Search results for ""author stills"

The road to hell is paved with good intentions…and gold dust. When Henry Jenkins’s sawmill business goes bust and his family loses their Indiana farm to foreclosure, he believes gold is the answer to his financial woes. But it takes money to make money. Joining up with the Blackford Mining Company, Jenkins and the prospective miners sign fraudulent promissory notes to borrow from a ruthless businessman, Allen Makepeace, to reach the gold fields. But when the men arrive in California after an arduous river and sea journey, they face even more dangers in the lawless West that challenge their physical and spiritual well-being. When Jenkins, a God-fearing man, fails to strike it rich in California, he scrabbles to repay Makepeace and return to his destitute family in Indiana. Following in his wake, Henry’s son-in-law becomes a captive passenger on a notorious death ship. Later, Henry’s adult children find their way west and the family pays a terrible price. Fortune's Frenzy: A California Gold Rush Odyssey puts the experiences of the Jenkins family and others who took part in the gold rush in the context of 1850s American culture: their past; their community; their daily lives (and deaths) in frontier Indiana, on the sea route to California, and in the mines. The theme is age-old, and still relevant: desperate people falling for get-rich-quick schemes. They fail to consider the sacrifices they will have to make and the dismal odds of their success. Many ended up worse off than when they started.

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"Stunning..." - Parade Magazine"A rare pictorial journey across America." - Bookpage Portraits of the American Craftsman is a collection of portraits of the people and products made in small workshops all over the country, with lyrical descriptions of what they make, who they are, and the tradition embedded in their trade. This book is a celebration of the handmade at a time when it's being embraced by a new generation of DIY and local-focused consumers who are averse to the mass-produced.Award-winning photographer Tadd Myers is four years into a cross-country journey to capture images of the American craftsman engaged in his work. At a time when the public is growing disenchanted by the disposable items that litter the American landscape, the workers in Tadd's portraits are still using human eyes to guide human hands; the objects they make carry the souls of their makers. His beautifully rendered photographs and profiles celebrate the thriving American culture of true craftsmanship, which is alive and well in all parts of the country: from the Steinway factory in Queens, NY to hatmakers in Tennessee; from a carousel works shop in Ohio to guitar makers in Texas; from hatmakers in Chicago to boatbuilders in Vermont. In the connected realm of photo-rich social media platforms such as Pinterest and Etsy, and in reaction to the mammoth corporations that create and sell us our wares, we're seeing a boom of Americans of all ages re-evaluating the values that actually inspire them. Away from these conglomerates, the American craftsman keeps a different, more personal kind of work alive – work that is uniquely inspirational and genuine.

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In this “intriguing and moving” (Examiner.com) first novel, a recently separated woman rises to the challenge and experiences the exhilaration of independence with the unlikely help of her brother with Asperger’s.Seven months after her husband leaves her, Lana is still reeling. Being single means she is in charge of every part of her life, and for the first time in nineteen years, she can do things the way she always wanted to do them. But that also leaves her with all the responsibility. With two teenage children—Byron and Abby, who are each dealing with their own struggles—in a house she can barely afford on her solo salary, her new life is a balancing act made even more complicated when her brother Matt moves in. Matt has Asperger’s syndrome, which makes social situations difficult for him and flexibility and change nearly impossible. He only eats certain foods in a certain order and fixates on minor details. When Lana took him in, he was self-medicating with drugs and alcohol to numb his active mind enough to sleep at night. Adding Matt’s regimented routine to her already disrupted household seems like the last thing Lana needs, but her brother’s unique attention to detail makes him an invaluable addition to the family: he sees things differently. A “lively, engaging, and heartfelt tale of learning how to cope with change” (Publishers Weekly), The Art of Adapting is a feel-good story that celebrates the small moments and small changes that add up to one great life.

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If you think that the English language stays still, carved in tablets of stone, think again. English is constantly on the move, enhancing its scope by gratefully accepting words from other languages. It tolerates changes to meanings, often with hilarious consequences, and it allows words to slip away into oblivion when we seem to have no further use for them. In three parts, this book looks at each of these comings and goings, starting with the welcome immigrants that we assume to be English words but which actually originated from all over the world. Part two takes a stroll through Dr Johnson’s famous dictionary and looks at words and meanings that time forgot. Finally, part three is where we hope to forestall a similar fate for words that are well known but seem to be less used than they deserve to be. Words change: they immigrate and emigrate. They reflect changing fashions and roam across centuries. This book delves into their origins: Where do words come from? How do their meanings change? Why do we stop using them? This book explores over 3000 words. It explains how they have arrived from over 100 different languages. It traces their changing meanings since Samuel Johnson first compiled his dictionary, and finally identifies many words that are endangered through lack of use. As we rush headlong into a world of social media acronyms and smiley faces, now is the time to rescue and enjoy gems that have slipped away and to remember that, if words are not used, they will go the way of the Dodo.

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Nothing will get in the way of Millie Price's dream to become a Broadway star. Not her lovable but super-introverted dad, who after raising Millie alone, doesn't want to watch her leave home to pursue her dream. Not her pesky and ongoing drama club rival, Oliver, who is the very definition of Simmering Romantic Tension. And not the "Millie Moods," the feelings of intense emotion that threaten to overwhelm, always at maddeningly inconvenient times. Millie needs an ally. And when a left-open browser brings Millie to her dad's embarrassingly moody LiveJournal from 2003, Millie knows just what to do. She's going to find her mom. There's Steph, a still-aspiring stage actress and receptionist at a talent agency. There's Farrah, ethereal dance teacher who clearly doesn't have the two left feet Millie has. And Beth, the chipper and sweet stage enthusiast with an equally exuberant fifteen-year-old daughter (A possible sister?! This is getting out of hand). But how can you find a new part of your life and expect it to fit into your old one, without leaving any marks? And why is it that when you go looking for the past, it somehow keeps bringing you back to what you've had all along? Joyous, heartfelt, and brimming with emotion, When You Get the Chance is a novel about falling in love, making a mess, and learning to let go that will have you happy-sobbing and cheering all the way to the end.

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Kelcie Murphy is back in another action-packed middle grade adventure, Kelcie Murphy and the Hunt for the Heart of Danu!, the second book in Erika Lewis's magical series infused with Celtic mythology, The Academy for the Unbreakable Arts. It's hard having a father who's an infamous traitor. It's even harder having a mother who's an omen of doom. After a summer away, Kelcie Murphy is excited to be back at the Academy for the Unbreakable Arts. But she and her friends have barely settled in when they receive a visit from her mother-the war goddess, Nemain-with a warning of coming calamity. The Heart of Danu, the legendary source of all light and warmth in the Lands of Summer, is going to be stolen. And only Kelcie and her mates can stop it. As they travel with the rest of the students to Summer City to take part in the glorious Ascension Ceremony, Kelcie has no time for the military parade, the lavish ball, or even to visit her father: she's determined to protect the Heart and her new home. But the Lands of Summer are still not a welcoming place for Kelcie. When disaster strikes, the Queen, the High Guard, and even some of her schoolmates suspect Kelcie is to blame. As the world is plunged into darkness, Kelcie will have to decide: does she keep fighting for a place that may always see her as a traitor's daughter, or for a future greater than the war to come. Also by Erika Lewis The Academy for the Unbreakable Arts Kelcie Murphy and the Academy for the Unbreakable Arts Kelcie Murphy and the Hunt for the Heart of Danu Other Works Game of Shadows

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With Bukowski, the votes are still coming in. There seems to be no middle ground—people seem either to love him or hate him. Tales of his own life and doings are as wild and weird as the very stories he writes. In a sense, Bukowski was a legend in his time . . . a madman, a recluse, a lover . . . tender, vicious . . . never the same . . . these are exceptional stories that come pounding out of his violent and depraved life . . . horrible and holy, you cannot read them and ever come away the same again.Bukowski . . . "a professional disturber of the peace . . . laureate of Los Angeles netherworld [writes with] crazy romantic insistence that losers are less phony than winners, and with an angry compassion for the lost." —Jack Kroll, Newsweek"Bukowski’s poems are extraordinarily vivid and often bitterly funny observations of people living on the very edge of oblivion. His poetry, in all it’s glorious simplicity, was accessible the way poetry seldom is – a testament to his genius." —Nick Burton, PIF MagazineCharles Bukowski (1920-1994) published his first story when he was twenty-four and began writing poetry at the age of thirty-five. His first book of poetry was published in 1959; he went on to publish more than forty-five books of poetry and prose, including books published by City Lights Publishers such as Notes of a Dirty Old Man, More Notes of a Dirty Old Man, The Most Beautiful Woman in Town, Tales of Ordinary Madness, Portions from a Wine-Stained Notebook, The Bell Tolls for No One,and Absence of the Hero.

