Search results for ""author robert"

The Savage Detectives elicits mixed feelings. An instant classic in the Spanish-speaking world upon its 1998 publication, a critical and commercial smash on its 2007 translation into English, Roberto Bolaño’s novel has also been called an exercise in 1970s nostalgia, an escapist fantasy of a romanticized Latin America, and a publicity event propped up by the myth of the bad-boy artist.David Kurnick argues that the controversies surrounding Bolaño’s life and work have obscured his achievements—and that The Savage Detectives is still underappreciated for the subtlety and vitality of its portrait of collective life. Kurnick explores The Savage Detectives as an epic of social structure and its decomposition, a novel that restlessly moves between the big configurations—of states, continents, and generations—and the everyday stuff—parties, jobs, moods, sex, conversation—of which they’re made. For Kurnick, Bolaño’s book is a necromantic invocation of life in history, one that demands surrender as much as analysis.Kurnick alternates literary-critical arguments with explorations of the novel’s microclimates and neighborhoods—the little atmospheric zones where some of Bolaño’s most interesting rethinking of sexuality, politics, and literature takes place. He also claims that The Savage Detectives holds particular interest for U.S. readers: not because it panders to them but because it heralds the exhilarating prospect of a world in which American culture has lost its presumptive centrality.

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This title deals with traditional food and cooking in 25 authentic dishes. You can discover the delights of Welsh food and cooking with ingredients sourced from rugged shorelines and mountainous peaks to rich, fertile valleys and sleepy fishing villages. You can try fabulous Welsh recipes, from everyday fare such as Welsh Rarebit, Fish Pie and Bara Brith teabread to more unusual regional dishes, such as Laverbread Cakes and Bacon, or Katt Pie. The introduction offers a concise overview of this unexplored culinary tradition, plus a guide to the most popular ingredients in the country. It features enticing breakfasts, warming soups, delicate fish, hearty stews, tempting side dishes, plus delectable puddings, teatime cakes and sustaining bakes. Nutritional information for every recipe is provided. It is illustrated with wonderful photographs by Craig Robertson of practical steps and final dishes. Wales is justly famous for its unspoilt landscapes and fresh, natural ingredients. This beautiful little book provides a tasty sampler of the country's cuisine.Discover a wealth of dishes including Glamorgan Sausages, Bacon with Parsley Sauce, Lamb Broth and Scallops with Bacon and Sage, as well as intriguing local treats such as Bakestone Bread, Anglesey Eggs and Snowdon Pudding. Packed with 130 pictures, cook's tips, variations and complete nutritional information, this book is essential reading for anyone who would like to discover the hidden secrets of Wales' culinary heritage.

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St. Andrews, Scotland: Renovation works on the famous Old Course golf course uncovers the remains of a body in a shallow grave - two bullet holes in the skull. DNA confirms the victim as Rab Shepherd, the missing brother of Scotland's late crime patriarch, Jock Shepherd. But Rab pulled out of the family business over twenty years ago, and moved to Australia where he allegedly lived an honest and wealthy life. This body confirms otherwise.Why was Rab killed? And who would risk killing him, knowing he was big Jock's brother?DCI Andy Gilchrist and his associate, DS Jessie Janes, are assigned the murder investigation, and soon uncover a trail of executions and torture, treachery and betrayal, and ultimately a gangland secret so powerful it could shake the UK government to its core...PRAISE FOR T.F. MUIR:'Rebus did it for Edinburgh. Laidlaw did it for Glasgow. Gilchrist might just be the bloke to put St Andrews on the crime fiction map.' Daily Record'A truly gripping read, with all the makings of a classic series.' Mick Herron'Gripping and grisly, with plenty of twists and turns that race along with black humour.' Craig Robertson'DCI Gilchrist gets under your skin. Though, determined, and a bit vulnerable, this character will stay with you long after the last page.' Anna Smith'Gripping!' Peterborough Telegraph

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Despite the importance of archives to the profession of history, there is very little written about actual encounters with them—about the effect that the researcher’s race, gender, or class may have on her experience within them or about the impact that archival surveillance, architecture, or bureaucracy might have on the histories that are ultimately written. This provocative collection initiates a vital conversation about how archives around the world are constructed, policed, manipulated, and experienced. It challenges the claims to objectivity associated with the traditional archive by telling stories that illuminate its power to shape the narratives that are “found” there.Archive Stories brings together ethnographies of the archival world, most of which are written by historians. Some contributors recount their own experiences. One offers a moving reflection on how the relative wealth and prestige of Western researchers can gain them entry to collections such as Uzbekistan’s newly formed Central State Archive, which severely limits the access of Uzbek researchers. Others explore the genealogies of specific archives, from one of the most influential archival institutions in the modern West, the Archives nationales in Paris, to the significant archives of the Bakunin family in Russia, which were saved largely through the efforts of one family member. Still others explore the impact of current events on the analysis of particular archives. A contributor tells of researching the 1976 Soweto riots in the politically charged atmosphere of the early 1990s, just as apartheid in South Africa was coming to an end. A number of the essays question what counts as an archive—and what counts as history—as they consider oral histories, cyberspace, fiction, and plans for streets and buildings that were never built, for histories that never materialized.Contributors. Tony Ballantyne, Marilyn Booth, Antoinette Burton, Ann Curthoys, Peter Fritzsche, Durba Ghosh, Laura Mayhall, Jennifer S. Milligan, Kathryn J. Oberdeck, Adele Perry, Helena Pohlandt-McCormick, John Randolph, Craig Robertson, Horacio N. Roque Ramírez, Jeff Sahadeo, Reneé Sentilles

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'RESISTANCE WOULD BE FUTILE' THE TIMES'I COULDN'T PUT IT DOWN!' CLAIRE GRADIDGEPerfect for fans of Code Name Hélène and The Alice Network.THREE WOMEN. ONE MISSION. ENEMIES EVERYWHERE.May 1944. When spy Elisabeth de Mornay, code name Cécile, notices a coded transmission from an agent in the field does not bear his usual signature, she suspects his cover has been blown - something that is happening with increasing frequency. With the situation in Occupied France worsening and growing fears that the Resistance has been compromised, Cécile is ordered behind enemy lines.Having rendezvoused with her fellow agents, Léonie and Dominique, together they have one mission: help the Resistance destabilise German operations to pave the way for the Normandy landings.But the life of a spy is never straightforward, and the in-fighting within the Resistance makes knowing who to trust ever more difficult. With their lives on the line, all three women will have to make decisions that could cost them everything - for not all their enemies are German.'HEART-STOPPING...RESISTANCE IS A GIFT TO ALL FANS OF ESPIONAGE THRILLERS' IMOGEN ROBERTSON'TENSE, VIVID AND UTTERLY ADDICTIVE' LOUISE BEECH

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** Now with three bonus songs**'Go Your Own Way' by Fleetwood Mac'Come on Eileen' by Dexys Midnight RunnersWhy Can't We Be Friends?' by WarSongs that sell the most copies become hits, but some of those hits become something more - iconic recordings that not only inspire a generation but also alter the direction of music. In this follow-up to his classic Anatomy of a Song, writer and music historian Marc Myers tells the stories behind fifty-five more rock, pop, R&B, country and reggae hits through intimate interviews with the artists who wrote and recorded them.Part oral history, part musical analysis, Anatomy of 55 Hit Songs ranges from Creedence Clearwater Revival's 'Bad Moon Rising' to Dionne Warwick's 'Walk On By', The Beach Boys' 'Good Vibrations' and Black Sabbath's 'Paranoid'. Bernie Taupin recalls how he wrote the lyrics to Elton John's 'Rocket Man'; Joan Jett remembers channeling her rage against how she had been unfairly labeled and treated into 'Bad Reputation' and Ozzy Osbourne, Elvis Costello, Bob Weir, Sheryl Crow, Alice Cooper, Roberta Flack, John Mellencamp, Keith Richards, Carly Simon and many others reveal the emotions and technique behind their major works.

