Search results for ""grove press""

"So this is the little woman who wrote the book that made this big war!" Abraham Lincoln is reputed to have said when he met the author of Uncle Tom's Cabin on the eve of the Emancipation Proclamation. Harriet Beecher Stowe's groundbreaking novel forced an ambivalent North to confront the atrocities of slavery, yet it was just one of many accomplishments of the Beechers, the most eminent American family of the nineteenth century. Historian Philip McFarland follows the Beecher clan to the boomtown of Cincinnati, where Harriet's glimpses of slavery across the Kentucky border moved her to pen Uncle Tom's Cabin. We meet Harriet's loves: her father Lyman, her husband Calvin, and her brother Henry, the most famous preacher of his time. As McFarland leads us through Harriet's ever-changing world, he traces the arc of her literary career from her hard-scrabble beginnings to her ascendancy as the most renowned author of her day. Through the portrait of a defining American family, Loves of Harriet Beecher Stowe opens into an unforgettable rendering of mid-nineteenth century America in the midst of unprecedented social and demographic explosions. To this day, Uncle Tom's Cabin reverberates as a crucial document in Western culture.

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An unforgettable tale of love, family secrets, and the hold of the past in a family of New England artists, A Peculiar Grace is the latest triumph from the author of In the Fall, hailed by The Christian Science Monitor and The New York Times as one of the best books of the year. Hewitt Pearce lives alone in his family home, producing custom ironwork and safeguarding a small collection of art his late father left behind. When Jessica, a troubled young vagabond, washes up in his backwoods one morning, Hewitt’s hermetic existence is challenged. As he gradually uncovers Jessica’s secrets and reestablishes contact with a woman he thought he had lost twenty years before, Hewitt must confront his own dark history and rediscover how much he craves human connection. A Peculiar Grace is a remarkable achievement by one of our finest authors, an insightful portrait of family secrets, and a rich tapestry filled with characters who have learned to survive by giving shape to their losses.

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The work of the classic philosophers is well known. But what do contemporary thinkers say about what it is to be a human being? In his serious, challenging, and remarkably accessible new book, Nicholas Fearn turns to contemporary philosophers to ask the age old questions: Who am I? What do I know? What should I do? In his search for higher meaning, Fearn consults with thinkers from around the world (including John Searle, Martha Nussbaum, Peter Singer, Richard Rorty, Daniel Dennett, Noam Chomsky, Derek Parfit, Nick Bostrom, among many others) to create an impressive survey of recent thought. Variously, they believe that free will, identity, and consciousness are not what they seem; that the difference between virtue and wickedness can be a matter of sheer luck; and that, one day, we will all be vegetarians. Fearn discovers that the topics haven’t changed, though our world has. Or has it? Moving deftly from pop culture to the writings of Plato, Philosophy is a brilliant and entertaining guide to the current state of the philosophical thought.

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David Rabe, the Tony award-winning playwright of Hurlyburly and In the Boom Boom Room, brings his intense vision to the world of fiction, with a short story collection of astonishing range and versatility. Whether he is writing about a marriage shadowed by the unacknowledged discord of a risky pregnancy, a group of men whose attempt to settle an account launches them toward unexpected violence, or a young journalist who believes he’s escaped his Catholic roots only to be forced again to confront them by a priest who once mentored his writing, Rabe’s strong, true voice tenders an inimitable portrait of America and offers benediction to her lost souls. A Primitive Heart confirms the mastery of a writer and establishes David Rabe as an exciting voice in fiction.

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This comprehensive guide to writing creative fiction collects the lectures of the Pulitzer Prize winning author, Robert Olen Butler, transcribed and edited by Janet Burroway, the author of the classic text on creative writing, "Writing Fiction". "From Where You Dream" reimagines the process of writing as emotional rather than intellectual, and tells writers how to achieve the dreamspace necessary for composing honest, inspired fiction. Proposing fiction as the exploration of the human condition with yearning as its compass, Butler reinterprets the traditional tools of the craft using the dynamics of desire. Butler offers invaluable insights into the nature of voice and shows how to experience fiction as a sensual, cinematic series of takes and scenes. Offering a direct view into the mind and craft of a literary master, "From Where You Dream" is an invaluable tool for the novice and experienced writer alike.

