Search results for ""scheidegger und spiess ag, verlag""

Until the year 2000, Toni was a dairy factory, and its signature yoghurt packed in small brown glass jars, was one of Switzerland's best-known food staples. After production had been relocated to another part of Switzerland the vast plant, situated in Zurich's up-and-coming former industrial neighbourhood, was soon occupied by clubs and trendy restaurants as well as by many artists setting-up their studios here. Between 2011 and 2014 it was converted into the new home of Zurich University of the Arts ZHdK. The design by Swiss architects EM2N kept the building's basic structure and offers up-to-date educational facilities. The entire complex, comprising also a museum, restaurants, a music club as well as 100 apartments, is open to the urban environment. This new book documents the history and metamorphosis of the Toni plant. Richly illustrated with photographs, plans, and graphic art, it shows the premises industrial past, the complex reconstruction process, and its new function as a place where all the different mentalities and ways to study, to teach, and to work in the field of art coexist.

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Salvador Dali's surrealist masterworks are admired worldwide for their eccentric metaphors. Far lesser known, though, are his fascinating writings, where he occupies himself with verve and in bewilderingly unrefined style with the human body and sexuality. The French art critic and writer Catherine Millet has studied Dali's artistic oeuvre and his writings for years. Her essay is the expression of a very personal reading of his self-reflecting texts. This pivotal book explains Dali's influence on his contemporary artist colleagues and reveals the narcissism, the constraints and the visual inventiveness of the most famous - and the most notorious - of the surrealists. The text is completed by rarely published photographs and paintings by Dali and others that illustrate Millet's ideas. "She (Millet) mainly draws upon the painter's writings, which she fortunately saves from oblivion. Readers of The Sexual Life of Catherine M. will find an extraordinary sequel in her vision of the textual life of Salvador D. A most unusually intimate view." - Le Monde AUTHOR: Catherine Millet is editor in chief of "Art Press" magazine, published in France. She is the author of several books, including "The Sexual Life of Catherine M. SELLING POINTS: . A personal view on Salvador Dali's oeuvre: indiscreet, provocative and suprisingly illuminative 1 colour, 62 b/w illustrations

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Oliver Schwarz is a well-known architect in his native Switzerland. Less widely known is his skill as an artist and the inventor of a series of incredible flying contraptions. Here to bring Schwarz's body of artistic work to a wider audience is Schwarzflug, the first book to focus on his paintings, drawings and inventions over three decades. Schwarzflug features some four hundred full-colour illustrations to demonstrate the impressive range of Schwarz's work, which comprises both analogue - chalk, ink, and pencil - and digital techniques with equal accomplishment. In an interview published alongside the illustrations, Schwarz offers insight into his creative process. He elaborates on the relationship between his art and the flying contraptions he has invented, on his sense of space while painting, and on the manipulable nature of digitally produced art. Additional texts offer short descriptions of the images and explore associations with Western artistic traditions. Text in English and German.

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Swiss artist El (Elisa) Frauenfelder, was born 1979 in Zurich. She has done her artistic education at the Academy of Fine arts in Helsinki 2000-05 and lives and works as an artist near Winterthur. Her work in painting and drawing often shows snap-shots of empty landscapes, townscapes, houses, or interiors. She carries her camera wherever she travels, in the plains of South Dakota, in Helsinki, or in the Swiss countryside, always capturing new motifs for her art. Working in a speedy process with palette-knife and subsequent scraping adds a raw and direct presence to her paintings. Sometimes sombre and dark-hued, sometimes gaudy and lurid, Frauenfelder's pictures captivate the viewer's eye with colours, shapes, and motifs despite their sketchy, open manner. El Frauenfelder has been awarded the 2015 Manor Art Prize in Switzerland. The new book is published in conjunction with an exhibition at Kunstmuseum Winterthur in fall 2015.

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Comet Photo AG was founded in Zurich 1952 to supply images to local and national media. The agency quickly built a reputation for both the documentary and aesthetic quality of its photographers' work, with the 1950s and 1960s arguably marking the culmination their achievements. Commercially, Comet Photo's heyday were the 1960s and 1970s, followed by a slow decline eventually leading to its closing-down in 1999. Comet Photo's legacy of around 1m images is now kept at ETH Zurich's Image Archive. Photo Mosaic Switzerland features some 150 images from the Comet Photo collection, documenting the rapid changes Switzerland underwent during the 20th century's later decades. They are arranged by topic, such as change and modernisation, industry, agriculture, the vanishing and vanished, the traditional and timeless, celebrities and glamour, or major events. An introductory essay tells the story of Comet Photo AG and its work and legacy, placing it among its competitors national and international, and looks also at Switzerland's social and cultural history from the 1950s to the end of the 20th century.

