Search results for ""Author Dom"

An examination of how the postwar United States twisted its ideal of “the free flow of information” into a one-sided export of values and a tool with global consequences. When the dust settled after World War II, the United States stood as the world’s unquestionably pre-eminent military and economic power. In the decades that followed, the country exerted its dominant force in less visible but equally powerful ways, too, spreading its trade protocols, its media, and—perhaps most importantly—its alleged values. In A Righteous Smokescreen, Sam Lebovic homes in on one of the most prominent, yet ethereal, of those professed values: the free flow of information. This trope was seen as capturing what was most liberal about America’s self-declared leadership of the free world. But as Lebovic makes clear, even though diplomats and public figures trumpeted the importance of widespread cultural exchange, these transmissions flowed in only one direction: outward from the United States. Though other countries did try to promote their own cultural visions, Lebovic shows that the US moved to marginalize or block those visions outright, highlighting the shallowness of American commitments to multilateral institutions, the depth of its unstated devotion to cultural and economic supremacy, and its surprising hostility to importing foreign cultures. His book uncovers the unexpectedly profound global consequences buried in such ostensibly mundane matters as visa and passport policy, international educational funding, and land purchases for embassies. Even more crucially, A Righteous Smokescreen does nothing less than reveal that globalization was not the inevitable consequence of cultural convergence or the natural outcome of putatively free flows of information—it was always political to its core.

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Though we think of the 1960s and the early '70s as a time of radical social, cultural, and political upheaval, we tend to picture the action as happening on campuses and in the streets. Yet the rise of the underground newspaper was equally daring and original. Thanks to advances in cheap offset printing, groups involved in antiwar, civil rights, and other social liberation issues began to spread their messages through provocatively designed newspapers and broadsheets. This vibrant new media was essential to the counter-culture revolution as a whole and helped proliferate ideas. "Power to the People" presents seven hundred full-color images and excerpts from these astonishing publications, many of which have not been seen since they were first published almost fifty years ago. From the psychedelic pages of the "Oracle", Haight-Ashbury's paper of choice, to the fiery editorials of the "Black Panther Party Paper", these papers were extraordinary for their graphic innovations, experimental typography, and wildly inventive layouts. Assembled by renowned graphic designer Geoff Kaplan, "Power to the People" pays homage in its design to the radical press. Beyond its unparalleled images, "Power to the People" offers contributions by Gwen Allen, Bob Ostertag, Fred Turner, and Pamela M. Lee that comment on the critical impact of the alternative press in the social and popular movements of those turbulent years. "Power to the People" treats the design practices of that moment as activism in its own right: offering a vehement challenge to the dominance of official media. "Power to the People" is not just a major compendium of art from the '60s and '70s - it showcases how the radical media graphically fashioned the image of a revolution that still resounds today.

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In Reframing Bodies, Roger Hallas illuminates the capacities of film and video to bear witness to the cultural, political, and psychological imperatives of the AIDS crisis. He explains how queer films and videos made in response to the AIDS epidemics in North America, Europe, Australia, and South Africa challenge longstanding assumptions about both historical trauma and the politics of gay visibility. Drawing on a wide range of works, including activist tapes, found footage films, autobiographical videos, documentary portraits, museum installations, and even film musicals, Hallas reveals how such “queer AIDS media” simultaneously express both immediacy and historical consciousness. Queer AIDS media are neither mere ideological critiques of the dominant media representation of homosexuality and AIDS nor corrective attempts to produce “positive images” of people living with HIV/AIDS. Rather, they perform complex, mediated acts of bearing witness to the individual and collective trauma of AIDS.Challenging the entrenched media politics of who gets to speak, how, and to whom, Hallas offers a bold reconsideration of the intersubjective relations that connect filmmakers, subjects, and viewers. He explains how queer testimony reframes AIDS witnesses and their speech through its striking combination of direct address and aesthetic experimentation. In addition, Hallas engages recent historical changes and media transformations that have not only displaced queer AIDS media from activism to the archive, but also created new witnessing dynamics through the logics of the database and the remix. Reframing Bodies provides new insight into the work of Gregg Bordowitz, John Greyson, Derek Jarman, Matthias Müller, and Marlon Riggs, and offers critical consideration of important but often overlooked filmmakers, including Jim Hubbard, Jack Lewis, and Stuart Marshall.

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Understand the technical foundations, as well as the non-programming skills needed to be a successful full stack web developer. This book reveals the reasons why a truly successful full stack developer does more than write code. You will learn the principles of the topics needed to help a developer new to agile or full stack working—UX, project management, QA, product management, and more— all from the point of view of a developer. Covering these skills alongside the fundamentals and foundations of modern web development, rather than specifics of current technologies and frameworks (which can age quickly), all programming examples are given in the context of the web as it is in 2018. Although you need to feel comfortable working on code at the system, database, API, middleware or user interface level, depending on the task in hand, you also need to be able to deal with the big picture and the little details. The Full Stack Developer recognizes skills beyond the technical, and gives foundational knowledge of the wide set of skills needed in a modern software development team. What You'll Learn Plan your work including Agile vs Waterfall, tools, scrum, kanban and continuous delivery Translate UX into code: grids, component libraries and style guides Design systems and system architectures (microservices to monoliths) Review patterns for APIs (SOAP, AJAX, REST), defining API domains, patterns for REST APIs and more API goodness Study the various front-end design patterns you need to know Store data, what to consider for security, deployment, in production and more Who This Book Is For New graduates or junior developers who are transitioning to working as part of a larger team structure in a multi-disciplinary teams and developers previously focused on only front-end or back-end dev transitioning into full stack.

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For 40 years, the Cold War dominated the world stage. East and West Germany stood at the frontlines of the global confrontation, symbolized by the infamous Berlin Wall, which separated lovers, friends, families, coworkers, and compatriots. The Wende Museum in Los Angeles, California, is named after the period of change immediately following the wall's destruction. It was established in 2002 to study the visual and material culture of the former Eastern Bloc, and, with physical and psychic distance, to foster multiple perspectives on this multilayered history that continues to shape our world. This encyclopedic volume features around 2,000 items from its extraordinary collections. Based on our XL-sized volume, this edition includes a full spectrum of art, archives, and artifacts from socialist East Germany: official symbols and dissident expressions, the spectacular and the routine, the mass-produced and the handmade, the funny and the tragic. Accompanying these remnants of a now-vanished world are texts from scholars and specialists from across Europe, Canada, and the United States, with themes ranging from the secret police to sexuality, from monuments to mental-mapping. More than 800 pages, featuring around 2,000 objects. A smaller, more accessible version of our XL-sized volume, the most comprehensive overview of GDR visual and material culture to date. Several dozen images of everyday life and public events from the most famous GDR photographers. Special two-language edition featuring texts both in English and German. From November 18, 2017, visit the Wende Musem at its expanded campus in Culver City’s Armory Building, a site originally created in preparation for World War III but re-designed by Michael Boyd, Christian Kienapfel, and Benedikt Taschen to welcome its 100,000+ collection of artifacts.

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A riveting, revealing portrait of tennis champion and global icon Serena Williams that combines biography, cultural criticism, and sports writing to offer “a deep, satisfying meditation” (The New York Times) on the most consequential athlete of her time.There has never been an athlete like Serena Williams. She has dominated women’s tennis for two decades, changed the way the game is played, and—by inspiring Naomi Osaka, Coco Gauff, and others—changed, too, the racial makeup of the pro game. But Williams’s influence has not been confined to the tennis court. As a powerful Black woman who struggled to achieve and sustain success, she has emerged as a cultural icon, figuring in conversations about body image, working mothers, and more. Seeing Serena chronicles Williams’s return to tennis after giving birth to her daughter—from her controversial 2018 US Open final against Naomi Osaka through a 2020 season that unfolded against a backdrop of a pandemic and protests over the killing of Black men and women by the police. Gerald Marzorati, who writes about tennis for The New Yorker, travels to Wimbledon and to Compton, California, where Serena and her sister Venus learned to play. He talks with former women’s tennis greats, sports and cultural commentators—and Serena herself. He observes Williams from courtside, on the red carpet, in fashion magazines, on social media. He sees her and writes about her prismatically—reflecting on her many, many facets. The result is an “enlightening…keen analysis” (The Washington Post) and energetic narrative that illuminates Serena’s singular status as the greatest women’s tennis player of all time and a Black woman with a global presence like no other.