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The Roman Catholic Church in Latin America faces significant and unprecedented challenges. Most prominent among them are secularization, globalizing cultural trends, intensifying religious competition, and pluralism of many kinds within what were once hegemonic Catholic societies. The substantial and original essays in this volume assess the ways in which the Catholic Church in Latin America is dealing with these political, religious, and social changes. Most importantly, they explore how democracy has changed the Catholic Church and, in turn, how religious changes have influenced democratic politics in Latin America. Drawing on the experiences of several countries to illustrate broad themes and explain divergent religious responses to common challenges, the contributors advance the notion that the Catholic Church's effectiveness in the public sphere and even its long-term viability as a religious institution depend on the nature and extent of the relationship between the hierarchy and the faithful. The essays address the context of pluralist challenges, the ideational, institutional, and policy responses of the Catholic hierarchy, and the nature of both religious beliefs and democratic values at the individual level in Latin America today. Contributors: Frances Hagopian, Ronald Inglehart, Soledad Loaeza, Cristián Parker Gumucio, Patricia M. Rodríguez, Roberto J. Blancarte, Mala Htun, Catalina Romero, and Daniel H. Levine.

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The Roman Catholic Church in Latin America faces significant and unprecedented challenges. Most prominent among them are secularization, globalizing cultural trends, intensifying religious competition, and pluralism of many kinds within what were once hegemonic Catholic societies. The substantial and original essays in this volume assess the ways in which the Catholic Church in Latin America is dealing with these political, religious, and social changes. Most importantly, they explore how democracy has changed the Catholic Church and, in turn, how religious changes have influenced democratic politics in Latin America. Drawing on the experiences of several countries to illustrate broad themes and explain divergent religious responses to common challenges, the contributors advance the notion that the Catholic Church's effectiveness in the public sphere and even its long-term viability as a religious institution depend on the nature and extent of the relationship between the hierarchy and the faithful. The essays address the context of pluralist challenges, the ideational, institutional, and policy responses of the Catholic hierarchy, and the nature of both religious beliefs and democratic values at the individual level in Latin America today. Contributors: Frances Hagopian, Ronald Inglehart, Soledad Loaeza, Cristián Parker Gumucio, Patricia M. Rodríguez, Roberto J. Blancarte, Mala Htun, Catalina Romero, and Daniel H. Levine.

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This book features classic recipes for the ultimate home-made preserve. It is a fabulous introduction to making sweet and tangy marmalades including wonderful ways to use them in the kitchen. It includes classic preserves such as Oxford Marmalade, St Clement's Marmalade and Lemon and Ginger Marmalade, as well as more unusual combinations like Tangerine and Lemon Grass Marmalade, and Peach and Kumquat Marmalade. It also features recipes that include marmalade such as Bitter Marmalade Chocolate Loaf, Marmalade Sticky Squares, and Marmalade and Soy Roast Duck. A useful introductory section provides information on ingredients, equipment and preserving techniques. It is illustrated with stunning photographs by Craig Robertson of practical steps and sumptuous final dishes. Each recipe has a full nutritional breakdown. Whether spread liberally over freshly buttered toast, poured over a steamed pudding, used as a meat glaze or eaten straight from the jar, nothing can beat the unique bittersweet taste of home-made marmalade.Traditionally made with citrus fruits, this little book will also introduce you to new fruit combinations such as cranberry, pomelo, pumpkin, pineapple and lemon grass, and includes recipes with marmalade as a key ingredient. The beautiful photographs are sure to inspire and the easy-to-follow instructions guarantee successful results every time.

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Manchester City stormed to the clubs fourth Premier League title in 2019, the fourth championship in seven seasons, which is a far cry from the 44-year wait which ended in 2012! It is hard to believe that less than 20 years ago, City were in what is now League One. Their loyal fans spent so many years riding on the wildest roller-coaster in English football, with so many ups and downs that they hardly knew in which division they were competing, but things have changed and now City are among not only England's elite, but also Europe's. This incredible journey is recorded in this updated edition of The Little Book of Man City, a selection of the wit and wisdom of the great characters who have been associated with the club. From managers, such as Malcolm Allison, Kevin Keegan, Roberto Mancini and Pep Guardiola, via garrulous fans such as Radio 1's Mark and Lard and the Gallagher brothers to voluble players such as Francis Lee, Dennis Tueart, Rodney Marsh, Kun Aguero and Vincent Kompany, here are more than 170 funny and biting quotes for the avid fan of 'the only club in Manchester'. As their chaplain once said, 'Imagine where City would be if I hadn't been praying for them all these years.'

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The Posthuman is the new paradigm of architecture. Encompassing related topics such as the post-Anthropocene, more-than-human, non-human, trans-human, anti-human and meta-human, this AD presents a synthesis of the architectural Posthuman. Proliferating and diversifying, the Posthuman is now as planetary as it is everyday, and as disruptive, contested and contradictory as it is sublime. From the detail to the interplanetary, and from real and fictional designs and spaces to more proleptic universe-building futures, the issue describes and speculates on these spectacular and shocking new species. It envisions the Posthuman through the array of emerging technologies, and features original contributions from academics, professionals, design studios and related disciplines and domains. These new spaces include the full electromagnetic spectrum and present new entanglements of Posthuman theories and technologies. Contributors: Mario Carpo; Paul Dobraszczyk; Alberto Fernandez; Ariane Harrison; Sandra Häuplik-Meusburger and Olga Bannova; Steven Hutt; Xavier de Kestelier, Levent Ozruh and Jonathan Irwan; Sylvia Lavin; Jacopo Leveratto; Tyson Hosmer, Roberto Bottazzi and Mollie Claypool; Colbey Reid and Dennis Weiss; Andrew Witt; and Brent Sherwood. Featured designers and architects: Blue Origin, Christian Rex van Minnen, Harrison Atelier, and Hassell.

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'Gripping and gritty, this book will keep you hooked from the first page to the last' Roberta KrayOne year on from being reunited with the family she abandoned, successful lawyer Liberty Chapman is still in Leeds - although she has stayed well away from the Greenwood's business activities. Their criminal life style may not sit right with Liberty, but blood is thicker than water and surely what they do is their business not hers?But when her youngest brother, Frankie, is seriously injured in a shooting, Liberty is forced to decide which side she is on and how far she will go to protect her own. And if that means torturing the local gangster for information or kidnapping another at gun point, then so be it. Turns out Liberty is a Greenwood after all.Meanwhile, PC Amira Hassani will do whatever it takes to put Liberty and her family away for good, and if that includes blackmailing her colleague Sol Connolly to secure evidence against them, then so be it too. Will Sol betray Liberty to protect his wife and his career? And how far will any of them go to do what they think is right?'The Leeds setting is every bit as gritty as Kray's East End . . . hard as nails!' Peterborough Telegraph

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The U.S. Supreme Court decision in Roe v. Wade stands as a historic victory for abortion-rights activists. But rather than serving as the coda to what had been a comparatively low-profile social conflict, the decision mobilized a wave of anti-abortion protests and ignited a heated struggle that continues to this day. Picking up the story in the contentious decades that followed Roe, The Street Politics of Abortion is the first book to consider the rise and fall of clinic-front protests through the 1980s and 1990s, the most visible and contentious period in U.S. reproductive politics. Joshua Wilson considers how street level protests lead to three seminal Court decisions—Planned Parenthood v. Williams, Schenck v. Pro-Choice Network of Western N.Y., and Hill v. Colorado. The eventual demise of street protests via these cases taught anti-abortion activists the value of incremental institutional strategies that could produce concrete policy gains without drawing the public's attention. Activists on both sides ultimately moved—often literally—from the streets to fight in state legislative halls and courtrooms. At its core, the story of clinic-front protests is the story of the Christian Right's mercurial assent as a force in American politics. As the conflict moved from the street, to the courts, and eventually to legislative halls, the competing sides came to rely on a network of lawyers and professionals to champion their causes. New Christian Right institutions—including Pat Robertson's American Center for Law and Justice and the Regent University Law School, and Jerry Falwell's Liberty University School of Law—trained elite activists for their "front line" battles in government. Wilson demonstrates how the abortion-rights movement, despite its initial success with Roe, has since faced continuous challenges and difficulties, while the anti-abortion movement continues to gain strength in spite of its losses.

