Search results for ""author louise"

When curators at Saint Louis's Contemporary Art Museum asked Cindy Sherman whether there was a moment in her career whose resonance might be underappreciated, one around which she might like to develop an exhibit and a book, she selected her earliest adult creative years, beginning while she was still a student at Buffalo State College in the mid-1970s. Working Girl is full of rarely seen pieces, and it features, for the first time, documentation of and stills from Sherman's 1975 animated short Doll Clothes, which is among the pieces that bring Sherman's early exploration of gender and identity into focus. The mostly small-scale work, including many early black-and-white, hand-colored, and sepia-toned photographs, is culled primarily from the artist's family members' collections and her own, and includes the pieces that laid the groundwork for her first major success, the acclaimed Film Stills series. Working Girl is a unique glimpse into the early development of Sherman's artistic practice, and into the genesis of her inimitable substance and style. It illuminates her conceptual approach to photography and foretells the career that would be launched in the late 1970s, positioning her as one of the most significant artists of our time.

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'Full of humour and heart' RICHARD OSMAN'A beautiful slice of escapism.' FEARNE COTTON'GORGEOUS. Funny, warm... You'll LOVE it!' MARIAN KEYESThe wise and gloriously big-hearted debut novel from the much-loved broadcaster, Sara CoxBecky: a single mum who prides herself on her independence. She knows from painful experience that men are trouble.Louise: a loving husband, gorgeous kids. She ought to feel more grateful.Jameela: all she's ever done is work hard, and try her best. Why won't life give her the one thing she really wants?Sheila: the nest is empty, she dreams of escaping to the sun, but her husband seems so distracted.The inhabitants of the Inventor's Housing Estate keep themselves to themselves. There are the friendly 'Hellos' when commutes coincide and the odd cheeky eye roll when the wine bottles clank in number 7's wheelie bin, but it's not exactly Ramsay Street.The dilapidated community centre is no longer the beating heart of the estate that Becky remembers from her childhood. So the new pottery class she's helped set up feels like a fresh start. And not just for her.The assorted neighbours come together to try out a new skill, under the watchful eye of their charismatic teacher, Sasha. And as the soft unremarkable lumps of clay are hesitantly, lovingly moulded into delicate vases and majestic pots, so too are the lives of four women. Concealed passions and heartaches are uncovered, relationships shattered and formed, and the possibility for transformation is revealed.'A brilliant story of female friendships... you can't help but hear Cox's voice bounce off the pages.' HEAT'A glorious debut from Sara, with the feel-good factor.' PRIMA 'This story has Sara's voice ringing true throughout. A fresh, cheeky, insightful take on how change can happen through female friendships.' DAWN FRENCH'I absolutely loved it and adore the characters. Read it immediately!' CLAUDIA WINKLEMAN'Riotous, unpredictable and lovely' JO BRAND'It's full of priceless pith and whip-crack observation, but has wonderful warmth at its core too.' MEL GIEDROYCSUNDAY TIMES BESTSELLER, FEBRUARY 2023

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THROUGH THE DARK TIMES, THEY WILL HELP YOU FIND THE LIGHT . . .***'Dazzling, chilling, moving and original . . . I loved it' CHRIS WHITAKER'A captivating novel of love and loss and the lengths we will go to start again' SOPHIE WARD'A beautifully crafted mystery that asks if we ever truly get a second chance' CATRIONA SILVEY'Unique and utterly unforgettable' LOUISE BEECH'Full of mystery and tension, with clever twists and reveals, all building to a surprising yet satisfying ending' PHILIPPA EASTWelcome to Atlas. What would you do for a second chance?Summer 1982. Deep in the Adirondack Mountains, over three hundred people live off-grid in a secret community. Atlas is a refuge for broken souls who long for a different life. Founded by the enigmatic Sol, the group now prepares for their final ceremony: the opening of the Golden Door. They believe they will cross to another world, to a new life where their past decisions never ended in tragedy.James Morrow is a rookie New York City reporter intent on making his name with an exposé of the crazy cult in the woods. He secures an invitation to the camp on the condition he tell the world of its wonders, but James is a sceptic. He's sure there must be more to the mysterious leader and his endgame than his followers have signed up for.James soon finds there is a darker side to the cult beyond the prayers and yellow robes. A group of children are treated like gods, there are iron strips embedded in the earth, and nobody talks about what's behind the gates of Sol's private sanctuary. As James learns the stories of the members and how they came to be there, he begins to understand the desperate nature of their beliefs - a desperation he knows all too well.As the final ceremony draws near, James must ask himself: what will it cost them to reach this other life? And is that a price he's willing to pay?WHAT READERS ARE SAYING:'I would give this book ten stars if I could . . . Incredibly clever . . . Heartbreakingly perfect''This was an incredible read . . . I loved it''Beth Lewis never fails to grab my attention and hold it for every single bit of every single page of her books. This one was no different''A really interesting, gripping read'

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This is an anthology to delight both lovers of reggae and lovers of poetry which sings light as a feather, heavy as lead over the bedrock of drum and bass. If in the past Caribbean poetry seemed split between the English literary tradition and the oral performance of dub poetry, Wheel and Come Again brings together work which combines reggae's emotional immediacy, prophetic vision, fire and brimstone protest and sensuous eroticism with all the traditional resources of poetry: verbal inventiveness, richness of metaphor and craft in the handling of patterns of rhythm, sound and poetic structure.Its range is as wide as reggae itself. There are poems celebrating, and sometimes mourning, the lives and art of such creative geniuses as Don Drummond, Count Ossie, Lee 'Scratch' Perry, Bob Marley, Big Youth, Bunny Wailer, Winston Rodney, Patra and Garnett Silk. There are poems of apocalyptic vision, fantasy, humour and storytelling; poems about history, culture, politics, religion, art, human relationships and love; poems which employ standard Caribbean English, poems written in Jamaican nation language and many poems which move easily between the two.From its birth in the ghettos of Kingston, reggae has become an international musical language, and whilst Jamaicans are inevitably well represented in this anthology, Wheel and Come Again reflects reggae's universal appeal with contributors from the USA, Canada, Britain, Guyana and St. Lucia. What all have found in reggae is an art with a rich aesthetic which, like the poetry they aspire to write, speaks to the body, mind and spirit, which compels a state of heightened expectancy with its combination of pattern and surprise: 'Counting out the unspoken pulse/ then wheel and come again'."Wheel and Come Again is no academic treatise - it is an attempt to hold a dancehall session in poetry, to take readers to the heart of reggae and carry them into the compelling seduction of the drum and bass' (26). This bold assertion, made in the introduction of Dawes's latest work, Wheel and Come Again, could have also added the word 'celebration'. And there is a lot to celebrate in this anthology"Geoffrey Philp, The Caribbean Writer.Kwame Dawes is widely acknowledged as the foremost Caribbean poet of the post-Walcott generation. He currently holds the position of Distinguished Poet In Residence and Louise Fry Scudder Professor of Liberal Arts at the University of South Carolina.

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A monumental installation from the American artist known for her fusion of art and science This book accompanies New York–based artist Christine Corday's (born 1970) site-specific installation at CAM St. Louis. Corday's 12 monumental sculptures—made from 10,000 pounds of compressed elemental metal—are arranged throughout the gallery in constellations, exhibited alongside a painting series.

