go-to when I'm feeling sad' Beth O' Leary, author of The Flatshare'What a joyful, warm, touching book! This is the book to read if you want to smile so hard your face hurts' Jasmine Guillory, New York Times bestselling author of The Proposal

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“Top 25 Mystery Novels of 2022” —The Strand Magazine“Chambers makes the smell and harrowing vibe of the mean streets of the nation’s capital come alive.” —Publishers WeeklyDickie Cornish, Washington, DC street denizen turned unlicensed private investigator, is forced at gunpoint to track down the daughter of an ex-con, setting up a chain of events that unleashes a war within the corrupt police force, exposes shocking conduct in child services, and unearths a secret that threatens to tear the nation’s capital apart. The second book in the Dickie Cornish mystery series, STANDALONE is a must-read for fans of S. A. Cosby, George Pelecanos, and Joe Ide.It’s been over year since that bleak Christmas when a rich man peeled homeless, drug-addled Dickie Cornish from a steam grate, cleaned him up, and convinced him to use his street connections to track down his missing property. Now, as the summer sun bakes those same mean streets, the air is thick with crime, contagion, corruption. Dickie struggles with sobriety, anti-psychotic meds, and counseling at the VA, but manages to make a meager living as a private investigator with his sidekick, “Stripe”—until an ex-con named Al-Mayadeen Thomas sticks a gun to Dickie’s forehead and kidnaps him to a grim flophouse—a motel filled with squatters more desperate than the poor souls in the shelters. Thomas demands that Dickie find his daughter, missing for years from the motel in a notorious cold case. The other squatters plead for him to find their vanished children as well. Thomas takes his own life to seal Dickie’s help, Police Chief Linda Figgis hauls Dickie in, gives him a Faustian choice: she directs him to help her close the Thomas cold case, but only if he forgets about the other vanished and abused children. To his horror, Dickie finds himself in the middle of a war within the police, with either side closing in for the kill to keep the truth hidden.

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HONORABLE MENTION, Foreword INDIES Book of the Year Award, Autobiography & Memoir!Lifelong activist Judy Gumbo, an original member of The Yippies, a 1960s anti-war satirical protest group, offers an insider feminist memoir of her involvement with the Yippies, Black Panthers, women's rights, environmental actions, and a life of activism. In 1968, a 24-year-old woman moved to Berkeley, California and immediately became enmeshed in the Youth International Party, aka The Yippies, an anti-war satirical protest group. In the next few years, Judy Gumbo (a nickname given her by Eldridge Cleaver), was soon at the center of counter-cultural activity—from protests in People’s Park, to meetings at Black Panther headquarters, to running a pig for President at the raucous Democratic National Convention in Chicago, a protest that devolved into violent attacks by the police and arrests that led to the notorious Chicago Conspiracy Trial. In this historical account, Gumbo reveals intimate details of—and struggles with—her fellow radicals Jerry Rubin, Anita & Abbie Hoffman, Eldridge Cleaver, Paul Krassner, Stew Albert, and more, detailing their experiences in radical protests. This deep dive into her activism includes details of her organization of a national women's rights group, her visit to North Vietnam during the war, her travels around the globe to promote women's liberation and anti-war protest, and her environmental activism. It also includes extensive excerpts from illegal wiretaps and surveillance by the FBI.“A welcome addition to the literature of radical activism.” —Kirkus Reviews “A fun read and a valuable political document, long overdue.” —Counterpunch Yippie Girl explores Gumbo’s life as a protester to show that, while circumstances always change, protesters can stay loyal to the causes they believe in and remain true to themselves. She also reveals how dogmatism, authoritarianism, and interpersonal conflict can damage those same just causes, offering a timeless and strategic guide for activists today protesting against injustice in all its forms.

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AS HEARD ON RADIO 4 WOMAN'S HOUR'Captivating . . . a brilliant many-layered social history of women's ambition and a rapidly changing New York' Observer'A fascinating look at a piece of forgotten female history' Sunday Times'A treat, elegantly spinning a forgotten story of female liberation, ambition and self-invention' Guardian'A deeply researched history, leavened with gossip . . . offers a full sweep of the changing status of American women in the twentieth century' TLSWELCOME TO THE BARBIZON, NEW YORK'S PREMIER WOMEN-ONLY HOTELBuilt in 1927 as a home for the 'Modern Woman' seeking a career in the arts, the Barbizon became the place to stay for ambitious, independent women, who were lured by the promise of fame and good fortune. Sylvia Plath fictionalized her time there in The Bell Jar, and over the years, its 688 tiny floral 'highly feminine boudoirs' also housed Joan Crawford, Grace Kelly (notorious for sneaking in men), Joan Didion, Candice Bergen, Charlie's Angel Jaclyn Smith, Ali MacGraw, Cybil Shepherd, Elaine Stritch, Liza Minnelli, Eudora Welty, The Cosby Show's Phylicia Rashad, Grey Gardens's Edith Bouvier Beale, and writers Mona Simpson and Ann Beattie, among many others. Mademoiselle boarded its summer interns there - perfectly turned-out young women, who would never be spotted hatless - as did Katherine Gibbs Secretarial School its students - in their white-gloves and kitten heels - and the Ford Modelling Agency its young models.THE BARBIZON is a colourful, glamorous portrait of the lives of the young women, who -- from the Jazz Age New Women of the 1920s to the Liberated Women of the 1960s -- came to New York looking for something more.'The story of the Barbizon is in many ways the story of American women in the twentieth century' Economist 'Illuminating . . . this vivid, well researched account is testament to its vibrant history and the women who made it such a powerhouse' Daily Express

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Jane Cockram makes her thrilling debut with this page-turning tale of psychological suspense in which a young woman whose life is in tatters flees to the safety of a family estate in England, but instead of comfort finds chilling secrets and lies.Miranda’s life and career has been a roller-coaster ride. Her successful rise to the top of the booming lifestyle industry as a social media influencer led to a humiliating fall after a controversial product she endorsed flopped. Desperate to get away from the hate-spewing trolls shaming her on the internet, she receives a mysterious letter from a young cousin in England that plunges her into a dark family mystery. Miranda’s mother Tessa Summers, a famous author, died when Miranda was a child. The young woman’s only connection to the Summers family is through Tessa’s famous book The House of Brides—a chronicle of the generations of women who married into the infamous Summers family and made their home in the rambling Barnsley House, the family’s estate. From Gertrude Summers, a famed crime novelist, to Miranda’s grandmother Beatrice, who killed herself after setting fire to Barnsley while her children slept, each woman in The House of Brides is more notorious than the next. The house’s current “bride” is the beautiful, effervescent Daphne, her Uncle Max’s wife—a famed celebrity chef who saved Barnsley from ruin turning the estate into an exclusive culinary destination and hotel.Curious about this legendary family she has never met, Miranda arrives at Barnsley posing as a prospective nanny answering an advertisement. She’s greeted by the compelling yet cold housekeeper Mrs. Mins, and meets the children and her Uncle Max—none of whom know her true identity. But Barnsley is not what Miranda expected. The luxury destination and award-winning restaurant is gone, and Daphne is nowhere to be found. Most disturbing, one of the children is in a wheelchair after a mysterious accident. What happened in this house? Where is Daphne? What darkness lies hidden in Barnsley?

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The island nation of Iceland is known for many things majestic landscapes, volcanic eruptions, distinctive seafood but racial diversity is not one of them. So the little-known story of Hans Jonathan, a free black man who lived and raised a family in early nineteenth-century Iceland, is improbable and compelling, the stuff of novels. In The Man Who Stole Himself, Gisli Palsson lays out Jonathan's story in stunning detail. Born into slavery in St. Croix in 1784, Jonathan was brought as a slave to Denmark, where he eventually enlisted in the navy and fought on behalf of the country in the 1801 Battle of Copenhagen. After the war, he declared himself a free man, believing that not only was he due freedom because of his patriotic service, but because while slavery remained legal in the colonies, it was outlawed in Denmark itself. Jonathan was the subject of one of the most notorious slavery cases in European history, which he lost. Then, he ran away never to be heard from in Denmark again, his fate unknown for more than two hundred years. It's now known that Jonathan fled to Iceland, where he became a merchant and peasant farmer, married, and raised two children. Today, he has become something of an Icelandic icon, claimed as a proud and daring ancestor both there and among his descendants in America. The Man Who Stole Himself brilliantly intertwines Jonathan's adventurous travels with a portrait of the Danish slave trade, legal arguments over slavery, and the state of nineteenth-century race relations in the Northern Atlantic world. Throughout the book, Palsson traces themes of imperial dreams, colonialism, human rights, and globalization, which all come together in the life of a single, remarkable man. Jonathan literally led a life like no other. His is the story of a man who had the temerity the courage to steal himself.

