Search results for ""boydell brewer ltd""

The first detailed study of the vital role that Norway played in the life and work of Frederick Delius This is a study of the vital role that Norway played in the life and work of Frederick Delius. Norway was a primary source of inspiration for Delius: 20 summers of his adult life were spent there, and almost 40 works express his experiences of Norwegian nature or were composed to Norwegian texts. Yet, although his attachment to Norway was at the core of his creative life, this book is the first in-depth study of the influence the country and its artists had on the composer. It includes significant new material regarding Delius's friendships with Edvard Munch, Edvard Grieg and Knut Hamsun. Previously unknown visits to Norway are detailed, as are close ties to a whole raft of Norwegian artists and political figures that have never previously been documented. For the first time, Delius's alter ego is uncovered, several mythologies regarding the composer are clarified, and the Norwegian background to some of his most well-known works is considered. The Delius that emerges from these pages is little known, even to most enthusiasts of his music: a driven and energetic personality and an artist searching for a language with which to express the existential crisis facing modern man in the early twentieth century. ANDREW J. BOYLE is an author and musician. He gained his PhD on the music of Frederick Delius from the University of Sheffield.

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The book offers unprecedented access to primary sources that have been unavailable in English, or which lay unknown on archival shelves. Music and Soviet Power offers cultural history told through documents - both colourfuland representative - with an extensive commentary and annotation throughout. The October Revolution of 1917 tore the fabric of Russian musical life: institutions collapsed, and leading composers emigrated or fell into silence. But in 1932, at the outset of the 'socialist realist' period, a new Stalinist music culture was emerging. Between these two dates lies a turbulent period of change which this book charts year by year. It sheds light on the vicious power struggles and ideological wars, the birth of new aesthetic credos, and the gradual increase of Party and state control over music, in the opera houses, the concert halls, the workers' clubs, and on the streets. The book not only provides a detailed and nuanced depiction of the early Soviet musical landscape, but brings it to life by giving voice to the leading actors and commentators of the day. The vibrant public discourse on music is presented through a selection of press articles, reviews and manifestos, all suppliedwith ample commentary. These myriad sources offer a new context for our understanding of Shostakovich, Prokofiev and Myaskovsky, while also showing how Western music was received in the USSR. This, however, is only half the story.The other half emerges from the private dimension of this cultural upheaval, traced through the letters, diaries and memoirs left by composers and other major players in the music world. These materials address the beliefs, motivations and actions of the Russian musical intelligentsia during the painful period of their adjustment to the changing demands of the new state. While following the twists and turns of official policies on music, the authors also offer their own explanations for the outcomes. The book offers unprecedented access to primary sources that have been unavailable in English, or which lay unknown on archival shelves. Music and Soviet Power offers cultural history told through documents - both colourful and representative - with an extensive commentary and annotation throughout. MARINA FROLOVA-WALKER is Professor in Music History at the University of Cambridge anda Fellow of Clare College, Cambridge. JONATHAN WALKER, who has a PhD in Musicology, is a freelance writer, teacher and pianist.

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A new collection with contributions from performing musicians and Grainger scholars and a detailed Catalogue of Works. In the thirty years since his Centenary in 1982 it has become even clearer that Percy Grainger [1882-1961] - composer, pianist and revolutionary - was a man born out of his time. Many of his ideas, both musical and social, sit farmore easily in our contemporary world. Those thirty years have also seen a notable expansion of interest in Grainger's music. Innumerable recordings have been made, including the first complete Grainger recording survey by Chandos in its monumental Grainger Edition. The growth of the internet has made it possible, as never before, for Grainger's music to be heard widely. The central theme of The New Percy Grainger Companion is to give information and help from established musicians for performing and listening to this life-celebrating repertoire. The Companion's fully detailed, up-to-date Catalogue of Works - the most complete of any existing catalogue - givesinvaluable assistance. Authoritative contextual chapters in the Companion offer some surprising new background information, together with thoughtful evaluations which signal a new twenty-first century perspective in Grainger scholarship. PENELOPE THWAITES is recognised internationally as a leading Grainger exponent. Her research, performances and extensive Grainger discography over four decades reflect a unique understanding of the manand his music. Contributors: BRIAN ALLISON, TERESA BALOUGH, ROGER COVELL, KAY DREYFUS, LEWIS FOREMAN, PAUL JACKSON, JAMES JUDD, JAMES KOEHNE, ASTRID BRITT KRAUTSCHNEIDER, BARRY PETER OULD, STEWART MANVILLE, MURRAY MCLACHLAN, TIMOTHY REYNISH, BRUCE CLUNIES ROSS, DESMOND SCOTT, PETER SCULTHORPE, GEOFFREY SIMON, RONALD STEVENSON, STEPHEN VARCOE, DAVID WALKER

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A new appraisal of the military careers and activities of soldiers from elite medieval families. In 1277 the recently crowned king of England, Edward I, invaded Wales; his army, large for the time, was none the less modest by his later standards. Most of his countrymen had not been on active service outside the realm for twenty years and more, if at all, yet over the course of the following four decades, up to the battle of Bannockburn in 1314, they would be called upon to fight in four different theatres of war: in Wales, Gascony, Flanders and Scotland. Although the identities of many of the men who fought in these wars, particularly those of the thousands of peasant foot soldiers, will never be known, the names of a large proportion of the men-at-arms can be located inthe records of central government. This book utilises these sources - pay-rolls, horse inventories, wardrobe books and others - to examine the military careers and activities of these men-at-arms, focusing on five main themes: mobilisation; military command; service patterns among the gentry; retinues and their composition; and 'feudal' service. Dr DAVID SIMPKIN is Teacher of History at Birkenhead Sixth-Form College.

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How and why do listeners come over time to 'feel the nation' through particular musical works? This book develops a comparative analysis of the relationship between western art music, nations and nationalism. It explores the influence of emergent nations and nationalism on the development of classical music in Europe and North America and examines the distinctive themes, sounds and resonances to be found in the repertory of each of the nations. Its scope is broad, extending well beyond the period 1848-1914 when national music flourished most conspicuously. The interplay of music and nation encompasses the oratorios of Handel, the open-air music of the French Revolution and the orchestral works of Beethoven and Mendelssohn and extends into the mid-twentieth century in the music of Prokofiev, Shostakovich and Copland. The book addresses the representation of the national community, the incorporation of ethnic vernacular idioms into art music, the national homeland in music, musical adaptations of national myths and legends, the music of national commemoration and the canonisation of national music. Bringing together insights from nationalism studies, musicology and cultural history, it will be essential reading not only for musicologists but for cultural historians and historians of nationalism as well. MATTHEW RILEY is Reader in Music at the University of Birmingham. The late ANTHONY D. SMITH was Professor Emeritus of Nationalism andEthnicity at the London School of Economics.

