Search results for ""author carole"

North Carolina's eighteenth and nineteenth-century Moravian potters were remarkable artisans whose products included coarse earthenware, slip-trailed decorated ware, Leeds-type fine pottery, press-molded stove tiles, figural bottles, toys, and salt-glazed stoneware. Silesian-born and German-trained potter Gottfried Aust was the first to arrive in Bethabara in 1755. After that, numerous apprentices of his carried on the trade in the state and beyond. Some apprentices rose to the rank of master potter. Aust's most successful protégé, Rudolph Christ, excelled in the creation of Queensware, faience, and tortoiseshell-glazed pottery. Swiss-born Heinrich Schaffner, one of several more Moravian master potters, is famously known for his "Salem smoking pipes." Today, museums and private collectors vigorously compete for scarce examples of North Carolina-made Moravian pottery. Every piece found and preserved is like a new paragraph added to the story of the art and mystery of pottery-making in one of the South's earliest settlements.

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Edvard BeneÅ gilt als eine kontroverse Gestalt der tschechischen und tschechoslowakischen Geschichte - und zwar nicht nur in Tschechien, sondern auch international. In dem Sammelband fassen tschechische, deutsche, britische, slowakische und polnische Forscher den Forschungsstand zur Wahrnehmung der Politik und Person BeneÅ im politischen Diskurs, in den Medien sowie in den Memoiren von Zeitgenossen von den 1920ern bis zur Gegenwart zusammen. Angesichts der geringen Zahl deutschsprachiger Studien und Quelleneditionen zum Thema wird der Band dazu beitragen, die Diskussion ëber BeneÅ und die Debatten um seine Politik, die oft auf die so genannten BeneÅ -Dekrete und die Zwangsaussiedlung der deutschen Minderheit reduziert werden, zu versachlichen

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The American Revolution was deadlocked in the north, and in 1778, the focus of the conflict shifted south. Following his decisive 1780 victory at Charleston, Cornwallis launched a campaign through the Carolinas that was designed to expel American Continental and militia forces from the south. The subsequent patriot victory at King’s Mountain forced Cornwallis to withdraw into South Carolina in what was one of the turning points in the Revolutionary War. To the southeast, Francis Marion enacted a series of successful hit-and-run operations. Cornwallis responded to this string of raids by assigning Banastre Tarleton to capture or kill the rebel guerrilla commander. What followed was an unsuccessful pursuit of the elusive Marion, in which Tarleton practiced a scorched-earth policy that ultimately disillusioned Loyalist sympathizers and hurt the British cause in the Carolinas. This book highlights the unique style of southern frontier warfare during the Revolutionary War, and how its combatants were supplied, organized, and operated. The series of actions between August and November 1780 illustrate Marion’s unconventional efforts to hinder their enemy’s war effort in the south- earning him his Swamp Fox moniker- and Tarleton’s equally irregular efforts to counter it.

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Pulitzer Prize–winning author of The Sympathizer Viet Thanh Nguyen called on 17 fellow refugee writers from across the globe to shed light on their experiences, and the result is The Displaced, a powerful dispatch from the individual lives behind current headlines, with proceeds to support the International Rescue Committee (IRC). Today the world faces an enormous refugee crisis: 68.5 million people fleeing persecution and conflict from Myanmar to South Sudan and Syria, a figure worse than flight of Jewish and other Europeans during World War II and beyond anything the world has seen in this generation. Yet in the United States, United Kingdom, and other countries with the means to welcome refugees, anti-immigration politics and fear seem poised to shut the door. Even for readers seeking to help, the sheer scale of the problem renders the experience of refugees hard to comprehend. Viet Nguyen, called “one of our great chroniclers of displacement” (Joyce Carol Oates, The New Yorker), brings together writers originally from Mexico, Bosnia, Iran, Afghanistan, Soviet Ukraine, Hungary, Chile, Ethiopia, and others to make their stories heard. They are formidable in their own right—MacArthur Genius grant recipients, National Book Award and National Book Critics Circle Award finalists, filmmakers, speakers, lawyers, professors, and New Yorker contributors—and they are all refugees, many as children arriving in London and Toronto, Oklahoma and Minnesota, South Africa and Germany. Their 17 contributions are as diverse as their own lives have been, and yet hold just as many themes in common. Reyna Grande questions the line between “official” refugee and “illegal” immigrant, chronicling the disintegration of the family forced to leave her behind; Fatima Bhutto visits Alejandro Iñárritu’s virtual reality border crossing installation “Flesh and Sand”; Aleksandar Hemon recounts a gay Bosnian’s answer to his question, “How did you get here?”; Thi Bui offers two uniquely striking graphic panels; David Bezmozgis writes about uncovering new details about his past and attending a hearing for a new refugee; and Hmong writer Kao Kalia Yang recalls the courage of children in a camp in Thailand. These essays reveal moments of uncertainty, resilience in the face of trauma, and a reimagining of identity, forming a compelling look at what it means to be forced to leave home and find a place of refuge. The Displaced is also a commitment: ABRAMS will donate 10 percent of the cover price of this book, a minimum of $25,000 annually, to the International Rescue Committee, a not-for-profit organization dedicated to providing humanitarian aid, relief, and resettlement to refugees and other victims of oppression or violent conflict. List of Contributors: Joseph Azam David Bezmozgis Fatima Bhutto Thi Bui Ariel Dorfman Lev Golinkin Reyna Grande Meron Hadero Aleksandar Hemon Joseph Kertes Porochista Khakpour Marina Lewycka Maaza Mengiste Dina Nayeri Vu Tran Novuyo Rosa Tshuma Kao Kalia Yang