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Emotion Coaching (EC) is a universal communication strategy which supports children and young people to self-regulate and manage their stress responses. Originally noticed as an effective way parents communicated with their children around challenging behaviours, Emotion Coaching has been shown to be highly successful in educational settings too. This is why the authors pioneered the research and application of Emotion Coaching into UK (primary and secondary) schools and community settings. The book includes straightforward descriptions and practical tips, with signposting to resources, case studies and vignettes to illustrate its practical application in educational settings. It supports adults to promote empathetic responses to challenging behaviours and situations, helping children and young people to understand their emotions and learn to manage them and their behavior in the longer-term.

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Known for her cartoon-like characters engaged in ambiguous activities, Laylah Ali's paintings and drawings imply narratives that address a wide variety of political, cultural, and social concerns. Her carefully-created images are deceptive with their buoyant color, yet at the same time delve into some of the more disturbing impulses revealed in the workings of individuals and groups. Often creating characters that represent the many facets of social and racial identity, this special artist book, Types, includes new drawings that are representative of the different “types” of characters Ali creates. Keeping with the intimate scale of her works, this 36-page book includes 14 new black and white color drawings. Each image is juxtaposed next to a solid block of color in order to heighten the intricate details of these new depictions.

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Hovering in the space between sculpture and painting, the work of New York–based Wyatt Kahn (born 1983) reinvigorates the legacy of minimalism. His large-scale paintings collapse figuration and abstraction, encapsulate dynamic energy into geometric form and embrace imperfections and raw surfaces in an entirely human way. Wyatt Kahn: Object Paintings features work from Kahn’s first solo museum exhibition at the Contemporary Art Museum St. Louis. With an essay by scholar Robert Slifkin, the book also includes an interview between the artist and exhibition curator Jeffrey Uslip. Slifkin places Kahn in a “vitalist tradition of modernism” that includes Ad Reinhardt, Frank Stella and Donald Judd. But in contrast to those more pristine artists, Kahn allows imperfection in his work. “Every part of my work is made by my hand, which is a flawed hand,” he tells Uslip, “I embrace my natural flaws, and that vulnerability becomes empowerment.”

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Every year between 1998 to 2020 except one, Louisiana had the highest per capita rate of incarceration in the US and thus the world. This is the first detailed account of Louisiana’s unprecedented turn to mass incarceration from 1970 to 2020.

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EPDF and EPUB available Open Access under CC-BY-NC licence. Based on groundbreaking original research, this book provides a comprehensive account of the issues surrounding pregnancy and parenthood for young people in and leaving care. Featuring the voices of care-experienced parents, together with reflections from practitioners, it offers valuable insights into the issues facing this group. Using qualitative data to explore why parenthood is such an important issue for young people in and leaving care, this book shows what can be learned from their experiences in order to improve outcomes for parents and children in the future. The author highlights the practical and emotional needs of care-experienced parents and gives clear advice for practitioners on how these needs might be better addressed through summary points, practice guidance and recommendations for policy and practice.

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The world has ended. The pandemic crossed continents, sparing only a fraction of the global population. The survivors are now trying to pick up the pieces and rebuild society to create a new future. But with only a handful of towns and cities starting to rise from the ashes, and governance and law-making in a fragile, fledgling state, everyone must start over. And the worst of human nature has survived along with the best. Abby Grant and Jenny Richards return to an England devastated by disease, and face a renewed fight for survival... 1.1 Tethered by Andrew Smith. Abby Grant is headed home on a tragic mission when she meets an apparent Good Samaritan, who may be nothing of the sort. And in Cambridge, the seat of the New Federal Government, the Prime Minister tasks Law Minister Jenny Richards with a secret assignment. Both women soon find themselves in deadly peril. 1.2 My Generation by Katharine Armitage. Abby is on the run, and Jenny risks her future to protect her. An old friend, Jackie Burchall, is also eager to help. But when Abby falls in with an activist group called The Veil, it jeopardises everyone. 1.3 Behind You by Roland Moore. Abby remembers Leonard Cross as the awful children's entertainer who came to one of her son's birthday parties before the Death. She doesn't expect to find herself relying on him as she recovers from injury and tragedy. Ans he may be even more awful than she knows... From the world of Terry Nation's cult-classic series. CAST: Carolyn Seymour (Abby Grant), Lucy Fleming (Jenny Richards), Louise Jameson (Jackie Burchall), Peter Bankole (Zack Bakare / Freddie Faulkner), Barney Fishwick (Robin), Clive Hayward (John Bedwell), Belinda Lang (Celia Tate), James MacCallum (Arthur), Glen McCready (Ulrik Larson), Cameron Percival (Tobias Cross), Jonathan Rigby (Leonard Cross). Other parts played by members of the cast. NOTE: Survivors contains adult material and is not suitable for younger listeners

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Postcolonial theory has developed mainly in the U.S. academy, and it has focused chiefly on nineteenth-century and twentieth-century colonization and decolonization processes in Asia, Africa, the Middle East, and the Caribbean. Colonialism in Latin America originated centuries earlier, in the transoceanic adventures from which European modernity itself was born. Coloniality at Large brings together classic and new reflections on the theoretical implications of colonialism in Latin America. By pointing out its particular characteristics, the contributors highlight some of the philosophical and ideological blind spots of contemporary postcolonial theory as they offer a thorough analysis of that theory’s applicability to Latin America’s past and present. Written by internationally renowned scholars based in Latin America, the United States, and Europe, the essays reflect multiple disciplinary and ideological perspectives. Some are translated into English for the first time. The collection includes theoretical reflections, literary criticism, and historical and ethnographic case studies focused on Ecuador, Guatemala, Mexico, Brazil, the Andes, and the Caribbean. Contributors examine the relation of Marxist thought, dependency theory, and liberation theology to Latin Americans’ experience of and resistance to coloniality, and they emphasize the critique of Occidentalism and modernity as central to any understanding of the colonial project. Analyzing the many ways that Latin Americans have resisted imperialism and sought emancipation and sovereignty over several centuries, they delve into topics including violence, identity, otherness, memory, heterogeneity, and language. Contributors also explore Latin American intellectuals’ ambivalence about, or objections to, the “post” in postcolonial; to many, globalization and neoliberalism are the contemporary guises of colonialism in Latin America.Contributors: Arturo Arias, Gordon Brotherston, Santiago Castro-Gómez, Sara Castro-Klaren, Amaryll Chanady, Fernando Coronil, Román de la Campa, Enrique Dussel, Ramón Grosfoguel, Russell G. Hamilton, Peter Hulme, Carlos A. Jáuregui, Michael Löwy, Nelson Maldonado-Torres, José Antonio Mazzotti, Eduardo Mendieta, Walter D. Mignolo, Mario Roberto Morales, Mabel Moraña, Mary Louise Pratt, Aníbal Quijano, José Rabasa, Elzbieta Sklodowska, Catherine E. Walsh