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The formidable force of the Normans at sea has been frequently overlooked. This volume shows their dominance over the Mediterranean, and its far-reaching effects. The rise of Norman naval power in the central Mediterranean in the eleventh and twelfth centuries prompted a seminal shift in the balance of power on the sea. Drawing from Latin, Greek, Jewish and Arabic sources, this book detailshow the House of Hauteville, particularly under Robert Guiscard and his brother Roger, used sea power to accomplish what the Papacy, the German Empire and the Eastern Empire could not: the conquest of southern Italy and Sicily from Islam. The subsequent establishment of an aggressive naval presence on Sicily, first by Roger de Hauteville and then by his son Roger II, effectively wrested control of the central Mediterranean from Byzantine and Muslim maritime hegemony, opening the sea to east-west shipping. The author goes on to describe how this development, in turn, emboldened the West Italian maritime republics, principally Genoa and Pisa, to expand eastward in conjunction withthe Crusades. It was, quite literally, a sea change, ushering in a new period of western maritime ascendancy which has persisted into the modern era. Dr Charles D. Stanton is a former US naval officer and airline pilotwho, after retirement, studied medieval Mediterranean history at Cambridge under David Abulafia. He has written extensively on medieval maritime history, including, most recently, Medieval Maritime Warfare.

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Mark Goldie's authoritative and highly readable introduction to the political and religious landscape of Britain during the turbulent era of later Stuart rule. An exceptionally significant monograph, and without doubt one of the most important to appear in the field of Restoration history in the last twenty years. Mark Goldie has done more than anyone else to illuminate the political and religious assumptions of late seventeenth-century Englishmen.' Dr Grant Tapsell, University of Oxford. Roger Morrice and the Puritan Whigs explains a movement, illuminates the world of its emblematic representative, and explores one of the most remarkable documents of the seventeenth century. Morrice's Entring Book was supremely well-informed, passionately committed, and relentlessly opinionated. Chronicling the years 1677 to 1691, nearly a million words in length, it is the fullest surviving record of the tumultuous final years of the Stuart regime, from the Popish Plot and Exclusion Crisis to the Glorious Revolution. Morrice was a Puritan clergyman turned confidential reporter for leading Whig politicians, a barometer of opinion, for whom reliable information was vital for public action. Just twenty years after Pepys's Diary, the Entring Book depicts a darker England, gripped by a new crisis of 'popery and arbitrary government'. Mark Goldie's deeply considered book examines the fortunes of Puritanism in the later Stuart age. It offers a story of disillusion and diminuendo, ofstruggles for survival in the face of intolerance, and of self-understanding among those who hoped to transform England through 'Godly rule'. Yet the book also tells a countervailing story of revitalized and transformed Puritanism. Puritans worked through parliament, the royal court, and the households of gentry, merchants, lawyers, and clergy. Setting out to galvanize civil society, they mobilized public opinion, organized electorates, and deployedthe arts of journalism, influence, and persuasion. This book has been adapted, with a new substantial introduction and updated bibliography, from the first volume of the Entring Book of Roger Morrice. Mark Goldie is Professor of Intellectual History at the University of Cambridge and a Fellow of Churchill College.

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A fresh perspective on the Crusade shows its ideal and practice flourishing in the fourteenth century. The central theme of this book is the largely untold story of English knighthood's ongoing obsession with the crusade fight during the age of Chaucer, "high chivalry" and the famous battles of the Hundred Years War. After combat in France and Scotland, fighting crusades was the main and a widespread experience of English chivalry in the fourteenth century, drawing in noblemen of the highest rank, as well as knights chasing renown and the jobbing esquire. The author exposes a thick seam of military engagement along the perimeters of Christendom; details of participants and campaigns are chronicled - in many cases for the first time - and associated matters of tactics, diplomacy, organisation, and recruitment are minutely analysed, adding substantially to the historiography of the later crusades. The book's second theme traces the surprisingly strong grip the crusade-idea possessed at the height of politics,as an animating force of English kingship. Disputing the common assumption that crusade plans were increasingly ill-treated by the monarchs - adopted as diplomatic double-speak or as a means of raiding church coffers - the authorargues that courtiers and knights moved in a rich environment of crusade speculation and ambition, and exercised a strong influence on the culture of the time. Timothy Guard gained his DPhil at Hertford College, University of Oxford. He is Head of History at Rugby School.

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Essays into numerous aspects of the Domesday Book, shedding fresh light on its mysteries. Compiled from the records of a survey of the kingdom of England commissioned by William the Conqueror in 1085, Domesday Book is a key source for the history of England. However, there has never been a critical edition of the textand so, despite over 200 years of intense academic study, its evidence has rarely been exploited to the full. The essays in this volume seek to realize the potential of Domesday Book by focussing on the manuscript itself. There are analyses of abbreviations, letter forms, and language; re-assessments of key sources, the role of tenants-in-chief in producing them, and the nature of the Norman settlement that their forms illuminate; a re-evaluation of the data and its referents; and finally, fresh examinations of the afterlife of the Domesday text and how it was subsequently perceived. In identifying new categories of evidence and revisiting old ones, these studies point to a better understanding of the text. There are surprising insights into its sources and developing programme and, intriguingly, a system of encoding hitherto unsuspected. In its turn the import of its data becomes clearer, thereby shedding new light on Anglo-Norman society and governance. It is in these terms that this volume offers a departure in Domesday studies and looks forward to the resolution of long-standing problems that have hitherto bedevilled the interpretation of an iconic text. David Roffe and K.S.B. Keats-Rohan are leading Domesday scholars who have published widely on Domesday Book and related matters. Contributors: Howard B. Clarke, Sally Harvey, K.S.B. Keats-Rohan, Andrew Lowerre, John Palmer, David Roffe, Ian Taylor, Pamela Taylor, Frank Thorn, Ann Williams.

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A comprehensive account of the abbey of Evesham and its surroundings, demonstrating its full significance in the wider history of the time. Provides a fine contribution to the rich history of the region, showing Evesham's place in the life of the medieval kingdom of England. Professor Ann Williams. In c.701, a minster was founded in the lower Avon Valleyon a deserted promontory called Evesham. Over the next five hundred years it became a Benedictine abbey and turned the Vale of Evesham into a federation of Christian communities. A landscape of scattered farms grew into one of open fields and villages, manor houses and chapels. Evesham itself developed into a town, and the abbots played a role in the affairs of the kingdom. But individual contemplation and prayer within the abbey were compromised by its corporate aspirations. As Evesham abbey waxed ever grander, exerting a national influence, it became a ready patron of the arts but had less time for private spirituality. The story ends badly in the prolonged scandal of Abbot Norreis, a libertine whose appetites caused religion to collapse at Evesham before his own sudden downfall. This book integrates the evidence of archaeology, maps, and documents in a continuous narrative that pays as much attention to religious and cultural life as to institutional and economic matters. It provides a complete survey over one of the most important and wealthy Benedictine abbeys and its landscape, a stage on which was enacted the tense interplay of lordship and prayer. Dr David Cox, FSA, was until his retirement county editor of the Victoria History of Shropshire and lecturer at Keele University.