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The German artist Ingo Mittelstaedt explores in his work the possibilities of using photography as means in creating light-art. Models made from paper or foil, found materials and everyday objects are the pieces of his carefully composed arrangements. These installations condense into abstract, deceptive images with two- and three-dimensional elements. "Ingo Mittelstaedt - Pictorial" presents two of Mittelstaedt's most recent series. In "Chromas", the use of colour is a key element. The adoption of theories and concepts from chromatics and the theory of colours, refers to classical modernist painting and its use of colour, space and line. By contrast, the black and white images of "Anonymous" make the depicted objects appear to hover in a non-space. Closeness and three-dimensionality of the objects stand against intangibility of space. Text in English and German.

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Pipilotti Rist is one of Europe's most renowned contemporary artists. Educated in commercial art, illustration, photography and audio-visual communications, she has been working as an artist since 1986. Rist has created a vast oeuvre of video/audio works that has been shown internationally in many solo exhibitions at important museums, such as the MoMA and the Centre Pompidou. "Pepperminta" is Rist's first motion picture, introducing a young lady, Pepperminta, who has set out to free humanity from bad moods and everyday routines. Amiably and naughtily she pursues her fantastic campaign against fear. Colour is the miraculous weapon of 'Pepperminta' and her allies that brings everything to life. The artist and musician Anders Guggisberg and the musician, sound designer and DJ Roland Widmer have written and recorded the soundtrack for "Pepperminta". Soft sounds and spurring rhythms, licking, clattering and knocking noises, tingling and rattling make the cheerful and exhilarating acoustic background to the colourful images. This small book includes an audio-CD with the original soundtrack of the film and features 25 catchy double-page colour film stills, brief texts introducing the film and the music, and a short interview with Pipilotti Rist.

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Cecile Wick's work- oscillating between photography, painting and drawing- ranks among the most important oeuvres in contemporary Swiss art. Amending photography by drawing or watercolour painting appears to be a logical continuation of her earlier work of prints and etchings. 'Cecile Wick. Colored Waters' shows for the first time her recent watercolours, ink drawings, inkjet prints and photographs. The works are presented in series, putting media and motifs in a dialogue. Around 160 colour illustrations are complemented by a number of short essays by Nadine Olonetzky on aspects such as colour and light, traces, signs, bodies and buildings, nature, figures and nature, or rhythm, and by an introductory essay by Martin Jaeggi.

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Cat Tuong Nguyen has over the past ten years gained significant recognition for a highly individual, intelligent and poetic work. Photographs, collages, painted-over pictures from magazines form together a cosmos of images of great visual and substantial power. Nguyen confronts the viewer with strange, humourous and mysterious things and investigates our everyday reality. He takes-up political and social aspects and events, and he investigates the emotional world of the individual searching for its way in everyday reality. Nguyen's images, playful as they seem to be in some cases, are based on fundamental experiences, such as emigration, integration in a new world and the outsider's view of an alien culture and society. "Underdog Suite" is the first large book on Nguyen's art. It comprises nearly the complete oeuvre of this extraordinary young artist, his own selection of images arranged in an unconventional, highly original manner. It is not a mere monographic overview, it is rather the artist's self-portrait in the shape of a book. Two essays investigate Nguyen's ideas, concepts and artistic method. This title includes text in English and German.

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David Chipperfield’s new building for the Kunsthaus Zürich now stands in all its splendour on Zurich’s Heimplatz, opposite the old museum building of 1910 designed by Karl Moser. Its opening to the public in October 2021 will make the Kunsthaus Zürich Switzerland’s largest art museum. Following the two previous volumes on Kunsthaus Zürich’s architectural history and the design for turning it into an art museum for the 21st century, this book documents the genesis of David Chipperfield’s extension from proposal through political debates about the entire project to completed structure. It features a foreword by David Chipperfield and an essay by Christoph Felger, executive architect for the project at David Chipperfield Architects Berlin, that discusses the design concept, the promise made with it, and its fulfilment. A conversation between Christoph Felger, the director of the City of Zurich’s Building Surveyor's Office Wiebke Rösler, and Kunsthaus Zürich’s director Christoph Becker, and architecture critic Sabine von Fischer, as well as numerous illustrations and plans sound out this new volume.

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During the heyday of the Japanese coloured woodblock print around 1800, an ordinary print filled the same purpose as modern commercial graphic art. Mainly because of European art lovers' growing enthusiasm for these subtle, refined compositions, some artists and their work soon gained worldwide recognition and fame. Capturing the fugitive moment is a key element of Japanese woodblock prints, for which Japanese language has the term 'ukiyoe', 'images of the fluid, transient world'. 'Bijin-ga', 'images of beautiful women' is a specific kind of such prints, paying tribute to women by capturing a moment of irretrievable magic. The graceful look of a self-assured beauty of a very private situation's intimacy have stimulated many artists to create their greatest works. 'The Beauty of the Moment' presents around 100 'Bijin-ga' by the best known masters of Japanese woodblock printing. Included are particularly exquisite pieces using 'kirazuri', a technique using powdered brass or mica dust highly polished on a light film of glue to imitate gold dust on the surface of the print. This book accompanies an exhibition Die Schonheit des Augenblicks (The Beauty of the Moment) at the Museum Rietberg in Zurich. Text in English and German.