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As the wife of King George II, Caroline of Ansbach became queen of England in 1727. Known for her intelligence and strong character, Queen Caroline wielded considerable political power until her death in 1737. She was enthusiastic and energetic in her cultural patronage, engaging in projects that touched on the arts, architecture, gardens, literature, science, and natural philosophy. This meticulously researched volume will survey Caroline’s significant contributions to the arts and culture and the ways in which she used her patronage to strengthen the royal family’s connections between the recently installed House of Hanover and English society. She established an extensive library at St. James’s Palace, and her renowned salons attracted many of the great thinkers of the day; Voltaire wrote of her, “I must say that despite all her titles and crowns, this princess was born to encourage the arts and the well-being of mankind.” Published for the Paul Mellon Centre for Studies in British Art

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The everyday lives of enslaved people were filled with the backbreaking tasks that their enslavers forced them to complete. But in spare moments, they found time in which to earn money and obtain goods for themselves. Enslaved people led vibrant economic lives, cultivating produce and raising livestock to trade and sell. They exchanged goods with nonslaveholding whites and even sold products to their enslavers. Did these pursuits represent a modicum of freedom in the interstices of slavery, or did they further shackle enslaved people by other means?Justene Hill Edwards illuminates the inner workings of the slaves’ economy and the strategies that enslaved people used to participate in the market. Focusing on South Carolina from the colonial period to the Civil War, she examines how the capitalist development of slavery influenced the economic lives of enslaved people. Hill Edwards demonstrates that as enslavers embraced increasingly capitalist principles, enslaved people slowly lost their economic autonomy. As slaveholders became more profit-oriented in the nineteenth century, they also sought to control enslaved people’s economic behavior and capture the gains. Despite enslaved people’s aptitude for enterprise, their market activities came to be one more part of the violent and exploitative regime that shaped their lives. Drawing on wide-ranging archival research to expand our understanding of racial capitalism, Unfree Markets shows the limits of the connection between economic activity and freedom.

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DANIEL JOHNSTON, raised on a farm in Randolph County, returned from Thailand with a new way to make monumental pots. Back home in North Carolina, he built a log shop and a whale of a kiln for wood-firing. Then he set out to create beautiful pots, grand in scale, graceful in form, and burned bright in a blend of ash and salt. With mastery achieved and apprentices to teach, Daniel Johnston turned his brain to massive installations.First, he made a hundred large jars and lined them along the rough road that runs past his shop and kiln. Next, he arranged curving clusters of big pots inside pine frames, slatted like corn cribs, to separate them from the slick interiors of four fine galleries in succession. Then, in concluding the second phase of his professional career, Daniel Johnston built an open-air installation on the grounds around the North Carolina Museum of Art, where 178 handmade, wood-fired columns march across a slope in a straight line, 350 feet in length, that dips and lifts with the heave while the tops of the pots maintain a level horizon.In 2000, when he was still Mark Hewitt's apprentice, Daniel Johnston met Henry Glassie, who has done fieldwork on ceramic traditions in the United States, Brazil, Italy, Turkey, Bangladesh, China, and Japan. Over the years, during a steady stream of intimate interviews, Glassie gathered the understanding that enabled him to compose this portrait of Daniel Johnston, a young artist who makes great pots in the eastern Piedmont of North Carolina.