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An investigation of the growth and influence of the cult of St Edmund, and how it manifested itself in medieval material culture. Longlisted for the Katharine Briggs Award 2016 St Edmund, king and martyr, supposedly killed by Danes (or "Vikings") in 869, was one of the pre-eminent saints of the middle ages; his cult was favoured and patronised by several English kings, and gave rise to a rich array of visual, literary, musical and political artefacts. This study explores the development of devotion to St Edmund, from its first flourishing in the ninth century to the eveof the Reformation. It explores a series of key questions: how, why and when did the cult develop? Who was responsible for its promotion and dissemination? To which groups and individuals did St Edmund appeal? How did this evolveover time? Using as evidence a range of textual and visual treasures from the Anglo-Saxon king's erstwhile kingdom and later cultic heartland, Norfolk and Suffolk, the study draws on sources and approaches from a variety of disciplines (literature, art history, social history and anthropology) to elucidate the social, cultural and political dynamics of cult construction. Dr Rebecca Pinner is a Lecturer in Medieval and Early Modern Literature atthe University of East Anglia.

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An examination of the linguistic and cultural construction of one of the texts of the Anglo-Saxon Chronicle. In the twelfth century, a version of the Anglo-Saxon Chronicle was rewritten at Peterborough Abbey, welding local history into an established framework of national events. This text has usually been regarded as an exception, a vernacular Chronicle written in a period dominated by Latin histories. This study, however, breaks new ground by considering the Peterborough Chronicle as much more than just an example of the accidental longevity of the Chronicle tradition. Close analysis reveals unique interpretations of events, and a very strong sense of communal identity, suggesting that the construction of this text was not a marginal activity, but one essential to the articulation of the abbey's image. This text also participates in a vibrant post-Conquest textual culture, in particular at Canterbury, including the writing of the bilingual F version of the Chronicle; its symbiotic relationship witha wider corpus of Latin historiography thus indicates the presence of shared sources. The incorporation of alternative generic types in the text also suggests the presence of formal hybridity, a further testament to a fluid and adaptable textual culture. Dr Malasree Home teaches at Newcastle University.

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Brings together writers from diverse worlds to explore how Austen's readers experience and process her novels' erotic power.

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Examines African debates on captivity, legal and illegal enslavement, and religious and ethnic identity in the era of West African jihads. In this pioneering study—the first to cover ransoming, or the release of a prisoner prior to enslavement for cash or kind, in African regions south of the Sahara—Jennifer Lofkrantz focuses on a broad temporal and geographical area ranging from the fifteenth to the nineteenth centuries and including present-day Mali, Niger, Nigeria, and Morocco. The work concentrates particularly on the nineteenth-century jihad era and on the Sokoto Caliphate and the Umarian States. The overall period was a time of intense intellectual debate over the questions of who was and who was not a Muslim, how Islamic law could and should be implemented, what rights and protections recognized freeborn Muslims should have, and what role governments should play in ensuring those rights especially during a time when slavery was legal. Ransoming discourses and procedures expose Muslim West African answers to these questions as well as providing a lens on broader issues and ideas on slavery, freedom, and religious and ethnic identity. Based on research conducted mostly in Mali, Niger, Nigeria, and France and on Arabic-, French-, and English-language archival sources, treatises, personal correspondence, oral sources and testimony, biographical data, travel reports, and early colonial documents, this study approaches the question of ransoming of captives through an examination, first, of intellectual debates among pre-nineteenth-century West African scholars on issues of ransoming; second, of nineteenth-century policies based on understandings of those intellectual debates in the context of the jihads; and, finally, of West African practices of ransoming in the nineteenth century.

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Ukrainian dissident Myroslav Marynovych recounts his involvement in the Brezhnev-era human rights movement in the Soviet Union and his resulting years as a political prisoner in Siberia and in internal exile. This memoir by a prominent Ukrainian dissident, now in English translation, offers a unique account that spans the entire postwar period, from the author's childhood in newly Soviet western Ukraine and coming of age within the Communist system to the collapse of the Soviet Union, concluding with his reflections on culpability and justice in the post-Soviet context. Marynovych's description of the varied landscape of Ukrainian dissent in the 1960s and 1970s focuses on the emerging human rights movement, especially the creation of the Ukrainian Helsinki Group, of which he was a founding member. He vividly recounts his encounters with the Soviet repressive apparatus, including his arrest and trial, and offers a rich picture of daily life in a Siberian prison camp and his internal exile in Kazakhstan. Imbued with the author's deep Christian convictions, this memoir sheds light on the key role faith played for some participants in the Soviet human rights movement, a movement that has most often been seen as having a secular inflection. It also provides a fresh look at the complex place of Ukrainian dissidents within the broader Soviet human rights movement, as well as the interplay between human rights advocates and other dissident groups in Soviet Ukraine. Funded by the Knowledge Unlatched Select 2023 collection, this title is available as Open Access under the Creative Commons License: CC BY NC

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A collection of new essays bringing into view the push and pull of the national and the international in the German-language cultural field of the period. The cultural formations of the so-called Age of Nationalism (1848-1919) have shaped German-language literary studies to the present day, for better or worse. Literary histories, German self-representations, the view from abroad - all of these perspectives offer images of a culture ever more concerned with formulating a coherent, nationally focused idea of its origins, history, and cultural community. But even in this historical moment the German-speaking territories were not culturally self-contained; international forces always played a significant role in the constitution of the so-called "German" literary and cultural field. This volume rethinks the historical period with fourteen case studies that bring into view the push and pull of the national and international in Germany, Austria, and Switzerland, undertaking a reframing of literary-cultural history that recognizes the interrelatedness of literatures and cultures across political and linguistic boundaries. Viewing even overtly national literary and cultural projects as belonging to an international system, these case studies examine the interrelations, organization, and positioning of the agents, forces, enterprises, and processes that constituted the German-language literary-cultural field, locating these ostensibly national developments within an inter- or even anti-national context.

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Examines both academic and popular assessments of Conan Doyle's work, giving pride of place to the Holmes stories and their adaptations, and also attending to the wide range of his published work. Twenty-first-century readers, television viewers, and moviegoers know Arthur Conan Doyle as the creator of Sherlock Holmes, the world's most recognizable fictional detective. Holmes's enduring popularity has kept Conan Doyle in the public eye. However, Holmes has taken on a life of his own, generating a steady stream of critical commentary, while Conan Doyle's other works are slighted or ignored. Yet the Holmes stories make up only a small portion of Conan Doyle's published work, which includes mainstream and historical fiction; history; drama; medical, spiritualist, and political tracts; and even essays on photography. When Doyle published - whatever the subject - his contemporaries took note. Yet, outside of the fiction featuring Sherlock Holmes, until recently relatively little has been done to analyze the reception Conan Doyle's work received during his lifetime and since his death. This book examines both academic and popular assessments of Conan Doyle's work, giving pride of place to the Holmes stories and their many adaptations for print, visual, and online media, but attending to his other contributions to turn-of-the-twentieth-century culture as well. The availability of periodicals and newspapers online makes it possible to develop an assessment of Conan Doyle's (and Sherlock Holmes's) reputation among a wider readership and viewership, thus allowing for development of a broader and more accurate portrait of Doyle's place in literary and cultural history.

