Search results for ""gabler""

Insiders' Guide to Twin Cities is the essential source for in-depth travel and relocation information to Minneapolis and St. Paul. Written by a local (and true insider), this guide offers a personal and practical perspective of the cities and the surrounding environs.

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“I want to have an effect at this time, in which people are at such a loss and so much in need of help.” Käthe Kollwitz is the woman artist from 20th-century Germany whose works are best-known internationally. She also enjoys the highest esteem beyond the boundaries of Europe. The inimitable, touching language of her graphic and sculptural works is universally understood and her haunting message is more topical than ever. Outraged at the societal and social ills of her time, Kollwitz devoted herself throughout her life to the representation of people, giving a voice through her works to the distress and grief of the poor and underprivileged. Equally inspired in both expression and artistic execution, she took up topics like parting and death, peace and the sufferings of war. Her intimate portrayal of mothers and children and her self-portraits are full of strength and beauty. They, too, form part of Käthe Kollwitz’s oeuvre and show how multi-faceted her creative works were.

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Want to know the key to eliminating chronic pain from your life? It’s not more rigorous exercise, medical interventions, or expensive therapies. It turns out you have had the key all along—your body and its natural brilliant design!For years we have been overlooking a crucial element of the body—fascia—that holds the key to allowing you to live pain-free. Many of us think of the human body as a static, mechanical system of muscles attached to a skeleton. What is missing from this picture is the tissue that unites all the parts: the fascia, a seamless web of dynamic connective tissue that surrounds all muscles, bones, organs, and even cells. When one part of the fluid fascial web moves, the rest of the body responds. When we learn how to connect to this system through subtle movements, we open up a world of understanding of how our bodies are designed to work with us, not against us, to support an easy and pain-free life.This book will teach you how to feel and embody this new anatomy by connecting to your dynamic center of gravity called the Core Hug, and to a vertical line of muscles and fascia that runs deep through the body called the Vertical Core. When you connect to the Core Hug and the deep Vertical Core using movement, your body is able to suspend itself and sustain that suspension over time.Your body is already brilliantly designed to support you. The architecture is within you. The key is to access that brilliant design and work with it. Through stunning imagery and simple movement techniques, this book teaches you how to use the natural architecture of your body (bones, fascia, and movement) to align, balance, and support you so that you can move with ease and live without pain.

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Sociology For Dummies helps you understand the complex field of sociology, serving as the ideal study guide both when you're deciding to take a class as well as when you are already participating in a course. Avoiding jargon, Sociology For Dummies will get you up to speed on this widely studied topic in no time. Sociology For Dummies, UK Edition: Provides a general overview of what sociology is as well as an in-depth look at some of the major concepts and theories. Offers examples of how sociology can be applied and its importance to everyday life Features an in-depth look at social movements and political sociology Helps you discover how to conduct sociological research Offers advice and tips for thinking about the world in an objective way

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Historically, the influence of Chinese medical traditions, thought to be revealed from divine sources, extended East to Korea and Japan and as far South as Indochina, the Malay Peninsula and the Indonesian Archipelago. As the distinct medical traditions of these regions encountered the ancient medicine of mainland China, they absorbed and transformed them based on their own indigenous healing practices, and herbal and plant resources.Providing a panoramic overview of the medical traditions of China, the Malay Peninsula, the Indonesian Archipelago, the Philippines, Indochina (Vietnam, Laos, and Cambodia), Korea, and Japan, Dr. Marc Micozzi offers compelling new insights into the influence of the essentially Chinese expression of vital energy (qi) in these traditions, as well as the pull of other cultural traditions, such as those of India and Islam. Dr. Micozzi discusses evidence for the efficacy of these healing practices and their many influences in the West, and explores how a Western reader might consider seeking a practitioner, as well as effective treatments, from one of these traditions.This groundbreaking book will be of interest to practitioners of Chinese and Asian medical traditions, and complementary and alternative health, as well as anyone with an interest in Chinese and Asian approaches to health and wellbeing.

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Posiblemente la obra más crítica de Elizabeth Hardwick, Seducción y traición es un retrato apasionado sobre las mujeres y la literatura. Una galería de escritoras inolvidables ?Virginia Woolf y Zelda Fitzgerald, Dorothy Wordsworth y Jane Carlyle?, así como una reflexión provocadora de obras como Cumbres borrascosas, Hedda Gabler y los poemas de Sylvia Plath. Una lectura que, en realidad, es un ajuste de cuentas con las relaciones entre hombres y mujeres, mujeres y escritura, escritura y vida.

