Search results for ""author robert"

National league glory last visited Manchester City in 1968, when the likes of Bell, Lee and Summerbee lifted the English Football League Championship trophy. Fast forward forty-four years. The 2011/12 Premiership season belongs to Manchester City. It has been a long wait, but premiership glory has finally come to rest at the Ethiad Stadium. My Eyes Have Seen the Glory is a match-by-match, blow-by-blow, superbly illustrated account of the most memorable season of English football in recent years. The world has looked on as Man City has grown in strength under the steady leadership of Roberto Mancini. The chairman expected, the fans expected; Mancini has delivered. It has been a season of magnificent highs - the 6-1 trouncing of Manchester United, named by Sir Alex Ferguson as 'the worst result in my history' - and depressing lows - the infamous Carlos Tevez saga - but there has always been drama, passion and world-class football. Victory in the Premiership is to be cherished; My Eyes Have Seen the Glory is the book every Man City fan has been waiting to read. Read it, bask in the glory of long-awaited victory, and celebrate the birth of a new era in the Premiership - Manchester City's era.

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**Don't miss Jenny Holmes's latest wartime series, The Air Raid Girls. Part 3 - The Air Raid Girls: Wartime Brides - is available now!**----------------------------Planes to deliver. A war to be won. Bobbie Fraser, Mary Holland and Jean Thornton are Atta Girls - part of the Air Transport Auxiliary team flying planes between bases. Taking to the air in anything they're given, their work is dangerous but their courage always comes through. Now there's a new girl joining the ranks - Canadian Viv Robertson, who is bright, brash and brave. But can Viv settle into her new home with the other girls? And when life on the ground leaves them as vulnerable as in the air, can they stick together through the tough times ahead and ultimately fly to victory?A heart-warming, romantic story of friendship, camaraderie and triumph over adversity that fans of Donna Douglas, Nancy Revell and Elaine Everest will adore.----------------------------Readers love Jenny Holmes'A delight to read''I highly recommend this book, great job Jenny!''Really enjoyed this book cant wait to read the next one''Lovely historical drama''I love reading these books on life in WW2''A book you can't put down'

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Television has long been a symbol of social and cultural decay, yet many in postwar Europe saw it as the medium with the greatest potential to help build a new society and create a new form of audiovisual art. Utopian Television examines works of the great filmmakers Roberto Rossellini, Peter Watkins, and Jean-Luc Godard, all of whom looked to television as a promising new medium even while remaining critical of its existing practices.Utopian Television illustrates how each director imagined television’s improved or “utopian” version by drawing on elements that had come to characterize it by the early 1960s. Taking advantage of the public service model of Western European broadcasting, each used television to realize works that would never have been viable in the commercial cinema. All three directors likewise seized on television’s supposed affinity for information and its status as a “useful” medium, but attempted to join this utility with aesthetic experimentation, suggesting new ways to conceive of the relationship between aesthetics and information.As beautifully written as it is theoretically rigorous, Utopian Television turns to the writing of Fredric Jameson and Ernst Bloch in treating the three directors’ television experiments as enactments of “utopia as method.” In doing so it reveals the extent to which the medium inspired and shaped hopes not only of a better future but of better moving image art as well.

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A Cinema of Poetry brings Italian film studies into dialogue with fields outside its usual purview by showing how films can contribute to our understanding of aesthetic questions that stretch back to Homer. Joseph Luzzi considers the relation between film and literature, especially the cinematic adaptation of literary sources and, more generally, the fields of rhetoric, media studies, and modern Italian culture. The book balances theoretical inquiry with close readings of films by the masters of Italian cinema: Roberto Rossellini, Vittorio De Sica, Luchino Visconti, Michelangelo Antonioni, Federico Fellini, Pier Paolo Pasolini, Bernardo Bertolucci, and others. Luzzi's study is the first to show how Italian filmmakers address such crucial aesthetic issues as the nature of the chorus, the relation between symbol and allegory, the literary prehistory of montage, and the place of poetry in cinematic expression-what Pasolini called the "cinema of poetry." While Luzzi establishes how certain qualities of film-its link with technological processes, capacity for mass distribution, synthetic virtues (and vices) as the so-called total art-have reshaped centuries-long debates, A Cinema of Poetry also explores what is specific to the Italian art film and, more broadly, Italian cinematic history. In other words, what makes this version of the art film recognizably "Italian"?

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In a career that has spanned a half-century, guitarist Jorma Kaukonen has been at the forefront of American music and culture. A pioneer of the 1960s San Francisco scene, Jorma is best known for co-founding psychedelic rock band The Jefferson Airplane. With his subsequent band Hot Tuna, formed with Jefferson Airplane bassist Jack Casady, Jorma solidified a fan base that has endured to this day. In this memoir, Jorma tells stories from his early life up to his present-day with reflections woven in. Jorma's story takes us around the globe, from meeting Jack in DC in the 50s to college to California to meeting Janis Joplin, Pigpen, Jerry Garcia, Bob Dylan, Phil Lesh and more. He tells all of the events of Jefferson Airplane's history and the story of his addiction and amazing recovery. Jorma continues to tour today while also running and teaching at Fur Peace Ranch Guitar Camp, which is considered one of the world's most unique centers for the study of guitar and other instruments. Perfect for fans of Robbie Robertson's Testimony and Deal by Bill Kreutzmann, Been So Long is the memoir for anyone who wants to hear stories about Jefferson Airplane, Hot Tuna, jam bands, and anyone interested in a national treasure who helped define 60s-70s rock.

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This book presents the Gianfranco Luzzetti collection housed in the historic complex of the former convent of the Clarisse in Grosseto, a new museum in the city. The collection is the result of the donation to the Municipality, in 2018, of over 60 works from the personal heritage of Luzzetti, an antiquarian from Grosseto, deeply linked to his land. The paintings, of great quality, trace Italian art from the 14th to the 19th century, with particular attention to Florentine art of the 17th century. The collection includes masterpieces by Antonio Rossellino, Giambologna, Rutilio Manetti, Passignano, Niccolò di Pietro Lamberti, Corrado Giaquinto, Camillo Rusconi, Pier Dandini and Giovanni di Tano Fei, as well as important works by Donatello and Beccafumi and works already donated to the Municipality of Grosseto in past years, of Santi di Tito and Cigoli. This volume, with introductory texts regarding the history of the site, the birth of the Museum and the Collection, is complemented by an anthology of writings by Luzzetti and bibliographic apparatuses. Research and texts: Sandro Bellesi, Marco Ciampolini, Roberto Contini, Elena Dubaldo, Lucia Ferri, Claudia Ganci, Cecilia Luzzetti, Gianfranco Luzzetti, Andrea Marchi, Mauro Papa, Marcella Parisi, Francesca Perillo, Gianluca Sposato, Angelo Tartuferi. Italian edition, with English translation in the appendix.

