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"A hands-on, real talk guide for navigating the hot-button issues that so many families struggle with" - Reese WitherspoonDo you find yourself taking on the lion's share of all the thankless, invisible but time-consuming work in the home? FAIR PLAY is the first book that shows you that there can be a different way: a way to get more done, with less fuss, in a way that feels more balanced.Eve Rodsky is changing society one relationship at a time, by coming up with a 21st-century solution to an age-old problem: women shouldering the brunt of domestic responsibilities, the mental load, the emotional labour. Everything that is required to keep the fridge full, the children's homework in their bags, and the household running. The unequal division of all this invisible work in relationships is a recipe for disaster, but no one has offered a real solution to this dilemma, until now. Eve Rodsky was tired of always being the one who has to remember to buy loo roll, or to book the family's dentist appointments, or to send the thank you cards - all while working full time. So Eve decided to do what she does every day as an organisational management consultant: Organise. She conducted original research with more than 500 couples to figure out WHAT the invisible work in a family actually is and HOW to get it done effectively and all in a way that makes relationships even stronger. FAIR PLAY identifies the 100 main tasks in any relationship, and then divides those tasks fairly (not necessarily equally) so that both parties contribute their fair share. If we don't learn to rebalance our home life and reclaim some time to develop the skills and passions that keep us unique, then we risk losing our right to be interesting, not just to our partner, but to ourselves. Getting this right isn't a luxury, it's a necessity for a happy, lasting partnership. Part how-to guide for couples, part modern relationship manifesto, FAIR PLAY offers an innovative system with a completely original lexicon to discuss how relationships actually work ... and how we can make them work better.

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A visit to the battlefield of Verdun is usually dominated by the forts of Douamont and Vaux, the museum at Fleury and the striking, huge Ossuary, Although this gives a flavour of the horrific fighting that took place in the area, particularly in 1916, the visitor will be hard pressed to get much more than an impression from such places.This book seeks to guide the battlefield pilgrim into parts of the battlefield that get rarely visited by means of a series of walks, a number of which include the major sites. The four tours have been carefully walked. All are practicable for a reasonably healthy adult; the tours vary in length, most taking a half day to complete and the longest (the last) a day. In a twist to the usual walks to be found in the Battleground series, Christina makes full use of the numerous field graves and isolated memorials that are to be found on the Verdun battlefield, a number of which will bring visitors to the most visited sites. In the course of these walks many physical remnants will be found, such as gun positions, bunkers and trench systems, the significance of which is fully explained. The walks have not been chosen at random: by following these the tourer will get a far greater understanding of why the fighting at Verdun developed as it did and why such places as Fort Vaux were so significant to both sides. The field graves and memorials to the combatants, very often of individuals, provide an opportunity to give their story and the unit action in which they were fighting when they were killed. Verdun is a battlefield where the story of units and individuals can easily become lost in the horror of the incessant fighting that raged over ten months; and over ground which is extremely difficult to read because of the post war forestation programme. Profusely illustrated and with excellent mapping, a hallmark of Christina Holstein's books, a visitor who follows the walks in this book will be left with a far clearer idea of the men who fought and died here and of the features of the battlefield and their significance in this battle that so challenged the endurance of the armies of two nations.

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'Hilarious and heartwarming . . . my shields are at full strength and my heart is ready for Eva's next adventure' Patrick Weekes, Lead writer at BioWare (Dragon Age, Mass Effect)A debut space opera that features an irresistible foul-mouthed captain and her misfit crew . . .Captain Eva Innocente and the crew of La Sirena Negra cruise the galaxy delivering small cargo for even smaller profits. When her sister is kidnapped, Eva must undergo a series of dangerous missions to pay the ransom. But Eva may lose her mind before she can raise the money. The ship's hold is full of psychic cats, an amorous fish-faced emperor wants her dead, and her engineer is giving her a pesky case of feelings. The worse things get, the more she lies, raising suspicions and testing her loyalty to her found family.To free her sister, Eva will risk everything: her crew, her ship, and the life she's built on the ashes of her past misdeeds. But when the dominoes start to fall and she finds the real threat is greater than she imagined, she must decide whether to play it cool or burn it all down.'Jam-packed with weird aliens, mysterious artefacts, and lovable characters... A tremendous good time and an impressive debut' Kirkus Reviews (starred review)'Mass Effect meets The Expanse in this energetic space opera adventure. Eva Innocente is an unforgettable starship captain and I love every member of her crew-slash-family. This book has enough twists to keep you up way past bedtime, and I can't wait for the sequel'Michael R. Underwood, host of The Skiffy and Fanty Show'This engaging space opera debut delivers a story that dances between hilarity and seriousness, with all the joy and frustration psychic cats can bring to the mix' Library Journal (starred review) 'Imagine if Firefly and Mass Effect got together and had a baby, and that baby were delivered by Guillermo del Toro. This book is that baby. ¡Esto fue un triunfo!'Curtis C. Chen

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From Shakespeare to The Beatles, the battle of Agincourt has dominated the cultural landscape as one of the most famous battles in British history. Anne Curry seeks to find out how and why the legacy of Agincourt has captured the popular imagination. Agincourt (1415) is an exceptionally famous battle, one that has generated a huge and enduring cultural legacy in the six hundred years since it was fought. Everybody thinks they know what the battle was about. Even John Lennon, aged 12, wrote a poem and drew a picture headed 'Agincourt'. But why and how has Agincourt come to mean so much, to so many? Why do so many people claim their ancestors served at the battle? Is the Agincourt of popular image the real Agincourt, or is our idea of the battle simply taken from Shakespeare's famous depiction of it? Written by the world's leading expert on the battle, this book shows just why it has occupied such a key place in English identity and history in the six centuries since it was fought, exploring a cultural legacy that stretches from bowmen to Beatles, via Shakespeare, Dickens, and the First World War. Anne Curry first sets the scene, illuminating how and why the battle was fought, as well as its significance in the wider history of the Hundred Years War. She then takes the Agincourt story through the centuries from 1415 to now, from the immediate, and sometimes surprising, responses to it on both sides of the Channel, through its reinvention by Shakespeare in King Henry V (1599), and the enduring influence of both the play and the film versions of it, especially the patriotic Laurence Olivier version of 1944, at the time of the D-Day landings in Normandy. But the legacy of Agincourt does not begin and end with Shakespeare's play: from the eighteenth century onwards, on both sides of the Channel and in both the English and French speaking worlds the battle was used as an explanation of national identity, giving rise to jingoistic works in print and music. It was at this time that it became fashionable for the gentry to identify themselves with the victory, and in the Victorian period the Agincourt archer came to be emphasized as the epitome of 'English freedom'. Indeed, even today, historians continue to 'refight' the battle.

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The human race is on a 10,000 year urban adventure. Our ancestors wandered the planet or lived scattered in villages, yet by the end of this century almost all of us will live in cities. But that journey has not been a smooth one and urban civilizations have risen and fallen many times in history. The ruins of many of them still enchant us. This book tells the story of the rise and fall of ancient cities from the end of the Bronze Age to the beginning of the Middle Ages. It is a tale of war and politics, pestilence and famine, triumph and tragedy, by turns both fabulous and squalid. Its focus is on the ancient Mediterranean: Greeks and Romans at the centre, but Phoenicians and Etruscans, Persians, Gauls, and Egyptians all play a part. The story begins with the Greek discovery of much more ancient urban civilizations in Egypt and the Near East, and charts the gradual spread of urbanism to the Atlantic and then the North Sea in the centuries that followed. The ancient Mediterranean, where our story begins, was a harsh environment for urbanism. So how were cities first created, and then sustained for so long, in these apparently unpromising surroundings? How did they feed themselves, where did they find water and building materials, and what did they do with their waste and their dead? Why, in the end, did their rulers give up on them? And what it was like to inhabit urban worlds so unlike our own - cities plunged into darkness every night, cities dominated by the temples of the gods, cities of farmers, cities of slaves, cities of soldiers. Ultimately, the chief characters in the story are the cities themselves. Athens and Sparta, Persepolis and Carthage, Rome and Alexandria: cities that formed great families. Their story encompasses the history of the generations of people who built and inhabited them, whose short lives left behind monuments that have inspired city builders ever since - and whose ruins stand as stark reminders to the 21st century of the perils as well as the potential rewards of an urban existence.

