Search results for ""university of alberta press""

This collection challenges misconceptions that rural Canada is a bastion of intolerance. While examining the extent and nature of contemporary cultural and religious discrimination in rural Canadian communities, the editors and contributors explore the many efforts by rural citizens, community groups, and municipalities to counter intolerance, build inclusive communities, and become better neighbours. Throughout, scholars and community leaders focus on building new understandings, language, and ways of thinking about diversity and inclusion that will resonate with rural people. Scholars of rural studies will find this book useful as will rural community leaders and community organizers. Contributors: Clark Banack, Ray Bollman, Claudine Bonner, Corina Borri-Anadon, Jen Budney, Michael Corbett, Roger Epp, Murray Fulton, Stacey Haugen, Phil Henderson, Sivane Hirsch, Michelle Lam, Coleen Lynch, Aasa Marshall, Darcy Overland, Trista Pewapisconias, Dionne Pohler, Samuel Reimer, Jennifer Tinkham, Kyle White

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This collection explores sustainability education in the North American academy. The authors advocate for a more integrated approach to teaching sustainability in order to help students address the most pressing problems of the world, embrace experimentation, and foster more meaningful involvement with the communities in which universities are located. Throughout, they remain focussed on identifying opportunities for sustainability in higher education and suggesting specific strategies and tactics to achieve them. Recommendations include pedagogical and structural changes aimed at helping students understand the systems in which they can advance sustainability. This timely volume will be of interest to scholars, academic leaders, policy makers, societal partners in research, and private-sector leaders interested in advancing the sustainability agenda. Foreword by Thomas E. Lovejoy. Contributors: Apryl Bergstrom, Christopher G. Boone, Ann Dale, Thomas Dietz, Roger Epp, Allison F.W. Goebel, Kourosh Houshmand, Robert H. Jones, Naomi Krogman, Shirley M. Malcom, Robert E. Megginson, Patricia E. (Ellie) Perkins, Vicky J. Sharpe, Toddi A. Steelman

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Revisiting ten notable days from recent history, Aaron W. Hughes invites readers to think about the tensions, events, and personalities that make Canada distinct. These indelible dates interweave to offer an account of the political, social, cultural, and demographic forces that have shaped the modern nation. The diverse episodes include the enactment of the War Measures Act, hockey’s Summit Series, the patriation of the Constitution, the Multiculturalism Act, the École Polytechnique Massacre, victories for gay rights, Quebec’s second referendum on secession, The Tragically Hip’s farewell concert, the Truth and Reconciliation Commission, and ongoing Black equality struggles. Each day represents a window on contemporary Canada, jumpstarting reflection and conversation about who we are as a nation and how we got here. Ten Days That Shaped Modern Canada is the perfect guide for all those curious about the forces that shape our country and about how we understand our place in the world.

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In Until Further Notice, Amy Kaler records a personal account of the first year of the COVID-19 pandemic in real time. She documents a series of jolts to her thoughts, perceptions, emotions, and habits—an internal seismograph of living through a global emergency. Kaler’s introspection underlines the universal experience of dissonance brought on by COVID-19 and invites readers to ponder its ambiguities. At the same time, the pandemic lets Kaler put down roots, as she rediscovers her neighbourhood and her city’s natural spaces. Reflexive and relatable, Until Further Notice captures fine-grained, everyday experiences from an extraordinary year.

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Canadian Performance Documents and Debates provides insight into performance activities from the seventeenth century to the early 1970s, and probes important yet vexing questions about Canada as a country and a concept. The volume collects playscripts and archival material to explore what these documents tell us about the values, debates, and priorities of artists and their audiences from the past 400 years. Analyses throughout rethink the significance of theatre, dance, opera, circus, and other performance genres and events. This landmark collection challenges readers to reconsider Canadian theatre and performance history. Foreword by Jerry Wasserman. Contributors: Clarence S. Bayne, Kym Bird, Justin A. Blum, Amy Bowring, Jill Carter, Jenn Cole, Cynthia Cooper, Heather Davis-Fisch, Moira J. Day, Ray Ellenwood, Alan Filewod, Howard Fink, Liza Giffen, J. Paul Halferty, James Hoffman, Erin Hurley, John D. Jackson, Stephen Johnson, Sasha Kovacs, Sylvain Lavoie, Louis Patrick Leroux, Allana C. Lindgren, Denyse Lynde, Erin Joelle McCurdy, Wing Chung Ng, Glen F. Nichols, M. Cody Poulton, VK Preston, Daniel J. Ruppel, Jordan Stanger-Ross, Paul J. Stoesser, Christl Verduyn, Anthony J. Vickery, Anton Wagner

