Search results for ""intellect""

There is an urgent focus on education around the world, and this book is pushing directly into this territory. It will appeal to a wide range of readers – to anyone who is passionate about art and or education – and will have a strong international appeal as the contributors have international profiles and the book is poised to address global issues concerning contemporary art, education, and independent practice. In this collection of original essays, the writers engage with the work of the artists who took part in Art School. Each contribution provides a lens through which each writer can focus on specific moments within the evolution of Art School, working outwards to explore how these moments resonate with the wider fields of art-in-education and radical pedagogies. These texts respond to a widespread concern with art and its place in education, while retaining a committed and informed engagement with the phenomena they assess. Art School takes place as a series of independent projects, exhibitions, workshop and residency programmes, bringing active contemporary artists into educational systems to inspire and expand their teachings. Responding to a growing desire to rethink art education at all levels, it is for those committed to new forms of social imagination and social engagement in contemporary art. This book is for curators, schoolteachers and other educators, and also for artists and art students who wish to extend their practice beyond the gallery. Less a manifesto or a declaration of doctrine than an emergent set of experiments, Curriculum considers the school as a zone of artistic and curatorial practice, foregrounding the potential of contemporary art (understood in wide terms) to stimulate students’ creativity in original and open ways. Although the book focuses on a specific project in Ireland, that project exemplifies trends in art and education that are happening around the world and includes contributions from an international group of scholars all well-known in their field. Contributors: Clare Butcher, Gerard Byrne, Juan Canela, Helen Carey, Daniela Cascella, Fiona Gannon, Jennie Guy, Andrew Hunt, Hannah Jickling & Helen Reed, Alissa Kleist, Rowan Lear, Peter Maybury, Annemarie Ní Churreáin, Nathan O’Donnell, Sofia Olascoaga and Priscila Fernandes, Matt Packer and Sjoerd Westbroek. Artists: Sven Anderson, John Beattie, Clare Breen, Sarah Browne, Karl Burke, Rhona Byrne, Ella de Búrca, Vanessa Donoso Lopez, Priscila Fernandes, Hannah Fitz, Jane Fogarty, Kevin Gaffney, Adam Gibney, Fiona Hallinan, Elaine Leader, Maria McKinney, Maeve Mulrennan, Mark O’Kelly, Sarah Pierce, Naomi Sex and Orlaith Treacy. Primary interest will be among educators, artists, curators, academics and students, and others working or studying in a variety of settings including school, universities, museums, and other arts organisations. Of interest to these groups in the following ways: Artists: Learning about how other artists are working in sites of education. Curators: Reading about the curatorial mechanisms that support artists maintaining the ethics and integrity of their practice when working with younger audiences in schools. Gallerists: Extending the horizons of audience and public outreach. Museums: Considering new models of education, outreach, exhibition, and off-site events. Schools: Learning about new models of artist residencies and workshops. Students and Parents: Researching the potential of contemporary artists’ impact on education. Educators: Forming a critical perspective of how contemporary arts practice can be integrated in curricula. Local and National Arts Agencies: Learning about how independent curatorial and artistic practice can co-exist within sites of education. This publication was funded by the Arts Council of Ireland and the Arts Office of Wicklow County Council.

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Despite the contemporary trend of focusing on personal experience in art and writing, there is very little critical analysis of the concept of experience within fine art. The overarching conceptual aim of this book is to examine the concept of experience, as both content and as interpretative register in the context of fine art. It explores the reasons why experience, when compared to other modes of consciousness – such as understanding, knowing, perceiving or recognizing – is more aligned with the notion of actuality and thus more likely to be viewed as authentic. It then discusses the idea of writing about experience as a practice in fine art – the idea that writing can be understood as a practice like painting, sculpture, video, etc.– and explores a viable methodology for the art-writing practice. The book seeks to provide a more fluid interpretation of experience. In so doing, it explores the following questions: Why does the reading of experience as self-presence predominate? What is the status and value of experience as evidence? How is experience written and seen? In exploring these questions, Kate Love creates a workable strategy for writing about experience.