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Go beyond the big screen and explore the real places that inspired some of the greatest films of all time – brought to life through comprehensively researched text and stunning hand-drawn artwork. Travel journalist Sarah Baxter reveals 25 essential cinematic destinations around the globe, spanning different decades, directors and movie genres. Full-page colour illustrations instantly transport you to each location. You’ll find that these places are not just backdrops to the tales told, but characters in their own right. Travel to the sweeping deserts of Lawrence of Arabia in Jordan, escape to the tumbling hills of San Francisco as seen in Hitchcock’s Vertigo or lose yourself in the cobbled lanes of In Bruges. Featured locations: London, England, Paddington Wells, England, Hot Fuzz Dumfries & Galloway, Scotland, The Wicker Man Belchite & the Sierra de Guadarrama, Spain, Pan’s Labyrinth Montmartre, Paris, France, Amélie Bruges, Belgium, In Bruges Görlitz, Germany, The Grand Budapest Hotel Fårö, Sweden, Persona Salzburg, Austria, The Sound of Music Rome, Italy, La Dolce Vita Matmata & Tozeur, Tunisia, Star Wars: A New Hope Wadi Rum, Jordan, Lawrence of Arabia Mumbai, India, The Lunchbox Hong Kong, China, Enter the Dragon Seoul, South Korea, Parasite Tokyo, Japan, Lost in Translation Outback, Australia, The Adventures of Priscilla, Queen of the Desert Karekare Beach, New Zealand, The Piano Alberta, Canada, The Revenant Philadelphia, USA, Rocky San Francisco, USA, Vertigo Brooklyn, New York, USA, Do the Right Thing Dead Horse Point State Park, Utah, USA, Thelma & Louise Jamaica, Dr No Cusco & Machu Picchu, Peru, The Motorcycle Diaries Delve into this book to discover some of the world’s most fascinating cinematic places and the films that celebrate them. Each book in the Inspired Traveller's Guides series offers readers a fascinating, informative and charmingly illustrated guide to must-visit destinations round the globe. Also from this series, explore intriguing: Artistic Places, Spiritual Places, Literary Places, Hidden Places, Mystical Places and Wild Places.

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Test your knowledge with 500 perplexing questions to bamboozle and delight trivia buffs both young and old with The Encyclopedia of Unbelievable Facts. How many kinds of germs live in your bellybutton? Which creature takes a three-year-long nap? If someone asked you to spare a zeptosecond, how long would that be? Has the Leaning Tower of Pisa ever been straight? And what exactly happens to an astronaut’s dirty laundry? The dazzling facts are accompanied by bright, whimsical illustrations and the questions are organized into 10 chapters: Human Body, Science and Technology, Animals, Natural World, Space, Mindbending Stuff, History, Customs and Culture, Our World, and Arts and Entertainment. Written in simple, easy-to-understand language by author Jane Wilsher, this stunning visual encyclopedia is ideal for fact-loving kids and a perfect excuse to bring the family together for some top trivia fun.

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What would a genuinely supportive school day look like in real practice, for children who have experienced attachment difficulties and developmental vulnerability? What are the core features of an attachment-friendly school? How can we promote inclusion and positively affect learning outcomes amongst pupils in need, at risk, in care and adopted? Loiuse Bomber, teacher, therapist, trainer and author of the critically acclaimed number one selling book on behavioural difficulties Inside I'm Hurting, draws on her extensive experience in working with these children and young people. The book is full of practical ideas that can easily be integrated into the busy-ness of everyday school life. Complicated methods and procedures are unnecessary - the good news is that genuine relationship will provide children and adolescents who have experienced relational traumas and losses with the core support they need.

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Beginners and advanced decorators alike can discover how to revitalize their outdoor environment with weatherproof paint effects. Projects are presented with clear text and detailed step-by-step photographs, making it easy to create beautiful embellishments that make a personal decorating statement. Colourful, inspirational and practical, it guides the reader through a series of 25 decorative finishes ideal for external walls, floors and woodwork. This book features a wide variety of stunning effects for five surfaces: plaster, cement, wood, metal and stone. The authors cover a wide variety of paint effects including stucco, faux tiles, frescos, lime washing, verdigris, moss effects and more. They introduce new decorative finishes that can withstand the forces of nature as effectively as traditional exterior paints, with advice on surface preparation, colour usage and recommended equipment.

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Mentoring has become an essential ingredient in the success of diversity management in the workplace and in achieving societal change to accommodate and value difference. This case book brings together a wide range of approaches to designing, implementing, sustaining and evaluating mentoring programmes. It explores what makes mentoring work in a diversity context, and what undermines it; what constitutes good practice and what to avoid.The international case studies cover many different aspects of difference, including race, culture, physical and mental disability, gender and sexual preference, Thoughtful analysis of these cases reveals many practical lessons for what does and doesn’t work well in different contexts.Edited by three leading authorities in the field, this case book is an essential companion for anyone aiming to establish a mentoring programme in the areas of equal opportunities, diversity management, or leveraging diversity.Countries represented in the book: Australia, Argentina, Canada, Denmark, Great Britain, Germany, Luxembourg, Norway, South Africa, and USA.Contributors: Penny Abbott, Olu Alake, Raymond Asumadu, Dellroy Birch, Merridee Bujaki, Maggie Clarke, David Clutterbuck, Jane Cordell, Giulia Corinaldi, Patricia Pedraza Cruz, Tulsi Derodra, Pamela M. Dixon, Nora Dominguez, Jennybeth Ekeland, Gifty Gabor, Coral Gardiner, Tim Gutierrez, Julie Haddock-Millar, Christina Hartshorn, Susanne Søes Hejlsvig, Rachelle Heller, Malcolm Johnson, Rita Knott, Frances Kochan, James W. Koschoreck, Alan Li, Catherine Mavriplis, Norma T. Metz, Elisabeth Møller-Jensen, Dra. Silvia Inés Monserrat, Françoise Moreau-Johnson, Catherine Mossop, Loshini Naidoo, Jonelle Naude, Leyla Okhai, Nwamaka Onyiuke, Louise Overy, Martin Parsonage, Shari Lawrence Pfleeger, Cherry Potts, Kirsten M. Poulsen, Peter Quinn, Ann Rolfe, Michail Sanidas, Clive Saunders, Kolarele Sonaike, Lynn P. Sontag, Charlene Sorensen, Jenepher Lennox Terrion, Kimberly Vappie, Cynthia Miller Veraldo, Helen Villalobos, Dieter Wagner, Nelli Wagner, Carol Ann Whitaker, Keith Whittlestone, Helen Worrall, Shaun Wilson-Gotobed and Derek Yee."I knew I was going to enjoy this book before I started to read it, as to any passionate, mentoring enthusiast, the list of contributors reads like a 'who's who' in the best of mentoring with chapters by some of the greatest global thought leaders and practitioners in mentoring."The International Journal of Mentoring and Coaching, Volume X Issue 2, December 2012"This comprehensive but concise book will be useful for any coach or integrative coach who is engaged in supervision, wanting to train as a supervisor, or seeking to understand more about the supervision perspective."AICTP Journal, November 2012"This book fills a gap in the mentoring literature. The book is informed, insightful and inspiring and will be of immense use to the mentoring community."Dr Elaine Cox, Director of Postgraduate Coaching and Mentoring Programmes, Oxford Brookes University, UK"This book provides insightful analyses of diversity mentoring principles and their application to real world practice."Professor Uduak Archibong, Professor of Diversity, University of Bradford, UK"As a diversity practitioner working for a multi-national organisation, I found this a great manual to dip in to for ideas and advice on how best to use mentoring as a means of driving behavioural and organisational change."Sarah Churchman, Human Capital Director, Head of Diversity, Inclusion & Employee Wellbeing, PricewaterhouseCoopers LLP, London, UK

