Search results for ""author robert"

'Do you believe in magic?' When Zoe McCourt was sixteen she had been dazzled by the handsome and wealthy James Marshall. He had taken her innocence and left her to bring up their child alone. Now, after ten years of struggle, Zoe's life is finally coming together. Her son, Simon, is her pride and joy, and she is about to venture into business with her new-found friends Malory and Dana. There is even a hint of romance on the horizon, in the very sexy form of Bradley Charles Vane IV, a man whose wealth and good looks make Zoe a little wary but seriously tempted to throw caution to the wind. But before she can embrace her future she has a challenge to face. For Malory, Dana and Zoe have been chosen to undergo a quest to free the souls of three demi-goddesses trapped by an ancient evil. It is a challenge that promises great riches but also grave danger. And, of all of them, Zoe has the most to lose. Three women. Three keys to find. If one fails, they all lose. If they all succeed - money, power and a new destiny awaits. It will take more than intellect, more than determination. They will have to open their hearts, their minds, and believe that everything and anything is possible.

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Eve Benedict is a legend: a movie goddess with two Oscars, four ex-husbands and a legion of lovers to her name. She knows the truth behind every Hollywood scandal - and now she's planning to tell all in a no-holds-barred memoir. But telling the truth can be a dangerous business, especially in a town built on dreams and secrets. Eve's stepson Paul Winthrop is worried that the book will only bring trouble. But he can't argue with Eve's choice of ghostwriter, the talented and very beautiful Julia Summers. As Paul and Julia clash over Eve's book, they also have to fight a deep and growing attraction to each other. Struggling against their intense feelings, they don't realise they are also tangled in a very dark plot. Eve has one last, great secret to reveal - and it will put them all in danger . . .

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A SUNDAY TIMES BEST PAPERBACK OF 2021* Shortlisted for the 2021 Stanford Dolman Travel Book of the Year prize* A critically-acclaimed Sunday Times, Spectator and Independent Book of 2020* Now with colour photography by Michael Turek'Richly absorbing... An impressive exploration of Siberia's terrifying past.' Guardian'Evocative and wonderfully original.' Colin Thubron__________Siberia's expansive history is traditionally one of exiles, bitter cold and suffering. Yet there is another tale to tell.Dotted throughout this remote and beautiful landscape are pianos created during the boom years of the nineteenth century. They tell the story of how, ever since entering Russian culture under the influence of Catherine the Great, piano music has run through the country like blood. How these pianos made the journey into this snow-bound wilderness in the first place is remarkable. That they might be capable of making music in such a hostile landscape feels like a miracle.The Lost Pianos of Siberia is an absorbing story about a piano hunt - a quixotic quest through two centuries of Russian history and eight time zones stretching across an eleventh of the world's land surface. It reveals not only an unexpected musical legacy, but profound and brave humanity in the last place on earth you might expect to find it.__________What readers are saying about The Lost Pianos of Siberia:***** 'You know a book's good when, on finishing it, you just want to start again.'***** 'Beautifully written, full of compelling anecdotes celebrating Siberia's extraordinary history.'***** 'The most unusual and intelligent way to tell a travel story.'

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'A match for end-of-the-world classics like Stephen King's The Stand' - New York Times Review of Books 'Breathtaking' - Heat Thirteen years ago, a catastrophic pandemic known as The Doom killed billions. For those left behind, it is a chance to build a new world. But The Doom was no ordinary virus. In some survivors, it awoke strange powers - to heal, to harm, even to predict the future. Fallon Swift has no memories of the old world - but she is destined to shape this new one. Growing up with her three brothers on a quiet farm, she has been protected from danger by her mother and stepfather. Now she must leave them, and learn to fight. Because Fallon is not only a powerful 'Uncanny' - she also has a pivotal role to play in the bloody battles ahead. A war between good and evil is brewing, and Fallon - young, tough, headstrong - must be ready. A sequel to the number one bestselling Year One, this breathtaking novel of love, war, family and magic is a gripping and deeply satisfying continuation of an extraordinary new trilogy.

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Passions are about to flare for the Concannon sisters . . .Maggie and Brianna Concannon are two very different sisters. The calm and gentle Bri seems able to weather any storm, even the constant criticism that rains down on them both from their mother, but Maggie is a passionate and fiery artist whose temper is as bold as her art. Their mother's bitterness is a mystery to Bri and Maggie, until secrets from the past challenge everything they've come to believe. It's Maggie's skill as a glass blower that brings Rogan Sweeney, the international gallery owner, to her small cottage in County Clare. His interest in her is purely professional, until their personalities clash and sparks begin to fly . . . As her career takes off, how will Maggie cope with the heat of the spotlight and feelings for Rogan that she would rather ignore?

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A vengeful goddess hunts for three jewels: fallen stars that will give her endless power. To save the world, six friends have joined forces to stop her. Now, on the wild and beautiful coast of County Clare, their battle reaches its dramatic climax. Doyle Mac Cleirich - soldier and reluctant immortal - has always vowed never to return home. But when his search for the final star leads him to Ireland, it becomes clear that fate has other plans.Solitary by inclination, Doyle is also fighting his growing attraction to archaeologist Riley. His warrior spirit is drawn to the wild - and there's no one more familiar with the wild than Riley. As the six guardians face their final challenge, Riley and Doyle are prepared to risk their lives in battle. But without love to sustain them, the quest is doomed to failure...

