Search results for ""pennsylvania state university press""

In the wake of the Hundred Years' War, Northern Europe saw a reordering of financial, political, and social institutions and with it a change in architectural style. The church of Saint-Maclou in Rouen, which is the most celebrated example of Late Gothic building in France, reflects a society that sought social order in the past while redefining new roles for individuals.Its profuse ornamentation and sophisticated design established Saint-Maclou as the consummate expression of High Gothic discipline made exuberant by the excesses of Late Gothic craft. The retrospective elements of its style reflect the mood of conservative patrons, while its display of craftsmanship indicates the increasing value placed on individual expression. Linda Neagley now looks at how this particular parish came to build the church, offering a series of interpretive essays that explore its sociopolitical, artisanal, and cultural contexts.Neagley first examines written sources to document the church's construction and articulate the design theory of architect Pierre Robin. She then focuses on those who were affected by or contributed to the construction, examining the motives of patrons, architect, craftsmen, clergy, and community members. Neagley reconsiders the architectural language of Robin against the backdrop of other structures in Paris and Normandy, and she also examines the cultural values of late medieval craftsmen that contributed to the character of Late Gothic architecture in general and Saint-Maclou in particular.Disciplined Exuberance provides a wealth of previously unpublished documentary evidence concerning building in fifteenth-century Rouen and Paris and applies computer-based methodology to design analysis. It offers a new criterion for examining French Flamboyant architecture and a new appreciation for this important monument.

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A pivotal figure in critical theory and the modern/postmodern debates, G. W. F. Hegel is the subject of differing feminist critiques. Going beyond and behind Simone de Beauvoir's creative appropriation of Hegel in The Second Sex, the essays gathered together here think both with and against the grain of Hegel's dialectical theory through the lens of gender issues found in his philosophy. Some of the authors focus on prominent passages on woman and the feminine in Hegel's work, while others argue that it is interpretations of the margins of his text that are most telling. Hegel articulates one of the central questions with which political feminists are concerned: how to conceptualize identity and difference. A point of contention among the authors is whether or not Hegel's speculative system, with its "reconciliation" of identity and difference, "answers" this question. Contributors include the French philosopher Luce Irigaray, the Italian feminist Carla Lonzi, and the Canadian theoretician Mary O'Brien, along with Seyla Benhabib, Patricia Jagentowicz Mills, David Farrell Krell, Frances Olsen, Naomi Schor, Eric O. Clarke, Carole Pateman, Heidi M. Ravven, Alison L. Brown, and Shari Neller Starrett. Read together, the articles stress the transgressive nature of feminist theory as it challenges disciplinary boundaries; they are the articulation of the many different strategies and positions of the "vigorous debate" that defines feminist theory today.

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Consisting almost entirely of new essays specially prepared for this volume, Feminist Interpretations of Hannah Arendt illuminates the diversity of contemporary feminisms while also generating new and suggestive readings of Hannah Arendt's political thought. The contributing authors' shared interest in Arendt provides a ground upon which to work out their disagreements regarding feminist theory and practice. At the same time, their shared commitment to some brand of feminism leads them to engage Arendt on an unusually wide array of issues, such as gender, sexuality, the body, politics, friendship, solidarity, identity, nationalism, and revolution.Recent developments in feminist theory and practice have prompted a reconsideration of Arendt that includes a critical reevaluation of earlier feminist judgments of her work. From feminist perspectives that interrogate, politicize, and historicize—rather than simply redeploy—categories like "woman," "identity," or "experience," Arendt's well-known hostility to feminism and her critical stance toward identitarian and essentialist definitions of "woman" begin to look more like an advantage than a liability. Arendt's famous reluctance to identify herself as a woman and to address women's issues looks less like a personal problem of male-identification and more like a political stand that resists the reach of a symbolic order that seeks to define, categorize, and stabilize her in terms of one essential, unriven, and always known identity.Thus, the volume's authors move beyond feminism's traditional concern with the "woman question" to ask, further, what contemporary feminisms might learn from Arendt's conceptions of politics, action, and identity.

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A remarkable recounting of a human journey through an inhumane world.What does it mean to be a “refugee”? It is easy for those who live in relative freedom to ignore or even to villainize people who have been forced to flee their homes. After all, it can be hard to identify with others’ experiences when you haven’t been in their shoes.In Hakim’s Odyssey, we see firsthand how war can make anyone a refugee. Hakim, a successful young Syrian who had his whole life ahead of him, tells his story: how war forced him to leave everything behind, including his family, his friends, his home, and his business. After the Syrian uprising in 2011, Hakim was arrested and tortured, his town was bombed, his business was seized by the army, and members of his family were arrested or disappeared. This first leg of his odyssey follows Hakim as he travels from Syria to Lebanon, Lebanon to Jordan, and Jordan to Turkey, where he struggles to earn a living and dreams of one day returning to his home.This graphic novel is necessary reading for our time. Alternately hopeful and heartbreaking, Hakim’s Odyssey is a story about what it means to be human in a world that sometimes fails to be humane.

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Americans have long had a taste for the art and culture of Holland’s Golden Age. As a result, the United States can boast extraordinary holdings of Dutch paintings. Celebrated masters such as Rembrandt van Rijn, Johannes Vermeer, and Frans Hals are exceptionally well represented, but many fine paintings by their contemporaries can be found as well. In this groundbreaking volume, fourteen noted American and Dutch scholars examine the allure of seventeenth-century Dutch painting to Americans over the past centuries. The authors of Holland’s Golden Age in America explain in lively detail why and how American collectors as well as museums turned to the Dutch masters to enrich their collections. They examine the role played by Dutch settlers in colonial America and their descendants, the evolution of American appreciation of the Dutch school, the circumstances that led to the Dutch school swiftly becoming one of the most coveted national schools of painting, and, finally, the market for Dutch pictures today.Richly illustrated, this volume is an invaluable contribution to the scholarship on the collecting history of Dutch art in America, and it is certain to inspire further research. In addition to the editor, the contributors are Ronni Baer, Quentin Buvelot, Lloyd DeWitt, Peter Hecht, Lance Humphries, Walter Liedtke, Louisa Wood Ruby, Catherine B. Scallen, Annette Stott, Peter C. Sutton, Dennis P. Weller, Arthur K. Wheelock, Jr., and Anne T. Woollett.