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In Cosmopolitics of the Camera, the leading experts in the field present Les Archives de la Planète (The Archives of the Planet) – Albert Kahn’s stunning collection of early colour photography and documentary film – and discuss the extraordinary intellectual context from which it grew. The archives, collected between 1909 and 1932, show the cultural richness and diversity of humanity at a time of drastic geographical and historical change. Consisting of 183,000 metres of film, 72,000 autochromes and more than 6,000 stereographs, it portrays the beauty and creativity of cultures, and their fatal disappearance of which Kahn believed to be only a question of time. The Archives of the Planet was one of a string of institutions for research and international cooperation established in Kahn’s utopian World Gardens near Paris. Some of the best-known minds of the age met there regularly in order to discuss the problem of how to make new media of communication serve the cause of peace and human development. The Cosmopolitics of the Camera presents ten expert voices from seven different countries, studying the work of Kahn and his key collaborators, the geographer Jean Brunhes and the philosopher Henri Bergson, in the spirit of their culturally diverse venture, placing it in its proper historical and intellectual context, and exploring its ambitious achievements and failures. By pushing Kahn’s work back into active discussion, the analysis forces us to reflect on the ways our world is shaped and recorded by the media, and reactivates the time capsule that Kahn designed to communicate with the future.

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The Howff Project is an exploration of artist Tim Knowles’s landscape project by the same name. For more than two years, Knowles built a network of hidden, site-specific shelters across the Scottish landscape. Inspired by the Scottish word ‘howff’, which describes an abode, tavern, familiar haunt or shelter, Knowles utilized existing structures and features in the landscape and then adapted, modified, and reconfigured their characteristics to create a series of unique hidden shelters, providing refuge in remote areas. The Howff Project takes readers behind the scenes of the making of each structure, from conception to finished product. Visually rich, the book captures the landscape through more than one hundred stunning photographs and drawings, while personal anecdotes detail Knowles’s experience traveling through the Scottish Lowlands and the mountains of Aberdeenshire and the Cairngorms.

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The book provides an investigation grounded in creative writing and practice-as-research methodology and explores the issues of authorship and collaborative labour in contemporary performance. This investigation is set in the context of a world more and more characterized by fragmentation, displacement and virtual communication and relationships. It addresses and playfully engages with the following questions: what is a collaborative body? Can a sole performer carry out a collaborative practice ? Can we stand in for others? What forms of “coming-together” might take place when distance remains between those who perform and those who spectate? The book contains the full-length version of the score from A Duet Without You, an original performance piece created between 2013 and 2015 by Chloé Déchery in collaboration with a range of artistic collaborators working inter- and cross-disciplinary, including Karen Christopher, Pedro Iñes, Simone Kenyon, Marty Langthorne, Tom Parkinson, Michael Pinchbeck and Deborah Pearson. Alongside the playtext, the book entails a collection of essays written by independent writers, artists and academics and dedicated to the politics of collaboration, ranging from performative responses and co-authored articles to in-depth theoretical essays. Primary readership will be those teaching, researching or studying in theatre and performance studies, visual arts, fine arts, art history, creative writing, poetry, philosophy or French literature. Will also be of interest to art school students and those with an interest in theatre.

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When Living and Sustaining a Creative Life was published in 2013, it became an immediate sensation. Edited by Sharon Louden, the book brought together forty essays by working artists, each sharing their own story of how to sustain a creative practice that contributes to the ongoing dialogue in contemporary art. The book struck a nerve – how do artists really make it in the world today? Louden took the book on a sixty-two-stop book tour, selling thousands of copies, and building a movement along the way. Now, Louden returns with a sequel: forty more essays from artists who have successfully expanded their practice beyond the studio and become change agents in their communities. There is a misconception that artists are invisible and hidden, but the essays here demonstrate the truth – artists make a measurable and innovative economic impact in the non-profit sector, in education and in corporate environments. The Artist as Culture Producer illustrates how today's contemporary artists add to creative economies through out-of-the-box thinking while also generously contributing to the well-being of others. By turns humorous, heartbreaking and instructive, the testimonies of these forty diverse working artists will inspire and encourage every reader – from the art student to the established artist. With a foreword by Hyperallergic co-founder and editor-in-chief Hrag Vartanian, The Artist as Culture Producer is set to make an indelible mark on the art world – redefining how we see and support contemporary artists. Louden's worldwide book tour begins in March 2017. More information and tour dates can be found online at www.livesustain.org.