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A dark and powerful goddess hunts for three jewels: fallen stars that will give her endless power. To save the world, six friends have joined forces to stop her. Now, on the beautiful island of Capri, their battle continues...Mermaid Annika is proud to have been chosen for such an important quest. But now that her identity has been revealed, her time is running out. She knows that soon she must return to her people. But she also knows that she is in love with Sawyer King - the brave and loyal adventurer with secrets of his own. As Annika, Sawyer and their four friends hunt for the mysterious 'star of water', the goddess Nerezza sends a terrifying foe to destroy them. It seems there is no place for love and desire at such a dark time. And so Sawyer tries to protect Annika by pushing her away. But true love cannot be denied. And in a battle between the dark and the light - it might be the only thing that can save them from a terrible fate.

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Sasha Riggs is a reclusive artist, haunted by vivid dreams that she turns into extraordinary paintings. Desperate to understand her visions, she finds herself drawn to the Greek island of Corfu. She has only just arrived when she encounters Bran Killian, an Irish magician with a warm charisma and secrets dancing in his eyes. Sasha has never met Bran before, but she knows him only too well - because this is the man from her dreams. The man she seems fated to be with...if she can find the courage to accept who she really is.Sasha soon discovers that four other strangers have been lured to the island. Like Bran, they are all searching for a mysterious jewel known as the fire star - before it falls into the wrong hands. Together, they might just succeed. But first they must learn to trust one another, and reveal their deepest secrets.On the sun-drenched island of Corfu, love and magic are sparked into life. And for Sasha, nothing will ever be the same again.

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During the events of Doctor Who: Ravenous 2, Liv Chenka left the Doctor and the TARDIS behind. Just for one year. A year during which she would live on Kaldor, and get to know her sister Tula all over again. But Kaldor is going through a period of tumultuous change. Technology is changing at an advanced rate - the robots are evolving, artificial intelligence is adapting, and with these changes so politics is altering too. Dangerously. Can Liv and Tula make a difference during the most turbulent time in the world's history? CAST: : Nicola Walker (Liv Chenka), Claire Rushbrook (Tula Chenka), Nicholas Asbury (Hari Ventross), Paul Bazely (Elio), Jemma Churchill (Louisha Deltarto), Jon Culshaw (The Source/Sorkov), Anthony Howell (Volar Crick), Sarah Lamble (Graf Kirran/V709), Yasmin Mwanza (Rosama Volf/V557/Shinko Caprice), Finlay Robertson (Kador Arris/V48). Other parts played by members of the cast

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Este libro recoge seis entrevistas realizadas al artista estadounidense Gordon Matta-Clark (1943-1978) en los años más productivos de su trayectoria artística, desde 1974, poco después de completar su famosa obra Splitting que consistió en partir por la mitad una casa suburbana condenada al derribo, hasta el año de su temprana muerte, en 1978, a los 35 años de edad. Artista de pocas palabras, que prefería la acción a las declaraciones teóricas, estas entrevistas constituyen unos valiosos documentos para profundizar en las motivaciones que dieron lugar a sus obras.Gordon Matta-Clark (1943-1978) fue hijo del artista chileno Roberto Matta y de la artista estadounidense Anne Clark. Después de estudiar Literatura francesa en la Sorbona y Arquitectura en la Cornell University. A partir de 1971, Matta-Clark realizo cortes o extracciones de forjados y fachadas de edificios en Nueva York, Génova, Milán, París, Amberes y Chicago cuyo proceso de realización fue registrado en fotografía,

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Encuadernación: CartonéColección: Sillon orejeroUn retrato a cambio de un sueño. Así es como Baudoin y Troubs, abordando a la gente en la calle, se plantean retratar la mexicana Ciudad Juárez, quizá la urbe más peligrosa del mundo, donde los asesinatos de mujeres y la violencia vinculada con el narcotráfico son el pan de cada día. Sin embargo, a través de sus ojos, la ciudad fronteriza resulta rebosar de vida y de sueños.El origen de Viva la vida se halla en la novela del escritor chileno Roberto Bolaño, 2666, que gira en torno a los misteriosos asesinatos de más de 400 mujeres en Ciudad Juárez. Su lectura fue el germen que incitó a Baudoin a emprender el viaje hacia la ciudad fronteriza, junto con Troubs, para reflejar y dar a conocer a través de sus dibujos esa cruda realidad, e intentar comprenderla. Sin embargo, recogiendo los testimonios, los anhelos y los sueños de los lugareños, no sólo fueron conociendo la brutal realidad de Ciudad Juárez, sino también la de una ciuda

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The centrepiece of 'Silent Highway' is the title-poem which celebrates the role of the river Thames in the life of London. It is written as a sequence that looks at history and the present: from Pocahontas's voyage to the arrival of the 'Windrush' bringing immigrants from Jamaica, the mysterious death of Roberto Calvi and the 'Marchioness' disaster, via the Fire of London and many incidents in which the river has been spectator or participant. Howell's mix of verse styles and skill with cameos ensures that interest never flags. In other poems he demonstrates his pleasure in avoiding the predictable and in writing on a wide variety of subjects. Among the many poems of place, in which he excels, are some disturbing descriptions of modern Britain; in the final section, poems inspired by a winter spent in Brazil, he has surprises in store, such as the witty (and true) poem 'In Praise of Shopping'.