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The Fur Trader is a critical edition of Einar Odd Mortensen Sr.’s personal narrative detailing the years (1925–1928) he spent as a free trader at posts in Pine Bluff and Oxford Lake in Manitoba during the waning days of the fur trade. Mortensen’s original narrative has been translated from Norwegian to English, and supplemented with a scholarly introduction, thorough annotations, a bibliography, and a reading guide. This additional material presents the author as a product of Norwegian culture at the time, and guides the reader through a close reading of Mortensen’s interpretations of his work and travels, the people he encountered, the Indian Residential School system, and Indigenous participation in the First World War. Mortensen’s insights and experiences will be of interest to scholars, students, and enthusiasts of the fur trade and contribute to literary, Indigenous, and Scandinavian studies.

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Troubling Truth and Reconciliation in Canadian Education offers a series of critical perspectives concerning reconciliation and reconciliatory efforts between Canadian and Indigenous peoples. Indigenous and non-Indigenous scholars address both theoretical and practical aspects of troubling reconciliation in education across various contexts with significant diversity of thought, approach, and socio-political location. Throughout, the work challenges mainstream reconciliation discourses. This timely, unflinching analysis will be invaluable to scholars and students of Indigenous studies, sociology, and education. Foreword by Jan Hare. Contributors: Daniela Bascuñán, Jennifer Brant, Liza Brechbill, Shawna Carroll, Frank Deer, George J. Sefa Dei (Nana Adusei Sefa Tweneboah), Lucy El-Sherif, Rachel yacaaʔał George, Ruth Green, Celia Haig-Brown, Arlo Kempf, Jeannie Kerr, David Newhouse, Amy Parent, Michelle Pidgeon, Robin Quantick, Jean-Paul Restoule, Toby Rollo, Mark Sinke, Sandra D. Styres, Lynne Wiltse, Dawn Zinga

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Using the richness of braided essays, Theresa Kishkan thinks deeply about the natural world, mourns and celebrates the aging body, gently contests recorded history, and considers art and visual phenomena. Gathering personal genealogies, medical histories, and early land surveys together with insights from music, colour theory, horticulture, and textile production, Kishkan weaves a pattern of richly textured threads, welcoming readers to share her intellectual and emotional preoccupations. With an intimate awareness of place and time, a deep sensitivity to family, and a poetic delight in travel, local food and wine, and dogs, Blue Portugal and Other Essays offers up a sense of wonder at the interconnectedness of all things.

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Overcoming the Neutral Zone Trap challenges hockey’s norms, pushes its boundaries, and provides new ways of conceptualizing its role in North American culture. The editors of this engaging interdisciplinary collection use the metaphor of the neutral zone trap to explore the ways that hockey’s culture and structures work to exclude marginalized people. The book features both personal and scholarly accounts of agents of change—people, ideas, and events—that confront the challenges associated with making hockey a more inclusive space. By exposing assumptions about hockey culture, Overcoming the Neutral Zone Trap opens up critical discussions of previously underexplored topics as they relate to the women’s game, Indigenous participation, viable career pathways, masculine identities, hockey parents, mental health, and social media. This is a book for fans, players, organizers, and researchers alike. Contributors: Angie Abdou, Kieran Block, Cam Braes, William Bridel, Judy Davidson, Jonathon R.J. Edwards, Catherine Houston, Colin D. Howell, Chelsey H. Leahy, Roger G. LeBlanc, Cheryl A. MacDonald, Fred Mason, Brock McGillis, Vicky Paraschak, Brett Pardy, Ann Pegoraro, Kyle A. Rich, Tavis Smith, Noah Underwood