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During the French Revolution of 1830, insurgents raised some four thousand barricades. Afterward, lithographs of the street fighting flowed from the presses, creating the barricade's first imagery. This book documents the changing political valence of the revolutionary ideals associated with the barricade in France from 1830 to 1852. The Revolution Takes Form coordinates the political reality of the barricade with the divergent ways in which its image gave shape to the period's conceptions of class, revolution, and urban space. Engaging the instability of the barricade, art historian Jordan Marc Rose focuses on five politically charged works of art: Eugène Delacroix's La Liberté guidant le peuple, Honoré Daumier's Rue Transnonain, le 15 avril 1834 and L'Émeute, Auguste Préault's Tuerie, and Ernest Meissonier's Souvenir de guerre civile. The history of these artworks illuminates how such revolutionary insurrections were characterizedalong with the conceptions of the people they mobili

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For over 40 years, Jack M. Sasson has been studying and commenting on the cuneiform archives from Mari on the Euphrates River, especially those from the age of Hammurabi of Babylon. Among Mari’s wealth of documents, some of the most interesting are letters from and to kings, their advisers and functionaries, their wives and daughters, their scribes and messengers, and a variety of military personnel. The letters are revealing and often poignant. Sasson selects more than 700 letters as well as several excerpts from administrative documents, translating them and providing them with illuminating comments. In distilling a lifetime of study and interpretation, Sasson hopes to welcome readers into a fuller appreciation of a remarkable period in Mesopotamian civilization.Sasson’s presentation is organized around major institutions in an ancient culture: (1) Kingship, treating accumulation of wealth, control of vassals, dynastic marriages, treaty-obligations, as well as illustrating the hazards and vexation of ruling a large territory; (2) Administration, from palaces that teem with bureaucrats, musicians, and cooks, to the management of provinces and vassal kingdoms; (3) Warfare, military establishment and martial practices; (4) Society, including organs of justice (and shortcuts to it), crime, punishment, and civil transactions; (5) Religion, including notices on diverse pantheons, rituals, priesthood, cultic paraphernalia, vows, ordeals, and channels to the gods (divination, dreams, and prophecy); and (6) Culture, including ethnic distinctions, class structure, and moments in the life cycle (birth, childhood, family life, health matters, death, and commemoration).Sasson’s presentation of the material brings to life a world entombed for four millennia, concretizes the realities of ancient life, and gives it a human perspective that is at once instructive and entertaining.The book is accompanied by extensive concordances and indexes (including to biblical passages) that will be useful to those who wish to study the letters more intensively.

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The recognition formula, “you/they shall know that I am Yahweh,” is repeated more than seventy times in the book of Ezekiel. And yet, surprisingly, this refrain has not been analyzed in detail in recent research. In this study, John F. Evans attempts to uncover the literary and theological intent of the recognition formula in Ezekiel by comparing it with other instances of the phrase found elsewhere in the Bible.Complementing his analysis of the recognition formula in Ezekiel, Evans examines its use in Deuteronomy, 1 Kings, Isaiah, Joel, and, in particular, Exodus. In addition to some strong continuities between the formula in Exodus and Ezekiel, he finds a jarring disjunction: in Ezekiel the prophecy repeatedly declares that Israel “shall know that I am Yahweh” in judgment, while elsewhere in Scripture the formula typically sounds a positive note when spoken to God’s covenant people.Recent years have witnessed a renewed interest in the book of Ezekiel, especially as a book that reflects the experience of Jews in exile as parallel to their captivity in Egypt prior to the exodus. Biblical scholars and students interested in the theology of exile and the theological reaction to the destruction of the Judean state in 586 BCE will find this book enlightening and useful.

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The Bible says that YHWH alone is God and that there is none like him—but texts and artwork from antiquity show that many gods looked very similar. In this volume, scholars of the Hebrew Bible and its historical contexts address the problem of YHWH’s ancient look-alikes, providing recommendations for how Jews and Christians can think theologically about this challenge.Sooner or later, whether in a religion class or a seminary course, students bump up against the fact that God—the biblical God—was one among other, comparable gods. The ancient world was full of gods, including great gods of conquering empires, dynastic gods of petty kingdoms, goddesses of fertility, and personal spirit guardians. And in various ways, these gods look like the biblical God. Like the God of the Bible, they, too, controlled the fates of nations, chose kings, bestowed fecundity and blessing, and cared for their individual human charges. They spoke and acted. They experienced wrath and delight. They inspired praise. All of this leaves Jews and Christians in a bind: how can they confess that the God named YHWH was (and is) the true and living God, in view of this God’s profound similarities to all these others?The essays in this volume address the theological challenge these parallels create, providing reflections on how Jews and Christians can keep faith in YHWH as God while acknowledging the reality of YHWH’s divine doppelgängers. It will be welcomed by undergraduates studying religion; seminarians and graduate students of Bible, theology, and the ancient world; and adult education classes.

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Looking at Trauma: A Tool Kit for Clinicians is an easy-to-use, engaging resource designed to address the challenges health care professionals face in providing much-needed trauma psychoeducation to clients with histories of childhood trauma. Developed by trauma therapists Abby Hershler and Lesley Hughes in collaboration with artist Patricia Nguyen and biomedical communications specialist Shelley Wall, this book presents twelve trauma treatment models accompanied by innovative and engaging comics. The models help clinicians provide practical information about the impacts of trauma to their clients—and support those clients in understanding and managing their distressing symptoms.Topics covered include complex posttraumatic stress disorder, emotion regulation, memory, relationship patterns, and self-care. Each chapter features step-by-step instructions on how to use the treatment models with clients; practical educational tips from experienced clinicians in the field of childhood trauma; interactive trauma education comics; a foundational framework focused on care for the provider; and references for further study.Intended for use in therapeutic, clinical, and classroom settings, this book is a valuable resource for all healthcare workers. In particular, social workers, psychotherapists, spiritual care providers, nurses, occupational therapists, psychologists, primary care physicians, and psychiatrists will find this tool kit indispensable.

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Since its construction, Notre Dame Cathedral has played a central role in French cultural identity. In the wake of the tragic fire of 2019, questions of how to restore the fabric of this quintessential French monument are once more at the forefront. This all-too-prescient book, first published in French in 2013, takes a central place in the conversation. The Gothic cathedral par excellence, Notre Dame set the architectural bar in the competitive years of the third quarter of the twelfth century and dazzled the architects and aesthetes of the Enlightenment with its structural ingenuity. In the nineteenth century, the cathedral became the touchstone of a movement to restore medieval patrimony to its rightful place at the cultural heart of France: it was transformed into a colossal laboratory in which architects Jean-Baptiste Lassus and Eugène-Emmanuel Viollet-le-Duc anatomized structures, dismembered them, put them back, or built them anew—all the while documenting their work with scientific precision.Taking as their point of departure a three-dimensional laser scan of the cathedral created in 2010, architectural historians Dany Sandron and the late Andrew Tallon tell the story of the construction and reconstruction of Notre Dame in visual terms. With over a billion points of data, the scan supplies a highly accurate spatial map of the building, which is anatomized and rebuilt virtually. Fourteen double-page images represent the cathedral at specific points in time, while the accompanying text sets out the history of the building, addressing key topics such as the fundraising campaign, the construction of the vaults, and the liturgical function of the choir. Featuring 170 full-color illustrations and elegantly translated by Andrew Tallon and Lindsay Cook, Notre Dame Cathedral is an enlightening history of one of the world’s most treasured architectural achievements.