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Interest in the Scala programming language continues to grow for many reasons. Scala embraces the functional programming style without abandoning the object-oriented paradigm, and it allows you to write programs more concisely than in Java. Because Scala runs on the JVM, it can access any Java library and is interoperable with familiar Java frameworks. Scala also makes it easier to leverage the full power of concurrency. Written for experienced Java, C++, or C# programmers who are new to Scala or functional programming, Scala for the Impatient, Second Edition, introduces the key Scala concepts and techniques you need in order to be productive quickly. It is the perfect introduction to the language, particularly for impatient readers who want to learn the fundamentals of Scala so they can start coding quickly. It doesn’t attempt to exhaustively list all the features of the language or make you suffer through long and contrived examples. Instead, carefully crafted examples and hands-on activities guide you through well-defined stages of competency, from basic to expert. This revised edition has been thoroughly updated for Scala 2.12 and reflects current Scala usage. It includes added coverage of recent Scala features, including string interpolation, dynamic invocation, implicit classes, and futures. Scala is a big language, but you can use it effectively without knowing all of its details intimately. This title provides precisely the information that you need to get started in compact, easy-to-understand chunks. Get started quickly with Scala’s interpreter, syntax, tools, and unique idioms Master core language features: functions, arrays, maps, tuples, packages, imports, exception handling, and more Become familiar with object-oriented programming in Scala: classes, inheritance, and traits Use Scala for real-world programming tasks: working with files, regular expressions, and XML Work with higher-order functions and the powerful Scala collections library Leverage Scala’s powerful pattern matching and case classes Create concurrent programs with Scala futures Implement domain-specific languages Understand the Scala type system Apply advanced “power tools,” such as annotations, implicits, and type classes Register your product at informit.com/register for convenient access to downloads, updates, and corrections as they become available.

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‘After all this time Frankie Dettori still ranks amongst the all-time greats of the sport’ LESTER PIGGOTT ‘An autobiography as gripping as any Dick Francis thriller’ YORKSHIRE POST ‘Endearingly honest… a fastpaced, funny autobiography’ COUNTRY LIFE MAGAZINE Legendary jockey, Frankie Dettori, shares his remarkable life story in this astonishingly intimate autobiography. When Lanfranco ‘Frankie’ Dettori arrived on British shores in 1985, aged just 14, he couldn’t speak a word of English. Having left school just a year earlier and following in the footsteps of his father, he was eager to become a stable boy and apprentice jockey, willing to do everything it took to make it. This was his first, but certainly not his last, leap of faith. Despite his slight size, Frankie’s impact upon the British racing scene was immediate and significant. Brimming with confidence, charisma and personality, and with what was clearly a precocious talent, in 1990 he became the first teenager since Lester Piggot to win over 100 races in a single season. By 1996, Frankie was already established as a celebrity in the sport and an adopted national treasure, but it was his extraordinary achievement of winning all seven races in a single day at Ascot that cemented his reputation as the greatest rider of his generation. Nearly 25 years later, and having won the Longines World’s Best Jockey for three consecutive years running, Frankie has demonstrated an unparalled level of longevity at the pinnacle of his sport. But his story is not simply one of uninterrupted success, but also of personal anguish, recovery and restoration – both in and out of the saddle. Now, Frankie compellingly reveals the lows to his highs; the plane crash that nearly killed him, the drugs ban that nearly made him quit the sport, and the acrimonious split from Godolphin that threatened his future. But Leap of Faith is also a story of love – for the sport he continues to dominate to this day, the great horses of his era (Stradivarius, Golden Horn, and of course Enable), and most importantly for his family, who have supported him every step of the way. Heartfelt and poignant, this is not simply a memoir, but a celebration of perseverance and defying the odds.

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Provides insight into U.S. and Chinese involvement in aid, trade, direct investment and strategic ties in Latin America In recent years, China has become the largest trading partner for more than half the countries in Latin America, and demonstrated major commitments in aid and direct investment in various parts of the region. China has also made a number of strategic commitments to countries like Nicaragua, Cuba, and Venezuela which have long-standing policies opposing U.S. influence in the region. China, the United States, and the Future of Latin America posits that this activity is a direct challenge to the role of the U.S. in Latin America and the Caribbean. Part of a three-volume series analyzing U.S.-China relations in parts of the world where neither country is dominant, this volume analyzes the interactions between the U.S., China, and Latin America. The book series has so far considered the differences in operating styles between China and the U.S. in Central Asia and Southeast Asia. This third volume unpacks the implications of competing U.S. and Chinese interests in countries such as Brazil and Argentina, and China’s commitments in Nicaragua and Venezuela. This volume draws upon a variety of policy experts, focusing on the viewpoints of South American and Caribbean scholars as well as scholars from outside states. China’s new global reach and its ambitions, as well as the U.S. response, are analyzed in detail.A nuanced examination of current complexities and future implications, China, the United States and the Future of Latin America provides readers with varied perspectives on the changing economic and strategic picture in Latin America and the Caribbean.

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Between 1890 and 1920, the forces accompanying industrialization sent the familiar nineteenth-century world plummeting toward extinction. The traditional countryside with its villages and family farms was eclipsed by giant corporations and sprawling cities. America appeared headed into an unknown future.In lively, accessible prose, John Chambers incorporates the latest scholarship about the social, cultural, political, and economic changes which produced modern America. He illuminates the experiences of blacks, Asians, Latinos, as well as other working men and women in the cities and countryside as they struggled to improve their lives in a transformed economy. He explores the dimensions of the new consumer society and the new information and entertainment industries: newspapers, magazines, the movies. Striding these pages are many of the prominent individuals who shaped the attitudes and institutions of modern America: J. P. Morgan and corporate reorganization; Jane Addams and the origin of modern social work; Mary Pickford and the new star-oriented motion picture industry; and the radical labor challenge of “Big Bill” Haywood and the “Wobblies.”While recognizing a “progressive ethos”—a mixture of idealistic vision and pragmatic reforms—which dominated the mainstream reforms that characterized the period, Chambers elaborates the role of civic volunteerism as well as the state in achieving directed social change. He also emphasizes the importance of radical and conservative political forces in shaping the so-called “Progressive Era.”The revised edition in this classic work has an updated bibliography and a new preface, both of which incorporate particularly the new social and cultural research of the past decade.

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Met de richtlijn van 22 september 1994 werd na meer dan 20 jaar discussie een belangrijke stap gezet in de richting van transnationale informatie en raadpleging van werknemers in ondernemingen, die op het Europese continent actief zijn met minstens 1000 werknemers en 150 in twee Lid-Staten van de EU. Deze richtlijn is van belang zowel voor de Europese hoofdkwartieren als voor de afdelingen van de geviseerde ondernemingen. Het gaat om honderden ondernemingen en duizenden afdelingen. Deze richtlijn is wellicht de belangrijkste die op het domein van het Europees arbeidsrecht genomen werd. De reden is eenvoudig: voor de eerste keer komt er een Europese instelling, de EOR, die een eigen dynamiek gaat ontwikkelen en Europese strategien veronderstelt niet alleen voor management, maar ook voor werknemers, die tot nu toe lokaal konden optreden. De Europese vakbeweging krijgt een ballon vol zuurstof. De richtlijn gaat in op de patronale verzuchting naar autonomie en flexibiliteit. Ondernemingen krijgen de tijd om voor 22 september 1996 een eigen EOR of procedure op te zetten in afspraak met de vertegenwoordigers van de werknemers. Komt er geen overeenkomst dan komt er een verplichte EOR met vastgelegde informatie en raadplegingsbevoegdheden. Er is dus een keuze en Europa staat bol van vergaderingen en conferenties waarbij ondernemingen en werknemersvertegenwoordigers zich beraden over de te volgen strategien. De richtlijn dient ook in nationaal recht omgezet en dat wordt een hele klus met onverwachte juridische hindernissen. Het boek van Blanpain en Windey tracht om de talrijke betrokken partijen bij te staan bij hun keuze. Het bevat twee delen: vooreerst wordt aandacht besteed aan informatie en raadpleging in het algemeen en vooral in Europese context; in het tweede deel wordt de richtlijn ten gronde aangepakt. Het boek wordt afgesloten met een bijlage waarin de tekst van de meest belangrijke EORovereenkomsten (Elf Aquitane, Renault, Volkswagen e.a.) gepubliceerd worden.

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The Ryder Cup is one of the world's most dramatic sporting events. In 2014, the stakes were higher than ever, as the US team sought to recover from their devastating loss two years before; but the dominant European team stormed to victory, taking their tally to eight wins out of the last ten matches. In this gripping account, Iain Carter delves into the drama behind the epic battle at Gleneagles, from the appointment of the captains and the team selection, to the behind-the-scenes tensions and the thrilling action during the three days that culminated in Europe's blistering triumph. Tensions were running high in the build-up to the 2014 Ryder Cup. Following the 'Miracle' at Medinah that saw Europe take the trophy in 2012, the Americans pulled out all the stops, appointing veteran Ryder Cup hero Tom Watson as captain. Put under pressure, the Europeans bet on an outlier: Irishman Paul McGinley, a diminutive stalwart touring pro, a team man and an astute tactician. It was a fight between acumen and aura. Acumen won.On this occasion the European triumph was not miraculous; it was meticulous, the product of an extraordinarily detailed plan that rode the dramatic swings of fortune of the golfing calendar. Since Medinah, the golfing world had not just evolved; it had turned on its head. There was a new order. The old were fading, injured, out of form, unable to maintain winning habits. The younger generation had taken over. And, when it came to the showdown, McGinley's masterplan came to fruition. Telling the inside story of an enthralling contest, this is a fascinating look at the pivotal moment that established Europe as the undisputed leaders in the Ryder Cup.