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Examination: English Language & Literature Specification: GCSE 9-1 Set Text covered: The Sign of Four by Sir Arthur Conan Doyle Type: Set Text: Annotation Edition "This version of the text [Annotation Edition Texts: A Christmas Carol: Annotation Edition] is vastly superior to a simple copy of the book, double spacing and wide margins allow for the text to be annotated in detail without losing the original text, often impossible to do with other versions." Lisa Ward, English Teacher "Very easy to use, accessible for a lot of learners who have previously struggled. The spacing of the text was a feature that students particularly liked and the clear annotation." Nicola O'Donnell, English Teacher [regarding Annotation Edition Texts: Macbeth: Annotation Edition] This annotation edition featuring Conan Doyle's famous detective is perfect for students and Sherlock enthusiasts alike. Scholastic Annotation Editions come with extra-wide margins and double-spaced lines, they are perfect for your annotations. They include: Large spaces between lines and large outer margins, perfect for highlighting and note-taking. Pages for note-taking in every book. A large, easy to read font and left-justified text for children who struggle to access the printed word. Top tips on effective annotation from English teacher and revision guide author, Cindy Torn. "How often have I said to you that when you have eliminated the impossible, whatever remains, however improbable, must be the truth?" When Sherlock Holmes is visited by a distressed young woman one dark and foggy night, he listens intently as she tells him about the disappearance of her father ten years before and how, four years after his death, she began to receive a large and beautiful pearl once a year every year. Now she has a letter from the person who sent her the pearls: they wish to meet her. So begins a mysterious adventure involving Holmes, his faithful sidekick Dr Watson, and the young woman, Mary Marston. Written by Sir Arthur Conan Doyle, this was the second novel to feature the world-class detective, Sherlock Holmes, and the first to introduce the character of Miss Marston. Scholastic have a full suite of revision guide, study guide, app, student book, revision cards and essay planners - the most comprehensive support for GCSE set texts available!

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South Carolina is a birder's paradise, with more than 480 species having been recorded in the state. Christmas bird counts along the coast often yield some of the highest species totals on the entire East Coast. Highly sought-after birds—such as wood stork, swallow-tailed kite, purple gallinule, red-cockaded woodpecker, swainson's warbler, painted bunting, and Bachman's sparrow—can be found with ease during the appropriate season.

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The mountain ranges of North Carolina—from the Blue Ridge and Great Smokies to the southern foothills—are distinguished by steep gorges, spectacular waterfalls, lush forests, open vistas and temperate weather, making them a popular hiking destination in every season. This updated third edition offers day hikes for all skill levels and abilities, including an underground hike through an old gold mine and a climb to the top of the highest peak along the Blue Ridge Parkway. In addition to trailhead directions, hiking distances and times, safety tips, and topographic maps, you’ll also find folk stories, historical anecdotes, and natural history information.

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The separation of white and black schools remained largely unquestioned and unchallenged in North Carolina for the first half of the twentieth century, yet by the end of the 1970s, the Tar Heel State operated the most thoroughly desegregated school system in the nation. In Race and Education in North Carolina, John E. Batchelor, a former North Carolina school superintendent, offers a robust analysis of this sea change and the initiatives that comprised the gradual, and often reluctant, desegregation of the state's public schools.In a state known for relative racial moderation, North Carolina government officials generally steered clear of fiery rhetorical rejections of Brown v. Board of Education, in contrast to the position of leaders in most other parts of the South. Instead, they played for time, staving off influential legislators who wanted to close public schools and provide vouchers to support segregated private schools, instituting policies that would admit a few black students into white schools, and continuing to sanction segregation throughout most of the public education system. Litigation - primarily initiated by the NAACP - and the Civil Rights Act of 1964 created stronger mandates for progress and forced government officials to accelerate the pace of desegregation. Batchelor sheds light on the way local school districts pursued this goal while community leaders, school board members, administrators, and teachers struggled to balance new policy demands with deeply entrenched racial prejudice and widespread support for continued segregation.Drawing from case law, newspapers, interviews with policy makers, civil rights leaders, and attorneys involved in school desegregation, as well as previously unused archival material, Race and Education in North Carolina presents a richly textured history of the legal and political factors that informed, obstructed, and finally cleared the way for desegregation in the North Carolina public education system.

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Marli Weiner challenges much of the received wisdom on the domestic realm of the nineteenth-century southern plantation—a world in which white mistresses and female slaves labored together to provide food, clothing, and medicines to the larger plantation community. Black and white women, though divided by race, shared common female experiences and expectations of behavior. Influenced by work and gender as much as race, the mistresses and female slaves interacted with one another very differently than they did with men. Weiner draws on the women's own words to offer fresh interpretations of the ideology of domesticity that influenced women's race relations before the Civil War, the gradual changes in attitudes during the war, and the harsh behaviors that surfaced during Reconstruction.