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Analyzes two groups of "musical novels" -- novels that take music as a model for their construction -- including jazz novels by Toni Morrison and Michael Ondaatje, and novels based on Bach's Goldberg Variations. What is a "musical novel"? This book defines the genre as musical not primarily in terms of its content, but in its form. The musical novel crosses medial boundaries, aspiring to techniques, structures, and impressions similar tothose of music. It takes music as a model for its own construction, borrowing techniques and forms that range from immediately perceptible, essential aspects of music (rhythm, timbre, the simultaneity of multiple voices) to microstructural (jazz riffs, call and response, leitmotifs) and macrostructural elements (themes and variations, symphonies, albums). The musical novel also evokes the performance context by imitating elements of spontaneity that characterize improvised jazz or audience interaction. The Musical Novel builds upon theories of intermediality and semiotics to analyze the musical structures, forms, and techniques in two groups of musical novels, which serve as case studies. The first group imitates an entire musical genre and consists of jazz novels by Toni Morrison, Albert Murray, Xam Wilson Cartiér, Stanley Crouch, Jack Fuller, Michael Ondaatje, and Christian Gailly. The secondgroup of novels, by Richard Powers, Gabriel Josipovici, Rachel Cusk, Nancy Huston, and Thomas Bernhard, imitates a single piece of music, J. S. Bach's Goldberg Variations. Emily Petermann is Assistant Professor of American Literature at the University of Konstanz.

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The first English-language monograph on Hermann Broch's literary and theoretical work on mass hysteria. Winner of the 2023 Radomír Luža Prize for the Best Manuscript in Austrian/Czechoslovak Studies in the World War II Era Austrian Jewish author Hermann Broch (1886-1951), a leading figure of European Modernism, spent decades attempting to understand the phenomenon of mass hysteria. With his work, he hoped to help protect society from the allure of mass hysteria, embodied in the fanatical appeal of National Socialism. He was torn between two approaches to the problem: using literature to diagnose and expose the irrational knowledge that underpins mass hysteria, and employing theory as a more precise and effective means of doing the same. In this first English-language monograph on the topic, Brett E. Sterling traces the development of Broch's understanding of the mass from an initial confrontation in 1918 to a recurring theme in his fiction and ultimately to the monumental but incomplete Massenwahntheorie (Theory of Mass Hysteria, 1939-48). In thorough readings of Broch's major fictional and theoretical works, the analysis centers on the question of how his literature and theory provide distinct but complementary approaches to conceiving and representing the elusive figure of the mass and the attendant experience of mass hysteria. With political extremism and conspiratorial thinking on the rise, Sterling makes the case that Broch's insights into mass hysteria - literary as well as theoretical - are of renewed relevance to a contemporary audience.

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Gender in Chinese Music draws together contributions from ethnomusicologists, anthropologists, and literary scholars to explore how music is implicated in changing notions of masculinity, femininity, and genders "in between" in Chinese culture. Village ritualists, international classical pianists, pop idols, and professional mourners -- whether they perform in temples, on concert stages, or in TV shows, Chinese musicians continually express and negotiate their gendered identities. Gender in Chinese Music brings together contributions from ethnomusicologists, anthropologists, and literary scholars to explore how gender is not only manifested in the diverse musical traditions of Chinese culture but also constructed through performing and observing these traditions. Individual chapters examine unique music cultures ranging from those of courting couples in China's heartlands to ethnic minority singers in the borderlands, and from Ming-period courtesans to contemporary karaoke hostesses. The book also features interviews with musicians, music industry workers, and fans talking about gender. With its wide-ranging subject matter and interdisciplinary approach, this volume will be an important resource for researchers and students interested in how music is implicated in the changing notions of masculinity, femininity, and genders "in between." Contributors: RuardAbsaroka, Rachel Harris, Stephen Jones, Frank Kouwenhoven, Olivia Kraef, Joseph Lam, Rowan Pease, Antoinet Schimmelpenninck, Hwee-San Tan, Shzr Ee Tan, Xiao Mei, Judith Zeitlin, Tiantian Zheng. Rachel Harris is Reader in the Music of China and Central Asia at SOAS, University of London. Rowan Pease is Senior Teaching Fellow at SOAS, University of London. Shzr Ee Tan is Senior Lecturer in Music at Royal Holloway, University of London.

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Warren Roberts has discovered a Rossini that others have not seen, a composer who commented ironically and satirically on religion and politics in Post-Napoleonic Europe. This book examines Rossini within the context of his own time, one of Napoleonic domination of Italy, restoration of the Bourbon monarchy in Naples in 1815, and the 1830 Revolution in Paris. Using the techniques of the historian,and reading librettos as texts, the author analyzes the five operas treated in detail in the book (Il barbiere di Siviglia, Cenerentola, La gazza ladra, Matilde di Shabran, and Il viaggio a Reims) as responses, each in its own way, to the history that the composer experienced. Roberts shows that Rossini made probing commentaries on politics and religion in a time of reaction and revolution, and that the composer was well-informed on post-Napoleonic politics. Rossini's comic writing served very serious purposes, exposing the problems and complications of an age that he observed with striking clarity. Warren Roberts is Professor Emeritusof History at the University at Albany, SUNY, and has published extensively on eighteenth-century French culture.

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Noted organist and scholar Anthony Hammond tells the full story, for the first time, of one of the great organists of the twentieth century. Described by his teacher Marcel Dupré as "a phenomenon without equal in the history of the contemporary organ," Pierre Cochereau is considered one of the twentieth century's greatest French organists.This book tells, for the firsttime, the full story of of his extraordinary life and glittering, worldwide career. In 1955 Cochereau was appointed Organiste Titulaire at Notre-Dame de Paris, where he restored the cathedral's musical glory and oversawa far-reaching and controversial transformation of its organ. As a recitalist, he toured South America, Australia, Asia, Canada, and Europe in addition to twenty-five tours of the United States. He was the first western organist to perform in the former Soviet Union., played with many major orchestras under the batons of distinguished conductors, participated in numerous music festivals in Europe, made over eighty recordings, and was one of the founders of the Chartres International Organ Competition. He was honored several times for his achievements, including being named an Officer of the Legion of Honor (1978). A tireless campaigner for standards in music education, Cochereau also served as director at many of France's prominent conservatories, including Le Mans, Lyons, and Nice, which under his directorhsip became one of the leading music schools in France. Biographer AnthonyHammond draws from a variety of of prominent primary sources, notably Marcel Dupré's papers in the Bibliothèque Nationale, Paris, but also from Cochereau's surviving family and friends, and uses recordings and previously overlooked archive films in the Institut National de l'Audiovisuel, France to construct this definitive account and critical appraisal of one of France's most distinguished organists. Anthony Hammond is an English concert organist, improviser, and musicologist who specializes in French Romantic and twentieth-century organ music.