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Our industry is moving toward functional programming, but your object-oriented experience is still valuable. Scala combines the power of OO and functional programming, and Pragmatic Scala shows you how to work effectively with both. Updated to Scala 2.11, with in-depth coverage of new features such as Akka actors, parallel collections, and tail call optimization, this book will show you how to create stellar applications. This thorough introduction to Scala will get you coding in this powerful language right away. You'll start from the familiar ground of Java and, with easy-to-follow examples, you'll learn how to create highly concise and expressive applications with Scala. You'll find out when and how to mix both imperative and functional style, and how to use parallel collections and Akka actors to create high-performance concurrent applications that effectively use multicore processors. Scala has evolved since the first edition of this book, and Pragmatic Scala is a significant update. We've revised each chapter, and added three new chapters and six new sections to explore the new features in Scala. You'll learn how to: * Safely manage concurrency with parallel collections and Akka actors * Create expressive readable code with value classes and improved implicit conversions * Create strings from data with no sweat using string interpolation * Create domain-specific languages * Optimize your recursions with tail call optimization Whether you're interested in creating concise, robust single-threaded applications or highly expressive, thread-safe concurrent programs, this book has you covered. What You Need: The Scala compiler (2.x) and the JDK are required to make use of the concepts and the examples in this book.

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Poetic Exhibitions: Romantic Aesthetics and the Pleasures of the British Museum offers an extensive interdisciplinary study of the relationship between British Romantic poetry and the rise of national museum culture in the eighteenth and early nineteenth centuries. In a simultaneously theoretical and historical analysis, it studies a range of poetry and aesthetic philosophy in relation to the first hundred years of the British Museum, from its establishment in the 1750's to the completion of its current edifice in the 1850's. It thereby provides a sequence of aesthetic reflections on the various social, cultural, and imaginative challenges posed by this novel institution. In the process of tracing poetic and critical responses to the museum and its collections, Poetic Exhibitions simultaneously demonstrates the impact of nationalist ideologies and scientific discourse on formal and thematic developments in Romantic poetry and aesthetics. Both the museum and the nation it serves are realized imaginatively through an imperfect aesthetic accommodation of difference and identity. The museum's official statements of institutional purpose and curatorial design describe a harmonious relationship between an ennobling exhibition and a unified nation. However, accounts of the institution in the popular press, guidebooks to the sights of London, private correspondence, and parliamentary debates depict the museum as a touchstone for social and political conflict. In this fraught domain of national self-promotion, the language of aesthetics provides a nascent curatorial theory of material and cultural reconciliation. An emphasis on the pleasures of imagination grants the poet and spectator especially prominent positions in Romantic culture as both are newly empowered as active participants in the visual and conceptual creation of knowledge. As this role is made available to an ever-widening portion of the national public-including women and members of the working classes-both the nation and the museum dev

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Selected for the 2007 Amelia Bloomer Project list of recommended feminist literature for young readers.For thirty years, Lucinda Delaney Schroeder held an unusual government position: she was one of the handful of women special agents with the U.S. Fish and Wildlife Service. Her job: to investigate crimes against wildlife. Unlike the majority of hunters who respect both their prey and the laws, evidence was piling up against an unscrupulous outfitter who was decimating populations of big game in Alaska's Brooks Range. In August 1992, she accepted an assignment that forever changed--and endangered--her life. She left her husband and seven-year-old daughter behind in Wisconsin and posed as a big-game hunter in Alaska in order to infiltrate an international ring of poachers out to kill the biggest and best of that state's wildlife.A Hunt for Justice recounts her dramatic story--a story she was not legally permitted to write about until her retirement in 2004.Risking personal safety, Schroeder joined a team of government agents to expose and arrest the poachers. Posing as "Jayne," a divorcee who was willing to break the rules in order to hunt trophy animals, the diminutive blue-eyed blonde fooled criminals so wily that their crimes could only be cracked from within. A Hunt for Justice takes readers along on Schroeder's dangerous and exciting mission. More than simply an adventure or true-crime tale, it's a story of a woman surviving in a male-dominated field, a woman against the wilderness, and a wife and mother risking it all for a cause she believes in. Whether you are a crime buff, nature lover, sports hunter, or someone who just loves a gripping-first-person tale of justice triumphing over evil, this book is for you.

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Exploring the failure of hospice in America to care for patients and families at the end of life.Hospice is the dominant form of end-of-life care in the United States. But while the US hospice system provides many forms of treatment that are beneficial to dying people and their families, it does not encompass what is commonly referred to as long-term care, which includes help with the activities of daily living: feeding, bathing, general safety, and routine hygienic maintenance. Frequently, such care is carried out by an informal network of unpaid caregivers, such as the person's family or loved ones, who are often ill-prepared to offer this type of support. In The Crisis of US Hospice Care, Harold Braswell argues that the stress of providing long-term care typically overwhelms family members and that overdependence on familial caregiving constitutes a crisis of US hospice care that limits the freedom of dying people. Arguing for the need to focus on the time just before death, Braswell examines how the relationship of hospice to familial caregiving evolved. He traces the history of hospice over the past fifty years and describes the choice that people dying with inadequate familial support face between a neglectful home environment and an impersonal nursing home.A nuanced look at the personal and political dimensions that shape long-term, end-of-life care, this historical and ethnographic study demonstrates that the crisis in US hospice care can be alleviated only by establishing the centrality of hospice to American freedom. Providing a model for the transformative work that is required going forward, The Crisis of US Hospice Care illustrates the potential of hospice for facilitating a new way of living our last days and for having the best death possible.

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What brings the Earth to life, and our own lives to an end? For decades, biology has been dominated by the study of genetic information. Information is important, but it is only part of what makes us alive. Our inheritance also includes our living metabolic network, a flame passed from generation to generation, right back to the origin of life. In Transformer, biochemist Nick Lane reveals a scientific renaissance that is hiding in plain sight —how the same simple chemistry gives rise to life and causes our demise. Lane is among the vanguard of researchers asking why the Krebs cycle, the “perfect circle” at the heart of metabolism, remains so elusive more than eighty years after its discovery. Transformer is Lane’s voyage, as a biochemist, to find the inner meaning of the Krebs cycle—and its reverse—why it is still spinning at the heart of life and death today. Lane reveals the beautiful, violent world within our cells, where hydrogen atoms are stripped from the carbon skeletons of food and fed to the ravenous beast of oxygen. Yet this same cycle, spinning in reverse, also created the chemical building blocks that enabled the emergence of life on our planet. Now it does both. How can the same pathway create and destroy? What might our study of the Krebs cycle teach us about the mysteries of aging and the hardest problem of all, consciousness? Transformer unites the story of our planet with the story of our cells—what makes us the way we are, and how it connects us to the origin of life. Enlivened by Lane’s talent for distilling and humanizing complex research, Transformer offers an essential read for anyone fascinated by biology’s great mysteries. Life is at root a chemical phenomenon: this is its deep logic.

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Sexually curious adults can learn how to enjoy bedroom bondage in an easy step-by-step fashion while still being tasteful, playful, and authentic Rope bondage is not just about tying someone up; it is an opportunity for sensuality, creativity, playfulness, connection, and passion. Bondage artist and educator Lee Harrington takes you on a journey through easy step-by-step ties and exercises for bringing you and your partner closer together through this beautiful art form. The second book in the Shibari You Can Use series, More Shibari You Can Use picks up where the first book left off, with all new ties in a playful, down-to-earth, and engaging voice. But it’s about more than the bondage. This time you also get a chance to connect more with your partner through a variety of exercises that explore touch, dominance and submission, intimacy, and trust. With beautifully shot images by RiggerJay, this guide offers intermediate techniques for those ready for a challenge, broken down into clear directions for new and experienced “riggers” alike. Find techniques for learning rope bondage negotiation, speed restraint (Texas handcuffs and speed-release corsets), intricate confinement (the reverse box tie and the woven head cage), beautiful erotic rope (from the Triskelion crotch rope to the floral chest harness), and much more. Are you ready to have fun? To deepen your connection with your partner? To create beautiful artwork woven on the human form? To add some spice to your erotic life? Now is your chance. Set aside your concerns about tying someone up, grab this book and some rope, and learn passionate rope bondage for an intimate connection.