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In Lucy Kirkwood's version of Hedda Gabler, Ibsen's nineteenth-century heroine is relocated to London in 2008, to startling effect. Hedda, still mourning for the father she adored, returns from honeymoon with a husband she doesn't love, to a flat and a pregnancy she doesn't want. Trapped by her past and terrified of her future, bored by her life but too cowardly to walk away from it, she finds herself caught between three men. And in the end, something has to give. Lucy Kirkwood's play Hedda was first performed at the Gate Theatre, London, in August 2008.

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Current conversations on the state of academia contain a broad sense of crisis over changes in the body of university knowledge—the decline of literature, the unbridling of ethnic studies, the growth of various applied programs, and so on. Much of the concern revolves around a perceived deterioration of the academic core in which, the thinking goes, the university's teaching and research priorities are increasingly compromised by external financial and political interests. With data on faculty and course composition over the twentieth century for a global sample of universities, this book provides an examination unprecedented in scope and scale of changes in academia. The authors document the changing emphases accorded the branches of learning, the applied and basic divisions, and the disciplinary fields. They find deep transformations, as anticipated, but offer a new explanation for these shifts. Changes in academic focus are less the work of outside interest groups, but instead are cultural maps to the altering features of globally institutionalized understandings of reality.

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The extraordinary and mesmeric play by the Swedish author who was reputedly a model for Miss Julie and Hedda Gabler. One sunny day in Paris, Gustave Alland, famous artist and philanderer, visits Louise Strandberg - convalescing in her brother's studio - and casts her effortlessly under his spell. In a vain attempt to escape, she exiles herself to her provincial hometown in Sweden. But a letter propels her back to Paris and into his arms. And for a brief moment, ecstasy is hers. Victoria Benedictsson's play The Enchantment was written shortly before her suicide in 1888. This English version by Clare Bayley was first staged at the National Theatre, London, in July 2007.

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Exploring the relationship between dramatic language and its theatrical aspects, Reading Modern Drama provides an accessible entry point for general readers and academics into the world of contemporary theatre scholarship. This collection promotes the use of diverse perspectives and critical methods to explore the common theme of language as well as the continued relevance of modern drama in our lives. Reading Modern Drama offers provocative close readings of both canonical and lesser-known plays, from Hedda Gabler to e.e. cummings' Him. Taken together, these essays enter into an ongoing, fruitful debate about the terms 'modern' and 'drama' and build a much-needed bridge between literary studies and performance studies.

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Ibsen's forensic examination of a marriage as it falls apart, in a version by Richard Eyre. How is a life well-lived? Alfred Allmers comes home to his wife Rita and makes a decision. Casting aside his writing, he dedicates himself to raising his son. But one event is about to change his life forever. Little Eyolf was first performed in 1894. This new version, adapted and directed by Richard Eyre, premiered at the Almeida Theatre, London, in 2015. The third in a trilogy of revelatory Ibsens, Little Eyolf follows Richard Eyre's multi-award-winning adaptations of Ghosts (Almeida, West End and BAM, New York), and Hedda Gabler (Almeida and West End).

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The Norton Critical Edition includes five major plays spanning Ibsen’s long career in recent translations by Brian Johnston (Peer Gynt, The Wild Duck, and The Master Builder) and Brian Johnston and Rick Davis (A Doll House and Hedda Gabler). The translation of Peer Gynt appears for the first time in this Norton Critical Edition. “Backgrounds” gives students an understanding of Ibsen’s creative process with selections from his correspondence and other writings. Twenty-seven documents have been collected and arranged by play, with a section of autobiographical writings at the end. Ibsen’s plays continue to provoke diverse commentary. “Criticism” includes nineteen of the most important responses to Ibsen’s work, among them essays by Bernard Shaw, Sandra Saari, E. M. Forster, Hugh Kenner, and Joan Templeton. A Chronology and Selected Bibliography are also included.