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Into the Mèlée probes the mercurial relationship between culture and politics through versatile critical writing on Conrad, Orwell, Sartre, Raymond Williams and Roberto Schwarz, among others. The ‘mèlée’ that Romain Rolland wrote to deplore was the Great War of 1914. The phrase gained general currency as a call to cultural service beyond the pressures of everyday political and social strife, a vocation ‘above the fray’. Francis Mulhern writes in the contrary belief that there is no social location corresponding to this desire, strong and appealing though it may be. Into the Mèlée opens with questions of nationality, from F. R. Leavis’s efforts to assert an English literary subject to Tom Nairn’s political vision of England and Scotland ‘after Britain’. Other essays concern intellectuals and, in one way or another, the politics of revolution and counterrevolution, from Burke to the present. The

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* SPECIFICATIONS: This memory game includes 25 matched pairs of full-color cards (2 1/2 X 3 1/2 inches, 50 cards total, 25 portrait cards and 25 phrase cards) and an illustrated booklet in a two-piece, shrink-wrapped box. * FULL-COLOR ILLUSTRATED PACKAGE: Gift-worthy package is printed in full-color (box, cards, booklet) and features beautiful portraits by artist Gloria Félix.* BOOK INCLUDED: This set includes a fully illustrated 32-page, paperback booklet (3 1/4 X 4 3/4 inches) that highlights inspiring quotes and contributions from 25 Latinas/os throughout U.S. history, as well as game play instructions.* BILINGUAL GAME: All game text, including rules, quotations, and profiles, is presented in both English and Spanish. * FEATURES 25 NOTABLE FIGURES: Sylvia Acevedo, Luis Walter Álvarez, Pura Belpré, Julia de Burgos, César Chávez, Sandra Cisneros, Roberto Clemente, Celia Cruz, Olga Custodio, Jaime Escalante, Emma González, Laurie Hernández, Juan Felip

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In his dark and fetid prison cell, serial killer Daniele de Robertis plans his retribution. The betrayals he has suffered haunt his dreams until, one night, he escapes. In a small, beautiful village in the Tuscan countryside a prominent lawyer and his wife are murdered. As the police inspect the scene they find nine terrifying photographs: nine women, slaughtered. It is Florentine Police Chief Michele Ferrara's worst nightmare: a case involving the untouchable men and women at the top of Italian society, a dark and powerful cult which knows no bounds, and mounting victims. Amongst a web of obsession, manipulation and violence, Ferrara must face his demons. Death Under a Tuscan Sun is an incredibly gripping and atmospheric work of detective fiction, written with incomparable authenticity by former Florentine police chief Michele Giuttari. Originally published in Italian as Il Cuore Oscuro di Firenze.

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Amb aquest volum reunim les peripècies del carismàtic periodista Dani Santana, protagonista de Se sabrà tot , Homes d?honor i Eufòria. Recuperem els tres casos d?en Dani Santana, des de la investigació del cap del diari Crònica fins a les jugades de l?empresari mexicà Roberto M. Faura.Llibres trepidants carregats d?actualitat: de la crisi immobiliària a la corrupció, de les relacions entre empresaris i polítics a les trames de sexe clandestí. Un volum imprescindible per reviure les magnífiques trames de Xavier Bosch situades a la Catalunya actual.

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The subjects of the essays in Latin American Shakespeares range from the nineteenth century through the present; from high- to middle- to low-brow stories, plays, films, and poems; from Mexico to Argentina, Chile, Cuba, the U.S. barrio, and diverse sections of Brazil; from artists deservedly famous to artists undeservedly obscure. Shakespeare in Latin America is often implicated in struggles for power - tangentially or directly - and therefore swells the story of world wide political Shakespeare. For Latin American artists, the Shakespearean legacy is available for co-optation not only through parody, adaptation, and both reverent and irreverent (re)creation but also through absorption into unique indigenous genres. Rick J. Santos in his introduction writes of mestizo Shakespeare - mixed as are the native, colonial, and immigrant populations throughout Latin America. In part 1, Jose Roberto O'Shea queries whether the father of Brazilian theatre can be an impresario who performed Shakespeare rather than encouraging native writers. Roberto Ferreira da Rocha explores how a planned political statement against a military dictatorship failed to make its point. Jesus Tronch-Perez discusses the independence of two adaptors of Hamlet who push the view of the inactive prince to its limits. Gregary J. Racz explains how Pablo Neruda acted upon his understanding of Romeo and Juliet as an exemplar of his views about society. Juan J. Zaro explores political exile Leon Felipe's spiritual rather than political approach. Catherine Boyle examines the translation of Lear by Nicanor Parra during the transitional period after the fall of the Pinochet dictatorship. Margarida Gandara Rauen offers a close-up view of Guilherme Schiffer Duraes's transgressive use of Caliban. In part 2, Grace Tiffany explores Borges's oeuvre widely and deeply, confirming the fiction writer's fascination with the poet-playwright. Jose Luiz Passos clarifies the debt of Brazilian realist novelist Joaquim Maria Machado de

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Cuban painter Rafael Soriano (1920–2015) was an acclaimed master of geometric abstraction and a global figure in the twentieth-century art world—his work resonated with such international artists of Latin American origin as Roberto Matta, Rufino Tamayo, and Wifredo Lam. As a result of the revolution in Cuba in 1959, Soriano left the country in 1962 for the United States. The effect of the Cuban revolution on his art as well as his aesthetics in general are the focus of this book, an unprecedented examination of his entire oeuvre. Featuring more than ninety paintings, pastels, and drawings, this bilingual English-Spanish catalog for an accompanying exhibition at the McMullen Museum of Art, Boston College; the Long Beach Museum of Art; and the Patricia & Phillip Frost Art Museum at Florida International University begins with a contextual analysis of Soriano’s relationship to the Cuban avant-garde and his position within the emerging mid-century modernists. Essays then trace his evolving styles, examining his work through the lens of surrealism and European and Latin American transnational aesthetics. The idea of exile and struggle is a leitmotif and is framed within questions of transcendence and spirituality. Taken together, the contributions suggest both Soriano’s rootedness in Latin America and his striving for universality. The most comprehensive exploration of Soriano’s work to date, Rafael Soriano: The Artist as Mystic deftly takes the idea of exile and struggle so prominent in the artist’s work and frames it within important questions of transcendence and spirituality. This book will be essential reading for anyone intrigued by Latin American and modern art.