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AN IRISH TIMES BOOK OF THE YEAR 2023 _______________ 'A blade-sharp coming-of-age novel' SPECTATOR 'Confirms Flattery as a bracingly original writer' IRISH INDEPENDENT 'In enviably elegant prose, she manages to be both arch and deadly serious' LOUISE KENNEDY _______________ A wildly original debut novel about two young women navigating the complex worlds of Andy Warhol's Factory, and coming of age in 1960s New York New York City, 1966. Seventeen-year-old Mae lives in a run-down apartment with her alcoholic mother and her mother's sometimes-boyfriend, Mikey. She is turned off by the petty girls at her high school, and the sleazy men she typically meets. When she drops out, she is presented with a job offer that will remake her world entirely: she is hired as a typist for the artist Andy Warhol. Warhol is composing an unconventional novel by recording the conversations and experiences of his many famous and alluring friends. Tasked with transcribing these tapes alongside several other girls, Mae quickly befriends Shelley and the two of them embark on a surreal adventure at the fringes of the countercultural movement. Going to parties together, exploring their womanhood and sexuality, this should be the most enlivening experience of Mae's life. But as she grows increasingly obsessed with the tapes and numb to her own reality, Mae must grapple with the thin line between art and voyeurism and determine how she can remain her own person as the tide of the sixties sweeps over her. Nothing Special is a whip-smart coming-of-age story about friendship, independence and the construction of art and identity, bringing to life the experience of young women in this iconic and turbulent moment. _______________ PRAISE FOR SHOW THEM A GOOD TIME: 'A masterclass . . . Bold, irreverent and agonisingly funny' Sally Rooney 'Announces the arrival of a brilliant talent' Financial Times 'Explores difficult questions about self-worth, agency and intimacy with thrilling sharpness' Sunday Times 'Demands repeated reading' Jon McGregor A 2023 HIGHLIGHT FOR: THE TIMES * TELEGRAPH * STYLIST * GQ * GUARDIAN * HARPER'S BAZAAR * GOOD HOUSEKEEPING * WATERSTONES * i-D * IRISH TIMES * HUFFINGTON POST UK

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The Art of Darkness is a visually rich sourcebook featuring eclectic artworks that have been inspired and informed by the morbid, melancholic and macabre. Throughout history, artists have been obsessed with darkness – creating works that haunt and horrify, mesmerise and delight and play on our innermost fears. Gentileschi took revenge with paint in Judith Slaying Holofernes while Bosch depicted fearful visions of Hell that still beguile. Victorian Britain became strangely obsessed with the dead and in Norway Munch explored anxiety and fear in one of the most famous paintings in the world (The Scream, 1893). Today, the Chapman Brothers, Damien Hirst and Louise Bourgeois, as well as many lesser known artists working in the margins, are still drawn to all that is macabre. From Dreams & Nightmares to Matters of Mortality, Depravity & Destruction to Gods & Monsters – this book introduces sometimes disturbing and often beautiful artworks that indulge our greatest fears, uniting us as humans from century to century. But, while these themes might scare us – can’t they also be heartening and beautiful? Exploring and examining the artworks with thoughtful and evocative text, S. Elizabeth offers insight into each artist’s influences and inspirations, asking what comfort can be found in facing our demons? Why are we tempted by fear and the grotesque? And what does this tell us about the human mind? Of course, sometimes there is no good that can come from the sensibilities of darkness and the sickly shivers and sensations they evoke. These are uncomfortable feelings, and we must sit for a while with these shadows – from the safety of our armchairs. Artists covered include Pablo Picasso, Georgia O'Keeffe, Francisco de Goya, Leonora Carrington, John Everett Millais, Tracey Emin, Vincent van Gogh, Barbara Hepworth, Paul Cezanne and Salvador Dalí, as well as scores more. With over 200 carefully curated artworks from across the centuries, The Art of Darkness examines all that is dark in a bid to haunt and hearten. This book is part of the Art in the Margins series, following up on The Art of the Occult, which investigates representations of the mystical, esoteric and occult in art from across different times and cultures.

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In the early years of the nineteenth century, the burgeoning cultural pride of white Creoles in New Orleans intersected with America's golden age of print, to explosive effect. Imagining the Creole City reveals the profusion of literary output -- histories and novels, poetry and plays -- that white Creoles used to imagine themselves as a unified community of writers and readers.Rien Fertel argues that Charles Gayarré's English-language histories of Louisiana, which emphasized the state's dual connection to America and to France, provided the foundation of a white Creole print culture predicated on Louisiana's exceptionalism. The writings of authors like Grace King, Adrien Rouquette, and Alfred Mercier consciously fostered an image of Louisiana as a particular social space, and of themselves as the true inheritors of its history and culture. In turn, the forging of this white Creole identity created a close-knit community of cosmopolitan Creole elites, who reviewed each other's books, attended the same salons, crusaded against the popular fiction of George Washington Cable, and worked together to preserve the French language in local and state governmental institutions. Together they reimagined the definition of ""Creole"" and used it as a marker of status and power.By the end of this group's era of cultural prominence, Creole exceptionalism had become a cornerstone in the myth of Louisiana in general and of New Orleans in particular. In defining themselves, the authors in the white Creole print community also fashioned a literary identity that resonates even today.

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This edited book examines the multilingual culture of medieval England, exploring its impact on the development of English and its textual manifestations from a multi-disciplinary perspective. The book offers overviews of the state of the art of research and case studies on this subject in (sub)disciplines of linguistics including historical linguistics, onomastics, lexicology and lexicography, sociolinguistics, code-switching and language contact, and also includes contributions from literary and socio-cultural studies, material culture, and palaeography. The authors focus on the variety of languages in use in medieval Britain, including English, Old Norse, Norn, Dutch, Welsh, French, and Latin, making the argument that understanding the impact of medieval multilingualism on the development of English requires multidisiplinarity and the bringing together of different frameworks in linguistics and cultural studies to achieve more nuanced answers. This book will be of interest to academics and students of historical linguistics and medieval textual culture.

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At a time when teacher education is undisputedly under attack, this yearbook considers the possibility of a renaissance in teacher education, primarily from a teacher educator perspective. Presenting the challenges and the possibilities inherent in teacher education, the volume encompasses a wide swath of topics ranging from the need to discuss the psychic rewards of teaching and adding care to the vision of education to the revamping of particular courses and apprising student teachers of their legal rights before placing them in schools. Then, too, there is the discussion of the separation of the preparation of teacher candidates from the ongoing development of inservice teachers and the conversation about the potential shaping effects of curriculum theory on student-teachers' beliefs. As for particular renaissances, authors center on such vital topics as collaboration, arts-based learning, economic responsibility, social justice, narrative authority, voice, and agency. The volume concludes by urging readers to use what we know to question what we know and offers principles of teacher education practice that have been gleaned over time from an international meta-analysis. The book includes chapters written by internationally acclaimed teacher educators originating from such countries as Australia, Canada, Columbia, Ireland, Israel, and The Netherlands as well as a plethora of well-respected United States-based authors situated in teacher education programs dotted around the nation. In addition to teacher educators, the voices of teachers, children, and principals are threaded in. Unanticipated inclusions are chapters written by an educational humorist and legal experts.

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The image is terrible and familiar. A man sits, his face in profile, his torso exposed. His back is a breathtaking mass of scars, crisscrossing his body and baring the brutality of American slavery. Reproduced as a carte de visite, the image circulated widely throughout abolitionist networks and was featured in Harper's Weekly. Its undeniable power testified to the evils of slavery. But who was this man and how did this image come to be?Bruce Laurie uncovers the people and events that created this seminal image, telling the tale of three men, two Yankee soldiers from western Massachusetts who were serving the Union Army in Louisiana and a man named Peter whose scarred back horrified all who saw it. The two soldiers were so shocked by what had been done to Peter, they sought to capture the image and document slavery's cruelty, the likes of which was all too common among those fleeing bondage in Louisiana. Meticulously researched and briskly told, this short volume unearths the story behind an iconic image.