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The New York Times Bestseller! "This is The Most Inspiring Children's Book We've Ever Seen."--Refinery29.com "The very first kids' book released by the iconic publishing house City Lights, Rad American Women A-Z navigates the alphabet from Angela Davis to Zora Neale Hurston with colorful illustrations and short, powerful narratives. The perfect gift for the junior riot grrl in your life."--Bust Magazine "The History of Feminism--in an Awesome Picture Book. The ABCs just got a major girl-power upgrade."--Chantal Strasburger, Teen Vogue Like all A-Z books, this one illustrates the alphabet--but instead of "A is for Apple", A is for Angela--as in Angela Davis, the iconic political activist. B is for Billie Jean King, who shattered the glass ceiling of sports; C is for Carol Burnett, who defied assumptions about women in comedy; D is for Dolores Huerta, who organized farmworkers; and E is for Ella Baker, who mentored Dr. Martin Luther King and helped shape the Civil Rights Movement. And the list of great women continues, spanning several centuries, multiple professions, and 26 diverse individuals. There are artists and abolitionists, scientists and suffragettes, rock stars and rabble-rousers, and agents of change of all kinds. The book includes an introduction that discusses what it means to be "rad" and "radical," an afterword with 26 suggestions for how you can be "rad," and a Resource Guide with ideas for further learning and reading. American history was made by countless rad--and often radical--women. By offering a fresh and diverse array of female role models, we can remind readers that there are many places to find inspiration, and that being smart and strong and brave is rad. Rad American Women will be appreciated by various age groups. It is Common Core aligned for students grades 3 - 8. Pre-school and young children will be captured by the bright visuals and easily modified texts, while the subject matter will stimulate and inspire high-schoolers and beyond. "This is not a book. This is a guest list for a party of my heroes. Thank you for inviting us." --Lemony Snicket, author of A Series of Unfortunate Events books "I feel honored to be included in this book. Women need to take radical steps to become feminists, and to be strong to fight for their rights and those of others facing oppression and discrimination. The world needs rad women to create a just society." --Dolores Huerta, Labor Leader, Civil Rights Activist "It's almost always with a chuckle that I view a cartoon image of myself. But to see cartoon-me positioned (alphabetically) amongst so many of my women heroes and role models ...well, I just broke down and cried. Happy tears. I surely hope that this one-of-a-kind collection of radical American women reaches the hands of all children who want to grow up and become amazing women." --Kate Bornstein, author of My New Gender Workbook "I was totally in rapture reading this book. Bold women, bold colors, and fierce black paper cutouts. I cheer these histories of women who fight not for war or country or corporation, but for EVERYONE! I can't wait for my son to read this." --Nikki McClure, Illustrator of All in a Day

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Buenos Aires, Casablanca, Beijing, Khartoum, Lahore, Tokyo: all over the world, artists joined forces in collectives throughout the twentieth century. While the tendency to form groups was (and still is) universal, the concerns of their members, their aesthetic methodologies, political goals, and utopian aspirations differed fundamentally depending on time and place. The period from about 1900 to 1980 covered here coincides with the beginning of diverse international modernization movements and finally includes decolonization processes and the founding of new nations. These events were often accompanied by the establishment of art schools and collectives as well as the publication of programmatic texts and journals. The project is funded by the German Federal Cultural Foundation in conjunction with its Museum Global initiative. The catalogue accompanying the first part of the exhibition, Group Dynamics – The Blue Rider, also published by Hatje Cantz Verlag, is already available. It offers a comprehensive survey of works and new insights into the circle of artists who made up Der Blaue Reiter. Texts by: Karin Althaus, Sergio Baur, Susanne Böller, Elisabeth Giers, Salah M. Hassan, Sarah Louisa Henn, Eva Huttenlauch, Samina Iqbal, Zehra Jumabhoy, Morad Montazami, Noriko Murai, Jaroslaw Suchan, Daniel Muzyczuk, Thiago Gil de Oliveira Virava, Iheanyi Onwuegbucha, Nadine Siegert, Aihe Wang, Stephanie Weber, Carol Yinghua Lu, et al.