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Three subtly connected stories converge in this chimerical debut, each burrowing into a turning point in a person’s life: a young woman gives a melancholy account of her obsession with climbing Mount Everest; a Peruvian-Brazilian vanishes into the forest after staying in a musty, semi-abandoned inn in the haunted depths of the Brazilian countryside; a young playwright embarks on the production of a play about the city of Sevastopol and a Russian painter portraying Crimean War soldiers. Inspired by Tolstoy’s The Sevastopol Sketches, Emilio Fraia masterfully weaves together these stories of yearning and loss, obsession and madness, failure and the desire to persist, in a restrained manner reminiscent of Anton Chekhov, Roberto Bolano, and Rachel Cusk.

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Critique—a program of thought as well as a disposition toward the world—is a crucial resource for politics and thought today, yet it is again and again instrumentalized by institutional frames and captured by market logics. Technologies of Critique elaborates a critical practice that eludes such capture. Building on Chile’s history of dissident artists and the central entangling of politics and aesthetics, Thayer engages continental philosophical traditions, from Aristotle, Descartes and Heidegger through Walter Benjamin and Gilles Deleuze, and in implicit conversation with the Judith Butler, Roberto Esposito, and Bruno Latour, to help pinpoint the technologies and media through which art intervenes critically in socio-political life.

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When Roberta, Peter and Phyllis's father is taken away and they move to a tiny cottage in the countryside, the only advantage is the nearby railway. Join them on their adventures as they befriend all those who work with the trains, prevent a railway disaster and try to discover the truth behind their father's disappearance.The Railway Children, a much-loved children's classic, was first published in 1906 and has never been out of print.

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In the fall of 2008, the world watched in horror as the U.S. housing finance system shattered, triggering a global financial panic and ultimately the Great Recession. Now, nearly a decade later, the long and slow housing recovery has reached a critical moment. Though the housing finance system has stabilized, it remains in the hands of the federal government, leaving taxpayers exposed to the credit risk while private funding remains mostly on the sidelines. Principles of Housing Finance Reform identifies the changes necessary to modernize the housing finance system, identifying guiding principles that should underlie a rebuilt system. Contributors to the volume set out a wealth of innovative solutions that are possible within this framework, presenting proposals for long-term structural reforms that would infuse new life into the U.S. housing finance system while enhancing long-term stability. Nearly a decade after the inception of the Great Recession, reform proposals have arisen across the political spectrum. This is a moment of opportunity for rebuilding a key sector of the U.S. economy. The research in this volume represents the best thinking of policy researchers and economic experts on the challenges that lie ahead and provides a roadmap for reforms to create a system characterized by liquidity, stability, access, and sustainability. Contributors: W. Scott Frame, Meghan Grant, John Griffith, Diana Hancock, Stephanie Heller, Akash Kanojia, Patricia C. Mosser, Kevin A. Park, Wayne Passmore, Roberto G. Quercia, David Scharfstein, Phillip Swagel, Joseph Tracy, Susan M. Wachter, Dale A. Whitman, Mark A. Willis, Joshua Wright.

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In Television as Digital Media, scholars from Australia, the United Kingdom, and the United States combine television studies with new media studies to analyze digital TV as part of digital culture. Taking into account technologies, industries, economies, aesthetics, and various production, user, and audience practices, the contributors develop a new critical paradigm for thinking about television, and the future of television studies, in the digital era. The collection brings together established and emerging scholars, producing an intergenerational dialogue that will be useful for anyone seeking to understand the relationship between television and digital media.Introducing the collection, James Bennett explains how television as digital media is a non-site-specific, hybrid cultural and technological form that spreads across platforms such as mobile phones, games consoles, iPods, and online video services, including YouTube, Hulu and the BBC’s iPlayer. Television as digital media threatens to upset assumptions about television as a mass medium that has helped define the social collective experience, the organization of everyday life, and forms of sociality. As often as we are promised the convenience of the television experience “anytime, anywhere,” we are invited to participate in communities, share television moments, and watch events live. The essays in this collection demonstrate the historical, production, aesthetic, and audience changes and continuities that underpin the emerging meaning of television as digital media.Contributors. James Bennett, William Boddy, Jean Burgess, John Caldwell, Daniel Chamberlain, Max Dawson, Jason Jacobs, Karen Lury, Roberta Pearson, Jeanette Steemers, Niki Strange, Julian Thomas, Graeme Turner

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Adela Zamudio Ricardo Jaimes Freyre Franz Tamayo Gregorio ReynoldsHoracio Rivero Egüez Raúl Otero Reiche Óscar Cerruto Hilda MundyYolanda Bedregal Jaime Sáenz Ambrosio García Rivera Eugen GomringerGonzalo Vásquez Méndez Jorge Suárez Antonio Terán CaberoEdmundo Camargo Ferreira Roberto Echazú Navajas Ruber Carvalho UreyPedro Shimose Jesús Urzagasti Matilde Casazola Eduardo MitreBlanca Wiethüchter Álvaro Díez Astete Marcelo Arduz RuizHomero Carvalho Oliva Patricia Gutiérrez Paz Benjamín ChávezGabriel Chávez Casazola Mónica Velásquez Guzmán Mauro AlwaElvira Espejo Ayca

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Durante las obras de reforma de una finca abandonada se desentierra un cadáver parcialmente descompuesto. Se trata de Roberto Lorenzoni, hijo de una de las familias más poderosas de Venecia, secuestrado dos años atrás y dado por desaparecido. Brunetti necesitará el apoyo de la rama noble de su familia para adentrarse en la aristocracia veneciana, donde los secretos están más que bien guardados.