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This collection invites us to think about how African-descended men are seen as both appealing and appalling, and exposed to eroticized hatred and violence and how some resist, accommodate, and capitalize on their eroticization. Drawing on James Baldwin and Frantz Fanon, the contributors examine the contradictions, paradoxes, and politico-psychosexual implications of Black men as objects of sexual desire, fear, and loathing. Kitossa and the contributing authors use Baldwin’s and Fanon’s cultural and psychoanalytic interpretations of Black masculinities to demonstrate their neglected contributions to thinking about and beyond colonialist and Western gender and masculinity studies. This innovative and sophisticated work will be of interest to scholars and students of cultural and media studies, gender and masculinities studies, sociology, political science, history, and critical race and racialization. Foreword by Tommy J. Curry. Contributors: Katerina Deliovsky, Delroy Hall, Dennis O. Howard, Elishma Khokhar, Tamari Kitossa, Kemar McIntosh, Leroy F. Moore Jr., Watufani M. Poe, Satwinder Rehal, John G. Russell, Mohan Siddi

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Amber, Bev, Chantel, Jazmyne, Faith, and Jorgina are six Indigenous women previously involved in street gangs or street lifestyles. In Indigenous Women and Street Gangs they collaborate with Robert Henry (Métis) to share an emancipatory expression of their lives through photovoice. Each author shares a narrative that begins with her earliest memory and continues to the present. This is followed by a selection of photographs the woman took to show how she has changed with her experiences. Readers can expect difficult life stories imbued with hope and humour. Throughout, these women show us the meaning of survivance; a process of survival, resistance, resurgence, and growth. “Don’t ever fucking feel sorry for me. Why do you feel sorry for me? First of all, you shouldn’t feel sorry for me; you should be happy for me because I am here. We’re fucking human beings. We have been through shit, made some bad choices and mistakes. But like I said, in the end, if I want the help, I will ask.” -Chantel “I don’t think there is any such thing as bad; it’s called healing, you know? It is starting to fix yourself inside your heart, you know? You just got to keep doing it, that’s all I got to say.” -Jazmyne

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Situating Design in Alberta makes the case that design has the potential to drive economic growth, improve quality of life, and promote sustainability in the province and across the country. Contributors bring both scholarly and practice-based perspectives and come from diverse disciplines including architecture, interior design, industrial design, and visual communications. The collection is organized around four main topics—history, education, business, and sustainability—within which the authors explore a wide range of issues. This synergy of different design approaches lends a sense of forward momentum to the field, stimulates reflection about opportunities and challenges for both practitioners and policy makers, and provides a model for future studies in other regions. Foreword by Douglas J. Cardinal. Contributors: Tim Antoniuk, Ken Bautista, Carlos Fiorentino, Maria Goncharova, Andrea Hirji, Mark Iantkow, Barry Johns, Lyubava Kroll, Courtenay McKay, Skye Oleson-Cormack, Isabel Prochner, Janice Rieger, Elizabeth Schowalter, Megan Strickfaden, Tyler Vreeling, Ron Wickman

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Gospel Drunk follows a speaker’s journey to find clarity and identity as he contemplates his Catholic upbringing and struggles with loneliness and alcohol addiction. Sharp, intoxicating imagery and a minimalist aesthetic combine in these poems to explore some of our darkest and strongest belief systems, dismantling them with wit and wisdom. Poignant boyhood memories of hockey coaches as “dragons in suits” collide with critiques of “the broken bicycle of recovery.” A child’s fingers interlace to form a gun during mass and Hulk attends an AA meeting. Boldly honest, Gospel Drunk is for all who seek humanity in a world where the personal and the political are equally complicated. He drops a match on his wound to set fire to his blood. At a certain temperature even the Devil cools. -from “Drowning Man Sonnets”

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You lie awake, needlessly fingering this patchwork guilt. Remorse, a code you live by; distress calls for someone to blame. —from “Threads” Following the deaths of her Mennonite grandparents, Angeline Schellenberg began exploring their influence on her life. Her elegiac love letter to them articulates her grief against the backdrop of their involuntary emigration. She artfully captures the immigrant identity, vital to Canadian culture, in poems that draw on events both personal and global: war and famine, dementia and cancer, hidden sacrifice and secrets. Her poems captivate with themes of ancestry, memory, resilience, and forgiveness. Fields of Light and Stone is a reflection on how family history shapes and moves us.