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What brings the Earth to life, and our own lives to an end? For decades, biology has been dominated by the study of genetic information. Information is important, but it is only part of what makes us alive. Our inheritance also includes our living metabolic network, a flame passed from generation to generation, right back to the origin of life. In Transformer, biochemist Nick Lane reveals a scientific renaissance that is hiding in plain sight —how the same simple chemistry gives rise to life and causes our demise. Lane is among the vanguard of researchers asking why the Krebs cycle, the “perfect circle” at the heart of metabolism, remains so elusive more than eighty years after its discovery. Transformer is Lane’s voyage, as a biochemist, to find the inner meaning of the Krebs cycle—and its reverse—why it is still spinning at the heart of life and death today. Lane reveals the beautiful, violent world within our cells, where hydrogen atoms are stripped from the carbon skeletons of food and fed to the ravenous beast of oxygen. Yet this same cycle, spinning in reverse, also created the chemical building blocks that enabled the emergence of life on our planet. Now it does both. How can the same pathway create and destroy? What might our study of the Krebs cycle teach us about the mysteries of aging and the hardest problem of all, consciousness? Transformer unites the story of our planet with the story of our cells—what makes us the way we are, and how it connects us to the origin of life. Enlivened by Lane’s talent for distilling and humanizing complex research, Transformer offers an essential read for anyone fascinated by biology’s great mysteries. Life is at root a chemical phenomenon: this is its deep logic.

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The Kenney family grew up in Saddleworth, outside Oldham, in the last decades of the nineteenth century. In 1905, three of the sisters met Christabel Pankhurst, a turning point which changed the rest of their lives. Annie Kenney became one of the leaders of the Women's Social and Political Union (WSPU), Jessie was an organiser at the heart of the organisation, and Nell campaigned outside the capital. Caroline and Jane used their connections within the suffrage movement as the springboard for careers in innovative education on both sides of the Atlantic. While working-class women are increasingly acknowledged in histories of the WSPU, this study is the first to make them the primary focus, and, in doing so, it opens up a new conversation around sex, class, and politics, and how these categories interacted in this period. This is a study of the possibilities for, and experiences of, working-class women in the militant suffrage movement. It identifies why these women became politically active, their experiences as activists, and the benefits they gained from their political work. It stresses the need to see working-class women as significant actors and autonomous agents in the suffrage campaign. It shows why and how some women became politicised, why they prioritised the vote above all else, and how this campaign came to dominate their lives. It also places the suffrage campaign within the broader trajectory of their lives to stress how far the personal and political were intertwined for these women. Although this is a book about 'working-class suffragettes', Lyndsey Jenkins also reveals what it says about women as workers and teachers, religious believers and political thinkers, and friends and colleagues, as well as suffragettes. Above all, it is a study of sisterhood.

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For many years, Canadian cinema was dominated by the documentarytradition of the National Film Board, which tended to promote what filmscholar Jim Leach has called the “nationalist-realistproject”—films that privileged Canada’s naturallandscape and sought to conjure a unified sense of Canadian identityfrom images of empty, untrammelled wilderness and bucolic farmlands.Over the past several decades, however, the hegemony of thisfundamentally colonial, Anglo-centric vision has been challenged byfrancophone and First Nations perspectives and by the growth of cities,where most Canadians now reside, as economic and technological centres.In opposition to the mythic “Canada” shaped through thelens of rural nostalgia, Canadian urban identity asserts itself aspolyphonic, diverse, constructed through multiple discourses andmediums, as an ongoing negotiation rather than a monolithicorientation. Taking the urban as setting and subject, filmmakers areideally poised to capture this multiplicity, creating their own,idiosyncratic portraits of the Canadian urban landscape and of thepeople who inhabit it. Examining fourteen Canadian films produced from the late 1980sonward, including Denys Arcand’s Jésus de Montréal(1989), Mina Shum’s Double Happiness (1994), and GuyMaddin’s My Winnipeg (2007), Film and the Cityis the first comprehensive study of Canadian film and“urbanity”—the totality of urban culture and life asrefracted through the filmmaker’s prism. Drawing on insights fromboth film and urban studies and building upon issues of identityformation long debated in Canadian studies, Melnyk considers howfilmmakers interpret and employ the spatiality, visuality, and oralityof urban space and how audiences read the films that result. In thisway, Film and the City argues that Canadian narrative film ofthe postmodern period has contributed to the articulation of a new,multifaceted understanding of national identity.

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The first extended account of the Associated Board of the Royal Schools of Music. The Associated Board of the Royal Schools of Music, better known as ABRSM, has influenced the musical lives and tastes of millions of people since it conducted its first exams in 1890. This ground-breaking history explores how ABRSM became such a formative influence and looks at some of the consequences resulting from its pre-eminent position in British musical life. Particular emphasis is given to how free ABRSM has been to impose its musical view of things and to what extent its exams respond to the circumstances and musical preferences of its customers. The book's exploration of how ABRSM has negotiated music's changing social, educational and cultural landscape casts fresh light on the challenges facing music education today. David Wright's comprehensive history of the Board from its origins in 1889 to the present day represents a significant and original investigation. Not only is it the first extended account of ABRSM, but it sets the institution and its work firmly within its historical and cultural context. ABRSM's exams were exported all across the Empire, and this study shows how both exams and examiners made a telling cultural contribution to the idea of the 'British World'. It relates the exams to changing historical perceptions about musical education as well as to attitudes about the value of music as a social and recreational activity. By demonstrating the impact of the Board's commercial success in dominating the grade exam market, the book shows how this has had significant consequences for the organization of British musical training and for the formation andsustaining of a particular sort of British musical culture. Before his retirement, David Wright was Reader in the Social History of Music at the Royal College of Music, London.

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Stratford developed at the lowest crossing point of the River Lea and was a strategic gateway to London. Part of the Essex parish of West Ham, its name, which derives from the Roman road to Colchester, was first mentioned shortly after the Norman Conquest. Domesday Book recorded nine water-mills and, more recently, the largest tithe-mill in Britain was built here in 1776, which happily survives to this day. The Abbey of Stratford Langthorne was founded in 1135, soon after the new Bow Bridge had been built, and it remained a wealthy institution until its dissolution in 1538.Throughout the Middle Ages, Stratford’s situation made it a trading place and a rural retreat for City merchants. Silk weaving and calico printing were the first industries to develop, together with the famous Bow porcelain works, but after the railway arrived in 1839, Hudson, ‘The Railway King’, turned Stratford into a major railway town. Meanwhile, on the marshy southern fringe fronting the Thames, ship-building and chemical works developed and the greatest industrial venture – the Royal Docks – were built, the largest in the country for many years. Stratford’s growth in the Victorian age was phenomenal; the population soared and social pressures mounted. The area became a cradle of the socialist and trade union movement.This splendidly illustrated book explores both the medieval background and the rich industrial and social heritage of Stratford in a fascinating narrative account, illuminated with a superb selection of carefully captioned old pictures. It will appeal to all who live or shop in the town and to everyone with an interest in the past of East London and the making of its present environment.

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A Telegraph Book of the YearA Guardian Book of the YearA Shindig Book of the Year A Virgin Radio Book of the YearAwarded the certificate of merit in the 2023 Association for Recorded Sound Collections Awards for ExcellenceIn 1970, pop was in trouble. The Beatles were no more. Pink Floyd devoted themselves to progressive epics. Led Zeppelin dismissed anything beyond their 'musical statements' as childish frippery. Thankfully, help was on its way.This comprehensive chronicle by music historian Will Hodgkinson explores how an unlikely mix of backroom songwriters, revitalised rockers, actors, producers, teen stars and children turned pop into the dominant sound and vision of the 1970s.While bands such as the Eagles and Fleetwood Mac were ruling the albums chart, the singles chart was swinging along to the tune of million-selling blockbusters by the likes of Brotherhood of Man, the Sweet and the Wombles. These were the songs you heard on Radio 1, during Saturday-night TV, at youth clubs, down the pub and even emanating from your parents' record player...It was never cool, but it was the real soundtrack of the decade.Against a rainy, smog-filled backdrop of three-day weeks, national strikes, IRA bombings and the Winter of Discontent, this unrelenting stream of novelty songs, sentimental ballads, glam-rock stomps and blatant rip-offs offered escape, uplift, romance and the promise of eternal childhood - all released with one goal in mind: a smash hit.In Perfect Harmony takes the reader on a journey through the most colour-saturated era in music, examining the core themes and camp spectacle of '70s singalong pop, as well as its reverberations through British culture since. This is the pioneering social history of a musical revolution.

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In the first week of June 2013, the American people discovered that for a decade, they had abjectly traded their individual privacy for the chimera of national security. The revelation that the federal government has full access to all phone records and the vast trove of presumably private personal data posted on the Internet has brought the threat of a surveillance society to the fore.But the erosion of privacy rights extends far beyond big government. Big business has long played a leading role in the hollowing out of personal freedoms. In this new book, Robert Scheer shows how our most intimate habits, from private correspondence, book pages read, and lists of friends and phone conversations have been seamlessly combined in order to create a detailed map of an individual's social and biological DNA.From wiretapping to lax social media security, from domestic spy drones to sophisticated biometrics, both the United States government and private corporate interests have dangerously undermined the delicate balance between national security and individual sovereignty. Without privacy, Scheer argues, there is neither freedom nor democracy. The freedom to be left alone embodies the most basic of human rights. Yet this freedom has been squandered in the name of national security and consumer convenience.The information revolution has exposed much of the world's population to a boundless world of universally shared information. But it has also stripped both passive and active participants of their every shred of privacy in ways most don't comprehend. No authoritarian regime ever could have hoped to gain the power to control the power and aspirations of their subjects that today's off-the-shelf information technology already provides. The technology of surveillance, Scheer warns, represents an existential threat to the liberation of the human spirit.