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This book presents a close look at the vestiges of twentieth-century medical work at five key sites in Africa: Senegal, Nigeria, Cameroon, Kenya and Tanzania. The authors aim to understand the afterlife of scientific institutions and practices and the 'aftertime' of scientific modernity and its attendant visions of progress and transformation. Straightforward scholarly work is juxtaposed here with altogether more experimental approaches to fieldwork and analysis, including interview fragments; brief, reflective essays; and a rich photographic archive. The result is an unprecedented view of the lingering traces of medical science from Africa's past.

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Working at the intersection of religion and ever-shifting political, economic and social environments, Iranian cinema has produced some of the most critically lauded films in the world today. The first volume in the Directory of World Cinema: Iran turned the spotlight on the award-winning cinema of Iran, with particular attention to the major genres and movements, historical turning points and prominent figures that have helped shape it. Considering a wide range of genres, including Film Farsi, New Wave, war film, art house film and women’s cinema, the book was greeted with enthusiasm by film studies scholars, students working on alternative or national cinema and fans and aficionados of Iranian film. Building on the momentum and influence of its predecessor, Directory of World Cinema: Iran 2 will be welcomed by all seeking an up-to-date and comprehensive guide to Iranian cinema.

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This book brings together essays that engage with mainstream entertainment, experimental film and historical scholarship as part of a larger context for examining the grammar of 3D cinema, its histories and its futures. From cinema and television to video games and augmented reality, the essays consider an 'expanded field' of stereoscopic visual culture. Contributors explore historic and emerging technologies, singular and trendsetting practices, narrative and documentary approaches and the overall perceptual experiences of 3D media. This groundbreaking collection includes Sergei Eisenstein’s extraordinary 1947 essay 'On Stereocinema,' translated for the first time in its entirety; a landmark address by Wim Wenders; and the last essay written by 3D-pioneer researcher Ray Zone. The first book of its kind to investigate 3D arts in its various forms, it will be admired for its rigour and accessibility by scholars across disciplines in the visual arts.

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Within artificial intelligence, the need to create sophisticated, intelligent behaviour based on common-sense reasoning has long been recognized. Research has demonstrated that formalism for dealing with common sense reasoning require nonmonotonic capabilities where, typically, inferences based on incomplete knowledge need to be revised in light of later information which fills in some of the gaps. This text examines a reasoning technique based on multiple inheritance structures with exceptions (nonmonotonic inheritance structures). Without an adequate nonmonotonic inheritance reasoning technique, such as exceptional inheritance reasoning (or EIR) as proposed in this book, inheritance networks will produce inconsistencies. A number of nonmonotonic properties that enable EIR to subsume existing formalisms, such as default logic and inferential distance ordering, have been included within this reasoning technique. This inheritance formalism has been applied to the two important domains of causal reasoning and analogical reasoning, to demonstrate the conceptual power and expressiveness of the formalism.

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Performance Art in practice – pedagogical approaches opens up a variety of philosophies that explore, explain and challenge Performance art and introduces a range of practices used in higher level education. The book is a collection of nine independent essays. All the writers have several years of practice as artists, curators, teachers, professors, researchers and in establishing performance art education in Finland. The essays explain, challenge and deconstruct performance art from various angles: the body as a tool and a base of identity, self as material, pedagogic acts of dissidence, challenging societal questions without politicing art, building sustainable artwork based on emotions, intuition and research, using Fluxus scores in contemporary practices etc. are all topics dealt by the writers of Performance Art in practice – pedagogical approaches. The essays are written from a practical point of view: how do we concretely teach performance art, why have we chosen these ways and what are the outcomes. Teaching the experimental art form, that doesn’t wear a uniform and relies on ever changing time and space isn’t all evident. Deconstructing performance art and reconstructing pedagogy springs out ideas that are relevant also elsewhere in the contemporary society. The book challenges art school institutions: Individuality bound to collegiality, fruitful dialogue that bases on trust and sharing with a sociologically and politically challenging curricula come out in texts written by Aapo Korkeaoja, Eero Yli-Vakkuri, Jussi Matilainen, Pia Lindy and Tuomas Laitinen that refer to the remote countryside campus of SAMK Kankaanpää school of art. More urban perspective with philosophies, research interests and pedagogic practices at The University of Arts Helsinki are opened up by Tero Nauha, Annette Arlander, Pilvi Porkola and Leena Kela in their essays.