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One of literature's greatest gifts is its portrayal of realistically drawn characters--human beings in whom we can recognize motivations and emotions. In Imagined Human Beings, Bernard J. Paris explores the inner conflicts of some of literature's most famous characters, using Karen Horney's psychoanalytic theories to understand the behavior of these characters as we would the behavior of real people. When realistically drawn characters are understood in psychological terms, they tend to escape their roles in the plot and thus subvert the view of them advanced by the author. A Horneyan approach both alerts us to conflicts between plot and characterization, rhetoric and mimesis, and helps us understand the forces in the author's personalty that generate them. The Horneyan model can make sense of thematic inconsistencies by seeing them as the product of the author's inner divisions. Paris uses this approach to explore a wide range of texts, including Antigone, "The Clerk's Tale," The Merchant of Venice, A Doll's House, Hedda Gabler, Great Expectations, Jane Eyre, The Mayor of Casterbridge, Wuthering Heights, Madame Bovary, The Awakening, and The End of the Road.

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Often described as ‘the father of realism’, Henrik Ibsen was a pioneer of modernist drama. He influenced playwrights as diverse as George Bernard Shaw and Oscar Wilde, and is the most frequently performed dramatist in the world after Shakespeare.Included in this collection are adaptations of his tragicomic masterpiece The Wild Duck, his complex and compelling play Rosmersholm, the epic drama Brand and the tragedy John Gabriel Borkman. Ibsen’s A Doll’s House is relocated to 1879 India in Tanika Gupta’s Audio Drama Award-winning dramatisation, while the provocative and scandalous Ghosts is adapted by Richard Eyre, with the cast of his Olivier Award-winning Almeida Theatre production.Also featured are vibrant dramatisations of Hedda Gabler, whose desperate heroine is trapped in a suffocating marriage; The Lady from the Sea, about a woman torn between security and passion; and An Enemy of the People, in which a whistleblower reveals an inconvenient truth and is vilified for it.The casts of these stunning dramas include David Threlfall, Nicholas Farrell, Helen Baxendale, Indira Varma, Lesley Manville and Harriet Walter.

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A magnificent new biography of Henrik Ibsen, among the greatest modern playwrights"A superb account of the social and political atmosphere of Scandinavia in Ibsen’s time, and of Ibsen’s peculiar and inconsistent place within it.”—Andrew Katzenstein, Harper’s“A stellar life of the celebrated father of modern European drama.”—Choice Henrik Ibsen (1820–1908) is arguably the most important dramatist of the nineteenth century. Globally he remains the most performed playwright after Shakespeare, and Hedda Gabler, A Doll’s House, Peer Gynt, and Ghosts are all masterpieces of psychological insight. This is the first full-scale biography to take a literary as well as historical approach to the works, life, and times of Ibsen. Ivo de Figueiredo shows how, as a man, Ibsen was drawn toward authoritarianism, was absolute in his judgments over others, and resisted the ideas of equality and human rights that formed the bases of the emerging democracies in Europe. And yet as an artist, he advanced debates about the modern individual’s freedom and responsibility—and cultivated his own image accordingly. Where other biographies try to show how the artist creates the art, this book reveals how, in Ibsen’s case, the art shaped the artist.

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Der dritte Band der Kleinen Schriften von Reinhard G. Kratz ist dem Thema des Mythos in der Hebräischen Bibel gewidmet und enthält Arbeiten, die um das spannungsvolle Verhältnis zwischen biblischer Überlieferung und historischer Realität kreisen. Der erste Teil ( Mythos und Geschichte in der Bibelwissenschaft) ist forschungsgeschichtlich orientiert und stellt namhafte Gelehrte vor, die den Unterschied zwischen Überlieferung und Geschichte herausgearbeitet und damit der historischen Kritik die Richtung gewiesen haben: Wilhelm Martin Leberecht de Wette, Johann Philipp Gabler, Wilhelm Gesenius, John William Colenso, Julius Wellhausen. Anschließend an diese Diskussion wird der Vorschlag entfaltet, die biblische Überlieferung als Zeugnis theologischer Reflexionsliteratur zu verstehen, die sich zwischen den beiden Polen der israelitisch-judäischen Religionsgeschichte auf der einen und einer Theologie des Alten Testaments auf der anderen Seite bewegt. Die beiden folgenden Teile bieten Fallbeispiele aus zwei Bereichen der Hebräischen Bibel. Der zweite Teil ( Der Mythos vom Königtum Gottes) ist dem nordwestsemitischen Mythos des Wettergottes und seiner Transformation im Rahmen der Psalmen und der Schriften vom Toten Meer gewidmet. Der dritte Teil ( Der Mythos vom Volk Gottes) wendet sich der geschichtlichen Überlieferung zu. In ihm sind Beiträge versammelt, die auf dem Hintergrund des Verständnisses von Geschichte und Geschichten in nordwestsemitischen Inschriften die Konstruktion der heiligen Geschichte in der Hebräischen Bibel beleuchten.