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The astonishing run of albums unleashed upon an unsuspecting public within the span of five years created the legend of Alice Cooper that lives on to this day. But we’re talking about the original Alice Cooper group here, a band called that with a lead singer also going by that name. In other words, the legend was built by Vincent “Alice Cooper” Furnier, Michael Bruce, Glen Buxton, Dennis Dunaway and “platinum god” Neal Smith. It is all of them working together — along with producer Bob Ezrin — that created the mystique of songs like “I’m Eighteen,” “Is It My Body,” “Desperado,” “Under My Wheels,” “Be My Lover,” “Elected” and “No More Mr. Nice Guy.” And it is all of them working together — along with crack management in Shep Gordon and Joe Greenberg—that created the shock rock buzz that kept the newspapers full of indignation about this band set out to destroy human civilization. Easy Action: The Original Alice Cooper Group tells the story in meticulous chronological detail, from the band’s early days in Phoenix as The Spiders, through being broke on the Sunset Strip, followed by a career-reviving relocation to a notorious party house on the outskirts of Pontiac, Michigan. Corroborating the improbable sequence of events is a plethora of stories from the band themselves, who explain how the original Alice Cooper group went from politely ignored pariahs in Los Angeles to international Public Enemies No. 1, 2, 3, 4 and 5. Listen to the guys and their good-natured explanations behind the mayhem, and it soon becomes apparent that the ghoulish makeup around the singer’s eyes and the boa constrictor around his neck — not to mention the head-choppings, the hangings and the hard rock — were all served up in good fun. Now it’s time for you, dear reader, to join in the fun and see why Alice Cooper was, for a golden moment in time fully 50 years ago now, the most feared and revered act in all of rock ‘n’ roll.

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'HEIDA IS A FORCE OF NATURE . . . EXACTLY THE RIGHT SORT OF MODERN ROLE MODEL' SUNDAY TIMESThe inspiring story of Icelandic sheep farmer, former model and feminist heroine Heida Asgeirsdottir has become a double prize-winning international bestseller.As heard on Radio 4's Start the WeekI'm not on my own because I've been sitting crying into a handkerchief or apron over a lack of interested men. I've been made every offer imaginable over the years. Men offer themselves, their sons . . . drunk fathers sometimes call me up and say things like: "Do you need a farmhand?" "I can lift the hay bales" "I can repair your tractors". . .Heida is a solitary farmer with a flock of 500 sheep in a remorseless area bordering Iceland's highlands. It's known as the End of the World. One of her nearest neighbours is Iceland's most notorious volcano, Katla, which has periodically driven away the inhabitants of Ljótarstaðir ever since people first started farming there in the twelfth century. This portrait of Heida written with wit and humour by one of Iceland's most acclaimed novelists, Steinunn Sigurðardóttir, tells a heroic tale of a charismatic young woman, who walked away from a career as a model to take over the family farm at the age of 23. I want to tell women they can do anything, and to show that sheep farming isn't just a man's game. Divided into four seasons, Heida tells the story of a remarkable year, when Heida reluctantly went into politics to fight plans to raise a hydro-electric power station on her land. This book paints a unforgettable portrait of a remote life close to nature. Translated into six languages, Heida has won two non-fiction prizes and has become an international bestseller.We humans are mortal; the land outlives us, new people come, new sheep, new birds and so on but the land with its rivers and lakes and resources, remains.'UTTERLY CHARMING' MAIL ON SUNDAY'REVELATORY AND INSPIRING' HERALD

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'A highly entertaining read, deftly melding social history with sporting memoir and travelogue' Mail on SundayA history of Latin America through cricketCricket was the first sport played in almost every country of the Americas - earlier than football, rugby or baseball. In 1877, when England and Australia played the inaugural Test match at the MCG, Uruguay and Argentina were already ten years into their derby played across the River Plate.The visionary cricket historian Rowland Bowen said that, during the highpoint of cricket in South America between the two World Wars, the continent could have provided the next Test nation. In Buenos Aires, where British engineers, merchants and meatpackers flocked to make their fortune, the standard of cricket was high: towering figures like Lord Hawke and Plum Warner took star-studded teams of Test cricketers to South America, only to be beaten by Argentina. A combined Argentine, Brazilian and Chilean team took on the first-class counties in England in 1932. The notion of Brazilians and Mexicans playing T20 at the Maracana or the Azteca today is not as far-fetched as it sounds.But Evita Burned Down Our Pavilion is also a social history of grit, industry and nation-building in the New World. West Indian fruit workers battled yellow fever and brutal management to carve out cricket fields next to the railway lines in Costa Rica. Cricket was the favoured sport of Chile's Nitrate King. Emperors in Brazil and Mexico used the game to curry favour with Europe. The notorious Pablo Escobar even had a shadowy connection to the game. The fate of cricket in South America was symbolised by Eva Peron ordering the burning down of the Buenos Aires Cricket Club pavilion when the club refused to hand over their premises to her welfare scheme.Cricket journalists Timothy Abraham and James Coyne take us on a journey to discover this largely untold story of cricket's fate in the world's most colourful continent. Fascinating and surprising, Evita Burned Down Our Pavilion is a valuable addition to cricketing and social history.

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***THE GUARDIAN BEST CRIME AND THRILLERS OF 2023***THE TIMES BEST THRILLERS OF THE MONTH*** ***MAIL ON SUNDAY BEST NEW FICTION***FINANCIAL TIMES BEST NEW THRILLERS***'Powerful' THE GUARDIAN 'A gritty, authentic triumph, one howling to be turned into a film or TV series' FINANCIAL TIMES'Atmospheric and tense thriller that has TV series written all over it.' THE SUN'Eli Cranor is that rare writer who can make you gasp, cry and cheer often in the same paragraph' S. A. COSBYAfter his son is convicted of murder, Vietnam War veteran Jeremiah Fitzjurls takes over the care of his granddaughter, Joanna, raising her with as much warmth as can be found in an Ozark junkyard outfitted to be an armory.He teaches her how to shoot and fight, but there is not enough training in the world to protect her when the dreaded Ledfords, notorious meth dealers and fanatical white supremacists, come to collect on Joanna as payment for a long-overdue blood debt.Headed by rancorous patriarch Bunn and smooth-talking, erudite Evail, the Ledfords have never forgotten what the Fitzjurls family did to them, and they will not be satisfied until they have taken an eye for an eye. As they seek revenge, and as Jeremiah desperately searches for his granddaughter, their narratives collide in this immersive story about family and how far some will go to honor, defend-or in some cases, destroy it.'Ozark Dogs tunnels into your brain with feverish power... thrillingly told, deeply wrenching, not to be missed.' MEGAN ABBOTTPraise for Eli Cranor:'Southern noir at its finest, a cauldron of terrible choices and even more terrible outcomes . . . one of the best debuts of 2022' NEW YORK TIMES'A gripping novel about rage and trauma, redemption and damnation,. . . Cranor's characters bristle with desperation and frustrated masculinity, a volatile cauldron of emotion that brings tension to every page' STEPH CHA'A major work from a bright, young talent' USA TODAY