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Safeguarding Children and Schools explains how schools are able to contribute to keeping children safe from harm and promoting their welfare, in line with Government Every Child Matters guidelines.The contributors, who are all experts in the field of child protection, put the potentially daunting task faced by schools in context, explaining relevant policy, the latest research findings and offering practical examples to help schools to be more proactive and meet their responsibilities successfully. Areas discussed include the roles of local education authority services and schools in child protection, working with particularly vulnerable or difficult children, the relationship between safeguarding and the curriculum, and training school staff to safeguard children.At a time when expectations of the role of schools are evolving, this book provides guidance and support for teachers, managers and social care professionals.

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A collection of essays in which the author writes of her own upbringing, her human and literary antecedents, and also dwells on lives and poems. The book includes writings on T.S. Eliot, George Oppen, Sylvia Plath, Robinson Jeffers, Wallace Stevens, and John Berryman.

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Chateau La Coste, near Aix-en-Provence, is a unique property that combines sculptural artworks by leading contemporary artists alongside works by some of the world's best-known architects, all within the grounds of a working organic vineyard. Since 2004 the estate, which occupies an ancient site, has been transformed into an exceptional plein-air museum, and the number of installations grows every year. The spreading collection lies within the walk of a spectacular Art Centre, designed by the world-renowned Japanese architect Tadao Ando. On the reflecting pool in front of the building is one of Louise Bourgeois' giant arachnoid sculptures, Crouching Spider. To the north lies a futuristic winery by Jean Nouvel. By taking one of several routes to the south or west, the visitor encounters such monumental installations as Sean Scully's sculpture of stacked blocks of limestone, Wall of Light Cubed; Richard Serra's steel sheets, AIX; and Oak Room by Andy Goldsworthy, a cave of interwoven oak branches, integrated into an old stone wall. Installations by Liam Gillick, Kengo Kuma, Paul Matisse, Sophie Calle and many others punctuate the pathways. And by an ancient Roman route, Ai Weiwei has created another new path up the hillside, using paving stones salvaged from the renovated port at Marseilles. Overlooking the site is a 16th-century chapel restored by Ando and enclosed by a framework of steel and glass. The music and exhibition pavilions, close to the `village' of buildings at the heart of the property, have been designed by Frank Gehry and Renzo Piano respectively. In this stunning new book, Robert Ivy of the American Institute of Architects and the curator Alistair Hicks explore each work of architecture and art installation in depth. Their insightful commentaries are accompanied by specially commissioned photographs by the acclaimed architectural photographer Alan Karchmer. The book is arranged into sections covering all areas of the property, so that the reader is able to experience and discover Chateau La Coste as a visitor would. In the introduction, Ivy relates the conception, creation and further development of Chateau La Coste by its owner, Patrick McKillen; while, to conclude the book, Hicks considers the site's ever-increasing exhibition programme. Throughout the pages, the reader will feel transported to idyllic Provence, to this most remarkable and significant collection of modern and contemporary art and architecture.

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How can countries chart their own course toward universal health coverage?Like many ambitious global goals, universal health coverage (UHC) remains an aspiration for many countries. The World Health Organization estimates that half the world's population lacks access to basic health services. Moreover, this already staggering number masks inequities that exist between and within countries: gaps between rich and poor, men and women, young and old, and among people of different ethnic backgrounds. UHC promises to give all people greater access to higher quality health services without the fear of financial hardship. But the task of turning this vision into reality poses a significant challenge for countries at all stages of economic development.In The Road to Universal Health Coverage, Jeffrey L. Sturchio, Ilona Kickbusch, Louis Galambos, and their contributors explore the ways in which the private sector is already helping countries achieve universal health coverage. Stressing the many positive aspects of UHC developments, the book focuses on the new health economy and the sometimes controversial dimensions of the private sector helping countries achieve UHC. Theoretical chapters are complemented by a series of case studies that explore the myriad ways in which private sector actors are already addressing UHC. What are the conditions required for countries to translate their successful experiences and policy promises into practical results for improved population health? In answering this question, the contributors examine the relationship between health employment and economic growth. They also analyze the critical success factors for private sector engagement in UHC, the role of healthy women in creating and sustaining healthy economies, and the role of the pharmaceutical sector. Looking to the political, economic, and social implications of moving from aspiration to implementation, The Road to Universal Health Coverage points the way to the many opportunities ahead as companies continue to work with governments and civil society partners to help achieve UHC.Jean-Louise Arcand, Héctor Arreola-Ornelas, Nathan J. Blanchet, Christine Bugos, Jim Campbell, John Campbell, Jr., Ibadat Dhillon, Donika Dimovska, Christian Franz, Michael Fürst, Louis Galambos, Belén Garijo, Adeel Ishtiaq, Sowmya Kadandale, Ilona Kickbusch, Felicia Marie Knaul, Jeremy Lauer, Robert Marten, Justin McCarthy, Harald Nusser, K. Srinath Reddy, Yasmine Rouai, Jeffrey L. Sturchio, Cicely Thomas, Tana Wuliji, Snow Yang, Pascal Zurn

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After a terrible tragedy, governess Julia Pearlie finds herself with no job, home, or references. When she's offered a position as companion to Miss Olivia Richmond, her luck appears to be turning. But Mistcoate House is full of secrets. Olivia has a sinister reputation. The locals call her the Mistcoate Witch, thanks to her tarot readings, and her insistence that she can speak to the dead. Her father, Dr Richmond, believes this to be girlish fantasy and is looking to Julia to put a stop to it. Determined to prove herself and shake off her own murky history, Julia sets to work trying to help Olivia become a proper young lady. However, as she becomes a fixture at Mistcoate, it is soon clear that there may be more to Olivia's stories than Dr Richmond would have Julia believe - not least because somehow, Olivia seems to know something of the darkness that Julia desperately hoped she had left behind. As the danger grows, and the winter chill wraps around the dark woods surrounding Mistcoate, Julia will have to fight to uncover the truth, escape her past - and save herself. Original and engrossing, this chilling Victorian Gothic ghost story is an outstanding piece of storytelling, perfect for fans of Sarah Perry, Erin Morgenstern and Jessie Burton. “The Fortunes of Olivia Richmond is a darkly gothic historical mystery in all the best traditions of the genre. Lyrical writing, a perfect setting, haunting characters and a village of broken people. I absolutely loved it. A standout book that I whole-heartedly recommend. Breathtaking.” – Helen Fields, bestselling author of Perfect Remains and These Lost And Broken Things “This engaging novel cleverly mixes the psychic and the psychological, as we, along with Julia Pearlie, try to make sense of the disturbing goings-on at Mistcoate House. Peopled by vividly realised characters and with a strong period feel, Davidson's novel pays homage to 'sensational' nineteenth-century literature, keeping some of its secrets to the very end.” – Sarah Burton, bestselling author of The Strange Adventures of H "This chilling gothic novel is a well-crafted, twisty mystery." – Candis Magazine

