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Gets you quickly up to speed with the theoretical and practical aspects of free space optical systems engineering design and analysis One of today's fastest growing system design and analysis disciplines is free space optical systems engineering for communications and remote sensing applications. It is concerned with creating a light signal with certain characteristics, how this signal is affected and changed by the medium it traverses, how these effects can be mitigated both pre- and post-detection, and if after detection, it can be differentiated from noise under a certain standard, e.g., receiver operating characteristic. Free space optical systems engineering is a complex process to design against and analyze. While there are several good introductory texts devoted to key aspects of optics—such as lens design, lasers, detectors, fiber and free space, optical communications, and remote sensing—until now, there were none offering comprehensive coverage of the basics needed for optical systems engineering. If you're an upper-division undergraduate, or first-year graduate student, looking to acquire a practical understanding of electro-optical engineering basics, this book is intended for you. Topics and tools are covered that will prepare you for graduate research and engineering in either an academic or commercial environment. If you are an engineer or scientist considering making the move into the opportunity rich field of optics, this all-in-one guide brings you up to speed with everything you need to know to hit the ground running, leveraging your experience and expertise acquired previously in alternate fields. Following an overview of the mathematical fundamentals, this book provides a concise, yet thorough coverage of, among other crucial topics: Maxwell Equations, Geometrical Optics, Fourier Optics, Partial Coherence theory Linear algebra, Basic probability theory, Statistics, Detection and Estimation theory, Replacement Model detection theory, LADAR/LIDAR detection theory, optical communications theory Critical aspects of atmospheric propagation in real environments, including commonly used models for characterizing beam, and spherical and plane wave propagation through free space, turbulent and particulate channels Lasers, blackbodies/graybodies sources and photodetectors (e.g., PIN, ADP, PMT) and their inherent internal noise sources The book provides clear, detailed discussions of the basics for free space optical systems design and analysis, along with a wealth of worked examples and practice problems—found throughout the book and on a companion website. Their intent is to help you test and hone your skill set and assess your comprehension of this important area. Free Space Optical Systems Engineering is an indispensable introduction for students and professionals alike.

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We stare at each other because we don't know which tribe, and then nod at the last possible instant. Standard procedure. You pick it up the first time a white friend leads you across a room just to stand you up by another Indian, arrange you like furniture, like you should have something to say to each other. As one character after another tells it in these stories, much that happens to them does so because "I'm an Indian." And, as Stephen Graham Jones tells it in one remarkable story after another, the life of an Indian in modern America is as rich in irony as it is in tradition. A noted Blackfeet writer, Jones offers a nuanced and often biting look at the lives of Native peoples from the inside. A young Indian mans journey to discover America results in an unsettling understanding of relations between whites and Natives in the twenty-first century, a relationship still fueled by mistrust, stereotypes, and almost casual violence. A character waterproofs his boots with transmission fluid; another steals into Glacier National Park to hunt. One man uses watermelon to draw flies off poached deer; another, in a modern twist on the captivity narrative, kidnaps a white girl in a pickup truck; and a son bleeds into the father carrying him home. Rife with arresting and poignant images, fleeting and daring in presentation, weighty and provocative in their messages, these stories demonstrate the power of one of the most compelling writers in Native North America today.

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As natural disasters begin to befall them the closer they become, Milo and Marcos soon begin to wonder if the universe itself is plotting against them in this young adult debut by the playwright and creator of The Two Princes podcast, Kevin Christopher Snipes. Milo Connolly has managed to survive most of high school without any major disasters, so by his calculations, he’s well past due for some sort of Epic Teenage Catastrophe. Even so, all he wants his senior year is to fly under the radar.Everything is going exactly as planned until the dreamy and charismatic Marcos Price saunters back into his life after a three-year absence and turns his world upside down. Suddenly Milo is forced to confront the long-buried feelings that he’s kept hidden not only from himself but also from his deeply religious parents and community.To make matters worse, strange things have been happening around his sleepy Florida town ever since Marcos’s return—sinkholes, blackouts, hailstorms. Mother Nature is out of control, and the closer Milo and Marcos get, the more disasters seem to befall them. In fact, as more and more bizarre occurrences pile up, Milo and Marcos find themselves faced with the unthinkable: Is there a larger, unseen force at play, trying to keep them apart? And if so, is their love worth risking the end of the world?

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THE SUNDAY TIMES TOP TEN BESTSELLER & BEST HISTORY BOOK OF 2023 THE NEW YORK TIMES BESTSELLER A TELEGRAPH BEST HISTORY BOOK OF 2023 A BLOOMBERG BEST BOOK OF 2023 A PROSPECT BEST HISTORY BOOK OF 2023 BLACKWELL'S NON-FICTION BOOK OF THE YEAR SHORTLISTED FOR THE WATERSTONES BOOK OF THE YEAR 2023 '[Mary Beard] has always had the sharpest eyes for telling detail and colourful anecdote' Sunday Times 'Britain's most famous classicist ... at the peak of her powers' The Times 'Extraordinary ... a deliciously varied tapestry of detail drawn from across nearly three centuries' Telegraph 'The reigning Queen of Classics' Spectator What was it really like to rule and be ruled in the Ancient Roman world? In her international best-seller SPQR, Mary Beard told the thousand-year story of ancient Rome. Now, she shines her spotlight on the emperors who ruled the Roman empire, from Julius Caesar (assassinated 44 BCE) to Alexander Severus (assassinated 235 CE). Emperor of Rome is not your usual chronological account of Roman rulers, one after another: the mad Caligula, the monster Nero, the philosopher Marcus Aurelius. Beard asks bigger questions: What power did emperors actually have? Was the Roman palace really so bloodstained? Emperor of Rome goes directly to the heart of Roman (and our own) fantasies about what it was to be Roman, offering an account of Roman history as it has never been presented before.

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SHERLOCK HOLMES IS NOT ONLY THE MOST FAMOUS CHARACTER IN CRIME FICTION BUT THE MOST FAMOUS CHARACTER IN ALL OF FICTION.'Holmes has a timeless intelligence that puts him head, shoulders and deer-stalker above all other detectives' Alexander McCall Smith_______________This complete volume contains four novels and fifty-six short stories about the most engaging detective of all time, with a foreword by crime writer Ruth Rendell.Sherlock Holmes, together with his faithful sidekick Doctor John H. Watson, proves himself as the quintessential detective. Time after time his pits his extraordinary wits and courage against foreign spies, blackmailers, cultists, petty thieves, murderers, swindlers, policemen (both stupid and clever), and his arch-nemesis Moriarty.Continuing to enthral millions in film and TV adaptations, Arthur Conan Doyle's creation has inspired readers and writers of crime stories for well over a century. Join their ranks with this collection._______________'The immense talent, passion and literary brilliance that Conan Doyle brought to his work give him a unique place in English letters. Personally, I'd walk a million miles in tight boots just to read his letters to the milkman' Stephen Fry'Now, as in his lifetime, cab drivers, statesmen, academics, and raggedy-assed children sit spellbound at his feet. No wonder, then, if the pairing of Holmes and Watson has triggered more imitators than any other duo in literature' John Le Carré

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‘These guitars have been really good tools; they’re not just museum pieces. They all have a soul and they all come alive.’ – Eric Clapton ‘In his own words, Clapton tells his story through the history of his instruments.’ – Rolling Stone In Six-String Stories Eric Clapton reflects on a legendary career as told through the tools of his trade: his guitars. Collected together here for the first time are the instruments Clapton sold in three record-breaking auctions between 1999 and 2011 to benefit the Crossroads treatment centre he founded in 1998. Featuring some of the most famous guitars ever played, Clapton guides the reader through nearly 300 instruments as he discusses their provenance, reveals insights about his own playing, and shares anecdotes from each chapter of his spectacular life in music. ‘One by one these guitars were the chapters of my life. They belong to a very well-loved family.’ – Eric Clapton Six-String Stories presents a ‘family tree’ that makes connections between iconic instruments, such as Clapton’s famous ‘Blackie’ Stratocaster, and previously unknown rarities, placing them in the chronology of his career. Clapton recalls the instruments he bought to emulate his heroes, the guitars with unknown origins that became their own legend, the ones that never left his side, and the legacy they left behind. Every piece has been individually photographed, revealing every curve, detail and scratch, while the work of over 80 of the world’s best rock photographers shows the instruments in play. See Clapton’s evolution from the psychedelic Sixties, through the stripped-back Seventies, electric Eighties, and unplugged Nineties, right up to the sale of the last guitar. ‘As an avid rock or blues fan, I would look at all the pictures in this book.’ – Eric Clapton Historical and technical information for each piece in the collection – including playlists and concert dates for those instruments used on records and at public appearances – completes the story behind each guitar. ‘The guitars are things of great beauty.’ – Eric Clapton

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______________ ‘One of the best writers of my generation’ - John Irving ‘A playful yet searching novel of gay life in the New York of Ed Koch and Studio 54’ - Kirkus ‘Smart, worldly, erudite, well-connected, and funny’ - New York Review of Books ‘Remarkable … America’s most significant gay writer’ - Literary Review ______________ ‘Has everyone always been in love with you? Of course they have, who am I kidding? What did they say about Helen of Troy? That her face launched a thousand ships? That’s you, you’re that beautiful. A thousand ships’ New York City in the eighties, and at its decadent heart is Guy. The darling of Fire Island's gay community and one of New York’s top male models, Guy is gliding his way to riches that are a world away from his modest provincial upbringing back home in France. Like some modern-day Dorian Gray he seems untouched by time: the decades pass, fashions change, yet his beauty remains as transcendent and captivating as ever. Such looks cannot help but bring him adoration. From sweet yet pathetic Fred to the wealthy and masochistic Baron, from the acerbic and cynical Pierre-Georges to Andre, fabricating Dalí fakes and hurtling towards prison and the abyss, all are in some way fixated on him. In return for the devotion and expensive gifts they lavish on him, he plays with unswerving loyalty whatever role they project onto him: unattainable idol, passionate lover, malleable client. But just as the years are catching up on his smooth skin and perfect body, so his way of life is closing in on him and destroying the men he loves. Edmund White has in Our Young Man created some of the richest representations of gay male identity, from the disco era to the age of AIDs. What links them all is the allure and enchantment they find in beauty. Revelling in its magic, Our Young Man nonetheless slips beneath the seductive surface to examine its dangerous depths, exploring its power to fascinate, enslave and deceive. Mesmerising, blackly comic, and delicately crafted, this is an exquisite novel from a contemporary master.

