Search results for ""faber faber""

Junot Diaz's new collection, This Is How You Lose Her, is a collection of linked narratives about love - passionate love, illicit love, dying love, maternal love - told through the lives of New Jersey Dominicans, as they struggle to find a point where their two worlds meet. In prose that is endlessly energetic and inventive, tender and funny, it lays bare the infinite longing and inevitable weaknesses of the human heart. Most of all, these stories remind us that the habit of passion always triumphs over experience and that 'love, when it hits us for real, has a half-life of forever.'

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Jamie McKendrick's sixth collection starts from the far flung ('out there' is the nothing - or the something - of outer space), ascertaining the mood of an observer on Uranus, or the perils of medieval travel, or listening for the speech of alien landscapes. Closer to home, the poems adopt an outsiderish stance as they ponder the business of non-belonging and draw up wry inventories of marginality - finding room for those whom history has forgotten (the inhabitants of a drowned valley in Wales) or equally for the outcasts of natural history (the northern bald ibis, the hyena, the moa), whose skeletons are 'cairns to their own extinction'.But the poems themselves are stubborn survivors and vividly realised individuals: they take short views, make canny distinctions and tread carefully. Invoking paintings and artefacts and facades, they also add to an ongoing portrait of the artist - caught for example amidst the patiently-observed flotsam of a repeatedly flooding house -which becomes more finely drawn with each of Jamie McKendrick's collections.

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In The Funny Side Wendy Cope, herself one of the funniest poets now writing in English, has collected 101 of the poems that have most amused her. Acknowledged classics of the genre are to be found alongside newer pieces, and the collection as a whole illustrates the great range to be found under the heading of 'humorous poetry'.

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Love is not consolation, it is light.'From the author of Maps for Lost Lovers comes a searing, exquisitely written novel set in Pakistan and Afghanistan in the months following 9/11 - a story of war, of one family's losses, and of the simplest, most enduring human impulses.Jeo and Mikal, foster-brothers from a small Pakistani city, secretly enter Afghanistan: not to fight with the Taliban, but to help and care for wounded civilians. But it soon becomes apparent that good intentions can't keep them out of harm's way...From the wilds of Afghanistan to the heart of the family left behind - their blind father haunted for years by the death of his wife, by the mistakes he may have made in the name of Islam and nationhood, Jeo's steadfast wife and her superstitious mother - Aslam's prose takes us on an extraordinary journey.

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Some people love goodbyes...23-year-old Catherine is mainly interested in Facebook and flirting, but she reluctantly takes a job at a local care home after her mother puts her foot down - and soon discovers that her new workplace contains many secrets.One of the residents at the home, 82-year-old Rose, is convinced that something sinister is going on in Room 7 and that her own life is under threat. But Rose has dementia - so what does she actually know, and who would believe her anyway?As Catherine starts investigating Rose's allegations, terrible revelations surface about everyone involved. Can Catherine find out what's really going on before it's too late?

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Longlisted for the Theakstons Old Peculier Crime Novel of the Year Award When a baby goes missing on a lonely roadside in Australia, it sets off a police investigation that will become a media sensation and dinner-table talk across the world. Lies, rumours and guilt snowball, causing the parents, Joanna and Alistair, to slowly turn against each other. Finally Joanna starts thinking the unthinkable: could the truth be even more terrible than she suspected? And what will it take to make things right? Perfect for fans of Julia Crouch, Sophie Hannah and Laura Lippman, The Cry was widely acclaimed as one of the best psychological thrillers of the year. There's a gripping moral dilemma at its heart and characters who will keep you guessing on every page.