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Noche fantástica contiene siete relatos de Stefan Zweig. Una prostituta que por unos instantes revive su vida en la Viena de principios de siglo, un estudiante de medicina que descubre los enigmas de la existencia de manera dramática, la metamorfosis insospechada de un joven rico y aburrido o el destino de una pequeña ciudad judía en medio de una Alemania en pleno invierno, son algunos de sus argumentos. Todos ellos nos confirman de nuevo la sorprendente habilidad narrativa de su autor por profundizar en los más hondos entresijos del alma humana. Una conmovedora soledad emotiva y la inevitable pérdida de inocencia que de ella deriva, completan la evocación de un mundo, tan irrecuperable como sorprendentemente actual, que Zweig describe con mano maestra.

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El narrador y protagonista de esta novela recibe la llamada de su ex mujer, a la que acaban de diagnosticarle un cáncer. Instado por la necesidad de ayudar, decide averiguar si la enfermedad es una secuela del accidente nuclear de Chernóbil, y con ese fin regresa a Berlín para intentar reconstruir los acontecimientos que tuvieron lugar en mayo de 1986, cuando ambos eran empleados de Neues Deutschland? el periódico del partido socialista alemán?, en cuya central de climatización él era mecánico. Estuvo ella en contacto con un camión contaminado que llegó a la central de frío desde Ucrania? Fue él una pieza más del engranaje que ayudó a encubrir aquel fatídico episodio? Con una prosa sobria y certera, Inka Parei urde uninquietante relato en primera persona que nos va revelando las inflexiones de un sufrimiento acallado, en el que los accidentes de la vida del protagonista se confunden con la sombría realidad de la Berlín del Este antes de la caída del muro y con el inevitable extraví

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A World Fantasy Award Nominee!The award-winning and critically-acclaimed master of horror returns with a pair of chilling tales that examine the violence and depravity of the human condition.Bringing together his acclaimed novella The Sea Dreams It Is the Sky and an all-new short novel My Heart Struck Sorrow, John Hornor Jacobs turns his fertile imagination to the evil that breeds within the human soul.A brilliant mix of the psychological and supernatural, blending the acute insight of Roberto Bolaño and the eerie imagination of H. P. Lovecraft, The Sea Dreams It Is the Sky examines life in a South American dictatorship. Centered on the journal of a poet-in-exile and his failed attempts at translating a maddening text, it is told by a young woman trying to come to grips with a country that nearly devoured itself.In My Heart Struck Sorrow, a librarian discovers a recording from the Deep South—which may be the musical stylings of the Devil himself.Breathtaking and haunting, A Lush and Seething Hell is a terrifying and exhilarating journey into the darkness, an odyssey into the deepest reaches of ourselves that compels us to confront secrets best left hidden.

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The Railway Children Returns is coming to cinemas soon! A sequal to the much loved 1970 adaptation of The Railway Children, starring Jenny Agutter playing the adult version of herself from the original film.A tale of blissful independence and adventure, Edith Nesbit’s beloved children’s classic is a timeless story of joy, hope and the importance of family.Part of the Macmillan Collector’s Library; a series of stunning, clothbound, pocket-sized classics with gold foiled edges and ribbon markers. These beautiful books make perfect gifts or a treat for any book lover. This edition of The Railway Children features the beautiful illustrations of C. E. Brock, and an afterword by editor and publisher Anna South.Peter, Phyllis and Roberta’s lives change overnight when their father is taken away by two strangers. They move from the comfort of their London home to a small country cottage, and are left to their own devices while their mother writes day and night to support the family. But with their new poverty comes more freedom than they ever dreamed of, and the railway line at the bottom of their garden offers the trio a world of new friendships that will change their lives forever.

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1982. Thirteen-year-old Ewan Fraser is sent to the remote island of Barra, off Scotland’s west coast, to stay with his aunt and uncle. Resigned to a monotonous summer of boredom, he is befriended by local girl Laura Robertson; together they explore the golden beaches and rocky coves of the idyllic island. But a dark secret that connects Laura to the mysterious outcast Mhairi Matheson and her son, Billy, is hidden beneath the tranquil surface… A secret that threatens to tear the small community apart. Forty years later, Ewan returns to confront the truth about the formative summer of his adolescence, and finally learn the truth about Laura and the boy from Barra.

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Anyone who involves himself with Roberta Wickham is asking for trouble, so naturally Bertie Wooster finds himself in just that situation when he goes to stay with his Aunt Dahlia at Brinkley Court. So much is obvious. Why celebrated loony-doctor Sir Roderick Glossop should be there too, masquerading as a butler, is less clear. As for Bertie’s former headmaster, the ghastly Aubrey Upjohn, the dreadful novelist, Mrs Homer Cream and her eccentric son Wilbert, their presence is entirely perplexing. Without Jeeves to help him solve these mysteries, Bertie nearly comes unstuck. It is only when that peerless manservant returns from his holiday that the resulting tangle of problems is sorted out to everyone’s satisfaction – except Bertie’s.