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Celebrated novelist, biographer and critic Peter Ackroyd paints a vivid picture of one of the world's greatest cities in this brilliant and original work, exploring how the city's many hues have come to shape its history and identity. Think of the colours of London and what do you imagine? The reds of open-top buses and terracotta bricks? The grey smog of Victorian industry, Portland stone and pigeons in Trafalgar square? Or the gradations of yellows, violets and blues that shimmer on the Thames at sunset – reflecting the incandescent light of a city that never truly goes dark? We associate green with royal parks and the District Line; gold with royal carriages, the Golden Lane Estate, and the tops of monuments and cathedrals.Colours of London shows us that colour is everywhere in the city, and each one holds myriad links to its past. The colours of London have inspired artists (Whistler, Van Gogh, Turner, Monet), designers (Harry Beck) and social reformers (Charles Booth). And from the city’s first origins, Ackroyd shows how colour is always to be found at the heart of London’s history, from the blazing reds of the Great Fire of London to the blackouts of the Blitz to the bold colours of royal celebrations and vibrant street life. This beautifully written book examines the city's fascinating relationship with colour, alongside specially commissioned colourised photographs from Dynamichrome, which bring a lost London back to life. London has been the main character in Ackroyd's work ever since his first novel, and he has won countless prizes in both fiction and non-fiction for his truly remarkable body of work. Here, he channels a lifetime of knowledge of the great city, writing with clarity and passion about the hues and shades which have shaped London's journey through history into the present day. A truly invaluable book for lovers of art, history, photography or urban geography, this beautifully illustrated title tells a rich and fascinating story of the history of this great and ever-changing city.

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'Disturbing, blackly funny and completely compulsive' - ALEX NORTH 'a SERIOUSLY creepy thriller. I may never venture into the loft again' - MARK BILLINGHAM 'A brilliantly chilling story with tension on every page' - T.M. LOGAN ________________________________________ THERE'S A SERIAL KILLER ON THE RUN AND HE'S HIDING IN YOUR HOUSE Thomas Brogan is a serial killer. With a trail of bodies in his wake and the police hot on his heels, it seems like Thomas has nowhere left to hide. That is until he breaks into an abandoned house at the end of a terrace on a quiet street. And when he climbs up into the loft, he realises that he can drop down into all the other houses through the shared attic space. That's when the real fun begins. Because the one thing that Thomas enjoys even more than killing is playing games with his victims - the lonely old woman, the bickering couple, the tempting young newlyweds. And his new neighbours have more than enough dark secrets to make this game his best one yet... Do you fear The Resident? Soon you'll be dying to meet him. ________________________________________ 'Brilliant. So twisted, clever and funny. Highly recommended' - MARK EDWARDS 'Dark and disturbing yet so absorbing. Jackson knows how to reel you in' - MEL SHERRATT 'A brilliantly creepy, edge-of-your-seat, tense thriller' - WILL CARVER 'Superb. Creepy, pacy, and oh so witty' - CAZ FREAR 'A chilling psycho thriller with a very novel twist' - PAUL FINCH 'Utterly compelling and impossible to put down. Incredible' - LUCA VESTE 'Twisted as hell. I loved it!' - MANDASUE HELLER 'Clever, addictive and brazenly terrifying. I slept with the lights on after reading this one' - CHRIS WHITAKER 'Darkly thrilling and utterly compulsive. A tour de force!' - VICTORIA SELMAN 'A devilishly dark, wickedly funny crime novel' - PAUL BURSTON 'I highly recommend this book, had me terrified. I'm never going in the attic again. Ever' - LISA HALL 'Menacing, disturbing, compelling and unique' ALEX SHAW 'I devoured this skin-crawling tale of your worst fears come true' SJI HOLLIDAY 'Breathtaking, engrossing and deliciously dark, I dare you to read The Resident and think differently' - STEPHEN EDGER

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'Sexy chemistry and gut-wrenching emotions kept me turning the pages!' Kristen ProbyNine years ago, Emery Saunders moved to Hartwell to start her life over as a bookstore owner. Her inability to trust people made it hard for her to find a place in the small community until Jessica Lawson moved to town and befriended the shy beauty.But there was one person in Hartwell who tried to befriend Emery long before Jessica arrived . . .Jack Devlin has his secrets. One of them is that he fell hard for Emery the moment she appeared in Hartwell. Another is that his father blackmailed him into covering up a dark family tragedy. It forced Jack to sever his relationships to protect the people he cared about. Yet, staying away from Emery has not been easy throughout the years and he hasn't always succeeded. When Jack's mixed signals hurt Emery once again, she puts him out of her heart for good.Until the Devlin family secret is finally revealed, freeing Jack from his father's machinations. What Jack wants more than anything is to repair his relationships, starting with Emery.However, Emery isn't ready to forgive and Jack's not ready to give up.And when the town's latest scandal ties Jack and Emery together, Jack is not above using their new reality to prove to Emery once and for all that their love is worthy of the legend of Hart's Boardwalk.Discover why readers love Samantha Young . . . '[Samantha Young's] enchanting couples and delicious romances make her books an autobuy' Smexy Books'Smart and sexy, Young writes stories that stay with you long after you flip that last page' Under the Covers'Charismatic characters, witty dialogue, blazing-hot sex scenes, and real-life issues make this book an easy one to devour' Fresh Fiction'The one thing you can count on from Ms. Young is some of the best, steamy, sexual chemistry' Fiction Vixen'Scotland's answer to E.L. James' Closer'[Young] is a goddess when it comes to writing hot scenes' Once Upon a Twilight

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This book is described as being 'in a genre all its own'. Truly it is. Simeon the cat has two ambitions. the first is to become famous, which is why he writes this book, and the second is to meet the White Rabbit. While pursuing these goals, he takes time to air his views on Oxford, Mr Bean, the internet, on how the British do not value words, and on a while host of other things. He guides us through Oxford's history, landmarks and legends, and provides an entertaining and original introduction to the city. Over-confident in his ability to reason, he enjoys talking with academics and students. All use their real names in the story - Profs of Physics and Medieval German, and postgraduate students. He creates havoc in Blackwell's, discovers an unpublished poem. by Gerard Manley Hopkins, and lays plans to take the grin off the face of the Cheshire Cat. Does he really meet the White Rabbit? It seems he does! Oxford is unique in so many ways. It is the only city in the world where one is in and out of stories all the time. Morse, Mr Bean, Bridgehead, Dickens, Alice in Wonderland, Harry Potter. There is no book that does the job of this one in linking story to reality. It's laugh-out-loud funny, in a dry, sixth-form-humour way. You'll love it!

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A groundbreaking reference work on the revolutionary philosophy and intellectual legacy of Richard Rorty A provocative and often controversial thinker, Richard Rorty and his ideas have been the subject of renewed interest to philosophers working in epistemology, metaphysics, analytic philosophy, and the history of philosophy. Having called for philosophers to abandon representationalist accounts of knowledge and language, Rorty introduced radical and challenging concepts to modern philosophy, generating divisive debate through the new form of American pragmatism which he advocated and the renunciation of traditional epistemology which he espoused. However, while Rorty has been one of the most widely-discussed figures in modern philosophy, few volumes have dealt directly with the expansive reach of his thought or its implications for the fields of philosophy in which he worked. The Blackwell Companion to Rorty is a collection of essays by prominent scholars which provide close, and long-overdue, examination of Rorty’s groundbreaking work. Divided into five parts, this volumecovers the major intellectual movements of Rorty’s career from his early work on consciousness and transcendental arguments, to the lasting impacts of his major writings, to his approach to pragmatism and his controversial appropriations from other philosophers, and finally to his later work in culture, politics, and ethics. Offers a comprehensive, balanced, and insightful account of Rorty's approach to philosophy Provides an assessment of Rorty’s more controversial thoughts and his standing as an “anti-philosopher’s philosopher” Contains new and original exploration of Rorty’s thinking from leading scholars and philosophers Includes new perspectives on topics such as Rorty's influence in Central Europe Despite the relevance of Rorty’s work for the wider community of philosophers and for those working in fields such as international relations, legal and political theory, sociology, and feminist studies, the secondary literature surrounding Rorty’s work and legacy is limited. A Companion to Rorty address this absence, providinga comprehensive resource for philosophers and general readers.

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*** SHORTLISTED FOR SPORTS ENTERTAINMENT BOOK OF THE YEAR AT THE SUNDAY TIMES SPORTS BOOK AWARDS 2023 ***'fascinating, frank, funny' Jim White, Daily Telegraph'insightful' Henry Winter, The Times'engaging ... revealing ... a warm and often funny read' FourFourTwo'very entertaining ... great stories' Hawksbee & Jacobs, talkSPORT radio'an incredible book' The Football Show, Sky Sports News'a kaleidoscope of anecdotes and detours packed with wisdom acquired on the hoof' The i newspaper'Yeah, I'm all that plus a bag of chips''Come round my house and we'll have a fight on the front lawn''I'm as chuffed as a badger at the start of the mating season''I thought his bum cheeks looked very pert'Football management is like being a potato - you're never too far from the sack and everyone is constantly chipping away at you. It's not for the faint-hearted and unless you've got skin as thick as rhino and, more importantly, a wicked sense of humour, you've no chance of surviving.Ian Holloway - aka 'Ollie' - has all the above and more besides. His press conferences are the stuff of legend. He's been there, seen it and done it in his 40 years as player and manager, and has been entertaining football fans on and off the pitch for most of his life. He's been head honcho at clubs in all four divisions in English football, experiencing everything from the giddy heights of taking Blackpool to the Premier League to fighting relegation from the Football League with Grimsby Town. There's never been a dull moment.In the joyful How to Be a Football Manager, Holloway weaves a fantastically rich tapestry of hilarious anecdotes to reveal what being the boss is really like. This is not a handbook to tell you when to play a Christmas tree formation or throw on a false nine - it's about dealing with the ridiculous, fighting your corner and always having a comeback.