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The real Prince in the words of those who knew him best—from award-winning author Touré.“...one of the rare oral histories I’d recommend as an introduction to its subject. The author’s interview skills and his trusted status in the Prince orbit mean that his book—based on decades of interviews—is full of revealing insights into Prince’s life and work.”—Jay Gabler, The Current Nothing Compares 2 U is an oral history built from years of interviews with dozens of people who were in Prince’s inner circle—from childhood friends to band members to girlfriends to managers to engineers to photographers, and more—all providing unique insights into the man and the musician. This revelatory book is a deeply personal and candid discussion of who Prince really was emotionally, professionally, and romantically. It tackles subjects never-before-discussed, including Prince’s multiple personalities, his romantic relationships, his traumatic childhood and how it propelled him into his music career, and how he found the inspiration for some of his most important songs, including “Purple Rain,” “Starfish and Coffee,” and the unheard “Wally.” Nothing Compares 2 U paints the most complete picture yet written of the most important and most mysterious artist of his time.

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Script Analysis for Theatre: Tools for Interpretation, Collaboration and Production provides theatre students and emerging theatre artists with the tools, skills and a shared language to analyze play scripts, communicate about them, and collaborate with others on stage productions. Based largely on concepts derived from Stanislavski's system of acting and method acting, the book focuses on action - what characters do to each other in specific circumstances, times, and places - as the engine of every play. From this foundation, readers will learn to distinguish the big picture of a script, dissect and 'score' smaller units and moment-to-moment action, and create individualized blueprints from which to collaborate on shaping the action in production from their perspectives as actors, directors, and designers. Script Analysis for Theatre offers a practical approach to script analysis for theatre production and is grounded in case studies of a range of the most studied plays, including Sophocles' Oedipus the King, Shakespeare's Twelfth Night, Henrik Ibsen's Hedda Gabler, Georg Büchner's Woyzeck, Oscar Wilde's The Importance of Being Earnest, Tennessee Williams's A Streetcar Named Desire, and Paula Vogel's How I Learned to Drive, among others. Readers will develop the real-life skills professional theatre artists use to design, rehearse, and produce plays.

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The idea that American education has been steered by progressive values is celebrated by liberals and deplored by conservatives, but both sides accept it as fact. Adam Laats shows that this widely held belief is simply wrong. Upending the standard narrative of American education as the product of courageous progressive reformers, he calls to center stage the conservative activists who decisively shaped America’s classrooms in the twentieth century. The Other School Reformers makes clear that, in the long march of American public education, progressive reform has more often been a beleaguered dream than an insuperable force.Laats takes an in-depth look at four landmark school battles: the 1925 Scopes Trial, the 1939 Rugg textbook controversy, the 1950 ouster of Pasadena Public Schools Superintendent Willard Goslin, and the 1974 Kanawha County school boycott. Focused on issues ranging from evolution to the role of religion in education to the correct interpretation of American history, these four highly publicized controversies forced conservatives to articulate their vision of public schooling—a vision that would keep traditional Protestant beliefs in America’s classrooms and push out subversive subjects like Darwinism, socialism, multiculturalism, and feminism. As Laats makes clear in case after case, activists such as Hiram Evans and Norma Gabler, Homer Chaillaux and Louise Padelford were fiercely committed to a view of the curriculum that inculcated love of country, reinforced traditional gender roles and family structures, allowed no alternatives to capitalism, and granted religion a central role in civic life.