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By the time Roger McGuinn, David Crosby, Chris Hillman, and Michael Clarke entered the studio to begin work on this album, they were basically falling apart at the seams. 'Ladyfriend', a song written by Crosby, had just failed miserably as a chart single despite the fact that he lobbied hard to get it released. This - coupled with the fact that he made what the rest of the band considered an embarrassing political speech onstage during their set at the Monterey Pop Festival, and then sat in with rivals the Buffalo Springfield the following day - pushed McGuinn and Hillman in particular to the limits of their patience. A few too many studio flare-ups later, and McGuinn and Hillman finally screeched up into the Hollywood Hills in their Jaguars and fired Crosby on the spot. Also brooding during this period was drummer Michael Clarke, who had always borne the brunt of the other band members' rage while recording. He was by far the least accomplished member of the band musically, and when they suggested bringing in a studio drummer to embellish some tracks (Jim Gordon, later of Derek and the Dominos fame), he finally declared he'd had enough and moved to Hawaii to get away from the music scene altogether. So, McGuinn and Hillman were left to cobble together an album with the help of producer Gary Usher (known for his work with Brian Wilson, the Millennium, Sagittarius and many others). The fact that it turned out to be one of the defining albums of the 60s psychedelic pop experience was either a sheer stroke of luck, or testament to McGuinn and Hillman's determination to prove that they didn't need Crosby's help to construct their masterpiece.

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In Queer/Early/Modern, Carla Freccero, a leading scholar of early modern European studies, argues for a reading practice that accounts for the queerness of temporality, for the way past, present, and future time appear out of sequence and in dialogue in our thinking about history and texts. Freccero takes issue with New Historicist accounts of sexual identity that claim to respect historical proprieties and to derive identity categories from the past. She urges us to see how the indeterminacies of subjectivity found in literary texts challenge identitarian constructions and she encourages us to read differently the relation between history and literature. Contending that the term “queer,” in its indeterminacy, points the way toward alternative ethical reading practices that do justice to the aftereffects of the past as they live on in the present, Freccero proposes a model of “fantasmatic historiography” that brings together history and fantasy, past and present, event and affect.Combining feminist theory, queer theory, psychoanalysis, deconstruction, and literary criticism, Freccero takes up a series of theoretical and historical issues related to debates in queer theory, feminist theory, the history of sexuality, and early modern studies. She juxtaposes readings of early and late modern texts, discussing the lyric poetry of Petrarch, Louise Labé, and Melissa Ethridge; David Halperin’s take on Michel Foucault via Apuleius’s The Golden Ass and Boccaccio’s Decameron; and France’s domestic partner legislation in connection with Marguerite de Navarre’s Heptameron. Turning to French cleric Jean de Léry’s account, published in 1578, of having witnessed cannibalism and religious rituals in Brazil some twenty years earlier and to the twentieth-century Brandon Teena case, Freccero draws on Jacques Derrida’s concept of spectrality to propose both an ethics and a mode of interpretation that acknowledges and is inspired by the haunting of the present by the past.

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A lively account of how dinosaurs became a symbol of American power and prosperity and gripped the popular imagination during the Gilded Age, when their fossil remains were collected and displayed in museums financed by North America’s wealthiest business tycoons.Although dinosaur fossils were first found in England, a series of dramatic discoveries during the late 1800s turned North America into a world center for vertebrate paleontology. At the same time, the United States emerged as the world’s largest industrial economy, and creatures like Tyrannosaurus, Brontosaurus, and Triceratops became emblems of American capitalism. Large, fierce, and spectacular, American dinosaurs dominated the popular imagination, making front-page headlines and appearing in feature films.Assembling the Dinosaur follows dinosaur fossils from the field to the museum and into the commercial culture of North America’s Gilded Age. Business tycoons like Andrew Carnegie and J. P. Morgan made common cause with vertebrate paleontologists to capitalize on the widespread appeal of dinosaurs, using them to project American exceptionalism back into prehistory. Learning from the show-stopping techniques of P. T. Barnum, museums exhibited dinosaurs to attract, entertain, and educate the public. By assembling the skeletons of dinosaurs into eye-catching displays, wealthy industrialists sought to cement their own reputations as generous benefactors of science, showing that modern capitalism could produce public goods in addition to profits. Behind the scenes, museums adopted corporate management practices to control the movement of dinosaur bones, restricting their circulation to influence their meaning and value in popular culture.Tracing the entwined relationship of dinosaurs, capitalism, and culture during the Gilded Age, Lukas Rieppel reveals the outsized role these giant reptiles played during one of the most consequential periods in American history.

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Rising star Simon Hall captures the spirit of the 1960s in ten days that revolutionised the Cold War: Fidel Castro's visit to New York.'With its cool judgements and blackly comic sense of irony, Hall's book is a rare pleasure to read.'DOMINIC SANDBROOK, Literary Review'A lively account . . . Ten Days in Harlem doesn't stint on piquant detail.'LONDON REVIEW OF BOOKS'[A] perceptive, thoroughly researched and readable study.'IRISH TIMESNew York City, September 1960. Fidel Castro - champion of the oppressed, scourge of colonialism, and leftist revolutionary - arrives for the opening of the United Nations General Assembly. His visit to the UN represents a golden opportunity to make his mark on the world stage.Fidel's shock arrival in Harlem is met with a rapturous reception from the local African American community. He holds court from the iconic Hotel Theresa as a succession of world leaders, black freedom fighters and counter-cultural luminaries - everyone from Nikita Khrushchev to Gamal Abdel Nasser, Malcolm X to Allen Ginsberg - come calling. Then, during his landmark address to the UN General Assembly - one of the longest speeches in the organisation's history - he promotes the politics of anti-imperialism with a fervour, and an audacity, that makes him an icon of the 1960s.In this unforgettable slice of modern history, Simon Hall reveals how these ten days were a foundational moment in the trajectory of the Cold War, a turning point in the history of anti-colonial struggle, and a launching pad for the social, cultural and political tumult of the decade that followed.'Hall delivers his entertaining taile with brio.'i 'Hall captures Castro's action-packed September 1960 soujourn in rich and compelling detail, and argues persuasisively that its repercussions echoed deeply in the decades to come.'NEW YORK JOURNAL OF BOOKS

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Who were the Native Americans? Where did they come from and how long ago? Did they have a history, and would they have a future? Questions such as these dominated intellectual life in the United States during the nineteenth century. And for many Americans, such questions about the original inhabitants of their homeland inspired a flurry of historical investigation, scientific inquiry, and heated political debate.History's Shadow traces the struggle of Americans trying to understand the people who originally occupied the continent claimed as their own. Steven Conn considers how the question of the Indian compelled Americans to abandon older explanatory frameworks for sovereignty like the Bible and classical literature and instead develop new ones. Through their engagement with Native American language and culture, American intellectuals helped shape and define the emerging fields of archaeology, ethnology, linguistics, and art. But more important, the questions posed by the presence of the Indian in the United States forced Americans to confront the meaning of history itself, both that of Native Americans and their own: how it should be studied, what drove its processes, and where it might ultimately lead. The encounter with Native Americans, Conn argues, helped give rise to a distinctly American historical consciousness.A work of enormous scope and intellect, History's Shadow will speak to anyone interested in Native Americans and their profound influence on our cultural imagination. “History’s Shadow is an intelligent and comprehensive look at the place of Native Americans in Euro-American’s intellectual history. . . . Examining literature, painting, photography, ethnology, and anthropology, Conn mines the written record to discover how non-Native Americans thought about Indians.” —Joy S. Kasson, Los Angeles Times