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Concerns about censorship have once again reached a fever pitch across the liberal West. In other historical periods, such concerns may have marked reactions to book bans and burnings. Often, they followed prosecutions and subsequent jailtime for things spoken or written. During the Red Scare, they were the hushed response to chilling state-sponsored watch-lists and employer-supported blacklists designed to ensure victory against communism. Against this history, complaints about the new censorship appear differently. With respect to the new censorship, there are no books burnings, no prosecutions, no laws or committees. Indeed, there is no coercive state involvement at all. With a few notable exceptions, complaints about censorship in the 21st-century West are complaints about the behavior of private parties: social groups, employers, media conglomerates, social media platforms, and search engines. To better understand the concerns surrounding nonstate interference with speech, Private Censorship offers an account of censorship, as well as an assessment of the ethical and political issues it raises across contexts. J.P. Messina asks and variously answers questions like: what should we think when employees get fired for things they say and how might patterns of such firings create a climate of fear inimical to free inquiry? When is it appropriate for social media firms to deplatform users, and what does it mean for our democracy that those in charge of such decisions are often wealthy Silicon Valley executives? Do search engines act as massive gatekeepers to information in troubling ways, and how might they be constrained, if they do? Along the way, Messina casts a critical eye on many popular proposals for responding to these complaints. Unlike these popular approaches, Private Censorship foregrounds the importance of rights to property, association, and free expression for thinking well about 21st-century censorship concerns.

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Medical Sciences at a Glance The market-leading at a Glance series is used world-wide by medical students, residents, junior doctors and health professionals for its concise and clear approach and superb illustrations. Each topic is presented in a double-page spread with clear, easy-to-follow diagrams, supported by succinct explanatory text. Covering the whole medical curriculum, the series now includes workbooks and case books, which allow you to put your knowledge to the test. Everything you need to know about Medical Sciences…at a Glance! The definitive companion for medical science study and revision Medical Sciences at a Glance consolidates the scientific knowledge a student needs to provide a solid framework of key facts to build on. Concise, easy to follow, written specifically for medical students, and conveying key concepts through the unique at a Glance style, Medical Sciences at a Glance also demonstrates vital links between different topics and across systems. It is the perfect resource for bridging the gap between A-Level and university, studying a new topic, revising for exams, or refreshing knowledge while on placement. Key features: Fully cross-referenced to Medicine at a Glance – together they cover the core concepts of an entire medical degree Highlights key points and their clinical relevance for quick revision and retention of what’s most important Brings together all the scientific content on a medical course in one easy-to-read, highly-illustrated title Medical Sciences at a Glance provides the vital scientific grounding needed to ­succeed at medical school. All content reviewed by students for students Wiley-Blackwell Medical Education books are designed exactly for their intended audience. All our books are developed in collaboration with students, which means our books are always published with you, the student, in mind.

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What 1970s Hollywood filmmaker influenced Quentin Tarantino? How have contemporary Japanese horror films inspired Takashi Shimizu, director of the huge box office hit The Grudge? What is it like to be an African American director in the twenty-first century?The answers to these questions, along with many more little-known facts and insights, can be found in Film Talk, an in-depth, behind-the-scenes look at filmmaking from the 1940s to the present. In eleven intimate and revealing interviews, contemporary film directors speak frankly about their work-their successes and their disappointments, their personal aspirations, struggles, relationships, and the politics that affect the industry.A medley of directors including those working in pop culture and documentary, as well as feminist filmmakers, social satirists, and Hollywood mavericks recount stories that have never before been published. Among them are Monte Hellman, the auteur of the minimalist masterpiece Two-Lane Blacktop; Albert Maysles, who with his late brother David, created some of the most important documentaries of the 1960s, including Salesman and The Beatles: What's Happening?; Robert Downey Sr., whose social satires Putney Swope and Greaser's Palace paved the way for a generation of filmmakers; Bennett Miller, whose film Capote won an Academy Award in 2005; and Jamie Babbit, a lesbian crossover director whose low-budget film But I'm a Cheerleader! became a mainstream hit.The candid conversations, complimented by more than fifty photographs, including many that are rare, make this book essential reading for aspiring moviemakers, film scholars, and everyone interested in the how movies are made and who the fascinating individuals are who make them.

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The Last Wild Road is a raucous, gripping, sometimes terrifying, often hilarious, and deeply meditative journey through the heart of the outdoors in the modern world. Collected from more than 20 years of hunting and fishing cover stories, columns, and adventure tales written by T. Edward Nickens for Field & Stream, this book is a road trip that takes in a huge sweep of the North American landscape—blackwater rivers in the wilds of eastern North Carolina, deserts and prairies of the American West, remote tundra of northern Canada, and the wildest rivers of Alaska. Along every rutted road and rough trail, with a rod, gun, and pen, Nickens meets unforgettable characters—old French-speaking Cajuns at Louisiana squirrel camps, a one-armed fly-tyer in the ancient Appalachians, Pennsylvania brothers who lost their father in a hunting accident decades ago and return to the scene for a powerful, poignant encounter with history. He explores remote wilderness waters to chase trout and ducks, but finds rich meaning, too, in the familiar and close-to-home: fishing with his children, plumbing the forests of local farms, and butchering deer in his basement as a thanksgiving for the gifts of the outdoors.When it comes to hunting and fishing, writing often falls into the categories of where-to-go, the how-do-it, and the-what-to-bring. This book embarks on the question of “why.” Why does the pursuit of game and fish, and the travel to the wild places where they thrive, bring meaning and clarity to living in the modern world? Why do we laugh more, and live more deeply, far from the sidewalk? If you’ve ever felt that way, you’ll find yourself in The Last Wild Road.

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"I listen and gather people's stories. Then I write them down in a way that I hope will communicate something to others, so that seeing these stories will give readers something of value. I tell myself that this isn't going to be done unless I do it, just because of who I am. It's a way of making my mark, leaving something behind . . . not that I'm planning on going anywhere right now." So explains Stephen Murphy-Shigematsu in this touching, introspective, and insightful examination of mixed race Asian American experiences. The son of an Irish American father and Japanese mother, Murphy-Shigematsu uses his personal journey of identity exploration and discovery of his diverse roots to illuminate the journeys of others. Throughout the book, his reflections are interspersed among portraits of persons of biracial and mixed ethnicity and accounts of their efforts to answer a seemingly simple question: Who am I? Here we meet Norma, raised in postwar Japan, the daughter of a Japanese woman and an American serviceman, who struggled to make sense of her ethnic heritage and national belonging. Wei Ming, born in Australia and raised in the San Francisco of the 1970s and 1980s, grapples as well with issues of identity, in her case both ethnic and sexual. We also encounter Rudy, a "Mexipino"; Marshall, a "Jewish, adopted Korean"; Mitzi, a "Blackinawan"; and other extraordinary people who find how connecting to all parts of themselves also connects them to others. With its attention on people who have been regarded as "half" this or "half" that throughout their lives, these stories make vivid the process of becoming whole.

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The adoption of firearms by American Indians between the seventeenth and nineteenth centuries marked a turning point in the history of North America’s indigenous peoples—a cultural earthquake so profound, says David Silverman, that its impact has yet to be adequately measured. Thundersticks reframes our understanding of Indians’ historical relationship with guns, arguing against the notion that they prized these weapons more for the pyrotechnic terror guns inspired than for their efficiency as tools of war. Native peoples fully recognized the potential of firearms to assist them in their struggles against colonial forces, and mostly against one another.The smoothbore, flintlock musket was Indians’ stock firearm, and its destructive potential transformed their lives. For the deer hunters east of the Mississippi, the gun evolved into an essential hunting tool. Most importantly, well-armed tribes were able to capture and enslave their neighbors, plunder wealth, and conquer territory. Arms races erupted across North America, intensifying intertribal rivalries and solidifying the importance of firearms in Indian politics and culture.Though American tribes grew dependent on guns manufactured in Europe and the United States, their dependence never prevented them from rising up against Euro-American power. The Seminoles, Blackfeet, Lakotas, and others remained formidably armed right up to the time of their subjugation. Far from being a Trojan horse for colonialism, firearms empowered American Indians to pursue their interests and defend their political and economic autonomy over two centuries.

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"... succeeds in conveying the exciting and fascinating character of the concert party genre, as well as showing clearly how this material can be used to rethink a number of contemporary theoretical themes and issues." —Karin BarberUnder colonial rule, the first concert party practitioners brought their comic variety shows to audiences throughout what was then the British Gold Coast colony. As social and political circumstances shifted through the colonial period and early years of Ghanaian independence, concert party actors demonstrated a remarkable responsiveness to changing social roles and volatile political situations as they continued to stage this extremely popular form of entertainment. Drawing on her participation as an actress in concert party performances, oral histories of performers, and archival research, Catherine M. Cole traces the history and development of Ghana’s concert party tradition. She shows how concert parties combined an eclectic array of cultural influences, adapting characters and songs from American movies, popular British ballads, and local story-telling traditions into a spirited blend of comedy and social commentary. Actors in blackface, inspired by Al Jolson, and female impersonators dramatized the aspirations, experiences, and frustrations of their audiences. Cole’s extensive and lively look into Ghana’s concert party provides a unique perspective on the complex experience of British colonial domination, the postcolonial quest for national identity, and the dynamic processes of cultural appropriation and social change. This book will be essential reading for scholars and students of African performance, theatre, and popular culture.