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In 1976 the British band Throbbing Gristle emerged from the radical arts collective COUM Transmissions through core members Genesis P-Orridge and Cosey Fanni Tutti, joined by Hipgnosis photographer Peter Christopherson and electronics specialist Chris Carter. Though having performed previously in more low-key arts environments, their major launch coincided with the COUM retrospective exhibition Prostitution at London’s ICA gallery, showcasing and contextualising an array of challenging objects from COUM’s various actions in performance art and pornography. In a deliberately curated strategy inviting press, civic and arts dignitaries, extravagant followers of the nascent punk scene and music journalists, the band created an instant controversy and media panic that tapped into the restrictive climate and encroaching conservatism of late 1970s Britain. Any opportunities that were being explored by a formative punk ethos and movement around sex, censorship and transgression were amplified and exposed by Throbbing Gristle and Prostitution. An outraged Member of Parliament Nicholas Fairbairn took the bait and called the ensemble the ‘wreckers of civilisation’, providing the suitable newspaper headline that would be followed a month later by ‘the filth and the fury’ as the Sex Pistols uttered strong profanities on live television. The switch from COUM to Throbbing Gristle encompassed a primary mode of expression in making music as opposed to art, to further coincide with the energy of the nascent punk scene. The band quickly developed a radically deviant and challenging reputation through pushing the punk format past its strictures in terms of lyrical themes, amateurism, and considerations of what constitutes music. Through a handful or record releases on their own label Industrial Records, and a sporadic string of live performances, the band nurtured a strong and devoted following including key journalists and fanzine editors of the punk and post-punk scenes such as Jon Savage and Sandy Robertson. The band’s style of exploring harsh pre-recorded sounds, samples of disconcerting narrative and conversation, and feeding all sounds through messy electronic processing devices gave rise to the title industrial music. This was further buttressed by performing a strictly timed set of one hour, and adopting a non-rockstar mode by appearing disinterested and preoccupied with electronic devices. Having given a name and impetus to the industrial music scene, many of their followers and fans formed bands in later years. Drawing on works such as Andy Bennett’s When the Lights Went Out, this book looks at late 1970s Britain, before, during and immediately after the Winter of Discontent, to situate the activism of Throbbing Gristle in this time. It explores how the band worked in and against the time, and how they worked in and against punk as punk worked in and against the time and place. Punk acts as a mediating factor and nuisance value, as Throbbing Gristle emerged with punk in late 1976, seemingly grappled with it through 1977, and then went on to create and eventually criticise a number of post-punk scenes that had flourished around 1979. Trowell narrates the story through a series of live performances, as this is a point where Throbbing Gristle interact with the various city-scenes around England during their original period of operation (1975-1981). The band reflected (and incorporated into their live music) key tropes form the time, both ‘mainstream’ and fringe (subcultural, avant-garde art, counter-culture, taboo subjects, extremes) such that Throbbing Gristle events had an impact and affect, and Trowell traces these as a series of impressions and reverberations amongst fans who went on to do their own music and projects.

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"Like every major artist she challenges the readers intellect and imagination."--Boston Herald

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The anonymous Summa 'In omni doctrina (In every doctrine)' is a handbook on what is called in medieval philosophy the 'old logic', i.e. the theories of Aristotle, but it shows great interest in the subjects of the typical medieval developments in logic ('the modern logic'), such as in signification, propositions, and terms. It can be dated 1200-1220. Its origin probably is Paris and environment. Its conception of logic emphasizes psychological and epistemological elements such as intellect and thought, in contradiction to earlier manuals. As examples may count that, according to the master, the bearer of truth and falsity is the expression in the mind. The division of propositions according to quantity depends on the combinations made by the soul. Further, some universal terms are universal because of the intellect (for instance 'phoenix'), some because of the intellect and nature ('man'). A syllogism should conclude something other than the premises, something which is not different in reality, because in reality man and animal are the same, but different in the mind.