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Richard Nixon is hardly remembered for his civil rights policies but there is no denying that, more than any other president, he is responsible for affirmative action. Noting Nixon's hostility towards busing, his political allegiances with segregationists, and the hostility of leading civil rights figures at the time, historians and political scientists have avoided explaining why the origins of modern affirmative action lie in the Nixon era. In this enlightening and original new work, Kevin Yuill combines extensive archival research with a careful analysis of the intellectual climate of the era to examine not only the conditions that made Nixon's policy decisions possible in the 1970s but also what motivated Nixon to act in the way that he did. He argues that in order to fully understand why Nixon embraced affirmative action, one must fully take into account the shifting context of American liberalism in the 1970s. In particular, Yuill contends that although government-enforced affirmative action did not fit into the postwar, growth-oriented liberalism, it emerged as an important regulatory policy blueprint in an era increasingly characterized by diminished horizons for social policy. Nixon's efforts in moving the focus of U.S. race relations from reform to indemnifying damages, Yuill argues, at least equals his contribution to the origins of affirmative action through policy innovations. Controversial and far-reaching, Richard Nixon and the Rise of Affirmative Action brings fresh research and a much-needed reinterpretation of a crucial yet still enigmatic period, president and policy.

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Winner of the Pulitzer Prize, Guns, Germs, and Steel is a brilliant work answering the question of why the peoples of certain continents succeeded in invading other continents and conquering or displacing their peoples. This edition includes a new chapter on Japan and all-new illustrations drawn from the television series. Until around 11,000 BC, all peoples were still Stone Age hunter/gatherers. At that point, a great divide occurred in the rates that human societies evolved. In Eurasia, parts of the Americas, and Africa, farming became the prevailing mode of existence when indigenous wild plants and animals were domesticated by prehistoric planters and herders. As Jared Diamond vividly reveals, the very people who gained a head start in producing food would collide with preliterate cultures, shaping the modern world through conquest, displacement, and genocide.The paths that lead from scattered centers of food to broad bands of settlement had a great deal to do with climate and geography. But how did differences in societies arise? Why weren't native Australians, Americans, or Africans the ones to colonize Europe? Diamond dismantles pernicious racial theories tracing societal differences to biological differences. He assembles convincing evidence linking germs to domestication of animals, germs that Eurasians then spread in epidemic proportions in their voyages of discovery. In its sweep, Guns, Germs and Steel encompasses the rise of agriculture, technology, writing, government, and religion, providing a unifying theory of human history as intriguing as the histories of dinosaurs and glaciers.

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Gold is wealth. Wealth is power. Power is a curse. This captivating fantasy adventure—the untold story of the daughter King Midas turned to gold—will dazzle you with the kind of action, adventure, twists, turns, and a bit of romance to make any fan of magic and mythology greedy for more.After King Midas’s gift—or curse—almost killed his daughter, he relinquished The Touch forever. Ten years later, Princess Kora still bears the consequences of her father’s wish: her skin shines golden, rumors follow her everywhere she goes, and she harbors secret powers that are getting harder to hide.Kora spends her days concealed behind gloves and veils. It isn’t until a charming duke arrives that Kora believes she could indeed be loved. But their courtship is disrupted when a thief steals treasures her father needs to survive. Thanks to Kora’s unique ability to sense gold, she sails off on her quest to find the missing items.Magic, mythology, fantasy, and pirate adventures charge through every page as Kora learns that not everything is what it seems—not her companions, not the thieves, and not even Kora herself.A Touch of Gold: Is told from the perspective of Kora, King Midas’s daughter and a strong female protagonist Is a clean fantasy adventure, perfect for fans of the #1 New York Times bestselling books, The Wrath & the Dawn and Cinder Is an enchanting and captivating fantasy adventure/fairy tale retelling Features a beautifully decorated cover Will have strong appeal to readers ages 13 & up

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This collection of forty new essays, written by the leading scholars in adaptation studies and distinguished contributors from outside the field, is the most comprehensive volume on adaptation ever published. Written to appeal alike to specialists in adaptation, scholars in allied fields, and general readers, it hearkens back to the foundations of adaptation studies a century and more ago, surveys its ferment of activity over the past twenty years, and looks forward to the future. It considers the very different problems in adapting the classics, from the Bible to Frankenstein to Philip Roth, and the commons, from online mashups and remixes to adult movies. It surveys a dizzying range of adaptations around the world, from Latin American telenovelas to Czech cinema, from Hong Kong comics to Classics Illustrated, from Bollywood to zombies, and explores the ways media as different as radio, opera, popular song, and videogames have handled adaptation. Going still further, it examines the relations between adaptation and such intertextual practices as translation, illustration, prequels, sequels, remakes, intermediality, and transmediality. The volume's contributors consider the similarities and differences between adaptation and history, adaptation and performance, adaptation and revision, and textual and biological adaptation, casting an appreciative but critical eye on the theory and practice of adaptation scholars--and, occasionally, each other. The Oxford Handbook of Adaptation Studies offers specific suggestions for how to read, teach, create, and write about adaptations in order to prepare for a world in which adaptation, already ubiquitous, is likely to become ever more important.

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In this enthralling historical thriller set in post-World War II London, detective John Henry Rossett must stop a murderous ex-SS officer as the German occupation of England begins to falter. Working with the SS in German-occupied Britain was never easy for John Rossett. Though he's returned to his former job, the police inspector has been tainted by his Nazi associations. His suspicious colleagues see him as a collaborator, and he's unwelcome at his old haunts. But the Germans aren't done with Rossett. When decorated SS Captain Karl Bauer kills the US consul in Liverpool, then goes on the run, Generalmajor Neumann orders Rossett to find the missing killer-a swift, cunning, and ruthless man known as "the Bear." While the Nazis still maintain control over London, Liverpool is run by criminal networks and the British resistance. A wasteland of burned-out buildings and mountains of rubble, the northern port city is the perfect place for a clever warrior like Bauer to hide. Neumann and Rossett's search also turns up damning new information: Bauer's superior, Major Theo Dannecker, has been colluding with the US consul and the British resistance to smuggle large amounts of gold out of the country. As for the Bear, the fervent SS officer has repudiated his allegiance to the crumbling Reich and is now focused on destroying Rossett, the famed "British Lion," one innocent victim at a time. To prevent more deaths and protect Britain, Rossett must trap the Bear and uncover a diabolical conspiracy that has brought Nazi officers and the British resistance together.