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In the arena, she shot cigarettes and coins from her trusting husband’s hand. Some women wished she would miss. —from “Little Sure Shot” Kat Cameron’s poetry illuminates the unsung perspectives of the women of the West, creating a compelling narrative that reflects the poet’s own struggles with sorrow. She conjures ghosts and weaves together insights on loss, memory, and the impacts of boom and bust.

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Malcolm Forsyth (1936–2011) was a musical legend: a much-loved composer, performer, teacher, and mentor. Reflections on Malcolm Forsyth presents a captivating and approachable portrait of one of Canada’s finest modern composers. Readers will discover both public and private sides to the man and gain fresh insights from critical assessments of a broad range of Forsyth’s compositions, his continuing popular appreciation, and his lasting influence on the next generation of musicians and music scholars. Drawing from the perspectives of leading scholars, composers, and musicians, as well as on those of family, friends, students, and colleagues, Reflections on Malcolm Forsyth honours the rich life and cultural significance of this exceptional creative mind. It is important reading for music students and researchers, professional performers, and anyone who loves contemporary music. Contributors: Tommy Banks, Allan Gordon Bell, Nora Bumanis, Robin Elliott, Amanda Forsyth, Valerie Forsyth, Allan Gilliland, Carl Hare, Mary I. Ingraham, Edward Jurkowski, Ryan McClelland, John McPherson, Fordyce C. (Duke) Pier, Roxane Prevost, Kathy Primos, Tanya Prochazka, Leonard Ratzlaff, Rayfield Rideout, Robert C. Rival, Julia Shaw, Dale Sorensen, Christopher Taylor

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Four years after Therese Greenwood and her husband moved to Fort McMurray, Alberta, their new community was shattered by one of the worst wildfires in Canadian history. As the flames approached, they had only minutes to pack, narrowly escaping a fire that would rage for weeks, burn more than 85,000 hectares and force 80,000 people to flee.

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Our parents always taught us well. They told us to look on the good side of life and to accept what has to happen. The Man Who Lived with a Giant is a collection of traditional and personal stories told by Johnny Neyelle, a Dene Elder from Déline, Northwest Territories. Johnny used storytelling to teach Dene youth and others to understand and celebrate Dene traditions and knowledge. Johnny’s voice makes his stories accessible to readers young and old, and his wisdom reinforces the right way to live: in harmony with people and places. Storytelling forms the core of Dene knowledge-keeping, making this a vital book for Dene people of today and tomorrow, researchers working with Indigenous cultures and oral histories, and all those dedicated to preserving Elders’ stories.

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From 1914 to 1920, thousands of men who had immigrated to Canada from the Austro-Hungarian Empire, Germany, and the Ottoman Empire were unjustly imprisoned as “enemy aliens,” some with their families. Many communities in Canada where internees originated do not know these stories of Ukrainians, Germans, Bulgarians, Croatians, Czechs, Hungarians, Italians, Jews, Alevi Kurds, Armenians, Ottoman Turks, Poles, Romanians, Russians, Serbians, Slovaks, and Slovenes, amongst others. While most internees were Ukrainians, almost all were civilians. The Stories Were Not Told presents this largely unrecognized event through photography, cultural theory, and personal testimony, including stories told at last by internees and their descendants. Semchuk describes how lives and society have been shaped by acts of legislated discrimination and how to move toward greater reconciliation, remembrance, and healing. This is necessary reading for anyone seeking to understand the cross-cultural and intergenerational consequences of Canada’s first national internment operations. Foreword by Jen Budney.

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Sam Steele, “the man who tamed the Gold Rush,” had a high-profile public career, yet his private life has been closely protected. Sam Steele: A Biography follows Steele’s rise from farm boy in backwoods Ontario to the much-lauded Major General Sir Samuel Benfield Steele. Drawing on the vast Steele archive at the University of Alberta, this comprehensive biography vividly recounts some of the most significant events of the first fifty years of Canadian Confederation—including the founding of the North-West Mounted Police, the opening of the North through the Klondike, and Canada’s participation in the South African War—from the perspective of a policeman who became a military leader. Impeccably researched and accessibly written, Sam Steele is perfect for anyone interested in Canada’s early decades.