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Dreamscapes is a long-term artistic project of Swiss photographer Dominic Buttner, in which he is recording actual performances at night, both in natural and built environments. Bearing a torch, he slowly walks away from his large format view camera. Time exposure captures the scenery illuminated by the moving light, and sometimes his footprints, while the artist's figure is eradicated again from the image. At the same time familiar and strange, the fascinating pictures of enchanted or haunted landscapes tell us what an eerie place our everyday surroundings can be, depending on the light in which we see it. This first monographic book on Dominic Buttner's art features some one-hundred of his Dreamscapes alongside essays by literary scholar and critic Elisabeth Bronfen and by publicist and art critic Nadine Olonetzky. Text in English and German. AUTHORS: Dominic Buttner is a Zurich-based photographic artist. Elisabeth Bronfen is professor of English and American studies at the University of Zurich and a Global Distinguished Professor at New York University. Nadine Olonetzky is a freelance cultural publicist and an editor with Scheidegger and Spiess. SELLING POINTS: . Features a unique photographic-artistic project . First monographic book on Domini Buttner's work 100 colour, 5 b/w illustrations

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The Swiss National Museum's permanent collection reflects Switzerland's history from pre-historic times until the present day. Each object also represents the location where it was found or made; the people who made or used it; a trade or profession; a personal or regional identity. Published to coincide with the opening of the new extension of the Landesmuseum in Zurich, Swiss National Museum's oldest and largest site, 26 Things features as many highlights from its collection, one from each of Switzerland's cantons. The selection ranges from a Celtic gold bowl from ca. 1500 BC (Zurich) to a miniature electro motor that propelled NASA's Mars rover Spirit in 2004 (Obwalden). It includes Switzerland's first snow gun of 1978 (Grisons) as well as a medieval Madonna sculpture (Valais) or a clock made in 1796 that once belonged to Napoleon (Neuchatel). The beautifully designed small book offers a varied Swiss panorama, taking the reader all around the country's twenty-six cantons, each with its own history and cultural identity.

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In Army Of One, photo journalist Elisabeth Real tells the story of six American veterans whose lives have been irreversibly altered by the war in Iraq. All but one of the veterans have been diagnosed with post-traumatic stress disorder (PTSD). Between 2006 and 2013, Real photographed and interviewed these young men, trying to uncover what they went through and how, in turn, this affected them on returning home, as they re-connected with families and tried to make lives, away from the army. The war in Iraq began in March 2003 and lasted until December 2011; 2.16 million U.S. troops were deployed in combat zones in 2001-10. 4,500 US service people were killed, many more committed suicide as a consequence of their deployment and many thousands more returned home with PTSD. A single PTSD diagnosis could cost $1.5 million in disability compensation over a soldier's lifetime. Elisabeth Real breaks down numbers, focusing on the individual soldier: the lone "Army Of One", many of whom feel this means that they have been forgotten, as soldiers and as human beings.

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The Swiss capital Bern has seen a fast architectural development in recent years. A vast number of new buildings have been constructed and existing ones refurbished and transformed for new purposes. Among the architects whose projects have been realised are names well-known among the professional community and the enthusiasts of contemporary architecture, such as Diener & Diener, Atelier 5, Burkhalter Sumi or Graber Pulver (all Switzerland), but also the internationally celebrated Renzo Piano and Daniel Libeskind. This pocket guide presents around 80 projects, public and private, realised between 1990 and 2010 in the historic town centre, the surrounding neighbourhoods and the suburbs of Bern. Each building is documented with a short critical essay, photographs especially taken for this book, floor plan and section and a box with key facts and figures. A separate chapter introduces a selection of earlier 20th-century 'classics' and an introductory essay on aspects of contemporary architecture and Bern's building history completes the book.

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Cinema mon amour focuses on the mutual fascination that art and film have for one another. It features work by international artists, including Martin Arnold, John Baldessari, Fiona Banner, Marc Bauer, Pierre Bismuth, Candice Breitz, Janet Cardiff & George Bures Miller, collectif_fact, Tacita Dean, Stan Douglas, Thomas Galler, Christoph Girardet & Matthias Muller, Douglas Gordon, Teresa Hubbard / Alexander Birchler, Samson Kambalu, Daniela Keiser, Urs Luthi, Philippe Parreno, Julian Rosefeldt, Hiroshi Sugimoto, Sam Taylor-Johnson, and Mark Wallinger. All of them have engaged with different themes surrounding cinema and filmmaking. The well-founded essays discuss topics such as cinema as space, the film industry, found footage, specific movies and genres, the mechanisms of film, as well as the filmmakers' gaze at art. This lavishly illustrated book, published to coincide with an exhibition at Aargauer Kunsthaus in Switzerland, offers an insight into the allure that film and cinema have on us. Cinema mon amour, Aargauer Kunsthaus, Aarau, Switzerland, 22 January to 17 April 2017.