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Everyone's favourite classroom hamster is back! Dear Friends, At last, spring has come! Lucky for Room 26 where I'm class hamster because they've got a Family Fun Night planned at Longfellow School. It'll be great to get to know my classmates' families. I might even start thinking about what family means to me - especially as families come in all sorts of shapes and sizes. Happy-happy-happy reading! Humphrey

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Moscow, 1938. A dangerous place to have a sense of humour; even more so a sense of freedom. Mikhail Bulgakov, living among dissidents, stalked by secret police, has both. And then he's offered a poisoned chalice: a commission to write a play about Stalin to celebrate his sixtieth birthday.Inspired by historical fact, Collaborators embarks on a surreal journey into the fevered imagination of the writer as he loses himself in a macabre and disturbingly funny relationship with the omnipotent subject of his drama.Killing my enemies is easy. The challenge is to change the way they think, to control their minds. And I think I controlled yours pretty well. In years to come, I'll be able to say: Bulgakov? Yeah, we even trained him. He gave up. He saw the light. We broke him, we can break anybody. It's man versus monster, Mikhail. And the monster always wins.John Hodge's blistering new play depicts a lethal game of cat and mouse through which the appalling compromises and humiliations inflicted on any artist by those with power are held up to scrutiny.Collaborators by John Hodge premiered at the National Theatre, London, in October 2011. It is published here with an introduction by the author.

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First published in 1968, this companion volume to the Collected Shorter Poems was compiled by W.H. Auden to bring together six of his longer poetic works, originally published between 1930 and 1947. Auden was one of the modern masters of the extended poem, and these works are among his most enduring achievements, both for their technical virtuosity and for the emotional and intellectual precision with which they dissected the malaise and turmoil of their age.Collected Longer Poems includes Paid on Both Sides, Letter to Lord Byron, For the Time Being, The Sea and the Mirror, and The Age of Anxiety.

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One day, years after he's moved away from his childhood home in rural Ireland, Dermot Healy returns to care for his ailing mother. Out of the blue she hands him the forgotten diary he had kept as a fifteen-year-old. He is amazed to find the makings of the writer he has become, as well as taken aback at the changes his memory has wrought. The silhouettes who have haunted his past come back to inhabit his pages: his father, a kind policeman who plays cards and drinks stout with his cronies; his mother, whose stories young Dermot has heard so often that he believes they are his own; or Aunt Maisie, whose early disappointment in love has left her both dreamy and cynical. Funny, direct and moving, The Bend For Home is a family portrait like no other, and a hugely engaging account of a childhood in small-town Ireland.

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From a motorway service area to her ambivalent relationship with religion, Wendy Cope covers a wide range of experience in her new collection. Her mordant humour and formal ingenuity are in evidence, even as she remembers the wounds of a damaging childhood; and in poems about love and the inevitable problems of ageing she achieves an intriguing blend of sadness and joy. Two very different sets of commissioned poems round off a remarkable volume, whose opening poem sounds clearly the profound note of compassion which underlies the whole.

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Longlisted for the Man Booker Prize 'Good God, thought Oliver, as he saw the smile. She thinks I'm him! And all at once he knew it was so. He was Dr Norman Wilfred.' On the sunlit Greek island of Skios, the Fred Toppler Foundation's annual lecture is to be given by Dr Norman Wilfred, the world-famous authority on the scientific organisation of science. He turns out to be surprisingly young and charming - not at all the intimidating figure they had been expecting. The Foundation's guests are soon eating out of his hand. So, even sooner, is Nikki, the attractive and efficient organiser.Meanwhile, in a remote villa at the other end of the island, Nikki's old school-friend Georgie waits for the notorious chancer she has rashly agreed to go on holiday with, and who has only too characteristically failed to turn up. Trapped in the villa with her, by an unfortunate chain of misadventure, is a balding old gent called Dr Norman Wilfred, who has lost his whereabouts, his luggage, his temper and increasingly all normal sense of reality - everything he possesses apart from the flyblown text of a well-travelled lecture on the scientific organisation of science... And as the time draws ever nearer for one or other Dr Wilfred - or possibly both - to give the eagerly awaited lecture, so Skios - Greece - Europe - career off their appointed track. Longlisted for the Man Booker Prize, Skios is a story of mislaid identity, misdirected passion and miscalculated consequences. Michael Frayn is also the celebrated author of fifteen plays including Noises Off, Copenhagen and Afterlife. His other bestselling novels include Headlong, which was shortlisted for the Man Booker Prize and Spies, which won the Whitbread Best Novel Award.