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How do societies decide whom to criminalize? What does it mean to accuse someone of being an offender? Entryways to Criminal Justice analyzes the thresholds that distinguish law-abiding individuals from those who may be criminalized. Contributors to the volume adopt social, historical, cultural, and political perspectives to explore the accusatory process that place persons in contact with the law. Emphasizing the gateways to criminal justice, truth-telling, and overcriminalization, the authors provide important insights into often overlooked practices that admit persons to criminal justice. It is essential reading for scholars, students, and policy makers in the fields of socio-legal studies, sociology, criminology, law and society, and post/colonial studies. Contributors: Dale A. Ballucci, Martin A. French, Aaron Henry, Bryan R. Hogeveen, Dawn Moore, George Pavlich, Marcus A. Sibley, Rashmee Singh, Amy Swiffen, Matthew P. Unger, Elise Wohlbold, Andrew Woolford

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"The outburst of cultural energy that took place in the 1960s was in part a product of the two decades that came before. It's always difficult for young people to see their own time in perspective: when you're in your teens, a decade earlier feels like ancient history and the present moment seems normal: what exists now is surely what has always existed." Margaret Atwood compares the Canadian literary landscape of the 1960s to the Burgess Shale, a geological formation that contains the fossils of many strange prehistoric life forms. The Burgess Shale is not entirely about writing itself, however: Atwood also provides some insight into the meagre writing infrastructure of that time, taking a lighthearted look at the early days of the institutions we take for granted today-from writers' organizations, prizes, and grant programs to book tours and festivals.

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By turns quirky, startling, earthy, and hope-filled, Micheline Maylor’s poems slip effortlessly through topics ranging from what we give up as we age to regrets for love that has passed, the interplay between the animal world and human thought, and the myths we append to ourselves and others. An expansive, conversational voice underscores the poet’s technical mastery as her subjects turn from love to hope to fearlessness. Maylor asks readers to perceive how we inhabit our selves, how words construct us. Little Wildheart is rich with challenge and surprise. I check the box on the government forms: Caucasian. No box for colonized, for the 1/16th bred. Just the double helix of my DNA, my ability to sun-brown, and my own green-eyed children of the voyageur, river visions still caught in their irises. We’re born out of a long ago season. Everyone is sure of place and race. Blood and semen mixed in dirt and cervix, convex and enchanted by muskrat’s eerie smile, dark truth furred and matted, stroked by a river paddle. Let that long tooth bite now in the land of the race riots, negro, and redskin, the underground railroad, and the Indian village. Let the name Pontiac take new form and hit the road, the righteous mile where judgement and boundary blurs, especially on matters of composition blood, bone, and relations. —from “Detroit Zoo bathroom 1977”

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Like the ever-widening universe, Standard candles expands on Alice Major’s earlier themes of family, mythology, and cosmology, teasing out subtle wonders in form and subject. Her voice resonates through experiments with old and new poetic forms as she imbues observed and imagined phenomena—from the centres of galaxies to the mysteries of her own backyard—with the most grounded and grounding moments of human experience. In Standard candles, readers will find an emotional dimension that seamlessly intersects with the dimensions of space and time. Fans of Alice Major will enjoy seeing her work through familiar themes, while readers new to her poetry will discover unexplored universes. Alice Major emigrated from Scotland at the age of eight, and grew up in Toronto before coming west to work as a weekly newspaper reporter. She served as Edmonton’s first poet laureate and has been inducted into the city’s cultural hall of fame. A widely-published author, she has won many distinctions. Her most recent book is Intersecting Sets: A Poet Looks at Science, which received the Wilfrid Eggleston Award for Nonfiction as well as a National Magazine Award gold medal. Her website is www.alicemajor.com. Let us compare cosmologies There is a beginning and a middle. There is an arc of narrative. There is a word, a large engraved initial. There is imperative— a cause, a god. Or not. There is an end. A purpose. Or maybe none. There is a plot with reasons, reason. There is a circus, a theatre stage of space and time. There are equations at the bottom or the top. There is a pantheon of matter, motion, scattered photons. And the questions every universe expects: what came before? What happens next?

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As the South African War reached its grueling end in 1902, colonial interests at the highest levels of the British Empire hand-picked teachers from across the Commonwealth to teach the thousands of Boer children living in concentration camps. Highly educated, hard working, and often opinionated, E. Maud Graham joined the Canadian contingent of forty teachers. Her eyewitness account reveals the complexity of relations and tensions at a controversial period in the histories of both Britain and South Africa. Graham presents a lively historical travel memoir, and the editors have provided rich political and historical context to her narrative in the Introduction and generous annotations. This is a rare primary source for experts in Colonial Studies, Women’s Studies, and Canadian, South African, and British Imperial History. Readers with an interest in the South African War will be intrigued by Graham’s observations on South African society at the end of the Victorian era.