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The Girls' History and Culture Reader: The Nineteenth Century provides scholars, instructors, and students with the most influential essays that have defined the field of American girls' history and culture. A relatively new and energetic field of inquiry, girl-centered research is critical for a fuller understanding of women and gender, a deeper consideration of childhood and adolescence, and a greater acknowledgment of the significance of generation as a historical force in American culture and society. Bringing together work from top scholars of women and youth, The Girls' History and Culture Reader: The Nineteenth Century addresses topics ranging from diary writing and toys to prostitution and slavery. Covering girlhood and the relationships between girls and women, this pioneering volume tackles pivotal themes such as education, work, play, sexuality, consumption, and the body. The reader also illuminates broader nineteenth-century developments—including urbanization, industrialization, and immigration--through the often-overlooked vantage point of girls. As these essays collectively suggest, nineteenth-century girls wielded relatively little political or social power but carved out other spaces of self-expression. Contributors are Carol Devens, Miriam Forman-Brunell, Jane H. Hunter, Anya Jabour, Anne Scott MacLeod, Susan McCully, Mary Niall Mitchell, Leslie Paris, Barbara Sicherman, Carroll Smith-Rosenberg, Christine Stansell, Nancy M. Theriot, and Deborah Gray White.

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South Carolina is a state of incredible African American history: from the lunch counter in Rock Hill where the Friendship Nine began their "Jail, No Bail" protests, to the site where the freedom song "We Shall Overcome" was first sung; our nation’s very first school for the formerly enslaved, to a monument to the Middle Passage championed by Toni Morrison. Visitors and residents alike will find the Palmetto State rich in remarkable places that played a part in some of our nation’s most significant moments. The Green Book of South Carolina, compiled by the WeGOJA Foundation (on behalf of the SC African American Heritage Commission), is a first-of-its-kind travel guide to the most tourist-friendly destinations offering visitors avenues to discover intriguing African American history as they travel the state.Organized by region and illustrated with more than 80 color photographs by Joshua Parks, this guidebook presents a curated selection of over 200 museums, monuments, historic markers, schools, churches, and other public lands. Features a foreword by Dr. Darlene Clark Hine, Distinguished Professor Emerita at Michigan State University where she served as the John A. Hannah Distinguished Professor of History. The South Carolina Green Book is a collaborative release by Hub City Press, the WeGOJA Foundation, and the International African American Museum. Sponsored by the City of Spartanburg.FEATURES More than 180 historic markers, structures, and landmarks for a diverse audience Includes popular sites as well as hidden gems Organized by region for easy travel planning and discovery. Includes suggested day trips for each region. Compact accessibly-priced book Beautiful full-color photography

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Ethnography in Unstable Places is a collection of ethnographic accounts of everyday situations in places undergoing dramatic political transformation. Offering vivid case studies that range from the Middle East and Africa to Europe, Russia, and Southeast Asia, the contributing anthropologists narrate particular circumstances of social and political transformation—in contexts of colonialism, war and its aftermath, social movements, and post–Cold War climates—from the standpoints of ordinary people caught up in and having to cope with the collapse or reconfiguration of the states in which they live.Using grounded ethnographic detail to explore the challenges to the anthropological imagination that are posed by modern uncertainties, the contributors confront the ambiguities and paradoxes that exist across the spectrum of human cultures and geographies. The collection is framed by introductory and concluding chapters that highlight different dimensions of the book’s interrelated themes—agency and ethnographic reflexivity, identity and ethics, and the inseparability of political economy and interpretivism. Ethnography in Unstable Places will interest students and specialists in social anthropology, sociology, political science, international relations, and cultural studies.Contributors. Eve Darian-Smith, Howard J. De Nike, Elizabeth Faier, James M. Freeman, Robert T. Gordon, Carol J. Greenhouse, Nguyen Dinh Huu, Carroll McC. Lewin, Elizabeth Mertz, Philip C. Parnell, Nancy Ries, Judy Rosenthal, Kay B. Warren, Stacia E. Zabusky

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This deeply felt memoir is a love letter to Washington, DC. Carol Lancaster, a third-generation Washingtonian who knew the city like few others, takes readers on a tour of the nation's capital from its swamp-infested beginnings to the present day, with an insider's view of the gritty politics, environment, society, culture, and larger-than-life heroes that characterize her beloved hometown. The former dean of Georgetown University's School of Foreign Service, a friend of presidents and dignitaries all over the globe, Lancaster colorfully describes the city's three near-death experiences and the many triumphs and tribulations that emerged as the city took shape. Along the way she provides brief biographies of three of the most influential figures in the city's history: urban designer Pierre Charles L'Enfant, whose vision for the city was realized only after his death; civic leader "Boss" Shepherd, whose strong-arm tactics cleaned up the downtown area and helped create the walking mall we know today; and controversial mayor Marion Barry, whose rise and fall and resurrection underscored the contemporary challenges of home rule. Teeming with informative anecdotes and two dozen illustrations of landmarks and key characters, Lancaster's memoir is a personal and passionate paean to the most powerful city in the world-from one of its most illustrious native daughters.