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This comics anthology delves deeply into the messy and often taboo subject of human reproduction. Featuring work by luminaries such as Carol Tyler, Alison Bechdel, and Joyce Farmer, Graphic Reproduction is an illustrated challenge to dominant cultural narratives about conception, pregnancy, and childbirth.The comics here expose the contradictions, complexities, and confluences around diverse individual experiences of the entire reproductive process, from trying to conceive to child loss and childbirth. Jenell Johnson’s introduction situates comics about reproduction within the growing field of graphic medicine and reveals how they provide a discursive forum in which concepts can be explored and presented as uncertainties rather than as part of a prescribed or expected narrative. Through comics such as Lyn Chevley’s groundbreaking “Abortion Eve,” Bethany Doane’s “Pushing Back: A Home Birth Story,” Leah Hayes’s “Not Funny Ha-Ha,” and “Losing Thomas & Ella: A Father’s Story,” by Marcus B. Weaver-Hightower, the collection explores a myriad of reproductive experiences and perspectives. The result is a provocative, multifaceted portrait of one of the most basic and complicated of all human experiences, one that can be hilarious and heartbreaking.Featuring work by well-known comics artists as well as exciting new voices, this incisive collection is an important and timely resource for understanding how reproduction intersects with sociocultural issues. The afterword and a section of discussion exercises and questions make it a perfect teaching tool.

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Originally published in two parts in 1605 and 1615 and often considered “the first modern novel,” Miguel de Cervantes’s Don Quixote is undoubtedly the most influential work in the Spanish literary canon. In this groundbreaking graphic adaptation, cultural commentator Ilan Stavans and illustrator Roberto Weil reimagine Cervantes’s masterpiece in ways that are both faithful and whimsically irreverent.In these pages, Stavans and Weil pay tribute to Cervantes’s novel as well as its complex resonances in the centuries since its publication. The dauntless “mad knight” Don Quixote and his hapless squire, Sancho Panza, encounter the infamous windmills, contend with disbelieving peasants and noblemen, and seek relentlessly for Quixote’s imaginary love, Dulcinea. They also confront their own creators and adapters—Cervantes, Salvador Dalí, Franz Kafka, and Stavans and Weil themselves—and try to make sense out of the madness of drones, taxicabs, and their own literary immortality. The result is an ambitious and compelling graphic novel that reveals Don Quixote as un libro infinito—a work that reflects the past, present, and future of the human condition.Available in both English and Spanglish editions, this inspired and audacious interpretation of one of the greatest novels ever written is sure to be savored by generations to come.

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Martin Heidegger's commitment to the idea that Dasein (human existence) is ultimately gender neutral, as well as several other major aspects of his thought, raises significant questions for feminist philosophers. The fourteen essays included in this volume clearly illustrate the ways in which feminist readings can deepen our understanding of his philosophy. They illuminate both the richness and the limitations of the resources his work can provide for feminist thought.This volume engages the full scope of Heidegger's writings from Being and Time through his latest work, from his readings of the ancient Greek poets to his critique of modern technology. At the same time, it reflects a wide range of contemporary feminist concerns: the significance of gender difference; the role of the body in philosophical thought; the relationship between philosophy and the natural world, and between philosophy and the domestic realm; and the aspiration to move forward into a new, more just, political world.Included in this volume are important new (or newly translated) essays by Ellen Armour, Carol Bigwood, Jack Caputo, Tina Chanter, Trish Glazebrook, Jennifer Gosetti, Luce Irigaray, Dorothy Leland, Mechthild Nagel, Gail Stenstad, and the editors—as well as a valuable historical and theoretical Introduction by Patricia Huntington, the first of Jacques Derrida's "Geschlecht" articles, and an important 1997 essay by Iris Marion Young.

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This handbook provides a practical guide for the student and scholar alike who wishes to use the Septuagint (LXX) in the text-critical analysis of the Hebrew Bible. It does not serve as another theoretical introduction to the LXX, but it provides all the practical background information needed for the integration of the LXX in biblical studies. The LXX, together with the Masoretic Text and several Qumran scrolls, remains the most significant source of information for the study of ancient Scripture, but it is written in Greek, and many technical details need to be taken into consideration when using this tool. Therefore, a practical handbook such as this is needed for the integration of the Greek translation in the study of the Hebrew Bible.The Text-Critical Use of the Septuagint in Biblical Research is based on much background information, intuition and experience, clear thinking, and a solid description of the procedures followed. The author presents his handbook after half a century of study of the Septuagint, four decades of specialized teaching experience, and involvement in several research projects focusing on the relation between the Hebrew and Greek Bibles.The first two editions of this handbook, published by Simor of Jerusalem (Jerusalem Biblical Studies 3 [1981] and 8 [1997]), received much praise but have been out of print for a considerable period. This, the third, edition presents a completely revised version of the previous editions based on the many developments that took place in the analysis of the Septuagint, the Hebrew Bible and the Qumran Scrolls. Much new information has also been added.Eisenbrauns has been involved in the marketing of the previous two editions and is proud to offer now its own completely novel edition. A must for students of the Hebrew Bible, textual criticism, the Septuagint and the other ancient translations, Dead Sea Scrolls, and Jewish Hellenism.

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In the last years of the nineteenth century, the Tunisian city of Qayrawān suddenly found itself covered in murals. Concentrated on and around the city’s Great Mosque, these monumental artworks were only visible for about fifty years, from the 1880s through the 1930s. This book investigates the fascinating history of who created these outdoor paintings and why.Using visual archaeological methods, William Gallois reconstructs the visual history of these works and vividly brings them back to life. He locates pictorial records of the murals from the backdrops of photographs, postcards, and other forms of European ephemera. In Qayrawān, he identifies a form of religious painting that transposed traditional aesthetic forms such as house decoration, embroidery, and tattooing—which lay exclusively within the domains of women—onto the body of a conquered city. Gallois argues that these works were created by women as a form of “emergency art,” intended to offer amuletic protection for the community, and demonstrates how they differ markedly from “classical” Islamic antecedents and modern modes of Arab cultural production in the Middle East and North Africa.Based on extensive archival research, this study is both a record of a unique moment in the history of art and a challenge to rethink the spiritual force and agency of a group of anonymous female artists whose paintings aspired to help save the world at a time of great peril. It will be welcomed by scholars of art history, Islamic studies, Middle East studies, and the history of magic.