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This epoch-making book cuts through confused thinking and forces us to re-examine many cherished ideas about knowledge, imagination, consciousness and the intellect. The result is a classic example of philosophy.

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Birbal, an advisor in the court of King Akbar, handles various tricky situations faced by his ruler using his sharp intellect and humour. Read Book 2 to discover these witty stories from India!

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Birbal, an advisor in the court of King Akbar, handles various tricky situations faced by his ruler using his sharp intellect and humour. Read Book 1 to discover these witty stories from India!

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Keep Your Brain Active - Test your intellect with this collection of exceptionally tricky Mensa logic, lateral thinking, reasoning and intelligence puzzles.

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With special attention to the Romantic poets from Wordsworth and Coleridge down to Pound and Eliot, distinguished scholar Marion Montgomery explores the disorientation of image and metaphor from reality. The book focuses on the virtues and limits of the intuitive intellect as they are explicated by Thomas Aquinas in relational intellect, and the 'Romantic' poet's dependence upon the intuitive and rational modes of intellectual action, two species of 'romanticism' centering in presumptuous autonomy emerge: that of the poet and that of the scientist.

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In this anthology of fables, each tells the story of a woman facing the threat of violence who, through bravery, intellect, and the use of a bit of magic, is able to overcome circumstances and take control of her own destiny.

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This relatable wall calendar perfectly captures the dichotomy between passion and logic, impulsivity and prudence, emotion and intellect.

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New updated edition of the biography of a remarkable man - motor neurone disease victim and awesome intellect Stephen (A BRIEF HISTORY OF TIME) Hawking

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A collection which juggles its opposites with panache - heart and intellect, melancholy and zest, derangement and perspicacity. Beginning with early stirrings of logical thought in a Palaeolithic cave, it ranges through times, places and viewpoints before homing close in the last poems to family predicaments that are personal in their particulars.

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This book sets forward a series of interesting and less-explored aspects of Rav Joseph B. Soloveitchik's teachings. These essays delve into the Rav's approach toward understanding biblical figures, his views on emotions and intellect, his appreciation of R. Yehudah ha-Levi, his understanding of medieval history, and the implications for modernity.

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This is the second volume of Judith Shklar's work and brings together essays on a number of themes, including the place of the intellect in the modern political world and the dangers of identity politics. Editor Stanley Hoffman provides a guide to Shklar's thought, complemented by George Kateb's comprehensive introduction to her work.

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How does one keep from going through their comfortable, prosperous adult life unconsciously? How do we get ourselves out of the foreground of our thoughts and achieve compassion? The speech captures Wallace's electric intellect as well as his grace in attention to others. After his death, it became a treasured piece of writing reprinted in The Wall Street Journal and the London Times, commented on endlessly in blogs, and emailed from friend to friend. Writing with his one-of-a-kind blend of causal humor, exacting intellect, and practical philosophy, David Foster Wallace probes the challenges of daily living and offers advice that renews us with every reading.

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Birbal, an advisor in the court of King Akbar, handles various tricky situations faced by his ruler using his sharp intellect and humour. Read Book 2 to discover these witty stories from India!

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Miles Among MutantsSo what if he's a squat, malformed, weak-boned royal outcast? Miles Vorkosigan's hyperactive intellect and relentless drive wins through time and again to save the day for the Empire

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Birbal, an advisor in the court of King Akbar, handles various tricky situations faced by his ruler using his sharp intellect and humour. Read Book 1 to discover these witty stories from India!

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In his debut volume, Richard Meier risks "an affront to the personal" by dismantling and reassembling the lyric "I." His poems demonstrate a dizzying grace while uncovering a terrain less vague than tremendously powerful. The emotional tenor of Meier's poems work with the strong intellect behind them to produce a captivating collection. Winner of the 2000 Verse Prize, selected by Tomaz Salamun.