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For three decades, award-winning independent filmmaker Todd Haynes, who emerged in the early 1990s as a foundational figure in New Queer Cinema, has gained critical recognition for his outsider perspective. Today, Haynes is widely known for bringing women’s stories to the screen. Analyzing Haynes’s films including Safe (1995), Velvet Goldmine (1998), Far from Heaven (2002), and Carol (2015), as well as his unauthorized Karen Carpenter biopic, Superstar (1987), and the television miniseries Mildred Pierce (2011), the contributors to Reframing Todd Haynes reassess his work in light of his long-standing feminist commitments and his exceptional career as a director of women’s films. They present multiple perspectives on Haynes’s film and television work and on his role as an artist-activist who draws on academic theorizations of gender and cinema. The volume illustrates the influence of feminist theory on Haynes’s aesthetic vision, most evident in his persistent interest in the political and formal possibilities afforded by the genre of the woman’s film. The contributors contend that no consideration of Haynes’s work can afford to ignore the crucial place of feminism within it. Contributors. Danielle Bouchard, Nick Davis, Jigna Desai, Mary R. Desjardins, Patrick Flanery, Theresa L. Geller, Rebecca M. Gordon, Jess Issacharoff, Lynne Joyrich, Bridget Kies, Julia Leyda, David E. Maynard, Noah A. Tsika, Patricia White, Sharon Willis

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On the night before Christmas,Santa mounted his sleigh.The presents were packed;Time to be underway!The night air was chilly,the hour was late—When a letter came in from a faraway state.Santa is all ready to leave on Christmas Eve, but last-minute letters are arriving from Oregon! From a little girl who is wishing for more sunshine to a beaver, meadowlark, and Chinook salmon all looking for a bit more attention, to the bears asking the reindeer for a play date, each letter contains a humorous request that gets even Santa chuckling. Even better, each letter comes tucked in its own pocket envelope with other delightful extras like cards, money for toll roads, and even a map of Oregon! How will Santa respond? It's Oregon Christmas magic you'll have to see!Dear Santa,We worried that none of the carols mention a GPS for your sleigh, so we’ve enclosed a map to our house. Please turn right at Astoria, fly over the Multnomah Falls, take a right at Sea Lion Caves, and steer towards the Painted Hills. If the police pull you over, we’ve included your fines. That happens to Daddy a lot.Your loving and helpful friends,Adam, Stephanie, Christin, and Heather AppleyardP.S. Our house has a door and some windows. You can’t miss it.

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Take an extraordinary and unique series of walking and driving tours of beautiful towns that were once plunged into the heart of the maelstrom that was the American Civil War. David DArcy leads you through struggles on Hilton Head, St. Helena, and Daufuskie islands, and the burning of Bluffton. See pivotal sites in Beaufort, from its days at the heart of the Southern Secession Movement to Union occupation and the battle for control of the Charleston & Savannah Railroad. Over 140 photos, both historic and modern, bring the stories to life. Useful tour maps are included, along with historical quotes from soldiers, civilians, and slaves who lived through the struggles. This book is an invaluable guide to Civil War enthusiasts and tourists alike.

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It’s time to ditch the self-limiting beliefs that hold you back from reaching your full potential!Do you ever feel like you’re just not good enough, smart enough, or talented enough in certain areas? Do these beliefs keep you from seeking out new opportunities or challenges, because you’re afraid of failing? If so, you may be suffering from a “fixed mindset.” On the other hand, a “growth mindset” is the belief that you can increase your ability or develop your attributes—that you can adapt and learn from your mistakes. But how do you cultivate a growth mindset?The Growth Mindset Workbook offers essential skills grounded in cognitive behavioral therapy (CBT) to change the way you think about your own talents and abilities. Based on the core principles outlined in the bestseller, Mindset by Carol Dweck, this workbook will help you shed unhelpful and self-limiting attitudes and beliefs, and replace them with a growth mindset that can increase resiliency, boost self-confidence, and form the foundation of a meaningful, values-based life.The most important thing to remember is that a growth mindset can be learned, and doing so can positively impact how you think, feel and act. If you’re ready to say yes to life’s challenges and maximize your potential, this step-by-step guide can show you the way.