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The action-packed second novel in the No. 1 bestselling Conqueror series, bringing to the epic story of Genghis Khan brilliantly to life The gathering of the tribes of the Mongols has been a long time in coming but finally, triumphantly, Temujin of the Wolves, Genghis Khan, is given the full accolade of the overall leader and their oaths. Now he can begin to meld all the previously warring people into one army, one nation. But the task Genghis has set himself and them is formidable. He is determined to travel to the land of the long-time enemy, the Chin and attack them there. The distances and terrain-the wide deserts, the impenetrable mountains-make it a difficult venture even for the legendary Mongolian speed of movement, but the greatest problem is that of the complex fortifications, a way of fighting wars of a settled urban population which the nomadic Mongolians had never come across. Finding ways to tackle that and keeping his tribes together in a strange environment presents another new and exciting challenge for Genghis Khan. Not only must Genghis succeed in this incredible campaign, but he must also reconcile the restless factions among his own generals, mediate between his ambitious brothers and cope with his own reactions to his growing sons. The young warrior has become a notable and victorious military commander of thousands: he must now learn to become a great leader of peoples of many different races and religions. Lords of the Bow is a deeply satisfying novel. It is epic in scope, convincing, and fascinating in the narration of an extraordinary story. Above all Genghis Khan continues to dominate the scene as he matures from the young boy of Wolf of the Plains to the great Conqueror.

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A powerful account of the life of Tamerlane the Great (1336-1405), the last master nomadic power, one of history’s most extreme tyrants, and the subject of Marlowe’s famous play. Marozzi travelled in the footsteps of the great Mogul Emperor of Samarkland to write this wonderful combination of history and travelogue. The name of the last great warlord conjures up images of mystery and romance: medieval warfare on desert plains; the clash of swords on snow-clad mountains; the charge of elephants across the steppes of Asia; the legendary opulence and cruelty of the illiterate, chess-playing nemesis of Asia. He ranks alongside Alexander as one of the world’s great conquerors, yet the details of his life are scarcely known in the West. He was not born to a distinguished family, nor did he find his apprenticeship easy – at one point his mobile army consisted only of himself, his wife, seven companions and four horses – but his dominion grew with astonishing rapidity. In the last two decades of the fourteenth century and the beginning of the fifteenth, he blazed through Asia. Cities were razed to the ground, inhabitants tortured without mercy, sometimes enemies were buried alive – more commonly they were decapitated. On the ruins of Baghdad, Tamerlane had his princes erect a pyramid of 90,000 heads. During his lifetime he sought to foster a personal myth, exaggerating the difficulties of his youth, laying claim to supernatural powers and a connection to Genghis Khan. This myth was maintained after his death in legend, folklore, poetry, drama and even opera, nowhere more powerfully than in Marlowe’s play – he is now as much a literary construct as a historical figure. Justin Marozzi follows in his path and evokes his legacy in telling the tale of this fabulously cruel, magnificent and romantic warrior.

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The diaries of Dr Kathleen Lynn, 1916-1955, cover her involvement in the 1916 Rising, the War of Independence, the Civil War, and the formative three and a half decades of the Irish Free State. They demonstrate the revolutionary, socialist and feminist fervour of a radical revolutionary woman, what motivated her and the work she did for women, workers, and Ireland. The diaries, held in the archives of the Royal College of Physicians of Ireland (RCPI), reveal the often-difficult road that radical political women forged in the new Irish Free State, which viewed women through the constraining lens of marriage, motherhood, and domesticity. The diaries are also revealing of the supportive networks of political women, who worked together for social and political change. Central to the diaries is Lynn's vital work in St Ultan's Hospital for Sick Infants which she co-founded in 1919. Her diaries demonstrate vividly the number of women who led advances in medical care in the first decades of the State alongside Lynn. The diaries also record her family and personal relationships, especially her lifelong relationship with fellow suffragist, revolutionary and social campaigner, Madeline ffrench-Mullen. Few political women of the revolutionary era and Irish Free State have left behind as substantial an archive as Dr Kathleen Lynn. The publication of these selected extracts from her diaries are a move to readdress issues created by past archival practices which have, in many cases, marginalised or silenced the voices of women. The diaries add not only to our knowledge of the life of Dr Lynn but also to the histories of female activists, female networks, and intimate female lives in the Irish State during its formative decades. Edited by Mary McAuliffe and Harriet Wheelock with a foreword by Emma Donoghue.

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Winston Churchill was truly a man of the world. In his long career as a soldier and statesman, and latterly as a global celebrity and artist, he visited and wrote about the length and breadth of the United States and Canada, the United Kingdom, Europe, Cuba, the Indian subcontinent, North, South and East Africa and the Soviet Union. From colonial wars to Cold War, Churchill was witness to the decline of Britain from the era of imperial power to the age of austerity in a world dominated by two superpowers, the United States and the Soviet Union. Both his own status and that of Great Britain can be viewed through prisms ranging from the apogee of Empire to the privations of the post-war era, from the South African veldt to the bleakness of the Soviet Crimea during the Yalta Conference in February 1945, where the ‘Big Three’ – Stalin, Roosevelt and Churchill – settled the shape of Europe that emerged after the defeat of the Third Reich. Man of the World provides a journey through his life and thought as it was filtered through the landscapes he encountered in a career almost unimaginable today: the Kaiser’s Germany in the days before the Great War; the United States in the Roaring Twenties; being in New York on the very day of the Wall Street Crash; the curdled delights of the Crimea during the Yalta Conference of 1945 and the French Riviera of the post-war years – all left their mark on him as he did on them. Winston Churchill always found his bouts of foreign travel, particularly in the Second World War, more invigorating than exhausting, regardless of the outcome of any individual trip – an aspect of his inexhaustible passion for life.

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Irish Times Sports Book of the YearDublin has become the dominant force in Gaelic football, setting new standards of skill and efficiency. But it was not very long ago that the county was a byword for underachievement and disorganization. Every year from 1996 to 2010, the Dubs found new and creative ways of losing, of causing their fans to suffer, and of earning the scorn of the wider GAA public.Based on interviews with former players and coaches, Dublin: The Chaos Years tells the entertaining and sometimes scarcely believable story of how the Dubs managed to make such a hames of things over a period of fifteen years. It also traces the beginnings of the turnaround, as the bad habit of failure began to give way to a healthier culture. Full of frank, witty and sometimes outrageous stories and analysis from the people who were at the centre of it, Dublin: The Chaos Years is a book for every Gaelic football fan.'Fascinating' Kieran Cunningham, Irish Daily Star'From unwelcoming veterans to arseboxing and collapsing human pyramids to marching to the Hill to startled earwigs to champs, Cotter has it all covered in a very well-written and insightful read' Kieran Shannon, Irish Examiner'This book offers fascinating insight into the egos, dressing room divides, and bad habits which held the county back on the field. ... [It's] full of honest and witty interviews with players, coaches and officials from that revolutionary period.' Darren Frehil, RTÉ Culture'Cotter has done some terrific interviews ... the raw, hard-nosed nature of the Dublin dressing room at the end of the 1990s jumps from the page. ... Well worth anyone's time' Malachy Clerkin, Irish Times Sports Books of 2018

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An expansive history of how an economic shock a half century ago created a world that is addicted to mass migration. The oil shock of 1973 changed everything. It brought the golden age of American and European economic growth to an end; it destabilized Middle Eastern politics; and it set in train processes that led to over one hundred million unexpected--and unwanted--immigrants. In War, Work, and Want, Randall Hansen asks why, against all expectations, global migration tripled after 1970. The answer, he argues, lies in how the OPEC Oil crisis transformed the global economy, Middle Eastern geopolitics and, as a consequence, international migration. The quadrupling of oil prices and attendant inflation destroyed economic growth in the West while flooding the Middle East with oil money. American and European consumers, their wealth drained, rebuilt their standard of living on the back of cheap labor--and cheap migrants. The Middle East enjoyed the benefits of a historic wealth transfer, but oil became a poisoned chalice leading to political instability, revolution, and war, all of which resulted in tens of millions of refugees. The economic, and migratory, consequences of the OPEC oil crisis transformed the contours of domestic politics around the world. They fueled the growth of nationalist-populist parties that built their brands on blaming immigrants for collapsing standards of living, willfully ignoring the fact that mass immigration was the effect, not the cause, of that collapse. In showing how war (the main driver of refugee flows), work (labor migrants), and want (the desire for ever cheaper products made by migrants) led to the massive upsurge in global migration after 1973, this book will reshape our understanding of the past half-century of global history.