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Gunther Wizemann, born 1953 in Graz (Austria), came to Switzerland as a child in 1960. He graduated from Zurich's School of Design and has since been working as a painter and concept artist. Studying the Russian modernists raised the question of what he could possibly paint in the aftermath of Kazimir Malevich and Aleksander Rodchenko. Equally, Mario Merz's installation Che fare? or, as Barnett Newman put it, What to paint? were statements that became programmatic for Wizemann's work. The 43 paintings of The Black Garden Wizemann has created between 2003 and 2013 are a possible response to his queries. Done in oil and resin on canvas, they are the result of lengthy artistic processes and a multitude of layers of paint, forming an inner and outer image space. Featured in its entirety for the first time in this new book, the paintings are published alongside essays placing Wizemann's largest series to date in art history. The accompanying texts reveal formal and conceptual relations, ranging from the Renaissance to his contemporaries. Starting from the title The Black Garden they also look at literary and philosophical connotations.

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For her most recent series, Austrian artist Katharina Anna Loidl has reworked steel engravings of Swiss alpine landscapes, transforming the original nineteenth-century prints with an etching needle and burin. By carefully removing parts of the printer s ink, Loidl also removes portions of the landscapes. In their place, she introduces simple geometric shapes, deliberately lacking in distinguishing architectural detail so that viewers are encouraged to imagine the addition of structures of their choosing apartment blocks, industrial buildings, or sports facilities to the idyllic images. Landscape Engravings brings together fifty of Loidl s alpine landscapes. Vitus Weh;s essay examines the sublime and crystalline character of Loidl s art, and Paolo Bianchi looks at aspects of romanticism as a fund, landscape as a sensation, and the art of repetition. By introducing spatial interventions to the idyllic, perhaps idealized, images, Loidl asks the reader to consider the impact of residential and industrial encroachment on the natural world and the value we ought to place on its preservation. "

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Dada began on February 5, 1916, when Hugo Ball, Emmy Hennings, and others launched the Cabaret Voltaire in Zurich. Cabaret Voltaire would eventually become the stuff of legend, joined by the short-lived but no less less significant Gallery Dada. Even as Dada spread throughout Europe and the world, its heart was always in Zurich. This German language book honors the centennial of Dada by telling for the first time the full story of its genesis and the role played by Zurich and its vibrant community of artists in its creation and flourishing. It sets the early years of Dada firmly in the city''s historical and cultural context and reveals the intellectual and social background that were crucial to the fermenting artistic ideas that culminated in Dada. It goes on to trace the explosion of Dada into a worldwide phenomenon that took in such artists and intellectuals as Joan MirÃ, Marcel Duchamp, Jean Cocteau, and Man Ray. Richly illustrated, this book will stand as the definitive account

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Since its early days, photography has been both a tool of and subject for scientific research. Developments in photochemistry, camera construction and lense refinement made photography an extremely successful mass medium. At the same time, photography served scientific research as a key medium for observation, documentation, education and communication. ETH-Bibliothek, the main library at ETH Zurich, is holding in its Image Archive vast collections of photographs. Among them is the complete collection of the university's own Photographic Institute, an independent service and research unit between 1886 and 1979. This new book documents both the main aspects of scientific photography, illustrating the research of many disciplines while being the subject of basic research itself. Using a rich selection of images, ranging from astronomical and micro-photography, to laboratory situations and carefully illuminated experimental installations. The introductory essay investigates the interplay between photography and the world of science, and tells the story and changing role of the Photographic Institute.

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Badain Jaran: more than 19,000 square miles of endless openness, sand dunes up to 1,600 feet tall and mysterious saltwater lakes. Badain Jaran is part of the Alashan desert, south-west to the Gobi in the Inner Mogolia province of China. It is a place that has been discovered by American scientists on satellite images in the 1980s only, and that has miraculously been kept hidden to most people since. In 2009 - 12, photographic artist Carlos Crespo realised a vast photo essay on the unique, spectacular, and very remote landscape of Badain Jaran. Crespo had to deal with extreme cold in winter and violent sandstorms in spring and autumn in a barely inhabitable environment. Over time he got in contact with some of the few Mongolian herdsmen living on the fringes of the desert and won their confidence and sympathy. This allowed him also to make portraits of these people and document their way of living. The new book 'Badain Jaran' is meant to make this extraordinary place a symbol and metaphor for all untouched natural sites, reflecting their importance and the necessity of their protection from being turned into ever more tourist attractions.

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The oeuvre of Swiss artist Mirko Baselgia, born 1982, has been carefully selected, using a combination of different materials. With references to architecture, (art) history, and classical music, his sculptural works symbolise, both in form and substance, the relationship between the individual and the environment; while additionally reflecting current sociopolitical issues. Mirko Baselgia ranks among the top most promising young artists in Switzerland. He has recently been awarded the renowned Kiefer-Hablitzel Prize and the Manor Art Award Chur, and the Bundner Kunstmuseum Chur staged Baselgia's first solo museum exhibition in spring 2013. This first monograph presents a range of his work, further illustrated by a conversation between the artist, and curator Stephan Kunz.