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Boatman is back with fifty more puzzles from the Guardian and an additional five bonus puzzles previously only available online, including the notorious Referendum Day puzzle that was able to predict the result of the UK’s vote over its membership of the European Union with complete confidence. Get inside the mind of one of Britain’s most challenging and innovative crossword compilers, as he tells the story behind the development of each puzzle: how he thought of the theme, the ideas that didn’t make it into print and the odd connections that emerged afterwards. Expect talk of crosswords and coincidences, politics and particle physics. Solve extra clues and hear from solvers who enjoyed the puzzles when they were first published. Dave Gorman writes: Put the kettle on. That’s my advice. Boatman’s puzzles are best served with a cup of tea. If a crossword is painting pictures with words, then every setter has his or her own style. Some create clues that remind me of a Heath Robinson cartoon – full of intricate detail and connections – while others bring to mind the simple brush strokes of an Al Hirschfeld caricature, where there can be almost nothing on the page and yet, somehow, Liza Minelli’s face is staring back at you. Boatman’s puzzles are Magic Eye posters. You stare at them for a while and then suddenly something three dimensional pops out as your eyes defocus. When you first scan through a puzzle, a theme may be apparent. Words will be repeated. Newspaper, newspaper, newspaper, Guardian, red-top, newspaper, newspaper, Independent. It may make you feel dizzy. So put the kettle on. Make that cup of tea. Relax. Defocus. He’s a devious sod and he enjoys going back to the same source and coming back with something different. And you know that it will always be different. No two ‘newspapers’ are ever the same. That’s his thing. Don’t be dizzied by it. Dance with it. Enjoy. Then enjoy again as you get the insight from the commentaries that follow. Mine’s white with no sugar. Ta.

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'One of the best!' Julia Quinn, Sunday Times bestselling author of the Bridgerton series When adventure calls in the form of a handsome aristocrat, will Viola Kingsley throw all caution to the wind?Two years after the death of the Earl of Riverdale, his family has overcome the shame of being stripped of their titles and fortune - except for his one-time countess, Viola. With her children grown and finding herself no longer part of the social whirl of the ton, she is uncertain where to look for happiness - until quite by accident her path crosses once again with that of the Marquess of Dorchester, Marcel Lamarr. Marcel has been a notorious womanizer since the death of his wife nearly twenty years earlier. Viola caught his eye years ago, but she evaded his seduction at the time. She is all the more irresistible to him now.When the two defy convention and run away together, they discover that the ties of respectability are not so easily severed, and pleasure can ensnare you when you least expect it . . .This is the sparkling fourth novel in the Regency romance Westcott series by New York Times bestselling author Mary Balogh - perfect for fans of Grace Burrowes and Stephanie Laurens The Westcott Series:Someone to LoveSomeone to HoldSomeone to WedSomeone to CareSomeone to TrustSomeone to HonourSomeone to RememberSomeone to RomanceSomeone to CherishPraise for Mary Balogh'Today's superstar heir to the marvellous legacy of Georgette Heyer' Susan Elizabeth Phillips'A grand mistress of the genre' Romantic Times'Balogh is the queen of spicy Regency-era romance, creating memorable characters in unforgettable stories' Booklist'Mary Balogh sets the gold standard in historical romance' New York Times bestselling author Jayne Ann Krentz'A romance writer of mesmerising intensity, Mary Balogh has the gift of making a relationship seem utterly real and utterly compelling' Mary Jo Putney

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** THE NEW YORK TIMES BESTSELLER** The never-before-told, inside story of the Steele Dossier and the Trump-Russia investigation'The best procedural yet written about the discovery of Trump's Russia ties' New York TimesThe founders of the Washington-based intelligence firm Fusion GPS Glenn Simpson and Peter Fritsch were the first to uncover Trump's disturbing ties to the Kremlin and the crimes that have since plagued his presidency. Working with British former MI6 agent and Russia expert Christopher Steele, they produced the notorious dossier which disclosed that the Trump team was deeply compromised by a hostile foreign power bent on disrupting the West and influencing the US presidential election.In Crime in Progress, the authors chronicle their high-stakes investigation and desperate efforts to warn both the American and British governments, the FBI and the media - no matter the cost. When the dossier finally exploded onto the world stage after a leak, it led to the Mueller report and disrupted Trump's secret planned rapprochement with Putin's Russia. After years on his trail, the authors' inescapable conclusion is that Trump is an asset of the Russian government, whether he knows it or not.A real-life political thriller with the makings of a modern classic, Crime in Progress is the definitive story of the pursuit of the truth about Trump and one of the greatest betrayals in American history.'I've read all the books on this subject - this is the one you want to read . . . I feel fairly steeped in this matter and I learned something on every page' Rachel Maddow, MSNBC'You don't need to read John le Carré or Tom Clancy to find espionage thrills in Washington these days, turn over any stone in the Beltway's secret world and you'll observe the seething mass of conspiracy and subterfuge beneath . . . Take Glenn Simpson and Peter Fritsch, who have become central characters in a quite terrifying international spy thriller' Josh Glancy, Sunday Times

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In 1922, Rudolph Valentino was one of the most famous men alive. But few knew that the star had a dirty secret that he desperately wanted to bury. The lurid tale began a decade earlier when former Yale football star and notorious playboy Jack de Saulles made headlines across three continents by pursuing the beautiful young Chilean heiress Blanca Errázuriz, known as the Star of Santiago. After the birth of their son, though, the marriage soured. Jack was going after every chorus girl on Broadway, claiming that Blanca had banished him from their bed. By 1916, Blanca wanted a divorce, rare then and even more so in a wealthy, powerful Catholic family. Enter Valentino, then still known as Rodolfo Guglielmi, a professional dancer in New York City, famous for the Argentinean tango. Blanca discovered that her husband had been sleeping with Joan Sawyer, Rodolfo’s dance partner, so she set about cultivating the hungry young performer. Whether Blanca and Guglielmi became lovers remains unclear, but the ambitious Italian gave evidence on her behalf in divorce court. Furious, de Saulles had Guglielmi arrested on trumped-up vice charges, tarnishing the dancer’s reputation. But Blanca was fighting bigger battles. De Saulles’s family had been pulling strings, persuading the courts to grant him partial custody of their child. When it appeared that he wasn’t going to return the boy to his mother’s care, Blanca exploded. On a sweltering August night in 1917, she drove to Jack’s mansion and shot him dead. Several people witnessed the act, but Blanca’s family hired the best defense lawyer around, who salvaged de Saulles’s reputation and made Blanca out to be a saint. During the “most sensational trial of the decade,” millions devoured the juicy details of how a high-society marriage violently unraveled. Guglielmi, desperate to avoid further poisonous publicity, fled to California, changed his name to Rudolph Valentino, and the rest is Hollywood history.

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In the 1950s the notorious House Un-American Activities Committee launched a ruthless smear campaign and outright attack against hundreds of labor leaders, teachers, leftists, Communists, civil servants, filmmakers, civil rights activists, and many others it accused of conspiring to overthrow the government. On the basis of little or no evidence individuals were dragged before HUAC and harassed and threatened. Many lost their jobs or were jailed if they did not cooperate with a Committee that flagrantly trampled the right of freedom of speech and condemned individuals for association with progressive causes. One man who stood tall and refused to cooperate with the diabolical Committee was Lee Brown, an African American labor activist and a leader of an interracial union of waterfront workers in New Orleans. For his courageous act Brown soon lost his freedom but not his dignity. He was tried and unjustly convicted of violating the Taft-Hartley Act that prohibited Communist Party members from also serving as the leaders of labor unions. Brown spent more than two years in federal prison but his militancy and commitment to the struggle for workers' rights and civil rights remained undiminished. Strong in the Struggle tells the powerful story of the political awakening of Brown as a youth from the rural South, his life from childhood among poor black farmers, his encounters with the Jim Crow system of racial segregation and racial violence, his discovery of the changes that could be won when working people organized into unions, his rise to leadership and his time of imprisonment, and his continuing advocacy of the ideals of racial equality and socialism. Told in his own words, it is an engaging story that follows him as a young man from Louisiana to Texas as a shipyard worker, to Arizona as a railroad worker, to Los Angeles and Hollywood where he worked in restaurants and as a bit-part actor during World War II, to the docks of New Orleans and the great hotels of San Francisco as the Civil Rights an

