Search results for ""author james"

William Faulkner Literary Competition, Honorable Mention Forty-six-year-old Madeline Fairbanks has no use for ideas like “separation of the races” or “men as the superior sex.” There are many in her dying Southern Appalachian town who are upset by her socially progressive views, but for years—partly due to her late husband’s still-powerful influence, and partly due to her skill as a healer in a remote town with no doctor of its own—folks have been willing to turn a blind eye to her “transgressions.” Even Maddie’s decision to take on a Black apprentice, Ren Morgan, goes largely unchallenged by her white neighbors, though it’s certainly grumbled about. But when a charismatic and power-hungry new reverend blows into town in 1917 and begins to preach about the importance of racial segregation, the long-idle local KKK chapter fires back into action—and places Maddie and her friends in Jamesville’s Black community squarely in their sights. Maddie had better stop intermingling with Black folks, discontinue her herbalistic “witchcraft,” and leave town immediately, they threaten, or they’ll lynch Ren’s father, Daniel. Faced with this decision, Maddie is terrified . . . and torn. Will she bow to their demands and walk away—or will she fight to keep the home she’s built in Jamesville and protect the future of the people she loves, both Black and white?

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Top NYPD Homicide Detective Nikki Heat and her partner, journalist Jameson Rook, pursue the elusive former CIA station chief who ordered the execution of her mother over a decade ago. But their quest for the old spy unearths an alarming terror plot that has already entered its countdown phase.

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Helen Ransome is married to a dull, boring, husband called Henry, and she decides that to get away from the crushing boredom to take a lover called Edward Jameson, her alibi being her demure and shy friend named Emily Jennings.

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Depression, anxiety, and stress are responsible for an overwhelming number of mental health care visits, and cognitive behavior therapy (CBT) offers the most popular, empirically supported approach to treating these conditions. Yet little is known about the effectiveness of CBT with African American, Latino, Asian American, and Native American populations – ethnic and racial groups that make up nearly half the population of the United States. This volume shows therapists how to adapt cognitive behavioral treatments for use with racial and ethnic minority clients. Contributors demonstrate how a client’s particular sociocultural background contextualizes her experience and understanding of mental health issues. They examine the influence of sociocultural context on experiences of social anxiety among Asian-Americans, the role of racial identity in the way stress and anxiety are experienced by African-American clients, and much more. They propose adaptations of standard CBT treatments to maximize their effectiveness for all clients, regardless of race or ethnicity.

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"Engelstalige literatuur na 1945" is een driedelig Nederlandstalig overzichtswerk waarin de belangrijkste auteurs en tendensen uit de naoorlogse Engelstalige literatuur voorgesteld worden. In aanvulling op de eerste twee delen, waar de creatieve literatuur centraal stond, gaat deze bundel in op de literatuurwetenschap in Engeland en de Verenigde Staten.Dat gebeurt niet in de vorm van een synthetisch essay, maar via afzonderlijke beschouwingen over een aantal markante literatuur- en cultuurwetenschappers: Homi K. Bhabha, Wayne C. Booth, Peter Brooks, Judith Butler, Shoshana Felman, Stanley Fish, Northrop Frye, Henri Louis Gates, Stephen Greenblatt, Frederic Jameson, Frank Kermode, Paul de Man, Edward Said, Elaine Showalter, Susan Sontag, Gayatri Chakravorti Spivak, Hayden White en Raymond Williams. Zij worden gesitueerd in hun maatschappelijke en wetenschappelijke context en hun belangrijkste werk wordt op een bevattelijke manier besproken. Het geheel is voorzien van een systematische inleiding, en bij ieder hoofdstuk wordt een literatuurlijst gegeven met tips voor verdere lectuur.Op die manier geeft dit boek een veelzijdig beeld van de actuele literatuurstudie in de Engelstalige wereld (en van haar relatie tot de Europese onderzoekstradities): van hermeneutiek tot deconstructie, van klassieke tekstanalyse tot "cultural studies" en psychoanalytische benaderingen, van postkolonialisme tot "ethical criticism" en "New Historicism".

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This Norton Critical Edition of Antony and Cleopatra is based on the First Folio (1623), the only authoritative text of the play. The edition includes a preface, detailed explanatory annotations, two maps, and visuals ranging from a silver tetradrachm (34 B.C.E.) to an Egyptian Queen Barbie. “Sources, Analogues, and Contexts,” a rich selection of historical and literary writing, gives readers an understanding of Antony and Cleopatra’s origins, from the earlier texts that inspired Shakespeare, especially those by Herodotus, Plutarch, and Virgil, to later works by Chaucer, Mary Sidney (Countess of Pembroke), and Samuel Daniel. The volume also includes a wide array of the early modern English views of Egyptians, gypsies, and women that informed Shakespeare’s worldview and his writing. “Criticism” includes fourteen essays representing four centuries of interpretation, from the early observations of Samuel Johnson to the Romantic readings of Samuel Taylor Coleridge and William Hazlitt, from the razor-sharp analyses of Anna Brownell Jameson to recent essays by Jonathan Gil Harris, Patricia Parker, Anston Bosman, and Ania Loomba, among others. “Adaptations, Rewritings, and Appropriations” reprints alternative versions of Antony and Cleopatra’s story, including one by John Dryden, a burlesque version by F. C. Burnand, a poem by Robert Louis Stevenson, and an Arabic version by Ahmad Shawqi. A Selected Bibliography is also included.