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'Classy and ingenious new thriller' BA PARIS ‘Millionaires, marriage and murder make for a potent cocktail in this compelling tale set among the super-rich of New York’s elite’ TM LOGAN ‘Instantly compelling and filled with ingenious twists and brilliant characters. This is sublime thriller writing’ BP WALTERTHE RULES 1. Listen carefully 2. Do your research 3. Trust no one 4. Run for your life Harriet Reed is newly engaged to Edward Holbeck, the heir to an extremely powerful American family. When Edward’s father hands her a tape of a book he’s been working on, she is desperate to listen. But as she presses play, it’s clear that this isn’t a novel. It’s a confession to murder. Feeling isolated and confused, Harriet must work out if this is all part of a plan to test her loyalty. Or something far darker. Because this might be a game to the Holbeck family - but games can still be deadly. READY OR NOT, HERE THEY COME . . . Praise for Catherine Steadman ‘Stylish, riveting, hugely atmospheric — I couldn’t put it down’ Lucy Foley ‘Engrossing and unputdownable’ Caroline Kepnes 'Captivating doesn't cover it. Brilliant doesn't do it justice. This is a dazzling, gasp-inducing plunge-pool of a novel that grips your heart and mind and refuses to let go. Absolutely stunning' BP Walter ‘Another screen-worthy thriller’ Washington Post 'Like Chekhov’s gun, the Hollywood sign is mentioned early, leading to a great, extended scene far above the city — and to a genuine Hollywood ending' New York Times ‘Engrossing and unputdownable . . . I devoured this Londoner in LA story in a day’ Caroline Kepnes ‘A fascinating glimpse of the darkness behind Hollywood’s glittering façade. I loved it’ TM Logan 'Another page-turning winner from Catherine Steadman. Ingenious and intriguing, with a fascinating insight into the acting world' BA Paris ‘Original, ingenious and utterly gripping, with characters you’ll really care about as they race towards the brilliantly unexpected ending’ JP Delaney ‘A thriller for our times’ Louise Candlish ‘A proper page-turner’ New York Times 'Fans of The Silent Patient will love it' CJ Tudor 'Had me racing through the pages’ Sarah Vaughan 'An enjoyable, nail-biting ride' Observer 'Perfectly paced with an exciting race to the end, this is one clever novel' Woman’s Weekly

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'A vivid depiction of how easy it is to get trapped by other people's expectations. Full of heartbreak but also hope, I really rooted for the women in this novel.' Louise Hare Can you ever escape your past?Cat knows she should be more grateful for her partner James. As a young woman struggling to care for her alcoholic mother, he whisked her away from the violence and addiction of her council estate home and offered her a taste of middle-class comfort.But twenty years later, the escape he offered has begun to feel stifling. Surrounded by immaculate white carpets and scented candles, everything has its place in James's house, except it seems, Cat. She had a place to study at university after finishing school, but her mother was too unwell for Cat to take it. She begins to dream of the opportunities education could offer her.At a university open day, Cat finds herself standing before teenage boyfriend, Daniel, now a lecturer. As the spark that drew them together returns, Cat hopes that he can in some way help her reconnect with the drive and optimism of her younger self. Or perhaps she is simply hurtling back towards a past that can only hurt her further...Can Cat let go of her demons to become the person she always hoped to be, or is it too late?What readers are saying about Ungrateful:'A total pleasure.' Eva Verde 'Touched me deeply.' Juno Roche'Compulsively readable with huge heart.' Alex Allison'Clever, gripping, heartbreaking but also ultimately hopeful. I want to read this book again and again and again.' Cat White 'I loved it. As soon as I started reading, I was in. Ungrateful expertly explores the physical, emotional and intellectual repercussions of being born into poverty.' Lynne Voyce 'Kept me on the edge of my seat, courageously challenging mainstream conceptions of class with an empowering message for positive change. Gets hold of the working-class stereotype and smashes it to bits.' Shaun Wilson 'I inhaled this book!... Just want to read it all over again.' Eve Ainsworth 'A soul-questioning novel that helps us understand the currency of gratitude in our deeply imbalanced and transactional world in which to change one's life is to be indebted to someone else's.' Kit Fan

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When the guitars tickle a bedrock of drum and bass, when the girl a shock out and a steady hand curve round her sweat-smooth waist, when the smell of Charlie mingles with the chemicals of her hair and the groove is of the sweetest friction - how is a young man to keep his way pure?Kwame Dawes's poetry rises to new heights in these psalms of confession and celebrations of reggae's power to prophesy, to seek after righteousness and seduce the body and mind. Here is poetry walking the bassline, which darts sweetly around the rigid lick of the rhythm guitar yet expresses all the sadness and alienation at the heart of reggae. This, for Dawes, is the earth which 'never tells me my true home' and where behind every chekeh of the guitar there is the ancestral memory of the whip's crack. Shook Foil dramatises the conflict between the purity of essences and the taints of the actual, not least in the poems which focus on Bob Marley's life. Here is the rhygin, word-weaving prophet and the philanderer with the desperate hunger for yard pumpum, the revealer of truths and the buffalo soldier who has married yard with show biz affluence. Above all there is the intense sadness of Marley's death, for how can one live without the duppy conqueror's defiant wail in an island gone dark for the passing of his song?But for Shook Foil there is always the gospeller's hope that the dead will rise from dub ruins and patch a new quilt of sound for the feet to prance on. And when the high hat shimmering and the bass drum thumping, what else to do but dance?"Throughout the collection, Dawes captures the many dimensions of reggae from the psalmic to the prophetic that are yet to be explored by other writers and musicians. Reggae remains unparalleled in its ability to absorb other influences and remain true to itself and to capture beauty, pain, and pleasure in a one-drop riddim. Its syncopation suggests a break, a gap - somewhere to fall with the faith that you will be caught - and this is what gives reggae its redemptive value. To really enjoy the music, you must believe. The same could be said of Shook Foil."Geoffrey Philp, The Caribbean Writer.Kwame Dawes is widely acknowledged as the foremost Caribbean poet of the post-Walcott generation. He currently holds the position of Distinguished Poet In Residence and Louise Fry Scudder Professor of Liberal Arts at the University of South Carolina.

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‘An unimaginably suspenseful thriller, with twist after twist’ Heat ‘A gripping thriller . . . Highly recommended’ C.S. Green Don’t miss R.M. Ward’s latest thriller, THE GIRL WHO VANISHED She should have been safe…But she never came home. Kath has lived on the same London estate for decades. Lately she’s become friendly with the little girl next door, who is often left alone for hours at a time while her mum is at work. They have a system. When Mina gets home from school to the empty flat, she knocks on the wall three times. Knock, knock, knock. I’m home safe and sound. But one day Mina’s knock doesn’t come. Kath raises the alarm and the police begin the search. Kath was the only person looking out for Mina – now she might be the only one who can bring her home. Unputdownable psychological suspense for fans of K.L. Slater, Shalini Boland and Louise Jensen. Readers are GRIPPED by Safe With You ‘I thought I knew what the outcome was going to be I couldn’t have been more wrong. This is an exceptional thriller’ ⭐⭐⭐⭐⭐ ‘I could not put it down until I finished the last page!!! Original storyline, lots of intrigue, twists, and turns (I could not guess the ending). I devoured this.‘ ⭐⭐⭐⭐⭐ ‘Twisty and unpredictable this book was gripping and let me on the edge of my seat. I couldn't put it down.’ ⭐⭐⭐⭐⭐ ‘A gripping, unputdownable read that I devoured in a single afternoon’ ⭐⭐⭐⭐⭐ ‘Totally gripping suspense with lots of twists and turns truly enjoyed totally recommend’ ⭐⭐⭐⭐⭐ ‘So many unexpected and explosive twists and stunning cliff hangers kept me glued to these pages. I sped through it unable to put it down’ ⭐⭐⭐⭐⭐