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"The American Dream" is one of the most familiar and resonant phrases in our national lexicon, so familiar that we seldom pause to ask its origin, its history, or what it actually means. In this fascinating short history, Jim Cullen explores the meaning of the American Dream, or rather the several American Dreams that have both reflected and shaped American identity from the Pilgrims to the present. Cullen begins by noting that the United States, unlike most other nations, defines itself not on the facts of blood, religion, language, geography, or shared history, but on a set of ideals expressed in the Declaration of Independence and consolidated in the Constitution. At the core of these ideals lies the ambiguous but galvanizing concept of the American Dream, a concept that for better and worse has proven to be amazingly elastic and durable for hundreds of years and across racial, class, and other demographic lines. Cullen then traces a series of overlapping American dreams: the quest for of religious freedom that brought the Pilgrims to the "New World"; the political freedom promised in the Declaration; the dream of upward mobility, embodied most fully in the figure of Abraham Lincoln; the dream of home ownership, from homestead to suburb; the intensely idealistic-and largely unrealized-dream of equality articulated most vividly by Martin Luther King, Jr. The version of the American Dream that dominates our own time--what Cullen calls "the Dream of the Coast"--is one of personal fulfillment, of fame and fortune all the more alluring if achieved without obvious effort, which finds its most insidious expression in the culture of Hollywood. For anyone seeking to understand a shifting but central idea in American history, The American Dream is an interpretive tour de force.

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Will the most powerful defense system in history be used to safeguard America-or to force universal domination? The U.S. has unleashed Thor's Hammer, a missile-launching satellite that can strike anywhere on the planet in seconds. But when President Joseph Gardner elects to employ the still-untested weapon against terrorists firing missiles at Indian cities, the Hammer misses its mark, killing thousands of Pakistani civilians. In retaliation, Pakistan and its neighbors grant China a strategic naval advantage over America through access to Middle Eastern ports. China responds swiftly and brutally, attacking and occupying Somalia, then setting up missile pads to target U.S. naval ships across vital sea-lanes. While in Earth's orbit, Chinese and Russian spacecraft surround an American space station with one clear message: back down or watch as your navy is crippled. With a president battling for his political life in D.C., retired Air Force Lieutenant General Patrick McLanahan and Kai Raydon, commander of the U.S. Space Defense Force, race to defuse the crisis-as every second brings the world closer to a full-scale war of superpowers on Earth . . . and miles above it.Praise for Dale Brown:'Dale Brown is the best military adventure writer in the country' - Clive Cussler'Dan Brown is a superb storyteller' - Washington Post'Dale Brown is one of the best' - Houston Chronicle'When a former pilot turns his hand to thrillers you can take their authenticity for granted. His writing is exceptional and the dialogue, plots and characters are first-class... far too good to be missed' - Sunday Mirror"A master at mixing technology and action, Brown puts readers right into the middle of the Inferno"- Larry Bond

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Examines Pentecostal conversion as a force of change, revealing new insights into its dominant role in global Christianity today. There has been an extraordinary growth in Pentecostalism in Africa, with Brazilian Pentecostals establishing new transnational Christian connections, initiating widespread changes not only in religious practice but in society. This book describes its rise in Maputo, capital of Mozambique, and the sometimes dramatic impact of Pentecostalism on women. Here large numbers of urban women are taking advantage of the opportunities Pentecostalism offers to overcome restrictions at home, pioneer new life spaces and change their lives through the power of the Holy Spirit. Yet, conversion can also mean a violent rupturing with tradition, with family and with social networks. As the pastors encourage women to cut their ties with the past, including ancestral spirits, they come to see their kin and husbands as imbued with evil powers, and many leave their families. Conquering spheres that used to be forbidden to them, they often live alone as unmarried women, sometimes earning more than men of a similar age. They are also expected to donate huge sums to the churches, often money that they can ill afford, bringing new hardships. Linda van de Kamp is Assistant Professor in the Department of Sociology, University of Amsterdam, The Netherlands.

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The coup d'etat of July 1936 split Spain in two, shaping a chessboard of terror, misery and death that would put an end to the Republic and give sustenance to dictatorship. In the rebel territory, Franco's soldiers were often not convinced followers, but mere pawns forced to fight for the future of a Spain in which the only element of cohesion would be fear. The experience of the Spanish Civil War is defined by how the dictator placed citizens before a terrible dilemma: become executioners or die. This experience was not confined to Spain alone. A transnational analysis, hitherto never undertaken, puts the Spanish war experience in the context of the political and military dramas of the first half of the 20th century. Issues of recruitment, terror, and propaganda dominate analysis. But deeper social and indeed psychological issues are equally important in understanding how dictatorship can shape society for the worse, and indeed come to be regarded by the majority as the norm. Special attention is paid to military ethos at all levels of the armed forces. Francos Soldiers, originally published to acclaim in Spain, provides a unique literary platform that better allows the Spanish Civil War experience to be understood in a wide historical context, thus furthering and encouraging international debate. Published in collaboration with the Department of International History, London School of Economics.

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Who was the “Mysterious Sofía,” whose letter in November 1934 was sent from Washington DC to Mexico City and intercepted by the Mexican Secret Service? In The Mysterious Sofía Stephen J. C. Andes uses the remarkable story of Sofía del Valle to tell the history of Catholicism’s global shift from north to south and the importance of women to Catholic survival and change over the course of the twentieth century. As a devout Catholic single woman, neither nun nor mother, del Valle resisted religious persecution in an era of Mexican revolutionary upheaval, became a labor activist in a time of class conflict, founded an educational movement, toured the United States as a public lecturer, and raised money for Catholic ministries—all in an age dominated by economic depression, gender prejudice, and racial discrimination. The rise of the Global South marked a new power dynamic within the Church as Latin America moved from the margins of activism to the vanguard. Del Valle’s life and the stories of those she met along the way illustrate the shared pious practices, gender norms, and organizational networks that linked activists across national borders. Told through the eyes of a little-known laywoman from Mexico, Andes shows how women journeyed from the pews into the heart of the modern world.

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Tellurite Glasses Handbook: Physical Properties and Data, Second Edition covers the current dominant physical properties of this prototype glass system. Focusing on thermal, elastic, acoustic, electrical, and optical properties, this second edition incorporates the latest scientific data and up-to-date applications of tellurite glass. New Topics in the Second Edition Nanocomposites Three-dimensional structural models Novel glass-forming systems Innovative ways to combine all physical properties simultaneously, creating new points for research Addressing the knowledge gap among physicists, chemists, and material scientists in their understanding of tellurite glasses’ properties, this edition gathers essential thermal, mechanical, electrical, and optical data in one source. It emphasizes the physics and technology of twenty-first century processing, fabrication, and behavior of tellurite glass and glass-ceramic materials. It is the first and only comprehensive source of physical constants and properties of these unique noncrystalline solids.After an introductory chapter on the composition of tellurite glasses, the book explores elastic, acoustic, thermal, electrical, and optical properties. Each chapter includes basic theories on a particular physical property, related experimental techniques, and representative data. The book uniquely presents a compilation of scientific data from the last 60 years as well as practical and strategic applications based on the properties of tellurite glasses.