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In this volume, Garnet C. Butchart shows how human communication can be understood as embodied relations and not merely as a mechanical process of transmission. Expanding on contemporary philosophies of speech and language, self and other, and community and immunity, this book challenges many common assumptions, constructs, and problems of communication theory while offering compelling new resources for future study.Human communication has long been characterized as a problem of transmitting information, or the “outward” sharing of “inner thought” through mediated channels of exchange. Butchart questions that model and the various theories to which it gives rise. Drawing from the work of Giorgio Agamben, Roberto Esposito, Jean-Luc Nancy, and Jacques Lacan—thinkers who, along with Martin Heidegger and Michel Foucault, have critiqued the modern notion of a rational subject—Butchart shows that the subject is shaped by language rather than preformed, and that humans embody, and not just use, the signs and contexts of interaction that form what he calls a “communication community.”Accessibly written and engagingly researched, Embodiment, Relation, Community is relevant for researchers and advanced students of communication, cultural studies, translation, and rhetorical studies, especially those who work with a humanistic or interpretive paradigm.

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The 18th International Architecture Exhibition, in Venice from May 20th to November 26th, 2023, is entitled The Laboratory of the Future. Conceived as “a kind of workshop, a laboratory where architects and practitioners across an expanded field of creative disciplines draw out examples from their contemporary practices that chart a path for the audience — participants and visitors alike — to weave through, imagining for themselves what the future can hold” (Lesley Lokko). The Catalogue of the Biennale Architettura 2023 is divided into two volumes and follows the organisation of the Exhibition, accompanying visitors and architecture enthusiasts through the exhibition spaces of the Arsenale and the Giardini, and towards the other projects showing in various locations in the city of Venice and in Forte Marghera, in Mestre. Volume I of the Catalogue, divided into different sections, opens with statements from the President of La Biennale di Venezia, Roberto Cicutto, and the Artistic Director of the Architecture Department, Lesley Lokko. One section is dedicated to the events of Carnival, a cycle of lectures, debates, panel discussions and performances that explore the themes of the 18th International Architecture Exhibition, followed by a section dedicated to Special Projects. The Volume then dedicates two sections to the International Exhibition, curated by Lesley Lokko, respectively titled Force Majeure and Dangerous Liaisons. Each project on display in the Exhibition is accompanied by a critical text and a rich iconography that completes the Participants’ work. A further section is dedicated to the first edition of the Biennale College Architettura, which will hold its workshop from June 25th to July 22nd, 2023, in Venice. Threaded throughout are a series of essays developing the themes of the Exhibition and a detailed record of the works on display. Volume II of the Catalogue presents the National Participations and the Collateral Events of the 18th International Architecture Exhibition. The volume includes a series of illustrated texts that delve deeper into the projects on exhibit in the Pavilions and the Collateral Events at the Giardini, at the Arsenale and in various locations across Venice from May 20th through November 26th, 2023. The graphic identity of the Biennale Architettura 2023 and the design of the publications are the work of Die Ateljee Fred Swart.

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Irish national hero, a Celtic great and their most-capped player, Patrick 'Packie' Bonner is a goalkeeping legend.He was Jock Stein's last signing for the club when he left his native Donegal for the city of Glasgow in 1978, where Packie evolved from being a shy, homesick teenager into a confident, world-class talent and first-choice goalkeeper. Billy McNeill handed him a debut on St Patrick's Day in 1979, and Packie went on to provide the last line of defence a record 641 times for the club. A seasoned Irish internationalist, Packie was a vital component in the most-celebrated Irish national squad ever, playing in a golden era under the tutelage of the inimitable Jack Charlton.In The Last Line, Packie shares stories from his incredible career, including his greatest moment in front of a global audience during the Italia '90 World Cup tournament when he became the penalty shoot-out hero of the nation by saving a spot-kick that took the Irish to the quarter-finals stage in their very first World Cup adventure.It was an iconic moment that would change his life forever not least because, whilst in Italy, he, along with his teammates, had an audience with another goalkeeper, Pope John Paul II.Throughout his 80 cap international career, he competed against the very best in the world. Men such as Ruud Gullit, Marco Van Basten, Gheorghe Hagi, Roberto Baggio and Gary Lineker came to know the name Packie Bonner. Equally, in his glittering Celtic career that included the winning of four Scottish League titles, three Scottish Cups and one Scottish League Cup, Packie Bonner played alongside some great Celtic names like Tommy Burns, Paul McStay, and Murdo Macleod.Along the way, Packie had to endure a career-threatening back injury, as well as the devastation of a routine save going wrong and costing a goal on the world stage against Holland in 1994, ultimately leading to elimination from the World Cup in America. More than just the telling of trophies, titles and triumphs, this is the story of a Celtic legend and a true great of Irish International football.

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'Refreshing . . . I look forward to reading more' Alex Gray'First-rate' Sunday SportA seasonal hotel where murder can be made to disappear with the sun . . . Maggie Stewart travels with friends Liz and Harry to the Ice Hotel, a surreal building in Swedish Lapland constructed from ice cut from the nearby river. During the day, it is a museum housing ice sculptures, but at night it becomes a novelty hotel. Shortly after their arrival, the holiday turns into a nightmare. A near-miss snowmobile accident is followed by the discovery of the frozen body of one of the hotel's American guests. Maggie is shocked to learn that this was no accident: the American was drugged and pushed out of his sleeping bag to freeze to death in the room. As the body count rises and Maggie finds herself in mortal danger, she realises that the only person she can trust is Thomas Hallengren, the detective leading the case. But can he uncover the killer's identity before the Ice Hotel and other buildings - the Ice Chapel and Ice Theatre - melt back into the river, taking the clues with them?Praise for Hania Allen'A fresh new find for crime fans' Sunday Post'Nicely nasty in all the right places . . . The story rattles along until bringing the curtain down with an unnerving twist' Craig Robertson'Captivating characters and an intriguing plot. A great new find for crime fans' Lin Anderson'Pitch-perfect . . . a witty, tense crime novel written in a highly readable style' Russel D McLean

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Bewildering features of modern physics, such as relativistic space-time structure and the peculiarities of so-called quantum statistics, challenge traditional ways of conceiving of objects in space and time. Interpreting Bodies brings together essays by leading philosophers and scientists to provide a unique overview of the implications of such physical theories for questions about the nature of objects. The collection combines classic articles by Max Born, Werner Heisenberg, Hans Reichenbach, and Erwin Schrodinger with recent contributions, including several papers that have never before been published. The book focuses on the microphysical objects that are at the heart of quantum physics and addresses issues central to both the "foundational" and the philosophical debates about objects. Contributors explore three subjects in particular: how to identify a physical object as an individual, the notion of invariance with respect to determining what objects are or could be, and how to relate objective and measurable properties to a physical entity. The papers cover traditional philosophical topics, common-sense questions, and technical matters in a consistently clear and rigorous fashion, illuminating some of the most perplexing problems in modern physics and the philosophy of science. The contributors are Diederik Aerts, Max Born, Elena Castellani, Maria Luisa Dalla Chiara, Bas C. van Fraassen, Steven French, Gian Carlo Ghirardi, Roberto Giuntini, Werner Heisenberg, Decio Krause, David Lewis, Tim Maudlin, Peter Mittelstaedt, Giulio Peruzzi, Hans Reichenbach, Erwin Schrodinger, Paul Teller, and Giuliano Toraldo di Francia.