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The French Revolution created a new cultural world that freed women from the constraints of corporate privilege, aristocratic salons, and patriarchal censorship, even though it failed to grant them legal equality. Women burst into print in unprecedented numbers and became active participants in the great political, ethical, and aesthetic debates that gave birth to our understanding of the individual as a self-creating, self-determining agent. Carla Hesse tells this story, delivering a capacious history of how French women have used writing to create themselves as modern individuals. Beginning with the marketplace fishwives and salon hostesses whose eloquence shaped French culture low and high and leading us through the accomplishments of Simone de Beauvoir, Hesse shows what it meant to make an independent intellectual life as a woman in France. She offers exquisitely constructed portraits of the work and mental lives of many fascinating women--including both well-known novelists and now-obscure pamphleteers--who put pen to paper during and after the Revolution. We learn how they negotiated control over their work and authorial identity--whether choosing pseudonyms like Georges Sand or forsaking profits to sign their own names. We encounter the extraordinary Louise de Keralio-Robert, a critically admired historian who re-created herself as a revolutionary novelist. We meet aristocratic women whose literary criticism subjected them to slander as well as writers whose rhetoric cost them not only reputation but marriage, citizenship, and even their heads. Crucially, their stories reveal how the unequal terms on which women entered the modern era shaped how they wrote and thought. Though women writers and thinkers championed the full range of political and social positions--from royalist to Jacobin, from ultraconservative to fully feminist--they shared common moral perspectives and representational strategies. Unlike the Enlightenment of their male peers, theirs was more skeptical than idealist, more situationalist than universalist. And this alternative project lies at the very heart of modern French letters.

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Lose yourself in the Cornish countryside with this gorgeous new novel from the Richard and Judy Book Club champion. If you love Rebecca by Daphne du Maurier, you'll adore Roseland. __________'Utterly captivating' ADELE PARKS'Amazing, the descriptions of Cornwall were so vivid' Reader Review (5 stars)'There's nothing not to love about this book' SUSAN LEWIS'A captivating read' Reader Review (5 stars)'Evocative, enthralling and full of human insight' CELIA WALDEN'I read it in one day, could not put it down' Reader Review (5 stars)'Gloriously gripping' LIZ FENWICK'This book has Rebecca written all over it' Reader Review (5 stars)'Brimming with secrets, scandal and surprises' MARIANNE CRONIN__________The summers spent at Roseland, the sprawling ancestral home of her best friend, Eloise, were among the happiest of Cathy's life. Tucked away on the Cornish coastline and brimming with history, Roseland seemed to belong to another century.Cathy has barely been back since Eloise's death a decade ago. So she is shocked when Jack, the love of Eloise's life and father of her children, announces that he is getting married, and that the wedding will take place at Roseland. As Cathy and Eloise's family gather at the house for the first time in years, long buried secrets and resentments come to the surface. Nobody likes Jack's new bride, but is she really the imposter everybody claims, or are they merely haunted by memories of Eloise? And how can Cathy look to the future, when the past refuses to let go?Utterly captivating and beautifully told, with echoes of du Maurier's Rebecca, this is the gorgeous new novel from the bestselling book-club champion.__________PRAISE FOR JUDY FINNIGAN'Romantic and rain-lashed. . . a stirring and intriguing read' LOUISE CANDLISH'A haunting, pacy page-turner, with a real ghostly feel - a must read' FABULOUS MAGAZINE'Highly readable, incredibly moving' DOROTHY KOOMSON'A moving meditation of grief, family bonds, motherhood and female friendship' SUNDAY EXPRESS

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'Riveting, twisty, page-turning stuff' GuardianA 'best books of 2020' pick for BBC Radio 4 Open Book, the Guardian, the Telegraph and Good Housekeeping'The page turner you've been looking for. Sly, witty and gripping . . . I devoured it' Naomi Alderman'An utter joy . . . wonderfully skilled' Sarah Perry'Beguiling, brilliantly creepy, and an utterly compelling read' Claire Fuller'Tender, creepy and gripping' Sunday Times'Spellbinding and spooky . . . a dazzling high wire act, superbly absorbing' Sunday MirrorWhen the eight-year-old daughter of an Oxford College Master vanishes in the middle of the night, police turn to the Scottish nanny, Dee, for answers.As Dee looks back over her time in the Master's Lodging - an eerie and ancient house - a picture of a high achieving but dysfunctional family emerges: Nick, the fiercely intelligent and powerful father; his beautiful Danish wife Mariah, pregnant with their child; and the lost little girl, Felicity, almost mute, seeing ghosts, grieving her dead mother.But is Dee telling the whole story? Is her growing friendship with the eccentric house historian, Linklater, any cause for concern? And most of all, why is Felicity silent?Roaming Oxford's secret passages and hidden graveyards, Magpie Lane explores the true meaning of family - and what it is to be denied one.'Enthralling . . . creepy and compelling' The Times'Deliciously dark' Alexandra Shulman'A gorgeously satisfying triumph' Lucy Mangan'A rare thing . . . simply stunning' Daily Express'I was gripped . . . highly original' Alex Clark'Creepy, suspenseful' Independent'One of the most intriguing narrators since Notes on a Scandal' Sara Collins'Grown-up and cleverly written . . . a dizzying sense of uncertainty' Literary Review'Keeps you guessing . . . a real sense of menace' Good Housekeeping'Wholly beguiling' Mick Herron'Dazzlingly good' Diane Setterfield'Beautiful writing' Polly Samson'Clever, tense and twisty' Amanda Craig'Highly intelligent' Sarah Vaughan'Simply brilliant!' JP Delaney'Darkly atmospheric' Jane Fallon'Clever and creepy' Erin Kelly'Highly recommended' Louise Candlish

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Prepare to be hooked . . .* #1 UK SUNDAY TIMES BESTSELLER ** A NEW YORK TIMES BSETSELLER ** OVER 2,000 5 STAR REVIEWS *'I was ENTHRALLED' Gillian McAllister'A GRIPPING read' Shari Lapena'A sheer PLEASURE to read' Harriet Tyce'Artful, slippery, HUGELY SATISFYING' Louise Candlish'The story EVERYONE has been waiting for' Adele Parks___________LONDON. Early morning, June 2019: on the foreshore of the river Thames, a bag of bones is discovered. Human bones.DCI Samuel Owusu is called to the scene and quickly sends the bag for forensic examination. The bones are those of a young woman, killed by a blow to the head many years ago.Also inside the bag is a trail of clues, in particular the seeds of a rare tree which lead DCI Owusu back to a mansion in Chelsea where, nearly thirty years previously, three people lay dead in a kitchen, and a baby waited upstairs for someone to pick her up.The clues point forward too to a brother and sister in Chicago searching for the only person who can make sense of their pasts.Four deaths. An unsolved mystery. A family whose secrets can't stay buried for ever . . .___________'GRIPS from first page to last' Paula Hawkins'Compulsive, gripping and immersive' CL Taylor'Twisty and strange and surprising' Emily Henry'Perfection on a page' Alice Feeney'Guaranteed to send your blood pressure soaring' Red Magazine'It's a triumph. Brava!' Erin Kelly'Lisa Jewell is, simply, outstanding' Alex Marwood'Compelling, ingenious, breath-stopping' Tamar Cohen'A witty and propulsive stunner of a novel' Katherine Heiny'This is Lisa Jewell at her absolute best.' Paul Burston'A compulsive, dark, satisfying tale' Catherine Steadman___________Readers can't get enough of The Family Remains . . .***** 'There's nothing about this book that I would change. Seriously.'***** 'My expectations were high and this still managed to surpass them.'***** 'The writing is outstanding from start to finish and it's an engrossing read.'***** 'I could not put it down and loved the surprises and twists.'***** 'Lisa Jewell can write one hell of a thriller!!'