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The Jerry Sandusky child molestation case stunned the nation. As subsequent revelations uncovered an athletic program operating free of oversight, university officials faced criminal charges while unprecedented NCAA sanctions hammered Penn State football and blackened the reputation of coach Joe Paterno. In Wounded Lions, acclaimed sport historian and longtime Penn State professor Ronald A. Smith heavily draws from university archives to answer the How? and Why? at the heart of the scandal. The Sandusky case was far from the first example of illegal behavior related to the football program or the university's attempts to suppress news of it. As Smith shows, decades of infighting among administrators, alumni, trustees, faculty, and coaches established policies intended to protect the university, and the football team considered synonymous with its name, at all costs. If the habits predated Paterno, they also became sanctified during his tenure. Smith names names to show how abuses of power warped the "Penn State Way" even with hires like women's basketball coach Rene Portland, who allegedly practiced sexual bias against players for decades. Smith also details a system that concealed Sandusky's horrific acts just as deftly as it whitewashed years of rules violations, coaching malfeasance, and player crime while Paterno set records and raised hundreds of millions of dollars for the university. A myth-shattering account of misplaced priorities, Wounded Lions charts the intertwined history of an elite university, its storied sports program, and the worst scandal in collegiate athletic history.

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Despite the ubiquity of automobility, the reality of automotive death is hidden from everyday view. There are accident blackspots all over the roads that we use and go past every day but the people that have died there or been injured are not marked, unless by homemade shrines and personal memorialization. Nowhere on the planet is this practice as densely actioned as in the United States.Road Scars is a highly visual scholarly monograph about how roadside car crash shrines place the collective trauma of living in a car culture in the everyday landscapes of automobility. Roadside shrines—or road trauma shrines—are vernacular memorial assemblages built by private individuals at sites where family and friends have died in automobile accidents, either while driving cars or motorcycles or being hit by cars as pedestrians, bicyclists, or motorcyclists. Prevalent for decades in Latin America and in the American Southwest, roadside car crash shrines are now present throughout the U.S. and around the world. Some are simply small white crosses, almost silent markers of places of traumatic death. Others are elaborate collections of objects, texts, and materials from all over the map culturally and physically, all significantly brought together not in the home or in a cemetery but on the roadside, in drivable public space—a space where private individuals perform private identities alongside each other in public, and where these private mobilities sometimes collide with one another in traumatic ways that are negotiated in roadside shrines. This book touches on something many of us have seen, but few have explored intellectually.

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The second book in Alexander McCall Smith's new DETECTIVE VARG series . . . 'Reading the novel feels like a form of meditation . . . There is much to enjoy' Scotsman'Wonderfully soothing and relaxing' Telegraph'Heaven is in the detail with this sort of escapist writing. It's like AA Milne meets Karl Ove Knausgaard' Financial Times Spring is coming slowly to Sweden - though not quite as slowly as Detective Ulf Varg's promised promotion at the Department of Sensitive Crimes. For Varg, referred by his psychoanalyst to group therapy at Malmö's Wholeness Centre, life now seems mostly a circle of self-examination, something which may or may not be useful when it comes to the nature of his profession and the particularly sensitive cases that have recently come to light.All in a day's work for Detective Varg, except that one of his new investigations involves fellow detective Anna; it will require every ounce of self-discipline he has in order to remain professional. The other, more curious case is centred around internationally successful novelist Nils Personn-Cederström. According to his girlfriend, Cederström is being blackmailed - but by whom and for what reason?Accompanied by his irritating but kindly colleague Blomquist, Varg begins his enquiries and soon the answers fall neatly into place. Nothing and no one is ever that simple, however, and not for the first time he learns as much about his own emotional and moral landscape as he does about the motives of others. Now Varg must make a possibly life-changing decision. Will he choose his own happiness over that of his heart's desire?

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August 1948 was an exceptional month. There were 90mph gales in Belgium, snowfalls in Switzerland and in the Scottish Borders one of the heaviest rainfalls ever in one day, while the Tweed received more than a third of its annual rainfall in only six days. The flood plain of the Tweed could just about cope with the deluge, but smaller rivers such as the Tyne at Haddington, the Biel, the Blackadder, Whiteadder Water, Rivers Till and Eye were disasters waiting to happen. The main problem was not the twenty-four-hour deluge but the rain of the previous two weeks that had already seen the rivers rise to bursting point. ‘The Glorious Twelfth’ was a day of disaster and the next few days were to affect the Borders for months to come. The sheer volume of water flowing down the rivers resulted in them bursting their banks, causing widespread flooding over a large area. The East Coast Main Line was breached in many places and was closed for eleven weeks as a result of the damage. Trees and other debris swept down with the floodwater had blocked culverts and the resultant lakes of water put so much pressure on the embankments that they were simply swept away, leaving railway lines dangling in mid-air. Roads were damaged and houses, cars and livestock swept away with the floodwater. There were many lucky escapes: a train passing over a bridge at Greenlaw just minutes before the bridge was swept away; people were rescued from their houses literally seconds before they collapsed from underneath them. Many deeds of bravery performed in that wet and windy August are also recorded in Lawson Wood’s 'The Great Borders Flood of 1948'. Illustrated with over 100 images of the greatest natural disaster to hit the Borders, this book is a unique record of that fateful month of August 1948.

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Nikki Sixx is one of the most respected, recognizable, and entrepreneurial icons in the music industry. As the founder of Motley Crue who is now in his twenty-first year of sobriety, Sixx is incredibly passionate about his craft and wonderfully open about his life in rock and roll, and as a person of the world.Born Franklin Carlton Feranna on December 11, 1958, young Frankie was abandoned by his father and partly raised by his mother, a woman who was ahead of her time in some ways and deeply troubled in others. Frankie ended up living with his grandparents, bouncing from farm to farm and state to state. He was an all-American kid-hunting, fishing, chasing girls, and playing football-but underneath it all, there was a burning desire for more, and that more was music. He eventually took a Greyhound bound for Hollywood.In Los Angeles, Frank lived with his aunt and his uncle-the president of Capitol Records. But there was no short path to the top. He was soon on his own. There were dead-end jobs: dipping circuit boards, clerking at liquor and record stores, selling used light bulbs, and hustling to survive. But at night, Frank honed his craft, joining Sister, a band formed by fellow hard-rock veteran Blackie Lawless, and formed a group of his own: London, the precursor of Motley Crue. Turning down an offer to join Randy Rhoads' band, Frank changed his name to Nikki London, Nikki Nine, and, finally, Nikki Sixx. Like Huck Finn with a stolen guitar, he had a vision: a group that combined punk, glam, and hard rock into the biggest, most theatrical and irresistible package the world had ever seen. With hard work, passion, and some luck, the vision manifested in reality - and this is a profound true story finding identity, of how Frank Feranna became Nikki Sixx. And it's a road map to the ways you can overcome anything, and achieve all of your goals, if only you put your mind to it.

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WHO WILL BELIEVE YOUR STORY IF THE ONLY WITNESS IS DEAD?'So different, so superbly written. At no point did I know the ending' ⭐ ⭐ ⭐ ⭐ ⭐ REAL READER REVIEW'Rachel has done what she is best at...leaving me on the edge of my seat, unable to do anything else until I've read the entire book' ⭐ ⭐ ⭐ ⭐ ⭐ REAL READER REVIEW'I read it in a day - every page brought more twists and turns' ⭐ ⭐ ⭐ ⭐ ⭐ REAL READER REVIEW'What a storyteller Rachel Abbott is... I was hooked from the start' CARA HUNTER'A truly compelling, twisty, enthralling and satisfying read... Absolutely AMAZING!' ANGELA MARSONSCleo knows she should be happy for her brother Mark. He's managed to find someone new after the sudden death of his first wife - but something about Evie just doesn't feel right...When Evie starts having accidents at home, her friends grow concerned. Could Mark be causing her injuries? Called out to their cliff-top house one night, Sergeant Stephanie King finds two bodies entangled on blood-drenched sheets.Where does murder begin? When the knife is raised to strike, or before, at the first thought of violence? As the accused stands trial, the jury is forced to consider - is there ever a proper defence for murder?More praise for AND SO IT BEGINS:'I raced through this compelling, twisty novel. Loved it' Laura Marshall'Brilliant... The twists came so quickly I almost got whiplash' Jenny Blackhurst'An unnerving, twisting tale that you won't be able to put down' Caroline Mitchell'Rachael Abbott has delivered another intricately plotted thriller that never falters on tension or pace ... the suspense doesn't let up until the very last page' Michelle Davies'A breathless tour-de-force that left me hungry for more... Psychological crime writing at its very best' Kate Rhodes'The definition of addictive - Rachel Abbott's best book yet. Kept me up until the small hours - and you won't see the ending coming' Phoebe Morgan'Really gripping and menacing - compulsive reading' Harriet Tyce

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An encyclopedia of more than 100 guitars and the musicians who have mastered them. Guitars & Heroes is organized by era, from the rockabilly pioneers to the guitar heroes of the future. Each chapter contains portraits of guitarists (past and present) and their favourite instruments. The authoritative text describes the musician’s favoured guitar or guitars and why they are preferred, often revealing a hidden facet of the musician’s artistic approach. Special photo spreads include The Beatles, The Rolling Stones, Van Halen, Prince, Billie Joe Armstrong, AC/DC, Les Paul, anatomy of a Stratocaster, 5 Replica Guitars; Burst, the world’s most expensive guitar; 5 Most Desirable Amplifiers, 5 Pedals That Changed the World, 5 Groundbreaking Sounds, The Chicago Blues in 5 Albums, 5 Essential Hard Rock Albums and 5 Design Gibson Mistakes. The book is organized into three sections (Birth of an Art, The Golden Age, Modern Times) and nine chapters, each with a selection of artists and their guitars, including these: Delta Blues & Rockabilly Robert Johnson, Jimmie Rogers, Johnny Cash, Willie Nelson, Buddy Holly; Chicago Blues & Jazz Muddy Waters, Chuck Berry, Sister Rosetta Tharpe, Trini Lopez, George Benson; British Blues Boom Dave Davies, Pete Townshend, Jimmy Page, Eric Clapton, Peter Green; Surf, Garage Rock & Psychedelic Jimi Hendrix, Frank Zappa, Santana, Ry Cooder, Duane Allman; Birth of Hard Rock Ritchie Blackmore, Neil Young, Brian May, Peter Frampton, Joan Jett; Arena Rock, Shred & New Wave Bruce Springsteen, Stevie Ray Vaughan, The Edge, Joe Satriani, Slash; Grunge & Alternative Rock Kurt Cobain, Buzz Osborne, Sonic Youth, Rivers Cuomo, John 5; Metal to Djent Dimebag Darrell, John 5, Buckethead, Meshuggah, Tosin Abasi; Guitar Heroes of the Future St. Vincent, Joe Bonamassa, Jack White, Ron Thal, Matthew Bellamy. Guitars & Heroes is a sensational encyclopedia for all guitarists, guitar geeks, collectors and avid listeners, and an essential purchase for all collections.