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'Refreshing . . . I look forward to reading more' Alex Gray'First-rate' Sunday SportA seasonal hotel where murder can be made to disappear with the sun . . . Maggie Stewart travels with friends Liz and Harry to the Ice Hotel, a surreal building in Swedish Lapland constructed from ice cut from the nearby river. During the day, it is a museum housing ice sculptures, but at night it becomes a novelty hotel. Shortly after their arrival, the holiday turns into a nightmare. A near-miss snowmobile accident is followed by the discovery of the frozen body of one of the hotel's American guests. Maggie is shocked to learn that this was no accident: the American was drugged and pushed out of his sleeping bag to freeze to death in the room. As the body count rises and Maggie finds herself in mortal danger, she realises that the only person she can trust is Thomas Hallengren, the detective leading the case. But can he uncover the killer's identity before the Ice Hotel and other buildings - the Ice Chapel and Ice Theatre - melt back into the river, taking the clues with them?Praise for Hania Allen'A fresh new find for crime fans' Sunday Post'Nicely nasty in all the right places . . . The story rattles along until bringing the curtain down with an unnerving twist' Craig Robertson'Captivating characters and an intriguing plot. A great new find for crime fans' Lin Anderson'Pitch-perfect . . . a witty, tense crime novel written in a highly readable style' Russel D McLean

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'Gripping and grisly, with plenty of twists and turns that race along with black humour.' Craig RobertsonSt. Andrews, Scotland: When an elderly woman's naked body is found in her home, crucified to the floor, DCI Andy Gilchrist and his associate, DS Jessie Janes, find themselves in a hunt for a brutal serial killer. As the body count rises, suspicion falls on Tap 'Dancer' McCrear, a career criminal recently released from prison after serving fifteen years for a murder he swore he never committed.As Gilchrist begins to uncover the terrifying truth behind each of the killings, his worst fears are realised when he learns that McCrear is killing everyone involved in his murder trial... for it was Gilchrist who arrested McCrear all those years ago. High-flying Detective Superintendent Rommie Frazier, who leads the multi-constabulary task force searching for McCrear, clashes with Gilchrist over the detail of the investigation, and demands his removal. But Gilchrist won't leave without a fight, for he knows it is up to him to find Tap McCrear... before his own name is struck off the murder list.PRAISE FOR T.F. MUIR:'Rebus did it for Edinburgh. Laidlaw did it for Glasgow. Gilchrist might just be the bloke to put St Andrews on the crime fiction map.' Daily Record'A truly gripping read, with all the makings of a classic series.' Mick Herron'DCI Gilchrist gets under your skin. Tough, determined, and a bit vulnerable, this character will stay with you long after the last page.' Anna Smith'Gripping!' Peterborough Telegraph

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It was a quiet day for the funeral. Until the bomb went off...Midwinter in Poland, and Dania Górska and her brother Marek are in Warsaw, attending the funeral of her old piano teacher, Jakub Frydman. At the graveside is rabbi Salomon Steinberg and several former pupils. As the service draws to an end, a figure is glimpsed through the mist throwing a wreath into the open grave. And as the mourners file out of the cemetery, they hear an explosion: the grave of Jakub Frydman has been destroyed and the perpetrator - the unexpected guest at the graveside - has made a clean getaway. But who was the intended victim? Was it an antisemitic attack - but against the old teacher, or the rabbi? Or was it drugs related... and Dania and her investigative journalist brother the targets? Now Dania has to trade Dundee for Warsaw to follow up leads on an international drugs syndicate - and find a resolution to this most unexpected and deadly of crimes. Praise for Hania Allen'Nicely nasty in all the right places . . . The story rattles along until bringing the curtain down with an unnerving twist' Craig Robertson'A fresh new find for crime fans ... the plot is intriguing, the characters are well drawn, and the end comes with an unnerving twist. Extremely readable' Sunday Post'Captivating characters and an intriguing plot. A great new find for crime fans' Lin Anderson'Pitch-perfect . . . a witty, tense crime novel written in a highly readable style' Russel D McLean

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How well do you know the person you love? A woman's body is washed up on the rocks by the castle ruins in St Andrews with evidence of strangulation, and no ID. Two days into the case, a call from another woman claiming to be the victim's friend could be DCI Andy Gilchrist's first solid lead. But when she fails to turn up for an interview, Gilchrist fears the worst. The next day, they find her battered body. Gilchrist's focus centres on his prime suspect, a local handyman with the reputation of being a ladies' man, who seems to have no history beyond three years - the length of time he's been living in the East Neuk. But before Gilchrist can bring him in for questioning, he vanishes. Would you trust the person you love with your life? If you do, they might just take it.Praise for T.F. Muir:'A truly gripping read.' Mick Herron'Everything I look for in a crime novel.' Louise Welsh'Rebus did it for Edinburgh. Laidlaw did it for Glasgow. Gilchrist might just be the bloke to put St Andrews on the crime fiction map.' Daily Record'Gripping and grisly, with plenty of twists and turns that race along with black humour.' Craig Robertson'Muir exposes the dark underbelly of a well-heeled university town with knuckle-gnawing tension, whipcrack plot twists and grisly set-pieces shot through with black humour.' Neil Broadfoot

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Hollywood's conversion to sound in the 1920s created an early peak in the film musical following the immense success of The Jazz Singer. The opportunity to synchronize moving pictures with a soundtrack suited the musical in particular, since the heightened experience of song and dance drew attention to the novelty of the technological development. Until the near-collapse of the genre in the 1960s, the film musical enjoyed around thirty years of development, as landmarks such as The Wizard of Oz, Meet Me in St. Louis, Singin' in the Rain, and Gigi showed the exciting possibilities of putting musicals on the silver screen. The first of three volumes, The Politics of the Musical Theatre Screen Adaptation: An Oxford Handbook traces how the genre of the stage-to-screen musical has evolved, starting with early screen adaptations such as the Fred Astaire-Ginger Rogers movie Roberta and working through to Into the Woods (2014). Many chapters examine specific screen adaptations in depth, while others deal with broad issues such as realism or the politics of the adaptation in works such as Li'l Abner and Finian's Rainbow. Together, the chapters incite lively debates about the process of adapting Broadway for the big screen and provide models for future studies. Volume I: The Politics of the Musical Theatre Screen Adaptation Volume II: Race, Sexuality, and Gender and the Musical Screen Adaptation Volume III: Stars, Studios, and the Musical Theatre Screen Adaptation

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The Savage Detectives elicits mixed feelings. An instant classic in the Spanish-speaking world upon its 1998 publication, a critical and commercial smash on its 2007 translation into English, Roberto Bolaño’s novel has also been called an exercise in 1970s nostalgia, an escapist fantasy of a romanticized Latin America, and a publicity event propped up by the myth of the bad-boy artist.David Kurnick argues that the controversies surrounding Bolaño’s life and work have obscured his achievements—and that The Savage Detectives is still underappreciated for the subtlety and vitality of its portrait of collective life. Kurnick explores The Savage Detectives as an epic of social structure and its decomposition, a novel that restlessly moves between the big configurations—of states, continents, and generations—and the everyday stuff—parties, jobs, moods, sex, conversation—of which they’re made. For Kurnick, Bolaño’s book is a necromantic invocation of life in history, one that demands surrender as much as analysis.Kurnick alternates literary-critical arguments with explorations of the novel’s microclimates and neighborhoods—the little atmospheric zones where some of Bolaño’s most interesting rethinking of sexuality, politics, and literature takes place. He also claims that The Savage Detectives holds particular interest for U.S. readers: not because it panders to them but because it heralds the exhilarating prospect of a world in which American culture has lost its presumptive centrality.

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The last decade has witnessed an outpouring of Italian films that deal with Fascism, anti-Semitism and the Holocaust. This would appear to mark a distinct change from the postwar reluctance to represent such an infamous history. Roberto Benigni's popular Life is Beautiful (1997) is an obvious example, but there have been a number of other works that have not been exported that also attest to a distinct tendency within Italian domestic production to address the issue. Millicent Marcus's Italian Film in the Shadow of Auschwitz looks at this development, attributing the new acceptance not only to an international film sensation, but to a domestic cultural climate at once receptive to Holocaust representation, and ready to produce its own forms of historical testimony. Throughout the book, Marcus brings a variety of perspectives - psychoanalytical, ideological, mass cultural - to bear on the question of how Italian filmmakers are confronting the Holocaust, and why now given the sparse output of Holocaust films produced in Italy from 1945 to the early 1990s. What emerges is a fascinating look at how film is being used to confront a particularly damning aspect of cultural history. Marcus's study features in-depth analyses of five recent Italian films: Ricky Tognazzi's Canone inverso, Ettore Scola's Concorrenza sleale, Andrea and Antonio Frazzi's Il cielo cade, Alberto Negrin's Perlasca, and Ferzan Ozpetek's La finestra di fronte. As an added feature, the book includes a DVD of Scola's short film '43-'97, which has been unavailable outside of Italy until now.