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Passionfood is a feast of classic and contemporary love poems. There are a hundred flavours in this four-course celebration of love, passion and desire. Compiled by Staying Alive editor Neil Astley, its menu is distinctively different from that of other anthologies of love poetry. There are no broken hearts here. Passionfood is a celebration of true love - love that grows into love that lasts, love that fills every part of our lives, love that never leaves us. Passionfood opens with a starter selection of poems about attraction, desire and longing. Passion is the main course: the excitement of love, being and staying in love, including many of the greatest poems in our literature - by writers such as Shakespeare, John Donne, Elizabeth Barrett Browning, Emily Dickinson, Yeats and Auden. For dessert, the book offers deliciously saucy poems by leading contemporary poets. But like love, Passionfood is a feast which doesn't have to end. The fruit that follows dessert offers still more poetry to savour: poems about deepening love and friendship, love that never leaves us, poems celebrating closeness, trust and mutual understanding, poems of joy, wisdom and shared recognition. Passionfood is a book of positive, provocative and witty love poems for everyone whose life has been nourished and sustained by love, mixing passion with food for thought. It's also a book which holds out hope, and as such, a perfect gift for the person you love, for weddings and engagements, birthdays, anniversaries and Valentine's Day. This new edition is beautifully presented in a quarter-bound hardback gift format.

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This absorbing book examines the period of massive structural adjustment taking place in the wine industry. For many centuries wine was very much a European product. While that is still the case today - three-quarters of world wine production, consumption and trade involve Europe and most of the rest involves just a handful of New World countries settled by Europeans - the importance of exports from non-European countries has risen dramatically over the past decade. The World's Wine Markets includes an in-depth look at the growth and impact of New World wine production on the Old World producers, revealing that between 1990 and 2001, the New World's combined share of world wine exports grew from 4 to 18 per cent, or from 10 to 35 per cent when intra-European Union trade is excluded. Original essays, by economists from each of the major wine producing and consuming regions in the world, analyse recent developments and future trends, and conclude that globalization of the industry is set to continue for the foreseeable future. Furthermore they argue that with increasing globalization, there is a greater need than ever for systematic analysis of the world's wine markets.This fascinating work will appeal greatly to students enrolled in wine marketing and business courses, those studying industrial organization, and economists and other social scientists interested in case studies of globalization at work. As well, wine industry participants interested in understanding the reasons behind the recent dramatic developments in the industry will find this rigorously analytical yet accessible book of great value.

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An artistic rendering of the African antelope, the Springbok, was depicted with stylized wings to serve as the logo of South African Airways (SAA) for well over 60 years. It was replaced by a new corporate identity when the airline was rebranded after the demise of apartheid, the release of Nelson Mandela from political incarceration, and the introduction of a non-racist democratic society in South Africa in the mid-nineties. As a state-owned entity, many people once saw SAA as the 'apartheid airline.' For a time, travel on board its aircraft was restricted to whites only, but this was later changed to include members of all the country's diverse racial groups. SAA pioneered flight throughout Africa during the colonial era, long before airports, supply services, radio and weather forecasting capabilities even existed. Its staff and equipment served with the Allies in Europe and North Africa during WWII and it met the enormous challenge of having to circumvent African airspace when flying to destinations abroad after most African nations closed their skies to it in protest against the country's racist policies in the early sixties. Over the years the airline grew into one of the world's major domestic, regional, and international carriers. Its long history was eventually terminated and replaced by a new entity in 2020 with the the outbreak of the coronavirus pandemic. In its original incarnation it could proudly boast of being one of the world's oldest and longest-surviving international carriers. It is still seen by many around the world as the airline with that much revered and fondly remembered emblem, the Flying Springbok.

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The sense of awe. not only at the grandeur of the universe but also the insignificance of our species is centre-stage in A Report to Alpha Centauri. And John Barnie sets out his stall early, warning, in the poem ‘To the Reader’, that you may want to walk away since, ‘...these poems are out there with the chilly wind / and the absence of yellowhammers, with drills and wrecking balls,...’ But anyone with eyes to see and ears to hear should surely stay, not to be comforted but to face the challenging questions, the unflinching honesty and the blazing anger at the hubris that is destroying so much life; life that even in what Conrad calls ‘a soulless universe’ still matters. Barnie calls us to ‘just look’, knowing that like all prophets he is ’... the stranger, the one / walking in the wrong direction.’ ('Lock-step') Serious and sometimes tinged with despair at humanity’s perverse race into self-destruction, captured in striking imagery that lingers, there is also a large and intelligent wit at play here that pours out in wry comments and melancholic humour. Like Kierkegaard’s father shaking a fist at the universe, Barnie raises his voice against the insanities that we all too easily take for granted, refusing to bow to the gods of consumerism. At heart, A Report to Alpha Centauri is a eulogy, written in the heart-rending voice of a visitor from Alpha Centauri, 10 million years after the last humans have left, ‘a world of shadows, a world— though I know this sounds strange, even as I write it down—of ghosts.’ ('A Report to Alpha Centauri') Sharp, urgent and ultimately humane, this is not poetry that any of us should turn away from.

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Escape to the Cornish coast with this irresistible summer read, perfect for fans of Jill Mansell and Philippa Ashley. Bramble Challoner has had a very normal upbringing. She lives in a semi in the suburbs of London with her parents and works at the call centre down the road. She still goes out with the boy she met at school. At weekends they stay in and watch films on the telly and sometimes hold hands. Bramble is dying for an adventure. So when her very grand grandfather, Lord Penrose, dies, leaving his huge, rambling house in Cornwall to her, Bramble packs her bags immediately, dragging along her best friend Katie. The sleepy fishing village of Tremarnock had better be ready for its newest residents... Reviews for the Tremarnock series: 'A charming, warm-hearted read... Pure escapism' Alice Peterson. 'Burstall is a great writer, and this is not your usual run-of-the-mill chick lit... I was gripped from the start' Daily Mail. 'The literary equivalent of a gin and tonic on a hot summer's day... A delicious, delightful and decadent tale' Bookish Jottings. 'Burstall has created a little sanctuary, which will have readers eager to book a Cornish holiday as soon as possible... A heart-warming, "feel-good" novel that makes you feel warm and fuzzy inside. I can't wait for the next book in the series so that I can return' Bookbag. 'Burstall has a true knack for transporting you to her world, amidst beautiful Cornish countryside' Jane Corry.

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How well do we really know ancient Egypt? The world of the Egyptians seems so familiar to us: exhibitions of ancient art and archaeological discoveries in the desert sands continue to generate interest and amazement, while Egyptian motifs appear in architecture, in literature, in art works, in advertising, and in films. And yet, this modern reception can sometimes preserve the myths and inaccuracies about ancient Egypt that derive from classical antiquity and the Renaissance. It is only in the last 200 years that we have been able to read for ourselves ancient Egyptian texts and to reveal the true nature of its civilization through excavation. This modern discovery of ancient Egypt is now astonishing us with a culture of incomparable richness and remarkable diversity. This is what the internationally acclaimed Egyptologist Thomas Schneider here attempts to do: he asks "What are the 101 single most important questions about ancient Egypt?" The questions he has chosen-and the answers he provides-challenge almost everything we thought we knew about the ancient civilization in the Nile valley. They range from the surprising ("Why did elite Egyptians not wear beards?") to the profound ("Was ancient Egypt a culture of death?" ) and the provocative ("What do we still not know about ancient Egypt?") but all the answers will surprise, inspire, and challenge a wide range of readers. In the process, they provide a completely fresh way of looking at all aspects of ancient Egypt-from history, art, and everyday life to religion and ancient attitudes to death and the afterlife.