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Bristol and Bath are two beautiful, closely connected cities. They are portrayed through the eyes of their artists in a delightful variety of styles in this stunning book. The Bristol and Bath Art Book portrays two very different cities. The beautiful images in the book capture the breath-taking landscape of rivers, hills and gorges which they share, but also the cities’ sights that are so unique. Bristol is painted as busy, quirky and vibrant, where Bath glows in more tranquil hues. These important cities in the history of the world are intimately connected. The river Avon that flows through both cities, gouges the spectacular Avon Gorge at Bristol, which is where its international maritime connections begin. The regenerated old docks (the ’floating harbour’), Wapping Wharf and the quayside are lovingly depicted by various artists. Now that the main docks are outside the city, the harbour-side now bustles with shops, bars and offices, but there are still cranes to be seen at the M shed. Underfall boatyard remains a home to maritime businesses and is also pictured in this lovely book, along with pleasure craft and houseboats in the harbour. John Cabot’s The Matthew is the ship that put America on the map. The reconstruction is depicted in drawings and paintings. She may have been a pirate ship at one time, too, as Bristol was the birthplace of Blackbeard and had a thriving piracy business. From this Atlantic connection, the list of items traded expanded from wool, wine and grain to tobacco and alas, to slaves. The profits from this trade endowed many of the fine public monuments drawn and painted here. Like many places, Bristol is undertaking a new reckoning with its history. The great engineer Isambard Kingdom Brunel designed the Clifton Suspension Bridge to span the deep Avon Gorge. In the book, there are many images of this vertiginous bridge: ringed by balloons, luminous in the gloaming, stark in the snow, or painted to resemble a cathedral arch from below. It is a much-loved, living monument to the great man. His Great Western Railway terminus at Temple Meads features here in drawings and prints, along with his pioneering Bristol-built steamship, the SS Great Britain. Crossing Brunel’s famous bridge over the Avon, you will find yourself in the tranquil Leigh woods, painted as a hotspot for bluebells in spring. The old Railway Path, flat, traffic-free and lined with greenery, takes you from Bristol to Bath, where you will find more gorgeous parks: the Georgian garden in the town centre, Alexandra Park with panoramas of the city and the Botanical Gardens with its aerial walkway. Bath is a UNESCO world heritage site because of its Roman remains and exquisite Georgian architecture. Its famous Roman Baths were built around a hot spring the Romans believed sacred to the Goddess Sulis and the city became a centre for health and an inspiration for artists. Its 18th-century architecture: The Royal Crescent, The Circus, Pulteney Bridge and Assembly Rooms, are all examples of Bath’s heyday as a Georgian spa town and are featured in the art book in stunning paintings, drawings and collages. They capture the Bath that Jane Austen would have known from her time in the city. Here, movies of some of her novels have been filmed, along with many other Regency era series e.g. the record-breaking series Bridgerton.

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The RAF Halton Apprenticeship Scheme has a deserved reputation for excellence. The brainchild of MRAF Hugh Trenchard, the founder of the Royal Air Force, it took the ‘traditional’ idea of an apprenticeship and interpreted it in a novel way. It allowed teenage boys from any social background or geography to learn a technical trade that would equip them for their future lives, within and beyond the RAF. It also gave the best an opportunity to become pilots and break into the once public-school-dominated officer class. Of the 50,000 boys trained as apprentices, seventeen won the Sword of Honour at Cranwell, and more than 1,200 were commissioned with 110 achieving Air Rank. Eighteen have been knighted, with well over 1,000 others being honoured at various levels of state. More than a hundred Halton Boys served as pilots in the Battle of Britain (and many more as airframe/engine fitters and armourers), including the mercurial Don Finlay, the former Olympic hurdler. Others like Gerry Blacklock and Pat Connolly flew bombers on perilous missions over Western Europe or took part in the famous ‘Dams’ Raid. Then there were the three men murdered for their part in the Great Escape, and those who battled and survived years as prisoners of the Japanese in the Far East. In the jet era, ex-apprentice Graham Hulse became an ‘ace’ in Korea, serving with an American fighter squadron, and Mike Hines went on to become OC 617 Squadron after having first flown operations during the Suez crisis. Others like Charles Owen became a pioneer commercial jet pilot, and Peter Goodwin had the misfortune of being captured in the first Gulf War and used as a human shield. Some forged successful careers beyond the RAF, like Lawrie Haynes, who was on the main board at Rolls-Royce and is now chairman of the Board of Trustees of the Royal Air Force Benevolent Fund, and Eugene Borysuik – one of the many Polish apprentices trained at Halton, who enjoyed a successful career at GEC. And there were many others beyond air and ground crew including policemen, government officials and even bishops whose careers started with the Halton family. This is the story of Halton told through and by the boys who were there and who are still proud to be called ‘Trenchard Brats’.

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A #1 national bestseller in hardcover. The Daily Wire and Verdict conservative podcast titan takes the good fight to the evil and grammatically challenged woke intelligensia who engage in political blackballing, censorship, and the twisting of words to mean their exact opposite. A call to arms for sanity and liberty from decades of leftist brainwashing.“Every single American needs to read Michael Knowles’s Speechless. I don’t mean ‘read it eventually.’ I mean: stop what you’re doing and pick up this book.” —CANDACE OWENS "The most important book on free speech in decades—read it!” —SENATOR TED CRUZ A New Strategy: We Win, They Lose The Culture War is over, and the culture lost. The Left’s assault on liberty, virtue, decency, the Republic of the Founders, and Western civilization has succeeded. You can no longer keep your social media account—or your job—and acknowledge truths such as: Washington, Jefferson, and Columbus were great men. Schools and libraries should not coach children in sexual deviance. Men don’t have uteruses. How did we get to this point? Michael Knowles of The Daily Wire exposes and diagnosis the losing strategy we have fallen for and shows how we can change course—and start winning. In the groundbreaking Speechless: Controlling Words, Controlling Minds Knowles reveals: How the “free speech absolutists” gave away the store The First Amendment does not require a value-neutral public square How the Communists figured out that their revolution could never succeed as long as the common man was attached to his own culture Where political correctness came from How, comply or resist, political correctness is a win-win game for the bad guys Why taking our stand on “freedom of speech” helps put atheism, decadence, and nonsense on the same plane with faith, virtue, and reality The real question: Will we shut down drag queen story hour, or cancel Abraham Lincoln? For 170 years the First Amendment was compatible with prayer in public school How the atheists got the Warren Court to rule their way To this day, there’s a First Amendment exception for obscenity. What exactly is the argument that perverts’ teaching toddlers to twerk is not obscene? Read Speechless: Controlling Words, Controlling Minds if you want to learn how to take the fight to the enemy.

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Nourishment meets flavor in this collection of vibrant and delicious vegan recipes.Nourishing Vegan Every Day embraces the flow of everyday life by providing recipes that range from nutritious to decadent, recognizing the important balance between time and taste buds. Whether you’re in need of a quick and energizing breakfast or a show-stopping meal to impress your guests, this book will provide inspiration for delectable plant-based meals. With gorgeous photography for every recipe and helpful kitchen tips, discover family favorites like Cheesy Pesto Tomato Swirl Buns; weeknight meals like Cashew Cauliflower and Spinach Dahl; and delightful vegan desserts like Strawberries and Cream Cheesecake. Beyond bringing flavorful meals to the kitchen table, this book creates a basis for nourishment and satisfaction, giving you the tools to build your own plant-based pantry. From kitchen staples to easy vegan swaps, learn more about low-waste meal preparation and methods to enhance your cooking experience as you craft delicious meals, snacks, and desserts.Breakfast: Nourish on the go with quick morning recipes such as Nourish Me Smoothies or Overnight Oats! The choice is yours. Brunch: Lazy weekends and beautiful brunches are the perfect time to serve up towering plates of delicious Chocolate Chip Raspberry Waffles or Vegan Eggs Benedict. Lunches, Salads, and Light Meals: Liven up your lunch break with easy-to-prep recipes like Herby Chickpea Tabouleh Salad and Moroccan Style Quinoa Salad. Dinner: Vegan dinner has never been more versatile! Chock full of vegetables and nourishment, recipes like Sweet Potato Gnocchi and Sesame Chili and Garlic Tofu Noodles will be a hit at the dinner table. Snacks: Easy recipes such as No-Bake Chocolate-Covered Muesli Bars and 2-Ingredient Flatbreads will have you reaching for homemade plant-based snacks, whether you’re craving something salty or sweet. Desserts: Enjoy a variety of vegan treats sure to satisfy any sweet tooth, such as No-Churn Salted Caramel Cookie Dough Ice Cream or Apple and Blackberry Crumble Pie. Celebration and Gathering Dishes: These sweet and savory recipes will prove to be crowd-pleasers at your next gathering. Impress your family and friends with a Vegan Celebrations Snack Board or Pumpkin Layer Cake.

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From city streets to City Hall and to Midtown corporate offices, Saving Stuyvesant Town is the incredible true story of how one middle class community defeated the largest residential real estate deal in American history. Lifetime Stuy Town resident and former City Councilman Dan Garodnick recounts how his neighbors stood up to mammoth real estate interests and successfully fought to save their homes, delivering New York City's biggest-ever affordable housing preservation win. In 2006, Garodnick found himself engaged in an unexpected battle. Stuyvesant Town was built for World War II veterans by MetLife, in partnership with the City. Two generations removed, MetLife announced that it would sell Stuy Town to the highest bidder. Garodnick and his neighbors sprang into action. Battle lines formed with real estate titans like Tishman Speyer and BlackRock facing an organized coalition of residents, who made a competing bid to buy the property themselves. Tripped-up by an over-leveraged deal, the collapse of the American housing market, and a novel lawsuit brought by tenants, the real estate interests collapsed, and the tenants stood ready to take charge and shape the future of their community. The result was a once-in-a-generation win for tenants and an extraordinary outcome for middle-class New Yorkers. Garodnick's colorful and heartfelt account of this crucial moment in New York City history shows how creative problem solving, determination, and brute force politics can be marshalled for the public good. The nine-year struggle to save Stuyvesant Town by these residents is an inspiration to everyone who is committed to ensuring that New York remains a livable, affordable, and economically diverse city.