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Birbal, an advisor in the court of King Akbar, handles various tricky situations faced by his ruler using his sharp intellect and humour. Read all three books to discover these witty stories from India!Includes 3 titles:

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Birbal, an advisor in the court of King Akbar, handles various tricky situations faced by his ruler using his sharp intellect and humour. Read all three books to discover these witty stories from India!Includes 3 titles:

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Treasure Beneath the Hearth is a call for re-evaluation of myth as an inner language and for an approach to the gospels illuminated on the level of the intellect by modern, critical scholarship, and on the level of the imagination by the insights of depth psychology.

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This fascinating book presents the first biography of Helen Coombe, a woman admired not only for her artistic skill, but also for her intellect, personality and wit. It reveals her family background and education, her place in the Arts and Crafts Movement and her outstanding artistic output.

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The classic work on the sublime interplay between the arts and poeticsThis book explores the rich and complex relationship between art and poetry, shedding invaluable light on what makes each art form unique yet wholly interdependent. Jacques Maritain insists on the part played by the intellect as well as the imagination, showing how poetry has its source in the preconceptual activity of the rational mind. As Maritain argues, intellect is not merely logical and conceptual reason. Rather, it carries on an exceedingly more profound and obscure life, one that is revealed to us as we seek to penetrate the hidden recesses of poetic and artistic activity. Incisive and authoritative, this illuminating book is the product of a lifelong reflection on the meaning of artistic expression in all its varied forms.

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These poems arose from the depths of incarceration, from the throat and intellect of Mohsen Mohamed (sentenced to five years of harsh imprisonment after a campus protest) and went on to win Egypt’s two most significant literary prizes. They speak of dislocation and the wrenching of the heart, of a found (and forged) community, of the bare lineaments of humanity disclosed in the throes of suffering. They are works of provocative witness and searching tenderness.

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N F S Grundtvig, a chief shaper of Denmark's modern identity and an active force in Danish social, political and religious life, was an outstanding intellect of the European 19th century. This book comprises English translations of an extensive selection of Grundtvig's own retrospect upon events, causes, and periods of his life.

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Christian faith is a matter for the emotions, but also a matter for the intellect. Donald MacLeod delves into not only what he believes, but why he believes, and how that belief affects how he lives his life. Arguing for the importance of reason and logic in personal faith, he equips the reader to resist relativist influences that are permeating the twenty–first–century church. Winsomely written, Professor MacLeod shows once again why he is a beloved teacher and writer.

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Reduced Price!Now only € 40,00 instead of € 80,00In the questions contained in this volume, Francis of Marchia explores subjects that earned him his fame in the Middle Ages and in the history of ideas: physics and philosophical psychology. He confronts the key issues in celestial physics, concluding with his well-known proofs for terrestrial and celestial beings having the same type of matter (q. 32). Marchia's discussion of how elemental qualities persist in mixtures (qq. 33-36) leads to a spirited and unique defense of a mind-body dualism: not even the sensory faculties are coextensive with the body (q. 37). Moreover, each living being has two forms: the soul and the form of the body (q. 38). Marchia rejects the Averroistic doctrine of the unicity of the intellect (qq. 39-40), as well as acts of understanding being entirely the result of external stimuli (q. 41). Those positions in turn inform his investigation of the mechanics of thinking and willing, and his establishment of the will's priority over the intellect (qq. 42-47). Finally, Marchia balances human free willing with God's absolute power and cooperation in all matters (qq. 48-49).Throughout these questions, Marchia shows his originality and sharp intellect. Although at times his solutions look similar to those of John Duns Scotus, they are in fact very different, reflecting Marchia's awareness of the problems and limitations involved in not only Scotus' views, but also those of Aristotle and Averroes, Thomas Aquinas and Henry of Ghent, among many others.This publication is GPRC-labeled (Guaranteed Peer-Reviewed Content).