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One of Kirkus Reviews Best Books of 2015 An epic, multigenerational story of courage and sacrifice set in a tropical dictatorship, The Rebel of Rangoon captures a gripping moment of possibility in Burma (Myanmar)Once the shining promise of Southeast Asia, Burma in May 2009 ranks among the world's most repressive and impoverished nations. Its ruling military junta seems to be at the height of its powers. But despite decades of constant brutality,and with their leader, the Nobel Peace Prize-laureate Aung San Suu Kyi, languishing under house arrest,a shadowy fellowship of oddballs and misfits, young dreamers and wizened elders, bonded by the urge to say no to the system, refuses to relent. In the byways of Rangoon and through the pathways of Internet cafes, Nway, a maverick daredevil Nigel, his ally and sometime rival and Grandpa, the movement's senior strategist who has just emerged from nineteen years in prison, prepare to fight a battle fifty years in the making.When Burma was still sealed to foreign journalists, Delphine Schrank spent four years underground reporting among dissidents as they struggled to free their country. From prison cells and safe houses, The Rebel of Rangoon follows the inner life of Nway and his comrades to describe that journey, revealing in the process how a movement of dissidents came into being, how it almost died, and how it pushed its government to crack apart and begin an irreversible process of political reform. The result is a profoundly human exploration of daring and defiance and the power and meaning of freedom.

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In 16th century England many loyal subjects to the crown were asked to make a terrible choice: to follow their monarch or their God. The era was one of unprecedented authoritarianism: England, it seemed, had become a police state, fearful of threats from abroad and plotters at home. This age of terror was also the era of the greatest creative genius the world has ever known: William Shakespeare. How, then, could such a remarkable man born into such violently volatile times apparently make no comment about the state of England in his work?He did. But it was hidden. Revealing Shakespeare's sophisticated version of a forgotten code developed by 16th-century dissidents, Clare Asquith shows how he was both a genius for all time and utterly a creature of his own era: a writer who was supported by dissident Catholic aristocrats, who agonized about the fate of England's spiritual and political life and who used the stage to attack and expose a regime which he believed had seized illegal control of the country he loved.Shakespeare's plays offer an acute insight into the politics and personalities of his era. And Clare Asquith's decoding of them offers answers to several mysteries surrounding Shakespeare's own life, including most notably why he stopped writing while still at the height of his powers. An utterly compelling combination of literary detection and political revelation, Shadowplay is the definitive expose of how Shakespeare lived through and understood the agonies of his time, and what he had to say about them.

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Recovering the bold voices and audacious lives of women who confronted capitalist society’s failures and injustices in the 1930s—a decade unnervingly similar to our own In the Company of Radical Women Writers rediscovers the political commitments and passionate advocacy of seven writers—Black, Jewish, and white—who as young women turned to communism around the Great Depression and, over decades of national crisis, spoke to issues of labor, land, and love in ways that provide urgent, thought-provoking guidance for today. Rosemary Hennessy spotlights the courageous lives of women who confronted similar challenges to those we still face: exhausting and unfair labor practices, unrelenting racial injustice, and environmental devastation.As Hennessy brilliantly shows, the documentary journalism and creative and biographical writings of Marvel Cooke, Louise Thompson Patterson, Claudia Jones, Alice Childress, Josephine Herbst, Meridel Le Sueur, and Muriel Rukeyser recognized that life is sustained across a web of dependencies that we each have a duty to maintain. Their work brought into sharp focus the value and dignity of Black women’s domestic work, confronted the destructive myths of land exploitation and white supremacy, and explored ways of knowing attuned to a life-giving erotic energy that spans bodies and relations. In doing so, they also expanded the scope of American communism.By tracing the attention these seven women pay to “life-making” as the relations supporting survival and wellbeing—from Harlem to the American South and Midwest—In the Company of Radical Women Writers reveals their groundbreaking reconceptions of the political and provides bracing inspiration in the ongoing fight for justice.

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A groundbreaking new history of urban cruising through the lenses of urban poets The Poetics of Cruising explores the relationship between cruising, photography, and the visual in the work of leading poets, from Walt Whitman in the nineteenth century to Eileen Myles in the twenty-first. What is it that happens, asks Jack Parlett, and what is it that is sought, in this often transient moment of perception we call cruising, this perceptual arena where acts of looking between strangers are intensified and eroticized? Parlett believes that this moment is not only optical in nature but visual: a mode of looking that warrants comparison with the ways in which we behold still and moving images. Whether it’s Whitman’s fixation with daguerreotypes, Langston Hughes’s hybrid photographic works, or Frank O’Hara’s love of Hollywood movie stars, argues Parlett, the history of poets cruising abounds with this intermingling between the verbal and the visual, the passing and the fixed. To look at someone in the act of cruising, this history suggests, is to capture, consider, and aestheticize, amid the flux and instantaneity of urban time. But it is also to reveal the ambivalence at the heart of this erotic search, where power may be unevenly distributed across glances, and gendered and racialized bodies are marked. Thus, in identifying for the first time this confluence of cruising, poetry, and visual culture, Parlett concludes that the visual erotic economy associated with gay cruising today, exemplified by the photographic grid of an app like Grindr, is not a uniquely contemporary phenomenon. Innovative, astute, and highly readable, and drawing on compelling archival material, The Poetics of Cruising is a must for scholars of queer and LGBTQ literature and culture, modern and contemporary poetry, visual studies, and the history of sexuality.

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Growing up in the Delta town of Yazoo City, Mississippi, Teresa Nicholas believed that she and her country-born and -bred mother weren’t close. She knew little of her mother’s early life as a sharecropper during the Great Depression, but whenever she brought up the subject, her taciturn mother would snap, "You ask too many questions, young’un."Nicholas left Mississippi to attend college, then settled in New York to work in the hard-driving world of commercial book publishing. Twenty-five years later, eager for a change, she and her husband decided to shift careers to writing, trading their home in the New York suburbs for a casita in the Mexican Highlands. But as her mother’s health deteriorated, Nicholas found herself spending more time in the small town she thought she had left behind. Over long afternoons in front of Turner Classic Movies, she grew closer to her mother, coaxing stories from her about her hardscrabble past—until a major stroke threatened to silence her mother's newfound voice.Torn between her new home in Mexico and her old home in Mississippi, Nicholas struggled to find her place in the world. She discovered that the past isn’t always the way we remember it, and as the years ticked by, that she and her mother could grow closer still. The Mama Chronicles: A Memoir is a funny and poignant account of a mother-daughter relationship and, ultimately, a meditation on acceptance and what it means to call a place home.

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The Hartford Whalers were a beloved hockey team from their founding in 1972 as the New England Whalers. Playing in the National Hockey League’s smallest market and arena after the World Hockey Association merger in 1979, they struggled in a division that included both the Boston Bruins and Montreal Canadiens—but their fans were among the NHL’s most loyal. In 1995 new owners demanded a new arena and, when it fell through, moved the team to North Carolina, rebranding as the Hurricanes. Unlike fellow franchises that have folded or relocated with little fanfare, the Whalers’ fan base stayed with the team, which remains as popular as ever. Even though more than two decades have come and gone since Connecticut’s only professional sports team moved, nobody has truly forgotten the Whalers, their history, and their unique—and still highly profitable—logo. And while the NHL continues to thrive without them, their impact stretches far beyond the ice and into an entirely different cultural arena. Christopher Price grew up in Connecticut as a diehard Whalers fan, experiencing firsthand the team’s bond with the community. Drawing from all aspects of the team’s past, he tells the uncensored history of Connecticut’s favorite professional sports franchise. Part sports history and part civic history, Bleeding Green shows vividly why the Whalers, despite an inglorious past and a future that unexpectedly vanished, remain firmly embedded in the American milieu and have had a lasting impact on not only the NHL but the sports landscape as a whole.