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Wiley-Blackwell's “Clinical Cases” series is designed to recognize the centrality of clinical cases to the profession by providing actual cases with an academic backbone. Clinical Cases in Restorative and Reconstructive Dentistry describes the principles and demonstrates their practical, every-day application through a range of representative cases building from the simple to the complex and from the common to the rare. This unique approach supports the new trend in case-based and problem-based learning, thoroughly covering topics ranging from infant oral health to complex pulp therapy. Highly illustrated in full color, Clinical Cases in Restorative and Reconstructive Dentistry’s format fosters independent learning and prepares the reader for case-based examinations. The book presents actual clinical cases, accompanied by academic commentary, that question and educate the reader about essential topics in restorative and reconstructive dentistry. The book begins by laying the groundwork of the fundamental principles that apply to all cases and outlining the ten decisions to be made with all cases. The main sections of the book cover the cases themselves, examining them both by type of restoration / solution, and by type of problem. This unique approach enables the reader to build their skills, aiding the ability to think critically and independently. Clinical Cases in Restorative and Reconstructive Dentistry’s case-based format is particularly useful for pre-doctoral dental students, post-graduate residents and practitioners, both as a textbook from which to learn about the challenging and absorbing nature of restorative and reconstructive dentistry, and also as a reference tool to help with treatment planning when perplexing cases arise in the dental office.

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Prepare to be whisked away on a romantic, glamorous and royal adventure!'If you like romance and a fun read, then this is the book''Fabulous, feel-good, uplifting''Not your typical romance novel!'Filled with intrigue, romance and mystery, Lindsay Emory's The Royal Runaway is perfect for fans of The Princess Diaries and The Royal We with a splash of James Bond and The Bourne Identity. *Now optioned for film!*Princess Theodora Isabella Victoria of Drieden of the Royal House of Laurent is so over this princess thing. After her fiance jilted her on their wedding day, she's back home, having spent four months in exile. Aka it's back to putting on a show for the Driedish nation as the perfect princess they expect her to be. But Thea's sick of duty, so when she sneaks out of the palace and meets a sexy Scot named Nick in a local bar, she relishes the chance to be a normal woman for a change. But just as she thinks she's found her Prince Charming, he reveals his intentions are less than honourable: he's a spy and he's not above blackmail. As they join forces to find out what happened the day her fiance disappeared, together they discover a secret that could change life as they know it.Funny, fast-paced, and full of more twists and turns than the castle Thea lives in, The Royal Runaway is a fresh romantic comedy that will leave you cheering for the modern-day royal who chucks the rulebook aside to create her own happily-ever-after.Raves for The Royal Runaway:'Captivating! Full of twists and turns, The Royal Runaway will keep you guessing and cheering for a Royal happily-ever-after!' Geneva Lee'The perfect royal romp, like The Princess Diaries meets James Bond' Teri Wilson'Thea is a whip-smart princess for the modern era... The story's greatest strength is its twisting spy tale, as it takes one unexpected turn after another' Entertainment Weekly'Happily ever after gets a refreshing update. This imaginative, absorbing, and empowering story is a must-read' Kirkus Reviews

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'Oh Miriam! risks the curse of the sequel, and pulls it off . . . A force of nature, a tour de farce. Bold, brave and bright, but also revealing, shocking and touching. Miriam is an icon, a cocksucker - and the star of her show' ROBERT McCRUM, Independent'Our naughtiest national treasure . . . famously filthy, funny and phlegmatic . . . Oh Miriam! is Margolyes's manifesto for a fulfilled life . . . She loves to tell it straight. And the older she gets, the straighter she tells it' SIMON HATTENSTONE, Guardian'Irrepressible . . . A life-enhancing rollercoaster of a ride . . . this book is like Margolyes herself - outspoken, ebullient and unexpectedly wise' EMMA LEE-POTTER, Daily Express'Snortingly funny . . . deliciously unbridled . . . There is something heroic in her unruliness. Let Miriam take the lead and enjoy the show' RHIK SAMADDER, Observer'Insanely interesting, full of profanity and profundity, Oh Miriam!'s title comes from all the people who have ever exclaimed her name in every tone from horror to hilarity; and her unfiltered personality leaps off the page - honesty, kindness, generosity, sanity, erudition, outspokenness' SUZANNE HARRINGTON, Irish Examiner'Endearingly eccentric' WOMEN'S WEEKLYFrom declaring my love to Vanessa Redgrave to being fed cockroaches by Steve Buscemi, from turnip-based comedy with Blackadder to being farted on by Arnold Schwarzenegger, from Graham Norton's sofa to Alan Cumming's camper van, my life has been (and continues to be) an uproarious adventure.Oh Miriam! has been such a constant refrain in my life, said in all kinds of tones - laughs, surprised gasps and orgasmic sighs (I'm hoping for all of those from you as you read on!) - that it had to be the title of this book. And with a cast list that stretches from Churchill to DiCaprio, Dahl to Dietrich, Princess Margaret to Maggie Smith, I've so much more to tell you and so much more to say.My chapters range from 'How to Stay Married' to 'Don't Let the Bastards Get You Down'. Discover how to break the thickest conversational ice; why swearing is actually good for you (though not on the Today programme); the unexpected things I learned at school and what my Spice Girl name would be. Not to mention my Tale of the Unexpected and my very own Vagina Monologue.Buckle up and join me on another unforgettable adventure, but this time through my heart and head . . .

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The War for American Independence was essentially a civil war throughout the colonies: loyalists and patriots who had grown up together as countrymen found themselves fighting on opposing sides. Troy Bickham asserts that the war proved almost as divisive in the motherland, as the British wielded the almighty pen and went to battle on the pages of the press in Britain. Surpassing the breadth of previous studies on the subject, Making Headlines offers a look at the British press as a whole—including analysis of London newspapers, provincial newspapers, and monthly magazines. The free press in Britain, Bickham argues, was too widespread and too lucrative to be susceptible to significant government interference and therefore provided in-depth coverage on all aspects of the war. Private letters, official dispatches, extracts from foreign newspapers, maps, and detailed tables of fleet strengths and locations filled the pages of daily publications that provided more extensive and more rapid information than even the government could. Due to the inexpensive and easily accessible printed news, the average British citizen was often as well informed as a cabinet minister. The open editorial nature of the press also allowed someone as socially low as a blacksmith's wife, under the cloak of anonymity, to scrutinize and offer commentary on every political decision and military maneuver, all in front of a national audience. Bickham adeptly leads the reader on an exploration into the varied national debates that raged throughout Britain during the American Revolution, one of Britain's historically most unpopular wars. The British public debated how to defeat George Washington—whose perseverance and conduct was much admired in Britain—whether captured Americans should be held as prisoners of war or hung as traitors, and the morality of including American Indians in the war effort. Making Headlines also reflects the global perspective of the war held by most Britons, who saw the conflict not only as a fight for America but also as a struggle to protect their worldwide empire as America's European allies turned the conflict into a world war, threatening even the British Isles themselves. This study will appeal to those interested in early America, the American Revolution, British history, and media studies.

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This is a study of the British state's generation, suppression and manipulation of news to further foreign policy goals during the early Cold War. Bribing editors, blackballing "unreliable" journalists, creating instant media experts through provision of carefully edited "inside information", and exploiting the global media system to plant propaganda -- disguised as news -- around the world: these were all methods used by the British to try to convince the international public of Soviet deceit and criminality and thus gain support for anti-Soviet policies at home and abroad. Britain's shaky international position heightened the importance of propaganda. The Soviets and Americans were investing heavily in propaganda to win the "hearts and minds" of the world and substitute for increasingly unthinkable nuclear war. The British exploited and enhanced their media power and propaganda expertise to keep up with the superpowers and preserve their own global influence at a time when British economic, political and military power was sharply declining. This activity directly influenced domestic media relations, as officials used British media to launder foreign-bound propaganda and to create the desired images of British "public opinion" for foreign audiences. By the early 1950s censorship waned but covert propaganda had become addictive. The endless tension of the Cold War normalized what had previously been abnormal state involvement in the media, and led it to use similar tools against Egyptian nationalists, Irish republicans and British leftists. Much more recently, official manipulation of news about Iraq indicates that a behind-the-scenes examination of state propaganda's earlier days is highly relevant. John Jenks draws heavily on recently declassified archival material for this book, especially files of the Foreign Office's anti-Communist Information Research Department (IRD) propaganda agency, and the papers of key media organisations, journalists, politicians and officials. Readers will therefore gain a greater understanding of the depth of the state's power with the media at a time when concerns about propaganda and media manipulation are once again at the fore.

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The idea that there once existed a language which perfectly and unambiguously expressed the essence of all possible things and concepts has occupied the minds of philosophers, theologians, mystics and others for at least two millennia. This is an investigation into the history of that idea and of its profound influence on European thought, culture and history. From the early Dark Ages to the Renaissance it was widely believed that the language spoken in the Garden of Eden was just such a language, and that all current languages were its decadent descendants from the catastrophe of the Fall and at Babel. The recovery of that language would, for theologians, express the nature of divinity, for cabbalists allow access to hidden knowledge and power, and for philosophers reveal the nature of truth. Versions of these ideas remained current in the Enlightenment, and have recently received fresh impetus in attempts to create a natural language for artificial intelligence. The story that Umberto Eco tells ranges widely from the writings of Augustine, Dante, Descartes and Rousseau, arcane treatises on cabbalism and magic, to the history of the study of language and its origins. He demonstrates the initimate relation between language and identity and describes, for example, how and why the Irish, English, Germans and Swedes - one of whom presented God talking in Swedish to Adam, who replied in Danish, while the serpent tempted Eve in French - have variously claimed their language as closest to the original. He also shows how the late eighteenth-century discovery of a proto-language (Indo-European) for the Aryan peoples was perverted to support notions of racial superiority. To this subtle exposition of a history of extraordinary complexity, Umberto Eco links the associated history of the manner in which the sounds of language and concepts have been written and symbolized. Lucidly and wittily written, the book is, in sum, a tour de force of scholarly detection and cultural interpretation, providing a series of original perspectives on two thousand years of European History. The paperback edition of this book is not available through Blackwell outside of North America.