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Set in Dundee, this fast-paced crime novel is the first to feature Polish Detective Sergeant Dania Gorska.Volatile times in the city of discovery . . .DS Dania Gorska is a stranger in a foreign land. Born in Poland and transferred from London to Dundee's specialist crime division, she is called upon to investigate a series of grotesque killings where the victims are first brutally murdered and then displayed in a bizarre manner. Although seemingly unrelated, clues point to the victims having been members of a local druidic cult.While solving these murders is Dania's priority, she finds herself increasingly drawn to the case of two runaway teenage girls. But when she learns they were also members of the same druid group she becomes convinced their disappearance is linked to the murders. And, despite what the evidence suggests, Dania starts to fear that the girls have not run away but are actually the newest, undiscovered victims of the killer . . . Praise for Hania Allen'Nicely nasty in all the right places . . . The story rattles along until bringing the curtain down with an unnerving twist' Craig Robertson'Captivating characters and an intriguing plot. A great new find for crime fans' Lin Anderson 'Pitch-perfect . . . a witty, tense crime novel written in a highly readable style' Russel D McLean

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Set in Dundee, this fast-paced crime novel is the first to feature Polish Detective Sergeant Dania Gorska.Volatile times in the city of discovery . . .DS Dania Gorska is a stranger in a foreign land. Born in Poland and transferred from London to Dundee's specialist crime division, she is called upon to investigate a series of grotesque killings where the victims are first brutally murdered and then displayed in a bizarre manner. Although seemingly unrelated, clues point to the victims having been members of a local druidic cult.While solving these murders is Dania's priority, she finds herself increasingly drawn to the case of two runaway teenage girls. But when she learns they were also members of the same druid group she becomes convinced their disappearance is linked to the murders. And, despite what the evidence suggests, Dania starts to fear that the girls have not run away but are actually the newest, undiscovered victims of the killer . . . Praise for Hania Allen'Nicely nasty in all the right places . . . The story rattles along until bringing the curtain down with an unnerving twist' Craig Robertson'Captivating characters and an intriguing plot. A great new find for crime fans' Lin Anderson 'Pitch-perfect . . . a witty, tense crime novel written in a highly readable style' Russel D McLean

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Neoliberalism has been a buzzword in literary studies for well over a decade, but its meaning remains ambiguous and its salience contentious. In Neoliberalism and Contemporary Literary Culture, Mitchum Huehls and Rachel Greenwald Smith offer a wide-ranging exploration of contemporary literature through the lens of neoliberalism's economic, social, and cultural ascendance. Bringing together accessible and provocative essays from top literary scholars, this innovative collection examines neoliberalism's influence on literary theory and methodology, literary form, literary representation, and literary institutions. A four-phase approach to the historical emergence of neoliberalism from the early 1970s to the present helps to clarify the complexity of the relationship between neoliberalism and literary culture. Layering that history over the diverse changes in a US-Anglo literary field that has moved away from postmodern forms and sensibilities, the book argues that many literary developments-including the return to realism, the rise of the memoir, the embrace of New Materialist theory, and the pursuit of aesthetic autonomy-make more coherent sense when viewed in light of neoliberalism's ever-increasing expansion into the cultural sphere. The essays gathered here engage a diverse range of theorists, including Michel Foucault, Wendy Brown, Giorgio Agamben, Bruno Latour, Maurice Merleau-Ponty, Gary Becker, and Eve Sedgwick to address the reciprocal relationship between neoliberalism and conceptual fields such as biopolitics, affect, phenomenology, ecology, and new materialist ontology. These theoretical perspectives are complemented by innovative readings of contemporary works of literature by writers such as Jennifer Egan, Ben Lerner, Gillian Flynn, Teju Cole, Jonathan Franzen, Chimamanda Ngozi Adichie, Salvador Plascencia, E. L. James, Lisa Robertson, Kenneth Goldsmith, and many others. Neoliberalism and Contemporary Literary Culture is essential reading for anyone invested in the ever-changing state of literary culture.

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Hot flashes. Vaginal atrophy. Social stigma. The comics in this unapologetic anthology prove that when it comes to menopause and its attendant symptoms, no one needs to sweat it alone. Featuring works by comics luminaries such as Lynda Barry, Joyce Farmer, Ellen Forney, and Carol Tyler, Menopause is the perfect antidote to the simplistic, cheap-joke approach that treats menopause as a cultural taboo. This anthology challenges stereotypes with perspectives from a range of life experiences, ages, gender identities, ethnicities, and health conditions. Other contributors include Maureen Burdock, Jennifer Camper, KC Councilor, MK Czerwiec, Leslie Ewing, Ann M. Fox, Keet Geniza, Roberta Gregory, Teva Harrison, Rachael House, Leah Jones, Monica Lalanda, Cathy Leamy, Ajuan Mance, Jessica Moran, Mimi Pond, Sharon Rosenzweig, Joyce Schachter, Susan Merrill Squier, Emily Steinberg, Nicola Streeten, A. K. Summers, Kimiko Tobimatsu, Shelley L. Wall, and Dana Walrath.

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Previously published as The Dominie's Lassie.Growing up as a schoolmaster's daughter in rural Scotland, Kirsty Robertson has always dreamt of following in her father's footsteps and becoming a schoolmistress. And when her father dies suddenly, she becomes even more determined to make him proud.Dedicated to her career, Kirsty knows she can't let love get in her way. She spurns the advances of her childhood friend, Jamie, a farmhand. But soon, she finds herself increasingly drawn to Hugh, the laird's son, whose family she knows would never approve of him marrying a poor schoolteacher.When World War I breaks out, and Hugh leaves to fight, Kirsty knows her future is in question once more.Soon, Kirsty finds herself alone and hiding a shameful secret. Will she be able to keep the truth away from village gossips and protect her family? Will she ever find true happiness again?

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The ensemble with its prominent twin towers that Egon Eiermann (1904–1970) built in Frankfurt am Main for the Italian office machinery company Olivetti, was the Karlsruhe architect’s last major project. His priorities lay in the slender form, derived from the task, the construction and the material to create a characteristic silhouette. Adriano Olivetti, the son of the company’s founder, valued not only the firm’s products, which became cult objects of Italianità in the field of design and which established the ‘Stile Olivetti’. He also made the same demands regarding quality in architecture. The grandson, Roberto Olivetti, commissioned Eiermann, a famous representative of German postwar Modernism, to design the German branch offices. For the architect the project formed the culmination of his career, while for the Karlsruhe student Klaus Kinold it marked the beginning of a career as a photo g-rapher of architecture. He maintained that he had learned more for his future profession from his teacher Egon Eiermann than from anyone else.

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Ruben C. Cordova traces the history of Con Safo, one of the earliest and most significant of the Chicano art groups, from 1968, when it formed as El Grupo, to the mid-1970s, when Con Safo gradually disbanded. Founded by Felipe Reyes, the original group was made up of six San Antonio artists. The fluxuating membership over the decade of the group's existence included Mel Casas, Jose Esquivel, Rudy Treviño, and Roberto Ríos. Although the structure of the original group changed, its mission did not: Con Safo defined possibilities for Chicano art at a time when Chicano culture was largely invisible. Cordova’s painstaking research, which included extensive archival work and interviews with group members and activists, resolves many of the contradictions and fills in many of the gaps that exist in earlier accounts of the group. Con Safo: The Chicano Art Group and the Politics of South Texas is an important resource for anyone interested in Chicano art and Chicano history. The book concludes with reproductions of original documents related to the group, including Casas’s “Brown Paper Report."