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On his wedding day in 1842, Nathaniel Hawthorne escorted his new wife, Sophia, to their first home, the Old Manse in Concord, Massachusetts. There, enriched by friendships with Thoreau and Emerson, he enjoyed an idyllic time. But three years later, unable to make enough money from his writing, he returned ingloriously, with his wife and infant daughter, to live in his mother's home in Salem. In 1853 Hawthorne moved back to Concord, now the renowned author of The Scarlet Letter and The House of the Seven Gables. Eager to resume writing fiction at the scene of his earlier happiness, he assembled a biography of his college friend Franklin Pierce, who was running for president. When Pierce won the election, Hawthorne is appointed the lucrative post of consul in Liverpool. Coming home from Europe in 1860, Hawthorne settled down in Concord once more. He tried to take up writing one last time, but deteriorating health finds him withdrawing into private life. In Hawthorne in Concord, acclaimed historian Philip McFarland paints a revealing portrait of this well-loved American author during three distinct periods of his life, spent in the bucolic village of Concord, Massachusetts.

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Describes the devastating 1911 fire that destroyed the Triangle Shirtwaist factory in New York's Greenwich Village, the deaths of 146 workers in the fire, the Jewish and Italian immigrants, mostly women, who made up the majority of the victims, and the implications of the catastrophe on twentieth-ce

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March Book is a wonder and a revelation. A shockingly assured first collection from young poet Jesse Ball, its elegant lines and penetrating voice present a poetic symphony instead of a simple succession of individual, barely-linked poems. Craftsmanship defines this collection; it is full of perfect line-breaks, tenderly selected words, and inventive pairings. Just as impressive is the breadth and ingenuity of its recurring themes, which crescendo as Ball leads us through his fantastic world, quietly opening doors. In five separate sections we meet beekeepers and parsons, a young woman named Anna in a thin, linen dress and an old scribe transferring the eponymous March Book. We witness a Willy Loman-esque worker who "ran out in the noon street / shirt sleeves rolled, and hurried after / that which might have passed" only to be told that there's nothing between him and "the suddenness of age." While these images achingly inform us of our delicate place in the physical world, others remind us why we still yearn to awake in it every day and "make pillows with the down / of stolen geese," "build / rooms in terms of the hours of the day." Like a patient Virgil, insistent and confident, Ball escorts us through his mind, and we're lucky to follow.

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This new collection from Michael Knight—PEN/Hemingway citation recipient and B&N Discover Award finalist whom Esquire praises as “a writer of the first rank”—thrills and pierces with stories of men and women of breathtaking conviction, pathos, and humor. The stories in Goodnight, Nobody demonstrate Michael Knights’ exquisite and “rare power to make a setting breathe, to invest it with a vitality that seems as authentic and intense as the pulsebeats of his characters.” (The New York Times Book Review) This luminous collection astutely explores rediscovered love, reconciliation, and peace amid the trials of everyday life. The denizens of Goodnight, Nobody are, like so many of us, bewildered by the circumstances in which they find themselves. The unexpected twists of their lives—rendered with expert humor and pathos in Knight’s dark-light style—test the limits of the personalities they have known as their own. In “Birdland,” published in The New Yorker, a beautiful Northerner visits a small Alabama town to research the bizarre migration habits of a flock of African parrots from Rhode Island. “Feeling Lucky” finds a desperate man kidnapping his own daughter. In the most daring and haunting of these stories, “Killing Stonewall Jackson,” which was published in Story, a hardened band of Confederate soldiers resorts to surprising measures to survive on the battlefield. “The End of Everything,” published in GQ, weaves together a tender love story and an edge-of-your-seat urban legend, while “The Mesmerist,” published in Esquire, is an eerie fairy tale about a man who hypnotizes a stranger and makes her his wife. In “Keeper of Secrets, Teller of Lies,” published in Virginia Quarterly Review, a man causes more havoc the harder he tries to help a young mother and her son. In “Mitchell’s Girls,” a stay-at-home dad battles the disrespect of youth and a paralyzing bad back. “Ellen’s Book” hilariously describes the yearning a man feels for his estranged wife. In “Blackout,” a suburban neighborhood’s pent-up jealousies and fears explode under the cover of darkness. Knight’s sensibility is potent and unique, stirring tenderness in equal parts with violence. While the settings, chronologies, and characters vary widely throughout the collection, they remain bound by Knight’s simple, elegant prose, his graceful sense of humor, and an unfailing empathy with the self-destructed.