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Paired once again with top journalist Jameson Rook, NYPD Homicie Detective Nikki Heat arrives at her latest crime scene to find an unidentified body stuffed inside a suitcase. Nikki is in for a big shock when this new homicide connects to the unsolved murder of her own mother. Will Nikki Heat finally be able to solve the dark mystery?

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This well-researched book is a biography of the life—and disappearance—of Amelia Earhart, the pioneering aviator who was the first woman to fly solo over the Atlantic in 1928. But did Amelia’s plane really crash and sink in 1937, or was her fate entirely different?

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Philip Hinchcliffe, acclaimed producer of Doctor Who (1975-77) returns to tell new stories for the Fourth Doctor and Leela. The TARDIS arrives on the remote Shetland isle of Bothness and the Doctor and Leela find themselves threatened by Vikings! Only all is not as it seems. The locals are celebrating the old Norse fire festival of Up Helly Aa, so there's nothing to be worried about. Or is there? For, unknown to the islanders, the TARDIS crew are on the trail of an ancient artefact invested with mysterious powers that has recently been stolen and brought to this remote location. Somewhere on this island lurks something ancient, and evil, and alien. The Doctor and Leela will have to stop it. Only on this occasion, time might not be on their side. Big Finish's range of Doctor Who stories began in 1999, and has featured television Doctors Peter Davison, Colin Baker, Sylvester McCoy and Paul McGann across its hundreds of tales. Tom Baker and Louise Jameson team up with fan-favourite producer Philip Hinchcliffe to create new Doctor Who in the style of the show's 1970s classic era, with guest David Rintoul who has contributed to everything from Peppa Pig to Games of Thrones.C AST: Tom Baker (The Doctor), Louise Jameson (Leela), Joanna Vanderham (Joanna Renwick), David Rintoul (Professor Angus Renwick), Jane Slavin (Peggy), Ewan Bailey (Davy McTavit), Kieran Bew (Murdo Jamieson), Chris Porter (Nardos), Fleur Hinchcliffe (Young Angus Renwick).

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Before the Jamestown colonists reached their final shore, they arrived at a place they named Cape Henry, and beyond that lay an inlet that would one day shelter the towns of Hampton Roads: Chesapeake, Hampton, Newport News, Norfolk, Portsmouth, Suffolk, and Virginia Beach. With a selection of fine historic images from their best-selling book Historic Photos of Greater Hampton Roads, Emily J. and John S. Salmon provide a valuable and revealing historical retrospective on the growth and development of the region. The images collected in Remembering Greater Hampton Roads offer a remarkable glimpse into the history of these unique communities. Published in vivid black-and-white, these images communicate the historic events and everyday life of two centuries of Americans and two centuries of a fascinating corner of America. Remembering Greater Hampton Roads is sure to captivate anyone curious about the region’s past, from the student of history to the local history buff.

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"Calof's [story] has the 'electricity' one occasionally finds in primary sources. It is powerful, shocking, and primitive, with the kind of appeal primary sources often attain without effort. . . . it is a strong addition to the literature of women's experience on the frontier." —Lillian SchlisselIn 1894, eighteen-year-old Rachel Bella Kahn travelled from Russia to the United States for an arranged marriage to Abraham Calof, an immigrant homesteader in North Dakota. Rachel Calof's Story combines her memoir of a hard pioneering life on the prairie with scholarly essays that provide historical and cultural background and show her narrative to be both unique and a representative western tale. Her narrative is riveting and candid, laced with humor and irony.The memoir, written by Rachel Bella Calof in 1936, recounts aspects of her childhood and teenage years in a Jewish community, (shtetl) in Russia, but focuses largely on her life between 1894 and 1904, when she and her husband carved out a life as homesteaders. She recalls her horror at the hardships of pioneer life—especially the crowding of many family members into the 12 x 14' dirt-floored shanties that were their first dwellings. "Of all the privations I knew as a homesteader," says Calof, "the lack of privacy was the hardest to bear." Money, food, and fuel were scarce, and during bitter winters, three Calof households—Abraham and Rachel with their growing children, along with his parents and a brother's family—would pool resources and live together (with livestock) in one shanty.Under harsh and primitive conditions, Rachel Bella Calof bore and raised nine children. The family withstood many dangers, including hailstorms that hammered wheat to the ground and flooded their home; droughts that reduced crops to dust; blinding snowstorms of plains winters. Through it all, however, Calof drew on a humor and resolve that is everywhere apparent in her narrative. Always striving to improve her living conditions, she made lamps from dried mud, scraps of rag, and butter; plastered the cracked wood walls of her home with clay; supplemented meagre supplies with prairie forage—wild mushrooms and garlic for a special supper, dry grass for a hot fire to bake bread. Never sentimental, Caolf's memoir is a vital historical and personal record.J. Sanford Rikoon elaborates on the history of Jewish settlement in the rural heartland and the great tide of immigration from the Russian Pale of Settlement and Eastern Europe from 1880–1910. Elizabeth Jameson examines how Calof "writes from the interior spaces of private life, and from that vantage point, reconfigures more familiar versions of the American West." Jameson also discusses how the Calofs adapted Jewish practices to the new contingencies of North Dakota, maintaining customs that represented the core of their Jewish identity, reconstructing their "Jewishness" in new circumstances.