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An anthology of landmark scholarship on the histories of the common soldier in the U.S. Civil War In 1943, Bell Wiley's groundbreaking book Johnny Reb launched a new area of study: the history of the common soldier in the U.S. Civil War. This anthology brings together landmark scholarship on the subject, from a 19th century account of life as a soldier to contemporary work on women who, disguised as men, joined the army. One of the only available compilations on the subject, The Civil War Soldier answers a wide range of provocative questions: What were the differences between Union and Confederate soldiers? What were soldiers' motivations for joining the army—their "will to combat"? How can we evaluate the psychological impact of military service on individual morale? Is there a basis for comparison between the experiences of Civil War soldiers and those who fought in World War II or Vietnam? How did the experiences of black soldiers in the Union army differ from those of their white comrades? And why were southern soldiers especially drawn to evangelical preaching? Offering a host of diverse perspectives on these issues, The Civil War Soldier is the perfect introduction to the topic, for the student and the Civil War enthusiast alike. Contributors: Michael Barton, Eric T. Dean, David Donald, Drew Gilpin Faust, Joseph Allen Frank, James W. Geary, Joseph T. Glaatthaar, Paddy Griffith, Earl J. Hess, Thomas Wentworth Higginson, Perry D. Jamieson, Elizabeth D. Leonard, Gerald F. Linderman, Larry Logue, Pete Maslowski, Carlton McCarthy, James M. McPherson, Grady McWhiney, Reid Mitchell, George A. Reaves, Jr., James I. Robertson, Fred A. Shannon, Maris A. Vinovskis, and Bell Irvin Wiley.

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An inspiring anthology of writings by trailblazing women astronomers from around the globeThe Sky Is for Everyone is an internationally diverse collection of autobiographical essays by women who broke down barriers and changed the face of modern astronomy. Virginia Trimble and David Weintraub vividly describe how, before 1900, a woman who wanted to study the stars had to have a father, brother, or husband to provide entry, and how the considerable intellectual skills of women astronomers were still not enough to enable them to pry open doors of opportunity for much of the twentieth century. After decades of difficult struggles, women are closer to equality in astronomy than ever before. Trimble and Weintraub bring together the stories of the tough and determined women who flung the doors wide open. Taking readers from 1960 to today, this triumphant anthology serves as an inspiration to current and future generations of women scientists while giving voice to the history of a transformative era in astronomy.With contributions by Neta A. Bahcall, Beatriz Barbuy, Ann Merchant Boesgaard, Jocelyn Bell Burnell, Catherine Cesarsky, Poonam Chandra, Xuefei Chen, Cathie Clarke, Judith Gamora Cohen, France Anne Córdova, Anne Pyne Cowley, Bożena Czerny, Wendy L. Freedman, Yilen Gómez Maqueo Chew, Gabriela González, Saeko S. Hayashi, Martha P. Haynes, Roberta M. Humphreys, Vicky Kalogera, Gillian Knapp, Shazrene S. Mohamed, Carole Mundell, Priyamvada Natarajan, Dara J. Norman, Hiranya Peiris, Judith Lynn Pipher, Dina Prialnik, Anneila I. Sargent, Sara Seager, Gražina Tautvaišienė, Silvia Torres-Peimbert, Virginia Trimble, Meg Urry, Ewine F. van Dishoeck, Patricia Ann Whitelock, Sidney Wolff, and Rosemary F. G. Wyse.

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It was only a forty-minute foreign film, but it sparked a legal confrontation that has left its mark on America for more than half a century. Roberto Rossellini's ""Il Miracolo"" (""The Miracle"") is deceptively simple: a demented peasant woman is seduced by a stranger she believes to be Saint Joseph, is socially ostracized for becoming pregnant out of wedlock, but is finally redeemed through motherhood.Although initially approved by state censors for screening in New York, the film was attacked as sacrilegious by the Catholic establishment, which convinced state officials to revoke distributor Joseph Burstyn's license. In response, Burstyn fought back through the courts and won.Laura Wittern-Keller and Raymond Haberski show how the Supreme Court's unanimous 1952 ruling in Burstyn's favor sparked a chain of litigation that eventually brought filmmaking under the protective umbrella of the First Amendment, overturning its long-outdated decision in Mutual v. Ohio (1915). Their story features a more formidable cast than did the film itself, with the charismatic Francis Cardinal Spellman decrying the film as a Communist plot, while outspoken film critic Bosley Crowther vigorously advocated ""freedom of the screen."" Meanwhile, movie producers stood by silently for fear of alienating the Church and its large movie-going membership, leaving Burstyn to muster his own defense.More than the inside story of one case, this book explores the unique place that the movies occupy in American culture and the way that culture continues to be shaped by anxiety over the social power of movies. The Burstyn decision weakened the ability of state censorship boards and the Catholic Church to influence the types of films Americans were allowed to see. Consequently, the case signaled the rise of a new era in which films would be more mature and more controversial than ever before.Focusing on this single most important case in the jurisprudence surrounding motion picture expression, Wittern-Keller and Haberski add a significant new dimension to the story of cinema, censorship, and the history of First Amendment protections.

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El sargento Bruce Robertson no es un policía modélico, sino corrupto, misántropo, violento, machista, homófobo y racista. Consume compulsivamente pornografía, servicios de prostitutas, fast food, alcohol y cocaína. Debido a sus excesos, le ha aparecido un sarpullido que invade sus genitales y un incordiante parásito en el intestino que acaba convirtiéndose en la voz de su conciencia. Y mientras su vida se desmorona, el sargento tiene que investigar el asesinato del hijo de un diplomático africano... Fiel a su habitual contundencia, Welsh nos presenta un viaje a lo más abyecto, en el que se mezclan la visceralidad, la violencia y el humor negro.

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The YMCA and the YWCA have been an integral part of America's urban landscape since their emergence almost 150 years ago. Yet the significant influence these organizations had on American society has been largely overlooked. Men and Women Adrift explores the role of the YMCA and YWCA in shaping the identities of America's urban population. Examining the urban experiences of the single young men and women who came to the cities in search of employment and personal freedom, these essays trace the role of the YMCA and the YWCA in urban America from the mid-nineteenth century to the present. The contributors detail the YMCA's early competition with churches and other urban institutions, the associations' unique architectural style, their services for members of the working class, African Americans, and immigrants, and their role in defining gender and sexual identities. The volume includes contributions by Michelle Busby, Jessica Elfenbein, Sarah Heath, Adrienne Lash Jones, Paula Lupkin, Raymond A. Mohl, Elizabeth Norris, Cliff Putney, Nancy Robertson, Thomas Winter, and John D. Wrathall.