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Jimmy Santiago Baca's brilliantly received memoir, A Place to Stand, earned him the prestigious International Prize and offered a keyhole view into the brutal personal history that shaped -- and continues to inform -- his raw, incisive voice. In C-Train and Thirteen Mexicans, he trains his hallmark lyrical intensity on the dark underbelly of addiction and takes us on an unforgettable guided tour of the darkest corners of a brutal, unjust world. C-Train is a heartstopping series of episodes from the life of Dream-boy, a young man who finds himself seduced, and later enslaved, by the siren song of cocaine. Part paean to the delicious power of intoxication, part lament for those helplessly under its power, C-Train is a ride its hero, and the reader, struggle to get off. In Thirteen Mexicans, Baca writes of the Chicano community and the gulf between the American dream and American reality. In searing, elegiac vignettes he portrays the raw beauty of life in the barrio and the surreal, stomach-turning moment when people of color must confront how they are reflected in the distorted mirror of white society. Giving voice to the dispossessed and the disenfranchised, Baca illuminates the most unforgiving landscapes; yet his is a vision tempered by a searching hopefulness that brings these collections inching toward redemption. Baca's latest achievement will confirm his place as one of the nation's leading poets, a poet whose words "heal, inspire, and elicit the earthly response of love" (Garrett Hongo). "[Baca] writes with ... an intense lyricism and that transformative vision which perceives the mythic and archetypal significance of life-events." -- Denise Levertov

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Winner of the prestigious Pegasus Prize for Literature, And the War Is Over is a taut novel set in and around an Indonesian village as news of Japan's surrender gradually makes its way to her far-flung army. War has transformed the quiet Sumatran village of Teratakbuluh, bringing with it the officious, often incomprehensible members of the Japanese army and a camp where Dutch internees are put to hard labor. Some of the Dutch are plotting escape, and the Sumatrans in the village are divided on whether to help or to avoid involvement. The Japanese officer Lieutenant Ose struggles with his conscience -- how to handle the love he feels both for his Javanese servant and his wife, who has betrayed him for a powerful general, and how to cope with the impending end of a war he never wanted to be involved in. As the Dutch escape and the news of surrender loom nearer, tensions between the Japanese and the Sumatrans, within the Dutch camp and within the life of the village, explode into a final, heartbreaking act of violence. The Philadelphia Inquirer wrote, "has the dramatic intensity of a kick in the guts.... [Marahimin's] mastery of the universe he's created is flawless." "What is remarkable ... is that we finally get the familiar war from an unfamiliar, non-combatant, Asian point of view." -- Bharati Mukherjee, The Washington Post Book World "[A] deep and complex novel. The author is searching for redemption for all humans." -- Abigail F. Davis, Rocky Mountain News (Denver)