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The Gruffalo quo, "Ye'll dae as I bid -Niver set fit in the deep derk wid."Bit ae snawy nicht the Gruffalo's Bairn ignores fit her faither has tellt her an tip-taes oot intae the cauld. Eftir aa, there's nae sic thing as the Muckle Coorse Moose... is there?In 2015, following on from the huge success of James Robertson's Scots translation of The Gruffalo, Itchy Coo published four dialect versions: the Orkney, Shetland, Doric and Dundee Gruffalos have all proved immensely popular as celebrations of the Scots language's astonishing regional diversity.Sheena Blackhall's Doric version of The Gruffalo is now followed by The Doric Gruffalo's Bairn. A cautionary tale about what happens when a small Gruffalo leaves the comfort of its cave and sets off into the dark wood on a wintry night, this is sure to be another big hit in the North-East and with Doric speakers wherever they bide.

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The acclaimed and accessible Hidden in Plain Sight series showcases the extraordinary contributions made by Aboriginal peoples to Canadian identity and culture. This collection features new accounts of Aboriginal peoples working hard to improve their lives and those of other Canadians, and serves as a powerful contrast to narratives that emphasize themes of victimhood, displacement, and cultural disruption. In this second volume of the series, leading scholars and other experts pay tribute to the enduring influence of Aboriginal peoples on Canadian economic and community development, environmental initiatives, education, politics, and arts and culture. Interspersed are profiles of many significant Aboriginal figures, including singer-songwriter and educator Buffy Sainte-Marie, politician Elijah Harper, entrepreneur Dave Tuccaro, and musician Robbie Robertson. Hidden in Plain Sight continues to enrich and broaden our understandings of Aboriginal and Canadian history, while providing inspiration for a new generation of leaders and luminaries.

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Paul Huxley RA (b.1938) has enjoyed a distinguished career both as a painter and a teacher. Huxley's fascinating artistic life, expertly surveyed by Jeremy Lewison, is at last given the attention that it deserves in this, the first monograph on the artist. Huxley's early interest in abstraction chimed with the dynamism that pulsed through London's art scene in the 1960s. Recognised as a new talent by pioneering curator Bryan Robertson, Huxley enjoyed early success in exhibitions including The New Generation, which opened at the Whitechapel Art Gallery in 1964. Building from this positive critical reception, and immersing himself in the vibrant artistic communities of London and New York, Huxley built a career characterised by an instinct to push boundaries and find new ways to advance the language of abstract painting. Constantly evolving, the artist's rich body of work, highlights of which are presented here, stands as testament to a life committed to tirelessly investigating and c

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By 1920, Buenos Aires was the largest and most cosmopolitan city of Latin America due to mass immigration from Europe. Unbridled urban expansion had drastic effects on the social and cultural topography of the Argentine capital, raising ideological and aesthetic issues that shaped the modernist landscape of the country. Artists across disciplines responded to these changes with conflicting depictions of urban space. Centering these conflicts as a cognitive map of modernity’s new realities in the city and in understandings of the city itself, Buenos Aires and the Arts looks at the interaction between modernity and modernism in literature, photography, film, and painting during the interwar period. This was a time of profound change and heightened cultural activity in Argentina. Eleni Kefala analyzes works by Jorge Luis Borges, Oliverio Girondo, José Ferreyra, Xul Solar, Roberto Arlt, and Horacio Coppola, with a focus on the city of Buenos Aires as a playground of modernity.

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''A vivid, involving and beautifully written story.'' JOSEPH O''CONNOR''A book that draws you in and holds you till the very end'' ANNE GRIFFIN''Sensitive and accurate . . . A page turner'' JAMES ROBERTSON''An eloquent novel . . . I was captivated'' MARGOT LIVESEYFor fans of Ann Patchett, Maggie O''Farrell and Louise Kennedy comes And Now the Light is Everywhere: a breath-taking mystery and a soaring, beautifully written examination of love in all its guises.******Where does a story end and the truth begin?Argyll, 1998.Stories run deep in the MacArthur family, passed from generation to generation. Tales not just of selkies and changelings, but of the lives and deaths of the family themselves. Anna MacArthur has heard how her beautiful grandmother Netta boarded a ship for Canada after the war, leaving behind her young son Donnie, and was never seen

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David Hume, the eighteenth century philosopher, famously declared that ‘the crusades engrossed the attention of Europe and have ever since engaged the curiosity of man kind’. This is the first book length study of how succeeding generations from the First Crusade in 1099 to the present day have understood, refashioned, moulded and manipulated accounts of these medieval wars of religion to suit changing contemporary circumstances and interests. The crusades have attracted some of the leading historical writers, scholars and controversialists from John Foxe (of Book of Martyrs fame), to the philosophers G.W. Leibniz, Voltaire and David Hume, to historians such as William Robertson, Edward Gibbon and Leopold Ranke. Accessibly written, a history of histories and historians, the book will be of interest to students and researchers of crusading history from sixth form to postgraduate level and beyond and to cultural historians of the use of the past and of medievalism.

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Girls are just as clever as boys, and don't you forget it!'When their father is taken away from them one evening, Roberta, Peter and Phyllis's lives change drastically.