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Fifteen centuries ago, the island of Saint Andrew (Isola di Sant’Andrea), located in the basin of Lake Loppio, drained in 1956, was the seat of a fortified settlement, and in the Middle Ages a church dedicated to St. Andrew was built on its top. After sporadic discoveries beginning in the 19th century, in 1998 the Archaeology Department of the Rovereto Civic Museum began a research and study project on the site, comprising a series of summer excavation campaigns. The archaeological investigations, completed in 2017, have brought to light a multi-layered archaeological site with finds ranging from the prehistoric age to Late Antiquity, medieval times and even until the First World War. While the first volume (published in 2016) was about the results of the research concerning the 5th-7th century castrum, this second work takes into consideration the results of the archaeological research in the area of the church (Sectors C and C1). Contains contributions by Milena Anesi, Maurizio Battisti, Cinzia Borchia, Roberto Cabella, Florence Caillaud, Sabrina Calzà, Claudio Capelli, Simone Cavalieri, Anna Maria Fioretti, Luca Gardumi, Stefano Marconi, Marco Morghen, Michele Piazza, Alberta Silvestri, Eleonora Tomasini, Fabiana Zandonai.

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Con frecuencia, Agustín Díaz Pacheco alcanza la dignidad de los clásicos. Actualmente, su obra comienza a ser objeto de estudio en algunas universidades de Estados Unidos. No sin paradoja ?o como reacción natural- este autor, fuera de los circuitos de consumo, no encuentra dificultades en ser comprendido y admirado por jóvenes lectores, insatisfechos con lo que hay. Varios de sus cuentos integran el syllabus de The University of Georgia, además de haber sido seleccionado ?con Roberto Arlt, Juan Rulfo, Julio Cortázar, Ernesto Sábato y Elena Poniatowska- para encabezar diferentes proyectos de análisis de la literatura hispánica. Libros como El camarote de la memoria, Proa en nieblas, Breves atajos y Línea de naufragio, obras de Díaz Pacheco, por citar algunos de sus libros, significan una forma de resistencia, una negación y una confirmación: es esa otra voz que la propaganda ignora o pretende acallar. Es esa voz incómoda, admirable, que no encaja ni en la literatura de consumo ni se reb

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Hijo desheredado de Roberto Guiscardo (descrito en su propia lápida como "Terror del mundo"), Bohemundo I de Antioquía pertenecía a la estirpe de caballeros normandos que se desplazaron a Italia en busca de fortura y que sólo contaban con su españa para abrirse camino en el mundo. Encontró su oportunidad con el llamamiento del papa Urbano II a una cruzada que liberara Tierra Santa, y supo aprovecharla, convirtiéndose en uno de los principales líderes.En Bohemundo se daba una rara combinación de ardor guerrero, carisma y astucia diplomática que le permitió, tras un largo e infructuoso asedio, apoderarse de Antioquía la víspera de la llegada de un descomunal ejército que exterminó a los cruzados ante las murallas de la ciudad. Capturado por los sarracenos y posteriomente liberado, regresó en busca de refuerzos a la Francia de Felipe I (con cuya hija se casó), para acabar sus día en Bari, no sin antes haber librado nuevamente batalla con su gran enemigo íntimo, el emperador de Constan

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Un viaje al corazón de la naturaleza humana a través de tres pequeñas obras maestras.Leerlo [a Rodrigo Rey Rosa] es aprender a escribir y también es una invitación al puro placer de dejarse arrastrar por historias siniestras o fantásticas.Roberto BolañoUna escritura despojada hasta el máximo, en la que ninguna palabra sobra, y sin embargo envolvente y sensual hasta rozar lo obsesivo, casi como un sueño vivido.Pere GimferrerLas novelas escritas por guatemaltecos (o sus variantes de género) son, por definición, exóticas. Las novelas guatemaltecas ambientadas en la selva del Petén, en África del Norte o en el sur la India pueden no tener el encanto de lo extraño, pero deben llamarse, en rigor, exóticas, declara el autor en su introducción a este volumen memorable.Escritor errante, Rodrigo Rey Rosa es un maestro a la hora de retratar las geografías que ha conocido y a los seres humanos que las pueblan. Marruecos, la India y las antiguas tierras mayas en la selva de Cent

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Una obra ilustrada completa de las técnicas necesarias para preparar las recetas más imprescindibles de la gastronomía italiana. Con 250 pasos explicados con todo detalle y las técnicas precisas para preparar con éxito pasta fresca, polenta, risotto, grissini y salsas, entre muchos otros. Con 8 vídeos que muestran las técnicas más complejas, disponibles mediante códigos QR para smartphones y tabletas. Esta completa obra incluye 120 recetas esenciales de la gastronomía italiana, completamente ilustradas, entre las que se incluyen: achicoria de Treviso al horno, minestrone, cordero a la calabresa, espaguetis con almejas, risotto en tinta de sepia y tiramisú. Grandes chefs de la cocina italiana, galardonados con estrellas Michelin, presentan sus recetas más emblemáticas: Massimiliano Alajmo, Gaetano Alia, Massimo Bottura, Teresa Buongiorno, Flavio Costa, Accursio Craparo, Enrico Crippa, Alfonso Iaccarino, Roberto Petza, Valeria Piccini, Niko Romito, Nadia Santini

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Italian neo-realism has inspired film audiences and fascinated critics and film scholars for decades. This book offers an original analysis of the movement and its defining films from the perspective of the cultural unconscious. Combining a Jungian reading with traditional theorizations of film and national identity, Filming the Nation reinterprets familiar images of well-known masterpieces by Roberto Rossellini, Vittorio de Sica and Luchino Visconti and introduces some of their less renowned yet equally significant films.Providing an illuminating analysis of film images across a particularly traumatic and complex historical period, Filming the Nation revisits the concept of national identity and its ‘construction’ from a perspective that combines cultural, psychoanalytic and post-Jungian theories. As such this book will be essential reading for all students and scholars of film and psychoanalysis.

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The No.1 football series - over 1 million copies sold!This is the story of Roberto Firmino, star of both Liverpool F.C and the Brazilian national team. Follow his exciting journey from his early days at Figueirense and Hoffenheim all the way to the bright lights of Anfield, where he has become a key part of Liverpool's Premier League success. Known for his energy, control and speed, Firmino has proven himself to be a real team player, always there to use his skills to help his team on the road to glory.Ultimate Football Heroes is a series of biographies telling the life stories of the biggest and best footballers in the world and their incredible journeys from childhood fan to superstar professional player. Written in fast-paced, action-packed style these books are perfect for all the family to collect and share.

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The Contemporary British Novel Since 2000 is divided into five parts, with the first part examining the work of four particularly well-known and highly regarded twenty-first century writers: Ian McEwan, David Mitchell, Hilary Mantel and Zadie Smith. It is with reference to each of these novelists in turn that the terms realist postmodernist, historical and postcolonialist fiction are introduced, while in the remaining four parts, other novelists are discussed and the meaning of the terms amplified. From the start it is emphasised that these terms and others often mean different things to different novelists, and that the complexity of their novels often obliges us to discuss their work with reference to more than one of the terms. Also discusses the works of: Maggie O'Farrell, Sarah Hall, A.L. Kennedy, Alan Warner, Ali Smith, Kazuo Ishiguro, Kate Atkinson, Salman Rushdie, Adam Foulds, Sarah Waters, James Robertson, Mohsin Hamid, Andrea Levy, and Aminatta Forna.