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Scratching the Surface: Adventures in Storytelling is a deeply personal and intimate memoir told through the lens of Harvey Ovshinsky's lifetime of adventures as an urban enthusiast. He was only seventeen when he started The Fifth Estate, one of the country's oldest underground newspapers. Five years later, he became one of the country's youngest news directors in commercial radio at WABX-FM, Detroit's notorious progressive rock station. Both jobs placed Ovshinsky directly in the bullseye of the nation's tumultuous counterculture of the 1960s and 70s. When he became a documentary director, Ovshinsky's dispatches from his hometown were awarded broadcasting's highest honors, including a national Emmy, a Peabody, and the American Film Institute's Robert M. Bennett Award for Excellence. But this memoir is more than a boastful trip down memory lane. It also doubles as a survival guide and an instruction manual that speaks not only to the nature of and need for storytelling but also and equally important, the pivotal role the twin powers of endurance and resilience play in the creative process. You don't have to be a writer, an artist, or even especially creative to take the plunge, Ovshinsky reminds his readers. ""You just have to feel strongly about something or have something you need to get off your chest. And then find the courage to scratch your own surface and share your good stuff with others."" Above all, Ovshinsky is an educator, known for his passionate support of and commitment to mentoring the next generation of urban storytellers. When he wasn't teaching screenwriting and documentary production in his popular workshops and support groups, he taught undergraduate and graduate students at Detroit's College for Creative Studies, Wayne State University, Madonna University, and Washtenaw Community College. ""The thing about Harvey,"" a colleague recalls in Scratching the Surface, ""is that he treats his students like professionals and not like newbies at all. His approach is to, in a very supportive and non-threatening way, combine both introductory and advanced storytelling in one fell swoop.

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Before the end of the present century the population of China – currently around 1.4 billion – is forecast to drop to around half that level as a major and unprecedented demographic crisis begins to bite. Its working-age population has already stopped growing and is now well into a process of contraction. Increasing longevity means that by the 2050s there will be more than 400 million Chinese citizens over the age of 65 – with little provision for their care in a society where a single child is now the norm. The ratio of the retired to those working is steadily rising, putting pressure on families and the public finances. Years of preference for a male child has seen the creation of a skewed sex ratio at birth that already guarantees well over 50 million surplus adult males, unmarried and unhappy, in the coming years. This is more than the entire male population of Germany. The state has previously sought to impose its will on reproduction, but Chinese families experienced a sharply reduced birthrate even before the introduction of the notorious one-child policy. And despite the lifting of restrictions on the number of children allowed, births remain stubbornly low. As Timothy Beardson shows in this timely and fascinating new book, the Chinese people have largely ignored official policy, as trends in urbanization, employment and education alter traditional demographic patterns. China in fact reflects a clearly identifiable shift in the whole world of moving from high to low fertility. This book is the first to examine in detail China’s demographic history and the impending crisis that will see more people in the United States by 2100 than in China. It explains how China’s ageing and shrinking population will affect such widely disparate areas as the ethics of business, artificial intelligence and the combat-worthiness of the military – not to mention China’s overall place in the modern world.

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Satie's music and ideas are inextricably linked with the City of Light. This book situates Satie's work within the context and sonic environment of contemporary Paris. Erik Satie's (1866-1925) music appeals to wide audiences and has influenced both experimental artists and pop musicians. Little about Satie was conventional, and he resists classification under easy headings such as "classical music". Instead of pursuing the path of a professional composer, Satie initially earned a living as a café pianist and moved in bohemian circles which prized satire, popular culture and experiment. Small wonder that his music is fundamentally new in conception. It is music which is not always designed to be listened to attentively: music which can be machine-like but is to be played by humans. For Satie, music was part of a wider concept of artistic creation,as evidenced by his collaborations with leading avant-garde artists and in works which cross traditional genre boundaries such as his texted piano pieces. His music was created in some of the most exciting and creatively stimulating environments of the late nineteenth and early twentieth century: Montmartre and Montparnasse. Paris was the artistic centre of Europe, and Satie was a notorious figure whose music and ideas are inextricably linked with the City of Light. This book situates Satie's work within the context and sonic environment of contemporary Paris. It shows that the influence of street music, musicians and poets interested in new technology, contemporary innovations and radical politics are all crucial to an understanding of Satie. Music from the ever-popular Gymnopédies to newly discovered works are discussed, and an online supplement features rare pieces recorded especially for the book. CAROLINE POTTER is Reader in Music at Kingston University London. A graduate in both French and Music, she has published widely on French music since Debussy and was Series Advisor to the Philharmonia Orchestra's Paris2014-15 season.

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This book is about contemporary issues in architecture and urbanism, taking the form of a project for The Corviale Void, a one kilometre long strip of urban space, immured in the notorious Corviale housing development in the Southwestern sector of Rome. Corviale is a bizarre object, single-minded in its idea, the history of Corviale can be traced to debates in Italian architecture culture of the 1960’s, including Aldo Rossi’s objection to urbanisation, as articulated in his books and projects. On the one hand the project for the Corviale Void begins with one of the original theorists of modern urbanisation and architecture, Giovanni Battista Piranesi, looking into his fascination with the insides of walls. On the other hand the project begins with a new material form, The Air Grid. Like the forms appearing in Piranesi’s etchings, Air Grid is made from a kind of hatching, but Air Grid is hatched out of colour vectors, literally drawn into the air. The human eye is easily mesmerised by the Air Grid, scanning back and forth it reads the colour form as animated, in some sense alive. At the same time as the Italian architects were engaged in those activities that would eventually give birth to the Corviale Void, the painter Yves Klein, was creating The Architecture of the Air. Klein’s work is of special interest to the project of the Corviale Void because of the important role of colour in the development of his thinking about architecture. By attending to Klein’s parallel inquiry Air Grid is brought into dialogue with the philosophy of Arthur Schopenhauer, who was one of the first thinkers to develop a physiological theory of colour. The important thing about Schopenhauer’s thinking is the careful way he looked at physiological phenomena, regarding them as directly informed by metaphysical powers; for Schopenhauer Architecture too is a physiological matter and hence metaphysical. The concluding proposal for the Corviale Void presents a metaphysical archite

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'A thrillingly dark and atmospheric tale, richly evocative of its time' JOHN BANVILLE 'This isn't just a mystery novel: it's a window into a vanished world' TANA FRENCH 'Gripping and brilliantly atmospheric' RODDY DOYLESome stories demand to be told. They keep coming back, echoing down through the decades, until they find a teller . . .Dublin, 1943 Actress Julia Bridges disappears. The last sighting of her is entering the house of Gloria Fitzpatrick, who is later put on trial for the murder of another woman whose abortion she facilitated. But it’s never proved that Gloria had a hand in Julia’s death – and Julia’s body has never been found. Gloria, however, is sentenced to life in an institution for the criminally insane, until her apparent suicide a few years later, and the truth of what happened to Julia Bridges dies with her. Dublin, 1968 Nicoletta Sarto is an ambitious junior reporter for the Irish Sentinel when the bones of Julia Bridges are discovered in the garden of a house on the outskirts of Dublin. Drawn into investigating the 25-year-old mystery of Julia’s disappearance and her link to the notorious Gloria Fitzpatrick, the story takes Nicoletta into the tangled underworld of the illegal abortion industry, stirring up long-buried secrets from her own past.As much a murder mystery story as a look at a young woman’s struggle to succeed in a man’s world, Where They Lie is a beautifully atmospheric debut that will stay with you long after you’ve turned the last page. 'Atmospheric and absorbing, an ambitious young journalist finds herself at the heart of a corkscrew tale she never knew existed. A dark and turbulent journey to unexpected truths’ VAL McDERMID ‘A dark, gorgeously-written thriller, its tap root deep in a past so vividly evoked, you can see and smell and feel it’ NICCI FRENCH ‘Atmospheric, authentic, and almost unbearably poignant. Like the best historical fiction, Where They Lie transports the reader back in time while holding up a mirror to the present. A must-read’ ERIN KELLY

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Mexican leaders eagerly anticipated the attention that hosting the world's most visible sporting event would bring, yet they could not have predicted the array of conflicts that would play out before the eyes of the world during the notorious 1968 Mexico City Olympics. Following twenty years of economic growth and political stability—known as the "Mexican miracle"—Mexican policy makers escaped their prior image of being economically underdeveloped to successfully craft an image of a nation that was both modern and cosmopolitan but also steeped in culture and tradition. Buoyed by this new image, they set their sights on the Olympic bid, and they not only won but also prepared impressive facilities. Prior to the opening ceremonies, several controversies emerged, the most glaring of which was a student protest movement that culminated in a public massacre, leaving several hundred students dead. Less dramatic were concerns that athletes would suffer harm in the high elevation and thin air, debates over the nature of amateurism, threats by nations opposing apartheid to boycott if South Africa was allowed to compete, and the introduction of drug and gender testing. Additionally the Olympics provided a forum for the United States and the Soviet Union to carry their Cold War rivalry to the playing field—a way to achieve victory without world destruction at stake. During the Games, one of the most significant controversies occurred when two African American athletes, Tommie Smith and John Carlos, raised their fists in the Black Power salute while on the medal stand. This gesture brought worldwide attention to racism within the United States and remains a lasting image of both the Mexico City Olympics and the Civil Rights movement. Although the Olympics are intended to bring athletes of the world together for harmonious competition, the 1968 Games will long be remembered as fraught with discord. This ambitious and comprehensive study will appeal to those interested in US history, Latin American history, sports history, and Olympic history.