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An exploration of the meaning and reception of "modernist" music. The debate over modernist music has continued for almost a century: from Strauss's Elektra and Webern's Symphony Op.21 to John Cage's renegotiation of musical control, the unusual musical practices of the Velvet Underground, and Stanley Kubrick's use of Ligeti's Lux Aeterna in the epic film 2001. The composers discussed in these pages -- including Bartók, Stockhausen, Bernard Herrmann, Steve Reich, and many others -- are modernists inthat they are defined by their individualism, whether covert or overt, and share a basic urge toward redesigning musical discourse. The aim of this volume is to negotiate a varied and open middle ground between polemical extremes of reception. The contributors sketch out the possible significance of a repertory that in past discussions has been deemed either meaningless or beyond describable meaning. With an emphasis on recent aesthetics and contexts-- including film music, sexuality, metaphor, and ideas of a listening grammar -- they trace the meanings that such works and composers have held for listeners of different kinds. None of them takes up the usual mandate of "educated listening" to modernist works: the notion that a person can appreciate "difficult" music if given enough time and schooling. Instead the book defines novel but meaningful avenues of significance for modernist music, avenues beyond those deemed appropriate or acceptable by the academy. While some contributors offer new listening strategies, most interpret the listening premise more loosely: as a metaphor for any manner of personal and immediate connection with music. In addition to a previously untranslated article by Pierre Boulez, the volume contains articles (all but one previously unpublished) by twelve distinctive and prominent composers, music critics, and music theorists from America, Europe, Australia, and South Africa: Arved Ashby, Amy Bauer, William Bolcom, Jonathan Bernard, Judy Lochhead, Fred Maus, Andrew Mead, Greg Sandow, Martin Scherzinger, Jeremy Tambling, Richard Toop, and Lloyd Whitesell. Arved Ashby is Associate Professor of Music at the Ohio State University.

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A timely examination of African politics during the formative years of Zimbabwean nationalism. The Urban Roots of Democracy and Political Violence in Zimbabwe details a democratic tradition developed in the 1940s and 1950s, and a movement that would fall victim to an increasingly elitist and divisive political culture by the 1960s. Providing biographical sketches of key personalities within the genealogy of nationalist politics, Timothy Scarnecchia weaves an intricate narrative that traces the trajectories of earlier democratic traditions inZimbabwe, including women's political movements, township organizations, and trade unions. This work suggests that intense rivalries for control of the nationalist leadership after 1960, the "sell-out" politics of that period, andCold War funding for rival groups contributed to a unique political impasse, ultimately resulting in the largely autocratic and violent political state today. The author further proposes that this recourse to political violence,"top-down" nationalism, and the abandonment of urban democratic traditions are all hallmarks of a particular type of nationalism equally unsustainable in Zimbabwe then as it is now. Timothy Scarnecchia is assistant professor of African history at Kent State University in Kent, Ohio.

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Offers readers new ways of conceptualizing music and new insights into music created in Russia. Since its original publication in 1983, Russian Theoretical Thought in Music has become the standard English-language source of information about music theory as it developed in Russia. Because of the distance of culture and language, music theory developed there largely independent of the traditions of Western Europe. Over the decades of Soviet rule, those traditions flourished and were refined even further into a fascinating world of ideas. Exploring this world offers the reader new ways of conceptualizing music and new insights into music created in Russia. This compelling volume includes Ellon Carpenter's overview of the development of music theory in Russia, followed by a look into the ideas of six particularly important theorists. Nicolas Schidlovsky examines the theoretical underpinnings of Russian Orthodox chant; Gordon McQuere probes the remarkable ideas of Boleslav Yavorsky and the seminal contribution of Boris Asafiev; and Roy Guenther explores the analytical system of Varvara Dernova. Contributors: Ellon D. Carpenter, Allen Forte, Roy G. Guenther, Gordon D. McQuere, and Nicolas Schidlovsky. Gordon McQuere is Professor of Music and Dean of the College of Arts and Sciences at Washburn University.

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A look at how the concept of "risk factor" has influenced public health and preventive medicine, with an emphasis upon the study of heart disease. The greatest revolutions in twentieth-century public health and preventive medicine have been the concepts of risk factors and healthy lifestyles as methods of preventing disease. A risk factor is anything that increases the riskof disease in an individual. Lifestyle refers to the individual's personal behaviors with regard to risk factors. Identifying risk factors and modifying them by changing lifestyles in order to prevent disease has become ubiquitousas a strategy in public health. The book examines the history and evolution of the concepts of risk factors and healthy lifestyles and their application to coronary heart disease, the major chronic disease of the twentieth century. The first part contains a history of the use of statistics in public health and medicine, and the ways in which various industries developed the concept of the risk factor. The second part describes the concept of healthylifestyles, which was devised by municipal public health departments and life insurance companies in the early part of the century. The third and fourth parts examine how the concepts of risk factors and lifestyles were applied tothe primary chronic disease of the twentieth century -- coronary heart disease. The focus of the book overall is on coronary heart disease as a public health, rather than a medical, issue, and the various concepts that have beenused in preventing it. William G. Rothstein is Professor of Sociology at the University of Maryland, Baltimore County.

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A multi-faceted study of intellectual transformation in early modern Europe as seen through the eyes of a leading French scholar and cleric, Pierre-Daniel Huet (1630-1721). Early modern Europe's most extensive commonwealth -- the Republic of Letters -- could not be found on any map. This republic had patriotic citizens, but no army; it had its own language, but no frontiers. From its birth during theRenaissance, the Republic of Letters long remained a small and close-knit elite community, linked by international networks of correspondence, sharing an erudite neo-Latin culture. In the late seventeenth century, however, it confronted fundamental challenges that influenced its transition to the more public, inclusive, and vernacular discourse of the Enlightenment. Transforming the Republic of Letters is a cultural and intellectual history that chronicles this transition to "modernity" from the perspective of the internationally renowned scholar Pierre-Daniel Huet (1630-1721). Under Shelford's direction, Huet guides us into the intensely social intellectual worldof salons, scientific academies, and literary academies, while his articulate critiques illumine a combative world of Cartesians versus anti-Cartesians, ancients versus moderns, Jesuits versus Jansenists, and salonnières versus humanist scholars. Transforming the Republic of Letters raises questions of critical importance in Huet's era, and our own, about defining, sharing, and controlling access to knowledge. April G. Shelford is Assistant Professor in the History Department at American University, Washington, D.C.

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An interdisciplinary volume of essays identifying the impact of technology on the age-old cultural practice of collecting as well as the opportunities and pitfalls of collecting in the digital era. Seminal to the rise of human cultures, the practice of collecting is an expression of individual and societal self-understanding. Through collections, cultures learn and grow. The introduction of digital technology has accelerated this process and at the same time changed how, what, and why we collect. Ever-expanding storage capacities and the accumulation of unprecedented amounts of data are part of a highly complex information economy in which collecting has become even more important for the formation of the past, present, and future. Museums, libraries, and archives have adapted to the requirements of a digital environment, as has anyone who browses the internet and stores information on hard drives or cloud servers. In turn, companies follow the digital footprint we leave behind. Today, collecting includes not only physical objects but also the binary code that allows for their virtual representation on screen. Collecting in the Twenty-First Century identifies the impact of technology, both new and old, on the cultural practice of collecting as well as the challenges and opportunities of collecting in the digital era. Scholars from German Studies, Media Studies, Museum Studies, Sound Studies, Information Technology, and Art History as well as librarians and preservationists offer insights into the most recent developments in collecting practices.