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“It’s a losing battle: my words have no chance against time. Sometimes, unable to catch up with imagination, I leave the battle, candle in hand, in complete darkness.” — from “Trying Again to Stop Time" Jalal Barzanji chronicles the path of exile and estrangement from his beloved native Kurdistan to his chosen home in Canada. His poems speak of the tension that exists between the place of one’s birth and an adoptive land, of that delicate dance that happens in the face of censorship and oppression. In defiance of Saddam Hussein’s call for sycophantic political verse, he turns to the natural world to reference a mournful state of loss, longing, alienation, and melancholy. Barzanji’s poetry is infused with the richness of the Middle East, but underlying it all is a close affinity to Western Modernists. In those moments where language and culture collide and co-operate, Barzanji carves out a strong voice of opposition to political oppression. Readers will return to his work again and again, just as viewers return to a favourite painting. “Like contemporary poets Taslima Nasrin, Adonis, Yehuda Amichai, and Shuntaro Tanikawa, Barzanji’s is a voice in which the native willingly mutates into the global.” — Sabah A. Salih, Translator

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Rural communities, often the first indicators of economic downturns, play an important role in planning for development and sustainability. Increasingly, these communities are compelled to reimagine the paths that lead not only to economic success, but also to the cultural, social, environmental, and institutional pillars of sustainability. As the contributors to this volume demonstrate, there are many examples of such innovation and creativity, and many communities that seek out new ways to build the collaboration, capacity, and autonomy necessary to survive and flourish. Contributors: Don Alexander, Kirstine Baccar, Michael Barr, Mary A. Beckie, Moira J. Calder, Meredith Carter, Yolande E. Chan, Sean Connelly, Jon Corbett, Anthony Davis, Jeff A. Dixon, David J.A. Douglas, Roger Epp, Kelly Green, Lars K. Hallström, Greg Halseth, Casey Hamilton, Karen Houle, Glen T. Hvenegaard, Melanie Irvine, Bernie Jones, Robert Keenan, Rhonda Koster, Ryan Lane, Sean Markey, Shelly McMann, L. Jane McMillan, Morgan E. Moffitt, Karen Morrison, Karsten Mündel, Craig Pollett, Kerry Prosper, Mark Roseland, Laura Ryser, Claire Sanders, Jennifer Sumner, Kelly Vodden, Marc von der Gonna, Shayne Wright.

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Conrad Kain is a titan amongst climbers in Canada and is well-known in mountaineering circles all over the world. His letters to Amelie Malek-a life-long friend-offer a candid view into the deepest thoughts of the Austrian mountain guide, and are a perfect complement to his autobiography, Where the Clouds Can Go. The 144 letters provide a unique and personal view of what it meant to immigrate to Canada in the early part of the twentieth century. Kain's letters are ordered chronologically with annotations, keeping the sections in English untouched, while those in German have been carefully translated. Historians and mountain culture enthusiasts worldwide will appreciate Kain's genius for description, his passion for nature, his opinions, and his musings about his life. Foreword by Chic Scott. Epilogue by Don Bourdon.

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This exhibition catalogue features over 100 highlights of a large and extraordinary collection of Canadian little magazines and Canadian small press and micro-press imprints assembled by David McKnight. As a determined collector/librarian imbued with remarkable passion and resolve, McKnight invested 30 years developing a private collection that has considerable potential for literary research in the areas of Canadian Modernist poetry, avant-garde literature, and the production of small magazines in Canada. McKnight generously donated the collection to the University of Alberta Libraries in 2012, and this publication unveils the collection publicly for the first time.

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George Baxter (1804-1867) was a pioneer in advancing the art of colour printing. A perfectionist, Baxter not only engraved but also examined the prints as they were produced, often providing touch-ups by hand. Baxter's process was, in the end, uneconomical, and he died bankrupt, but no one did more to bring vivid artworks within financial reach of every household, or leave a more colourful legacy for generations of admiring collectors of Victoriana. His oil-coloured prints have given viewers pleasure since they began appearing in the 1830s. Thanks to Donald and Barbara Cameron's generous donation of their Baxter collection in 2010, the Bruce Peel Special Collections & Archives was able to mount a remarkable exhibition.