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Judge's book is the best to date on the Kishinev pogrom of 1903. In seven gracefully written chapters, the author lays out the background of the Jewish question in Russia, profiles the city of Kishinev, narrates the events leading up to and included in the pogrom, and analyzes its causes and effects. -Choice A detailed re-examination of the notorious Kishinev pogrom of 1903. -East European Jewish Affairs In February of 1903, in a town in the southwestern part of the Russian empire, a peasant stumbled upon the corpse of 14-year old Mikhail Rybachenko, bruised and covered with stab wounds, in a garden. The murder immediately fueled wild rumors that he had been killed by local Jews in need of his Christian blood to prepare their matzah bread. Panic rumors, grounded in sinister superstitions of Jewish sorcery and ritual murder, quickly spread to nearby towns. By April, they had hit Kishinev -- a growing metropolis of 100,000 inhabitants rife with the unrest of rapid expansion, ethnic rivalry, revolutionary agitation, and anti-Semitism -- with full force. The resulting massacre left dozens dead, and hundreds wounded, maimed, widowed, orphaned or homeless. This is the story of Kishinev. In this extensively researched book, Edward Judge examines these anti-Jewish riots, detailing their background, cause, and aftermath. He traces the evolution of the riots, analyzing the broader impact of imperial policies, urbanization, nationalism, population growth, and revolutionary activism upon the Jewish situation in Russia. Recounting the activities and attitudes of anti- semitic agitators and Kishinev officials, the book examines the spiral of violence, the inaction of the authorities in the wake of the pogrom, the storm of indignation that followed the pogrom, and the efforts of tsarist officials to counter subsequent negative publicity. EASTER IN KISHINEV also portrays the investigation of the disorders and the trials of the rioters and carefully considers the question of government responsibility for the outbreak of the pogrom.

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In Victorian London, the age of consent was just thirteen. Unwitting girls were regularly enticed, tricked and sold into prostitution. If not marked out for a gentleman in a city brothel, they were legally trafficked to Brussels, Paris and beyond. All the while, the Establishment turned a blind eye. That is, until one policeman wrote an incendiary report. Disgraced for testifying against a violent colleague, Irish inspector Jeremiah Minahan was transferred to the backwater of Chelsea as punishment. Here he met Mary Jeffries, a notorious trafficker and procuress who counted Cabinet members and royalty among her clientele. Within days of reporting Jeffries, Minahan was unceremoniously forced out of the Metropolitan Police. So he turned private detective, setting out to expose the peers and politicians more interested in shielding their own positions (and peccadilloes) than London’s child prostitutes. The findings Minahan did reveal in 1885 sparked national outrage: riots, arrests, a tabloid war and a sensational trial…other secrets were so fearful he took them to his grave, where they remained - until now. This is the true tale of a man caught between a corrupt English Establishment and his own rebel heart: a very Victorian scandal, but also, a story for our times.Victorian London: slums and stucco, strict morals and dark secrets. The sex trade in vulnerable young English girls was booming, fuelled by lax laws and lucrative trafficking to the brothels of Paris and Brussels. Chelsea’s most ‘exclusive establishment’ counted cabinet members and royalty amongst its clientele. In the searing summer of 1885, the situation hit the headlines. There were arrests, riots, a tabloid scandal and a sensational trial – and one man lit the touchpaper. He was Jeremiah Minahan, Irish ex-inspector, exposer of corruption, rebel with a cause. This is his extraordinary story, and that of the women he helped to protect. It is a very Victorian scandal, but also, a tale for our time.

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From the survivor of ten Nazi concentration camps who went on to create the New England Holocaust Memorial, a "devastating...inspirational" memoir (The Today Show) about finding strength in the face of despair.On August 14, 2017, two days after a white-supremacist activist rammed his car into a group of anti-Fascist protestors, killing one and injuring nineteen, the New England Holocaust Memorial was vandalized for the second time in as many months. At the base of one of its fifty-four-foot glass towers lay a pile of shards. For Steve Ross, the image called to mind Kristallnacht, the Night of Broken Glass in which German authorities ransacked Jewish-owned buildings with sledgehammers.Ross was eight years old when the Nazis invaded his Polish village, forcing his family to flee. He spent his next six years in a day-to-day struggle to survive the notorious camps in which he was imprisoned, Auschwitz-Birkenau and Dachau among them. When he was finally liberated, he no longer knew how old he was, he was literally starving to death, and everyone in his family except for his brother had been killed.Ross learned in his darkest experiences--by observing and enduring inconceivable cruelty as well as by receiving compassion from caring fellow prisoners--the human capacity to rise above even the bleakest circumstances. He decided to devote himself to underprivileged youth, aiming to ensure that despite the obstacles in their lives they would never experience suffering like he had. Over the course of a nearly forty-year career as a psychologist working in the Boston city schools, that was exactly what he did. At the end of his career, he spearheaded the creation of the New England Holocaust Memorial, a site millions of people including young students visit every year.Equal parts heartrending, brutal, and inspiring, From Broken Glass is the story of how one man survived the unimaginable and helped lead a new generation to forge a more compassionate world.

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In this memoir, Lana Wood investigates the mysterious drowning of her sister, the actress Natalie Wood, and clears up the myths and misconceptions behind one of the most notorious celebrity deaths of our time. On the night of November 29, 1981, Natalie Wood disappeared from her yacht, the Splendour, while visiting Catalina Island with her husband, Robert “R.J.” Wagner and their friend, Christopher Walken. The beloved movie star’s tragic drowning shook America, inspiring troves of magazine covers and media pieces. What was originally believed to be an open-and-shut case of accidental drowning has been called into question over the years, and in 2011 the investigation was reopened. In 2018, at the urging of the public, it was reclassified as “suspicious.”Ever since, the question has remained: What really happened to Natalie Wood?Lana Wood, Natalie’s younger sister, long suspected nefarious circumstances surrounding her sister’s death. Her closest confidante from childhood, Lana stood witness to Natalie’s life: the successes, the heartache, and her deepest pain. But there was tremendous fear about investigating the case. Uncertain of what her own search would unravel, and frightened of the possibilities, Lana stayed silent for years, until she no longer could. She realized she was ignoring what was in front of her, and that the best way to honor her sister's legacy would be uncovering the secrets behind the very end of Natalie’s life.By elucidating previously unknown complications of Natalie’s life, and offering new evidence from key parties involved in the investigation—including the boat’s captain and other witnesses—Little Sister recounts Lana’s search for the truth and brings to light explosive details that have been suppressed for decades. Ranging from the bonds that hold family together, to inconsistencies in interviews with detectives to complications with evidence, this story of sisterhood and mystery presents a fresh perspective on a night that has long been fodder for Hollywood lore.