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First English translation of the final work of Theodor Fontane, one of Germany's most significant novelists. Theodor Fontane (1819-98), widely regarded as Germany's most significant novelist between Goethe and Thomas Mann, pioneered the German novel of manners and upper-class society, following a trend in European fiction of the period.The Stechlin is Fontane's last book and his political testament. Like Effi Briest, his great work on the place of women in Bismarck's empire, it is set at the apex of the Wilhelmine era, both in Berlin and on the estate of a Prussian Junker on the shores of Lake Stechlin. It is a significant historical and cultural document, probably the finest chronicle of the lifestyle of the German upper classes in the late nineteenth century; Fontane portrays the best in the life and ways of the passing Prussian aristocracy, while describing his hopes for the future of Germany and its nobility, which were never to be fully realized. Although this novel has been translated into many languages, it has never before been available in English; this edition thus fills an important gap in the significant works of European literature accessible to English readers.

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New essays by leading scholars on major aspects of the most significant Austrian writer of the postwar generation. Since the death of Thomas Bernhard in 1989, the literary reputation of this complex and unique writer has risen to the point that he is now regarded as a major European figure. Bernhard emerged in the 1960s as one of Austria's major writers, challenging the popularity of such established writers as Heinrich Böll and Günter Grass on the German literary scene. His idiosyncratic prose consists of a tragic-comic blend of themes such as suicide, madness, and isolation combined with highly satirical and histrionic invectives against culture, tradition, and society. As a skillful impresario of public scandals by means of verbal assaults upon Austrian elite culture, Bernhard also earned himself the epithet of Übertreibungskünstler (artist of exaggeration). In this art of cultural and political provocation Bernhard remains unmatched to the present day. This volume of essays provides contributions by well-known critics that examine the most salient aspects of Bernhard's work, offering insights into literary strategies and public themes that made Bernhard one of Europe's masters of modern prose and drama. Essays examine Bernhard's complex artistic sensibility, his impact on Austria's critical memory, his relation to the legacy of Austrian Jewish culture, his representative value as Austria's prime literary export, and his cosmopolitanism and its significance forthe rapidly changing multicultural landscape of Europe. Matthias Konzett is associate professor of German at Yale University. He is the author of The Rhetoric of National Dissent in Thomas Bernhard, Peter Handke, and Elfriede Jelinek (Camden House, 2000). Click here to view the introduction (PDF file 97KB)

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New, wide-ranging essays on the controversial poet, who was both a harbinger of Modernism and a critic of modernity. Stefan George (1868-1933) is along with Hugo von Hofmannsthal and Rainer Maria Rilke one of the pre-eminent German poets of the twentieth century. He also had an important, albeit controversial and provocative role in German cultural history. It is generally agreed that he played a significant part in the transition of German literature to Modernism, particularly in poetry. At the same time he was an outspoken critic of modernity. He believed that only anall-encompassing cultural renewal could save modern man. Although George is often linked with the l'art pour l'art movement, and although his artistic consciousness was formed by European aestheticism, his poetry and the writings that emerged from the poets and intellectuals he gathered around him in the George Circle are above all a scathing commentary on the political, social, and cultural situation in Germany at the turn of the century. George, who was imbued with the idea of the poet as a prophet and priest, saw himself as the Messiah of a New Hellenism and a New Reich led by an intellectual and aesthetic elite consisting of men who were bonded together through their allegiance to a charismatic leader. Some of the values that George proclaimed, among them a glorification of power, of heroism and self-sacrifice, were seized upon by the National Socialists, and subsequently his writings andthose of his circle were considered by some to be proto-fascist. It did not help his reputation that after the Second World War much of the criticism of his works was practiced by uncritical, hagiographic George worshippers. In recent years, however, there has been a renewed and unbiased interest among scholars and critics in George and his circle. The wide-ranging and original essays in this volume explore anew George's poetry and his contribution to Modernism, the relation between his vision of a New Reich and fascist ideology, and his importance as a cultural critic. Jens Rieckmann is Professor of German at the University of California, Irvine.

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A comprehensive advanced introduction to and scholarly commentary on the work of the Swiss writer Max Frisch, one of the leading German-language dramatists and novelists of the late twentieth century. One of the most influential German-language writers of the late twentieth century, Max Frisch (1911-1991) not only has canonical status in Europe, but has also been well received in the English-speaking world. English translationsof his works are available in multiple recent editions. Frisch was a recipient of both the Büchner Award (1958), and the Peace Prize of the German Book Trade (1976); his body of work explores questions of identity, alienation, and ethics in modern society. He is best known for the plays Andorra (1961), a seminal drama that examines indifference and mass psychology in the context of the Shoah and continues to be produced by theaters around the world, and Biedermann und die Brandstifter (1958), another worldwide success and one of the most frequently used texts in advanced undergraduate German courses in the United States, as well as for his novels Stiller (1954), Homo Faber (1957), and Mein Name sei Gantenbein (1964). Yet Frisch has only recently begun to receive the sustained scholarly attention he deserves: neither a comprehensive introductory volume to nor a collaborative handbook on the works of Frisch is available in English, a situation that this volume redresses. Contributors: Régine Battiston, Klaus van den Berg, Olaf Berwald, Amanda Charitina Boyd, Céline Letawe, Walter Obschlager, John D. Pizer, Beatrice Sandberg, Caroline Schaumann, Frank Schaumann, Walter Schmitz, Margit Unser, Daniel de Vin, Ruth Vogel-Klein, Paul A. Youngman. Olaf Berwald is Professor of German and Chair of the Departmentof Foreign Languages at Kennesaw State University.

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Rilke's great cycle of ten elegies, perhaps his most profound poetic achievement, had its inception on the morning of January 21, 1912, but was interrupted by the First World War and not completed until a decade later. The Duino Elegies are not only the result of an extraordinary kind of contact with the unseen world; they are an attempt to understand that world in its holistic relationship to the visible, tangible world. This powerful rendering ofthe cycle is a product of the collaboration between a poet, Norris, and a Germanist, Keele.

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A reassessment of genre that fills a major gap in Goethe's oeuvre and initiates a radically new reading of Faust. Goethe has long been enshrined as the greatest German poet, but his admirers have always been uneasy with the idea that he did not produce a great epic poem. A master in all the other genres and modes, it has been felt, should have done so. Arnd Bohm proposes that Goethe did compose an epic poem, which has been hidden in plain view: Faust. Goethe saw that the Faust legends provided the stuff for a national epic: a German hero, a villain (Mephistopheles), a quest (to know all things), a sublime conflict (good versus evil), a love story (via Helen of Troy), and elasticity (all human knowledge could be accommodated by the plot). Bohm reveals the care with which Goethe draws upon such sources as Tasso, Ariosto, Dante, and Vergil. In the microcosm of the "Auerbachs Keller" episode Faust has the opportunity to find "what holds the world together in its essence" and to end his quest happily, but he fails. He forgets the future because he cannot remember what epic teaches. His course ends tragically, bringing him back to the origin of epic, as he replicates the Trojans' mistake of presuming to cheat the gods. Arnd Bohm isAssociate Professor of English at Carleton University, Ottawa.