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In 1960, when World War II might seem to have been receding into history, a number of artists and writers instead turned back to it. They chose to confront the unprecedented horror and mass killing of the war, searching for new creative and political possibilities after the conservatism of the 1950s in the long shadow of genocide.Al Filreis recasts 1960 as a turning point to offer a groundbreaking account of postwar culture. He examines an eclectic group of artistic, literary, and intellectual figures who strove to create a new language to reckon with the trauma of World War II and to imagine a new world. Filreis reflects on the belatedness of this response to the war and the Holocaust and shows how key works linked the legacies of fascism and antisemitism with American racism. In grappling with the memory of the war, he demonstrates, artists reclaimed the radical elements of modernism and brought forth original ideas about testimony to traumatic history.1960 interweaves the lives and works of figures across high and popular culture—including Chinua Achebe, Hannah Arendt, James Baldwin, Amiri Baraka, Paul Celan, John Coltrane, Frantz Fanon, Roberto Rossellini, Muriel Rukeyser, Rod Serling, and Louis Zukofsky—and considers art forms spanning poetry, fiction, memoir, film, painting, sculpture, teleplays, musical theater, and jazz. A deeply interdisciplinary cultural, literary, and intellectual history, this book also offers fresh perspective on the beginning of the 1960s.

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I think there is real hope to be found, in the middle of our deepest traumas, in the good news about Jesus Christ. I also think that there is a place for us to find hope and community within the church. Because of these two beliefs, I truly think, distant though it may be, that we may even get to a place of peace within our souls and a place of forgiveness for those who hurt us so much. This is a book that has no easy answers and will offer none. This is a book that tries to get behind the tough questions of why God permits such abuses to occur in this world. Using his own story of childhood abuse, Mez McConnell tells us about a God who is just, sovereign and loving. A good father who knows the pain of rejection and abuse, who hates evil, who can bring hope even in the darkest place. ‘It’s not a pagan rags to Christian riches story. It’s real, raw and radical. I suspect that there will be as many people shocked by the Bible teaching that Mez wrestles with, as there will be those shocked by the abuse he suffered. With chapters like ‘The glorious, wonderful reality of Hell’ and ‘The terrible reality of Heaven’, there is no chance of this book being perceived as comfortable.’ – David Robertson, Christian Today https://christiantoday.com/article/my-favourite-christian-book-of-2019/133774.htm

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When DCI Andy Gilchrist is called to a crime scene to find an amputated hand clutching a note addressed to him, a note that contains only one word, murder, he is pulled into an investigation that will test him to the limit. Soon other single word clues are found along with amputated body parts and the murderer's vengeful message becomes clear as the identity of the next intended victim is revealed. But when someone close to him disappears, Gilchrist knows he is too late. Together with Nance Wilson, the sexy DC with her own agenda, Gilchrist comes to see the answer to the present murders lies within the secrets of his past. Forced to confront his demons, Gilchrist must solve the cryptic clues and find the murderer before the next victim, a woman whose life means more to Gilchrist than his own, is served up to him piece by slaughtered piece.Praise for T.F. Muir:'Rebus did it for Edinburgh. Laidlaw did it for Glasgow. Gilchrist might just be the bloke to put St Andrews on the crime fiction map.' Daily Record'A truly gripping read, with all the makings of a classic series.' Mick Herron'Gripping and grisly, with plenty of twists and turns that race along with black humour.' Craig Robertson'Gilchrist is intriguing, bleak and vulnerable... if I were living in St Andrews I'd sleep with the lights on.' Anna Smith

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When the body of Thomas Magner’s business partner is found dead in his car on the outskirts of Anstruther, all evidence points to suicide. And Magner himself, a wealthy property developer, is currently under investigation for a series of alleged rapes from thirty years ago.In total fifteen women are prepared to go to court to testify against Magner but one by one they inexplicably withdraw their complaints until only five remain. With the CPS now reconsidering its case, one of Magner’s accusers is killed in a hit-and-run – and the abandoned car is found to be registered to one T Magner.DCI Andy Gilchrist is assigned to the hit-and-run case and soon discovers that Magner’s murky past is very much seeping into the present. How did he acquire his wealth? How his first wife die? And why did his business partner commit suicide?And was Magner a serial rapist in his youth? Or was he something far worse?Praise for T.F. Muir:‘Rebus did it for Edinburgh. Laidlaw did it for Glasgow. Gilchrist might just be the bloke to put St Andrews on the crime fiction map.’ Daily Record‘A bright new recruit to the swelling army of Scots crime writers.’ Quintin Jardine‘Gripping and grisly, with plenty of twists and turns that race along with black humour.’ Craig Robertson‘Gilchrist is intriguing, bleak and vulnerable… if I were living in St Andrews I’d sleep with the lights on.’ Anna Smith

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Choice Outstanding Academic Title 2023 From The Passion of the Christ to Life of Brian, and from The Ten Commandments to Last Temptation of Christ, filmmakers have been adapting the stories of the Bible for over 120 years, from the first time the Höritz Passion Play was filmed in the Czech Republic back in 1897. Ever since, these stories have inspired musicals, comedies, sci-fi, surrealist visions and the avant-garde not to mention spawning their own genre, the biblical epic. Filmmakers across six continents and from all kinds of religious perspectives (or none at all), have adapted the greatest stories ever told, delighting some and infuriating others. 100 Bible Films is the indispensable guide to this wide and varied output, providing an authoritative but accessible history of biblical adaptations through one hundred of the most interesting and significant biblical films. Richly illustrated with film stills, this book depicts how such films have undertaken a complex negotiation between art, commerce, entertainment and religion. Matthew Page traces the screen history of the biblical stories from the very earliest silent passion plays, via the golden ages of the biblical epic, through to more innovative and controversial later films as well as covering significant TV adaptations. He discusses films made not only by some of our greatest filmmakers, artists such as Martin Scorsese, Jean Luc Godard, Alice Guy, Roberto Rossellini, Pier Paolo Pasolini, Lotte Reiniger, Carl Dreyer and Luis Buñuel, but also those looking to explore their faith or share it with lovers of cinema the world over.

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Behind some of the most popular works of science fiction, fantasy, and horror there are forgotten stories of female creators. It's no secret that genres like science fiction, fantasy, horror, and more, have evolved from niche interest to mainstream staple in the last few decades. However, the countless women who have been instrumental in creating and shaping those genres for the last fifty-plus years have largely gone largely unrecognized -- until now. Pop Culture Pioneers explores and pays respect to the work and influence of the female creators who played a crucial role in creating and influencing of some of the most famous worlds and characters in pop culture from the early 70s through to 2010 including:* Creators like Bonnie Erickson (co-creator of Miss Piggy), Christy Marx (Jem! And The Holograms creator), Roberta Williams (creator of the adventure game genre), and Betty Cohen (founder of Cartoon Network)* Writers & Editors like Jeanette Khan (head of DC Comics), Alice Bradley Sheldon (writing as James Tiptree Jr.) and Malia Scotch Marno (screenwriter for Jurassic Park and Hook)* Animators & Artists like Vicky Jenson (animator and director of Shrek) and Brenda Chapman (animator and director of Brave)* Directors & Producers like Jean MacCurdy (producer of Batman: The Animated Series and Animaniacs), Denise Di Novi (co-producer of Batman Returns and The Nightmare Before Christmas), and Fran Walsh (co-producer of the Lord of the Rings trilogy)* As well as Yvonne Blake (costume designer for Superman), Marlene Clark (Blaxploitation actress), Jane Feinberg (casting director for Blade Runner, E.T., The Goonies, and Indiana Jones), and so many more!