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Unlike the 1930s, when the United States tragically failed to open its doors to Europeans fleeing Nazism, the country admitted over three million refugees during the Cold War. This dramatic reversal gave rise to intense political and cultural battles, pitting refugee advocates against determined opponents who at times successfully slowed admissions. The first comprehensive historical exploration of American refugee affairs from the midcentury to the present, Americans at the Gate explores the reasons behind the remarkable changes to American refugee policy, laws, and programs. Carl Bon Tempo looks at the Hungarian, Cuban, and Indochinese refugee crises, and he examines major pieces of legislation, including the Refugee Relief Act and the 1980 Refugee Act. He argues that the American commitment to refugees in the post-1945 era occurred not just because of foreign policy imperatives during the Cold War, but also because of particular domestic developments within the United States such as the Red Scare, the Civil Rights Movement, the rise of the Right, and partisan electoral politics. Using a wide variety of sources and documents, Americans at the Gate considers policy and law developments in connection with the organization and administration of refugee programs.

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Globalization has become an inescapable fact of contemporary life. Some leaders, in both the East and the West, believe that human rights are culture-bound and that liberal democracy is essentially Western, inapplicable to the non-Western world. How can civilized life be preserved and issues of human rights and civil society be addressed if the material forces dominating world affairs are allowed to run blindly, uncontrolled by any cross-cultural consensus on how human values can be given effective expression and direction?In a thoughtful meditation ranging widely over several civilizations and historical eras, Wm. Theodore de Bary argues that the concepts of leadership and public morality in the major Asian traditions offer a valuable perspective on humanizing the globalization process. Turning to the classic ideals of the Buddhist, Hindu, Confucian, and Japanese traditions, he investigates the nature of true leadership and its relation to learning, virtue, and education in human governance; the role in society of the public intellectual; and the responsibilities of those in power in creating and maintaining civil society. De Bary recognizes that throughout history ideals have always come up against messy human complications. Still, he finds in the exploration and affirmation of common values a worthy attempt to grapple with persistent human dilemmas across the globe.

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The teacher and gerontological social work scholar Mercedes Bern-Klug joins experts on nursing, law, medicine, sociology, and social work to provide a thorough understanding of nursing home palliative care. Their broad definition of palliative care treats comfort care as appropriate across the illness experience, not just at the end of life. Because a majority of nursing home residents are older adults facing multiple, advanced chronic conditions, this book is grounded in the provision of palliative care-especially palliative psychosocial care. Yet its practice recommendations can also be applied to other long-term care settings, such as assisted living. The contributors combine scholarship with practical wisdom in each chapter, mixing reviews of scholarly literature with insights gleaned from clinical practice. Chapter topics comply with the eight domains of palliative care developed by the National Consensus Project for Quality Palliative Care. Some focus on care of the resident, while others concern the resident's family. A special section addresses self-care for nursing home staff members, and another discusses nursing home rituals to mark the death of a resident. Bern-Klug concludes with an overview of the factors that will shape the future of palliative care for advanced chronic illness.

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After World War II, the US Atomic Energy Commission (AEC) began mass-producing radioisotopes, sending out nearly 64,000 shipments of radioactive materials to scientists and physicians by 1955. Even as the atomic bomb became the focus of Cold War anxiety, radioisotopes represented the government's efforts to harness the power of the atom for peace—advancing medicine, domestic energy, and foreign relations. In Life Atomic, Angela N. H. Creager tells the story of how these radioisotopes, which were simultaneously scientific tools and political icons, transformed biomedicine and ecology. Government-produced radioisotopes provided physicians with new tools for diagnosis and therapy, specifically cancer therapy, and enabled biologists to trace molecular transformations. Yet the government's attempt to present radioisotopes as marvelous dividends of the atomic age was undercut in the 1950s by the fallout debates, as scientists and citizens recognized the hazards of low-level radiation. Creager reveals that growing consciousness of the danger of radioactivity did not reduce the demand for radioisotopes at hospitals and laboratories, but it did change their popular representation from a therapeutic agent to an environmental poison. She then demonstrates how, by the late twentieth century, public fear of radioactivity overshadowed any appreciation of the positive consequences of the AEC's provision of radioisotopes for research and medicine.

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Søren Kirkegaard and Maurice Blondel are positioned together in a dialogue regarding the vision of the supernatural. Maurice Ashley Agbaw-Ebai draws from this a sharper image of the preeminent place religious experience possesses in human life and thought. Kirkegaard's lament of Christian lack of fervor and Blondel's concern that religion and philosophy no longer interact are both examined and Agbaw-Ebai concludes that they both indicate the same outcome: a "dominant leveling of society" that robs religion of its particularity. This devastates the individual because he is no longer challenged to seek a relationship with God and expose himself to the supernatural. The boundlessness of man must be acknowledged or else his actions will never be understood, and religious experience and philosophy must coexist with mutual reference or self-knowledge will never amount to the discovery of supernatural destiny. And this, asserts Agbaw-Ebai, is the shared urgency of both Kirkegaard and Blondel. Like these philosophers who have preceded him, Agbaw-Ebai exhorts us to never allow the sense of our relation to the supernatural as a settled matter. The philosophy of religion we have inherited does not protect us from having to confront our own subjectivity with autonomy: to be God without God and against God, or to be God with and through God.

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The finds from the cave at Hagios Charalambos in the Lasithi Plain illustrate secondary burial practices in Early and Middle Bronze Age Crete. The cavern adds to our knowledge of Early and Middle Minoan Lasithi and illuminates the function of the cave at Trapeza, which has close parallels for most classes of objects found at Hagios Charalambos. Most of the pottery from the site is made locally, but a selection of imports from elsewhere in Crete ranges in date from EM I or earlier to MM IIB. The pottery shows a shift in the use of imports during the site's history, reflecting a change in economic and/or political dominance and influence in Lasithi. Typical of pottery associated with burials, the types of vessels were mostly used for pouring and drinking liquids. Other small vessels probably contained precious oils, liquids, and unguents. The local offering tables would have been carried by a short stem and could hold a liquid or solid offering. The pottery shows that the people who deposited their dead in the secondary burial cave at Hagios Charalambos were in contact with ceramic production centers in East Crete, the Mesara, Knossos, the Pediada, and Malia. This range of influences speaks not only of trade relations and political spheres of influence but also of tastes in pottery production and consumption.

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Over the course of a long and very successful career spanning the first half of the 20th century, Lucy Kemp-Welch established herself as one of the leading equestrian painters at work in the UK and one of the country’s best-known women artists. David Boyd Haycock’s new, extensively illustrated biography of Kemp-Welch brings this remarkable artist and her work back into sharp focus. Born in 1869, Kemp-Welch first came to the art establishment’s attention in 1897 when her immense painting, Colt Hunting in the New Forest, caused a sensation at the Royal Academy’s Summer Exhibition; the work was bought for the Nation by the Chantry Bequest in the year of exhibition. In 1915, she illustrated Anna Sewell’s Black Beauty, and was commissioned to paint images for the Government during the First World War. Later, the mural Women’s Work in the Great War, was placed in the Royal Exchange in London, where it remains to this day. Respected art writer and curator Boyd-Haycock shines new light on Kemp-Welch’s life, writing from a 21st-century perspective and reflecting on her as a female painter in a male-dominated environment. Alongside Kemp-Welch’s paintings, the book will feature exclusive period photographs of the artist herself, shown at work and in her studio.

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Before the age of the lighthouse Scotland’s untamed seas and perilous rocky coast too often witnessed the watery end to the mariner’s voyage. From its establishment in 1786, it was the remit of the Northern Lighthouse Board to tame these harsh seas with the building of guiding lights around Scotland’s rugged coast ‘For the Safety of All’. The history of Scotland’s lighthouses would be dominated by one family of engineers. For its first 150 years, the NLB would be shaped by four generations of the Stevenson family as lighthouse builders, innovators and inventors. From humble beginnings at Kinnaird Head, this family would perfect the engineering marvels of the Bell Rock and Skerryvore, and pioneer wireless technologies into the modern age. The lighthouse story is also one of habitation on the Stevensons’ creations on the extremities of civilisation as the light-keepers, and their families, lived and served on the wind-battered terrain of Scotland’s edge. It was a story of survival, a unique way of life, which came and went within the pages of this history. The technological breakthroughs which began with the Stevensons advanced to automation and the end of the light-keeper. Nowadays the lights still flash, but there’s nobody there.