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Encompassing view of humor in recent Native North American literature, with particular focus on Native self-image and identity. In contrast to the popular cliché of the "stoic Indian," humor has always been important in Native North American cultures. Recent Native literature testifies to the centrality of this tradition. Yet literary criticism has so farlargely neglected these humorous aspects, instead frequently choosing to concentrate on representations of trauma and cultural disruption, at the risk of reducing Native characters and Native cultures to the position of the tragicvictim. This first comprehensive study explores the use of humor in today's Native writing, focusing on a wide variety of texts spanning all genres. It combines concepts from cultural studies and humor studies with approaches byNative thinkers and critics, analyzing the possible effects of humorous forms of representation on the self-image and identity formation of Native individuals and Native cultures. Humor emerges as an indispensable tool for engaging with existing stereotypes: Native writers subvert degrading clichés of "the Indian" from within, reimagining Nativeness in a celebration of laughing survivors, "decolonizing" the minds of both Native and non-native readers, andcontributing to a renewal of Native cultural identity. This book will be of interest to scholars and students of Native Studies both literary and cultural. Due to its encompassing approach, it will also provide a point of entry for the wider readership interested in contemporary Native writing. Eva Gruber is Assistant Professor in the American Studies section of the Department of Literature at the University of Konstanz, Germany.

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A collection of essays -- early seminal works as well as freshinterpretations -- on the famous German expressionist film,Metropolis. Fritz Lang's classic 1927 film Metropolis has justifiably become an icon for the complexities of Weimar culture. Among the important general issues it also raises are the relation between ideology and art, the status and authorship of the film text in the entertainment market, the city, the construction of gender, the relation between the human body and the machine in modernity, and the relation between mass and high culture. This volume provides abroad range of materials and resources for the study of Lang's film, including both well-known, previously published critical essays and contributions appearing for the first time here. The editors provide a two-part introductionthat furnishes context for what follows: Bachmann's part deals with the genesis, production, and contemporary reception of the film, while Minden's defines the problems posed by the text and reviews thesolutions to these problemsas proposed by later generations of critics.The first part of the book proper includes selected contemporaryreviews, commentary by Fritz Lang and others involved in the making ofthe film, and extracts from Thea von Harbou's original novel. In the second part, eight modern scholars provide fresh essays on the genesis, promotion, and reception of the film. Approximately half of the material in the volume has never before appeared in print. The volume will appealto students of German, film, cultural and intellectual history, and social theory. Michael Minden is University Lecturer in German at Cambridge University and a fellow of Jesus College. Holger Bachmann received hisPh.D. from Cambridge on Arthur Schnitzler and film.

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New investigation of John Wyclif's writings on the theory of the "just war" shows him to be the first genuine pacifist of medieval Europe. John Wyclif (c. 1330-84) was the foremost English intellectual of the late fourteenth century and is remembered as both an ecclesiastical reformer and a heresiarch. But, against the backdrop of the Hundred Years War, Wyclif also tackled the numerous ethical, legal and practical problems arising from war and violence. Since the fifth-century works of St Augustine of Hippo, Christian justifications of war had revolved around three key criteria: just cause, proper authority and correct intention. Utilising Wyclif's extensive Latin corpus, the author traces how and why Wyclif dismantled these three pillars of medieval just war doctrine, exploring his critique within the context oflate medieval political thought and theology. Wyclif is revealed to be a thinker deeply concerned with the Christian virtues of sacrifice, suffering and charity, which ultimately led him to repudiate the concept of justified warfare in both theory and practice. The author thus changes the way we understand Wyclif, demonstrating that he created a coherent doctine of pacifism and non-resistance which was at that time unparallelled. Dr Rory Cox isa Lecturer in Late Mediaeval History at the University of St Andrews.

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A reassessment of one of the most devastating episodes in Irish history. WINNER of the NUI Publications Prize in Irish History 2013. Mid-seventeenth century Ireland experienced a revolution in landholding. Coming in the aftermath of the devastating Cromwellian conquest, this seismic shift in the social and ethnic distribution of land and power from Irish Catholic to English Protestant hands would play a major role in shaping the history of the country. One of the most notorious elements of the Irish land settlement wasthe scheme of the transplantation to Connacht, which aimed to expel the Catholic population from three of the country's four provinces and replace them with a wave of Protestant settlers from England and further afield. Brought to the forefront of attention by nationalist scholars in the nineteenth century, the transplantation is one of the best-known but conversely least understood episodes in Irish history. Yet it has been relatively neglected by recenthistorians, a gap in the scholarship which this book remedies. It situates the origins of the transplantation in the heat of conquest, reconstructs its implementation in the turbulent 1650s and explores its far-reaching outcomes.It thus enables the significance of the transplantation, and its relevance to wider themes such as colonialism, state formation and ethnic cleansing, to be better understood. John Cunningham is IRCHSS Government of Ireland Postdoctoral Mobility Fellow in the Humanities and Social Sciences, Trinity College Dublin/Albert-Ludswigs-Universität Freiburg.

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An investigation of the activities of Catholic exiles in Paris, showing them to have a wider influence on both sides of the Channel. Religious exile was both a familiar and a deeply discomforting phenomenon in Reformation Europe. In the turbulent context of the later sixteenth century, a group of English Catholic exiles in Paris became a source of serious concern to the Protestant government at home and a destabilising presence in their host environment; their residence in Paris coincided with and contributed to a crisis in authority for the French Crown, and the buildup to the Spanishenterprise of England. This book uses a range of evidence from both sides of the Channel to investigate the polemical and practical impact of religious exile. It reconstructs the experience and priorities of the English Catholic laity and clergy in Paris, moving beyond contemporary stereotypes of the exiles, and the traditional historiographical view of English Catholicism as isolated and introverted. It emphasises the importance of placing English Catholic experience into a broader European context, shedding light on the significant place of France in their activity, thus offering a new angle entirely on the relationship between England and the continent in the early modern period. Katy Gibbons is Senior Lecturer in History at the University of Portsmouth.

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A history of the innovation and effects of the French Republican Calendar. The French Republican Calendar was perhaps the boldest of all the reforms undertaken in Revolutionary France. Introduced in 1793 and used until 1806, the Calendar not only reformed the weeks and months of the year, but decimalisedthe hours of the day and dated the year from the beginning of the French Republic. This book not only provides a history of the calendar, but places it in the context of eighteenth-century time-consciousness, arguing that the French were adept at working within several systems of time-keeping, whether that of the Church, civil society, or the rhythms of the seasons. Developments in time-keeping technology and changes in working patterns challenged early-modern temporalities, and the new calendar can also be viewed as a step on the path toward a more modern conception of time. In this context, the creation of the calendar is viewed not just as an aspect of the broader republican programme of social, political and cultural reform, but as a reflection of a broader interest in time and the culmination of several generations' concern with how society should be policed. Matthew Shaw is a curatorat the British Library, London.