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A Path of Shadows is writer and mountaineer John Porter's first poetry collection. Exploring the natural world, family ties and physical science as well his climbing life, A Path of Shadows is a reflection of Porter's sharp and broad intellect, and of his desire and ability to express his feelings, beliefs and life experiences through poetry

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A brave, exciting and adult collection that entertains with wit, shocks with frankness, and engages both intellect and emotion. Richly varied, it ranges from extended stories to intense pieces of flash fiction.Stories may be set in realistic settings – but develop magical narrative twists that make us see all afresh. Others begin in fantasy – returnees from the dead, a man who finds discarded hymens – but are so skilfully realist we can only believe in their actuality.

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This collection of novelettes takes the reader from the not-to-distant future to a time when travel between worlds is a common occurrence. Each stop along mankind’s journey outward to the stars is accompanied by a deeper look inward—from examining how extraterrestrial beings might use our own biology against us, to whether a human consciousness can survive in a virtual environment, to how wishes are really granted. Original and thought provoking, these stories—which include an interstellar religious thriller involving a second coming of Christ—will stimulate the intellect and engage the imagination.

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The Sun the Wind the Summer Field shows the wit, intellect, and skill with words and rhyme for which Alfred G. Bailey is famous. This collection gathers together a half-century of poems. Some are the works of a young, strong voice applying the poetics of T.S. Eliot to the Canadian ethos, while others give voice to old age, undiminished in power and enriched by experience. Some of the poems in The Sun the Wind the Summer Field have appeared in The Fiddlehead, The Cormorant, and Wild East, but most have never been published before.

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The book of Psalms is the heart of the Old Testament, the libretto of the most vibrant worship imaginable. It informs our intellect, stimulates our imagination, arouses our emotions and stirs us to holy thoughts and actions. It is also a pivotal witness to, and anticipation of, Jesus Christ. Tremper Longman's commentary interprets each psalm in its Old Testament setting, summarizes its message and reflects on its significance from a New Testament perspective, noting any citation and also providing a Christological reading.

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The Annals of the Warring States records the School of Diplomacy at work during one of the most captivating times in Chinese history. In four dialogues, thinking beings challenge sovereign power in ways that surprise and resonate. They make visible an astonishing relationship between politics and the intellect, and echo our notions of oratory and democracy in differing contexts. This book is part of the Erstwhile Series.

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This book attempts a comparative study between Zhu Xi (1130-1200), a Neo-Confucian master of the Song dynasty in China, and Meister Eckhart (1260-1328), a scholastic and mystic in the medieval West. With a focus on the theme of human intellect as presented in the works of the two thinkers, this study also explores the massive hermeneutical framework in which that concept is unfolded in Zhu Xi and in Eckhart. Thus, the complexity of each thinker's understanding of the human intellect is demonstrated in its own context, and the common themes between them are discussed in their own terms. Based on a systematic study of the original texts, the comparison between Zhu Xi and Meister Eckhart goes much deeper than a general dialogue between East and West. The comparative model of this book, based strictly on textual study, aims to develop an in-depth communication between a scholastic Confucian mind and his equally sophisticated counterpart in Christendom, in the hope that the intellectual brilliance and spiritual splendour of one thinker will be illuminated by the light of the other. Probably only when one encounters a like-minded counterpart brought up in a totally different tradition will such a mutual illumination become meaningful.

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Forget Madison Avenue! Learn the unvarnished truth about what works, what doesn't and why from the most fascinating storyteller since Paul Harvey. With the knowledge of a seasoned business consultant and the warmth and wit of a natural storyteller, the Wizard will help you to: multiply the effectiveness of your advertising understand the tug-of-war between intellect and emotion create totally new concepts from combinations of old ones focus your advertising, your business, and your life.

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"A sophisticated and persuasive late-modernist political analysis that consistently draws the reader into the narratives of the author and those of the people of violence in Northern Ireland to whom he talked. . . . Simply put, this book is a feast for the intellect"—Thomas M. Wilson, American Anthropologist"One of the best books to have been written on Northern Ireland. . . . A highly imagination and significant book. Formations of Violence is an important addition to the literature on political violence."—David E. Schmitt, American Political Science Review

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