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What connects the Romantic essays of Thomas De Quincey and the violent cinema of Brian De Palma? Or the "beautiful" suicides of Hedda Gabler Yukio Mishima? Or the shootings of pop star John Lennon and President Ronald Reagon? In "The Aesthetics of Murder", Joel Black explores the sometimes gruesome interplay between life and art, between actual violence and images of violence in a variety of literary texts, paintings, and films. Rather than exclude murder from critical consideration by dismissing it as a crime, Black urges us to ponder the killer's artistic role-- and our own experience as audience, witness, or voyeur. Black explores murder as a recurring, obsessive theme in the Romantic tradition, approaching the subject from an aesthetic rather than a moral, psychological, or philosophical perspective. He compares cultural and artistic notions of suicide as the ultimate self-expression. And he examines contemporary instances of sensational murders and assassinations, treating these as mimetic or cathartic activities in their own right. Combining historical documentation with theoretical insights, Black shows that the possibilities of representing violence-- and of experiencing it-- as art were recognized early in the nineteenth century as logical extensions of Romantic theories of the sublime. Since then, both traditional art forms and the modern mass media have contributed to the growing aestheticization of daily experience-- including murder, suicide, and terrorism.

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Ibsen's greatest late plays in superb modern translations, part of the new Penguin Ibsen series. This volume includes The Master Builder, Little Eyolf, John Gabriel Borkman and When We Dead Awaken - Ibsen's last four plays, written in his old age in Oslo. In The Master Builder, a married, middle-aged architect becomes bewitched by a strange young woman who claims to have known him for years. A sudden death in Little Eyolf is the catalyst that drives a couple into a greater understanding of themselves. In John Gabriel Borkman, a banker recently released from prison must choose between his wife and her sister, while a sculptor on holiday is reunited with the woman who inspired his greatest art in When We Dead Awaken. The new Penguin series of Ibsen's major plays offer the best available editions in English, under the general editorship of Tore Rem. All the plays have been freshly translated by leading translators and are based on the definitive Norwegian edition of Ibsen's works. This volume includes an introduction by Toril Moi on the themes of death and human limitation in the plays, and additional editorial apparatus by Tore Rem. Henrik Ibsen (1828-1906) is often called 'the Father of Modern Drama'. Born in the small Norwegian town of Skien, he left Norway in 1864 for a twenty-one-year long voluntary exile in Italy and Germany. After successes with the verse dramas Brand and Peer Gynt, he turned to prose, writing his great twelve-play cycle of society dramas between 1877 and 1899. This included The Pillars of Society, A Doll's House, Ghosts, An Enemy of the People, The Wild Duck, Rosmersholm, The Lady from the Sea, Hedda Gabler, The Master Builder, Little Eyolf, John Gabriel Borkman, and, finally, When We Dead Awaken. Ibsen returned to Norway in 1891 and died there at the age of seventy-eight. Barbara J. Haveland and Anne-Marie Stanton-Ife are both freelance literary translators. Toril Moi is Professor of English, Theater Studies and Philosophy at Duke University. Her books include Henrik Ibsen and the Birth of Modernism (2006). Tore Rem is Professor of British literature at the University of Oslo and author of Henry Gibson/Henrik Ibsen (2006).

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A distinguished group of scholars and prominent figures here offers thoughtful new perspectives on the tenor and conduct of public life in contemporary America. Originating in a shared concern that our civic culture was becoming coarser and more polarized, Public Discourse in America provides a critical corrective to this widespread misperception about declining civility in public culture and the ways we as citizens negotiate our differences. Together these essays explore the current condition and centrality of public discourse in our democracy, investigating how it has changed through our history and whether it fails to approach our widely held, but often unarticulated, ideal of "reasoned and reasonable" public deliberation. Contributors consider whether rationality is really the best standard for public discussion and argument, and isolate the features and principles that would characterize a truly exemplary, more productive public discourse at the beginning of the twenty-first century. They investigate why public conversations work when they work well, and why they often fail when we need them the most, as in our nation's so often aborted "national conversation" on race. Taking a comprehensive look at institutional and leadership practices in recent public debates over a variety of "hot button" public policy issues, Public Discourse in America outlines how such conversations can be used to reintegrate our fragmented communities and bridge barriers of difference and hostility among communities and individuals. These essays speak to urgent and perennial questions about the nature of American society, the responsibilities of leaders, the rules of democracy, and the role of public culture in times of crisis, conflict, and rapid change. Public Discourse in America originated in the work of the Penn National Commission on Society, Culture, and Community, convened in 1996 by Judith Rodin, President of the University of Pennsylvania. Distinguished members of the Commission, leading experts, commissioned researchers, and leaders in America's nascent public discourse movement offer unexpected insights and an optimistic vision of the health of our politics and culture. Readers—of all political persuasions—from the halls of political power to the streets of urban neighborhoods, from newsrooms and studios to think tanks and universities, will find these essays opening up new paths to robust public discussion, more engaged citizenship, and stronger communities. Contributors include: Joyce Appleby, Thomas Bender, Derek Bok, Alex Boraine, Graham G. Dodds, Christopher Edley, Jr., Drew Gilpin Faust, Neal Gabler, Richard Lapchick, Don M. Randel, Richard Rodriguez, Jay Rosen, David M. Ryfe, Michael Schudson, Neil Smelser, and Robert H. Wiebe.