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In this completely revised and considerably expanded new edition, Steven Connor considers the recent work of the most influential postmodern theorists, including Lyotard and Jameson, and offers accounts both of the work of newly emerging theorists and new areas of postmodernist culture which have developed over the last decade, especially in law, music, dance, spatial theory, ethnography, ecology, and the new technologies.

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Después de Ola de calor, vuelve CASTLE, el escritor más famoso de la televisión con una nueva intrigante aventura de Nikki Heat y Jameson Rook Nikki Heat y Jameson Rook vuelven a encontrarse para trabajar juntos en la emocionante secuela del best seller Ola de calor. Cuando la columnista de cotilleos más despiadada de Nueva York, Cassidy Towne, aparece muerta, Heat descubre toda una galería de posibles sospechosos, y todos tienen motivos de peso para haber asesinado a la más temida destapadora de escándalos de Manhattan. La investigación del asesinato de Heat se complica con la reunión-sorpresa que tiene con el famoso periodista Jameson Rook. Su ruptura todavía está muy reciente y Nikki prefiere no tener que cargar con ese áspero bagaje emocional. Aunque la intromisión en el caso del atractivo y sobradamente intelectual escritor, ganador de un premio Pulitzer, la obligará a formar equipo con él una vez más. Los residuos no resueltos de su conflicto romántico y la creciente tensión sexu

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Revisiting the Bonaventure Hotel is a photo-essay that describes the life of a building through a range of film stills, photographic images and written citations. With Revisiting the Bonaventure Hotel we wander between references to Fredric Jameson, John Portman and Arnold Schwarzenegger as we view a world through different perspectives: vertical, horizontal and rotating. This is a story about the image.

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''Wonderful and moving'' Clare Chambers''Utterly absorbing'' Sunday PostSHORTLISTED FOR THE WINSTON GRAHAM HISTORICAL PRIZELONGLISTED FOR THE WALTER SCOTT PRIZEJamesina Ross is long finished with men. But one night a stranger seeking lodgings knocks on the door of her tenement flat. He doesn''t recognise her, but she remembers him at once. Not that she plans to mention it. She has no intention of trusting anyone enough to let herself be vulnerable again. A lifetime ago, growing up in a Highland glen, Jamesina Ross wrote songs about the land and the kin who had worked it for generations. But her music was no match for the violence her community faced in the Highland Clearances. Jamesina has borne the disfigurements of that day ever since, on her face and inside her head. Her lodger thinks that if she would only dare to open the past, she might have the chance of a future. This is a story about resilience, memor

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Essays discussing the concept of globalisation as present in works of art and literature. Like Freud's `civilisation', globalisation is both cause and consequence of its own discontents, visible at times only in the resistances it generates. Study of the phenomenon has until recently been confined largely to economists and political and social scientists. The present volume brings a range of literary and cultural analyses to bear to demonstrate both its actual time-depth and the all-encompassing nature of its influences on culture and consciousness. The English language and English literature have been major elements in its forging, underwriting first British and then American cultural hegemony. Unlike most readings of globalisation, these essays depict notan irresistible juggernaut but a process that, in generating its own resistances, opens up the possibility of an alternative world order founded not on the inequities of power and capital, but on shared commitment to a fragile planet and a common and universal culture. Ranging from Homer to Michael Crichton, Shakespeare to Suleyman Al-Bassam, John Donne to Les Murray, John Keats to Derek Walcott, Conrad, Gissing and Edward Lear to V. S. Naipauland Salman Rushdie, and addressing, among many others, writers as diverse as Paul Valéry and Edouard Glissant, Gertrude Stein and Wallace Stevens, George Orwell, Martha Gellhorn and Storm Jameson, Eliot, Yeats and Auden, Seamus Heaney and Paul Muldoon, these essays explore a remarkable range of responses to the process of globalisation from earliest times to the present day. Contributors: STAN SMITH, GRAHAM HOLDERNESS, BRYAN LOUGHREY, JENNIFER BIRKETT, PHYLLIS LASSNER, SHARON OUDITT, TONY SHARPE, EDWARD LARRISSY, MICHAEL MURPHY, LIAM CONNELL

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Lenin Reloaded is a rallying call by some of the world’s leading Marxist intellectuals for renewed attention to the significance of Vladimir Lenin. The volume’s editors explain that it was Lenin who made Karl Marx’s thought explicitly political, who extended it beyond the confines of Europe, who put it into practice. They contend that a focus on Lenin is urgently needed now, when global capitalism appears to be the only game in town, the liberal-democratic system seems to have been settled on as the optimal political organization of society, and it has become easier to imagine the end of the world than a modest change in the mode of production. Lenin retooled Marx’s thought for specific historical conditions in 1914, and Lenin Reloaded urges a reinvention of the revolutionary project for the present. Such a project would be Leninist in its commitment to action based on truth and its acceptance of the consequences that follow from action.These essays, some of which are appearing in English for the first time, bring Lenin face-to-face with the problems of today, including war, imperialism, the imperative to build an intelligentsia of wage earners, the need to embrace the achievements of bourgeois society and modernity, and the widespread failure of social democracy. Lenin Reloaded demonstrates that truth and partisanship are not mutually exclusive as is often suggested. Quite the opposite—in the present, truth can be articulated only from a thoroughly partisan position.Contributors. Kevin B. Anderson, Alain Badiou, Etienne Balibar, Daniel Bensaïd, Sebastian Budgen, Alex Callinicos, Terry Eagleton, Fredric Jameson, Stathis Kouvelakis, Georges Labica, Sylvain Lazarus, Jean-Jacques Lecercle, Lars T. Lih, Domenico Losurdo, Savas Michael-Matsas, Antonio Negri, Alan Shandro, Slavoj Žižek