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H.W. Weberhans has been an individualist throughout his career whose art has flourished primarily outside the established art world and its institutions. His art shows great clarity in shape and at the same time puts to question our conventions of perception. Weberhans' work includes sculpture in stone, installations, painting, drawing, video and photography. This book is the first comprehensive overview of Weberhans' oeuvre as a sculptor. It also presents his more recent work as a painter, the 'Schone Bilder' (Beautiful Images), and documents his first major exhibition, 'Affenherz' (Monkey's Heart) in 1985 at the Kunsthaus Zurich, which caused a minor public scandal. Essays on Weberhans' life and work complement the images.

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This book is a unique and intimate portrait of one of the greatest artists of the 20th century. "With this volume I wish to document Giacometti's personality from a completely different standpoint. I do so using photographs taken almost continuously from 1943 up to the time of his death; these were the twenty years in which his art became well-known. Alberto Giacometti's nature, work and thoughts fascinated me and other friends tremendously. I was one of the lucky ones allowed to experience his life. My encounters with him, and the resulting photographs, were of a more intimate, personal sort. Giacometti was not a legend to me. I treasured his absolute will for freedom. He was often cunning and harsh with his judgements and opinions, yet at the same time sensitive. His contradictoriness - often described by others - to me represented an expression of his personality, fervent existence and presence. I loved and respected this man. I believe his work belongs among the most important works of the contemporary art scene." - Ernst Scheidegger.

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The work of artist and stage designer rosalie is marked by aspects of an innovative transgression of limits. It has been shown in numerous exhibitions in galleries and museums, mainly in Germany, and has been featured also at international art fairs, such as Art Basel, Art Cologne and Art Frankfurt. rosalie has also created a number of large-scale projects for public space in several German cities. rosalie has gained particular recognition also for her work for the stage and projects she has realised with musicians. Light as a medium, light-art is a key aspect of rosalie's work in recent years, and has become an independent complex with her oeuvre. With her large-scale, striking kinetic light-sculptures, using new and innovative technologies and materials and recognised by a growing international audience, she has created a wide range of "new universes of light". 'rosalie Light-Art' presents her spectacular light-art projects and interdisciplinary works including music and scenery for the first time in a large-size illustrated book that also includes a DVD with short film presentations.

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'M Selection' features a selection of works from the Migros Museum of Contemporary Art's collection by 27 Swiss and international artists. It examines the artists and their works and puts them in context with various artistic movements from the second half of the 20th century: Pop Art, Minimalism, Post-Minimalism, Land Art, Performance, Photography and conceptual Art, Feminist and Appropriation Art. The fully illustrated book gives brief texts on the featured works. Two introductory essays on the entire collection and the exhibition concept complete the book. 'M Selection' is published to coincide with an exhibition at the Musee Rath in Geneva. Artists featured include: Marc Camille Chaimowicz (French), Cosey Fanni Tutti (British), Thea Djordjadze (Georgian, working in Germany), Hamish Fulton (British), Douglas Gordon (British [Scottish]), Mathilde ter Heijne (Dutch, working in Germany), Daniel Knorr (Romanian, working in Germany), Sol LeWitt (American), Babette Mangolte (French, working in the USA), Bruce Nauman (American), Gerhard Richter (German), Markus Schinwald (Austrian), Katharina Sieverding (German), Alina Szapocznikow (Polish, worked in France), Oscar Tuazon (American), Andy Warhol (American), Stephen Willats (British), Christopher Wool (American), and others.

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In August 1968, the Pakistani foreign minister visited Beijing and presented Chairman Mao with a crate of mangoes. Apparently, Mao immediately sent the mangoes, a fruit unkown so far in China, as a gift to the 'Worker-Peasant Mao Zedong Thought Propaganda Teams' deployed into Quinghua University to put down warring factions of Red Guards and occupy the campus, with the implicit political message that workers were now made managers of education. The exotic fruit were then distributed over the following weeks to various factories. Thus the mangoes, perceived as coming from Chairman Mao, transformed from mere fruit into near-divine symbol. They were celebrated by the workers as tokens of Mao's love and compassion and worshipped as a kind of religious relic. The Golden Mango powerfully symbolised the slogan "The working class must be the leaders in everything", and soon appeared on all kinds of household products. The new book Mao's Golden Mangoes and the Cultural Revolution illustrates how factory workers tried to preserve Chairman Mao's precious gift, how the mango transformed into a religious symbol, and how the political spectacle of the 1968 National Day Parade featured the mango.