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The news that a government inspector is due to arrive in a small Russian town sends its bureaucrats into a panicked frenzy. A simple case of mistaken identity exposes the hypocrisy and corruption at the heart of the town in this biting moral satire.David Harrower's version of Nikolai Gogol's Government Inspector premiered at the Warwick Arts Centre in May 2011 and transferred to Young Vic, London in June.

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We make lazy assumptions about the centre of things and its location. Who's to say that the centre of things isn't in a corner, way over there?'People in authority are always saying you should know your rights, though I've noticed they don't much enjoy it when you do.'Nobody can be a person twenty-fours hours a day it just can't be done. At night the sets dissolve and the performance falls away We're off the books.' That's John Cromer talking, in this fresh instalment of his lifelong saga. For John, embarking on a new stage of life in 1970s Cambridge, charm and wit aren''t just assets, they are survival skills. It may be a case of John against the world. If so, don't be in too much of a hurry to bet on the world.Conjuring a remarkable voice and mind, Caret is a feast of a novel, served on a succession of small plates, each portion providing an adult's daily intake of literary nourishment. Reading it like any encounter with John Cro

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FROM THE WRITER OF BBC SMASH HIT DRAMA CROSSFIREJohn Harper lies awake at night in an isolated hut on an Indonesian island, listening to the rain on the roof and believing his life may be in danger. But he is less afraid of what is going to happen than of something he's already done.In a local town, he meets Rita, a woman with her own troubled history. They begin an affair - but can he allow himself to get involved when he knows this might put her at risk?Moving between Europe during the cold war, California and the Civil Rights struggle, and Indonesia during the massacres of 1965 and the decades of military dictatorship that follow, Black Water is an epic novel that explores some of the darkest events of recent world history through the story of one troubled man.Black Water confirms Louise Doughty's position as one of our most important contemporary novelists. She writes with fierce intelligence and a fine-tuned sense of moral ambiguity that makes her fiction resonate in the reader's mind long after the final page has been turned.

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The Map and the Clock is a celebration of the most scintillating poems ever composed on our islands.Curated by Poet Laureate Carol Ann Duffy, and by Gillian Clarke, National Poet of Wales, this anthology gathers fourteen centuries of extraordinary verse - beginning with the first writings from the old languages of England and Ireland, Scotland and Wales, and culminating in some of our most recent poets, speaking in our present-day tongues. Many of our founding myths and legends are told here - King Arthur and Gawain, Beowulf and Mad Sweeney, the Mabinogion - as are the nursery-tales and songs we still sing today. Through these pages we witness the tragedy of European wars and world conflict; we court romance and friendship; we explore nationhood and belonging, identity and belief; and we are welcomed to a celebration of the cultural diversity of the poetries of our twenty-first century.The Map and the Clock is a stunning and essential treasury of the poems that have moulded our languages, examined our worlds, and shaped our islands through time.

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By the time he was killed in Normandy, aged only twenty-four, in June 1944, Keith Douglas had achieved a body of work that has earned him the reputation as the most brilliant and promising poet of the Second World War. He began writing when he was at school at Christ's Hospital, continued at Oxford, and then when he was in the army in England and in the Middle East.This is the definitive edition of his poems, edited by Desmond Graham, Douglas's biographer, and introduced by Ted Hughes.

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In his highly acclaimed novel Never Let Me Go, Kazuo Ishiguro (The Remains of the Day) created a remarkable story of love, loss and hidden truths. In it he posed the fundamental question: What makes us human? Now director Mark Romanek (One Hour Photo), writer Alex Garland and DNA Films bring Ishiguro's hauntingly poignant and emotional story to the screen. Kathy (Oscar nominee Carey Mulligan, An Education), Tommy (Andrew Garfield, Boy A, Red Riding) and Ruth (Oscar nominee Keira Knightley, Pride & Prejudice, Atonement) live in a world and a time that feel familiar to us, but are not quite like anything we know. They spend their childhood at Hailsham, a seemingly idyllic English boarding school. When they leave the shelter of the school and the terrible truth of their fate is revealed to them, they must also confront the deep feelings of love, jealousy and betrayal that threaten to pull them apart.