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THE INSTANT NEW YORK TIMES BESTSELLER!Michael C. Bender, senior White House reporter for the Wall Street Journal, presents a deeply reported account of the 2020 presidential campaign that details how Donald J. Trump became the first incumbent in three decades to lose reelection-and the only one whose defeat culminated in a violent insurrection. Beginning with President Trump's first impeachment and ending with his second, FRANKLY, WE DID WIN THIS ELECTION chronicles the inside-the-room deliberations between Trump and his campaign team as they opened 2020 with a sleek political operation built to harness a surge of momentum from a bullish economy, a unified Republican Party, and a string of domestic and foreign policy successes-only to watch everything unravel when fortunes suddenly turned.With first-rate sourcing cultivated from five years of covering Trump in the White House and both of his campaigns, Bender brings readers inside the Oval Office, aboard Air Force One, and into the front row of the movement's signature mega-rallies for the story of an epic election-year convergence of COVID, economic collapse, and civil rights upheaval-and an unorthodox president's attempt to battle it all. Fresh interviews with Trump, key campaign advisers, and senior administration officials are paired with an exclusive collection of internal campaign memos, emails, and text messages for scores of never-before-reported details about the campaign. FRANKLY, WE DID WIN THIS ELECTION is the inside story of how Trump lost, and the definitive account of his final year in office that draws a straight line from the president's repeated insistence that he would never lose to the deadly storming of the U.S. Capitol that imperiled one of his most loyal lieutenants-his own vice president.

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An urgent examination of the threat posed to social media by user disconnection, and the measures websites will take to prevent it No matter how pervasive and powerful social media websites become, users always have the option of disconnecting—right? Not exactly, as Tero Karppi reveals in this disquieting book. Pointing out that platforms like Facebook see disconnection as an existential threat—and have undertaken wide-ranging efforts to eliminate it—Karppi argues that users’ ability to control their digital lives is gradually dissipating. Taking a nonhumancentric approach, Karppi explores how modern social media platforms produce and position users within a system of coded relations and mechanisms of power. For Facebook, disconnection is an intense affective force. It is a problem of how to keep users engaged with the platform, but also one of keeping value, attention, and desires within the system. Karppi uses Facebook’s financial documents as a map to navigate how the platform sees its users. Facebook’s plans to connect the entire globe through satellites and drones illustrates the material webs woven to keep us connected. Karppi analyzes how Facebook’s interface limits the opportunity to opt-out—even continuing to engage users after their physical death. Showing how users have fought to take back their digital lives, Karppi chronicles responses like Web2.0 Suicide Machine, an art project dedicated to committing digital suicide. For Karppi, understanding social media connectivity comes from unbinding the bonds that stop people from leaving these platforms. Disconnection brings us to the limit of user policies, algorithmic control, and platform politics. Ultimately, Karppi’s focus on the difficulty of disconnection, rather than the ease of connection, reveals how social media has come to dominate human relations.

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How prisons became economic development strategies for rural Appalachian communities As the United States began the project of mass incarceration, rural communities turned to building prisons as a strategy for economic development. More than 350 prisons have been built in the U.S. since 1980, with certain regions of the country accounting for large shares of this dramatic growth. Central Appalachia is one such region; there are eight prisons alone in Eastern Kentucky. If Kentucky were its own country, it would have the seventh highest incarceration rate in the world. In Coal, Cages, Crisis, Judah Schept takes a closer look at this stunning phenomenon, providing insight into prison growth, jail expansion and rising incarceration rates in America’s hinterlands. Drawing on interviews, site visits, and archival research, Schept traces recent prison growth in the region to the rapid decline of its coal industry. He takes us inside this startling transformation occurring in the coalfields, where prisons are often built on top of old coalmines, including mountaintop removal sites, and built into community planning approaches to crises of unemployment, population loss, and declining revenues. By linking prison growth to other sites in this landscape—coal mines, coal waste, landfills, and incinerators—Schept shows that the prison boom has less to do with crime and punishment and much more with the overall extraction, depletion, and waste disposal processes that characterize dominant development strategies for the region. Schept argues that the future of this area now hangs in the balance, detailing recent efforts to oppose its carceral growth. Coal, Cages, Crisis offers invaluable insight into the complex dynamics of mass incarceration that continue to shape Appalachia and the broader United States.

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America's Few delves into the history of US Marine Corps aviation in World War II, following the feats of the Corps’ top-scoring aces in the skies over Guadalcanal. Marine Corps aviation began in 1915, functioning as a self-contained expeditionary force. During the interwar period, the support of USMC amphibious operations became a key element of Marine aviation doctrine, and the small force gradually grew. But in December 1941 came the rude awakening. Within hours of Pearl Harbor, heroic Marine aviators were battling the Japanese over Wake Island. In the South Pacific, the aviators of the US Marine Corps came out of the shadows to establish themselves as an air force second to none. In the summer of 1942, when Allied airpower was cobbled together into a single unified entity – nicknamed 'the Cactus Air Force’ – Marine Aviation dominated, and a Marine, Major General Roy Geiger, was its commander. Of the twelve Allied fighter squadrons that were part of the Cactus Air Force, eight were USMC squadrons. It was over Guadalcanal that Joe Foss emerged as a symbol of Marine aviation. As commander of VMF-121, he organized a group of fighter pilots that downed 72 enemy aircraft; Foss himself reached a score of 26. Pappy Boyington, meanwhile, had become a Marine aviator in 1935. Best known as the commander of VMF-214, he came into his own in late 1943 and eventually matched Foss’s aerial victory score. Through the parallel stories of these two top-scoring fighter aces, as well as many other Marine aces, such as Ken Walsh (21 victories), Don Aldrich (20), John L. Smith (19), Wilbur Thomas (18.5), and Marion Carl (18.5), many of whom received the Medal of Honor, acclaimed aviation historian Bill Yenne examines the development of US Marine Corps aviation in the South Pacific.

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The collapse of the Soviet Union unleashed the specter of the largest wave of nuclear proliferation in history. Why did Ukraine ultimately choose the path of nuclear disarmament?The collapse of the Soviet Union in 1991 left its nearly 30,000 nuclear weapons spread over the territories of four newly sovereign states: Belarus, Kazakhstan, the Russian Federation, and Ukraine. This collapse cast a shadow of profound ambiguity over the fate of the world's largest arsenal of the deadliest weapons ever created. In Inheriting the Bomb, Mariana Budjeryn reexamines the history of nuclear predicament caused by the Soviet collapse and the subsequent nuclear disarmament of the non-Russian Soviet successor states.Although Belarus and Kazakhstan renounced their claim to Soviet nuclear weapons, Ukraine proved to be a difficult case: with its demand for recognition as a lawful successor state of the USSR, a nuclear superpower, the country became a major proliferation concern. And yet by 1994, Ukraine had acceded to the Treaty on the Non-proliferation of Nuclear Weapons (NPT) as a non-nuclear-weapon state and proceeded to transfer its nuclear warheads to Russia, which emerged as the sole nuclear successor of the USSR. How was this international proliferation crisis averted? Drawing on extensive archival research in the former Soviet Union and the United States, Budjeryn uncovers a fuller and more nuanced narrative of post-Soviet denuclearization. She reconstructs Ukraine's path to nuclear disarmament to understand how its leaders made sense of the nuclear armaments their country inherited. Among the various factors that contributed to Ukraine's nuclear renunciation, including diplomatic pressure from the United States and Russia and domestic economic woes, the NPT stands out as a salient force that provided an international framework for managing the Soviet nuclear collapse.

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Thomas R. Heinrich explores American shipbuilding from the workshop level to subcontracting networks spanning the Delaware Valley.Winner of the North American Society for Oceanic History's John Lyman Book AwardOriginally published in 1996. Sustained by a skilled work force and the Pennsylvania iron and steel industry, Philadelphia shipbuilders negotiated the transition from wooden to iron hull construction earlier and far more easily that most other builders. Between the Civil War and World War I, Philadelphia emerged as the vital center of American shipbuilding, constructing a wide variety of vessel types such as passenger liners, freighters, battleships, and cruisers.In Ships for the Seven Seas, Thomas R. Heinrich explores this complex industry from the workshop level to subcontracting networks spanning the Delaware Valley. He describes entrepreneurial strategies and industrial change that facilitated the rise of major shipbuilding firms; how naval architecture, marine engineering, and craft skills evolved as iron and steel overtook wood as the basic construction material; and how changes in domestic and international trade and the rise of the American steel navy helped generate vessel contracts for local builders. Heinrich also examines the formation of the military-industrial complex in the context of naval contracting.Contributing to current debates in business history, Ships for the Seven Seas explains how proprietary ownership and batch production strategies enabled late nineteenth-century builders to supply volatile markets with custom-built steamships. But large-scale naval construction in the 1920s eroded production flexibility, Heinrich argues, and since then, ill-conceived merchant marine policies and naval contracting procedures have brought about a structural crisis in American shipbuilding and the demise of the venerable Philadelphia shipyards.