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Horse racing may be famously known as the 'sport of kings' but, in the pursuit of prize money and getting one over the bookies, it also has attained a notoriety for some underhand, corrupt and downright illegal practices. Horse racing in Wales is not exempt from these dodgy dealings and on many occasions has led the way in it's ingenuity to devise jaw-dropping cons and cunning deceptions. In The Scams, Scandals and Gambles of Horseracing in Wales, Brian Lee, the veteran and highly regarded Welsh racing correspondent has, for the first time, compiled a comprehensive collection of true stories that reveals Welsh racing's most notorious crooks, loveable rouges and most infamous scams, including: The Oyster Maid affair, when a great gambling coup engineered at Tenby in 1927 nearly put paid to horse racing in Wales and was said by the Queen Mother's jockey, Dick Francis, to have been "the most bitterly resented betting coup National Hunt racing has ever known". The astounding story of Am I Blue's when, in 2010, a four-year-old filly, owned and trained by Aberkenfig's Delyth Thomas, romped home at Hereford after being backed from 25-1 to 5-1, despite having woeful form.As one reporter put it: 'There was outrage in some quarters and amusement in others. ' The elaborate switching of horses and the cutting of the telegraph wires at Bath races in 1953 which saw well-know Cardiff bookie Gomer Charles jailed for 2 years for fraud after his syndicate place GBP100k worth of bets on a 'ringer' racehorse that won at 20-1. The Scandals and Gambles of Horseracing in Wales includes stories both from racing 'under rules' but also from point-to-point, known as racing 'between-the-flags', as well as flapping (unlicensed racing). The stories in this enthralling book, in which the reader will meet many of the rogues of the turf, are informative as well as fascinating and will appeal to not only horse racing fans but also readers of true crime.

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***A Best Book of 2022, The Times******Book of the Year, Spectator***A myth-busting biography of Henrietta Maria, wife of Charles I, which retells the dramatic story of the civil war from her perspectiveHenrietta Maria, Charles I's queen, is the most reviled consort to have worn the crown of Britain's three kingdoms. Condemned as that 'Popish brat of France', a 'notorious whore' and traitor, she remains in popular memory the wife who wore the breeches and turned her husband Catholic - so causing a civil war - and a cruel and bigoted mother.Leanda de Lisle's White King was hailed as 'the definitive modern biography about Charles I' (Observer). Here she considers Henrietta Maria's point of view, unpicking the myths to reveal a very different queen. We meet a new bride who enjoyed annoying her uptight husband, a leader of fashion in clothes and cultural matters, an innovative builder and gardener and an advocate of the female voice in public affairs. No bigot, her closest friends included 'Puritans' as well as Catholics, and she led the anti-Spanish faction at court linked to the Protestant cause in the Thirty Years' War. When civil war came, the strategic planning and fundraising of his 'She Generalissimo' proved crucial to Charles's campaign.The story takes us to courts across Europe, and looks at the fate of Henrietta Maria's mother and sisters, who also faced civil wars. Her estrangement from her son Henry is explained, and the image of the Restoration queen as an irrelevant crone is replaced with Henrietta Maria as an influential 'phoenix queen', presiding over a court with 'more mirth' even than that of the Merry Monarch, Charles II.It is time to look again at this despised queen and judge if she is not in fact one of our most remarkable.'this is revisionist history at its absolute best' ANDREW ROBERTS'beautifully written and endlessly fascinating' ALEXANDER LARMAN'popular history of the finest kind' RONALD HUTTON

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An illustrated survey of artist hoaxes, including impersonations, fabula, cryptoscience, and forgeries, researched and written by an expert “fictive-art” practitioner. In her groundbreaking book, internationally recognized multimedia artist and writer Antoinette LaFarge reflects on the most urgent question of today: where does truth lie, and how is it verified? Encouraging readers to critically question the role art plays in shaping reality, Sting in the Tale: Art, Hoax, and Provocation defines a new genre of art that fabricates evidence to support a central fiction. Interweaving contemporary "fictive art" practice with a lineage of hoaxes and impostures dating from the 17th century, LaFarge offers the first comprehensive survey of this practice. The shift from the early information age to our "infocalypse" era of rampant misinformation has made fictive art an especially radical form as it straddles the lines between fact, fiction, and wild imagination. Artists deploy a wide range of practices to substantiate their fictions, manufacturing artefacts, altering photographs, and posing as experts from many different fields. A fictive-art practitioner herself, LaFarge explores and underscores the myriad ways art can ground or destabilize one's lived reality, forcing us to question our subjective experience and our understanding of what counts as evidence. Many examples of these curious and sometimes notorious fabrications are included - from nonexistent artists and peculiar museums to cryptoscientific objects like fake skeletons and staged archaeological evidence. From the intriguing Cottingley fairy photographs "captured" in 1917 by teenage sisters, to the Museum of Jurassic Technology; from the work of artists like Iris Häussler, Joan Fontcuberta, and Eva and Franco Mattes to the enigmatic encyclopedia known as the Codex Seraphinianus, fictive art continues to reframe assumptions made by its contemporaneous culture. With all the attendant consequences of mistrust, outrage, and rejection, fictive art practitioners both past and present play upon the fragile trust that establishes societies, underlining the crucial roles played by perception and doubt.

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Readers of Old English would generally agree that the poem Genesis B, a translation into Old English of an Old Saxon (that is, continental) retelling of the story of the Fall, is a vigorous and moving narrative. They would disagree, however, as to the meaning of the poem. Some hold that it reflects an orthodox Christian viewpoint and others claim that it assumes a distinctly unorthodox position in portraying Adam and Eve as not morally culpable in their disobedience but merely tricked into disobedience through the wiles of the Devil's agent. The study Genesis B and the Comedic Imperative, examining these incompatible readings, infers that the poem is essentially orthodox, that it demonstrates sufficiently the moral culpability of Adam and Eve, and that it departs from orthodoxy only insofar as it conveys a strong impression that Adam and Even will undertake what amounts to Christian penance, leading them eventually to Heaven. The poem thereby attains the happy ending typical of early medieval Christian narrative. Hence the titular "Comedic Imperative." The inference of orthodoxy follows as a nigh-inevitable conclusion of the interpretation of several motifs: the poem's culturally imbued martiality, its allegorical bent, and also what A. N. Doane noted as its tropological bent. The argument depends heavily upon philological inquiry and on examination of prevailing beliefs and attitudes of contemporaneous Frankish society, religious and civil, leading to the reinterpretation of crucial passages. Of these, most notably, is the passage in which Adam, in refusing the Tempter's invitation to eat the fruit, observes that the Tempter has given no tacen ‘sign’ as evidence that he truly is God’s emissary. Other passages that have impeded critical perception of the poem's significance are also examined, such as the notorious micel wundor clause (lines 595-98) and the pseudo-gnomic declaration swa hire eaforan sculon after lybban (623-35). In sum, Genesis B sustains the orthodoxy otherwise of the Junius 11 manuscript.

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Some of the American West’s grandest legends are about people who in reality were remorseless killers, robbers, and bandits. These outlaws flourished during the 1800s and gained notoriety throughout the following century. How did their fame persist, and what has inspired the publishing, movie, and television industries to recreate their fictionalized careers over and over again? Mark Dugan brings reality to the forefront in The Making of Legends. Some of the characters in his accounts are practically unknown but deserve more recognition than the bandits whose names are mythic. Exhaustive archival research enables him to recreate such colorful lives as North Carolina’s Malina Blaylock, who, disguised as a man, joined her outlaw husband in the Confederate army; slippery escape artist David Lewis, the Robin Hood of the Cumberland, who finally stopped two bullets in a chaotic Pennsylvania shoot-out; Wyatt Earp, in his mysterious post-OK Corral year, amidst the Coeur d’Alene gold rush; and grim “Laughing Sam” Hartman, of South Dakota. Dugan sets the stage by explaining how newspapers and dime novels fanned the flames of public fascination with outlaws. He unmasks the real Billy the Kid, traces the paths of Butch Cassidy and the Sundance Kid to their historic shoot-out in South America, and masterfully summarizes the Civil War grudges, bloodshed, and wanton destruction along the Kansas-Missouri border that spawned Jesse and Frank James and the Younger brothers gang. In researching the lawless era of the American frontier, Dugan discovered much information that has never been published — material that will expand readers’ views of frontier history and people, both good and bad. The Making of Legends proves that the actual stories of notorious legends can be more exciting, moving, and intriguing than anything dreamed up in a dime novel or a Hollywood fantasy. With The Making of Legends Mark Dugan’s pursuit of outlaws takes him to Pennsylvania, North Carolina, Texas, California, South Dakota, Idaho, Oregon, Nebraska, Indiana, Wyoming, and Montana.