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This guide examines the production and reception of poetry by a range of women writers - predominantly although not exclusively writing in English - from Sappho through Anne Bradstreet and Emily Bronte to Sylvia Plath, Eavan Boland and Susan Howe. Women's Poetry offers a thoroughgoing thematic study of key texts, poets and issues, analysing commonalities and differences across diverse writers, periods, and forms. The book is alert, throughout, to the diversity of women's poetry. Close readings of selected texts are combined with a discussion of key theories and critical practices, and students are encouraged to think about women's poetry in the light of debates about race, class, ethnicity, sexuality, and regional and national identity. The book opens with a chronology followed by a comprehensive Introduction which outlines various approaches to reading women's poetry. Seven chapters follow, and a Conclusion and section of useful resources close the book. Key Features * Wide-ranging and flexible in scope, giving detailed consideration to widely-taught poets, texts, periods and issues * Introduces themes, questions and perspectives applicable to the work of other less familiar writers * Encourages informed discussion of the difficulties of defining a discrete genre of 'women's poetry' * Offers valuable introductory and supplementary guidance for students * Discusses in detail poems by Margaret Cavendish, Anne Bradstreet, Sara Coleridge, Christina Rossetti, Emily Dickinson, Edith Sitwell, Amy Lowell, Sylvia Plath, Ruth Fainlight, Grace Nicholls, Eavan Boland, Kathleen Jamie, Jackie Kay and Carol Ann Duffy.

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The Origins of the Southern Strategy is a detailed study of the rise of two-party competition in South Carolina during the mid-twentieth century. In 1950, when the study begins, there was for all practical purposes no functioning Republican party in that state, nor was there much of one anywhere in the deep South. During the two decades covered by this study, the interplay between two clear factions—economic and racial conservatives—shaped the growth of the party. Bruce H. Kalk amply demonstrates the implications of these developments for the rightward shift in national politics and charts their effect on the resurgence of assertive economic conservatism, as a new southern base became the core of the Republican party's presidential strategies after 1968.

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An eclectic selection of twentieth-century artwork from the collection of legendary curator and museum director Walter Hopps, some with personal reminiscences by the artists themselves Over a fifty-year career that included stints at the famed Ferus Gallery in Los Angeles and as director of the Pasadena Art Museum (now Norton Simon Museum), the Corcoran Gallery, and as founding director of the Menil Collection, the legendary curator Walter Hopps (1932–2005) established himself as a voracious and eclectic collector of twentieth-century art. Hopps together with his wife Caroline Huber—also a curator, as well as an artist—assembled an adventurous and diverse collection of art, a large portion of which has been donated or promised to the Menil Collection. Featuring sculpture and photography as well as drawings and paintings, and including work by Christo, Linda Connor, Beauford Delaney, Anne Doran, Marcel Duchamp, Walker Evans, Robert Rauschenberg, Ed Ruscha, and Niki de Saint Phalle, to name a few, this book reveals the personal choices of two fine curatorial minds. Many of the more than fifty works illustrated have a story—often marvelous, sometimes humorous, and in several cases in the artist’s own words—of how they came to be in the collection. The publication also highlights artists not often featured in print, such as John Altoon, James Bettison, Mark Flood, and Sonia Gechtoff. Candid photos also highlight some of interactions between Hopps, Huber, and the artists from 1957 to 2001. Distributed for the Menil Collection

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When 19-year old Theodora Quirke heads to work on Christmas Eve the last person she expects to find outside of her flat is St Nicholas of Myra – the Saint people think is Santa Claus (much to Saint Nick’s disgust). Given he is in full Santa suit and professing to be nearly 2000 years old Theo is wary, but St Nick insists he is here to save her – although he isn’t sure how or why. St Nick does know that Theo is grieving however, so he shows her four scenes from her life that give her hope, but he’s also had cryptic messages from the Christmas Higher Powers that lead him to begin Theo’s training as the first ever female Christmas Angel – a role Theo is not sure she is cut out for. The training is soon derailed by St Nick’s evil brother Krampus, filled with jealousy and spite over his brother’s popularity and, with confidence dented, and saddened by society’s spiraling levels of expectation and greed, St Nick begins to falter. Theo does everything she can to defeat Krampus and to lift St Nick’s spirits but as the deadline for Christmas miracles draws close, she realises she must complete them herself – but is she up to the job? A Christmas Carol meets Stranger Things in this funny, sweary and moving festive story

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Explores the changing relationship between memory and the archive in German-language literature and culture since 1945. In recent years, the discourse of memory - and of German memory culture in particular - has become increasingly concerned with questions of the archive. An archive can refer to a physical place, the material found there, or the system that orders this material; in its broadest sense, it might refer to something public (records housed in a municipal building), or something private (photographs in a family album). The material and documentary qualities of the archive confer on it an authenticating function attributed only cautiously to memory, but theories of the archive have questioned the status of material, documentary vestiges of the past. Memory and the archive are inextricablylinked, but how does this affect the mediation of the past? This volume explores the changing relationship between memory and the archive in German-language literature and culture since 1945. Contributions approach this topic froma range of perspectives (film, visual culture, urban culture, digital technology, as well as literature) and offer illuminating studies of Harun Farocki, Anselm Kiefer, Thomas Demand, Bernd and Hilla Becher, Jürgen Fuchs, StefanWolter, and Sasa Stanisic. Contributors: Priyanka Basu, Carol Anne Costabile-Heming, Regine Criser, Tobias Ebbrecht-Hartmann, Diana Hitzke and Charlton Payne, Caitríona Leahy, Dora Osborne, Annie Ring, Lizzie Stewart, Simon Ward. Dora Osborne is Lecturer in German at Durham University.