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This is the first book to take political devolution as an organising context for the presentation and discussion of main currents in contemporary Scottish poetry. The book combines thematic chapters with in-depth analysis of key poets writing in English, in Gaelic and in Scots, to address the central issues raised in work that is responding to changes in the socio-economic and political environment over recent decades: the influence of tradition (both national and international); the question of language; the rise of women's writing; the relationship between poetry and politics; and the importance of place to the Scottish imagination. The chapters demonstrate a broad range of interests, while also offering detailed analysis of the many ways writers broach their subject matter; including close readings of poetry by Edwin Morgan, Kenneth White, Aonghas MacNeacail, Kathleen Jamie, John Burnside, Robin Robertson, Mick Imlah and Don Paterson, among others. Chapters by practicing poets and by academics deliver senses of the current range and quality of poetry in Scotland. Key Features *A thorough guide to contemporary Scottish poetry and poets, making the book an ideal course text *Reflects the ways in which the work of Scottish poets reflects a radical cultural independence following Devolution *Provides authoritative essays by the leading experts in the field *Includes a valuable synoptic bibliography

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The contributors to Re-Understanding Media advance a feminist version of Marshall McLuhan’s key text, Understanding Media: The Extensions of Man, repurposing his insight that “the medium is the message” for feminist ends. They argue that while McLuhan’s theory provides a falsely universalizing conception of the technological as a structuring form of power, feminist critics can take it up to show how technologies alter and determine the social experiences of race, gender, class, and sexuality. This volume showcases essays, experimental writings, and interviews from media studies scholars, artists, activists, and those who work with and create technology. Among other topics, the contributors extend McLuhan’s discussion of transportation technology to the attics and cargo boxes that moved Black women through the Underground Railroad, apply McLuhan’s concept of media as extensions of humans to analyze Tupperware as media of containment, and take up 3D printing as a feminist and decolonial practice. The volume demonstrates how power dynamics are built into technological media and how media can be harnessed for radical purposes. Contributors. Nasma Ahmed, Morehshin Allahyari, Sarah Banet-Weiser, Wendy Hui Kyong Chun, Brooke Erin Duffy, Ganaele Langlois, Sara Martel, Shannon Mattern, Cait McKinney, Jeremy Packer, Craig Robertson, Sarah Sharma, Ladan Siad, Rianka Singh, Nicholas Taylor, Armond R. Towns, and Jennifer Wemigwans

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For a long time now, readers and scholars have strained against the limits of traditional literary criticism, whose precepts—above all, "objectivity"—seem to have so little to do with the highly personal and deeply felt experience of literature. The Intimate Critique marks a movement away from this tradition. With their rich spectrum of personal and passionate voices, these essays challenge and ultimately breach the boundaries between criticism and narrative, experience and expression, literature and life.Grounded in feminism and connected to the race, class, and gender paradigms in cultural studies, the twenty-six contributors to this volume—including Jane Tompkins, Henry Louis Gates, Jr., Shirley Nelson Garner, and Shirley Goek-Lin Lim—respond in new, refreshing ways to literary subjects ranging from Homer to Freud, Middlemarch to The Woman Warrior, Shiva Naipaul to Frederick Douglass. Revealing the beliefs and formative life experiences that inform their essays, these writers characteristically recount the process by which their opinions took shape--a process as conducive to self-discovery as it is to critical insight. The result—which has been referred to as "personal writing," "experimental critical writing," or "intellectual autobiography"—maps a dramatic change in the direction of literary criticism.Contributors. Julia Balen, Dana Beckelman, Ellen Brown, Sandra M. Brown, Rosanne Kanhai-Brunton, Suzanne Bunkers, Peter Carlton, Brenda Daly, Victoria Ekanger, Diane P. Freedman, Olivia Frey, Shirley Nelson Garner, Henry Louis Gates, Jr., Melody Graulich, Gail Griffin, Dolan Hubbard, Kendall, Susan Koppelman, Shirley Geok-Lin Lim, Linda Robertson, Carol Taylor, Jane Tompkins, Cheryl Torsney, Trace Yamamoto, Frances Murphy Zauhar

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Step into a magical world of beautiful princesses and handsome princes, wicked witches and good fairies. Here are ten of the best-loved fairy tales from the Brothers Grimm, retold in a friendly, accessible way that's perfect for young children, and now in a beautiful new edition.Featuring glowing illustrations by Emma Chichester Clark, and translated from Saviour Pirotta's lively retellings, these classic fairy tales are now shared in Scots for the first time, translated by a host of well known Scottish writers.Featured Stories: The Sleepin Princess (Matthew Fitt); The Enchantit Gingebreid Hoose (Lari Don); The Magic Bear and the Bonnie Prince (Val McDermid); The Golden-Haired Lassie in the Tower (Sanjeev Kohli); The Wee Moosie and the Swickfu Cat (Shane Strachan); The Princess and the Seeven Wee Gadgies (Thomas Clark); The Swans and the Guid Sister (Ashley Douglas); The Princess and the Puddock (James Robertson); The Lassie That Spun Strae intae Gowd (Matthew Mackie); The Twelve Dauncin Princesses (Susi Briggs)