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The Sunday Times bestseller Shortlisted for the Women’s Prize for Fiction Longlisted for the Booker Prize ‘It is a book not read, but lived’ Telegraph ‘Her Cromwell novels are, for my money, the greatest English novels of this century’ Observer The bestselling sequel to Wolf Hall and Bring Up the Bodies, the stunning conclusion to Hilary Mantel’s Man Booker Prize-winning Wolf Hall trilogy. ‘If you cannot speak truth at a beheading, when can you speak it?’ England, May 1536. Anne Boleyn is dead, decapitated in the space of a heartbeat by a hired French executioner. As her remains are bundled into oblivion, Thomas Cromwell breakfasts with the victors. The blacksmith’s son from Putney emerges from the spring’s bloodbath to continue his climb to power and wealth, while his formidable master, Henry VIII, settles to short-lived happiness with his third queen, Jane Seymour. Cromwell is a man with only his wits to rely on; he has no great family to back him, no private army. Despite rebellion at home, traitors plotting abroad and the threat of invasion testing Henry’s regime to breaking point, Cromwell’s robust imagination sees a new country in the mirror of the future. But can a nation, or a person, shed the past like a skin? Do the dead continually unbury themselves? What will you do, the Spanish ambassador asks Cromwell, when the king turns on you, as sooner or later he turns on everyone close to him? With The Mirror and the Light, Hilary Mantel brings to a triumphant close the trilogy she began with Wolf Hall and Bring Up the Bodies. She traces the final years of Thomas Cromwell, the boy from nowhere who climbs to the heights of power, offering a defining portrait of predator and prey, of a ferocious contest between present and past, between royal will and a common man’s vision: of a modern nation making itself through conflict, passion and courage. A Guardian Book of the Year • A Times Book of the Year • A Daily Telegraph Book of the Year • A Sunday Times Book of the Year • A New Statesman Book of the Year • A Spectator Book of the Year Sunday Times Bestseller (08/03/2020)

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'Oh Miriam! risks the curse of the sequel, and pulls it off . . . A force of nature, a tour de farce. Bold, brave and bright, but also revealing, shocking and touching. Miriam is an icon, a cocksucker - and the star of her show' ROBERT McCRUM, Independent'Our naughtiest national treasure . . . famously filthy, funny and phlegmatic . . . Oh Miriam! is Margolyes's manifesto for a fulfilled life . . . She loves to tell it straight. And the older she gets, the straighter she tells it' SIMON HATTENSTONE, Guardian'Irrepressible . . . A life-enhancing rollercoaster of a ride . . . this book is like Margolyes herself - outspoken, ebullient and unexpectedly wise' EMMA LEE-POTTER, Daily Express'Snortingly funny . . . deliciously unbridled . . . There is something heroic in her unruliness. Let Miriam take the lead and enjoy the show' RHIK SAMADDER, Observer'Insanely interesting, full of profanity and profundity, Oh Miriam!'s title comes from all the people who have ever exclaimed her name in every tone from horror to hilarity; and her unfiltered personality leaps off the page - honesty, kindness, generosity, sanity, erudition, outspokenness' SUZANNE HARRINGTON, Irish Examiner'Endearingly eccentric' WOMEN'S WEEKLY From declaring my love to Vanessa Redgrave to being fed cockroaches by Steve Buscemi, from turnip-based comedy with Blackadder to being farted on by Arnold Schwarzenegger, from Graham Norton's sofa to Alan Cumming's camper van, my life has been (and continues to be) an uproarious adventure.Oh Miriam! has been such a constant refrain in my life, said in all kinds of tones - laughs, surprised gasps and orgasmic sighs (I'm hoping for all of those from you as you read on!) - that it had to be the title of this book. And with a cast list that stretches from Churchill to DiCaprio, Dahl to Dietrich, Princess Margaret to Maggie Smith, I've so much more to tell you and so much more to say.My chapters range from 'How to Stay Married' to 'Don't Let the Bastards Get You Down'. Discover how to break the thickest conversational ice; why swearing is actually good for you (though not on the Today programme); the unexpected things I learned at school and what my Spice Girl name would be. Not to mention my Tale of the Unexpected and my very own Vagina Monologue.Buckle up and join me on another unforgettable adventure, but this time through my heart and head . . .

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“We are living history right now. I believe we need to do more to document this unique moment in America, and who better to convey what we all are feeling than our country’s greatest artists? It is my hope that in 50 years, art history classes will pull this book off the shelf and understand the deep emotion of this time.” — William Weinaug Around the world, many individuals and families have faced isolation due to COVID-19. Our lives have been changed as we face a historical crisis of unprecedented scale. But beauty has also come from this hardship. The Great American Paint In® was birthed to allow artists to paint their emotions during the pandemic, capturing this period of history in a unique way — through art. This book curates the products of the Paint In️®, revealing the responses of over 50 artists from across the continent. Artists share their experiences, their losses, and their hopes for the future. In doing so, they demonstrate the real grit and backbone of the American pandemic story. Like so many enduring these difficult times, they discovered a whole new world and a brand “new normal” that allows them to live, work, survive — and, most importantly, create. These stories have been shared by Wekiva Island online, at Gallery CERO, and around the country in several travelling art exhibits. Now, for the first time, they are being brought together in a single volume. Select artists include: Hai-Ou Hou, Olena Babek, Barbara Fox, Jill Stefani Wagner, Paul Schulenburg, Morgan Samuel Price, Kyle Stanley, Raymond Bonilla, Kathleen Dunphy, Jennfer Miller, Michelle Held, David Arsenault, John S Caggiano, Tony D'Amico, Karen Blackwood, Jeanne Rosier Smith, Justin T Worrell, Thomas Kegler, Shawn Krueger, Erik Koeppel, Ken Salaz, Hillary Scott, Thomas Adkins, Michael Orwick, Kim VanDerHoek, Cindy House, George Van Hook, Kim Lordier, Marc R Hansen, Sergio Roffo, Sam Vokey, Mary Erickson, Tom LaRock, Josh Clare, Howard B Friendland, Marc Dalessio, Andrew Orr, Kari Ganoung Ruiz, Charles Muench, Jim McVicker, Trish Coonrod, Joseph Daily, Jeffrey Hayes, Mitch Kolbe, Dogulas Wiltraut, Ray Howard, Nick Patten, Brett Scheifflee, Jeff Gola, Eleinne Basa, Bill Farnsworth, Garin J Baker, and Mary Jane Volkmann.

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When a twenty-something punk rocker eats a cheese slice from every pizzeria in New York City over the course of two years, he also gets sober, falls in love, and starts a blog. He is the Slice Harvester, and “everyone has something to gain from this tale of blackouts, almost burning out, and too-burned crusts” (Newsweek).In August 2009, Colin Hagendorf set out to review every regular slice of pizza in Manhattan, and his blog, Slice Harvester, was born. Two years and 435 slices later, he’d been featured in The Wall Street Journal and the New York Daily News and on radio shows all over the country. Suddenly, this self-proclaimed punk who was barely making a living delivering burritos had a following. But at the same time Hagendorf was stepping up his game for the masses (grabbing slices with Phoebe Cates and her teenage daughter, reviewing kosher pizza so you don’t have to), his personal life was falling apart. A problem drinker and chronic bad boyfriend, he started out using the blog as a way to escape—the hangovers, the midnight arguments, the hangovers again—until realizing that by taking steps to reach a goal day by day, he’d actually put himself in a place to finally take control of his life for good. “In this entertaining memoir, Hagendorf mashes up that journey with the topics of addiction, family, punk rock, nostalgia, and love….Full of drinking binges, colorful characters from the punk scene, and random asides, like comparing a slice to Anthony Kiedis, the narrative takes readers on a roller-coaster ride” (Publishers Weekly). One of NPR’s Best Books of 2015, Slice Harvester “stands out from the pack…wry, witty, surprisingly insightful. Hagendorf veers from the profane to the profound in the same sentence…about chasing ideals, romantic as well as culinary, and how that can be both noble and annihilating” (NPR Books).

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Honoring relatives by tending graves, building altars, and cooking festive meals has been a major tradition among Latin Americans for centuries. The tribute, "El Día de los Muertos," has enjoyed renewed popularity since the 1970s when Latinx activists and artists in the United States began expanding "Day of the Dead" north of the border with celebrations of performance art, Aztec danza, art exhibits, and other public expressions. Focusing on the power of public ritual to serve as a communication medium, this revised and updated edition combines a mix of ethnography, historical research, oral history, and critical cultural analysis to explore the manifold and unexpected transformations that occur when the tradition is embraced by the mainstream. A testament to the complex role of media and commercial forces in constructions of ethnic identity, Day of the Dead in the USA provides insight into the power of art and ritual to create community, transmit oppositional messages, and advance educational, political, and economic goals. Today Chicano-style Day of the Dead events take place in all fifty states. This revised edition provides new information about: The increase in events across the US, incorporating media coverage and financial aspects, Recent political movements expressed in contemporary Day of the Dead celebrations, including #BlackLivesMatter and #MeToo Greater media coverage and online presence of the celebration in blogs, websites, and streaming video Día de los Muertos themes and iconography in video games and films The proliferation of commercialized merchandise such as home goods, apparel, face paints and jewelry at mainstream big box and web retailers, as well as the widespread proliferation of calavera-themed decorations and costumes for Halloween 24 new full color illustrations

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Rebecca Valette’s Clitso Dedman, Navajo Carver is the first biography of artist Clitso Dedman (1876–1953), one of the most important but overlooked Diné (Navajo) artists of his generation. Dedman was born to a traditional Navajo family in Chinle, Arizona, and herded sheep as a child. He was educated in the late 1880s and early 1890s at the Fort Defiance Indian School, then at the Teller Institute in Grand Junction, Colorado. After graduation Dedman moved to Gallup, New Mexico, where he worked in the machine shop of the Atchison, Topeka, and Santa Fe Railway before opening his first of three Navajo trading posts in Rough Rock, Arizona. After tragedy struck his life in 1915, he moved back to Chinle and abruptly changed careers to become a blacksmith and builder. At age sixty, suffering from arthritis, Dedman turned his creative talent to wood carving, thus initiating a new Navajo art form. Although the neighboring Hopis had been carving Kachina dolls for generations, the Navajos traditionally avoided any permanent reproduction of their Holy People, and even of human figures. Dedman was the first to ignore this proscription, and for the rest of his life he focused on creating wooden sculptures of the various participants in the Yeibichai dance, which closed the Navajo Nightway ceremony. These secular carvings were immediately purchased and sold to tourists by regional Indian traders. Today Dedman’s distinctive and highly regarded work can be found in private collections, galleries, and museums, such as the Navajo Nation Museum at Window Rock, the California Academy of Sciences in San Francisco, and the Arizona State Museum in Tucson. Clitso Dedman, Navajo Carver, with its extensive illustrations, is the story of a remarkable and underrecognized figure of twentieth-century Navajo artistic creation and innovation.