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A Wall Street Journal and Amazon Charts bestseller. Two-time Man Booker Prize winner Hilary Mantel names An American Princess as one of her favorite books of the year: “light and gracefully written, it dances through a century of history…” (The Guardian) Born to a pioneering family in Upstate New York in the late 1800s, Allene Tew was beautiful, impetuous, and frustrated by the confines of her small hometown. At eighteen, she met Tod Hostetter at a local dance, having no idea that the mercurial charmer she would impulsively wed was heir to one of the wealthiest families in America. But when he died twelve years later, Allene packed her bags for New York City. Never once did she look back. From the vantage point of the American upper class, Allene embodied the tumultuous Gilded Age. Over the course of four more marriages, she weathered personal tragedies during World War I and the catastrophic financial reversals of the crash of 1929. From the castles and châteaus of Europe, she witnessed the Russian Revolution and became a princess. And from the hopes of a young girl from Jamestown, New York, Allene Tew would become the epitome of both a pursuer and survivor of the American Dream.

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More than 250 years passed from the founding of the first English colony in the New World at Jamestown in Virginia until the beginning of the American Civil War, and nearly a century and a half more has passed since the Civil War ended. As distant as such milestones of history may seem today, Virginians are fortunate to be able to see the physical evidence of great events, people, and places everywhere in the Old Dominion. With a selection of fine historic images from their best-selling book Historic Photos of Virginia, Emily J. and John S. Salmon provide a valuable and revealing historical retrospective on the growth and development of Virginia. Remembering Virginia showcases many of the state’s important places as well as events both great and small, beginning with the Civil War and carrying forward to the momentous changes that took place during and after the Second World War. While historic sites such as Monticello, Hampton Institute, and Arlington National Cemetery are featured, so too are the everyday city streets and rural countryside where Virginians lived and worked. These black-and-white images tell the story of Virginia, its people and places, with a vividness only historic photographs can offer.

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A memoir of one of America’s first adventurers, a young boy who acted as a link between the Jamestown colonists and the Patawomecks and Powhatans. “Being in displeasure of my friends, and desirous to see other countries, after three months sail we come with prosperous winds in sight of Virginia.” So begins the fascinating tale of Henry Spelman, a 14 year-old boy sent to Virginia in 1609. One of Jamestown’s early arrivals, Spelman soon became an integral player, and sometimes a pawn, in the power struggle between the Chesapeake Algonquians and the English settlers. Shortly after he arrived in the Chesapeake, Henry accompanied another English boy, Thomas Savage, to Powhatan’s capital and after a few months went to live with the Patawomeck chief Iopassus on the Potomac. Spelman learned Chesapeake Algonquian languages and customs, acted as an interpreter, and knew a host of colonial America’s most well-known figures, from Pocahontas to Powhatan to Captain John Smith. This remarkable manuscript tells Henry’s story in his own words, and it is the only description of Chesapeake Algonquian culture written with an insider’s knowledge. Spelman’s account is lively and insightful, rich in cultural and historical detail. A valuable and unique primary document, this book illuminates the beginnings of English America and tells us much about how the Chesapeake Algonquians viewed the English invaders. It provides the first transcription from the original manuscript since 1872.

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Contains four new adventures: 12.3 The Wizard of Time by Roy Gill (2 parts). It’s time for a story. Jacob Harmer was one of the greats. His fantasy novels for children entranced a generation. But how much of their stories were fantasy and how much of them was the truth? At last he’s ready to tell the tale of what really happened. 12.4 The Friendly Invasion by Chris Chapman (2 parts). It’s 1943 and the village of Westbourne has been invaded… not by the enemy, but by the allies. The American troops are ‘over here’ and enjoying themselves mightily. Except there’s someone else visiting the village. And not just the new barmaid, Margaret. Or her unusual friends, Leela and the Doctor. Something with a sinister agenda all its own. 12.5 Stone Cold by Roland Moore (4 parts). The TARDIS lands on a rocky, volcanic planet and its crew soon find they are not alone. A pleasure cruiser has recently crashed on this world… but survival has proved rather dangerous. Because there’s something out on the surface snatching people away. Something made of stone. And with wings. Don't blink. 12.6 The Ghost of Margaret by Tim Foley (2 parts). The journey has been long, but it’s time for Margaret to come home. Or is it a different time entirely? Reunited with a ghost from her past, she’s finds herself in a whole new world. The Doctor and Leela are about to discover that people don’t always leave easily...CAST: Tom Baker (The Doctor), Louise Jameson (Leela), Nerys Hughes (Margaret Hopwood), Guy Adams (Garlon Dees), Sam Benjamin (Attendant / Halfway Men), Chase Brown (Sergeant Ray Hunter), Barnaby Edwards (Stan Trubshaw / Private Massey / Edie’s Dad / Old Reg), Holly Jackson Waters (Alice), Joe Jameson (Jacob Harmer (16) / Jacob Harmer (35)), Kenneth Jay (Captain Ray Hunter), Evie Killip (Edie Carter), Shvorne Marks (Mia Valarna), Victor McGuire (Huthro), Jackson Milner (Private Joe Powell), Paul Panting (Nate Duffy / Mr Fennec), Ronald Pickup (Jacob Harmer), Olivia Poulet (Felsa Mavelock), Sara Powell (Moira Tenaka), Joe Sims (Tench). Other parts played by members of the cast.