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Compares the political development of four Maghreb countries: Morocco, Algeria, Tunisia and MauritaniaThe past few years have been a period of unprecedented political upheaval for the Maghreb. A protest which began in a provincial city in one of North Africa's quieter corners quickly engulfed the entire region. Presidents of decades standing were swept from office on waves of public discontent while their counterparts elsewhere nervously tried to calm the mob. In several places these protests are still being played out; in the law courts of Egypt, on the battlefields of Libya, and in the leaking tubs carrying migrants to Europe. And even where the winds of change have died down, the political and social landscape is altered from before.Herein lies a defining paradox of the Arab Spring; its ubiquity and singularity. Nearly all of the region's countries have been affected. But despite making similar demands in largely the same ways over much the same period, their respective protest movements have achieved different results. Drawing on Steven Levitsky and Lucan Way's celebrated model for examining political transitions, this book explains these discrepancies, why Tunisia, Algeria, Morocco and Mauritania have reached different outcomes. It does so by contextualising each country's experiences, by examining and comparing their political development over the past decade.Key featuresSystematically uses Levitsky's and Way's model to interrogate Morocco's, Algeria's, Tunisia's and Mauritania's recent political developmentThe inclusion of Mauritania is a valuable adidition rarely seen in the literatureConsiders, but does not focus solely on the Arab Spring, charting the years preceding and proceeding it

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Jeanette Grey whisks you away to New York City in the powerfully seductive Eight Ways To Ecstasy. Fans of Christina Lauren, J. Kenner, Maya Banks and Kristen Proby will be blown away by this electrying love story. Kate Reid's whirlwind romance with billionaire playboy Rylan Bellamy complicated her life in ways she'd worked to avoid. She'd fallen hard for his flirtatious charm and given him the one thing no other man had: her trust. Just as Kate began to imagine a future with Rylan, everything fell apart. Now she's starting over in New York ... but even the glittering streets of Manhattan can't erase the memory of Rylan knocking her off her feet and sweeping her into the most erotic, unforgettable week of her life.It's been months, and Rylan still can't forget Kate. Months since he bared his soul at her feet. Months since he drove away the only woman to ever make him feel. Kate changed his world and now Rylan is determined to win her back-no matter what it takes. After crossing an ocean to reach her, he makes a deal with Kate: one more week, for one more chance. Now it's up to Rylan to show Kate all the ways they fit together ... and prove that this player has met his perfect match.Totally captivated by Kate and Rylan's intoxicating story? Don't miss where it all began, in Seven Nights To Surrender.

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Michelle thought she'd lost everything she cared about when she was 17. That was the summer her world-famous, Hollywood legend of a father finally summoned her to spend a summer with him on his ranch in Montana--to get to know each other. Though he still seemed an unapproachable star, she loved the ranch and her life there. She also discovered Sam that summer, just another cow hand on the ranch, but to Michelle he was the man she had always dreamed of, the lover who would make all her dreams come true. Until her father finds out about their affair and not only fires Sam, banishing him back to the wrong side of the tracks, but destroys his family as well in one mighty blow. Pregnant and heartbroken, Michelle flees to a new life in Seattle. There she is successful and safe--safe from love, safe from hurt. But her son is lost to her, a troubled teen on the verge of self-destruction, a boy who blames her for the absence of his father and grandfather. And then one day her father calls to tell her he is dying. He has only one chance to live--if she will donate a kidney to save him. And she goes, resolved to save her father, terrified to face Sam, but driven by desperation to save her son. To do that, she must face all the secrets of the past and find a way to heal the scars and love again.

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THE PATH TO YOUR ULTIMATE RETIREMENT STARTS RIGHT HERE When you think about planning for retirement - whether it's years in the future or just around the corner - you're bound to have questions. Can I ever afford to stop working? Will Social Security be there for me when I need it? How can I make my money last? Have I waited too long to start saving? Suze Orman, America's most recognized expert on personal finance, answers all the questions that keep you up at night - starting with the biggest one: It is never too late to start planning for a next act that's fulfilling and secure. With her signature blend of compassion, insight, and expertise, Suze guides you toward a plan that will put you in control of your financial future and help you to create the retirement you deserve. SUZE GIVES YOU THE STRAIGHT TALK ON: • Moves to make-and not make- while you're still working • How to invest safely in retirement- with just the right amount of risk • Out-of-the-box ideas to find a new role for your next act • How to lower your living costs now in ways that can have a big impact down the road • Decisions to make before you reach age 70 • Roth IRAs, 401(k)s, annuities, HSAs, and long-term care insurance • The must-have documents to put in place today • The Five Laws of Money to take with you into your Ultimate Retirement years (some of them may surprise you) • And much more

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For decades, the Campbell women have reunited at the family’s rambling seaside cottage known as Beech House to celebrate life’s many occasions. But this year, they will be called back to Martha's Vineyard for a celebration of a different sort: their beloved matriarch Cora is getting remarried. And all the town gossips are calling him the one who got away, years ago… For renowned chef Mickey Campbell, this wedding isn’t just a welcome excuse to return to the place she first learned to cook at her grandmother’s side. It’s also a chance to regroup while she figures out a way to tell her smouldering head chef boyfriend that she’s mismanaged their restaurant into the red. Mickey’s mother, Hedy, is still mourning the passing of her adored father three years earlier, and she isn’t sure she’s ready to welcome a new man into the fold—and she’s not certain her own thorny relationship with her mother will weather the storm of her upcoming marriage. But everyone knows a woman’s heart holds more than meets the eye. For Cora, drawing her daughter and granddaughter back to Beech House isn’t just about a ceremony, but a chance to reveal a history she has kept close to her heart for decades. As the days leading up to the wedding unfold, secrets of Cora’s past come to light-- a secret that will cause three generations of Campbell women to question marriage, motherhood, and ultimately learn to savour the delicious joy of following your own heart. Told in dual timelines on the sumptuous beaches of Martha's Vineyard, OUR PLACE ON THE ISLAND is the sparkling, romantic read of the season.

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Exploring the medieval heritage of Aberdeenshire and Moray, the essays in this volume contain insights and recent work presented at the British Archaeological Association Conference of 2014, based at Aberdeen University. The opening, historical chapters establish the political, economic and administrative context of the region, looking at both the secular and religious worlds and include an examination of Elgin Cathedral and the bishops’ palaces. The discoveries at the excavations of the kirk of St Nicholas, which have revealed the early origins of religious life in Aberdeen city, are summarized and subsequent papers consider the role of patronage. Patronage is explored in terms of architecture, the dramas of the Reformation and its aftermath highlighted through essentially humble parish churches, assailed by turbulent events and personalities. The collegiate church at Cullen, particularly its tomb sculpture, provides an unusually detailed view of the spiritual and dynastic needs of its patrons. The decoration of spectacular ceilings, both carved and painted, at St Machar’s Cathedral, Provost Skene’s House and Crathes Castle, are surveyed through the eyes of their patrons and the viewers below. Saints and religious devotion feature in the last four chapters, focusing on the carved wooden panels from Fetteresso, which display both piety and a rare glimpse of Scottish medieval carnal humour, the illuminated manuscripts from Arbuthnott, the Aberdeen Breviary and Historia Gentis Scotorum.The medieval artistic culture of north-east Scotland is both battered by time and relatively little known. With discerning interpretation, this volume shows that much high-quality material still survives, while the lavish illustrations restore some glamour to this lost medieval world.