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Cutting-edge research by twenty-four international scholars on female power, agency, health, and literacy in ancient EgyptThere has been considerable scholarship in the last fifty years on the role of ancient Egyptian women in society. With their ability to work outside the home, inherit and dispense of property, initiate divorce, testify in court, and serve in local government, Egyptian women exercised more legal rights and economic independence than their counterparts throughout antiquity. Yet, their agency and autonomy are often downplayed, undermined, or outright ignored. In Women in Ancient Egypt twenty-four international scholars offer a corrective to this view by presenting the latest cutting-edge research on women and gender in ancient Egypt.Covering the entirety of Egyptian history, from earliest times to Late Antiquity, this volume commences with a thorough study of the earliest written evidence of Egyptian women, both royal and non-royal, before moving on to chapters that deal with various aspects of Egyptian queens, followed by studies on the legal status and economic roles of non-royal women and, finally, on women’s health and body adornment. Within this sweeping chronological range, each study is intensely focused on the evidence recovered from a particular site or a specific time-period. Rather than following a strictly chronological arrangement, the thematic organization of chapters enables readers to discern diachronic patterns of continuity and change within each group of women.· Clémentine Audouit, Paul Valery University, Montpellier, France· Anne Austin, University of Missouri, St. Louis, Missouri, USA· Mariam F. Ayad, The American University in Cairo, Cairo, Egypt· Romane Betbeze, Université de Genève, Switzerland, and Ecole Pratique des Hautes Etudes, PSL, France· Anke Ilona Blöbaum, Saxon Academy of Sciences and Humanities in Leipzig, Leipzig, Germany· Eva-Maria Engel, Humboldt-Universität zu Berlin, Berlin, Germany· Renate Fellinger, University of Cambridge, Cambridge, UK· Kathrin Gabler, University of Basel, Basel, Switzerland· Rahel Glanzmann, independent scholar, Basel, Switzerland. · Izold Guegan, Swansea University, UK, and Sorbonne University, Paris, France· Fayza Haikal, The American University in Cairo, Cairo, Egypt· Janet H. Johnson, Oriental Institute, University of Chicago, Chicago, Il, USA· Katarzyna Kapiec, Institute of the Mediterranean and Oriental Cultures of the Polish Academy of Sciences, Warsaw, Poland· Susan Anne Kelly, Macquarie University Sydney, Sydney, Australia· AnneMarie Luijendijk, Princeton University, Princeton, New Jersey, USA· Suzanne Onstine, University of Memphis, Memphis, Tennessee, USA· José Ramón Pérez-Accino Picatoste, Facultad de Geografía e Historia, Universidad Complutense de Madrid, Madrid, Spain· Tara Sewell-Lasater, University of Houston, Houston, Texas, USA· Yasmin El Shazly, American Research Center in Egypt, Cairo, Egypt· Reinert Skumsnes, Centre for Gender Research, University of Oslo, Oslo, Norway· Isabel Stünkel, The Metropolitan Museum of Art, New York, New York, USA· Inmaculada Vivas Sainz, National Distance Education University), Madrid, Spain· Hana Vymazalová, Czech Institute of Egyptology, Faculty of Arts, Charles University, Prague, Czeck Republic· Jacquelyn Williamson, George Mason University, Fairfax, Viriginia, USA· Annik Wüthrich, Austrian Academy of Sciences, Austrian Archaeological Institute, Vienna, Austria

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