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The university classroom has been turned into an intensely bitter battlefield. Conservatives are attacking the academy's ability to teach, and at times its very right to educate. As the dust begins to settle, the contributors to this volume weigh in with a constructive and wide-ranging statement on the progressive possibilities of teaching. This is, in many ways, a book for the morning after the PC Wars, when the shouting dies down and the imperatives of pedagogy remain. Asserting a complex, inter-related agenda for teachers and students, Class Issues is an anthology of essays on radical teaching. Leading scholars of literary and cultural studies, queer studies, ethnic studies and working-class literature examine the challenges that confront progressive pedagogy, as well as the histories that lie behind the achievements of cultural studies. Class Issues offers a plan for the construction of an alternative public sphere in the rapidly changing space of the classroom in the academy. Class Issues is a compilation of important new work on the tradition of radical teaching as well as forceful suggestions for the mobilization of radical consciousness. Contributers: Goerge Lipsitz, Bruce Robbins, Maria Damon, John Mowitt, Donald K. Hedrick, Neil larsen, Gayatri Chakravorty Spivak, Peter Hitchcock, Alan Wald, Mike Hill, Ronald Strickland,Henry A. Giroux, Rachel Buff, Jason Loviglio, Carol Stabile, Timothy Brennan, Jeffrey R. di Leo, Christian Moraru, Vijay Prashad, Judith halberstam, Gregory L. Ulmer, John P. Leavey, Jr., Jeffrey Williams.

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Based on new data and new analytical frameworks, this book assesses the forces of change at play in the development of American universities and their prospects for the future. The book begins with a lengthy introduction by Clark Kerr that not only provides an overview of change since the time he coined the phrase “the city of intellect” but also discusses the major changes that will affect American universities over the next thirty years. Part One examines demographic and economic changes, such as the rise of nearly universal higher education, private gift and corporate sponsorship of research, new labor market opportunities, and increasing inequality among institutions and disciplines. Part Two assesses the profound influence of the Internet and other technologies on teaching and learning. Part Three describes how the various forces of change affect the nature of academic research and the organization of disciplines and the curriculum. Part Four analyzes the consequences of change for university governance and the means by which universities in the future can maintain high levels of achievement while maintaining high levels of autonomy. The contributors include many of today’s leading scholars of higher education. They are Andrew Abbott, Steven Brint, Richard Chait, Burton R. Clark, Randall Collins, David J. Collis, Roger L. Geiger, Patricia J. Gumport, Clark Kerr, Richard A. Lanham, Jason Owen-Smith, Walter W. Powell, Sheila Slaughter, and Carol Tomlinson-Keasey.

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Women in comedy have traditionally been pegged as either “pretty” or “funny.” Attractive actresses with good comic timing such as Katherine Hepburn, Lucille Ball, and Julia Roberts have always gotten plum roles as the heroines of romantic comedies and television sitcoms. But fewer women who write and perform their own comedy have become stars, and, most often, they’ve been successful because they were willing to be funny-looking, from Fanny Brice and Phyllis Diller to Lily Tomlin and Carol Burnett. In this pretty-versus-funny history, women writer-comedians—no matter what they look like—have ended up on the other side of “pretty,” enabling them to make it the topic and butt of the joke, the ideal that is exposed as funny.Pretty/Funny focuses on Kathy Griffin, Tina Fey, Sarah Silverman, Margaret Cho, Wanda Sykes, and Ellen DeGeneres, the groundbreaking women comics who flout the pretty-versus-funny dynamic by targeting glamour, postfeminist girliness, the Hollywood A-list, and feminine whiteness with their wit and biting satire. Linda Mizejewski demonstrates that while these comics don’t all identify as feminists or take politically correct positions, their work on gender, sexuality, and race has a political impact. The first major study of women and humor in twenty years, Pretty/Funny makes a convincing case that women’s comedy has become a prime site for feminism to speak, talk back, and be contested in the twenty-first century.

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