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An insider's look at the changing balance of power on Wall Street The Battle for Wall Street follows the struggle for power between two giants: the sellers, traditional commercial and investments banks; and the buyers, upstart hedge funds, private equity firms and the like. The battle is about winning the hearts, minds, and – yes, the wallets – of global investors. This battle is still running its course, and with the insights of industry veteran Richard Goldberg, who has had a front row seat, readers will gain a detailed understanding as to what, exactly, is going on within this dynamic arena, specifically the forces behind the shift of power from the old sell side gatekeepers to the new buy side players. The book will play out in three acts: Act One will examine the instruments of change – liquidity and financial technology – along with their influence on the sell and buy sides. Act Two will look at the agents of change – hedge funds, private equity, financial entrepreneurs, endowments, exchanges and sovereign wealth funds – and their impact on the sell and buy sides. In Act Three, Goldberg will take out his crystal ball and walk through the strategic implications for the winners and losers in this battle, against the dramatic backdrop of the subprime mortgage crisis and the resulting shakeup of global firms like Bear Stearns. But Wall Street isn't simply about institutions or corporate battles. It’s a landscape dominated by personalities. Goldberg's unique access to major players will bring this book to life with amazing anecdotes and stories about the financial generals who have left their mark in The Battle for Wall Street.

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Practical approaches to the operation of long-term care facilities Managing the Long-Term Care Facility provides a comprehensive introduction to the growing field of long-term care. Taking a continuum-of-care approach, the text covers every aspect of long-term care. Readers will develop a robust knowledge of the issues faced by people experiencing physical and or mental changes. Topics covered include the biological and psychosocial implications of ageing, marketing long-term care, facility operations, and information technology for health care, among many others. By integrating all aspects of long-term care, the book is an invaluable resource that will aid students and professionals in preparing for career advancement and licensure exams. The book is also is designed to help students prepare for the National Nursing Home Administrator exam. Pedagogical elements help guide readers through the content, and summaries and discussion questions to drive home lessons learned. Builds expert knowledge of all aspects of long-term care management, including operations, human resources, patient advocacy, and information systems Emphasizes the latest understandings of the long-term care continuum and patient-centered care for diverse populations Delivers practical approaches to providing quality care to individuals and making a positive impact on community wellbeing Prepares readers for and National Nursing Home Administrator's licensure exam Managing the Long-Term Care Facility: Practical Approaches to Providing Quality Care provides real-world guidance for students in healthcare administration, health and human services, gerontology, nursing, business and medical programs, in both domestic and international markets. Nursing home administrators, administrators-in-training and preceptors will find this book an effective training tool in the nursing facility setting.

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Martin O’Neill is one of the most fascinating and respected figures in football. In On Days Like These, he tells the story of his remarkable career.'You'll never get your head out of this . . . The stories are fantastic' – John MotsonFor the first time, Martin O’Neill reflects on one of the most varied and successful football careers in the British Isles. With a journey spanning over fifty years, Martin dives into the exhilarating highs of trophies, promotion and World Cup fights – and the painful lows of fan confrontations, boardroom drama, relegation scraps and getting fired.Read fascinating stories from his journey as a player, his breakthrough with Distillery in Northern Ireland, to joining Brian Clough’s legendary Nottingham Forest team as it rose from the Second Division all the way to winning back-to-back European Cups.Go behind-the-scenes on his international career for Northern Ireland, playing alongside and getting to know the Belfast Boy himself, George Best.Then, Martin delves into his work as a manager, including his celebrated leadership of Celtic – retaking dominance from Rangers in his very first Old Firm match.And on more recent times, lessons are learned in England – as he led Wycombe from Conference to the League, and Leicester City and Aston Villa to unprecedented highs – before joining forces with Roy Keane and taking the Republic of Ireland to the second round of the Euros for the first time in their history.Written by Martin himself with his trademark honesty and humour, On Days Like These is an insightful and captivating autobiography from a true icon of football – and a must-read for any fans of the beautiful game.'Entertaining . . . An extraordinary career' – Guardian'Every word of it is his . . . full of vim' – Telegraph

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Winner of the Social Science History Association President’s Book AwardEast Germany was the first domino to fall when the Soviet bloc began to collapse in 1989. Its topple was so swift and unusual that it caught many area specialists and social scientists off guard; they failed to recognize the instability of the Communist regime, much less its fatal vulnerability to popular revolt. In this volume, Steven Pfaff identifies the central mechanisms that propelled the extraordinary and surprisingly bloodless revolution within the German Democratic Republic (GDR). By developing a theory of how exit-voice dynamics affect collective action, Pfaff illuminates the processes that spurred mass demonstrations in the GDR, led to a peaceful surrender of power by the hard-line Leninist elite, and hastened German reunification. While most social scientific explanations of collective action posit that the option for citizens to emigrate—or exit—suppresses the organized voice of collective public protest by providing a lower-cost alternative to resistance, Pfaff argues that a different dynamic unfolded in East Germany. The mass exit of many citizens provided a focal point for protesters, igniting the insurgent voice of the revolution.Pfaff mines state and party records, police reports, samizdat, Church documents, and dissident manifestoes for his in-depth analysis not only of the genesis of local protest but also of the broader patterns of exit and voice across the entire GDR. Throughout his inquiry, Pfaff compares the East German rebellion with events occurring during the same period in other communist states, particularly Czechoslovakia, China, Poland, and Hungary. He suggests that a trigger from outside the political system—such as exit—is necessary to initiate popular mobilization against regimes with tightly centralized power and coercive surveillance.

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Virtual Voyages illuminates the pivotal role of travelogues within the history of cinema. The travelogue dominated the early cinema period from 1895 to 1905, was central to the consolidation of documentary in the 1910s and 1920s, proliferated in the postwar era of 16mm distribution, and today continues to flourish in IMAX theaters and a host of non-theatrical venues. It is not only the first chapter in the history of documentary but also a key element of ethnographic film, home movies, and fiction films. In this collection, leading film scholars trace the intersection of technology and ideology in representations of travel across a wide variety of cinematic forms. In so doing, they demonstrate how attention to the role of travel imagery in film blurs distinctions between genres and heightens awareness of cinema as a technology for moving through space and time, of cinema itself as a mode of travel.Some contributors take a broad view of travelogues by examining the colonial and imperial perspectives embodied in early travel films, the sensation of movement that those films evoked, and the role of live presentations such as lectures in our understanding of travelogues. Other essays are focused on specific films, figures, and technologies, including early travelogues encouraging Americans to move to the West; the making and reception of the documentary Grass (1925), shot on location in Turkey, Syria, Iraq, and Iran; the role of travel imagery in 1930s Hollywood cinema; the late-twentieth-century 16mm illustrated-lecture industry; and the panoramic possibilities presented by IMAX technologies. Together the essays provide a nuanced appreciation of how, through their representations of travel, filmmakers actively produce the worlds they depict.Contributors. Rick Altman, Paula Amad, Dana Benelli, Peter J. Bloom, Alison Griffiths, Tom Gunning, Hamid Naficy, Jennifer Lynn Peterson, Lauren Rabinovitz, Jeffrey Ruoff, Alexandra Schneider, Amy J. Staples

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In Queer/Early/Modern, Carla Freccero, a leading scholar of early modern European studies, argues for a reading practice that accounts for the queerness of temporality, for the way past, present, and future time appear out of sequence and in dialogue in our thinking about history and texts. Freccero takes issue with New Historicist accounts of sexual identity that claim to respect historical proprieties and to derive identity categories from the past. She urges us to see how the indeterminacies of subjectivity found in literary texts challenge identitarian constructions and she encourages us to read differently the relation between history and literature. Contending that the term “queer,” in its indeterminacy, points the way toward alternative ethical reading practices that do justice to the aftereffects of the past as they live on in the present, Freccero proposes a model of “fantasmatic historiography” that brings together history and fantasy, past and present, event and affect.Combining feminist theory, queer theory, psychoanalysis, deconstruction, and literary criticism, Freccero takes up a series of theoretical and historical issues related to debates in queer theory, feminist theory, the history of sexuality, and early modern studies. She juxtaposes readings of early and late modern texts, discussing the lyric poetry of Petrarch, Louise Labé, and Melissa Ethridge; David Halperin’s take on Michel Foucault via Apuleius’s The Golden Ass and Boccaccio’s Decameron; and France’s domestic partner legislation in connection with Marguerite de Navarre’s Heptameron. Turning to French cleric Jean de Léry’s account, published in 1578, of having witnessed cannibalism and religious rituals in Brazil some twenty years earlier and to the twentieth-century Brandon Teena case, Freccero draws on Jacques Derrida’s concept of spectrality to propose both an ethics and a mode of interpretation that acknowledges and is inspired by the haunting of the present by the past.