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What Is Christianity? provides a fascinating overview of the world’s largest religion, weaving history, theology, spirituality, denominational divisions, and global growth into a single compelling story. Written in clear and captivating prose that requires no previous knowledge of Christianity, it describes the religion inspired by Jesus as a living faith that is still changing and developing today. Reader-friendly chapters introduce the major traditions of Christianity (Eastern Orthodoxy, Roman Catholicism, Protestantism, and Pentecostalism), explaining their spiritual appeal and tracing their evolution over the centuries. Christianity’s recent global expansion is highlighted, but Christianity has been a diverse and multicultural movement from the very beginning. Each chapter provides thought-provoking insights into the beliefs, values, practices, achievements, and failures of Christians as they tried to remain faithful to the message and meaning of Jesus in different times and places. Condenses a vast amount of information into a coherent narrative Explains how and why Christianity has become so incredibly diverse Describes what almost all Christians have always held in common Summarizes the current status of Christianity in each global region Discusses the challenges that Christians worldwide are facing today What Is Christianity? is an ideal introduction to Christianity as a world religion for people who are unfamiliar with Christianity as well as for Christians who want to know more about their own faith and the faith practices of fellow believers from other Christian traditions. An engaging text for general readers, this short volume will also be a stimulating choice for book discussion groups and or for the classroom.

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In a political culture infused with debates about personal liberties, the role of government, and even the definition of "freedom" itself, Haymaker tells the story of an isolated Michigan town that becomes the flashpoint for some of the principal ideological debates of our day. When a libertarian organization selects the town as its flagship community, hundreds of its members migrate and settle within the town's borders. The resulting clash with local townspeople is violent and impassioned, even as the line that divides the two sides increasingly blurs. The story follows characters on both of these sides: an eccentric millionaire known as The Man in White, who is still viewed as an outsider even after living in Haymaker for thirty years; a policewoman trained in hostage and suicide negotiations who questions raising children in this new environment; a teenage girl devoted to basketball and her desire to leave home, who has a close but complicated relationship with her uncle, a local who fistfights outsiders in an annual challenge; a libertarian PR expert, just hoping to calm the storm; and the town's mayor, who owns a local diner and is raising a baby daughter as her husband becomes tragically unhinged. A town first settled by lumberjacks, prostitutes, and roughnecks, Haymaker's present becomes as volatile as its past. Haymaker is a story about the failure of best intentions and the personal freedom of individuals to do good or to harm. This witty and politically charged novel will certainly appeal to Michiganders and Midwesterners, but will also interest those looking for an entertaining fictional account of a situation that could plausibly play out in one of the many small, remote towns in the country.

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This groundbreaking book is the first to study the cultural history of advertising in imperial Russia. In the first part of the book, West describes the development of advertising as an industry, discussing responses from both the business community and the state. The emergence of Russian advertising and consumer culture played a formative role in unsettling traditional tsarist society by promoting the aspirations of self-fulfillment through consumption. Encouraging a consumerist ethic at odds with an autocratic society, advertising spoke the language of both tradition and modernity, simultaneously perpetuating and undermining the values of the past. The rise of pervasive, mass-circulation advertising in tsarist society created paradoxes that reflect the tensions in late imperial Russia—a peasant society swiftly becoming a world industrial power, a modernizing economy within a patriarchal culture, and a population becoming consumers and citizens while still subjects of the tsar. West presents a cultural study of central themes that form the advertising messages themselves, including consumption as a progressive and civilizing force, the deliberate creation of "consumer" as a new identity, the perpetuation and reformulation of gender roles, and the appropriation and commodification of Russian cultural motifs. In an analysis of the advertisements themselves, West incorporates numerous illustrations from the mass-circulation press and the poster collection of the Russian National Library, many of which are difficult to access and unknown to most scholars. I Shop in Moscow offers an unexplored perspective for anyone interested in the comparative study of consumer culture and advertising. West's original study will appeal to scholars and students of advertising and Russian history, as well as those working in gender studies, folklore, and cultural history.

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Theodor W. Adorno's multifaceted work has exerted a profound impact on far-ranging discourses and critical practices in late modernity. His analysis of the fate of art following its alleged end, of ethical imperatives "after Auschwitz," of the negative dialectic of myth and freedom from superstition, of the manipulation of consciousness by the unequal siblings of fascism and the culture industry, and of the narrowly-conceived concept of reason that has given rise to an unprecedented exploitation of nature and needless human suffering, all speak to central concerns of our time. The essays collected here analyze the full range of implications emanating from Adorno's demand that the task of critical thinking be to imagine a mode of being in the world that occurs in and through a language that has liberated itself from the spell of an alleged historical and political inevitability, what he once tellingly called a "language without soil." Adorno' s finely chiseled sentences perform a ceaseless gesture of thoughtful vigilance, a vigilance understood not in the sense of moralizing or ethical normativity but of a rigorous attention to the presuppositions of thinking itself. The volume's fresh readings conspire to yield a refractory and unorthodox Adorno, a suggestive and at times infuriating thinker of the first order, whose intellectual gestures sponsor politically conscious modes of theoretical speculation in a late modernity that may still have a future because its language and aspirations are without soil. Also included is an annotated translation of a seminal interview Adorno gave in 1969 concerning the relationship of Critical Theory to political activism. In it, the dialectical interplay between thought and action forcefully emerges.

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The Memory of Trade is an ethnographic study of the people of Aru, an archipelago in eastern Indonesia. Central to Patricia Spyer’s study is the fraught identification of Aruese people with two imaginary elsewheres—the ‘Aru’ and the ‘Malay’—and the fissured construction of community that has ensued from centuries of active international trade and more recent encroachments of modernity.Drawing on more than two years of archival and ethnographic research, Spyer examines the dynamics of contact with the Dutch and Europeans, Suharto’s postcolonial regime, and with the competing religions of Islam, Protestantism, and Catholicism in the context of the recent conversion of pagan Aruese. While arguing that Aru identity and community are defined largely in terms of absence, longing, memory, and desire, she also incorporates present-day realities—such as the ecological destruction wrought by the Aru trade in such luxury goods as pearls and shark fins—without overlooking the mystique and ritual surrounding these activities. Imprinted on the one hand by the archipelago’s long engagement with extended networks of commerce and communication and, on the other, by modernity’s characteristic repressions and displacements, Aruese make and manage their lives somewhat precariously within what they often seem to construe as a dangerously expanding—if still enticing—world. By documenting not only the particular expectations and strategies Aruese have developed in dealing with this larger world but also the price they pay for participation therein, The Memory of Trade speaks to problems commonly faced elsewhere in the frontier spaces of modern nation-states. Balancing particularly astute analysis with classic ethnography, The Memory of Trade will appeal not only to anthropologists and historians but also to students and specialists of Southeast Asia, modernity, and globalization.

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The controversy generated in Italy by the writings of Ludovico Ariosto and Torquato Tasso during the sixteenth century was the first historically important debate on what constitutes modern literature. Applying current critical theories and tools, the essays in Renaissance Transactions reexamine these two provocative poet-thinkers, the debate they inspired, and the reasons why that debate remains relevant today. Resituating these writers’ works in the context of the Renaissance while also offering appraisals of their uncanny “postmodernity,” the contributors to this volume focus primarily on Ariosto’s Orlando furioso and Tasso’s Gerusalemme liberata. Essays center on questions of national and religious identity, performative representation, and the theatricality of literature. They also address subjects regarding genre and gender, social and legal anthropology, and reactionary versus revolutionary writing. Finally, they advance the historically significant debate about what constitutes modern literature by revisiting with new perspective questions first asked centuries ago: Did Ariosto invent a truly national, and uniquely Italian, literary genre—the chivalric romance? Or did Tasso alone, by equaling the epic standards of Homer and Virgil, make it possible for a literature written in Italian to attain the status of its classical Greek and Latin antecedents? Arguing that Ariosto and Tasso are still central to the debate on what constitutes modern narrative, this collection will be invaluable to scholars of Italian literature, literary history, critical theory, and the Renaissance.Contributors. Jo Ann Cavallo, Valeria Finucci, Katherine Hoffman, Daniel Javitch, Constance Jordan, Ronald L. Martinez, Eric Nicholson, Walter Stephens, Naomi Yavneh, Sergio Zatti