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Can poetry act as an aesthetic amplification device, akin to a microscope, through which we can sense minute or nearly imperceptible phenomena such as the folding of molecules into their three-dimensional shapes, the transformations that make up the life cycle of a silkworm, or the vaporous movements that constitute the ever-shifting edges of clouds? We tend to think of these subjects as reserved for science, but, as Ada Smailbegović argues, twentieth- and twenty-first-century writers have intermingled scientific methodologies with poetic form to reveal unfolding processes of change. Their works can be envisioned as laboratories within which the methodologies of experimentation, natural historical description, and taxonomic classification allow poetic language to register the rhythms and durations of material transformation.Poetics of Liveliness moves across scales to explore the realms of molecules, fibers, tissues, and clouds. It investigates works such as Christian Bök’s insertion of a poetic text into the DNA code of living bacteria in order to generate a new poem in the shape of a protein molecule, Jen Bervin’s considerations of silk fibers and their use in biomedicine, Gertrude Stein’s examination of brain tissues in medical school and its subsequent influence on her literary taxonomies of character, and Lisa Robertson’s studies of nineteenth-century meteorology and the soft architecture of clouds. In their attempt to understand physical processes unfolding within lively material worlds, Smailbegović contends, these poets have developed a distinctive materialist poetics. Structured as a poetic cosmology akin to Lucretius’s “On the Nature of Things,” which begins at the atomic level and expands out to the vastness of the universe, Poetics of Liveliness provides an innovative and surprising vision of the relationship between science and poetry.

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A thoroughly updated and substantially expanded edition of an acclaimed anthologyThis is a thoroughly updated and substantially expanded new edition of one of the most popular, wide-ranging, and engaging anthologies of Western political thinking, one that spans from antiquity to the twenty-first century. In addition to the majority of the pieces that appeared in the original edition, this new edition features exciting new selections from more recent thinkers who address vital contemporary issues, including identity, cosmopolitanism, global justice, and populism. Organized chronologically, the anthology brings together a fascinating array of writings—including essays, book excerpts, speeches, and other documents—that have indelibly shaped how politics and society are understood. Each chronological section and thinker is presented with a brief, lucid introduction, making this a valuable reference as well as an essential reader. A thoroughly updated and substantially expanded edition of an acclaimed anthology of political thought Features a wide range of thinkers, including Thucydides, Plato, Aristotle, Cicero, Augustine, Aquinas, Christine de Pizan, Machiavelli, Luther, Calvin, Hobbes, Spinoza, Locke, Swift, Hume, Rousseau, Adam Smith, Jefferson, Burke, Olympes de Gouges, Wollstonecraft, Kant, Hegel, Bentham, Mill, de Tocqueville, Frederick Douglass, Lincoln, Marx, Nietzsche, Lenin, John Dewey, Gaetano Mosca, Roberto Michels, Weber, Emma Goldman, Freud, Einstein, Mussolini, Arendt, Hayek, Franklin D. Roosevelt, T. H. Marshall, Orwell, Leo Strauss, de Beauvoir, Fanon, Martin Luther King Jr., Malcolm X, Havel, Fukuyama, Habermas, Foucault, Rawls, Nozick, Walzer, Iris Marion Young, Martha Nussbaum, Peter Singer, Amartya Sen, and Jan-Werner Müller Includes brief introductions for each thinker

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Jim Jarmusch: Music, Words and Noise is the first book to examine the films of Jim Jarmusch from a sound-oriented perspective. The three essential acoustic elements that structure a film - music, words and noise - propel this book's fascinating journey through his work. Exploring the director's extensive back catalogue, including Stranger Than Paradise (1984), Down By Law (1986), Dead Man (1995), and Only Lovers Left Alive (2013) Sara Piazza's unique reading reveals how Jarmusch created a form of "sound democracy" in film, in which all acoustic layers are capable of infiltrating each other and in which sound is not subordinate to the visual. In his cultural melting pot, hierarchies are irrelevant: Schubert and Japanese noise-bands, Marlowe and Betty Boop can co-exist easily side-by-side. Developing the innovative idea of a Silent-Sound Film, Piazza identifies prefiguring elements from pre-sound-era film in Jarmusch's work. Highlighting the importance of Jarmusch's treatment of sound, Piazza investigates how the director's distinctive reputation consolidated itself over the course of a thirty-year career.Based in New York, Jarmusch was able to develop a fiercely personal vision far from the commercial pressures of Hollywood. The book uses wide-ranging examples from music, film, literature and visual art, and features interviews with many prominent figures including Ennio Morricone, Luc Sante, Roberto Benigni, John Lurie, and Jarmusch himself.An innovative account of a much-admired body of work, Jim Jarmusch will appeal not only to the many fans of the director, but also all those interested in the connections between sound and film.

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Luchino Visconti (1906-1976) was one of Europe’s most prestigious filmmakers, who rose to prominence as part of the Italian neo-realist movement, alongside contemporaries Vittorio De Sica and Roberto Rossellini. Famous for his elegant lifestyle, as friend of Jean Renoir and Coco Chanel amongst others, his vibrant technicolour dramas are also known for their decadence and stunning display of aesthetic mastery and sensory pleasure. Looking beyond this colourful façade, however, Resina explores the philosophical implications of decadence with a particular focus on three films from the late phase in Visconti’s production, Damned (1969), Death in Venice (1971), and Ludwig (1972). From the incestuous relationship between decadence and power to decadence as an outcome of straining toward formal perfection, Resina uncovers the unity and philosophical cohesiveness of these films that deal with different subjects and historical periods. Reading these films and their decadence in light of the time of filming and Visconti’s own sense of cultural doom, Resina further demonstrates the relevance of Visconti’s philosophy today and how much they still have to say to our contemporary situation.

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Mid-winter, St. Andrews, Scotland: When a university lecturer fails to turn up for class, he is found dead at home, with evidence of having committed suicide. A female student reports to the police that she was having an affair with him and knows he would never commit suicide. Toxicology results turn up Class A drugs in his system, and DCI Andy Gilchrist and his associate, DS Jessie Janes, are called in to investigate. The initial enquiry soon turns into a murder investigation, and when Gilchrist and Jessie dig deep into the man's background they uncover a criminal past, a history of romance scams, and several bank accounts containing hundreds of thousands of pounds. A forensic search of the man's computer hard-drives reveal a lengthy trail of heartbroken women tricked into parting with their savings in a futile search for love. Did one of those scorned women seek revenge and kill him? Or did his criminal past finally catch up with him? PRAISE FOR T.F. MUIR:'Rebus did it for Edinburgh. Laidlaw did it for Glasgow. Gilchrist might just be the bloke to put St Andrews on the crime fiction map.' Daily Record'A truly gripping read, with all the makings of a classic series.' Mick Herron'Gripping and grisly, with plenty of twists and turns that race along with black humour.' Craig Robertson'DCI Gilchrist gets under your skin. Though, determined, and a bit vulnerable, this character will stay with you long after the last page.' Anna Smith'Gripping!' Peterborough Telegraph

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'The Last Yakuza might be a work of non-fiction, but it reads more like a thriller... a gripping read' - Irish News'Sacred, ferocious, and businesslike, Adelstein describes the Japanese mafia like nobody else' Roberto Saviano, on Tokyo ViceMakoto Saigo is half-American and half-Japanese in small-town Japan with a set of talents limited to playing guitar and picking fights. With rock stardom off the table, he turns toward the only place where you can start from the bottom and move up through sheer merit, loyalty, and brute force - the yakuza.Saigo, nicknamed "Tsunami", quickly realizes that even within the organization, opinions are as varied as they come, and a clash of philosophies can quickly become deadly. One screw-up can cost you your life, or at least a finger.The internal politics of the yakuza are dizzyingly complex, and between the ever-shifting web of alliances and the encroaching hand of the law that pushes them further and further underground, Saigo finds himself in the middle of a defining decades-long battle that will determine the future of the yakuza.Written with the insight of an expert on Japanese organized crime and the compassion of a longtime friend, investigative journalist Jake Adelstein presents a sprawling biography of a yakuza, through post-war desperation, to bubble-era optimism, to the present. Including a cast of memorable yakuza bosses - Coach, The Buddha, and more - this is a story about the rise and fall of a man, a country, and a dishonest but sometimes honorable way of life on the brink of being lost.