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AN IRISH TIMES BOOK OF THE YEAR 2023 _______________ 'A blade-sharp coming-of-age novel' SPECTATOR 'Confirms Flattery as a bracingly original writer' IRISH INDEPENDENT 'In enviably elegant prose, she manages to be both arch and deadly serious' LOUISE KENNEDY _______________ A wildly original debut novel about two young women navigating the complex worlds of Andy Warhol's Factory, and coming of age in 1960s New York New York City, 1966. Seventeen-year-old Mae lives in a run-down apartment with her alcoholic mother and her mother's sometimes-boyfriend, Mikey. She is turned off by the petty girls at her high school, and the sleazy men she typically meets. When she drops out, she is presented with a job offer that will remake her world entirely: she is hired as a typist for the artist Andy Warhol. Warhol is composing an unconventional novel by recording the conversations and experiences of his many famous and alluring friends. Tasked with transcribing these tapes alongside several other girls, Mae quickly befriends Shelley and the two of them embark on a surreal adventure at the fringes of the countercultural movement. Going to parties together, exploring their womanhood and sexuality, this should be the most enlivening experience of Mae's life. But as she grows increasingly obsessed with the tapes and numb to her own reality, Mae must grapple with the thin line between art and voyeurism and determine how she can remain her own person as the tide of the sixties sweeps over her. Nothing Special is a whip-smart coming-of-age story about friendship, independence and the construction of art and identity, bringing to life the experience of young women in this iconic and turbulent moment. _______________ PRAISE FOR SHOW THEM A GOOD TIME: 'A masterclass . . . Bold, irreverent and agonisingly funny' Sally Rooney 'Announces the arrival of a brilliant talent' Financial Times 'Explores difficult questions about self-worth, agency and intimacy with thrilling sharpness' Sunday Times 'Demands repeated reading' Jon McGregor A 2023 HIGHLIGHT FOR: THE TIMES * TELEGRAPH * STYLIST * GQ * GUARDIAN * HARPER'S BAZAAR * GOOD HOUSEKEEPING * WATERSTONES * i-D * IRISH TIMES * HUFFINGTON POST UK

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Les Payne, the renowned Pulitzer Prize–winning investigative journalist, embarked in 1990 on a nearly thirty-year-long quest to interview anyone he could find who had actually known Malcolm X—all living siblings of the Malcolm Little family, classmates, street friends, cellmates, Nation of Islam figures, FBI moles and cops, and political leaders around the world. His goal was ambitious: to transform what would become over a hundred hours of interviews into an unprecedented portrait of Malcolm X, one that would separate fact from fiction. The result is this historic biography that conjures a never-before-seen world of its protagonist, a work whose title is inspired by a phrase Malcolm X used when he saw his Hartford followers stir with purpose, as if the dead were truly arising, to overcome the obstacles of racism. Setting Malcolm’s life not only within the Nation of Islam but against the larger backdrop of American history, the book traces the life of one of the twentieth century’s most politically relevant figures “from street criminal to devoted moralist and revolutionary.” In tracing Malcolm X’s life from his Nebraska birth in 1925 to his Harlem assassination in 1965, Payne provides searing vignettes culled from Malcolm’s Depression-era youth, describing the influence of his Garveyite parents: his father, Earl, a circuit-riding preacher who was run over by a street car in Lansing, Michigan, in 1929, and his mother, Louise, who continued to instill black pride in her children after Earl’s death. Filling each chapter with resonant drama, Payne follows Malcolm’s exploits as a petty criminal in Boston and Harlem in the 1930s and early 1940s to his religious awakening and conversion to the Nation of Islam in a Massachusetts penitentiary. With a biographer’s unwavering determination, Payne corrects the historical record and delivers extraordinary revelations—from the unmasking of the mysterious NOI founder “Fard Muhammad,” who preceded Elijah Muhammad; to a hair-rising scene, conveyed in cinematic detail, of Malcolm and Minister Jeremiah X Shabazz’s 1961 clandestine meeting with the KKK; to a minute-by-minute account of Malcolm X’s murder at the Audubon Ballroom. Introduced by Payne’s daughter and primary researcher, Tamara Payne, who, following her father’s death, heroically completed the biography, The Dead Are Arising is a penetrating and riveting work that affirms the centrality of Malcolm X to the African American freedom struggle.

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Normally, forced heirship is primarily associated with a restraint of the decedent's testamentary freedom of disposition. Nevertheless, to effectively protect the forced heirs, forced heirship systems usually also contain various mechanisms to restrain the decedent's lifetime freedom of disposition. Scholars and courts have been debating the proper characterization of these mechanisms in conflicts of laws for decades. Raphael de Barros Fritz addresses the many open questions surrounding this issue by analysing the characterization of forced heirship mechanisms in the laws of Louisiana and Germany.

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From understanding what adoption is, through to step by step guidance on the entire process and the challenges that come up along the way, this is the only book you will need to read on adoption.Written by an author who was adopted herself, who has looked after over twenty children and who works with a fostering and adoption agency that deals specifically with breakdowns, this book will teach you how to confidently navigate the system and build a strong and lasting relationship with your child.Whilst very much being the unvarnished truth, this is an empowering guide that will ensure you feel in control and know where to turn to for help no matter what:With a positive attitude and the right tools, adopting a child can be very rewarding - don't try to overthink it, don't try to love, just do right by them and as you learn about each other the love, kindness and acceptance will grow.

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Based on the incredible true story of The Great Stork Derby, Prize Women is the profoundly moving novel that sheds light on a scandalous moment in history just as relevant today'Gorgeous. Prize Women took my breath away. I haven't stopped thinking about it' JENNIFER SAINT'Wonderfully evocative and intelligent. Sheds light on a scandalous moment in history I knew nothing about, told with great sensitivity and grace. I was entranced' EMMA STONEX'This heartbreaking story explores friendship, strength and the fight to survive' WOMAN'S WEEKLY___________Toronto, 1926.A childless millionaire leaves behind an astonishing will: the recipient of his fortune will be decided in a contest known as 'The Great Stork Derby'. His money will go to the winner: the woman who bears the most children in the ten years after his death.Lily di Marco is young, pregnant, and terrified of her husband. Fleeing to Toronto, she arrives on the doorstep of glamorous free spirit Mae Thebault. At a time when men hold all the power, Lily and Mae look out for each other. But as their friendship grows, Lily wonders if there's more to Mae - and her past - than she has been told . . .And as the Great Depression bites, the Stork Derby contest - with its alluring prize - proves too good to ignore for Lily and Mae, each living hand to mouth.These best friends are now fierce rivals. But if only one woman can win, what will the contest cost the other?___________'A profoundly moving and absolutely gripping novel about the choices women face - and the choices they are denied. I cannot recommend it highly enough' ELODIE HARPER'This tale of two women resonates with what is happening in the world today. I was gripped by Lily and Mae's story, the desperate choices that women still face' LOUISE HARE'Fascinating historical fiction with a feminist slant' GOOD HOUSEKEEPING'A serious, thoughtful and epic journey into the trials of motherhood . . . With her contrasting female characters, Lea interrogates the fight for female agency across class divides, a struggle that continues to this day. A fascinating snapshot of another time, perhaps not as far removed from our own as we might hope' JANICE HALLET'Wonderfully researched and full of evocative historical detail' CULTUREFLY 'Masterful. Caroline Lea is a superb storyteller, and Prize Women deserves a huge readership. So good, I had to pull myself away' ELIZABETH MACNEAL

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