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This catalogue showcases some of the treasures of the University of Alberta's Map and Special Collections, as well as other U of A Libraries, particularly in terms of resources to aid in the study of the cultures of Medieval and Early Modern Europe. The curators have focused on "facsimiles," and one of the ways to view the exhibit is in terms of the art of the facsimile, from early twentieth-century black-and-white photographs to twenty-first-century colour, digital photographs on CD-ROM. A second theme is ancient book production, from the papyrus roll through the medieval parchment codex, down to the modern printed book. The curators have also considered representations of the world and its inhabitants: humans in their many activities and occupations, animals wild and tame, and monsters that dwelled in those parts of the world just beyond the boundary of the known.

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Published to accompany a 2008 exhibit at the University of Alberta's Bruce Peel Special Collections Library, this catalogue explores one of the great British private presses and its contribution to the fine press movement. While the sixty books in the catalogue represent barely a quarter of Golden Cockerel's total output, the selection shows how the Press expressed its individuality and continued a tradition of fine book production against the odds. In using the words "endurance" and "distinction" in the title, the curator endeavoured to capture the resilience of the Press and the determination of its various owners to achieve an ideal. A great proportion of Cockerels were illustrated works, and many feature nude engravings, which were a further expression of the owners' ideas about bookmaking. The owners were not afraid to exercise their own tastes in the selection of designs and materials, and the enduring erotic theme increased the popularity of Cockerels with collectors.

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Focuses on issues and practices associated with development-related disturbances in the North. The papers report on long-term experimental work relevant to site reclamation, including surface drainage control and re-establishment of plant cover. Papers by: P.J.B. Duffy; Peter Kershaw; Donald M. Wishart; Manivalde Vaartnou; L.C. Bliss and N.E. Grulke.

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as if there could be no other memory a tree invisible remembering itself In as if, E.D. Blodgett takes readers on journeys of contemplation in which he re-imagines the lyric form. Each line leaves the reader breathless as it runs into the next to form a continuous cycle, a continued breath. The delicate syntax of each piece pushes one forward, ever forward. The poems are Dantesque, leading the traveller through a deeper, darker world. As a collection, as if constitutes an ars poetica of Blodgett's Apostrophes series. The poems explore the elements that make up the series-strict metrical patterns, the possibilities of breath, the endlessness and seamlessness of the spoken word, the incantation.

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For eighteen months during the Second World War, the Canadian military interned 1,145 prisoners of war in Red Rock, Ontario (about 100 kilometres northeast of Thunder Bay). Camp R interned friend and foe alike: Nazis, anti-Nazis, Jews, soldiers, merchant seamen, and refugees whom Britain feared might comprise Hitler’s rumoured “fifth column” of alien enemies residing within the Commonwealth. For the first time and in riveting detail, the author illuminates the conditions in one of Canada’s forgotten POW camps. Backed by interviews and meticulous archival research, Zimmermann fleshes out this rich history in an accessible, lively manner. The Little Third Reich on Lake Superior will captivate military and political historians as well as non-specialists interested in the history of POWs and internment in Canada.

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"We're not exactly scene-stealers, so you don't hear much from us shy folk-and that's usually how we like it." -Elizabeth Zotova, "My Dear X" The pages of this anthology are filled with personal essays and poems of thoughtful musings, raw memories, and humorous self-examinations by authors and poets who have been labelled by the world-teachers, parents, and peers-as shy. Here, they proudly own up to their shyness, and their message is clear: they don't need to be "cured"! Why should they, when nearly half of North Americans consider themselves shy? Editors Naomi K. Lewis and Rona Altrows have enlisted writers from across the continent and have created a moving anthology that will appeal to all, either because we are shy or because we know someone who is. Contributors: Rona Altrows, Debbie Bateman, Wade Bell, Alex Boyd, Janis Butler Holm, Brian Campbell, Weyman Chan, Lorna Crozier, Mike Duggan, Ben Gelinas, Elizabeth Greene, Vivian Hansen, Elizabeth Haynes, Steven Heighton, Jennifer Houle, I.B. Iskov, Eve S. Krakow, Shawna Lemay, Naomi K. Lewis, Shirley Limbert, Carol L. MacKay, Micheline Maylor, Don McKay, Stuart Ian McKay, Bruce Meyer, Jeff Miller, Dhana Musil, Lori D. Roadhouse, Kerry Ryan, Sydney Sharpe, Natalie Simpson, Sylvia Stopforth, David Van Buren, Aritha van Herk, Russell Wangersky, Cassy Welburn, Madelaine Wong, Elaine Woo, and Elizabeth Zotova.