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Discover our collectable Puffin Clothbound Classic edition of The Railway Children Puffin Clothbound Classics are stunning collectable gift editions of some of the best-loved classics in the world - including this charming edition of The Railway ChildrenFather is in trouble, and Roberta, Peter, and Phyllis have to leave their home in London and go into hiding in the countryside.''Boys and girls are only little men and women. And we are much harder and hardier than they are.''Each day, the children run down to the nearby railway station, where they say good morning to the Station Master and hello to Perks the Porter and wave at the passing London train, sending their love to Father.Little do they know that the stranger on board the 9:15 a.m. train might be able to help track him down...Collect our Puffin Clothbound Classics:9780241444313 The Little Prince9780241663554 The Jungle Book97802415688

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Many of the most imaginative designs by the world s great jewelry houses and artisans take inspiration from the animal kingdom. From Cartier s iconic panthers to Bulgari s snakes and JAR s butterflies, these spectacular objects dripping with precious stones are akin to wearable art. Beautiful Creatures depicts some of the most spectacular beasts ever transformed into sparkling treasures and accompanies a special exhibition in the American Museum of Natural History s Allison and Roberto Mignone Halls of Gems and Minerals, opening in fall 2020. The 120 pieces featured date from the mid-1800s to the present, representing species from the realms of land, air, and water. Gorgeous studio photography of the jewelry is complemented by images of iconic personalities, including Elizabeth Taylor, Twiggy, and the Duchess of Windsor wearing famous animal-inspired jewels. Guest curator Marion Fasel relays the stories behind the individual pieces through entertaining anecdotes and reveals the colorful histories and fascinating symbolism of these remarkable creatures in precious gems and metals that intrigue and delight and that we never tire of wearing.

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Leading scholars address the myriad ways in which America’s attitudes about race informed the production of Hollywood films from the 1920s through the 1960s. From the predominantly white star system to segregated mise-en-scènes, Hollywood films reinforced institutionalized racism. The contributors to this volume examine how assumptions about white superiority and colored inferiority and the politics of segregation and assimilation affected Hollywood’s classic period.Contributors: Eric Avila, UCLA; Aaron Baker, Arizona State U; Karla Rae Fuller, Columbia College; Andrew Gordon, U of Florida; Allison Graham, U of Memphis; Joanne Hershfield, U of North Carolina; Cindy Hing-Yuk Wond, College of Staten Island, CUNY; Arthur Knight, William and Mary; Sarah Madsen Hardy, Bryn Mawr; Gina Marchetti, U of Maryland; Gary W. McDonogh; Chandra Mukerji, UC, San Diego; Martin F. Norden, U of Massachusetts; Brian O'Neil, U of Southern Mississippi; Roberta E. Pearson, Cardiff U; Marguerite H. Rippy, Marymount U; Nicholas Sammond; Beretta E. Smith-Shomade, U of Arizona; Peter Stanfield, Southampton Institute; Kelly Thomas; Hernan Vera, U of Florida; Karen Wallace, U of Wisconsin, Oshkosh; Thomas E. Wartenberg, Mount Holyoke; Geoffrey M. White, U of Hawai’i; and Jane Yi.

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The first-ever complete study of the Aldwych farce films (1924-1954) and the plays they were based on. The thirteen Aldwych farces were phenomenally successful in the West End between 1922 and 1933. The stars - Ralph Lynn, Tom Walls and Robertson Hare transferred their work to the screen equally successfully in the early 1930s. With humour that relied more on characterisation and clever wordplay than slapstick, they became top stars of the new sound films, 'talkies'. Also covered in the book are the screen originals written for the team by Ben Travers, the 1930s solo vehicles for both Lynn and Walls, and the later plays and films in which Hare appeared with Alfred Drayton. Each of the forty-eight films featured in the book is described in full, with its cast, credits, plot, history, availability and reviews. Ninety short profiles of the personnel involved (stars, leading ladies, supporting actors, playwrights, screenwriters, producers and directors) are included, as well as 200 rare illustrations.

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The contributors to Re-Understanding Media advance a feminist version of Marshall McLuhan’s key text, Understanding Media: The Extensions of Man, repurposing his insight that “the medium is the message” for feminist ends. They argue that while McLuhan’s theory provides a falsely universalizing conception of the technological as a structuring form of power, feminist critics can take it up to show how technologies alter and determine the social experiences of race, gender, class, and sexuality. This volume showcases essays, experimental writings, and interviews from media studies scholars, artists, activists, and those who work with and create technology. Among other topics, the contributors extend McLuhan’s discussion of transportation technology to the attics and cargo boxes that moved Black women through the Underground Railroad, apply McLuhan’s concept of media as extensions of humans to analyze Tupperware as media of containment, and take up 3D printing as a feminist and decolonial practice. The volume demonstrates how power dynamics are built into technological media and how media can be harnessed for radical purposes. Contributors. Nasma Ahmed, Morehshin Allahyari, Sarah Banet-Weiser, Wendy Hui Kyong Chun, Brooke Erin Duffy, Ganaele Langlois, Sara Martel, Shannon Mattern, Cait McKinney, Jeremy Packer, Craig Robertson, Sarah Sharma, Ladan Siad, Rianka Singh, Nicholas Taylor, Armond R. Towns, and Jennifer Wemigwans

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In the early twenty-first century, the citizens of many Latin American countries, such as Argentina, Bolivia, Brazil, Ecuador, and Venezuela, elected left-wing governments, explicitly rejecting and attempting to reverse the policies of neoliberal structural economic adjustment that had prevailed in the region during the 1990s. However, in other countries such as Chile, Colombia, Mexico, and Peru continuity and even extension of the neoliberal agenda have been the norm. What were the consequences of rejecting the neoliberal consensus in Latin America? Why did some countries stay on the neoliberal course? Contributors to Latin America Since the Left Turn address these questions and more as they frame the tensions and contradictions that currently characterize Latin American societies and politics. Divided into three sections, the book begins with an examination of the political economy, from models of development, to taxation and spending patterns, to regionalization of trade and human migration. The second section analyzes the changes in democracy and political identities. The last part explores the themes of citizenship, constitutionalism, and new forms of civic participation. With essays by the foremost scholars in the field, Latin America Since the Left Turn not only delves into the cases of specific countries but also surveys the region as a whole. Contributors: Isabella Alcañiz, Sandra Botero, Marcella Cerrutti, George Ciccariello-Maher, Tula G. Falleti, Roberto Gargarella, Adrian Gurza Lavalle, Juliet Hooker, Evelyne Huber, Ernesto Isunza Vera, Nora Lustig, Paulina Ochoa Espejo, Emilio A. Parrado, Claudiney Pereira, Thamy Pogrebinschi, Irina Carlota Silber, David Smilde, John D. Stephens, Maristella Svampa, Oscar Vega Camacho, Gisela Zaremberg.