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Trying to understand how “civilized” people could embrace fascism, Hannah Arendt searched for a precedent in modern Western history. She found it in nineteenth-century colonialism, with its mix of bureaucratic rule, racial superiority, and appeals to rationality. Modern Inquisitions takes Arendt’s insights into the barbaric underside of Western civilization and moves them back to the sixteenth century and seventeenth, when Spanish colonialism dominated the globe. Irene Silverblatt describes how the modern world developed in tandem with Spanish imperialism and argues that key characteristics of the modern state are evident in the workings of the Inquisition. Her analysis of the tribunal’s persecution of women and men in colonial Peru illuminates modernity’s intricate “dance of bureaucracy and race.”Drawing on extensive research in Peruvian and Spanish archives, Silverblatt uses church records, evangelizing sermons, and missionary guides to explore how the emerging modern world was built, experienced, and understood by colonists, native peoples, and Inquisition officials: Early missionaries preached about world history and about the races and nations that inhabited the globe; Inquisitors, able bureaucrats, defined who was a legitimate Spaniard as they executed heretics for “reasons of state”; the “stained blood” of Indians, blacks, and descendants of Jews and Moors was said to cause their deficient character; and native Peruvians began to call themselves Indian. In dialogue with Arendt and other theorists of modernity, Silverblatt shows that the modern world’s underside is tied to its origins in colonialism and to its capacity to rationalize violence. Modern Inquisitions forces the reader to confront the idea that the Inquisition was not only a product of the modern world of the sixteenth and seventeenth centuries, but party to the creation of the civilized world we know today.

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Contentious Lives examines the ways popular protests are experienced and remembered, individually and collectively, by those who participate in them. Javier Auyero focuses on the roles of two young women, Nana and Laura, in uprisings in Argentina (the two-day protest in the northwestern city of Santiago del Estero in 1993 and the six-day road blockade in the southern oil towns of Cutral-co and Plaza Huincul in 1996) and the roles of the protests in their lives. Laura was the spokesperson of the picketers in Cutral-co and Plaza Huincul; Nana was an activist in the 1993 protests. In addition to exploring the effects of these episodes on their lives, Auyero considers how each woman's experiences shaped what she said and did during the uprisings, and later, the ways she recalled the events. While the protests were responses to the consequences of political corruption and structural adjustment policies, they were also, as Nana’s and Laura’s stories reveal, quests for recognition, respect, and dignity.Auyero reconstructs Nana’s and Laura’s biographies through oral histories and diaries. Drawing on interviews with many other protesters, newspaper articles, judicial records, government reports, and video footage, he provides sociological and historical context for their stories. The women’s accounts reveal the frustrations of lives overwhelmed by gender domination, the deprivations brought about by hyper-unemployment and the withering of the welfare component of the state, and the achievements and costs of collective action. Balancing attention to large-scale political and economic processes with acknowledgment of the plurality of meanings emanating from personal experiences, Contentious Lives is an insightful, penetrating, and timely contribution to discussions of popular resistance and the combined effects of globalization, neoliberal economic policies, and political corruption in Argentina and elsewhere.

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For over two and a half millennia human beings have attempted to invent strategies to “discover” the truth of time, to determine whether time is infinite, whether eternity is the infinite duration of a continuous present, or whether it too rises and falls with the cycles of universal creation and destruction. Time-Fetishes recounts the history of a tradition that runs counter to the dominant tradition in Western metaphysics, which has sought to purify eternity of its temporal character. From the pre-Socratics to Ovid and Plotinus, and from Shakespeare to Hegel, Schelling, Nietzsche, Heidegger, and Derrida, Time-Fetishes traces the secret tradition of the idea of eternal recurrence and situates it as the grounding thought of Western philosophy and literature. The thinkers in this counter-history of the eternal return lingered long enough on the question of time to learn how to resist separating eternity from time, and how to reflect on the possible identity of time and eternity as a way of resisting all prior metaphysical determinations. Drawing out the implications of Nietzsche’s reinvention of the doctrine of return, Lukacher ranges across a broad spectrum of ancient and modern thinkers. Shakespeare’s role in this history as the “poet of time” is particularly significant, for not only does Shakespeare reactivate the pre-Christian arguments of eternal return, he regards them, and all arguments and images concerning the essence of time and Being, from an inimitably ironic perspective. As he makes transitions from literature to philosophy and psychoanalysis, Lukacher displays a theoretical imagination and historical vision that bring to the forefront a host of pre- and post-Christian texts in order to decipher in them an encounter with the thought of eternal recurrence that has been too long buried under layers of rigid metaphysical interpretation.

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In this far-reaching work, Swen Hutter demonstrates the usefulness of studying both electoral politics and protest politics to better understand the impacts of globalization. Hutter integrates research on cleavage politics and populist parties in Western Europe with research on social movements. He shows how major new cleavages restructured protest politics over a thirty-year period, from the 1970s through the 1990s. This major study brings back the concept of cleavages to social movement studies and connects the field with contemporary research on populism, electoral behavior, and party politics.Hutter’s work extends the landmark 1995 New Social Movements in Western Europe, the book that spurred the recognition that a broad empirical frame is valuable for understanding powerful social movements. This new book shows that it is also beneficial to include the study of political parties and protest politics. While making extensive use of public opinion, protest event, and election campaigning data, Hutter skillfully employs contemporary data from six West European societies—Austria, Britain, France, Germany, the Netherlands, and Switzerland—to account for responses to protest events and political issues across countries.Protesting Culture and Economics in Western Europe makes productive empirical, methodological, and theoretical contributions to the study of social movements and comparative politics. Empirically, it employs a new approach, along with new data, to explain changes in European politics over several decades. Methodologically, it makes rigorous yet creative use of diverse datasets in innovative ways, particularly across national borders. And theoretically, it makes a strong claim for considering the distinctive politics of protest across various issue domains as it investigates the asymmetrical politics of protest from left and right.

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The new Cuban art grew up in the supercharged and conflicting currents of revolution, sometimes tracking to its optimism and at others scalded by it. But even more than that it was an art with extraordinary relation and relevance to the life of the country across social, domestic, cultural, and psychological registers: aggressive, protean, and perennially restless within an extraordinary conviction about the possibilities of art.-from the IntroductionIn 1981, Volumen Uno, an exhibition at a Havana gallery, inaugurated a new chapter in the rich history of Cuban art. Featuring an eclectic mix of works by eleven young artists filtered through a variety of styles-informalism, Pop, minimalism, conceptualism, performance, graffiti, and povera-the art was a sharp break with the past in both form and content. More of a phenomenon than a formal movement, the new Cuban art was both a reaction to the sovietization of Cuban culture in the 1970s and the dynamic entry of a generation of artists born around the Revolution and formed by its orthodoxies and its poetic idealism.In this spectacularly illustrated volume, Rachel Weiss offers the definitive critical history of the new Cuban art, exploring its remarkable artistic accomplishments and its role as catalyst for, and site of, public debate. Weiss draws on two decades of engagement with Cuban art and on the statements of the artists themselves to read individual artworks against the complex relationships between artists, their local and global audiences, and the Cuban state.Tracing the shift from the optimism of the early 1980s to the cultural cynicism that paralleled the near-collapse of Cuban society in the 1990s, To and from Utopia in the New Cuban Art identifies a renewed idealism among the artists about the potential role of culture in Cuban society.

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“Hybridity” is a term that has been applied to Latin American politics, literature, and intellectual life for more than a century. During the past two decades, it has figured in—and been transfigured by—the work of prominent postcolonialist writers and thinkers throughout the Americas. In this pathbreaking work, Joshua Lund offers a thoughtful critique of hybridity by reading contemporary theories of cultural mixing against their historical precursors. The Impure Imagination is the first book to systematically analyze today’s dominant theories in relation to earlier, narrative manifestations of hybridity in Latin American writing, with a particular focus on Mexico and Brazil. Generally understood as the impurification of standard or canonized forms, hybridity has historically been embraced as a basic marker of Latin American regional identity and as a strategy of resistance to cultural imperialism. Lund contends that Latin American theories and narratives of hybridity have been, and continue to be, underwritten by a structure of colonial power. Here he provides an informed critique and cogent investigation of this connection, its cultural effects, and its political implications. Using the emergence of hybridity as an analytical frame for thinking about culture in the Americas, Lund examines the contributions of influential thinkers, including Néstor García Canclini, Homi Bhabha, Jacques Derrida, Giorgio Agamben, Jorge Luis Borges, Antonio Candido, and many others. Distinguished by its philosophical grounding and underpinned with case studies, The Impure Imagination employs postcolonial theory and theories of race as it explores Latin American history and culture. The result is an original and interrogative study of hybridity that exposes surprising—and unsettling—similarities with nationalistic discourses. Joshua Lund is assistant professor of Spanish at the University of Pittsburgh. His essays have appeared in A Contracorriente, Race & Class, Cultural Critique, and the Journal of Latin American Cultural Studies.