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Victorian England is home to the Great Detective, Madame Vastra, her resourceful spouse, Jenny Flint, and their loyal valet, Strax. Solving conundrums, fighting injustice and capturing criminals are all in a day’s work for the Gang – but the most dangerous threat is one that takes up residence undetected. There are trespassers in London, and they are coming to Paternoster Row. Contains three new adventures: 1.1 The Ghost and the Potato Man by Barnaby Kay. When a criminal gang pulls off a series of impossible heists, Inspector Cotton calls upon the talents of the Great Detective to crack the case. Tipped off by Ellie Higson, the Paternoster Gang uncover a link to a baffling music hall act. While Jenny and Vastra chase down leads in London’s dangerous underworld, Strax finds a career on the stage is beckoning… 1.2 Symmetry of Death by Dan Starkey. Cases are mounting for the Paternoster Gang. Three mysteries call for immediate attention: a murder, a locked room conundrum, and some acts of random vandalism. But is there a connection? As Jenny goes undercover and Strax stakes out the suspects, Vastra finds an echo of the distant past which could be the key to the solution. 1.3 Till Death Us Do Part by Lisa McMullin. Jenny has decided she wants a wedding – a real wedding with Vastra, before their family and friends. But the viewing of a dress leads to misunderstandings and confusions, becoming ever more serious. The owner of the dress claims to have been jilted years before by a man both familiar and unfamiliar… the Doctor! As tempers flare, alien forces are at work – and what’s more, there could be a trespasser in Paternoster Row. CAST: Neve McIntosh (Madame Vastra), Catrin Stewart (Jenny Flint), Dan Starkey (Strax / Vauxhall Vinnie / Korgon), Lisa Bowerman (Ellie / Ghosts), Finlay Robertson (Ambrose / Inspector Cotton), Lillie Flynn (Little Annie Lee / Vauxhall Vonnie), David Hall (Reg Adams / Chairman), Thom Petty (Gabriel J Nachtnabel/James Hawke), David Holt (Thomas Crabbe / Butler), Holly Jackson-Walters (Imogen Beauchamp/Mrs Cudd/Chaak & Klaar), Issy van Randwyck (Ma Scarrity / Maid), Harry Myers (Pa Scarrity / Psychiatrist), Beth Chalmers (Miss Faversham), Paul McGann (The Doctor). Other parts played by members of the cast).

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An important new volume showcasing a wide range of faith-based responses to one of today’s most pressing social issues, challenging us to expand our ways of understanding. Land of Stark Contrasts brings together the work of social scientists, ethicists, and theologians exploring the profound role of religion in understanding and responding to homelessness and housing insecurity in all corners of the United States—from Seattle, San Francisco, and Silicon Valley to Dallas and San Antonio to Washington, D.C., and Boston. Together, the essays of Land of Stark Contrasts chart intriguing ways forward for future initiatives to address the root causes of homelessness. In this way they are essential reading for practical theologians, congregational leaders, and faith-based nonprofit organizers exploring how to combine spiritual and material care for homeless individuals and other vulnerable populations. Social workers, nonprofit managers, and policy specialists seeking to understand how to partner better with faith-based organizations will also find the chapters in this volume an invaluable resource. Contributors include James V. Spickard, Manuel Mejido Costoya and Margaret Breen, Michael R. Fisher Jr., Laura Stivers, Lauren Valk Lawson, Bruce Granville Miller, Nancy A. Khalil, John A. Coleman, S.J., Jeremy Phillip Brown, Paul Houston Blankenship, María Teresa Dávila, Roberto Mata, and Sathianathan Clarke. Co-published with Seattle University’s Center for Religious Wisdom and World Affairs

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La novela más comprometida de Rodrigo Rey Rosa: un poderoso thriller que es a la vez un retrato implacable de la corrupción y los entresijos del poder en Centroamérica. «Rey Rosa es un maestro consumado, el mejor de mi generación.».-Roberto Bolaño, Entre paréntesis En el país de Toó, un territorio apartado dentro de una pequeña república de Centroamérica, conviven en dudosa paz desde hace casi doscientos años un sistema de organización comunal maya y las leyes del gobierno imperante. Pero la voracidad de las empresas mineras está haciendo emerger de su centenario letargo a las fuerzas mayas. Ha llegado la hora de defender los derechos de los indígenas y el medioambiente, una lucha en la que Polo Yrrarraga cosecha pequeños logros hasta que los enemigos que ha ido haciéndose en el camino comi

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Grinding monotony. A diary of panic. The life of the home. A unique collaboration between Creative Writing students at UEA and students of Translation Studies at the University de Alcalá, Unmasked Writings/Historias desconfinadas is a series of five chapbooks mapping the emotional angles of the pandemic and giving voice to the long moments of introspection we all cultivated during the hardest months of this crisis. Each text is presented both in the original English and the translated Spanish.This is volume two, No Date on the Calendar / Sin fecha en el calendario.Cartoons by Willa Froy, translated by Soledad Benavente CeballosUnprecedented by Aayra Khawaja, translated by Javier Romero CastañedaWeekly Routine by Ryan Lenney, translated by Roberto Matei

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For ten years James Robertson walked the twenty-one-mile round-trip from his Detroit home to his factory job; when his story went viral, it brought him an outpouring of attention and support. But what of Robertson’s Detroit neighbors, likewise stuck in a blighted city without services as basic as a bus line? What they’re left with, after decades of disinvestment and decline, is DIY urbanism—sweeping their own streets, maintaining public parks, planting community gardens, boarding up empty buildings, even acting as real estate agents and landlords for abandoned homes.DIY Detroit describes a phenomenon that, in our times of austerity measures and market-based governance, has become woefully routine as inhabitants of deteriorating cities “domesticate” public services in order to get by. The voices that animate this book humanize Detroit’s troubles—from a middle-class African American civic activist drawn back by a crisis of conscience; to a young Latina stay-at-home mom who has never left the city and whose husband works in construction; to a European woman with a mixed-race adopted family and a passion for social reform, who introduces a chicken coop, goat shed, and market garden into the neighborhood. These people show firsthand how living with disinvestment means getting organized to manage public works on a neighborhood scale, helping friends and family members solve logistical problems, and promoting creativity, compassion, and self-direction as an alternative to broken dreams and passive lifestyles.Kimberley Kinder reveals how the efforts of these Detroiters and others like them create new urban logics and transform the expectations residents have about their environments. At the same time she cautions against romanticizing such acts, which are, after all, short-term solutions to a deep and spreading social injustice that demands comprehensive change.

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