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A fictional and complex portrait of bestselling author Patricia Highsmith caught up in the longing that would inspire her queer classic, The Price of Salt Flung Out of Space is both a love letter to the essential lesbian novel, The Price of Salt, and an examination of its notorious author, Patricia Highsmith. Veteran comics creators Grace Ellis and Hannah Templer have teamed up to tell this story through Highsmith’s eyes—reimagining the events that inspired her to write the story that would become a foundational piece of queer literature. Flung Out of Space opens with Pat begrudgingly writing low-brow comics. A drinker, a smoker, and a hater of life, Pat knows she can do better. Her brain churns with images of the great novel she could and should be writing—what will eventually be Strangers on a Train— which would later be adapted into a classic film by Alfred Hitchcock in 1951. At the same time, Pat, a lesbian consumed with self-loathing, is in and out of conversion therapy, leaving a trail of sexual conquests and broken hearts in her wake. However, one of those very affairs and a chance encounter in a department store give Pat the idea for her soon-to-be beloved tale of homosexual love that was the first of its kind—it gave the lesbian protagonists a happy ending. This is not just the story behind a classic queer book, but of a queer artist who was deeply flawed. It’s a comic about what it was like to write comics in the 1950s, but also about what it means to be a writer at any time in history, struggling to find your voice. Author Grace Ellis contextualizes Patricia Highsmith as both an unintentional queer icon and a figure whose problematic views and noted anti-Semitism have cemented her controversial legacy. Highsmith’s life imitated her art with results as devastating as the plot twists that brought her fame and fortune.

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Called One of the Best Books of the Year by NPR"Dazzling, propulsive, and delightfully juicy, Anon Pls. is the digital age’s love letter to The Devil Wears Prada. Sexy, suspenseful, and so good you won’t want to put it down—not even to check on the latest stories in Deuxmoi’s feed. What an incredible debut." — Christina Lauren, New York Times bestselling author of The UnhoneymoonersFrom the creator of @Deuxmoi, the popular—and infamous—celebrity gossip Instagram, comes a fun and charming debut novel about a stylist assistant whose drunken decision to turn her Instagram into a celeb gossip account turns her life completely upside down. When Cricket Lopez, assistant to one of the most notorious celebrity stylists, revamps her old fashion Instagram account and turns it into a source for celebrity gossip on a drunken whim, she never thinks it will become anything. It's just a way to blow off steam after a terrible, terrible day at work where her nightmarish boss screams at her and blames her for some 18-year-old influencer's screw-up. But when the account grows overnight and, even wilder, when she starts getting gossip from fans and insiders —juicy gossip—she has to face facts: her Instagram is now famous. She is now famous.Though no one knows that she is behind the account, its newfound success quickly wreaks havoc on her real life. Her boss wonders why she’s disappearing on the job, her friends are increasingly irritated by her dedication to the account, and she has celebrities, investors, and journalists approaching her nonstop. Plus, there's a steamy new love interest who she meets through her online persona—except she has no idea if she can truly trust his motives. As the account grows and becomes more and more influential, she has to wonder: is it—the fame, the insider access, the escape from real life—really worth losing everything she has?

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A TIMES HISTORY BOOK OF THE YEAR From the preeminent historian of 20th century Spain Paul Preston, Architects of Terror is a new history of how paranoia, conspiracy and anti-Semitism was used to justify the military coup of 1936 and enabled the construction of a dictatorship built on violence and persecution. It is the previously untold story of how antisemitic beliefs were weaponised to justify and propagate the Franco overthrow of liberal Spain. The Spanish military coup of 1936 was launched to overturn the social and economic reforms of the democratic Second Republic, and its educational and cultural challenges to the established order. The consequent civil war was fought in the interests of the landowners, industrialists, bankers, clerics and army officers whose privileges were threatened. However, a central justification for a war that took the lives of around 500,000 Spaniards was that it was being fought to combat an alleged scheme for world domination by a non-existent ‘Jewish- Masonic-Bolshevik Conspiracy’. Despite the fact that Spain had only a tiny minority of Jews and Freemasons, Franco and his inner circle were ardent believers in this fabricated conspiracy and spread the notion that the survival of Catholic Spain, as well, of course, of the establishment ’ s economic interests, required the total annihilation of Jews and Freemasons. Architects of Terror is the story of how fake news, mendacity, corruption and nostalgia for lost empire generated violence and hatred. The book presents vivid portraits of the key ideologues who propagated the myth of the Jewish-Masonic-Bolshevik Conspiracy and of the military figures who implemented the atrocities that it justified. Among the convictions shared by these individuals was their belief in the idea that Freemasonry was responsible for Spain ’ s loss of empire and in the factual veracity of The Protocols of the Elders of Zion, the notorious fiction about the global domination of the Jews. This is a history that reverberates in our own political moment

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Few novels have caused as much debate as Hubert Selby Jr.'s notorious masterpiece, Last Exit to Brooklyn, and this Penguin Modern Classics edition includes an introduction by Irvine Welsh, author of Trainspotting.Described by various reviewers as hellish and obscene, Last Exit to Brooklyn tells the stories of New Yorkers who at every turn confront the worst excesses in human nature. Yet there are moments of exquisite tenderness in these troubled lives. Georgette, the transvestite who falls in love with a callous hoodlum; Tralala, the conniving prostitute who plumbs the depths of sexual degradation; and Harry, the strike leader who hides his true desires behind a boorish masculinity, are unforgettable creations. Last Exit to Brooklyn was banned by British courts in 1967, a decision that was reversed the following year with the help of a number of writers and critics including Anthony Burgess and Frank Kermode. Hubert Selby, Jr. (1928-2004) was born in Brooklyn, New York. At the age of 15, he dropped out of school and went to sea with the merchant marines. While at sea he was diagnosed with lung disease. With no other way to make a living, he decided to try writing: 'I knew the alphabet. Maybe I could be a writer.' In 1964 he completed his first book, Last Exit to Brooklyn, which has since become a cult classic. In 1966, it was the subject of an obscenity trial in the UK. His other books include The Room, The Demon, Requiem for a Dream, The Willow Tree and Waiting Period. In 2000, Requiem for a Dream was adapted into a film starring Jared Leto and Ellen Burstyn, and directed by Darren Aronofsky.If you enjoyed Last Exit to Brooklyn, you might like Larry McMurty's The Last Picture Show, also available in Penguin Modern Classics.'Last Exit to Brooklyn will explode like a rusty hellish bombshell over America, and still be eagerly read in 100 years'Allen Ginsberg'An urgent tickertape from hell'Spectator

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“The perfect summer read” (USA TODAY) begins with a shocking tragedy that results in three generations of the Adler family grappling with heartbreak, romance, and the weight of family secrets across the course of one summer. “Rachel Beanland is a writer of uncommon wit and wisdom, with a sharp and empathetic eye for character. She’ll win you over in the most old fashioned of ways: She simply tells a hell of a story.” —Rebecca Makkai, Pulitzer Finalist for The Great BelieversAtlantic City, 1934. Every summer, Esther and Joseph Adler rent their house out to vacationers escaping to “America’s Playground” and move into the small apartment above their bakery. Despite the cramped quarters, this is the apartment where they raised their two daughters, Fannie and Florence, and it always feels like home. Now Florence has returned from college, determined to spend the summer training to swim the English Channel, and Fannie, pregnant again after recently losing a baby, is on bedrest for the duration of her pregnancy. After Joseph insists they take in a mysterious young woman whom he recently helped emigrate from Nazi Germany, the apartment is bursting at the seams. Esther only wants to keep her daughters close and safe but some matters are beyond her control: there’s Fannie’s risky pregnancy—not to mention her always-scheming husband, Isaac—and the fact that the handsome heir of a hotel notorious for its anti-Semitic policies, seems to be in love with Florence. When tragedy strikes, Esther makes the shocking decision to hide the truth—at least until Fannie’s baby is born—and pulls the family into an elaborate web of secret-keeping and lies, bringing long-buried tensions to the surface that reveal how quickly the act of protecting those we love can turn into betrayal. Based on a true story and told in the vein of J. Courtney Sullivan’s Saints for All Occasions and Anita Diamant’s The Boston Girl, Beanland’s family saga is a breathtaking portrait of just how far we will go to in order to protect our loved ones and an uplifting portrayal of how the human spirit can endure—and even thrive—after tragedy.