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Leo Strauss famously asserted that the fundamental, defining debate within Western civilization is that between Jerusalem and Athens, piety and philosophy, the Bible and Plato. And yet, surprisingly, Strauss never published any of his thoughts on Plato’s dialogue on piety, the Euthyphro.This volume presents, for the first time, Strauss’s 1948 notebook on the dialogue, written in preparation for a class at the New School for Social Research. Featuring close analysis and line-by-line commentary, the notebook opens a window onto a philosophic mind in action, as Strauss asks questions of the classic text, jots down observations and formulations, and analyzes very specific terms and arguments but also steps back, reviews the overall movement of the dialogue, and reconsiders previous conclusions. Beyond the notebook, the volume also brings together all the known materials that lay out Strauss’s thoughts on the Euthyphro. This includes newly transcribed and edited public lectures, illuminating appendixes, critical essays by volume editors Hannes Kerber and Svetozar Y. Minkov and scholar Wayne Ambler, an account of Strauss’s public lecture, and a new English translation of Plato’s Euthyphro by Seth Benardete, a classicist and one of Strauss’s students.Engaging and inspiring, Leo Strauss on Plato’s “Euthyphro” is a vital resource for scholars and students of political theory, readers interested in the intersection of philosophy and religion, and a must-have for anyone who studies Strauss.

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This volume examines Saint George’s intertwined traditions in the competing states of the eastern Mediterranean and Transcaucasia, demonstrating how rival conceptions of this well-known saint became central to Crusader, Eastern Christian, and Islamic medieval visual cultures.Saint George Between Empires links the visual cultures of Byzantium, North Africa, the Levant, Syria, and the Caucasus during the Crusader era to redraw our picture of interfaith relations and artistic networks. Heather Badamo recovers and recontextualizes a vast body of images and literature—from etiquette manuals and romances to miracle accounts and chronicles—to describe the history of Saint George during a period of religious and political fragmentation, between his “rise” to cross-cultural prominence in the eleventh century and his “globalization” in the fifteenth. In Badamo’s analysis, George emerges as an exemplar of cross-cultural encounter and global translation.Featuring important new research on monuments and artworks that are no longer available to scholars as a result of the occupation of Syria and parts of Iraq, Saint George Between Empires will be welcomed by scholars of Byzantine, medieval, Islamic, and Eastern Christian art and cultural studies.

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“Science in fiction,” “geek novels,” “lab-lit”—whatever one calls them, a new generation of science novels has opened a space in which the reading public can experience and think about the powers of science to illuminate nature as well as to generate and mitigate social change and risks. Under the Literary Microscope examines the implications of the discourse taking place in and around this creative space.Exploring works by authors as disparate as Barbara Kingsolver, Richard Powers, Ian McEwan, Ann Patchett, Margaret Atwood, and Michael Crichton, these essays address the economization of scientific institutions; ethics, risk, and gender disparity in scientific work; the reshaping of old stereotypes of scientists; science in an evolving sci-fi genre; and reader reception and potential contributions of the novels to public understandings of science.Under the Literary Microscope illuminates the new ways in which fiction has been grappling with scientific issues—from climate change and pandemics to artificial intelligence and genomics—and makes a valuable addition to both contemporary literature and science studies courses.In addition to the editors, the contributors include Anna Auguscik, Jay Clayton, Carol Colatrella, Sonja Fücker, Raymond Haynes, Luz María Hernández Nieto, Emanuel Herold, Karin Hoepker, Anton Kirchhofer, Antje Kley, Natalie Roxburgh, Uwe Schimank, Sherryl Vint, and Peter Weingart.

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How does one deal with a diagnosis of Parkinson’s disease at the age of forty-three? My Degeneration, by former Anchorage Daily News staff cartoonist Peter Dunlap-Shohl, answers the question with humor and passion, recounting the author’s attempt to come to grips with the “malicious whimsy” of this chronic, progressive, and disabling disease. This graphic novel tracks Dunlap-Shohl’s journey through depression, the worsening symptoms of the disease, the juggling of medications and their side effects, the impact on relations with family and community, and the raft of mental and physical changes wrought by the malady. My Degeneration examines the current state of Parkinson’s care, including doctor/patient relations and the repercussions of a disease that, among other things, impairs movement, can rob patients of their ability to speak or write, degrades sufferers’ ability to deal with complexity, and interferes with the sense of balance. Readers learn what it’s like to undergo a dramatic, demanding, and audacious bit of high-tech brain surgery that can mysteriously restore much of a patient’s control over symptoms. But My Degeneration is more than a Parkinson’s memoir. Dunlap-Shohl gives the person newly diagnosed with Parkinson’s disease the information necessary to cope with it on a day-to-day basis. He chronicles the changes that life with the disease can bring to the way one sees the world and the way one is seen by the wider community. Dunlap-Shohl imparts a realistic basis for hope—hope not only to carry on, but to enjoy a decent quality of life.

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This book explores a series of powerful artifacts associated with King Solomon via legendary or extracanonical textual sources. Tracing their cultural resonance throughout history, art historian Allegra Iafrate delivers exciting insights into these objects and interrogates the ways in which magic manifests itself at a material level.Each chapter focuses on a different Solomonic object: a ring used to control demons; a mysterious set of bottles that constrain evil forces; an endless knot or seal with similar properties; the shamir, known for its supernatural ability to cut through stone; and a flying carpet that can bring the sitter anywhere he desires. Taken together, these chapters constitute a study on the reception of the figure of Solomon, but they are also cultural biographies of these magical objects and their inherent aesthetic, morphological, and technical qualities.Thought-provoking and engaging, Iafrate’s study shows how ancient magic artifacts live on in our imagination, in items such as Sauron’s ring of power, Aladdin’s lamp, and the magic carpet. It will appeal to historians of art, religion, folklore, and literature.

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Analyses of formal governmental institutions and electoral laws have considerably advanced our understanding of how politics works in Latin America. However, these analyses largely overlook the process of candidate recruitment and selection, an issue intricately tied to political outcomes and the functioning of democracy. In this volume, a team of experts uses a common analytic framework developed by the editors to analyze the recruitment and selection of executive and legislative candidates in six major countries: Argentina, Brazil, Chile, Colombia, Mexico, and Uruguay. It does so from two perspectives. First, as a dependent variable, the volume explores the party and legal factors that drive the recruitment and selection process, thus producing particular types of candidates. It then considers candidate type as an independent variable, analyzing the impact of candidate type on campaigns, political parties, and the behavior of legislators and presidents once elected. The result is the first fully comparative inquiry into a central, but largely neglected, determinant of politics in Latin America.