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After a decadelong hiatus, African Americans once again began appearing regularly on television in the 1960s. Bill Cosby costarred on I Spy, Sammy Davis Jr. briefly hosted a variety show, and in 1968 Diahann Carroll debuted in the title role of Julia, the first television series to star an African American since the cancellation of Amos ’n’ Andy. Over the next ten years, shows with African American casts became more common; some, like Sanford and Son and Good Times, were hits with both black and white audiences. Yet many within the black community criticize these programs as perpetuating demeaning stereotypes and hampering the political progress made by African Americans. In Revolution Televised, Christine Acham offers a more complex reading of this period in African American television history, finding within these programs opposition to dominant white constructions of African American identity. She explores the intersection of popular television and race as witnessed from the documentary coverage of the civil rights and Black Power movements, the personal politics of Flip Wilson and Soul Train’s Don Cornelius, and the ways in which notorious X-rated comic Redd Foxx reinvented himself for prime time. Reflecting on both the potential of television to effect social change as well as its limitations, Acham concludes with analyses of Richard Pryor’s politically charged and short-lived sketch comedy show and the success of outspoken comic Chris Rock. Revolution Televised deftly illustrates how black television artists operated within the constraints of the television industry to resist and ultimately shape the mass media’s portrayal of African American life. Christine Acham is assistant professor in African American and African studies at the University of California, Davis.

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"Flatlining on the Field of Dreams takes a apart some of the most commercially successful films of the epoch, demonstrating how they reflected, debated, and played with the dominant ideology of the time. . . . cleverly and wittily written . . . . The book will work extremely well in the classroom." -Film Quarterly "From Back to the Future to Forrest Gump, Nadel shows not only how notions of cinematic time re-script political change but how our very conceptualizations of change are thematized by our experiences of watching movies. This is not simply film history, or film as history, but film affirming "history" in the same way that Ronald Reagan affirmed film narratives." -Susan Jeffords, University of Washington "Flatlining on the Field of Dreams brilliantly restages the cultural narratives associated with Reaganism within a neo-imperialist cinematic space and reveals the heretofore unexamined role class played in the reproduction of those narratives." -Donald E. Pease, Dartmouth CollegeFlatlining on the Field of Dreams demonstrates, with witty prose and careful analysis, how the overindulgent, image-conscious years of the Reagan administration are reflected in sundry aspects of American films produced during that era. Discussing dozens of films, including Home Alone, Beetlejuice, Ghost, The Little Mermaid, Working Girl, Who Framed Roger Rabbit?, and Trading Places, Alan Nadel identifies narratives about credit, deregulation, gender, race, and masculinity that defined "President Reagan's America." Linking the way Hollywood films work to the stories they tell, he explains how the ideas and values of Reaganism became the symbolic food of a hyper-consumptive society. The book provides hard-to-ignore demonstrations of the extensive synergy between politics, history, and popular culture.

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Adding an important new dimension to the history of U.S.-Japan relations, this book reveals that an unofficial movement to promote good feeling between the United States and Japan in the 1920s and 1930s only narrowly failed to achieve its goal: to modify the so-called anti-Japanese exclusion clause of the 1924 U.S. immigration law. It is well known that this clause caused great indignation among the Japanese, and scholars have long regarded it as a major contributing factor in the final collapse of U.S.-Japan relations in 1941. Not generally known, however, is that beginning immediately after the enactment of the law, private individuals sought to modify the exclusion clause in an effort to stabilize relations between the two countries. The issue was considered by American and Japanese delegates at almost all subsequent U.S.-Japan diplomatic negotiations, including the 1930 London naval talks and the last-minute attempts to prevent war in 1941. However, neither the U.S. State Department nor the Japanese Foreign Office was able to take concrete measures to resolve the issue. The State Department wanted to avoid appearing to meddle with Congressional prerogatives, and the Foreign Office did not want to be seen as intruding in American domestic affairs. This official reluctance to take action opened the way for major efforts in the private sector to modify the exclusion clause. The book reveals how a number of citizens in the United States—mainly clergy and business people—persevered in their efforts despite the obstacles presented by anti-Japanese feeling and the economic dislocations of the Depression. One of the notable disclosures in the book is that this determined private push for improved relations continued even after the 1931 Manchurian Incident.

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Winner: Joseph Brant Award (2014), Ontario Historical Society Winner: Clio Prize (Ontario) (2014), Canadian Historical Association Winner: The James S. Donnelly Sr. Prize (2014), American Conference for Irish Studies Winner: Geographical Society of Ireland Book of the Year Award (2013-2015) In Between Raid and Rebellion, William Jenkins compares the lives and allegiances of Irish immigrants and their descendants in one American and one Canadian city between the era of the Fenian raids and the 1916 Easter Rising. Highlighting the significance of immigrants from Ulster to Toronto and from Munster to Buffalo, he distinguishes what it meant to be Irish in a loyal dominion within Britain's empire and in a republic whose self-confidence knew no bounds. Jenkins pays close attention to the transformations that occurred within the Irish communities in these cities during this fifty-year period, from residential patterns to social mobility and political attitudes. Exploring their experiences in workplaces, homes, churches, and meeting halls, he argues that while various social, cultural, and political networks were crucial to the realization of Irish mobility and respectability in North America by the early twentieth century, place-related circumstances were linked to wider national loyalties and diasporic concerns. With the question of Irish Home Rule animating debates throughout the period, Toronto's unionist sympathizers presented a marked contrast to Buffalo's nationalist agitators. Although the Irish had acclimated to life in their new world cities, their sense of feeling Irish had not faded to the degree so often assumed. A groundbreaking comparative analysis, Between Raid and Rebellion draws upon perspectives from history and geography to enhance our understanding of the Irish experiences in these centres and the process by which immigrants settle into new urban environments.

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Within eight turbulent months in 1974 Gerald Ford went from the United States House of Representatives, where he was the minority leader, to the White House as the country’s first and only unelected president. His unprecedented rise to power, after Richard Nixon’s equally unprecedented fall, has garnered the lion’s share of scholarly attention devoted to America’s thirty-eighth president. But Gerald Ford’s (1913–2006) life and career in and out of Washington spanned nearly the entire twentieth century. Ambition, Pragmatism, and Party captures for the first time the full scope of Ford’s long and remarkable political life.The man who emerges from these pages is keenly ambitious, determined to climb the political ladder in Washington, and loyal to his party but not a political ideologue. Drawing on interviews with family and congressional and administrative officials, presidential historian Scott Kaufman traces Ford’s path from a Depression-era childhood through service in World War II to entry into Congress shortly after the Cold War began. He delves deeply into the workings of Congress and legislative–executive relations, offering insight into Ford’s role as the House minority leader in a time of conservative insurgency in the Republican Party.Kaufman’s account of the Ford presidency provides a new perspective on how human rights figured in the making of U.S. foreign policy in the Cold War era, and how environmental issues figured in the making of domestic policy. It also presents a close look at the 1976 presidential election—emphasizing the significance of image in that contest—and extensive coverage of Ford’s post-presidency. In sum, Ambition, Pragmatism, and Party is the most comprehensive political biography of Gerald Ford and will become the definitive resource on the thirty-eighth president of the United States.

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A sweeping look at Chinese art across the millennia that upends traditional perspectives and offers new pathways for art historyThroughout Chinese history, dynastic time—the organization of history through the lens of successive dynasties—has been the dominant mode of narrating the story of Chinese art, even though there has been little examination of this concept in discourse and practice until now. Chinese Art and Dynastic Time uncovers how the development of Chinese art was described in its original cultural, sociopolitical, and artistic contexts, and how these narratives were interwoven with contemporaneous artistic creation. In doing so, leading art historian Wu Hung opens up new pathways for the consideration of not only Chinese art, but also the whole of art history.Wu Hung brings together ten case studies, ranging from the third millennium BCE to the early twentieth century CE, and spanning ritual and religious art, painting, sculpture, the built environment, and popular art in order to examine the deep-rooted patterns in the historical conceptualization of Chinese art. Elucidating the changing notions of dynastic time in various contexts, he also challenges the preoccupation with this concept as the default mode in art historical writing. This critical investigation of dynastic time thus constitutes an essential foundation to pursue new narrative and interpretative frameworks in thinking about art history.Remarkable for the sweep and scope of its arguments and lucid style, Chinese Art and Dynastic Time probes the roots of the collective imagination in Chinese art and frees us from long-held perspectives on how this art should be understood.Published in association with the Center for Advanced Study in the Visual Arts, National Gallery of Art, Washington, DC

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