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Since the release of the documentary Blackfish in 2013, millions around the world have focused on the plight of the orca, the most profitable and controversial display animal in history. Yet, until now, no historical account has explained how we came to care about killer whales in the first place. Drawing on interviews, official records, private archives, and his own family history, Jason M. Colby tells the exhilarating and often heartbreaking story of how people came to love the ocean's greatest predator. Historically reviled as dangerous pests, killer whales were dying by the hundreds, even thousands, by the 1950s--the victims of whalers, fishermen, and even the US military. In the Pacific Northwest, fishermen shot them, scientists harpooned them, and the Canadian government mounted a machine gun to eliminate them. But that all changed in 1965, when Seattle entrepreneur Ted Griffin became the first person to swim and perform with a captive killer whale. The show proved wildly popular, and he began capturing and selling others, including Sea World's first Shamu. Over the following decade, live display transformed views of Orcinus orca. The public embraced killer whales as charismatic and friendly, while scientists enjoyed their first access to live orcas. In the Pacific Northwest, these captive encounters reshaped regional values and helped drive environmental activism, including Greenpeace's anti-whaling campaigns. Yet even as Northwesterners taught the world to love whales, they came to oppose their captivity and to fight for the freedom of a marine predator that had become a regional icon. This is the definitive history of how the feared and despised "killer" became the beloved "orca"--and what that has meant for our relationship with the ocean and its creatures.

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Knowledge Management as a popular management movement is about 25 years old and unsurprisingly it has inspired many theories, practices and methods. So much so, that it is sometimes difficult to define what it stands for. The Handbook of Research on Knowledge Management is an interesting and innovative volume that has appealing features to add to the discussion. It is consistently interesting, has a very wide diversity of contributing scholars and practitioners and has several useful and informative chapters on actual knowledge practices and situations. It also offers historical reflections as well as its own contingency theory of how to best go about working with knowledge. All in all this Handbook is a fine and original contribution to the literature.'- Laurence Prusak, founder and Executive Director of the Institute for Knowledge ManagementThis innovative Handbook widens our understanding of knowledge management, a field that has risen to prominence in recent decades. It collects contemporary insights from more than 30 contributors into the rich tapestry of knowledge management practices across a broad landscape of cultures and socio-political contexts. The contributors offer authoritative analyses to inform practical applications of knowledge management, along with provoking reinterpretations of its developmental potential to guide future innovation and research in this field.The starting point for discussion centers around establishing a common definition for knowledge management, a concept that has remained nebulous since its inception. Expert contributions examine the relevance of this common definition within various contexts, such as Buddhist organizations, law firms, the army and indigenous organizations. The contributors explore how knowledge management could be effectively applied in these very diverse contexts. Some contributors analyze the universality of Ikujiro Nonaka s concept of knowledge management. Other contributors suggest alternative definitions of knowledge management. While previous literature has primarily focused on how knowledge management is practiced currently, this Handbook sets out alternative visions and conceptualizations of knowledge management in diverse settings and is, thus, focused on how knowledge management ideally should be practiced in various contexts.This Handbook of Research on Knowledge Management will appeal as a point of reference for academics and students of business and management, business administration, sociology and organizational behavior. Practitioners, managers and business-owners alike will also find this an invaluable resource.Contributors: C. Abrahamson Löfström, A. Ahmad, E. Antonacopoulou, D.A. Blackman, O. Chang, D. Coldwell, D.J. Delgado-Hernández, J.S. Edwards, C. Filstad, A. Fried, T. Garavan, M. Glisby, P. Gottschalk, S. Harris, N. Holden, J. Hong, S.-W. Hsu, C. Mak, R. McDermott, D. McDowall, A. Mitra, K. Moon, E. Murphy, P.S. Myers, G. Neumann, P. Ngulube, F. O'Brien, A. Örtenblad, X. Ruan, A. Rynne, S.D Sarre, R. Snell, C. Stilwell, S. Talbot, E. Tandi Lwoga, E. Tomé, J. Van Beveren

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Knowledge Management as a popular management movement is about 25 years old and unsurprisingly it has inspired many theories, practices and methods. So much so, that it is sometimes difficult to define what it stands for. The Handbook of Research on Knowledge Management is an interesting and innovative volume that has appealing features to add to the discussion. It is consistently interesting, has a very wide diversity of contributing scholars and practitioners and has several useful and informative chapters on actual knowledge practices and situations. It also offers historical reflections as well as its own contingency theory of how to best go about working with knowledge. All in all this Handbook is a fine and original contribution to the literature.'- Laurence Prusak, founder and Executive Director of the Institute for Knowledge ManagementThis innovative Handbook widens our understanding of knowledge management, a field that has risen to prominence in recent decades. It collects contemporary insights from more than 30 contributors into the rich tapestry of knowledge management practices across a broad landscape of cultures and socio-political contexts. The contributors offer authoritative analyses to inform practical applications of knowledge management, along with provoking reinterpretations of its developmental potential to guide future innovation and research in this field.The starting point for discussion centers around establishing a common definition for knowledge management, a concept that has remained nebulous since its inception. Expert contributions examine the relevance of this common definition within various contexts, such as Buddhist organizations, law firms, the army and indigenous organizations. The contributors explore how knowledge management could be effectively applied in these very diverse contexts. Some contributors analyze the universality of Ikujiro Nonaka s concept of knowledge management. Other contributors suggest alternative definitions of knowledge management. While previous literature has primarily focused on how knowledge management is practiced currently, this Handbook sets out alternative visions and conceptualizations of knowledge management in diverse settings and is, thus, focused on how knowledge management ideally should be practiced in various contexts.This Handbook of Research on Knowledge Management will appeal as a point of reference for academics and students of business and management, business administration, sociology and organizational behavior. Practitioners, managers and business-owners alike will also find this an invaluable resource.Contributors: C. Abrahamson Löfström, A. Ahmad, E. Antonacopoulou, D.A. Blackman, O. Chang, D. Coldwell, D.J. Delgado-Hernández, J.S. Edwards, C. Filstad, A. Fried, T. Garavan, M. Glisby, P. Gottschalk, S. Harris, N. Holden, J. Hong, S.-W. Hsu, C. Mak, R. McDermott, D. McDowall, A. Mitra, K. Moon, E. Murphy, P.S. Myers, G. Neumann, P. Ngulube, F. O'Brien, A. Örtenblad, X. Ruan, A. Rynne, S.D Sarre, R. Snell, C. Stilwell, S. Talbot, E. Tandi Lwoga, E. Tomé, J. Van Beveren

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This volume is a collection of the Nobel lectures delivered by the prizewinners, together with their biographies and the presentation speeches by Nobel Committee members for the period 2006-2010. The criterion for the Physics award is to the discoverer of a physical phenomenon that changed our views, or to the inventor of a new physical process that gave enormous benefits to either science at large or to the public. The biographies are remarkably interesting to read and the Nobel lectures provide detailed explanations of the phenomena for which the Laureates were awarded the Nobel Prize.Aspiring young scientists as well as more experienced ones, but also the interested public will learn a lot from and appreciate the geniuses of these narrations.List of prizewinners and their discoveries:(2006) to John C Mather and George F Smoot “for their discovery of the blackbody form and anisotropy of the cosmic microwave background radiation”The very detailed observations that the Laureates have carried out from the COBE satellite have played a major role in the development of modern cosmology into a precise science.(2007) to Albert Fert and Peter Grünberg “for the discovery of Giant Magnetoresistance”Applications of this phenomenon have revolutionized techniques for retrieving data from hard disks. The discovery also plays a major role in various magnetic sensors as well as for the development of a new generation of electronics. The use of Giant Magnetoresistance can be regarded as one of the first major applications of nanotechnology.(2008) to Yoichiro Nambu “for the discovery of the mechanism of spontaneous broken symmetry in subatomic physics“, and to Makoto Kobayashi and Toshihide Maskawa “for the discovery of the origin of the broken symmetry which predicts the existence of at least three families of quarks in nature”Why is there something instead of nothing? Why are there so many different elementary particles? The Laureates presented theoretical insights that give us a deeper understanding of what happens far inside the tiniest building blocks of matter.(2009) to Charles Kuen Kao “for groundbreaking achievements concerning the transmission of light in fibers for optical communication“, and to Willard S Boyle and George E Smith “for the invention of an imaging semiconductor circuit — the CCD sensor”Kao's discoveries have paved the way for optical fiber technology, which today is used for almost all telephony and data communication. Boyle and Smith have invented a digital image sensor — CCD, or charge-coupled device — which today has become an electronic eye in almost all areas of photography.(2010) to Andre Geim and Konstantin Novoselov “for groundbreaking experiments regarding the two-dimensional material graphene”The Laureates have shown that a thin flake of ordinary carbon, just one atom thick, has exceptional properties that originate from the remarkable world of quantum physics.

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