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Now in paperback, Douglas Galbraith's The Rising Sun is an extraordinary tour de force of historical fiction in the tradition of Caleb Carr's The Alienist and David Liss's A Conspiracy of Paper. A widespread critical favorite in hardcover, it was hailed by Kirkus Reviews as one of the best novels of the past decade, and established its author as a major new talent. In 1698, five vessels led by the flagship Rising Sun embarked on a perilous voyage for the northern coast of what is now Panama, where passengers intended to found a colony at Darien. With them went the hopes and fortunes of the nation of Scotland, which sought to build an overseas empire so that it could at last compete on the world stage with its rival, England. The Rising Sun is the story of this mission and its tragic outcome, as recorded by the ship's superintendent of cargoes, Roderick Mackenzie. A young man of promise and ambition, Mackenzie is quickly caught up in the intrigues of his fellow colonists -- rivalries that will prove overwhelming as nationalist optimism gives way to the brutal realities of their hardscrabble life and rain, mud slides, and disease assault the Scottish encampment. A dramatic, pitch-perfect story of the adventures and betrayals of men under duress in a strange, exotic land, The Rising Sun establishes Douglas Galbraith as a writer of uncommon resonance and skill. "Galbraith's powers of description are immense ... it succeeds absolutely." -- Geoff Nicholson, The New York Times Book Review "The writing throughout is beautifully wrought.... ...the tale unfolds like a vast exotic panorama demanding further examination ... fascinating." -- Bernadette Murphy, Los Angeles Times "[A] remarkable novelistic debut." -- Richard Bernstein, The New York Times

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What It Takes to Get to Vegas has been described by The Arizona Republic as "a juicy tale of ambition, passion and grit that is as much fun to read as a good trash talk session with your best friend." Growing up among the championship hopefuls and alleyway gladiators of East L.A., Rita Zapata sees in boxing a ticket to something better. At eighteen, she's earned the title "Queen of the Streetfighters." Then she meets Billy, an enigmatic, intense fighter from Mexico, who begins systematically clawing his way to the top. Their passionate connection gives Rita two things she's never had: real love, and respect in the neighborhood. From the alleys off Cesar Chavez Avenue to the carpeted suites of Caesars Palace, Rita learns exactly what it takes to get to Vegas, as Billy turns out to be the best thing that has ever happened to her -- and the worst. In exuberant prose sparkling with wicked wit, Yxta Maya Murray has given us a sass-talking, big-hearted heroine with a story we will not soon forget. "Frenetic, bittersweet, and often hilarious ... Rita Zapata is who Holden Caulfield would want to be if he were alive in 1999." -- The Boston Globe; "From the get-go, [Yxta Maya Murray] pulls you into her latest book with its flowing Spanglish and bittersweet observations." -- Seventeen; "Somewhere between a telenovela and the passion of St. Theresa de Avila ... precise, hilarious, and swinging ... Rita's world dance[s] around beside us after we put the book down." -- New Times LA; "Murray's elegant prose beckons those who fear this land of urban blight to venture into it, to stay a while and meet its citizens ... Stellar." -- Los Angeles Times Book Review

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Tells the tale of Chauncey "Chance" Gardiner, who appears out of nowhere to become the heir to the empire of a Wall Street tycoon, a presidential policy adviser, and a media mogul.

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“The passion, playfulness, and regret in these wonderful poems will make many women think this book was written just for them.” — Susan Cheever “Susan Kinsolving’s poems skate with a dark elegance on the thin ice between the upper air and a deepening sorrow, between the day’s figures and memory’s pattern. But she’s headed towards love: the distant shore, the beckoning warmth; and by the end of Dailies & Rushes she has gotten herself — and, to our delight and gratitude, brought us as well—triumphantly there.” — J. D. McClatchy “What rings with authenticity in Susan Kinsolving’s poems is a lovely severity. . . . Sorrow and courage and pleasure register themselves in lucid distillations, like the purities of winter air.” — Anthony Hecht “‘Things just are,’ Susan Kinsolving writes, in a matter-of-fact tone that belies a fiery intensity. In her poetry, commonplace things are imbued with a magical aura. Her wry wit clarifies as it deepens a tragic vision.” — Grace Schulman “In her first major collection Susan Kinsolving shows herself to be a poet of ravenous amplitudes, of wit schooled by feeling, of observations had owed by memory, and of landscape rising to what she calls ‘an oblique sublimity’ which is also the hallmark of her art.” — Edward Hirsch

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