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During 1995 and 1996, President Bill Clinton signed into law three bills that altered the rights and responsibilities of immigrants: the Antiterrorism and Effective Death Penalty Act, the Personal Responsibility Act, and the Illegal Immigration Reform and Immigrant Responsibility Act. Model Immigrants and Undesirable Aliens examines the changing debates around immigration that preceded and followed the passage of landmark legislation by the U.S. Congress in the mid-1990s, arguing that it represented a new, neoliberal way of thinking and talking about immigration. Christina Gerken explores the content and the social implications of the deliberations that surrounded the development and passage of immigration reform, analyzing a wide array of writings from congressional debates and committee reports to articles and human-interest stories in mainstream newspapers. The process, she shows, disguised its underlying racism by creating discursive strategies that shaped and upheld an image of “desirable” immigrants—those who could demonstrate “personal responsibility” and an ability to contribute to the U.S. economy. Gerken finds that politicians linked immigration to complex issues: poverty, welfare reform, so-called family values, measures designed to combat terrorism, and the spiraling costs of social welfare programs. Although immigrants were often at the center of congressional debates, politicians constructed an elaborate, abstract terminology that appeared to be unrelated to race or gender. Instead, politicians promoted neoliberal policies as the avenue to a postracist, postsexist world of opportunity for every rational consumer with an entrepreneurial spirit. Still, Gerken concludes that the passage of pathbreaking legislation was characterized by a useful tension between neoliberal assumptions and hidden anxieties about race, class, gender, and sexuality.

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Millions of children over the age of five wet their beds every night. Many parents think they must be doing something wrong when their five-year-old is still in diapers while their friends’ children are perfectly trained by eighteen months of age. This undoubtedly is a very embarrassing and frustrating problem for both the parent and child, and can interfere with family dynamics and a child’s ability to enjoy ordinary social situations. It’s Not Your Fault! offers evidence-based strategies for parents who need assistance with toilet training and helping their child with urinary control issues. Dr. Joseph Barone, M.D., provides proven techniques that bring bedwetting to a happy conclusion. Frequently, parents are misguided by bad advice from friends, TV talk shows, the Internet, or parenting books. With many years of clinical experience, Dr. Barone shares valuable, practical information for parents to guide them through the basics of toilet training and bedwetting, and presents management plans to resolve any difficulties that occur. A comprehensive guide, this book covers everything parents need to know about normal toilet training and bedwetting, as well as step-by-step solutions based on testing and research in a real-world setting to help children suffering from delayed toilet training, bed wetting, and daytime urinary wetting.It’s Not Your Fault! provides hope and guidance to those desperate to help their children overcome urinary control and toilet training problems. Dr. Barone sets parents on a course that makes things better for both themselves and their children.

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American women invest millions of dollars, as well as much time and energy, in a quest for a body that meets our culture’s standard of beauty—slenderness. Since we define a woman’s sexual attractiveness as essential to her social worth, it is no wonder that “fat is a feminist issue.”Commercial weight loss organizations have come under attack from feminist scholars for perpetuating the very social values that cause women to obsess about their weight. In Women and Dieting Culture, sociologist Kandi Stinson asks how these values are transmitted and how the women who join such organizations actually think about their bodies and weight loss. As part of her research, Stinson fully participated in a national, commercial weight-loss organization as a paying member. Her acute analysis and sensitive insider’s portrayal vividly illustrate the central roles dieting and body image play in women’s lives.As she experiences the program and interviews other members, Stinson discovers that the women view the causes and cures of being overweight according to five distinct, though often overlapping, concepts: self-help, work, religion, addiction, and feminism. Drawing extensively on the dieters’ own words, Stinson explores each of these concepts and outlines how they form interrelated patterns which, when analyzed, yield an exciting new perspective on the transmission of cultural values.Armed with fresh insights into how women feel about weight and their bodies, Stinson finally ponders the question: Can one be a feminist and still wish to lose weight?

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Although the Enlightenment is often associated with the emergence of human rights and humanitarian sensibility, "humanity" is an elusive category in the literary, philosophical, scientific, and political writings of the period. Fiction Without Humanity offers a literary history of late seventeenth- and early eighteenth-century efforts to define the human. Focusing on the shifting terms in which human difference from animals, things, and machines was expressed, Lynn Festa argues that writers and artists treated humanity as an indefinite class, which needed to be called into being through literature and the arts. Drawing on an array of literary, scientific, artistic, and philosophical devices— the riddle, the fable, the microscope, the novel, and trompe l'oeil and still-life painting— Fiction Without Humanity focuses on experiments with the perspectives of nonhuman creatures and inanimate things. Rather than deriving species membership from sympathetic identification or likeness to a fixed template, early Enlightenment writers and artists grounded humanity in the enactment of capacities (reason, speech, educability) that distinguish humans from other creatures, generating a performative model of humanity capacious enough to accommodate broader claims to human rights. In addressing genres typically excluded from canonical literary histories, Fiction Without Humanity offers an alternative account of the rise of the novel, showing how these early experiments with nonhuman perspectives helped generate novelistic techniques for the representation of consciousness. By placing the novel in a genealogy that embraces paintings, riddles, scientific plates, and fables, Festa shows realism to issue less from mimetic exactitude than from the tailoring of the represented world to a distinctively human point of view.

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It is often thought that slaveholders only began to show an interest in female slaves' reproductive health after the British government banned the importation of Africans into its West Indian colonies in 1807. However, as Sasha Turner shows in this illuminating study, for almost thirty years before the slave trade ended, Jamaican slaveholders and doctors adjusted slave women's labor, discipline, and health care to increase birth rates and ensure that infants lived to become adult workers. Although slaves' interests in healthy pregnancies and babies aligned with those of their masters, enslaved mothers, healers, family, and community members distrusted their owners' medicine and benevolence. Turner contends that the social bonds and cultural practices created around reproductive health care and childbirth challenged the economic purposes slaveholders gave to birthing and raising children. Through powerful stories that place the reader on the ground in plantation-era Jamaica, Contested Bodies reveals enslaved women's contrasting ideas about maternity and raising children, which put them at odds not only with their owners but sometimes with abolitionists and enslaved men. Turner argues that, as the source of new labor, these women created rituals, customs, and relationships around pregnancy, childbirth, and childrearing that enabled them at times to dictate the nature and pace of their work as well as their value. Drawing on a wide range of sources—including plantation records, abolitionist treatises, legislative documents, slave narratives, runaway advertisements, proslavery literature, and planter correspondence—Contested Bodies yields a fresh account of how the end of the slave trade changed the bodily experiences of those still enslaved in Jamaica.

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As military campaigns go, the War of 1812 was a disaster. By the time it ended in 1815, Washington, D.C., had been burned to the ground, the national debt had nearly tripled, and territorial gains were negligible. Yet the war gained so much popular support that it ushered in what is known as the "era of good feelings," a period of relative partisan harmony and strengthened national identity. Historian Nicole Eustace's cultural history of the war tells the story of how an expensive, unproductive campaign won over a young nation—largely by appealing to the heart. 1812 looks at the way each major event of the war became an opportunity to capture the American imagination: from the first attempt at invading Canada, intended as the grand opening of the war; to the battle of Lake Erie, where Oliver Perry hoisted the flag famously inscribed with "Don't Give Up the Ship"; to the burning of the Capitol by the British. Presidential speeches and political cartoons, tavern songs and treatises appealed to the emotions, painting war as an adventure that could expand the land and improve opportunities for American families. The general population, mostly shielded from the worst elements of the war, could imagine themselves participants in a great national movement without much sacrifice. Bolstered with compelling images of heroic fighting men and the loyal women who bore children for the nation, war supporters played on romantic notions of familial love to espouse population expansion and territorial aggression while maintaining limitations on citizenship. 1812 demonstrates the significance of this conflict in American history: the war that inspired "The Star-Spangled Banner" laid the groundwork for a patriotism that still reverberates today.