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Essays exploring a wide array of sources that show the importance of Christian ideas and influences in Anglo-Saxon England. A unique and important contribution to both teaching and scholarship. Professor Elaine Treharne, Stanford University. This is a collection of essays exploring a wide array of sources that show the importance ofChristian ideas and influences in Anglo-Saxon England. The range of treatment is exceptionally diverse. Some of the essays develop new approaches to familiar texts, such as Beowulf, The Wanderer and The Seafarer; others deal with less familiar texts and genres to illustrate the role of Christian ideas in a variety of contexts, from preaching to remembrance of the dead, and from the court of King Cnut to the monastic library. Some of the essays are informative, providing essential background material for understanding the nature of the Bible, or the distinction between monastic and cleric in Anglo-Saxon England; others provide concise surveys of material evidence orgenres; others still show how themes can be used in constructing and evaluating courses teaching the tradition. Contributors: GRAHAM CAIE, PAUL CAVILL, CATHERINE CUBITT, JUDITH JESCH, RICHARD MARSDEN, ELISABETH OKASHA, BARBARA C. RAW, PHILIPPA SEMPER, DABNEY BANKERT, SANTHA BHATTACHARJI, HUGH MAGENNIS, MARY SWAN, JONATHAN M. WOODING.

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The presentation, the use, and the possible reception of the book of Genesis to lay audience largely unable to read the original texts. What was meant by the medieval popular Bible - what was presented as biblical narrative to an audience largely unable to read the original biblical texts? Presentations in the vernacular languages of Europe of supposedly biblicalepisodes were more often than not expanded and interpreted, sometimes very considerably. This book looks at the presentation, the use, and the possible lay reception of the book of Genesis, using as wide a range of medieval genresand vernaculars as possible on a comparative basis down to the Reformation. Literatures taken into consideration include Irish, Cornish, English, French, High and Low German, Spanish, Italian and others. Genesis was an importantbook, and the focus is on those narrative high points which lend themselves most particularly (it is never exclusive) to literal expansion, even though allegory can also work backwards into the literal narrative. Starting with thedevil in paradise (who is not biblical), the book examines what Adam and Eve did afterwards, who killed Cain, what happened in the flood or at the tower of Babel, and ends with a consideration of the careers of Jacob and Joseph.The book is based on the Speaker's Lectures, given in 2002 in the University of Oxford. BRIAN MURDOCH is Professor of German at the University of Stirling.

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The first attempt by ordinary lay people - merchants, scriveners, craftsmen - to write their own history, and its effect on the growth and development of London. The early fifteenth century witnessed the first attempt made by ordinary lay people - merchants, scriveners, craftsmen - to write their own history, in the so-called "London chronicles", which have had a profound effect upon the growth and development of London. The earliest of the extant chronicles represents the first generation of historical writing to be undertaken in English since the Anglo-Saxon chronicle, and reflects an important shift in the movement from a primarily oral to a literate culture. However, despite their significance for evidence of this change, and as a secular and largely vernacular voice, much about the London chronicles remain a mystery. This study, the first for over 80 years, includes manuscripts unknown to Kingsford in his 1913 survey, studies them in relation to each other, and draws together what can be known about their origins, purpose and effect upon their audience. It alsoprovides an annotated edition of the previously unpublished text of Bradford, West Yorkshire Archives, MS 32D86/42, while a selection of crucial events recorded in the chronicles -- such as the Rising of 1381 and Cade's Rebellion-- is presented in an appendix. MARY-ROSE McLAREN gained her Ph.D. from the University of Melbourne.

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Medieval virginity theory explored through study of martyrs, nuns and Margery Kempe. This study looks at the question of what it meant to be a virgin in the Middle Ages, and the forms which female virginity took. It begins with the assumptions that there is more to virginity than sexual inexperience, and that virginity may be considered as a gendered identity, a role which is performed rather than biologically determined. The author explores versions of virginity as they appear in medieval saints' lives, in the institutional chastity of nuns, and as shown in the book of Margery Kempe, showing how it can be active, contested, vulnerable but also recoverable. SARAH SALIH teaches in the Department of English at King's College London.

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An exploration of the development of Middle English portrayals of rape and ravishment in the context of shifting legal, theological and medical attitudes. This work explores and untangles the theme of rape, and its counterpart ravishment, in Anglo-French cultural tradition between the disintegration of the classical world and the Renaissance. Tracing debate and dialogue across intellectual and literary discourses, Corinne Saunders places Middle English literary portrayals of rape and ravishment in the context of shifting legal, theological and medical attitudes. The treatment of rape and ravishment is considered across a wide range of literary genres: hagiography, where female saints are repeatedly threatened with rape; legendary history, as in the stories of Lucretia and Helen; and romance, where acts of rape and ravishment challenge and shape chivalric order, and romance heroes are conceived through rape. Finally, the ways in which Malory and Chaucer write and rewrite rape and ravishment are examined.Dr CORINNE SAUNDERS is Lecturer in Medieval Studies, Department of English, University of Durham.

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Eighth volume in the collaborative edition - early 12C Canterbury manuscript. The introduction details other work by the same hand and his role in re-shaping Anglo-Saxon history. This edition presents a bilingual (Old English and Latin) version of the Anglo-Saxon Chronicle written by a monk of Christ Church, Canterbury, probably in the first decade of the twelfth century. Though the Old English andLatin texts have been printed separately, this is the first edition to present the text intended by its compiler, who also produced the Latin translation and wrote the single extant manuscript. The introduction demonstrates that same monk who was responsible for this bilingual chronicle also revised MS A (the Parker Chronicle) and an ancestor of MS E (the Peterborough Chronicle) and was a forger of documents: he thus is significant as an early Norman reviser of Anglo-Saxon history. PETER BAKER is Professor of English, University of Virginia.

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Here at last is the first systematic study of the teaching and learning of Latin in thirteenth century England based on evidence from nearly 200 manuscripts where the text has been glossed in the vernacular. These glosses providethe key to discovering the linguistic competence and interest of students at an elementary level: men and women who needed a working knowledge of Latin for practical purposes. The received view that Latin was the exclusive language of the schoolroom is shown to be mistaken and the exhaustive recording of the vernacular glosses provides a hitherto untapped source of lexical materials in French and Middle English. An essential source-book for medievalists interested in language, literacy and culture.

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A study of Matilda of Scotland (wife to Henry I) and the political acumen and personal skills she brought to the role of queen. Matilda of Scotland was the daughter of Malcolm II of Scotland and his Anglo-Saxon queen Margaret. Her marriage to Henry I of England in 1100 thus brought to Henry, descendant of the conquering Normans, a direct and politically desirable link to Matilda's ancestor Alfred the Great. Her life makes clear that Matilda had outstanding talents. She was educated in the exclusive convents of Romsey and Wilton, a grounding which enabled her to further the literate court culture of the twelfth century, and under her control was a substantial demesne that allowed her to exercise both lay and ecclesiastical patronage. In the matter of ruling, she was an active partner in administering Henry's cross-channel realm, served as a member of his curia regis, and on occasion acted with what amounted to vice-regal authority in England while Henry was in Normandy. Chroniclers of the twelfth and thirteenth centuriesoften refer to her as Mathilda bona regina, or Matildis beatae memoriae, and for a time she was popularly regarded as a saint. Huneycutt's study shows how Matilda achieved such acclaim, both because the political structures of her day allowed her the opportunity to do so and because she herself was skilled at manipulating those structures. This study will be valuable to those interested in not only English political history, but also to historians of women, the medieval church, and medieval culture. LOIS HUNEYCUTT is professor of history at the University of Missouri-Columbia.

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