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“A thick, tangled and deliciously idiosyncratic history of hair.” Times Literary Supplement Over the last century, there has been a revolution in self-presentation and social attitudes towards hair. Developments in mass manufacturing, advances in chemical science and new understandings of bodies and minds have been embraced by new kinds of hairdressers and their clientele and embodied in styles that reflect shifting ideals of what it is to be and to look modern. The emergence of the ladies hairdressing salon, the rise of the celebrity stylist, the impact of Hollywood, an expanding mass media, and a new synergy between fashions in clothing and hairstyles have rippled out globally. Fashions in hair styles and their representation have taken on new meanings as a way of resisting dominant social structures, experimenting with social taboos, and expressing a modern sense of self. From the 1920s bob to the punk cut, hair has continued to be deeply involved in society’s larger issues. Drawing on a wealth of visual, textual and object sources, and illustrated with 75 images, A Cultural History of Hair in the Modern Age presents essays that explore how politics, science, religion, fashion, beauty, the visual arts, and popular culture have reshaped modern hair and its significance as an agent of social change.

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Continuing the story begun in The Hobbit, this is the first part of Tolkien’s epic masterpiece, The Lord of the Rings, featuring a striking black cover based on Tolkien’s own design, the definitive text, and a detailed map of Middle-earth. Sauron, the Dark Lord, has gathered to him all the Rings of Power – the means by which he intends to rule Middle-earth. All he lacks in his plans for dominion is the One Ring – the ring that rules them all – which has fallen into the hands of the hobbit, Bilbo Baggins. In a sleepy village in the Shire, young Frodo Baggins finds himself faced with an immense task, as his elderly cousin Bilbo entrusts the Ring to his care. Frodo must leave his home and make a perilous journey across Middle-earth to the Cracks of Doom, there to destroy the Ring and foil the Dark Lord in his evil purpose. Now published again in B format, J.R.R. Tolkien’s great work of imaginative fiction has been labelled both a heroic romance and a classic fantasy fiction. By turns comic and homely, epic and diabolic, the narrative moves through countless changes of scene and character in an imaginary world which is totally convincing in its detail.

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The A"International Code on Religious FreedomA" encompasses the widest possible collection of international texts on the matter. They are grouped under three indexes, namely: a) index by GO's (United Nations, International Labour Organization, UNESCO, Council of Europe, European Union, Organization of American States, OSCE, African Union); b) index by "juridical source" (binding and non-binding international instruments); and c) chronological index. It also includes, as far as Islam is concerned, the "Cairo Declaration on Human Rights in Islam" and "The Arab Charter on Human Rights", as well as, insofar as Asia is concerned, "The Seoul Recommendation on Democracy and Tolerance" and "The Asian Human Rights Charter". Besides international instruments, the A"CodeA" also presents the relevant elements of the case-law of the European and Inter-American Courts of Human Rights, with a direct bearing on the matter at issue, in such a way that the practical problems raised, and the solutions thereto, may be known by both specialists and non-legal readers. The A"CodeA" thus becomes a source of useful and indispensable consultation for all those interested in studying the theme, and of recurrent importance. The ultimate purpose of the A"International Code on Religious FreedomA" by Professor Michelangela Scalabrino is to foster a better understanding of what is meant by "religious freedom" in the domain of the International Law of Human Rights. It is hoped that the aforementioned A"CodeA" may also serve as a source of inspiration for representatives of States and entities of the civil society, as well as for leaders of religious faiths, in devising and assessing what they could or should do, in order to favour mutual respect for, and a spirit of tolerance and a better understanding of, each other's beliefs, to the ultimate benefit of all human beings and their religious faiths.

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Type documentaire familier aux papyrologues, épigraphistes, juristes et historiens du Haut-Empire romain, la pétition et l'apostille qu'y portait l'autorité caractérisent un modèle de relation entre sujets et instances dirigeantes. De Rome à Byzance, qu'est devenue la pétition? Y a-t-il une pétition proprement byzantine? Ces questions, soulevées par différents travaux, n'avaient été traités qu'en ordre dispersé. Rassemblant des historiens d'horizons variés, antiquisants et médiévistes, la table-ronde "La pétition à Byzance" a voulu confronter les recherches particulières et mettre en commun des perspectives. Deux grands domaines ordonnent l'ensemble: au niveau du pouvoir central, la pétition à l'empereur et, correlativement, le rescrit impérial; à l'échelon local, la masse des documents papyrologiques, seuls originaux conservés, dont l'inventaire critique complète le volume. Pétitions et rescrits impériaux font l'objet de six études, des origines romaines (T. Hauken) au début du XIVe siècle (M. Nystazopoulou-Pélékidou), centrées à la haute époque sur les données des Codes (R.W. Mathisen), des Actes conciliaires et des Novelles (D. Feissel), des papyrus (C. Zuckerman) ou, pour l'époque médiobyzantine, sur le rôle du maître des requêtes (R. Morris). Un ensemble de trois communications traite des pétitions sur papyrus de l'Égypte byzantine (jusqu'au début du VIIe siècle). Du point de vue de l'histoire sociale, les pétitions soumises par des femmes apparaissent plus rares qu'à l'époque romaine (R.S. Bagnall), tandis que la disparition progressive des pétitions aux magistrats municipaux est compensée par l'émergence de "pétitions privées" aux grands propriétaires (J. Gascou). En termes d'histoire culturelle, la pétition s'avère le plus "littéraire" des genres documentaires de l'époque (J.-L. Fournet). Au total s'ébauche, implicitement, une diplomatique de la pétition byzantine qui encourage d'une époque à l'autre, avec les précautions requises, la démarche comparative.

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Charles-Martin Kieffer s'est éteint le 4 février 2015. Homme de terrain hors pair, sa contribution essentielle aux études iraniennes dans le domaine de linguistique fut la description de deux langues en voie de disparition: l'ormuri de Baraki-Barak et le paraci. Dialectologue - sa participation à l'Atlas Linguistique de l'Afghanistan fut primordiale - mais avant tout ethnologiste, il a toujours été soucieux tant des faits linguistiques que des réalités sociologiques. En témoignent tout particulièrement les données recueillies pendant plus de vingt ans (1957-1980) sur les tabous et obligations de langage tels qu'ils existaient en milieu villageois. Après avoir quitté - mais pas abandonné - le terrain afghan, sa curiosité demeura la même à l'égard de la situation linguistique (langues résiduelles) en Alsace. Les 16 articles ici réunis en son hommage portent sur des recherches tant linguistiques qu'anthropologiques, et concernent la sphère (indo-)iranienne - élargie, pour l'un d'eux, au voisinage turcophone. Charles-Martin Kieffer died the 4th of February, 2015. Exceptional man of fieldwork, his fundamental contribution to Iranian studies in the linguistic field was the description of two dying languages: the Omuri of Baraki Barak and Paraci. Dialectologist - his participation to the Atlas Linguistique de l'Afghanistan was capital - but overall ethnologist, he was always careful to linguistic facts as well as to the sociolinguistic realities. It is attested mainly by the data collected in more than twenty years (1957-1980) on the taboes and language obligations existing in the countryside. After leaving - but not abandoning - the Afghan field, his curiosity remained unchanged towards the linguistic situation (residual languages) in Alsace. The 16 articles here collected in his homage deal with linguistic and anthropologic researches and cover the (Indo-)Iranian area - extended for one of them to the Turkophone sphere.