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Why is Mozart the best known and most popular of all the great Western classical composers? More than 250 years after his birth, his reputation stands higher than ever before. It also provides all you need to listen to and enjoy Mozart's music, and will also introduce a new generation of concert-goers and record-listeners to his life and key works, from opera to symphony, concerto to song. In a crisp, sharp style, with recommendations of good recordings, Nicholas Kenyon shows how Mozart's music has communicated with unique power across many generations.

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In the summer of 1812 Britain stood alone, fighting for her very survival against a vast European Empire. Only the Royal Navy stood between Napoleon's legions and ultimate victory. In that dark hour America saw its chance to challenge British dominance: her troops invaded Canada and American frigates attacked British merchant shipping, the lifeblood of British defence.War polarised America. The south and west wanted land, the north wanted peace and trade. But America had to choose between the oceans and the continent. Within weeks the land invasion had stalled, but American warships and privateers did rather better, and astonished the world by besting the Royal Navy in a series of battles.Then in three titanic single ship actions the challenge was decisively met. British frigates closed with the Chesapeake, the Essex and the President, flagship of American naval ambition. Both sides found new heroes but none could equal Captain Philip Broke, champion of history's greatest frigate battle, when HMS Shannon captured the USS Chesapeake in thirteen blood-soaked minutes. Broke's victory secured British control of the Atlantic, and within a year Washington, D.C. had been taken and burnt by British troops.

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For fans of Borgen, The Killing and the Wallander series, a thrilling novel of murder and political scandal in Oslo.An elderly woman is found dead in a nursing home. Bjarne Brogeland, who heads up the investigation, soon realises that they are on the trail of a meticulous killer who has developed a keen taste for revenge. A killer who has only just begun...Trine Juul-Osmundsen, Norway's Secretary of State and Henning Juul's sister, is accused of sexually harassing a young male politician. As the allegations cause a media frenzy, Trine receives an anonymous threat telling her to resign. If she doesn't, the truth about what she really did that night will be revealed.Scarred reporter Henning Juul, finds himself torn between the two high profile cases. He wants to help his estranged sister, but as he digs into their past, he discovers memories that haunt them both. Memories of a broken home. Memories of a dead father.As the two cases collide, both their worlds threaten to fall apart.Scarred is the third novel in the acclaimed Henning Juul series, following Burned and Pierced, which was shortlisted for the 2013 Petrona Award.

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**OVER 1 MILLION COPIES SOLD**SHORTLISTED FOR THE BOOKER PRIZE'Brilliantly executed.' MARGARET ATWOOD 'A page-turner and a heartbreaker.'TIME'Masterly.' SUNDAY TIMES One of the most acclaimed novels of the 21st Century, from the Nobel Prize-winning authorKazuo Ishiguro imagines the lives of a group of students growing up in a darkly skewed version of contemporary England. Narrated by Kathy, now thirty-one, Never Let Me Go dramatises her attempts to come to terms with her childhood at the seemingly idyllic Hailsham School and with the fate that has always awaited her and her closest friends in the wider world. A story of love, friendship and memory, Never Let Me Go is charged throughout with a sense of the fragility of life.'Exquisite.'GUARDIAN'A feat of imaginative sympathy.' NEW YORK TIMES What readers are saying:'A book I will return to again and again, and one that keeps me thinking even after finishing it.''I loved it, every single word of it.''It took me wholly by surprise.''Utterly beautiful.''Essentially perfect.'