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This is the third and last volume of the only complete and fully reliable English-language version of the memoirs of the Soviet leader Nikita Khrushchev. In the first two volumes, published by Pennsylvania State University Press in 2005 and 2006, respectively, Khrushchev tells the story of his rise to power and his part in the fight against Hitler’s invasion of the Soviet Union. He also discusses agriculture, the housing problem, and other issues of domestic policy, as well as defense and disarmament. This volume is devoted to international affairs. Khrushchev describes his dealings with foreign statesmen and his state visits to Britain, the United States, France, Scandinavia, India, Afghanistan, Burma, Egypt, and Indonesia. In the first part, Khrushchev talks about relations between the Soviet Union and the Western powers. Of particular interest is his perspective on the Berlin, U-2, and Cuban missile crises. The second part focuses on the Communist world—above all, the deterioration of relations with China and the tensions in Eastern Europe, including relations with Tito’s Yugoslavia, Gomulka’s Poland, and the 1956 Soviet intervention in Hungary. In the third part, Khrushchev discusses the search for allies in the Third World. The Appendixes contain biographies, a bibliography, and a chronology, as well as the reminiscences of Khrushchev’s chief bodyguard about the visit to the United Nations in 1960 at which the famous “shoe-banging” incident occurred—or, perhaps, did not occur.

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Tereza never thought she would go bald before her boyfriend did. She couldn't imagine being unable to sweep her hair up in a ponytail or to style it in other ways. But when she lost all her hair in just a couple of months due to alopecia, her perspective on relationships and workand above all, herself radically changed. Navigating the particular trauma of female hair loss, Tereza comes to terms with her new reality with humor and self-reflection in this prize-winning graphic memoir featuring eye-catching art by Štepánka Jislová.

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Voices from the Middle East on the fight for self-determination. Much of the present discourse about the pro-democracy Arab uprisings of 2011 paints a bleak picture of their defeat. But the truth is more complicated, and moments of struggle and inspiration still recur despite the overwhelming odds against the movements' success. This collection of short comics documents the political and social unrest in the Middle East during the 2010s, in such places as Lebanon, Egypt, Yemen, Palestine, Sudan, and Bahrain. A collaboration between writer and journalist Yazan Al-Saadi and a lineup of stellar cartoonists from the regionTracy Chahwan, Ganzeer, Ghadi Ghosn, Omar Khouri, Sirène Moukheiber, Hicham Rahma, and Enas Satirthis graphic reportage serves as a witness to an era of counterrevolutionary resurgence in which entrenched powers clashed with the people's struggle for self-determination.

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For much of the last half of the twentieth century, W. G. Lambert devoted much of his research energy and effort to the study of Babylonian texts dealing with Mesopotamian ideas regarding creation, including especially Enuma Elish. This volume, which appears almost exactly 2 years after Lambert’s death, distills a lifetime of learning by the world’s foremost expert on these texts. Lambert provides a full transliteration and translation of the 7 tablets of Enuma Elish, based on the known exemplars, as well as coverage of a number of other texts that bear on, or are thought to bear on, Mesopotamian notions of the origin of the world, mankind, and the gods. New editions of seventeen additional “creation tales” are provided, including “Enmesharra’s Defeat,” “Enki and Ninmah,” “The Slaying of Labbu,” and “The Theogony of Dunnu.”Lambert pays special attention, of course, to the connection of the main epic, Enuma Elish, with the rise and place of Marduk in the Babylonian pantheon. He traces the development of this deity’s origin and rise to prominence and elaborates the relationship of this text, and the others discussed, to the religious and political climate Babylonia.The volume includes 70 plates (primarily hand-copies of the various exemplars of Enuma Elish) and extensive indexes.

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Students of Akkadian will find this handy collection of basic information to be the ideal companion through their years of study. Though this handbook is not a replacement for the standard reference works, it summarizes all the basic resource materials needed for the study of Akkadian. Included are the following: miscellaneous helps, paradigms of nouns and verbs, a glossary of important proper nouns, an index of logograms, a sign list with complete sign values, and much more.What is new in this revised and expanded edition:—An expanded list of common abbreviations—A thorough bibliography of important reference works in ten categories, including websites—Part One: Additional and more thorough lists, including dialect information for conjunctions, prepositions, and particles—Part Two: Additional nominal and verbal paradigms—Part Three: Glossary expanded and updated, content thoroughly documented and cross-referenced—Part Four: Expanded list of logograms—Part Five: Complete list of graphic signs as found in Borger’s Mesopotamisches Zeichenlexikon, tagged by his new numbering system, and cross-referenced to the Deimel system; sign information aligned with MZL for logographic values and with MZL and Das akkadische Syllabar for syllabic values; graphic sign images now included with the list of determinatives; two new indexes—Can now be used alongside all major grammars of Akkadian—A more attractive format—All data checked against the latest published reference works

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An exhaustive study of these kingship psalms, utilizing the entire lexicon of the 8 psalms studied. Howard’s study confirms that Hebrew poetry is regularized around a pattern of bicolons of roughly 8:8 syllables and 3:3 stresses. A major contribution to the rhetorical-critical method.

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The obvious riddles and difficulties in Exod 3:13–15 and Exod 6:2–8 have attracted an overwhelming amount of attention and comment. These texts make important theological statements about the divine name YHWH and the contours of the divine character. From the enigmatic statements in Exod 3:13–15, most scholars reconstruct the original form of the name as “Yahweh,” which is thought to describe YHWH’s creative power or self-existence. Similarly, Exod 6:3 has become a classic proof-text for the Documentary Hypothesis and an indication of different aspects of God’s character as shown in history. Despite their seeming importance for “defining” the divine name, these texts are ancillary to and preparatory for the true revelation of the divine name in the book of Exodus. This book attempts to move beyond atomistic readings of individual texts and etymological studies of the divine name toward a holistic reading of the book of Exodus. Surls centers his argument around in-depth analyses of Exod 3:13–15, 6:2–8 and Exod 33:12–23 and 34:5–8. Consequently, the definitive proclamation of YHWH’s character is not given at the burning bush but in response to Moses’ later intercession (Exod 33:12–23). YHWH proclaimed his name in a formulaic manner that Israel could appropriate (Exod 34:6–7), and the Hebrew Bible quotes or alludes to this text in many genres. This demonstrates the centrality of Exod 34:6–7 to Old Testament Theology. The character of God cannot be discerned from an etymological analysis of the word yhwh but from a close study of YHWH’s deliberate ascriptions made progressively in the book of Exodus.

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In The Dark Side of Genius, Laurinda Dixon examines “melancholia” as a philosophical, medical, and social phenomenon in early modern art. Once considered to have a physical and psychic disorder, the melancholic combined positive aspects of genius and breeding with the negative qualities of depression and obsession. By focusing on four exemplary archetypes—the hermit, lover, scholar, and artist—this study reveals that, despite advances in art and science, the idea of the dispirited intellectual continues to function metaphorically as a locus for society’s fears and tensions.The Dark Side of Genius uniquely identifies allusions to melancholia in works of art that have never before been interpreted in this way. It is also the first book to integrate visual imagery, music, and literature within the social contexts inhabited by the melancholic personality. By labeling themselves as melancholic, artists created and defined a new elite identity; their self-worth did not depend on noble blood or material wealth, but rather on talent and intellect. By manipulating stylistic elements and iconography, artists from Dürer to Rembrandt appealed to an early modern audience whose gaze was trained to discern the invisible internal self by means of external appearances and allusions. Today the melancholic persona, crafted in response to the alienating and depersonalizing forces of the modern world, persists as an embodiment of withdrawn, introverted genius.