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Welfare states have spread across the globe, transforming modern civilization. But the take-over is often going badly. In Marseilles, armed drug gangs dominate the social housing estates. In America, an outstandingly wealthy country, 45 million people are dependent on food stamps. In Britain, the NHS has one of the worst records for cancer care in the advanced world. Many countries are collecting more than ever in taxes but managing to get deeper into debt because of their burgeoning welfare states. All around the world, culture is being damaged by welfare state dependency while governments become more and more like Big Brother, telling us what we must do. The twentieth century experienced an epochal war between capitalism and communism. Bartholomew argues that, out of the ashes of that conflict, the real winner has been neither communism nor capitalism. It has been welfare statism-the new, defining form of government of our age that has swept across the advanced world. Without any revolution or great theorist, welfare states are changing the nature of modern civilization. But in what ways? And what lessons can be learned before it is too late? James Bartholomew traveled around the world seeing how cultures and lives are being changed-seeing what is going wrong but also looking for countries where they are making better policy decisions. His book is an unparalleled investigation in which he tells the story of the people and places he visited. He takes the reader on a journey, which includes burnt-out cars in France, a tough-minded benefits office in Singapore and innovative hospitals in Spain.

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The first metropolis to be depicted in Australian literature was Hell: before cities existed in Australia, Francis McNamara, the convict poet, described the infernal one populated by those who tormented him and his fellow prisoners. Sentenced in 1832 to seven years' transportation to Australia for stealing a plaid, he survived the brutality of the penal system: his witty, rebellious poems laid the foundations for a new Australian poetry. Les Murray's anthology of poets from the early years of European settlement in Australia reaches back in time from his fivefathers, which collected significant voices from the early twentieth century (Kenneth Slessor, Roland Robinson, David Campbell, James McAuley, Francis Webb). "Hell and After" contains extended selections from the work of four writers. Francis McNamara (1811-1880) is the only poet whose work has survived from the convict era. Mary Gilmore (1865-1962) was born to a pioneering life in the bush; she became a social reformer and renowned figure in the Australian Labor Party, and her poems are much loved by Australians for their vivid evocations of colonial life. John Shaw Neilson (1872-1942), who spent most of his life as a manual labourer, wrote poems of great lyricism and humour under conditions of poverty and ill-health. Lesbia Harford (1891-1927), a radical activist who was one of the first women to graduate with a law degree from the University of Melbourne, worked as a factory machinist and domestic servant. Her poems give voice to a woman's experience of working life and private desire. Reading these poets is to experience a culture in the process of creating itself.

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This is the second volume arising from the 1994–2003 excavations of the Triconch Palace at Butrint (Albania), which charted the history of a major Mediterranean waterfront site from the 2nd to the 15th centuries AD. The sequence (Butrint 3: Excavations at the Triconch Palace: Oxbow, 2011) included the development of a palatial late Roman house, followed by intensive activity between the 5th and 7th centuries involving domestic occupation, metal-working, fishing and burial. The site saw renewed activity from the 10th century, coinciding with the revival of the town of Butrint, and for the following 300 years continued in intermittent use associated with its channel-side location.This volume reports on the finds from the site (excluding the pottery), which demonstrate the ways in which the lives, diet and material culture of a Mediterranean population changed across the arc of the late Roman and Medieval periods. It includes discussion of the environmental evidence, the human and faunal remains, metal-working evidence, and the major assemblages of glass, coins and small finds, giving an insight into the health, subsistence base and material culture of the population of a Mediterranean site across more than 1000 years. The findings raise important questions regarding the ways in which changes in the circumstances of the town affected the population between Late Antiquity and the Middle Ages. They illustrate in particular how an urban Roman centre became more rural during the 6th century with a population that faced major challenges in their health and living conditions.

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After her beloved dad got addicted to right-wing talk radio and Fox News, Jen Senko feared he would never be the same again…Frank Senko had always known how to have a good time. Despite growing up in a poverty-stricken family during the Depression and having to fight his way to middle-class status as an adult, he tended to look on the bright side. But after a job change forced Frank to begin a long car commute every day, his daughter Jen noticed changes in his personality and beliefs. Long hours on the road listening to talk radio commentators like Rush Limbaugh sucked her father into a suspicion-laden worldview dominated by conspiracy theories, fake news, and rants about the "coastal elite" and "libtards" trying to destroy America.Over the course of a few years, Jen's dad went from a nonpolitical, open-minded Democrat to a radical, angry, and intolerant right-wing devotee who became a stranger to those closest to him. As politics began to take precedence over everything else in her father's life, Jen was mystified. What happened to her dad? Was there anything she could do to help? And, most importantly, would he ever be his lovable self again? Jen began the search for answers, and found them... as well stories from countless other families like her own.Based on the award-winning documentary, The Brainwashing of My Dad uncovers the alarming right-wing strategy to wield the media as a weapon against our very democracy. Jen's story shows us how Fox News and other ultra-conservative media outlets are reshaping the way millions of Americans view the world, and encourages us to fight back.

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While the flames of World War II still raged, Roosevelt, Churchill, and Stalin issued a warning to the Nazi leaders. Those responsible for the torture and murder of millions of innocent and defenseless civilians were promised that "... the three Allied Powers will pursue them to the furthest corners of the earth and deliver them to their judges so that justice may be done." That promise was not kept. Justice was not done. In 1945, twelve of the most notorious Nazis were tried for crimes against humanity and sentenced to death by the International Military Tribunal convened at Nuremberg. (Martin Bormann, his whereabouts unknown, had been tried and convicted in absentia.) Subsequent war-crimes trials ended in the conviction of other offenders. But the majority of the torturers and murderers escaped, found sanctuary, and continued to work effectively toward the concept of eventual world domination. Nazism did not die at Nuremberg. This survival and resurgence was the result of a plan for the creation of a "brotherhood" initiated long before the end of the war by the least visible and most powerful of the Nazi war lords--Martin Bormann. The Brotherhood, backed by virtually unlimited funds, established "safe" houses inside Germany, escape routes to other countries and continents, and an extensive international group of industrial firms as financial reservoirs and as "fronts" for escaped Nazis. This chronicle, based upon independent investigation, including numerous exclusive interviews and the examination of declassified and revealing documents, casts a new light upon Bormann, his strange role in the Third Reich, and his devastating influence, which cuts mercilessly into our present. This is essential reading, as fascinating as it is meaningful.

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One of the singular talents in landscape design, Chip Sullivan has shared his expertise through a seemingly unusual medium that, at second glance, makes perfect sense--the comic strip. For years Sullivan entertained readers of Landscape Architecture Magazine with comic strips that ingeniously illustrated significant concepts and milestones in the creation of our landscapes. These strips gained a large following among architects and illustrators, and now those original works, as well as additional strips created just for this book, are collected in Cartooning the Landscape.Framed by a loose narrative in which a young man’s search for wisdom is fulfilled by a comics shop owner who instructs him not only in the essentials of illustrating but in how to see, the book takes us on a whirlwind series of journeys. We visit the living sculptures of the Tree Circus on California’s Highway 17, the vast network of tunnels and fortifications--almost an underground city--of France’s Maginot Line, and take a trip through time that reveals undeniable parallels between the Emperor Hadrian’s re-creation of the Elysian Fields and, of all things, the iconic theme parks of Walt Disney. Sullivan immerses us in the artist’s concepts and tools, from the Claude mirror and the camera obscura to the role of optical illusion in art. He shows us how hot air balloons introduced aerial perspective and reveals exhibition effects that portended everything from Cinerama to Smell-O-Vision.Sullivan’s book is also a plea, in an era increasingly dominated by digitally rendered images, for a new appreciation of the art of hand drawing. The proof of this craft’s value lies in the hundreds of Sullivan’s panels collected in this passionate, humorous, always illuminating tour of the rich landscape surrounding us.