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Austrian artist Manfred Wakolbinger, born 1952, trained as a metal worker and tool maker before turning to art. Following first steps in jewellery design, he moved on to sculpture and photography, later also to video art. Many of his sometimes voluminous sculptures were created for public spaces. The submarine world has captured his particular interest in photography and video. Wakolbinger's art is organic and conveys an inner poetry, yet it remains enigmatic even when it becomes concrete and figurative. This book features a selection Wakolbinger's works in photography and sculpture since 2012, accompanied by a conversation between the artist and curator Jasper Sharp. An essay on the topic of language in his art by scholar and critic Cornelia Offergeld and a text by celebrated Austrian novelist Christoph Ransmayr describe and interpret the recent oeuvre by one of Austria's most distinguished contemporary artists. Text in English and German.

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The mythic figure of Prometheus has inspired many poets, painters and musicians since the age of romanticism. For Goethe and Henry Fuseli, the titan who stole the fire from the gods of ancient Greek became the embodiment of mankind struggling for autonomy and self-determination. Yet the fire has come not only to our benefit. Along with it came also menace upon mankind. This is the subject of a major work by Venezuelan artist Javier Tellez. In his film installation 1/2 Rotations (Prometheus and Zwitter) of 2011, two sculptures slowly rotate before a camera: Arno Breker's (1900-91) Prometheus and Zwitter (hermaphrodite) by the German art-brut sculptor Karl Genzel (1871-1925). Both works were on display in the Nazi propaganda art shows of 1937 in Munich, Breker's in the Great German Art Exhibition and Genzel's in the coinciding defaming show Degenerate Art. This new book juxtaposes paintings and drawings reflecting the Prometheus myth by Henry Fuseli with Javier Tellez capital work of contemporary art. It is published to coincide with an exhibit at Kunsthaus Zurich in summer 2014.

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German-born artist Thomas Mullenbach plays with our everyday perception of the normal and well-known and undermines ourcollective ideas of sense, value, and purpose of the visible world. To this end, the now Zurich-based artist explores the discipline of art history and puts the possibilities and limits of painting up for discussion.This lavishly illustrated new monograph features a range of Thomas Mullenbach's paintings and drawings. Published inconjunction with a recent exhibition at Kunsthalle Zurich, it focuses on Mullenbach's more recent works, many of which hecreated especially for this show. Essays by Elke Bippus and Juri Steiner and a conversation between curator Beatrix Ruf and Thomas Mullenbach complement the illustrations.

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Hubert Looser, entrepreneur and patron of the arts, has put together an outstanding collection of modern and contemporary art. The focus of Looser's interest is Abstract Expressionism, Minimal Art, and Arte Povera. The collection also includes classical modernists, as well as Asian and African sculpture. The Hubert Looser collection will be given to Kunsthaus Zurich as a long-term loan in 2017. This book is published to coincide with the first exhibition of key works from this highly significant Swiss collection at Kunsthaus Zurich in summer 2013. It features paintings and sculptures by artists such as John Chamberlain, Jasper Johns, Donald Judd, Elsworth Kelly; Anselm Kiefer, Yves Klein, Willem de Kooning, Roy Lichtenstein, Brice Marden, Pablo Picasso, Jackson Pollock, Sean Scully, Louis Soutter, Cy Twombly, Andy Warhol, and others. It also offers an insight into Looser's private space, his home and garden, as a setting for masterpieces of 20th and 21st-century art.

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Jules Spinatsch ranks among the foremost contemporary Swiss photographic artists. Many of his projects, although controversial are thought-provoking and internationallly recognised. Since 2003, he has been working on his Surveillance Panorama Projects; shot with network cameras, these works create awareness for social habits and show the sometimes striking discrepancy between illusion and reality. In Vienna MMIX, he focused on the famous Vienna Opera Ball; from the opening of the doors at 20:32hrs, until the end of the dance at 05:17hrs, using 2 cameras to complete duel rotations, capturing an image every few seconds, an incredible 17,352 in total. Jules Spinatsch. Vienna MMIX-10008/7000 presents this fascinating social study in two volumes. Volume 1 shows 10,008 images, combined into a single chronological sequence; panoramic views that recreat the entire space, yet show only fragments of events. Volume 2 presents a selection of 70 images, documenting single moments of great intensity or intimacy, in fascinating close-up detail. It is a striking collection, documenting a range of human behaviour in a public space, over a relatively short period of time, in a very specific arena.

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As an effect of the recent economic and financial crisis in the USA, a vast number of people have suddenly lost their jobs and income and often also their home. Many of them still live in their cars or even just in the streets. In spring 2007, the young Swiss photographer Eberhard began talking to some of these homeless people and invited them to his studio to take a portrait of them. He paid them a fee and built a relationship with these individual personalities that can be traced in his photographs. Eberhard's In Good Light series shows a sensitive and respectful approach to difficult situations of life in which these people find themselves, in most cases through no fault of their own, sometimes by their own choice. They are impressive personalities who have kept their dignity and show great power despite the struggle of living on the edge of society. Eberhard's images are complemented in the new book by an introduction by curator Karen Sinsheimer and a literary essay by the celebrated German novelist Bernhard Schlink.