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Following the great periods of national leadership by Moses and Joshua, the book of Judges depicts the stewardship of various judges that rose to power to solve local religious and military challenges in the premonarchic period. This volume provides a close reading of the entire book of Judges, taking seriously the distinct elements of the book and how they are interconnected.Elie Assis explores the ways in which the ideology and theology of Judges unfold through a careful literary analysis. Moving beyond the cycle of sin, punishment, and salvation, Assis demonstrates how differences in the descriptive language applied to each judge, as well as the evaluations in the opening and concluding chapters, provide clues as to the organization and message of the text. Most works on Judges focus on the historical background of the period or the historical process of the book’s composition and seek to dissolve its stories into component parts. In contrast, Before There Were Kings points to the deep underlying unity of Judges and the function of the individual stories within the whole.New and carefully drawn insights related to the purpose of each section and the themes that shape the book as a whole make this a groundbreaking, programmatic contribution to research on the book of Judges. It will be of particular interest to students and scholars of the Old Testament and the Hebrew Bible.

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The Biblical Hebrew Vocabulary Card provides learners with easy access to the words that appear on almost every page of the Hebrew Bible. This six-page trifold study guide translates 1,600 of the most common words in the Hebrew Bible, arranged alphabetically, with straightforward and precise definitions. Along with the Biblical Hebrew Grammar Card, this card will provide a reliable and easy-to-use reference for students of Biblical Hebrew.

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This ninth archaeological report of the Leon Levy Expedition presents the material remains of Ashkelon’s Hellenistic-period occupation. Drawing together contributions from a range of specialists, it adduces the evidence from Ashkelon’s material record to address larger economic, cultural, and political questions of the Hellenistic era.From dense urban neighborhoods to monumental public spaces, this volume presents a survey of the city’s architecture and a detailed analysis of its ceramic assemblage alongside specialist studies of coins, botanical and faunal remains, and small finds. It provides a reconstruction of Ashkelon’s historical arc and economic networks and explores the material evidence for cultural and political influence throughout the Ptolemaic, Seleucid, and early Roman empires. In so doing, it explores Ashkelon’s transition from being a Phoenician city under the Persians to a nominally Greek city under the Ptolemies or Seleucids.Featuring more than twenty-six chapters written by experts in the field and a wealth of detailed color and black-and-white illustrations, Ashkelon 9 is an essential contribution to the study of Hellenistic archaeology in Israel. It will be a valuable resource for archaeologists, biblical scholars, and Hellenists specializing in this period both in Israel and in the broader Mediterranean.In addition to the author, the contributors to this volume are Donald Ariel, Deirdre N. Fulton, Omri Lernau, John M. Marston, and Anastasia Shapiro.

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Sumerian was the first language to be put into writing (ca. 3200–3100 BCE), and it is the language for which the cuneiform script was originally developed. Even after it was supplanted by Akkadian as the primary spoken language in ancient Mesopotamia, Sumerian continued to be used as a scholarly written language until the end of the first millennium BCE. This volume presents the first comprehensive English-language scholarly lexicon of Sumerian.This dictionary covers all the nuances of meaning for Sumerian terms found in historical inscriptions and literary, administrative, and lexical texts dating from about 2500 BCE to the first century BCE. The entries are organized by transcription and are accompanied by the transliteration and translation of passages in which the term occurs and, where relevant, a discussion of the word’s treatment in other publications. Main entries bring together all the parts of speech and compound forms for the Sumerian term and present each part of speech individually. All possible Akkadian equivalents and variant syllabic renderings are listed for lexical attestations of a word, and a meaningful sample of occurrences is given for literary and economic passages. Entries of homonyms with different orthographies and unrelated words with the same orthography are grouped together, each being assigned a unique identifier, and the dictionary treats the phoneme /dr/ as a separate consonant.Written by one of the foremost scholars in the field, An Annotated Sumerian Dictionary is an essential reference for Sumerologists and Assyriologists and a practical help to students of ancient cultures.

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This volume is the tenth in a series of technical seasonal reports on the excavations of Tall al-ʿUmayri, Jordan, part of the Madaba Plains Project. It covers artifactual finds and related research from excavation fields active during the 2006 season: Field A, the western citadel with Early Iron Age domestic structures; Field B, the western defenses and northwestern domestic quarters showcasing a rare Late Bronze Age temple/palace complex; Field H, the southwestern acropolis boasting a Late Iron I courtyard sanctuary; and Field L, the southern edge with Iron I remains, limited Late Iron II architecture, and the now fully exposed area of a Late Hellenistic agricultural complex. This volume includes an important synthesis of the long-term data on repeating cycles of abatement and intensification of settlement population patterns, and the chapters are supplemented by an article on sherds with incised marks and another on coins found at ʿUmayri in 2006.In addition to the editors, the contributors to this volume include Robert D. Bates, David R. Berge, John W. Betlyon, Kent V. Bramlett, David C. Hopkins, and Gloria A. London.

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This book provides a new explanation for what has long been a challenge for scholars of Biblical Hebrew: how to understand the expression of verbal tense and aspect.Working from a representative text corpus, combined with database queries of specific usages and surveys of examples discussed in the scholarly literature, Ulf Bergström gives a comprehensive overview of the semantic meanings of the verbal forms, along with a significant sample of the variation of pragmatically inferred tense, aspect, or modality (TAM) meanings. Bergström applies diachronic typology and a redefined concept of aspect to demonstrate that Biblical Hebrew verbal forms have basic aspectual and derived temporal meanings and that communicative appeal, the action-triggering function of language, affects verbal semantics and promotes the diversification of tense meanings. Bergström’s overarching explanation of the semantic development of the Biblical Hebrew verbal system is an important contribution to the study of the evolution of the verbal system and meanings of individual verbs in the Hebrew Bible. Accessibly written and structured for seminar use, Bergström’s study brings new perspectives to a debate that, in many ways, had reached a stalemate, and it challenges scholars working with TAM and the Biblical Hebrew verb to revisit their theoretical premises. Advanced students and scholars of Biblical Hebrew and other Semitic languages will find the study thought provoking, and linguists will appreciate its contributions to linguistic theory and typology.