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Interpretations is a collection of essays produced by the distinguished philosopher Jude Dougherty over the past decade, written to inform or to provide commentary on contemporary issues. In probing the past to interpret the present they draw upon a perspective that one may call classical, the perspective of Plato, Aristotle, the Stoics, and their followers across the ages, notably Thomas Aquinas, and his modern disciples, such as Etienne Gilson and Jacques Maritain. The first part of Interpretations is an attempt to understand modernity’s break with the past, the repudiation of Scholasticism and the classical tradition. Dougherty does this by referencing the dominant preoccupations of the Middle Ages, of the Renaissance, of the Reformation, of eighteenth-century British empiricism, and of nineteenth-century German philosophy, drawing upon the readings of Remi Brague, Pierre Manent, and others. What unifies these reflections is the role of religion (both in Christianity and Islam) in society and its impact on the culture, as well as looking at what is called “modernity” where this role becomes reduced or absent. The second part of the volume examines selected addresses by Pope Emeritus Benedict XVI from a philosophical point of view. Benedict, like others through the course of history, has recognized the role of religion in producing cultural unity. These essays are an appreciation primarily of the subtlety of the former pontiff’s thought. The third part of Interpretations collects essays and addresses on the practice and nature of philosophy that Dean Dougherty has given throughout his career at The Catholic University of America, and reflects the trajectory of his career and the development of his thought.

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Based on general concepts of collective action, Private Enforcement of Antitrust analyzes how collective litigation mechanisms can be designed to encourage victims of anti-competitive conduct to access justice.Through the expert assessment of the US Federal Courts' case on competition law, alongside that of domestic Europe, Arianna Andreangeli provides a fresh response to the issues surrounding collective litigation. The discussion is skillfully placed in the wider context of competition enforcement, whilst at the same time exploring both past and present trends. The book concludes that collective litigation of competition claims must strike a 'fair balance' between respecting rules of due process and ensuring fuller access to justice.An enlightening perspective, this book will be an invaluable resource for academics and competition civil justice experts. It will also be of interest to practitioners active in competition cases and policy makers concerned with human rights issues.Contents: 1. Setting the scene: European debates on collective Redress in competition law 2. Rule 23 FRCP: 'aggregating' individual antitrust claimants in diffuse injury cases-the certification criteria of commonality , predominance and superiority and the obligation to serve notice 3. 'Managing' antitrust class actions under Rule 23(b)(3) FRCP: who 'plays the pipe'? And who pays the piper? 4. The EU Commission agenda on collective redress: from a 'sector specific' to a mainstream discussion of group justice questions 5. Collective litigation in competition cases in the United Kingdom: between personal autonomy in civil litigation and effective judicial protection 6. Collective litigation and collective redress in competition claims: continental solutions-the case of Italy and of the Netherlands 7. Access to justice, diffuse torts and competition litigation in the EU: where do we go from here? Index

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Can she find the courage to defy a king?In seventeenth-century France, Louis XIV rules with flamboyant ambition. In his domain, wealth and beauty are all; frivolity begets cruelty; science and alchemy collide. From the Hall of Mirrors to the vermin-infested attics of the Chateau at Versailles, courtiers compete to please the king, sacrificing fortune, principles, and even sacred family bonds.'A wonderful book! Adventure, love, history, magic - it's an engrossing story with magnificent characters, balanced perfectly on the edge between,' says DIANA GABALDONBy the fiftieth year of his reign, Louis XIV has made France the most powerful state in the western world, but the Sun King's appetite for glory knows no bounds. In a bold stroke, he sends his natural philosopher on an expedition to seek the source of immortality: the mythical sea monster. For the glory of his God, his country, and his king, Father Yves de la Croix returns with his treasures: one heavy shroud packed in ice . . . and in a covered basin, an imprisoned sea-creature.Marie-Josephe de la Croix has been looking forward to assisting her brother Yves in the scientific study of the sea monster, until she makes a discovery that will threaten everything her brother, the court and the King believe.'The finest alternate history ever, light-hearted and wise - a luminous, radiant novel,' said URSULA K. LE GUINBut in the decadent court of King Louis, where morality is skewed and corruption reigns, will anyone listen to a single voice? Somehow, she must find the courage to follow her heart and her convictions - even at the cost of changing her life forever.

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Recovering the bold voices and audacious lives of women who confronted capitalist society’s failures and injustices in the 1930s—a decade unnervingly similar to our own In the Company of Radical Women Writers rediscovers the political commitments and passionate advocacy of seven writers—Black, Jewish, and white—who as young women turned to communism around the Great Depression and, over decades of national crisis, spoke to issues of labor, land, and love in ways that provide urgent, thought-provoking guidance for today. Rosemary Hennessy spotlights the courageous lives of women who confronted similar challenges to those we still face: exhausting and unfair labor practices, unrelenting racial injustice, and environmental devastation.As Hennessy brilliantly shows, the documentary journalism and creative and biographical writings of Marvel Cooke, Louise Thompson Patterson, Claudia Jones, Alice Childress, Josephine Herbst, Meridel Le Sueur, and Muriel Rukeyser recognized that life is sustained across a web of dependencies that we each have a duty to maintain. Their work brought into sharp focus the value and dignity of Black women’s domestic work, confronted the destructive myths of land exploitation and white supremacy, and explored ways of knowing attuned to a life-giving erotic energy that spans bodies and relations. In doing so, they also expanded the scope of American communism.By tracing the attention these seven women pay to “life-making” as the relations supporting survival and wellbeing—from Harlem to the American South and Midwest—In the Company of Radical Women Writers reveals their groundbreaking reconceptions of the political and provides bracing inspiration in the ongoing fight for justice.

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An ethnographic exploration of technoscientific immortality Immortality has long been considered the domain of religion. But immortality projects have gained increasing legitimacy and power in the world of science and technology. With recent rapid advances in biology, nanotechnology, and artificial intelligence, secular immortalists hope for and work toward a future without death.On Not Dying is an anthropological, historical, and philosophical exploration of immortality as a secular and scientific category. Based on an ethnography of immortalist communities—those who believe humans can extend their personal existence indefinitely through technological means—and an examination of other institutions involved at the end of life, Abou Farman argues that secular immortalism is an important site to explore the tensions inherent in secularism: how to accept death but extend life; knowing the future is open but your future is finite; that life has meaning but the universe is meaningless. As secularism denies a soul, an afterlife, and a cosmic purpose, conflicts arise around the relationship of mind and body, individual finitude and the infinity of time and the cosmos, and the purpose of life. Immortalism today, Farman argues, is shaped by these historical and culturally situated tensions. Immortalist projects go beyond extending life, confronting dualism and cosmic alienation by imagining (and producing) informatic selves separate from the biological body but connected to a cosmic unfolding.On Not Dying interrogates the social implications of technoscientific immortalism and raises important political questions. Whose life will be extended? Will these technologies be available to all, or will they reproduce racial and geopolitical hierarchies? As human life on earth is threatened in the Anthropocene, why should life be extended, and what will that prolonged existence look like?

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Offering a deeper understanding of today’s internet media and the management theory behind itPlatforms are everywhere. From social media to chat, streaming, credit cards, and even bookstores, it seems like almost everything can be described as a platform. In The Platform Economy, Marc Steinberg argues that the “platformization” of capitalism has transformed everything, and it is imperative that we have a historically precise, robust understanding of this widespread concept. Taking Japan as the key site for global platformization, Steinberg delves into that nation’s unique technological and managerial trajectory, in the process systematically examining every facet of the elusive word platform. Among the untold stories revealed here is that of the 1999 iPhone precursor, the i-mode: the world’s first widespread mobile internet platform, which became a blueprint for Apple and Google’s later dominance of the mobile market. Steinberg also charts the rise of social gaming giants GREE and Mobage, chat tools KakaoTalk, WeChat, and LINE, and video streaming site Niconico Video, as well as the development of platform theory in Japan, as part of a wider transformation of managerial theory to account for platforms as mediators of cultural life. Analyzing platforms’ immense impact on contemporary media such as video streaming, music, and gaming, The Platform Economy fills in neglected parts of the platform story. In narrating the rise and fall of Japanese platforms, and the enduring legacy of Japanese platform theory, this book sheds light on contemporary tech titans like Facebook, Google, Apple, and Netflix, and their platform-mediated transformation of contemporary life—it is essential reading for anyone wanting to understand what capitalism is today and where it is headed.

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