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A delightful illustrated treasury of botanical facts and fancyFlorapedia is an eclectic A–Z compendium of botanical lore. With more than 100 enticing entries—on topics ranging from achlorophyllous plants that use a fungus as an intermediary to obtain nutrients from other plants to zygomorphic flowers that admit only the most select pollinators—this collection is a captivating journey into the realm of botany.Writing in her incomparably engaging style, Carol Gracie discusses remarkable plants from around the globe, botanical art and artists, early botanical explorers, ethnobotanical uses of plants, botanical classification and terminology, the role of plants in history, and more. She shares illuminating facts about van Gogh's sunflowers and reveals how a hallucinogenic weed left its enduring mark on the early history of the Jamestown colony. Gracie describes the travels of John and William Bartram—father and son botanists and explorers who roamed widely in early America in search of plants—and delves into the miniature ecosystems entangled in Spanish moss. The book's convenient size allows for it to be tucked into a pocket or bag, making it the perfect companion on your own travels.With charming drawings by Amy Jean Porter, Florapedia is the ideal gift book for the plant enthusiast in your life and a rare pleasure for anyone interested in botanical art, history, medicine, or exploration.Features a cloth cover with an elaborate foil-stamped design

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Adventures in Realism offers an accessible introduction to realism as it has evolved since the 19th century. Though focused on literature and literary theory, the significance of technology and the visual arts is also addressed. Comprises 16 newly-commissioned essays written by a distinguished group of contributors, including Slavoj Zizek and Frederic Jameson Provides the historical, cultural, intellectual, and literary contexts necessary to understand developments in realism Addresses the artistic mediums and technologies such as painting and film that have helped shape the way we perceive reality Explores literary and pictorial sub-genres, such as naturalism and socialist realism Includes a brief bibliography and suggestions for further reading at the end of each section

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"Criticism and Social Change speaks with special timeliness to the role of the political intellectual (here embodied in Kenneth Burke). Lentricchia's provocative analysis demands serious reflection by American radicals."—Frederic Jameson "A profound meditation on relations obtaining among writing, political consciousness, and criticism—this last taken in its most general sense. It is written with passion and grace; it is shot through with learning, intimate knowledge of the critical tradition, and a deep (though by no means uncritical) understanding of the work (as well as social significance) of Kenneth Burke."—Hayden White

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In The Portable Postmodernist, Arthur Asa Berger introduces key concepts written by postmodernism's leading theorists including Lyotard, Baudrillard, and Jameson. This collage of influential writing is followed by Berger's concise, accessible comments. Written for the newcomer, Berger's lucid explanations define the postmodernism's most elusive ideas. Organized in fifty segments, the book runs the gamut from postmodern architecture to feminism to punk music. Berger weaves these diverse topics together, exploring and challenging postmodernism's role in popular culture. This highly-readable book is essential reading for students and anyone interested in media, social, and cultural studies.

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Nelly Richard is one of the most prominent cultural theorists writing in Latin America today. As a participant in Chile’s neo-avantgarde, Richard worked to expand the possibilities for cultural debate within the constraints imposed by the Pinochet dictatorship (1973–1990), and she has continued to offer incisive commentary about the country’s transition to democracy. Well known as the founder and director of the influential journal Revista de crítica cultural, based in Santiago, Richard has been central to the dissemination throughout Latin America of work by key contemporary thinkers, including Néstor García Canclini, Jacques Derrida, Fredric Jameson, and Diamela Eltit. Her own writing provides rigorous considerations of Latin American identity, postmodernism, gender, neoliberalism, and strategies of political and cultural resistance.In The Insubordination of Signs Richard theorizes the cultural reactions—particularly within the realms of visual arts, literature, and the social sciences—to the oppression of the Chilean dictatorship. She reflects on the role of memory in the historical shadow of the military regime and on the strategies offered by marginal discourses for critiquing institutional systems of power. She considers the importance of Walter Benjamin for the theoretical self-understanding of the Latin American intellectual left, and she offers revisionary interpretations of the Chilean neo-avantgarde in terms of its relationships with the traditional left and postmodernism. Exploring the gap between Chile’s new left social sciences and its “new scene” aesthetic and critical practices, Richard discusses how, with the return of democracy, the energies that had set in motion the democratizing process seemed to exhaust themselves as cultural debate was attenuated in order to reduce any risk of a return to authoritarianism.