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In the work of artist and artistic researcher Hannes Rickli, video and audio recordings originating from research in scientific laboratories (videograms) play an important role. Videograms are a category of moving images produced in an operative context by measuring cameras and microphones. This kind of audio-visual commodity has so far been largely neglected by artists as well as by image scientists. For his work-in-progress Spillover Rickli has put together since 1992 vast collection of such audio-visual lab reports. Rickli has also initiated also a research program on this topic at Zurich University of the Arts. In close exchange with biologists and image scientists Rickli investigated the material to enhanced his understanding of and work with it for his artistic project. This resulted in a series of video-installations that were shown for the first time in an exhibition Zurich in autumn 2010. The book Videograms documents both, the video installations and their mise en scene at the museum, as well as the context in which the original material was produced in the laboratory. It also includes essays by scholars in image and cultural sciences and by scientists.

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Galerie nachst St. Stephan is one of Austria's, and indeed Europe's, most eminent and distinguished galleries for contemporary art. Located in the same place in the heart of Vienna since the 1920's it has been exploring the art of the modern era for nearly ninety years. With the exhibition 'Signs, Waves, Signals - Reconstructive and Parallel' Rosemarie Schwarzwalder, the gallery's director since 1978, presented in 1984 a program featuring basic elements that have proven relevant in numerous solo and group exhibitions up to the present. 'Rift Gap Hinge A' documents an internationally recognised exhibition staged at Galerie nachst St. Stephan in 2006/07. Curator and artist Heinrich Dunst had put together work by international artists, driving the trained relationship between media and sign, between the visible and the expressible to the extreme. The show made traceable the illuminating relation between visual art, film and literature. By transposing the display of art works into a book 'Rift Gap Hinge A' extends and consolidates at the same time the scope in the relation between art and its depiction. More than 70 photographs of art works and the exhibition are complemented by detailed descriptions of the works and an introductory essay. The artists represented in the exhibition include: John Baldessari, Konrad Bayer, Marcel Broodthaers, Rafal Bujnowski, Ernst Caramelle, Clegg & Guttmann: Michael Clegg & Martin Guttmann, Heinrich Dunst, Rainer Ganahl, Nikolaus Gansterer, Louise Lawler, Jan Mancuska, Christian Marclay, Michael S. Riedel, Ferdinand Schmatz, Peter Tscherkassky, JoA"lle Tuerlinckx & Remy Zaugg .

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Practices of experimentation lie at the heart of creative research and teaching in higher education in arts. The Department of Art & Media at Zurich University of the Arts offers a unique teaching and research environment as a laboratory of converging and diverging practices of experimentation. Its Bachelor and Master's programs are supported by two research institutes within the department, the Institute for Contemporary Art Research (IFCAR) and the Institute for Critical Theory (ith). Practices of Experimentation investigates how the different fields of fine arts, photography, media arts and theory interlace with each other, inspire and differentiate one and another. The book presents 15 positions in text, image, video and sound by theorists and artists. They enquire how practices of experimentation constitute one of the most advanced approaches to research and teaching in arts worldwide. They ask how practices of experimentation are able to unfold, take position and enquire current discourses on artistic creation, the relation between art schools and society, the specific production of knowledge in the arts and the particularities of inter- and trans-disciplinary teaching and research in the arts. Contains essays by Essays by Ute Meta Bauer, Maria Eichhorn, Knowbotic Research, Jorg Huber, Marianne Muller, Gerald Raunig, Nils Roller, Richard Wentworth. With a foreword by Giaco Schiesser and Christoph Brunner.

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The Swiss collects the work of Swedish photographer Christian Nilson, who has lived in Switzerland for more than ten years. During that time, he has travelled hundreds of miles throughout the country, camera in hand, capturing countless people and places through his inimitable self-taught technique, which involves using a flash to ensure every detail is perfectly visible. Nilson brings his perspective as an immigrant in Switzerland to a wide variety of subjects, which show his love of his adopted country in all its conflicted complexity - the traditional and the innovative, the spectacular and the mundane. By turns pensive and humorous, Nilson's photographic journey through Switzerland will be of interest to anyone who has called a new place home, while also introducing new audiences to one of the most exciting young voices in European photography. With sixty-seven full colour images, the book also includes an essay by Jon Bollmann.

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uilt in 1928 by renowned Swiss engineer Walter Versell (1891-1989), the modern bridge crossing the Rhine at Tavanasa, Switzerland, was eventually no longer strong enough to serve today's heavy traffic, and it was replaced by a new viaduct nearby. With strong local support for the initiative, Versell's original elegant structure was preserved and restored and now serves as a pedestrian bridge. Nossa Punt tells the story of this masterpiece of Swiss civil engineering set in the context of the entire Tavanasa 'bridgescape'. With Contributions from Ursula Baus, Simon Berger, Arno Camenisch, Sep Cathomas, Rita Cathomas Bearth, Jürg Conzett, Wilfried Dechau, Peter Egloff, and Robert Kruker, the book documents this fascinating restoration and offers a portrait of the people involved in saving this hidden monument. It is richly illustrated with photographs by Wilfried Dechau. Text in English, German, Rhaeto-Romanic.