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Once a thriving metropolis on the banks of the Mississippi, St. Louis, Missouri, is now a ghostly landscape of vacant houses, boarded-up storefronts, and abandoned factories. The Gateway City is, by any measure, one of the most depopulated, deindustrialized, and deeply segregated examples of American urban decay. "Not a typical city," as one observer noted in the late 1970s, "but, like a Eugene O'Neill play, it shows a general condition in a stark and dramatic form." Mapping Decline examines the causes and consequences of St. Louis's urban crisis. It traces the complicity of private real estate restrictions, local planning and zoning, and federal housing policies in the "white flight" of people and wealth from the central city. And it traces the inadequacy—and often sheer folly—of a generation of urban renewal, in which even programs and resources aimed at eradicating blight in the city ended up encouraging flight to the suburbs. The urban crisis, as this study of St. Louis makes clear, is not just a consequence of economic and demographic change; it is also the most profound political failure of our recent history. Mapping Decline is the first history of a modern American city to combine extensive local archival research with the latest geographic information system (GIS) digital mapping techniques. More than 75 full-color maps—rendered from census data, archival sources, case law, and local planning and property records—illustrate, in often stark and dramatic ways, the still-unfolding political history of our neglected cities.

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In a relatively short time, the American state developed from a weak, highly decentralized confederation composed of thirteen former English colonies into the foremost global superpower. This remarkable institutional transformation would not have been possible without the revenue raised by a particularly efficient system of public finance, first crafted during the Civil War and then resurrected and perfected in the early twentieth century. That revenue financed America's participation in two global wars as well as the building of a modern system of social welfare programs. Sheldon D. Pollack shows how war, revenue, and institutional development are inextricably linked, no less in the United States than in Europe and in the developing states of the Third World. He delineates the mechanisms of political development and reveals to us the ways in which the United States, too, once was and still may be a "developing nation." Without revenue, states cannot maintain political institutions, undergo development, or exert sovereignty over their territory. Rulers and their functionaries wield the coercive powers of the state to extract that revenue from the population under their control. From this perspective, the state is seen as a highly efficient machine for extracting societal revenue that is used by the state to sustain itself. War, Revenue, and State Building traces the sources of public revenue available to the American state at specific junctures of its history (in particular, during times of war), the revenue strategies pursued by its political leaders in response to these factors, and the consequential impact of those strategies on the development of the American state.

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The New King James Bible with end-of-page cross references that’s just the right size to take with you wherever you go.The slim design of the NKJV Thinline Reference Bible means you can bring it along, wherever your day takes you. When you open it up, you’ll discover Thomas Nelson’s exclusive NKJV Comfort Print® typeface, which is designed to provide a smooth reading of the accurate and beautiful New King James Version. And with features like a complete cross-reference system, a concordance, and full-color maps, you’ll still have the tools to get more out of God’s Word. Features include: End-of-page cross references allows you to find related passages quickly and easily Satin Ribbon Markers are a useful tool to easily navigate and keep track of where you were reading Presentation page allows you to personalize this special gift by recording a memory or note Bible book introductions provide an overview and context for each book Words of Christ in red quickly identify verses spoken by Jesus Reading plan guiding you through the entire Bible in a year Concordance for looking up a word’s occurrences throughout the Bible Full-color maps provide a visual representation of Israel and other biblical locations for better context Gilded page edges add a beautiful shine around the border of the paper Clear and readable 9-point NKJV Comfort Print

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In the last two decades there has been positive change in how the Canadian legal system defines Aboriginal and treaty rights. Yet even after the recognition of those rights in the Constitution Act of 1982, the legacy of British values and institutions as well as colonial doctrine still shape how the legal system identifies and interprets Aboriginal and treaty rights. What results is a systematic bias in the legal system that places Indigenous peoples at a distinct disadvantage.The eight essays in Aboriginal and Treaty Rights in Canada focus on redressing this bias. All of them apply contemporary knowledge of historical events as well as current legal and cultural theory in an attempt to level the playing field. The book highlights rich historical information that previous scholars may have overlooked. Of particular note are data relevant to better understanding the political and legal relations established by treaty and the Royal Proclamation of 1763. Other essays include discussion of such legal matters as the definition of Aboriginal rights and the privileging of written over oral testimony in litigation. The collection also includes an essay that, by means of ethnographic and historical data, raises concerns respecting how the law might be distorted even further if we are not careful in assuring that what is defined as Indigenous today is detached from its own traditions and divorced from contemporary issues.In sum, Aboriginal and Treaty Rights in Canada shows that changes in the way in which these rights are conceptualized and interpreted are urgently needed. This book then offers concrete proposals regarding substantive, processual, and conceptual matters that together provide the means to put change into practice.

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How America fell for financier Bernie Madoff's $65 billion investment scam.It was luxurious Palm Beach, by the manicured lawns and Olympic-sized swimming pool, that financier Bernard Madoff ravaged the world of philanthropy and high society he had strived so hard to join, vaporising the assets of charities, foundations and individuals that had trusted him with their funds. It seems nothing was sacrosanct to Madoff, possibly the greatest con-man in history. Even Elie Wiesel's foundation has lost tens of millions. How could Madoff, a pillar of the Jewish community, do this to a Nobel Laureate and Auschwitz survivor? But Wiesel was hardly alone in trusting the rogue financier. How could some of the most sophisticated and worldly people in America fall victim to a collective delusion for year after year? THE BELIEVERS answers these unsettling questions. It opens up the clubbish world where Madoff operated, tracing the links from Palm Beach and The Hamptons to the salons and clubs of Manhattan society. It details the network of relationships across which flows hundreds of millions of dollars. 'The Believers' shows how despite material success and acclaim, some human impulses remain eternal. It reveals how an underlying sense of insecurity still shapes some of the richest and most successful individuals in America, making them crave ever more status and peer acclaim. By focusing on Madoff's connection to, and catastrophic impact on, the American Jewish community, THE BELIEVERS dramatically humanises a story that is part financial scandal and part Greek tragedy.

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Abortion is a contentious issue in social life but it has rarely been subjected to careful scrutiny in the social sciences. While the legalization of abortion has brought it into the public domain, it still remains a sensitive topic in many cultures, often hidden from view and rarely spoken about, consigned to a shadowy existence. Drawing on reports gathered from hospital settings and in-depth interviews with women who have had abortions, Luc Boltanski sets out to explain the ambiguous status of this social practice. Abortion, he argues, has to remain in the shadows, for it reveals a contradiction at the heart of the social contract: the principle of the uniqueness of beings conflicts with the postulate of their replaceable nature, a postulate without which no society would achieve demographic renewal. This leads Boltanski to explore the way human beings are engendered and to analyze the symbolic constraints that preside over their entry into society. What makes a human being is not the foetus as such, ensconced within the body, but rather the process by which it is taken up symbolically in speech - that is, its symbolic adoption. But this symbolic adoption presupposes the possibility of discriminating among embryos that are indistinguishable. For society, and sometimes for individuals, the arbitrary character of this discrimination is hard to tolerate. The contradiction is made bearable, Boltanski shows, by a grammatical categorization: the “project” foetus - adopted by its parents, who use speech to welcome the new being and give it a name - is juxtaposed to the “tumoral” foetus, an accidental embryo that will not be the object of a life-forming project. Bringing together grammar, narrations of life experience and an historical perspective, this highly original book sheds fresh light on a social phenomenon that is widely practised but poorly understood.

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