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Since the end of World War II, Japan has determinately remained outside the current of world events and uninvolved in the processes determining global history and politics. In Japan and the World, distinguished scholars, novelists, and intellectuals articulate how Japan—despite unprecedented economic prowess in securing dominance in the world's market—is caught in a complex dependency with the United States. Drawing on critical and postmodernist theory, this timely volume situates this dependency in a broader historical context and assesses Japan's current dealings in international politics, society, and culture.Among the many topics covered are: racism in U.S.-Japanese relations; productivity and workplace discourse; Western cultural hegemony; the constructing of a Japanese cultural history; and the place of the novelist in today's world. Originally published as a special issue of boundary 2 (Fall 1991), this edition includes four new essays on Japanese industrial revolution; the place of English studies in Japan; how American cultural, historical, and political discourse represented Japan and in turn how America's version of Japan became Japan's version of itself; and an "archaeology" of hegemonic relationships between Japan and America and Britain in the first half of the twentieth century.Contributors. Eqbal Ahmad, Perry Anderson, Bruce Cumings, Arif Dirlik, H.D. Harootunian, Kazuo Ishuro, Fredric Jameson, Kojin Karatani, Oe Kenzaburo, Masao Miyoshi, Tetsuo Najita, Leslie Pincus, Naoki Sakai, Miriam Silverberg, Christena Turner, Rob Wilson, Mitsuhiro Yoshimoto

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An anthology of exemplary readings by some of the twentieth century’s foremost literary critics, Close Reading presents a wide range of responses to the question at the heart of literary criticism: how best to read a text to understand its meaning. The lively introduction and the selected essays provide an overview of close reading from New Criticism through poststructuralism, including works of feminist criticism, postcolonial theory, queer theory, new historicism, and more. From a 1938 essay by John Crowe Ransom through the work of contemporary scholars, Close Reading highlights the interplay between critics—the ways they respond to and are influenced by others’ works. To facilitate comparisons of methodology, the collection includes discussions of the same primary texts by scholars using different critical approaches. The essays focus on Hamlet, “Lycidas,” “The Rape of the Lock,” Ulysses, Invisible Man, Beloved, Jane Austen, John Keats, and Wallace Stevens and reveal not only what the contributors are reading, but also how they are reading.Frank Lentricchia and Andrew DuBois’s collection is an essential tool for teaching the history and practice of close reading.Contributors. Houston A. Baker Jr., Roland Barthes, Homi Bhabha, R. P. Blackmur, Cleanth Brooks, Kenneth Burke, Paul de Man, Andrew DuBois, Stanley Fish, Catherine Gallagher, Sandra Gilbert, Stephen Greenblatt, Susan Gubar, Fredric Jameson, Murray Krieger, Frank Lentricchia, Franco Moretti, John Crowe Ransom, Eve Kosofsky Sedgwick, Helen Vendler

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Now in its eight year of publication, Ceramics in America is considered the journal of record for historical ceramics scholarship in the American context and is intended for collectors, historical archaeologists, curators, decorative arts students, social historians, and contemporary potters. This volume of Ceramics in America features articles on eighteenth-century New York and New Jersey salt-glazed stoneware, a fascinating ceramic cargo from the "Blue China" wreck, nineteenth-century ceramic consumption patterns in the Anglo-American merchant trade, and commemorative ceramics made for the 1907, 1957, and 2007 anniversaries of the founding off Jamestown, Virginia. Included are many additional articles detailing important new discoveries in the ceramic field and scholarly reviews of recently published ceramic books.

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With the help of elders, educators, and tribal councils of the Klallam Tribes at Elwha, Port Gamble, and Jamestown, Washington, and Becher Bay on Vancouver Island, Timothy Montler has compiled a comprehensive dictionary of the Klallam language. It includes over 9,000 entries, a brief grammatical sketch, and numerous indexes, along with a wealth of cultural information. Klallam is the language of the people whose ancestors lived at Tse-whit-zen, the largest archaeological site in Washington. It is an endangered language being revived through the efforts of the Klallam Language Program. While there are fewer than a dozen speakers of Klallam as their first language, there are hundreds who have gone through tribal language programs in the past twenty years.

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With a passion for art in all its forms, Anthony Shaw has created an extraordinary art collection which focuses in particular on British sculptural ceramics. The collection features among its major artists Gordon Baldwin, Ewen Henderson, Gillian Lowndes, Bryan Illsley, and Sara Radstone, who all work intuitively and express the felt nature of their works, in doing so often transcending the limitations of their medium. The most recent additions include Nao Matsunaga and Kerry Jameson, who likewise invariably produce the unexpected. The works, skilfully staged by photographer Philip Sayer, are complemented with contributions by Anthony Shaw himself and David Whiting, who set this remarkable collection in its art historical context.

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Rediscover Colonial Williamsburg through this tour of the restored capital of 18th century Virginia. Seventy illustrations showcase the buildings, gardens, history, and people of this historic town, in both the days of yesteryear and today. Stroll Duke of Gloucester and Palace streets, visit Market Square and the Williamsburg Inn, and tour historic Jamestown. Covering Abby Aldrich Rockefeller to the Zephyr Lily, this alphabetical journey is a reverent yet whimsical voyage of discovery for residents and tourists alike.

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The Politics of Home examines the changing representations of "home" in twentieth-century English literature. Examining imperial fiction, contemporary literary and cultural theory, and postcolonial narratives on belonging, exile and immigration, Rosemary Marangoly George argues that literary allegiances are always more complicated than expected and yet curiously visible in textual reformulations of "home." She reads English women's narration of their success in the empire against Joseph Conrad's accounts of colonial masculine failure, R. K. Narayan alongside Frederic Jameson, contemporary Indian women writers as they recycle the rhetoric of the British Romantic poets, Edward Said next to M. G. Vassanji and Jamaica Kincaid, and Conrad through Naipaul and Ishiguro.