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Through mesmerizing forays into characterization, voicing, and narrative technique, and with a clean economy of style rare even in short fiction, Astrid Blodgett conjures the moral and existential freight of her fully fledged characters in the throes of realistic moments. From the fascinatingly unhinged hero of "Getting the Cat," to the dreamy survey of prairie landscape and childhood experience of "New Summer Dresses," to the fatal irony of "Ice Break," readers will be hooked from first sentences and carried along on crisp prose. You Haven't Changed a Bit shimmers with the energy of a first book while affording readers the subtlety, complexity, and range of an accomplished master of the genre.

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"We gambled everything-our careers, our fortunes, the future of our nation-and every day brought new discoveries. It was like living on a frontier."-Arne Nielsen The memoir of Canadian petroleum industry leader Arne Nielsen is not a conventional business biography. During his six decades in the business, he witnessed critical events in the oil industry that influenced Canada's economic history. From rain-soaked tents on the Arctic barren land to the luxurious New York offices of a multinational oil company, Arne Nielsen's expansive knowledge of geology and the oil industry made him one of the most influential and well-known figures of his time. His memoir provides crucial details and unique perspectives on events that will be of interest to the next generation of oil industry executives as well as to consumers, economists, and ecologists. Foreword by Peter C. Newman.

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"Most long poems contain lyric occasions. Here is an amazingly sustained lyric that contains traces of other commodities." -Robert Kroetsch Sheila Murphy and Douglas Barbour extend their singular poetic vision of that elusive third I/eye in Continuations 2. The new lyric voice sustained (within) these labyrinthine verses does so by virtue of its authors' pitch-perfect collaborative process. For ten years they have kept their song alive via email, pulsing jazz-like variations and haunting repetitions back and forth from Arizona to Alberta, all the while adhering to that taut stanza of six lines. Readers who admire Barbour and Murphy's past innovations, or any poetry that gracefully exceeds its reach, will enjoy Continuations 2.

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The essays in this collection explore the activities of two populations of displaced peoples that are seldom discussed together: Indigenous peoples and refugees or diasporic peoples around the world. Rather than focusing on victimhood, the authors focus on the creativity and agency of displaced peoples, thereby emphasizing capacity and resilience. Throughout their chapters, they show how cultural activities-from public performance to filmmaking to community arts-recur as significant ways in which people counter the powers of displacement. This book is an indispensable resource for displaced peoples everywhere and the policy makers, social scientists, and others who work in concert with them. Contributors: Catherine Graham, Subhasri Ghosh, Jon Gordon, Maroussia Hajdukowski-Ahmed, Agnes Kramer-Hamstra, Mazen Masri, Jean McDonald, and Pavithra Narayanan.

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Is market-driven research healthy? Responding to the language of "knowledge mobilization" that percolates through Canadian postsecondary education, the literary scholars who contributed these essays address the challenges that an intensified culture of research capitalism brings to the humanities in particular. Stakeholders in Canada's research infrastructure-university students, professors, and administrators; grant policy makers and bureaucrats; and the public who are the ultimate inheritors of such knowledge-are urged to examine a range of perspectives on the increasingly entrepreneurial university environment and its growing corporate culture.

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One little question propels both author and reader on a genre-bending quest to find the elusive essence of a Canadian province built on sturdy stereotypes of oil-spoiled, beef-eating, bible-thumping rednecks devoid of class or culture. Through essay, interview, colourful observation, and whatever other exposé it takes to amplify the hyperbolic absurdity of seeking a simple answer to an incendiary question, Geo Takach spotlights the cultural complexity of this perplexing province. Readers will be delightfully edified after a dizzying romp around Wild Rose Country with Geo and a cast of citizens and celebs (alive and dead).

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