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This beautifully illustrated and exquisitely designed volume of paintings, sculpture, medals, and drawings celebrates the extraordinary flowering of female portraiture, mainly in Florence, beginning in the latter half of the fifteenth century. Included are many of the finest portraits of women (and a few of men) by Filippo Lippi, Domenico Ghirlandaio, Antonio Pollaiuolo, Botticelli, Verrocchio, and Leonardo da Vinci--whose remarkable double-sided portrait of Ginevra de' Benci, which departs notably from tradition, is the focus of special attention. It was in Florence during this period that portraiture expanded beyond the realm of rulers and their consorts to encompass women of the merchant class. This phenomenon, long known to scholars, is here presented to a larger audience for the first time. The catalogue, which accompanies an exhibition at the National Gallery of Art, traces how the humanist praise of women influenced and enlivened their depiction. It also considers how meaningful costumes and settings were chosen. Works from outside Florence by such masters as Pisanello, Rogier van der Weyden, and Ercole Roberti shed additional light on the evolution of female portraiture during the century from c. 1440 to c. 1540. An introduction by editor and exhibition organizer David Alan Brown and four engaging essays by other experts on Renaissance art--Dale Kent, Joanna Woods-Marsden, Mary Westerman Bulgarella and Roberta Orsi Landini, and Victoria Kirkham--perfectly complement the more than one hundred illustrations, which include ninety-seven full-color plates. The catalogue entries are concise while revealing the key aspects of each portrait--from style and sources to ongoing scholarly debates. This elegant, enlightening book is itself a telling portrait not only of the art but also of the broader issues of women's freedom, responsibility, and individuality in a most exceptional era. EXHIBITION SCHEDULE National Gallery of Art, Washington, D.C. September 30, 2001-January 6, 2002

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An overlooked classic of Italian literature, this epic and unforgettable novel recounts one man's long and turbulent life in revolutionary Italy.At the age of eighty-three and nearing death, Carlo Altoviti has decided to write down the confessions of his long life. He remembers everything: his unhappy childhood in the kitchens of the Castle of Fratta; romantic entanglements during the siege of Genoa; revolutionary fighting in Naples; and so much more. Throughout, Carlo lives only for his twin passions in life: his dream of a unified, free Italy and his undying love for the magnificent but inconstant Pisana. Peopled by a host of unforgettable characters - including drunken smugglers, saintly nuns, scheming priests, Napoleon and Lord Byron - this is an epic historical novel that tells the remarkable and inseparable stories of one man's life and the history of Italy's unification.Ippolito Nievo was born in 1831 in Padua. Confessions of an Italian, written in 1858 and published posthumously in 1867, is his best known work. A patriot and a republican, he took part with Garibaldi and his Thousand in the momentous 1860 landing in Sicily to free the south from Bourbon rule. Nievo died before he reached the age of thirty, when his ship, en route from Palermo to Naples, went down in the Tyrrhenian Sea in early 1861. He was, Italo Calvino once said, the sole Italian novelist of the nineteenth century in the 'daredevil, swashbuckler, rambler' mould so dear to other European literatures. Frederika Randall has worked as a cultural journalist for many years. Her previous translations include Luigi Meneghello's Deliver Us and Ottavio Cappellani's Sicilian Tragedee and Sergio Luzzatto's Padre Pio: Miracles and Politics in a Secular Age.Lucy Riall is Professor of Comparative History at the European University Institute. Her many books include Garibaldi. Invention of a Hero. 'Of all the furore that came out of the Risorgimento, only Manzoni and Nievo really matter today' - Umberto Eco 'The one 19th century Italian novel which has [for an Italian reader] that charm and fascination so abundant in foreign literatures' - Italo Calvino 'Perhaps the greatest Italian novel of the nineteenth century' - Roberto Carnero 'A spirited appeal for liberté, égalité and fraternité, the novel is also an astute, scathing and amusing human comedy, a tale of love, sex and betrayal, of great wealth and grinding poverty, of absolute power and scheming submission, of idealism and cynicism, courage and villainy' - The Literary Encyclopedia

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Lonely Planet: The world's leading travel guide publisher Lonely Planet's Cape Town & the Garden Route is your passport to the most relevant, up-to-date advice on what to see and skip, and what hidden discoveries await you. Soak in the view from the summit of Table Mountain, take a boat to Robben Island for an insight into the country's history, and explore the beaches, forests and verdant mountains along the majestic Garden Route - all with your trusted travel companion. Get to the heart of Cape Town and begin your journey now! Inside Lonely Planet's Cape Town & the Garden Route: Colour maps and images throughout Highlights and itineraries help you tailor your trip to your personal needs and interests Insider tips to save time and money and get around like a local, avoiding crowds and trouble spots Essential info at your fingertips - hours of operation, phone numbers, websites, transit tips, prices Honest reviews for all budgets - eating, sleeping, sightseeing, going out, shopping, hidden gems that most guidebooks miss Cultural insights provide a richer, more rewarding travel experience - covering history, people, music, landscapes, wildlife, cuisine, politics Covers City Bowl, Foreshore, Bo-Kaap & De Waterkant, East City, District Six, Woodstock & Observatory Gardens & Surrounds, Green Point & Waterfront, Sea Point to Hout Bay, Southern Suburbs, Simon's Town & Southern Peninsula, Cape Flats & Northern Suburbs, Stellenbosch, Franschhoek, Paarl, Robertson, Hermanus, Stanford, Darling, Langebaan, The Garden Route The Perfect Choice: Lonely Planet's Cape Town & the Garden Route is our most comprehensive guide to Cape Town, and is perfect for discovering both popular and offbeat experiences. Travelling further afield? Check out Lonely Planet's South Africa, Lesotho & Swaziland for a comprehensive look at what all these southern African countries have to offer. About Lonely Planet: Lonely Planet is a leading travel media company and the world's number one travel guidebook brand, providing both inspiring and trustworthy information for every kind of traveller since 1973. Over the past four decades, we've printed over 145 million guidebooks and grown a dedicated, passionate global community of travellers. You'll also find our content online, and in mobile apps, video, 14 languages, nine international magazines, armchair and lifestyle books, ebooks, and more. 'Lonely Planet guides are, quite simply, like no other.' - New York Times 'Lonely Planet. It's on everyone's bookshelves, it's in every traveller's hands. It's on mobile phones. It's on the Internet. It's everywhere, and it's telling entire generations of people how to travel the world.' - Fairfax Media (Australia)