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Romana and Narvin are exiles, driven from Gallifrey by Rassilon’s regime and cut adrift amid the horrors of the Time War. Their one remaining hope is that they can find their friend: Leela was also lost in the maelstrom of battle, but she is fighting to survive. Four new chapters in the Gallifrey saga: 1. Hostiles by David Llewellyn. Exiled from Gallifrey, Romana and Narvin are fleeing from their own people and the Time War. Seeking refuge on a derelict wreck they find they are not alone. And that Time Lords have enemies everywhere… 2. Nevernor by Lou Morgan. Narvin and Romana reach the distant, rural world of Njagilheim. But even here the Time War follows – and there are more things to fear in the Vortex than warships and weapons. The Orrovix have caught a scent and they are hunting. 3. Mother Tongue by Helen Goldwyn. Leela was thrown into a Vortex ravaged by the Time War, lost in space and time – but the Trill have shown her mercy…She finds herself in another realm, another life. One where the warrior is also a mother. Where she must help her son to choose the path to avoid his world’s destruction. 4. Unity by David Llewellyn. On a dusty frontier world, destiny awaits Romana… Betrayal, deception and death are the currency on Unity. And as the Daleks close in on their target, there will be a price to pay. CAST: Lalla Ward (Romana), Louise Jameson (Leela), Seán Carlsen (Narvin), Omar Austin (Rayo), Suzanne Bertish (Aldis), Nicholas Briggs (The Daleks), Lorna Brown (Veega), Sarah Douglas (Drah), Mark Elstob (Qatal), Maxine Evans (Renucha), Sam Hallion (Sholan), Leah Harvey (Trellick), Robert Jezek (Jarred McKenzie), Will Kirk (Kraumer), Lucy Reynolds (Agata), Wilf Scolding (Ivar). Other parts played by members of the cast.

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Arizona's history is liberally seasoned with legends of lost mines, buried treasures, and significant deposits of gold and silver. The famous Lost Dutchman Mine has lured treasure hunters for over a century into the remote, treacherous, and reportedly cursed Superstition Mountains east of Phoenix. Gold and silver bars discovered in Huachuca Canyon by a soldier stationed at nearby Fort Huachuca just before World War II remain inaccessible despite years of laborious attempts at recovery. Outside the town of Yucca, bandits eager to make a fast getaway buried a strongbox filled with gold, unaware they wouldn't survive the pursuit of a law-enforcing posse to recover their plunder. And somewhere in the Little Horn Mountains northeast of Yuma lies an elusive wash containing hundreds of odd gold-filled rocks. Selected from hundreds of tales passed down from generation to generation since the days of the gold-seeking Spanish explorers, the tales included here are among the most compelling that Arizona has to offer.

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This volume collects some of the best recent writings on St. Thomas’s philosophy of law and includes a critical examination of Aquinas’s theory of the relation between law and morality, his natural law theory, as well as the modern reformulation of his approach to natural rights. The volume shows how Aquinas understood the importance of positive law and demonstrates the modern relevance of his writings by including Thomistic critiques of modern jurisprudence and examples of applications of Thomistic jurisprudence to specific modern legal problems such as federalism, environmental policy, abortion and euthanasia. The volume also features an introduction which places Aquinas’s writings in the context of modern jurisprudence as well as an extensive bibliography. The volume is suited to the needs of jurisprudence scholars, teachers and students and is an essential resource for all law libraries.

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The Benjamin Files offers a comprehensive new reading of all of Benjamin's major works and a great number of his shorter book reviews, notes and letters. Its premise is that Benjamin was an anti-philosophical, anti-systematic thinker whose conceptual interests also felt the gravitational pull of his vocation as a writer. What resulted was a coexistence or variety of language fields and thematic codes which overlapped and often seemed to contradict each other: a view which will allow us to clarify the much-debated tension in his works between the mystical or theological side of Benjamin and his political or historical inclination. The three-way tug of war over his heritage between adherents of his friends Scholem, Adorno and Brecht, can also be better grasped from this position, which gives the Brechtian standpoint more due than most influential academic studies. Benjamin's corpus is an anticipation of contemporary theory in the priority it gives language and representation over philosophical or conceptual unity; and its political motivations are clarified by attention to the omnipresence of History throughout his writing, from the shortest articles to the most ambitious projects. His explicit program - "to transfer the crisis into the heart of language" or, in other words, to detect class struggle at work in the most minute literary phenomena - requires the reader to translate the linguistic or representational literary issues that concerned him back into the omnipresent but often only implicitly political ones. But the latter are those of another era, to which we must gain access, to use one of Benjamin's favorite expressions.

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At a New York City Wedding, on a sweltering summer night, four people are trying to get their lives started.Yun has everything he's ever wanted, but somehow it's never enough.Emory is finally making her mark, but feels the shame more than the success.Andrew just wants to be honest, but had lied to himself his whole life.Fin can't resist falling in love, but can't help wrecking it all either.Then the four of them watch as one of the guests sits down and never gets back up. Soon it's happening everywhere. Is it an illness or a choice?Because how can anyone be happy in a world where the only choice is to feel everything - or nothing at all?