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In this fascinating book, Seymour (Sy) Gitin recounts his life’s journey, from his childhood in 1940s Buffalo, New York, to a storied career as an archaeologist working and living in Israel.Over the course of his life, Sy served as a rabbi in Los Angeles and as US Air Force Chaplain, starred in an Israeli movie, trained as an archaeologist, and eventually became the Director of the W. F. Albright Institute of Archaeological Research in Jerusalem, an institution he led for thirty-four years. As an archaeologist, Sy encouraged American participation in the archaeology of ancient Israel, fostered the development of the Palestinian archaeological community, and conducted valuable field work at Tell Gezer and Tel Miqne-Ekron. His tale is full of entertaining vignettes involving the people that he encountered along the way, including many of the pioneers in the field—W. F. Albright, Nelson Glueck, Yigael Yadin, Benjamin Mazar, and Trude Dothan, as well as current protagonists William G. Dever, Israel Finkelstein, and Amihai Mazar.Readers will enjoy Sy’s humorous and engaging stories: rationing out seder wine on a military base following the great Alaskan earthquake only to learn that soldiers were threatening to use it to brush their teeth, encounters with Senator Daniel Patrick Moynihan and US Ambassador Thomas Pickering, and the many colorful experiences he had with fellow scholars through the years.An engaging and entertaining recounting of a remarkably lived life, The Road Taken is a revealing look at being Jewish in America and Israel from the 1940s through today and an eye-opening look at the often controversial development of biblical archaeology.

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The Leon Levy Expedition to Ashkelon continues its final report series with a study of the Iron Age I. Following the dramatic collapse of the Mediterranean world at the end of the Bronze Age, new groups emerged across the Levantine littoral. One of those groups was the Philistines, famous archenemies of the Israelites in the Hebrew Bible. This volume shows how Ashkelon became a Philistine city. The volume presents evidence for the arrival of a new group from the West that changed fundamental patterns of life. Ceramics shapes, architectural patterns, foodways, industrial technology, decorative traditions, and forms of writing are all explored in this volume, and each of these forms of evidence shows how the newly arrived Philistines first responded to the Levantine world around them. After settling in the seaport of Ashkelon, the Philistines continued to trade internationally, as was typical of earlier inhabitants of the city, and their ongoing maritime connections provide additional insight into the economy of the Mediterranean in the twelfth and eleventh centuries B.C. This volume represents the culmination of more than thirty years of archaeological research into questions of Philistine culture, bringing together research from more than thirty scholars covering all aspects of ancient life in Ashkelon during the Iron Age I.The volume spans more than 900 full-color pages with forty chapters. The architecture, stratigraphy, pottery, and other finds are presented in considerable detail, shedding new light on this important period in the history of ancient Ashkelon. It is an indispensable resource for scholars interested in the history of the eastern Mediterranean or the background of the Biblical world.

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Some questions can shake even the strongest faith.At first glance, college roommates Jacob and Sarah seem like polar opposites. Jacob is a Christian; Sarah is an atheist. Sarah is a drinker, and Jacob, a teetotaler. But they have been friends for years, finding commonality in their shared dream to create art.Jacob’s world is turned upside down when his father dies, causing him to question his faith. Meanwhile, Sarah wrestles with her own demons, searching for solace in one-night stands after her boyfriend (and professor) leaves her for a job in New York. A coming-of-age graphic novel in the vein of Ghost World and Fun Home, Jacob’s Apartment weaves together the threads of spiritual faith, identity, purpose, love, and loss to create an engrossing world in which waking and sleeping dreams collide.

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The system isn’t broken, Mr. Nibbles. It was designed this way.Theodore is a bear with wild mood swings. When he is up, he carves epic poetry into tree trunks. When he is down, he paints sad faces on rocks and turtle shells. In search of prescription medications that will bring stability to his life, Theodore finds a job with health insurance benefits. He gets the meds, but when he can’t pay the psychiatrist’s bill, he becomes lost in the Labyrinth of Health Insurance Claims.This witty and colorful tale follows the comical exploits of Theodore, a loveable and relatable bear, as he copes with bipolar disorder, navigates the inequities of capitalist society, founds a commune, and becomes an activist, all the while accompanied by a memorable cast of characters—fat-cat insurance CEOs, a wrongfully convicted snake, raccoons with tommy guns, and an unemployed old dog who cannot learn new tricks. Entertaining, whimsical, and bitingly satirical, Bipolar Bear is a fable for grownups that manages the delicate balance of addressing society’s ills while simultaneously presenting a hopeful vision for the world.

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Sure, he’s ugly—but such talent!The human brain is the most complex structure in the universe. It’s as awe-inspiring as it is intimidating, when you’re not an expert. So how can we get to know the brain? By asking him to introduce himself, of course!In BrainComix, the brain is the star of the show—hamming it up in a televised interview conducted by the intrepid journalist Julia Mojito. Without jargon, and with plenty of humor, we come to understand how this spongy, bloody organ acts as our guardian angel, filters our perceptions, and shapes the stories we tell about the world and about ourselves.Test your brain with BrainComix!

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In Ruled Reading and Biblical Criticism, Matthew T. Bell contends that the gulf in interpretive priorities between ancient and modern readers has been exaggerated and that careful study of early Christian reading practices suggests that it is both possible and productive to recontextualize early Christian “ruled reading” for a postmodern setting.Modern prejudice holds that ancient Christian interpretation was relatively unconcerned with history and concomitantly determined to foist extrascriptural doctrinal commitments onto scripture, silencing those layers of scripture’s meaning that modern criticism has been most concerned with uncovering. In this book, Bell argues that, when the ethos and theology of reading in the early Church are taken into account, premodern interpretive priorities turn out to be less implausible than the modern world has believed them to be. Through close reading of ancient Christian texts, Bell outlines an ontology of scripture wherein the relationship between early Christianity’s “Rule of Faith,” on one hand, and its scriptures, on the other, was expressly constructed as a hermeneutical spiral, the slant of which was designed to attend to and be edified by textually mediated conundrums and intellectual provocations. Viewed along that spiral, the Church’s Rule was as “scriptural” as the Church’s catalog of scriptures was “ruled.” This book will be welcomed by academics who study early Christianity and scripture, as well as scholars interested in reconsidering Christian hermeneutical questions for a postmodern age.

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Robert Wall began his teaching career at Seattle Pacific University in 1978. Now, forty years later and in celebration of his seventieth birthday, colleagues and former students have gathered to produce this volume in honor of their friend and teacher. The results are sure to delight all of those who have studied under or been friends of Professor Wall.The essays are grouped under two general themes: theology and methodology (with an emphasis on Wesleyan biblical hermeneutics, canonical perspectives, and the implications of these approaches for church life and work) and biblical texts/themes, especially with a view to the relationship of the study of Scripture to the life of the Christian. In both of these areas, the contributions bear in mind Wall’s conviction that academic study and spiritual life need not—in fact, should not—be kept apart.The contributors to this volume include Frank Anthony Spina, Andrew Knapp, Shannon Nicole Smythe, Daniel Castelo, Anthony B. Robinson, Eugene E. Lemcio, Sara M. Koenig, Jack Levison, Laura C. S. Holmes, John Painter, and Stephen E. Fowl.