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Cosy up in front of a fire and discover Christmas the Norwegian way…full of romance, cosy traditions and hygge! In the bleak midwinter… A really frosty wind is making Holly’s life absolutely miserable After all the years of hard work it took Londoner Holly Greene to become a doctor, now it could all be taken away and she only has herself to blame. She’s retreating to her brother’s rustic home on an island off the coast of Norway to lick her wounds. Only, it’s the middle of winter and icy slush plus endless darkness isn’t exactly the cheery, festive getaway she had imagined. Nearly stumbling off the edge of a cliff in the dark, Holly is saved by Frøy, a yellow-eyed cat of fearsome but fluffy proportions, and his owner – grouchy, bearded recluse, Tor. Tor has his own problems to face but the inexplicable desire to leave a bag of freshly baked gingerbread men on Holly’s doorstep is seriously getting in the way of his hermit routine. Call it kindness, call it Christmas, but Holly’s arrival means midwinter has never looked less bleak. Readers LOVE this book: ⭐⭐⭐⭐⭐ 'The perfect Christmassy escape!' – Laura, Amazon Reviewer ⭐⭐⭐⭐⭐ 'A beautiful and relaxing read, full of Christmassy togetherness. I really recommend it' – Roberta Reads ⭐⭐⭐⭐⭐ 'Definitely a book to cosy up with on an English cold damp day… I was sorry when it ended' Amazon Reviewer

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A New York Times New & Noteworthy Book • "Strange and affectionate, like Almost Famous penned by Shakespeare. A love letter to music in all its myriad iterations."—Kirkus Reviews • "This book has no business being as good as it is."—Christian Wiman In the year 2063, on the edge of the Crater formerly known as Montréal, a middle-aged man and his ex’s daughter search for a cult hero: the leader of a short-lived band named after a forgotten work of poetry and known to fans through a forgotten work of music criticism. In this exuberantly plotted verse novel, Guriel follows an obsessive cult-following through the twenty-first century. Some things change (there’s metamorphic smart print for music mags; the Web is called the “Zuck”). Some things don’t (poetry readings are still, mostly, terrible). But the characters, including a robot butler who stands with Ishiguro’s Stevens as one of the great literary domestics, are unforgettable. Splicing William Gibson with Roberto Bolaño, Pale Fire with Thomas Pynchon, Forgotten Work is a time-tripping work of speculative fiction. It’s a love story about fandom, an ode to music snobs, a satire on the human need to value the possible over the actual—and a verse novel of Nabokovian virtuosity.

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The Storm at Sea: Political Aesthetics in the Time of Shakespeare counters a tradition of cultural analysis that judges considerations of aesthetic autonomy in the early modern context to be either anachronistic or an index of political disengagement. Pye argues that for a post-theocratic era in which the mise-en-forme of the social domain itself was for the first time at stake, the problem of the aesthetic lay at the very core of the political; it is precisely through its engagement with the question of aesthetic autonomy that early modern works most profoundly explore their relation to matters of law, state, sovereignty, and political subjectivity. Pye establishes the significance of a “creationist” political aesthetic—at once a discrete historical category and a phenomenon that troubles our familiar forms of historical accounting—and suggests that the fate of such an aesthetic is intimately bound up with the emergence of modern conceptions of the political sphere. The Storm at Sea moves historically from Leonardo da Vinci to Thomas Hobbes; it focuses on Shakespeare and English drama, with chapters on Hamlet, Othello, A Winter’s Tale, and The Tempest, as well as sustained readings of As You Like It, King Lear, Thomas Kyd’s Spanish Tragedy, and Christopher Marlowe’s Doctor Faustus. Engaging political thinkers such as Carl Schmitt, Giorgio Agamben, Claude Lefort, and Roberto Esposito, The Storm at Sea will be of interest to political theorists as well as to students of literary and visual theory.

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Dibujo está destinado a artistas, arquitectos y diseñadores y también a principiantes, estudiantes y profesionales. Con este libro aprenderás a dibujar cualquier objeto o entorno con imaginación, comenzando con las habilidades más básicas del dibujo en perspectiva.Los primeros capítulos explican cómo hacer con precisión cuadrículas de perspectiva y elipses, que en los capítulos posteriores proporcionan la base para formas más complejas. Asimismo, se detallan los procesos de investigación y diseño utilizados para obtener determinados efectos visuales, lo que facilita el flujo de trabajo.Este volumen, además, cuenta con más de 25 páginas con códigos escaneables, mediante móvil o tableta y a través de la app de Design Studio Press, que incluyen videotutoriales que amplían los contenidos tratados.Tras más de dos décadas de experiencia docente, Scott Robertson y Thomas Bertling te brindan sus enseñanzas y las técnicas con que han ayudado a

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Reclaiming the notion of literature as an institution essential for reflecting on the violence of culture, history, and politics, Violence and Naming exposes the tension between the irreducible, constitutive violence of language and the reducible, empirical violation of others. Focusing on an array of literary artifacts, from works by journalists such as Elena Poniatowska and Sergio González Rodríguez to the Zapatista communiqués to Roberto Bolaño's The Savage Detectives and 2666, this examination demonstrates that Mexican culture takes place as a struggle over naming—with severe implications for the rights and lives of women and indigenous persons.Through rereadings of the Conquest of Mexico, the northern Mexican feminicide, the Zapatista uprising in Chiapas, the disappearance of the forty-three students at Iguala in 2014, and the 1999 abortion-rights scandal centering on “Paulina,” which revealed the tenuousness of women’s constitutionally protected reproductive rights in Mexico, Violence and Naming asks how societies can respond to violence without violating the other. This essential question is relevant not only to contemporary Mexico but to all struggles for democracy that promise equality but instead perpetuate incessant cycles of repression.

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It is unusual for styles in opera to carry over from one era into another. It would be even more unusual for one era's characteristics to linger two generations into the next. Yet this is precisely what happened during the first half of the nineteenth century, when the intricacies of the fleet bel canto style were combined with the Romantic era's heroic declamation and formidable orchestral emphasis resulting in the creation of the assoluta voice.This work traces the emergence of the impressive vocal writing that resulted from the marriage of the bel canto and Romantic eras. It also covers the uniquely versatile divas who were given the opportunities to make their mark on opera from the time of Cherubini to that of a young Verdi. Here, both the wide-ranging vocalism in the scores themselves and the artists capable of performing this style are referred to as assoluta. The chapters consider Luigi Cherubini's ""Medee"", Gioacchino Rossini's ""Armida"", Carl Maria von Weber's ""Oberon"", Gaetano Donizetti's ""Anna Bolena"", Vincenzo Bellini's ""Norma"", Donizetti's ""Gemma di Vergy"" and ""Roberto Devereux"", the time of transition in the late 1800s and early 1900s, and Giuseppe Verdi's ""Nabucco"" and ""Macbeth"".