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Swiss artist Barbara Davi, born 1971, primarily works with the medias of installation and photo-collage. Following her artistic education at Zurich's School of Art and Design (today Zurich University of the Arts ZHdK) and Lucerne School of Art, Davi has developed her original style, working in three-dimensional space as well as on two-dimensional surfaces, using architectural and geometric shapes and elements. Using wooden slats or a table, lines or a circular shape, light beams or a shadow, Davi creates quasi-drawings in space and photo-collages of a magical, almost three-dimensional depth. Her motifs emerge from a sequence of deliberations, from her 'train of thought'. This first monograph on Barbara Davi features her striking work from the past ten years. Around 100 plates in colour and black and white are complemented by essays on Davi's way of working in her preferred media.

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At the 2014 International Architecture Exhibition of the Venice Biennale, Hans Ulrich Obrist, curator of the Swiss pavilion, realised a display and a series of events referring to Lucius Burckhardt (1925-2003), an eminent Swiss sociologist and urbanist. In the 1980s, Burckhardt had proposed the concept of a science of Strollology, based on his view that only by strolling we truly perceive our environment. Burckhardt, a pioneer of modern urbanism, also re-defined architecture as "orbiting around man, space, and achievement". Twelve Swiss artists were commissioned to explore the exhibit in Venice and to develop the art project Invent the Future with Elements of the Past in Zurich, for which Burckhardt once again proved inspirational. They strolled searching for the narrative of urban design, thus offering an artistic interpretation of Burckhardt's ideas and theories. This new book documents the project, featuring original contributions, inserts, texts, images, and interviews by the participating artists.

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Colour and light as sensory stimulus and the phenomenon of light encountering surfaces are core elements of the work of artists Silvia Gertsch, born in Switzerland in 1963, and the German Xerxes Ach, born in 1957. Gertsch works on reverse-glass, using snapshots of young people in summer, sunbathing, strolling down the street, or children absorbed in play. Ach has turned to micro-phenomena in which light encounters various materials, is refracted in various ways, and generates abstract visual compositions. In spite of their different stylistic languages - realism on the one side, abstract colour field painting on the other - occupying antagonistic positions in contemporary painting, the two artists take a similar approach, starting from photos they take themselves and digitally edit, as well as found ones recording fleeting visual stimuli. Coinciding with a dual exhibition of Silvia Gertsch and Xerxes Ach at the Museum of Fine Arts Bern, this new book features their work from two decades. Richly illustrated, it puts their differing pictorial languages in a dance-like dialogue, revealing each artist's relation to current artistic discourses.

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George Steinmann, artist, musician and researcher, is recognised as an eminent intermediary between art and the sciences in Switzerland. For many years he has been investigating the relation between ecology and aesthetics. Many of Steinmann's works are created in a lengthy process and often involve other artists and scientists working on trans-disciplinary projects. Call and Response presents George Steinmann's thinking and working methods and analyses the development of his oeuvre and his collaboration with other disciplines. The second part of the book features selected works from the past thirty years and discusses them in the context of today's artistic discourse.

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The Greek arte povera artist Nakis Panayotidis was born in 1947 in Athens and was educated in architecture in Turin and in visual arts in Rome. Since 1974 he has been living and working both in Bern and Greek island of Serifos. In the tradition of arte povera, Panayotidis employs a great diversity of materials in his art, such as stone, straw, lead, iron, copper and lamps etc. His art combines light and life and is never static. It always revolves around opposites that have found a moment of equilibrium. In his work, Panayotidis aims to emphasise the intrinsically permanent in momentary incidental images. This new book is published to coincide with a major retrospective exhibition at the Museum of Fine Art Bern. It features work by the artist in painting, drawing, sculpture, installation, and photography. Essays are contributed by curators Matthias Frehner and Regula Berger, Italian scholar, curator and art critic Bruno Cora, and also by personal friends of Panayotidis and collectors of his work.

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Over the past thirty years, severe storms have swept over the entire Alpine region in short succession. The enormous masses of water they bring along, combined with mankind interfering with nature, increase the likelihood of more frequent natural disasters. The artist duo wiedemann/mettler took up the story of Noah's ark. As the Book of Genesis tells us, the great deluge came to obliterate humanity's moral corruption. However, God bestowed mercy on Noah and asked him to build an ark that would save humankind and wildlife alike. wiedemann/mettler's interpretation of this symbolic narrative comes under the title "better safe than sorry" and presents the topic of safety in all its ambivalence. This new book documents the installation "better safe than sorry" at House of Art Uri in summer 2014 and other recent work by wiedemann/mettler.

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