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With its unique geographic diversity and abundant archaeological and textual data, the southern Levant is an excellent “laboratory” for studying how Assyrian domination operated. This collection of essays explains how Neo-Assyrian rule influenced the demographics, economy, and culture of the region.A systematic study of Assyrian rule in the west that integrates archaeological and textual perspectives and reconsiders the “Assyrian Peace” paradigm has long been needed. Building on the unparalleled archaeological and textual information available from the Land of Israel and its surroundings, the studies in this book address various aspects of Assyrian rule, including life under Assyrian hegemony and the consequences of the Assyrian conquests. It includes a broad overview of the vast archaeological data from both the provinces and client kingdoms in the Land of Israel in the Assyrian period, as well as a systematic and chronological survey of Assyrian texts that mention the region or sites therein. The contributors employ widely divergent approaches to topics such as the description of Assyrian encroachment in biblical texts, the Judean experience of Assyrian control, the political structure of the Coastal Plain, and the architecture of hospitality, among others. Integrating various sources of information to reconstruct the demography, economy, architecture, and intellectual life of the southern Levant, the articles in this volume are important not only for the study of Assyrian rule but also for research on empires writ large.In addition to the editors, the contributors to this volume include Amitai Baruchi-Unna, Yigal Bloch, Alexander Fantalkin, Wayne Horowitz, David Kertai, Lily Singer-Avitz, and Peter Zilberg.

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Israel Finkelstein is perhaps the best-known Israeli archaeologist in the world. Renowned for his innovative and ground-breaking research, he has written and edited more than 20 books and published more than 300 academic papers. He has served as the director of the Sonia and Marco Nadler Institute of Archaeology and is the Jacob M. Alkow Professor of Archeology in the Bronze and Iron Age at Tel Aviv University. For the past two decades, he has been co-director of the Megiddo Expedition and is currently co-director of the Mission archéologique de Qiryat-Yéarim.His work has greatly changed the face of archaeological and historical research of the biblical period. His unique ability to see the comprehensive big picture and formulate a broad framework has inspired countless scholars to reexamine long-established paradigms. His trail-blazing work covering every period from the beginning of the Early Bronze Age through the Hasmonean period, while sometimes controversial, has led to a creative new approach that connects archaeology with history, the social sciences, and the natural and life sciences. Israel Finkelstein is a member of the Israel Academy of Sciences and Humanities and a correspondant étranger of the French Académie des Inscriptions et Belles Lettres.Professor Finkelstein is the recipient of the prestigious 2005 Dan David Prize for his radical revision of the history of Israel in the 10th and 9th centuries BCE. In 2009, he was named Chevalier de l’Ordre des Arts et des Lettres by the French Minister of Culture, and in 2010 received an honorary doctorate from the University of Lausanne. He is a member of the selection committee of the Shanghai Archaeology Forum, the Chinese Academy of Social Sciences. In 2014, his book The Forgotten Kingdom was awarded the esteemed Prix Delalande-Guérineau by the Académie des Inscriptions et Belles-Lettres in Paris.This volume, dedicated to Professor Finkelstein’s accomplishments and contributions, features 36 articles written by his colleagues, friends, and students in honor of his decades of scholarship and leadership in the field of biblical archaeology.

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The last few decades have seen a gradual shift in Isaianic studies as scholars have begun to give greater attention to the book’s literary features rather than focusing predominantly on the question of its sources. Brittany Kim’s study takes a literary approach, exploring how the book portrays Israel and its capital city using five metaphors that arise from the realm of household relationships: sons/children, daughter(s), mother, wife, and servant(s).Drawing selectively on the resources of metaphor studies and rhetorical criticism, Kim examines each metaphor separately to determine its rhetorical import and, if possible, to trace its development throughout the book. From the beginning of Isaiah, in which Zion appears as a vulnerable but promiscuous daughter in need of both paternal protection and discipline, through the book’s end, when her marital relationship has been restored and Zion has been transformed into a radiant and caring mother, Kim follows the thread of these five themes, showing ultimately how and why only those among yhwh’s children who willingly take on the role of servant experience the joy and delight of Zion’s maternal care.Pulling together insights from individual studies, “Lengthen Your Tent-Cords” draws connections and highlights contrasts among the various metaphors. Kim concludes by examining how Israel and Zion fit into YHWH’s royal household.

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The second in a series of final publications of the Apollonia-Arsuf excavations, this volume reports the finds from the 1996, 2002, 2006, 2012, 2013, and 2017 seasons. The main topics are the excavation of areas to the east of the Apollonia National Park, outside the walled medieval town; the excavations carried out within and just outside the perimeter of the Park; skeletal remains; faunal remains; and a variety of finds, including pottery, glass, stone, metal, and bone objects as well as numerous coins.The analysis of the finds discussed in this report contribute to our understanding of the site during the Byzantine and early medieval occupation. Byzantine Apollonia, called Sozousa, was unwalled and extended over an area of some 280 dunams. Among its architectural remains are a church and industrial quarters with wine and oil presses, plastered pools, and raw glass furnaces. In the days of the Umayyad Caliph ‘Abd al-Malik (685–705), the site, at that point called Arsuf, was fortified by a wall that encompassed some seventy-seven dunams. By the end of the Early Islamic period, it became a ribbat (fort) where Muslim philosophers resided. In 1101, the site was conquered by the Crusaders. Towards the mid-twelfth century, ownership was transferred to a Crusader noble family, and the site became the center of a feudal seigneury. Construction of the castle in the northern sector began in 1241, and in 1261 administration of it, the town, and the seigneury of Arsur, as it was then called, passed to the Knights Hospitaller. By the end of the Mamluk siege in 1265, the town and castle were destroyed and never again settled.

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This volume presents first editions of a variety of cuneiform tablets from the Old Babylonian period belonging to the collection of the late Shlomo Moussaieff. It makes available for the first time three texts representing varying levels of Mesopotamian scribal education. The first is what the authors argue is the most complete copy of the first fifty lines of the standard version of the Sumerian epic Gilgameš and the Bull of Heaven. The second is a hitherto unpublished bilingual (Sumerian-Akkadian) lexical list of unknown provenance, similar to the Proto-Aa syllabary. Each of the 314 entries preserved on this tablet provides a pronunciation gloss, a Sumerian logogram, and an Akkadian translation. A unique feature of this list is that the signs are arranged on the basis of graphic concatenation: each sign contains one of the graphic components of the preceding sign. It also yields a great number of hitherto unknown, synonymous Akkadian translations to the Sumerian logograms. The final chapter contains an edition of two groups of lenticular school tablets, containing thirty-three elementary-level scribal exercises.With this volume, Jacob Klein and Yitschak Sefati preserve and disseminate important artifacts that advance the study of Sumerian literature, Mesopotamian lexicography, and ancient Near Eastern scribal education.

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