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Finalist for the 2021 CASEY Award for Best Baseball Book of the Year“For that period of time, he was the greatest player of my generation.”—Keith Hernandez Dave Parker was one of the biggest and most badass baseball players of the late twentieth century. He stood at six foot five and weighed 235 pounds. He was a seven-time All-Star, a two-time batting champion, a frequent Gold Glove winner, the 1978 National League MVP, and a World Series champion with both the Pittsburgh Pirates and the Oakland A’s. Here the great Dave Parker delivers his wild and long-awaited autobiography—an authoritative account of Black baseball during its heyday as seen through the eyes of none other than the Cobra. From his earliest professional days learning the game from such baseball legends as Pie Traynor and Roberto Clemente to his later years mentoring younger talents like Eric Davis and Barry Larkin, Cobra is the story of a Black athlete making his way through the game during a time of major social and cultural transformation. From the racially integrated playing fields of his high school days to the cookie-cutter cathedrals of his prime alongside all the midseason and late-night theatrics that accompany an athlete’s life on the road–Parker offers readers a glimpse of all that and everything in between. Everything. Parker recounts the triumphant victories and the heart-breaking defeats, both on and off the field. He shares the lessons and experiences of reaching the absolute pinnacle of professional athletics, the celebrations with his sports siblings who also got a taste of the thrills, as well as his beloved baseball brothers whom the game left behind. Parker recalls the complicated politics of spring training, recounts the early stages of the free agency era, revisits the notorious 1985 drug trials, and pays tribute to the enduring power of relationships between players at the deepest and highest levels of the sport. With comments at the start of each chapter by other baseball legends such as Pete Rose, Dave Winfield, Willie Randolph, and many more, Parker tells an epic tale of friendship, success, indulgence, and redemption, but most of all, family. Cobra is the unforgettable story of a million-dollar athlete just before baseball became a billion-dollar game.

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La Escocia del siglo XVIII fue una fértil tierra para el pensamiento y dio lugar a uno de los más significativos movimientos intelectuales de la moderna cultura europea: la Ilustración escocesa.Esta antología sobre la teoría social y política de la Ilustración escocesa supone una novedad editorial que atiende la carencia de una obra de conjunto sobre este movimiento intelectual. Recupera trabajos de Francis Hutcheson, Henry Home Lord Kames, Thomas Reid, David Hume, William Robertson, Adam Smith, Adam Ferguson, John Millar, James Dunbar y Dugald Stewart, muchos de los cuales son inéditos para el lector hispanohablante. Esta nómina de nombres no encierra una serie de pensadores dispersos, sino que comprende a una articulada elite intelectual cuya presencia en la vida social escocesa perduró durante tres generaciones.Con los textos elegidos para esta antología se pretende centrar la atención en tres aspectos. En primer lugar, en la profunda preocupación de los ilustrados escoceses

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En 1965 El buen salvaje ganaba el Premio Nadal por unanimidad del jurado, lo que ocurría sólo por segunda vez en los veinte años de vida del concurso. Se trataba de la novela de un autor colombiano que vivía en Madrid y que narraba la vida de un joven escritor sudamericano que intentaba sobrevivir y escribir una novela por los cafés de París. Si entonces la obra fue celebrada como una novela picaresca, moderna, literaria y decadente, que homenajeaba y parodiaba a Proust, Gide, Balzac, Victor Hugo o el mismo Dostoievski, andando los años se desveló como el antecedente de otras obras reseñables, como La vida exagerada de Martín Romaña, de Brice Echenique, o Los detectives salvajes, de Roberto Bolaño; sin olvidar que el tiempo en que fue escrita coincidía con el de la Rayuela de Cortázar. El buen salvaje desapareció de las librerías españolas hace muchos años, y hoy es un título totalmente desconocido. Y sin embargo su lectura se hace más divertida, paródica y original que nunca. La histo

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Una novela que nos habla del amor en el siglo XXI y, sobre todo, del amor propio, el crecimiento personal y la lucha contra los estándares sociales.Karma (Laura) es una mujer que roza los treinta. Trabaja de teleoperadora en unos grandes almacenes y comparte piso con su amigo Roberto. Son una dupla galáctica y funcionan mejor que cualquier matrimonio convencional.La vida de Karma da un vuelco de ciento ochenta grados cuando conoce a Leo, su match de Tinder. Leo acaba con todos sus miedos y hace que se sienta como una diosa en la cama y fuera de ella.Sin embargo, ella convive con los monstruos de su pasado, con la carga de pesar más de lo que la sociedad acepta como normativo, con la necesidad de volver a terapia y con la creencia de tener una autoestima que en realidad no es tan férrea como ella piensa.Karma somos un poco todas, Karma se construye de todas las mujeres que me inspiran, Karma soy yo.Por qué se le han de romper los esqu

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As David Hoffer, 44, rides his Harley Davidson Heritage Softail south on the Laurentian Autoroute to a memorial for a friend who has died of prostate cancer, he worries that he may soon join his pal on the other side. His back is killing him, and he's got a pain in the rear end that just won't go away. Hoffer's pain in the butt may be non-medical. To finance new equipment for his music video production company, he has sold land adjoining his studio to the Children of the Sun, but he has learned that their religious activites don't consist of nude sunbathing. His affair with Roberta, half his age, is complicated by his attachment to his previous lover. His inner child (more dopehead adolescent than squalling infant) is annoyed with him; so is his ex-wife; so is his business partner. So are some other people who don't like his style. Set in 1994 in the Laurentians where the Solar Temple cult was planning its apocalypse, Badass on a Softail is a culture-jamming fugue on what happens when the Age of Aquarius stares into the mirror and sees the Age of Acquisition staring back.

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The lives of 40 men and women behind some of the world’s most exciting gardens. Throughout history great gardeners have risen from all walks of life. Some have been aristocratic amateur gardeners, others professional designers with an international practice. Some have come to garden-making from sister arts such as sculpture or painting; others have been hands-on nurserymen or botanists. What they all have in common is the ability to take an idea and develop it in a new manner relevant to their times. The book contains four sections. ‘Gardens of Ideas’ moves from the politically allusive gardens of 18th-century England made by men such as William Kent, to Charles Jencks’s Scottish garden inspired by 21st-century cosmography. ‘Gardens of Straight Lines’ explores the lives of the great formalist gardeners, from Le Nôtre at Versailles to the rational English minimalism of contemporary designer Christopher Bradley-Hole. ‘Gardens of Curves’ begins with that great exponent of the English landscape garden, ‘Capability’ Brown, and leads to the extraordinary Brazilian designer Roberto Burle Marx. Finally, ‘Gardens of Plantsmanship’ moves from the father of naturalistic planting, William Robinson, to the sweeping prairies of New York’s favourite Dutch designer, Piet Oudolf.

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There are few football clubs in the world that attract as much interest in the modern game as Chelsea. Whether it is the latest observations from former coach Maurizio Sarri, his successor Frank Lampard, big-money transfer targets, the style of play or results in Europe, everybody thinks they know what's happening – or at least has an opinion on it. The arrival in 2003 of Russian billionaire tycoon Roman Abramovich as owner turned a glamorous club with a long history of under-achievement, into an international powerhouse. After one championship in 99 years, the Blues have, in a dozen years, won five Premier League titles, plus the UEFA Champions League, two UEFA Europa League titles, five FA Cups and three Football League Cups. The club always was a magnet for well-known names – vaudeville legend George Robey played for the Pensioners in the club's earliest days – and, in the modern era, Stamford Bridge has become home to a dazzling array of world stars. From Ron 'Chopper' Harris and Ken Bates through Ruud Gullit, Roberto Di Matteo and Glenn Hoddle to Jose Mourinho, John Terry, Zola, Diego Costa and Eden Hazard, there is no lack of characters to draw on for quotes.

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