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'A truly gripping read' Mick HerronThe cobbled lanes and back streets of St Andrews have become home to a vicious serial killer. Striking during heavy rain and choosing only victims who abuse women, 'The Stabber' has police baffled. After the sixth man is found murdered, having been stabbed to death through his left eye, DCI Andy Gilchrist is at his wit's end. Struggling against his self-serving and autocratic boss, Gilchrist is left furious when he is taken off the case at a crucial point. Driven by his fear of failure, and desperate to redeem his career and his reputation, Gilchrist vows to catch The Stabber alone.Digging deeper into the world of a psychopath, Gilchrist fears he is up against a serial killer on the verge of mental collapse. Can Gilchrist unravel the warped mind of the murderer and stop him before the next victim is slain? With reckless resolve, Gilchrist risks it all in a heart-stopping race to catch The Stabber, knowing that any mistake could be his last.Praise for T.F. Muir:'Everything I look for in a crime novel' Louise Welsh'Rebus did it for Edinburgh. Laidlaw did it for Glasgow. Gilchrist might just be the bloke to put St Andrews on the crime fiction map' Daily Record'Gripping and grisly, with plenty of twists and turns that race along with black humour' Craig Robertson'Gilchrist is intriguing, bleak and vulnerable... if I were living in St Andrews I'd sleep with the lights on' Anna Smith

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Neil M. Gunn (1891 - 1973) has been widely recognized as the most important novelist of the twentieth-century Scottish Literary Renaissance. Most of his novels are still in print and they continue to find in each generation an enthusiastic popular and academic readership. His novels have been adopted for cinema, television and radio and they have had an important influence on contemporary Scottish writers such as James Robertson. What is perhaps less well known is Gunn's role in the development of contemporary Scottish nationalism as both activist and thinker. Not that he would have agreed to such a division as he believed in a seamless commitment to the goal of a fairer and more equitable Scotland through the delivery of election leaflets and the setting out of the intellectual case for independence. Gunn was instrumental in the foundation of the contemporary SNP, through the bringing together of disparate groups in favour of independence, and continued to play a part in its development and in the development of the Highlands and Islands throughout his life.This collection of essays on Gunn's involvement in politics and his ideas about nation and nationalism represents a guide to both for the reader of his novels and those interested in contemporary political developments in Scotland. Alistair McCleery draws parallels between the situation in 1931, using Gunn's account of it in his diary, and the present day. Michael Russell, Cabinet Secretary for Education and Lifelong Learning, examines Gunn's debt to Ireland, the role of the writer in nationalism, and the need for Scottish literature within the Scottish curriculum. Ewen Cameron, now Professor of History at Edinburgh University, considers the gaps in his own school education in the Highlands and how he was led to fill them through an enthusiastic teacher leading him to Gunn's novels and thereby to the history and culture of his own locality. Dairmid Gunn draws on his intimate knowledge of his uncle to provide an account of his home in Inverness as a centre for lively company and stimulating discussion of art and politics. This picture is reinforced in the late Neil MacCormick's memoir of Gunn and the influence he had on John MacCormick, his father.The collection also contains two of Gunn's essays on writing and politics as well as a complete bibliography of his political writings by Christopher Stokoe.The collection as a whole is timely in its contribution to understanding of Scottish nationalism just under a year before the Scottish people come to decide, as Gunn hoped they would have the opportunity to, on Scotland's future as an independent state or not.

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In the postdictatorial era, Latin American cultural production and criticism have been defined by a series of assumptions about politics and art—expecially the claim that political freedom can be achieved by promoting a more direct experience between the textual subject (often a victim) and the reader by eliminating the division between art and life. The Vanishing Frame argues against this conception of freedom, demonstrating how it is based on a politics of human rights complicit with economic injustices. Presenting a provocative counternarrative, Eugenio Claudio Di Stefano examines literary, visual, and interdisciplinary artists who insist on the autonomy of the work of art in order to think beyond the politics of human rights and neoliberalism in Latin American theory and culture.Di Stefano demonstrates that while artists such as Diamela Eltit, Ariel Dorfman, and Albertina Carri develop a concept of justice premised on recognizing victims’ experiences of torture or disappearance, they also ignore the injustice of economic inequality and exploitation. By examining how artists such as Roberto Bolaño, Alejandro Zambra, and Fernando Botero not only reject an aesthetics of experience (and the politics it entails) but also insist on the work of art as a point of departure for an anticapitalist politics, this new reading of Latin American cultural production offers an alternative understanding of recent developments in Latin American aesthetics and politics that puts art at its center and the postdictatorship at its end.

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Carlos Chavez (1899-1978) is the central figure in Mexican music of the twentieth century and among the most eminent of all Latin American modernist composers. An enfant terrible in his own country, Chavez was an integral part of the emerging music scene in the United States in the 1920s. His highly individual style--diatonic, dissonant, contrapuntal--addressed both modernity and Mexico's indigenous past. Chavez was also a governmental arts administrator, founder of major Mexican cultural institutions, and conductor and founder of the Orquesta Sinfonica de Mexico. Carlos Chavez and His World brings together an international roster of leading scholars to delve into not only Chavez's music but also the history, art, and politics surrounding his life and work. Contributors explore Chavez's vast body of compositions, including his piano music, symphonies, violin concerto, late compositions, and Indianist music. They look at his connections with such artistic greats as Aaron Copland, Miguel Covarrubias, Henry Cowell, Silvestre Revueltas, and Paul Strand. The essays examine New York's modernist scene, Mexican symphonic music, portraits of Chavez by major Mexican artists of the period, including Diego Rivera and Rufino Tamayo, and Chavez's impact on El Colegio Nacional. A quantum leap in understanding Carlos Chavez and his milieu, this collection will stimulate further work in Latin American music and culture. The contributors are Ana R. Alonso-Minutti, Amy Bauer, Leon Botstein, David Brodbeck, Helen Delpar, Christina Taylor Gibson, Susana Gonzalez Aktories, Anna Indych-Lopez, Roberto Kolb-Neuhaus, James Krippner, Rebecca Levi, Ricardo Miranda, Julian Orbon, Howard Pollack, Leonora Saavedra, Antonio Saborit, Stephanie Stallings, and Luisa Vilar Paya. Bard Music Festival 2015: Carlos Chavez and His World Bard College August 7-9 and August 14-16, 2015

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When Vesuvius erupted in 79 CE, the force of the explosion blew the top right off the mountain, burying nearby Pompeii in a shower of volcanic ash. Ironically, the calamity that proved so lethal for Pompeii's inhabitants preserved the city for centuries, leaving behind a snapshot of Roman daily life that has captured the imagination of generations.The experience of Pompeii always reflects a particular time and sensibility, says Ingrid Rowland. From Pompeii: The Afterlife of a Roman Town explores the fascinating variety of these different experiences, as described by the artists, writers, actors, and others who have toured the excavated site. The city's houses, temples, gardens--and traces of Vesuvius's human victims--have elicited responses ranging from awe to embarrassment, with shifting cultural tastes playing an important role. The erotic frescoes that appalled eighteenth-century viewers inspired Renoir to change the way he painted. For Freud, visiting Pompeii was as therapeutic as a session of psychoanalysis. Crown Prince Hirohito, arriving in the Bay of Naples by battleship, found Pompeii interesting, but Vesuvius, to his eyes, was just an ugly version of Mount Fuji. Rowland treats readers to the distinctive, often quirky responses of visitors ranging from Wolfgang Amadeus Mozart, Charles Dickens, and Mark Twain to Roberto Rossellini and Ingrid Bergman.Interwoven throughout a narrative lush with detail and insight is the thread of Rowland's own impressions of Pompeii, where she has returned many times since first visiting in 1962.