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'We defy you to pick up The Last and put it back down' Stylist 'Extraordinary' Emily St John Mandel, Station ElevenTWENTY SURVIVORS. ONE HOTEL. ONE KILLER.------ The world as we know it has ended. You and nineteen other survivors hole up in an isolated Swiss hotel. You wait, you survive. Then you find the body. One of your number has blood on their hands. The race is on to find the killer. Before the killer finds you.... Finished Station Eleven and Contagion and looking for your next pulse-pounding, speculative read? Look no further than The Last. This Waterstones Thriller of the month will sweep you into a world of fascinating characters and compulsive mystery.------ 'One of those books you can't stop reading, but don't want to end' TM Logan, The Holiday'Dark, compelling, original' CJ Tudor, The Burning Girls'A scarily plausible white-knuckle read' Erin Kelly, We Know You Know'Stephen King meets Agatha Christie' Luca Veste, You Never Said Goodbye'Frighteningly believable' Jennie Melamed, Gather the Daughters'Compulsively readable' Daily Telegraph'A post-apocalyptic And Then There Were None' Irish Times

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Swing into the marvellous mayhem of Spider-Man's thoughts, wise-cracks, and web-fuelled wisdom! A lavish collection of everything that makes Spidey tick.Is your spider-sense tingling? This wonderful little book reveals all the quirks and quick-wittedness that the scarlet spider revels in and dispels it for your pleasure! How funny is Peter Parker really? How does he cope with J. Jonah Jameson's incessant barking? Is an upside-down kiss as easy as it looks? All this and more as the mind of the most popular superhero of recent history is unwebbed! With great power comes a great number of jokes, jibes and jovial wordplay as you delve into some of Spider-Man's most comedic comic book moments, laudable cover art, and pure Spidey-(non)sense.Excelsior!

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A nameless barman tends a decaying bar in Hollywood and takes notes for a book about his clientele. Initially, he is morbidly amused by watching the regulars roll in and fall into their nightly oblivion, pitying them and their loneliness. In hopes of uncovering their secrets and motives, he establishes tentative friendships with them. He also knocks back pills indiscriminately and treats himself to gallons of Jameson's. But as his tenure at the bar continues, he begins to lose himself, trapped by addiction and indecision. When his wife leaves him, he embarks on a series of squalidly random sexual encounters and a downward spiral of self-damage and irrational violence. To cleanse himself and save his soul, he attempts to escape ...

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Steve Adelman’s humorous and engaging memoir reflects on his years as the director and owner of some of the world’s most popular nightclubs, including the Roxy, Limelight, Tunnel, and Palladium in the heyday of clubs in New York City during the 1980s and 1990s, followed by Avalon (Boston, Hollywood, NYC, and Singapore locations), and the New Daisy Theatre in Memphis. Nocturnal Admissions is a timely, unconventional look at one of pop culture’s most outwardly glamorous, yet misunderstood industries, bringing the reader backstage into the world of nightlife at its highest level. Wearing the multiple hats of ringmaster, entrepreneur, guidance counselor, multimillion-dollar dealmaker, and music soothsayer, Adelman chronicles an improbable journey from small town to big city, filled with a cast of characters he could never have imagined: People named Hedda Lettuce, Jenetalia, Maxi Min, and Jiggy, who collide with and around the likes of Jack Nicholson, Bruce Willis, Sir Richard Branson, Leonardo DiCaprio, RuPaul, Rudy Giuliani, and Snoop Dogg, among many, many others. Navigating city crackdowns, crazed partners, and cultural differences, Adelman relates how he watched his Nana out-dance an ex-NFL lineman, was chastised by Bob Dylan, launched the EDM cultural movement, helped created the “mash-up” with Perry Farrell, butted heads with Jerry Falwell, rang in the New Year with Matt Damon’s mother, leveraged porn star Jenna Jameson, relied on advice from felons, almost pancaked Prince, and built the world’s most lavish nightclub. Nocturnal Admissions is a hilarious, adrenaline-filled ride through the peak decades of the world's most famous nightclubs and nightlife scenes.

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This groundbreaking collection focuses on what may be, for cultural studies, the most intriguing aspect of contemporary globalization—the ways in which the postnational restructuring of the world in an era of transnational capitalism has altered how we must think about cultural production. Mapping a "new world space" that is simultaneously more globalized and localized than before, these essays examine the dynamic between the movement of capital, images, and technologies without regard to national borders and the tendency toward fragmentation of the world into increasingly contentious enclaves of difference, ethnicity, and resistance. Ranging across issues involving film, literature, and theory, as well as history, politics, economics, sociology, and anthropology, these deeply interdisciplinary essays explore the interwoven forces of globalism and localism in a variety of cultural settings, with a particular emphasis on the Asia-Pacific region. Powerful readings of the new image culture, transnational film genre, and the politics of spectacle are offered as is a critique of globalization as the latest guise of colonization. Articles that unravel the complex links between the global and local in terms of the unfolding narrative of capital are joined by work that illuminates phenomena as diverse as "yellow cab" interracial sex in Japan, machinic desire in Robocop movies, and the Pacific Rim city. An interview with Fredric Jameson by Paik Nak-Chung on globalization and Pacific Rim responses is also featured, as is a critical afterword by Paul Bové.Positioned at the crossroads of an altered global terrain, this volume, the first of its kind, analyzes the evolving transnational imaginary—the full scope of contemporary cultural production by which national identities of political allegiance and economic regulation are being undone, and in which imagined communities are being reshaped at both the global and local levels of everyday existence.

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