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“In recent years,” writes TransAfrica executive director Randall Robinson in the preface to this volume, “there has been no graver moral-political crisis facing the world than apartheid.” For that reason, the prospect of representative democracy in South Africa ranks as one of the most extraordinary sociopolitical achievements of the late twentieth century. Throughout much of the era of repressive white rule, the United States has maintained a complex and often supportive geopolitical and economic relationship with South Africa’s notorious apartheid regime. As that regime comes to its inevitable end, the role of U.S. policy—from the Sharpeville massacre in 1960 to the release of African National Congress leader Nelson Mandela in 1990—can now be examined and understood. South Africa and the United States: The Declassified History makes available, for the first time, the most important internal U.S. government documents on U.S. policy toward South Africa over the last thirty years. Obtained by the National Security Archive through the Freedom of Information Act, this rich and revealing collection includes formerly top secret presidential decision directives, CIA memoranda, State Department policy papers, embassy cables, Defense Intelligence Agency assessments, and other recently declassified documents. Taken together, they dramatically record years of U.S. efforts to prop up the Afrikaner regime, and the evolution of Washington’s policies in the face of mounting domestic and international opposition to the world’s last racially based political system. Among the many revelations in this remarkable volume are details of the Reagan administration’s secret propaganda plan to defuse public and congressional support for economic sanctions; the U.S. role in the development of South Africa’s nuclear weapons capability; and Henry Kissinger’s controversial diplomatic and covert campaigns throughout the southern African region. The context for the declassified documents in South Africa and the United States is provided by concise, authoritative essays on U.S. sanctions policy, the history of nuclear collaboration, and U.S. reaction to upheavals in Angola, Mozambique, and elsewhere in the region. To supplement the narrative and the documents, the volume also provides an in-depth chronology and comprehensive glossaries. The result is an accessible and intriguing documentary history of one of the most significant international issues of our time.

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Ever wonder what history’s monarchs would say if you could talk to them? Well wonder no more, as historical monarchs are interviewed from the grave in this hilarious children's graphic novelWelcome to Corpse Talk, the chat show with a difference - all of the guests are dead! Your host, Adam Murphy interviews magnificent monarchs throughout history in this hilarious graphic novel and talk-show style book.Inside the pages of this delightful graphic novel for kids, you’ll discover: • Humorous text, in the format of an exchange between the interviewer and interviewee • Full-page illustrations offer more detail on the broader cultural and historical context surrounding the monarch’s stories - from the workings of Ramesses II’s empire to the gruesome timeline of Henry VIII’s (mostly) unfortunate brides • A diverse selection of rancorous rulers from around the world, from the Sultan Saladin and Chinese Emperor Qin Shi Huang Di to Pharaoh Cleopatra and Empress Matilda Bring history to life! Have you heard of Montezuma, the last ruler of the Aztecs? Or wondered why Queen Victoria was not amused? Find out in this exciting graphic novel! Delve into the lives of famous rulers like Cleopatra, Ramesses II, Henry VIII, and Mary Antoinette who all made ructions in their ruling days. Writer Adam Murphy explores the why, the what, and what were you thinking of these monarchs’ most notorious decisions and behaviors. Just for fun, Adam peppers in a few silly and funny questions to amuse young readers in this hilarious history book for kids. Bold and expressive illustrations by Adam and Lisa Murphy bring historical events to life, literally! The humorous text in this kid’s comic book makes learning history fun and entertaining. Whether you’re a fan of these superb sovereigns or just love a good story, this history book will not fail to inspire you and make you laugh.‘Dig up’ even more fun!DK's Corpse Talk series is a hilarious series of graphic novels for kids that delves into the history of dead famous people in the format of questions and answers. Other books in this series include Corpse Talk: Groundbreaking Women and Corpse Talk: Groundbreaking Scientists.

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In this young readers' edition, a rising New York Times reporter tells the compelling story of the Compton Cowboys, a group of African-American men and women who defy stereotypes and continue the proud, centuries-old tradition of black cowboys in the heart of one of America’s most notorious cities.In Compton, California, ten black riders on horseback cut an unusual profile, their cowboy hats tilted against the hot Los Angeles sun. They are the Compton Cowboys, their small ranch one of the very last in a formerly semirural area of the city that has been home to African-American horse riders for decades. To most people, Compton is known only as the home of rap greats NWA and Kendrick Lamar, hyped in the media for its seemingly intractable gang violence. But in 1988 Mayisha Akbar founded The Compton Jr. Posse to provide local youth with a safe alternative to the streets, one that connected them with the rich legacy of black cowboys in American culture. From Mayisha’s youth organization came the Cowboys of today: black men and women from Compton for whom the ranch and the horses provide camaraderie, respite from violence, healing from trauma, and recovery from incarceration.The Cowboys include Randy, Mayisha’s nephew, faced with the daunting task of remaking the Cowboys for a new generation; Anthony, former drug dealer and inmate, now a family man and mentor, Keiara, a single mother pursuing her dream of winning a national rodeo championship, and a tight clan of twentysomethings—Kenneth, Keenan, Charles, and Tre—for whom horses bring the freedom, protection, and status that often elude the young black men of Compton. The Compton Cowboys is a story about trauma and transformation, race and identity, compassion, and ultimately, belonging. Walter Thompson-Hernández paints a unique and unexpected portrait of this city, pushing back against stereotypes to reveal an urban community in all its complexity, tragedy, and triumph.In addition to reading about the Compton Cowboys, kids will get to see them and the horses that saved their lives. This book includes an 8-page insert of color photos by the author, Whiting Grant winner and New York Times reporter Walter Thompson-Hernández.

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'For anyone who enjoyed Hillbilly Elegy or Educated, Unfollow is an essential text' - Louis Theroux'Such a moving, redemptive, clear-eyed account of religious indoctrination' - Pandora Sykes'A nuanced portrait of the lure and pain of zealotry' New York Times'Unfolds like a suspense novel . . . A brave, unsettling, and fascinating memoir about the damage done by religious fundamentalism' NPRA Radio Four Book of the Week Pick for June 2021As featured on the BBC documentaries, 'The Most Hated Family in America' and 'Surviving America's Most Hated Family'It was an upbringing in many ways normal. A loving home, shared with squabbling siblings, overseen by devoted parents. Yet in other ways it was the precise opposite: a revolving door of TV camera crews and documentary makers, a world of extreme discipline, of siblings vanishing in the night.Megan Phelps-Roper was raised in the Westboro Baptist Church - the fire-and-brimstone religious sect at once aggressively homophobic and anti-Semitic, rejoiceful for AIDS and natural disasters, and notorious for its picketing the funerals of American soldiers. From her first public protest, aged five, to her instrumental role in spreading the church's invective via social media, her formative years brought their difficulties. But being reviled was not one of them. She was preaching God's truth. She was, in her words, 'all in'.In November 2012, at the age of twenty-six, she left the church, her family, and her life behind.Unfollow is a story about the rarest thing of all: a person changing their mind. It is a fascinating insight into a closed world of extreme belief, a biography of a complex family, and a hope-inspiring memoir of a young woman finding the courage to find compassion for others, as well as herself.---More praise for Unfollow'A beautiful, gripping book about a singular soul, and an unexpected redemption' - Nick Hornby'A modern-day parable for how we should speak and listen to each other' - Dolly Alderton'Her journey - from Westboro to becoming one of the most empathetic, thoughtful, humanistic writers around - is exceptional and inspiring' - Jon Ronson'A gripping story, beautifully told . . . It takes real talent to produce a book like this. Its message could not be more urgent' Sunday Times

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