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Inspired by the groundbreaking A History of the World in 100 Objects, this book draws on the unique collections of The Strong museum in Rochester, New York, to chronicle the evolution of video games, from Pong to first-person shooters, told through the stories of dozens of objects essential to the field’s creation and development.Drawing on the World Video Game Hall of Fame’s unmatched collection of video game artifacts, this fascinating history offers an expansive look at the development of one of the most popular and influential activities of the modern world: video gaming.Sixty-four unique objects tell the story of the video game from inception to today. Pithy, in-depth essays and photographs examine each object’s significance to video game play—what it has contributed to the history of gaming—as well as the greater culture.A History of Video Games in 64 Objects explains how the video game has transformed over time. Inside, you’ll find a wide range of intriguing topics, including: The first edition of Dungeons & Dragons—the ancestor of computer role-playing games The Oregon Trail and the development of educational gaming The Atari 2600 and the beginning of the console revolution A World of Warcraft server blade and massively multiplayer online games Minecraft—the backlash against the studio system The rise of women in gaming represented by pioneering American video game designers Carol Shaw and Roberta Williams’ game development materials The prototype Skylanders Portal of Power that spawned the Toys-to-Life video game phenomenon and shook up the marketplace And so much more! A visual panorama of unforgettable anecdotes and factoids, A History of Video Games in 64 Objects is a treasure trove for gamers and pop culture fans. Let the gaming begin!

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German artist Neo Rauch, championed as “the painter of the zeitgeist” by The New York Times’s Roberta Smith, presents new paintings in PROPAGANDA.Rauch is widely celebrated for his captivating compositions that bring together figurative painting and surrealism into an entirely new kind of visual encounter. They often hint at broader narratives and histories—seemingly reconnecting with artistic traditions of realism—but they remain dreamlike and impossible to reduce to a single story. Though his art is highly refined and executed with great technical skill, Rauch himself stresses the intuitive, deeply personal nature of how he works. As the artist notes, “My process is far less a reflection than it is drawing from the sediments of my past, which occurs in an almost trance-like state.”Eight large-scale canvases and seven smaller, more intimately scaled works continue the artist’s exploration of figuration and the ambiguous nature of meaning in visual art. In some of the larger works, the saturation of the canvas with characters, objects, and, forms, all rendered at different scales and in conflicting arrangements, creates a collage-like quality—a figurative scrapbook of Rauch’s personal iconography. The publication features a short story by German novelist and playwright Daniel Kehlmann, which was inspired by the paintings in this book. The fantastical text moves between present-day New York and an unknown time of enchanted forests, knights, and witches, exploring the many layers found in Rauch’s canvases. Published on the occasion of the artist’s solo exhibition at David Zwirner, Hong Kong in 2019, Neo Rauch: PROPAGANDA is available in both English only and bilingual English/traditional Chinese editions.

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WATERSTONES BEST BOOKS OF 2022 – SPORT 'A brilliant new perspective on World Cup management... Superbly insightful .' – Jamie Carragher 'Superb - great stories about the greatest tournament' – Daniel Taylor Master tacticians, crazy tyrants and lucky generals... This insightful investigation reveals the mindsets and, frankly, at times unbelievable approaches of the coaches who strive to deliver football's ultimate prize. HOW DO YOU WIN THE WORLD CUP? Godlike genius or the focus of a disappointed nation's fury – the world's most prestigious tournament makes or breaks a national coach. Only 20 managers have guided their team to World Cup glory, so what are their secrets? From revolutionary tactics to hare-brained schemes, this book searches for the keys to the most exclusive club in international football. They may silently plot on the bench or manically gesticulate from the sidelines, but what can the coach really do to influence their team's performance? Discover the tactical innovations and brilliant strategies as well as the bizarre superstitions, psychological masterclasses and bonkers team-building regimes that managers have employed in the quest for that iconic trophy. Charting the successes, failures, dramas and controversies of 90 years of World Cup action, through the insights of journalists, players and managers with first-hand experience of World Cup competition, this book comprehensively documents the lengths the man in the dugout will go to in order to bring home the greatest prize. The book features contributions from leading World Cup stars, including Luiz Felipe Scolari, Geoff Hurst, Carlos Alberto Parreira, Pierre Littbarski, Roberto Martinez, Mick McCarthy, Tomas Brolin, Jamie Carragher, Alexi Lalas, Patrick Barclay, Raphael Honigstein and Graham Hunter.

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An authoritative account of the long battle between exclusionary and inclusive versions of the American story Was the United States founded as a Christian nation or a secular democracy? Neither, argues Philip Gorski in American Covenant. What the founders actually envisioned was a prophetic republic that would weave together the ethical vision of the Hebrew prophets and the Western political heritage of civic republicanism. In this ambitious book, Gorski shows why this civil religious tradition is now in peril--and with it the American experiment. Gorski traces the historical development of prophetic republicanism from the Puritan era to the present day. He provides close readings of thinkers such as John Winthrop, Thomas Jefferson, Frederick Douglass, W.E.B. Du Bois, and Hannah Arendt, along with insightful portraits of recent and contemporary religious and political leaders such as Jerry Falwell, Pat Robertson, Ronald Reagan, George W. Bush, and Barack Obama. Gorski shows how the founders' original vision for America is threatened by an internecine struggle between two rival traditions, religious nationalism and radical secularism. Religious nationalism is a form of militaristic hyperpatriotism that imagines the United States as a divine instrument in the final showdown between good and evil. Radical secularists fervently deny the positive contributions of the Judeo-Christian tradition to the American project and seek to remove all traces of religious expression from the public square. Gorski offers an unsparing critique of both, demonstrating how half a century of culture war has drowned out the quieter voices of the vital center. American Covenant makes the compelling case that if we are to rebuild that vital center, we must recover the civil religious tradition on which the republic was founded.

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Between Jesus and the Market looks at the appeal of the Christian right-wing movement in contemporary American politics and culture. In her discussions of books and videotapes that are widely distributed by the Christian right but little known by mainstream Americans, Linda Kintz makes explicit the crucial need to understand the psychological makeup of born-again Christians as well as the sociopolitical dynamics involved in their cause. She focuses on the role of religious women in right-wing Christianity and asks, for example, why so many women are attracted to what is often seen as an antiwoman philosophy. The result, a telling analysis of the complexity and appeal of the "emotions that matter" to many Americans, highlights how these emotions now determine public policy in ways that are increasingly dangerous for those outside familiarity’s circle. With texts from such organizations as the Christian Coalition, the Heritage Foundation, and Concerned Women for America, and writings by Elizabeth Dole, Newt Gingrich, Pat Robertson, and Rush Limbaugh, Kintz traces the usefulness of this activism for the secular claim that conservative political economy is, in fact, simply an expression of the deepest and most admirable elements of human nature itself. The discussion of Limbaugh shows how he draws on the skepticism of contemporary culture to create a sense of absolute truth within his own media performance—its truth guaranteed by the market. Kintz also describes how conservative interpretations of the Holy Scriptures, the U.S. Constitution, and the Declaration of Independence have been used to challenge causes such as feminism, women’s reproductive rights, and gay and lesbian rights. In addition to critiquing the intellectual and political left for underestimating the power of right-wing grassroots organizing, corporate interests, and postmodern media sophistication, Between Jesus and the Market discusses the proliferation of militia groups, Christian entrepreneurship, and the explosive growth and "selling" of the Promise Keepers.

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The shareholder letters of corporate leaders are a rich source of business and investing wisdom. There is no more authoritative resource on subjects ranging from leadership and management to capital allocation and company culture. But with thousands of shareholder letters written every year, how can investors and students of the corporate world sift this vast swathe to unearth the best insights? Dear Shareholder is the solution! In this masterly new collection, Lawrence A. Cunningham, business expert and acclaimed editor of The Essays of Warren Buffett, presents the finest writers in the genre of the shareholder letter, and the most significant excerpts from their total output. Skillfully curated, edited and arranged, these letters showcase the ultimate in business and investment knowledge from an all-star team. Dear Shareholder holds letters by more than 20 different leaders from 17 companies. These leaders include Warren Buffett (Berkshire Hathaway), Tom Gayner (Markel), Kay Graham and Don Graham (The Washington Post and Graham Holdings), Roberto Goizueta (Coca-Cola), Virginia Rometty (IBM), and Prem Watsa (Fairfax). Topics covered in these letters include the long-term focus, corporate culture and commitment to values, capital allocation, buybacks, dividends, acquisitions, management, business strategy, and executive compensation. As we survey the corporate landscape in search of outstanding companies run by first-rate managers, shareholder letters are a valuable resource. The letters also contain a wealth of knowledge on the core topics of effective business management. Let Dear Shareholder be your guide.

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