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'One of Dibdin's finest . . . Wonderful.' EVENING STANDARD'Energetically and meticulously written.' GUARDIANAN AURELIO ZEN MYSTERYAurelio Zen's final case brings him to remote town of Calabria, at the toe of Italy's boot, on what is supposed to be a routine assignment: the death of a scout for an American film company. But the case is complicated by a group of dangerous strangers who have arrived to uncover another local mystery - buried treasure - and who will stop at nothing to achieve their goal. The case rapidly spirals out of control, and Zen must penetrate the code of silence in the tight-knit community in order to solve the crime.'Clever and exuberantly witty . . . Dibdin is outrageously funny, as always, in conveying Zen's snobby Venetian attitude toward his regional postings.' NEW YORK TIMES'Ample opportunities for the expression of his dry wit . . . the final entry [in the Zen series] is a very good one indeed.' INDEPENDENT'One of the genre's best stylists . . . This combination of gritty violence, often wildly funny satire, and wonderful descriptive writing has been the hallmark of Dibdin's Zen novels.' GUARDIAN'Superbly written thriller.' 5* reader review'Probably the most enjoyable of the Zen series, it provides an insight of Italy rarely accomplished by any author.' 5* reader review'Such a good read.' 5* reader review'Brilliantly plotted, very exciting.' 5* reader reviewPRAISE FOR MICHAEL DIBDIN AND THE INSPECTOR ZEN SERIES:'He wrote with real fire.' IAN RANKIN'A maestro of crime writing.' SUNDAY TIMES'One of the genre's finest stylists . . . And Zen himself is a masterly creation: he is anti-heroic and pragmatic but obstinate, cunning and positively burdened with integrity.' GUARDIAN'Dibdin tells a rollicking good tale that you want both to read fast, because of its gripping storyline, and to linger over, to savour the evocative descriptions of place and mood.' INDEPENDENT'One of British crime fiction's most distinguished and distinctive voices.' ANDREW TAYLOR'Dibdin has a gift for shocking the unshockable reader.' Ruth Rendell'Zen is one of the greatest creations of contemporary crime fiction.' OBSERVER'I love the way these books capture the atmosphere and contradictions of Italy.' 5* reader review'Aurelio Zen novels are a great treat.' 5* reader review'There is no better writer than Dibdin. His books are a joy to read.' 5* reader review'Love these books . . . I am sure you will get hooked too!' 5* reader review

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'Escapism of a high order.' INDEPENDENT ON SUNDAY'A slyly intelligent page turner.' PUBLISHERS WEEKLYAN AURELIO ZEN MYSTERY When a group of Austrian cavers in the Italian Alps come across human remains at the bottom of a deep shaft, everyone assumes the death was accidental - until the still unidentified body is stolen from the morgue and the Defence Ministry puts a news blackout on the case. The whole affair has the whiff of political intrigue. That's enough to interest Aurelio Zen's boss at the Interior Ministry, who wants to know who is hiding what from who and why. The search for the truth leads Zen into the murky history of post-war Italy and obscure corners of modern-day society to uncover the truth about a crime that everyone thought was as dead and buried as the victim.'As the plot quickens, we are soon deep in Dibdin's favourite territory: the murky political conflicts of Italy's past and the oily chicanery of its present.' SUNDAY TIMES'Dibdin's misanthropic wit finds plenty to play with.' GUARDIAN'A terrific detective story.' 5* reader review'Beautifully written . . . You get a real sense of the turbulence in the Italian state during that era.' 5* reader review'MEDUSA is the best I've read so far, with a complex but pleasing plot.' 5* reader reviewPRAISE FOR MICHAEL DIBDIN AND THE INSPECTOR ZEN SERIES:'He wrote with real fire.' IAN RANKIN'A maestro of crime writing.' SUNDAY TIMES'One of the genre's finest stylists . . . And Zen himself is a masterly creation: he is anti-heroic and pragmatic but obstinate, cunning and positively burdened with integrity.' GUARDIAN'Dibdin tells a rollicking good tale that you want both to read fast, because of its gripping storyline, and to linger over, to savour the evocative descriptions of place and mood.' INDEPENDENT'One of British crime fiction's most distinguished and distinctive voices.' ANDREW TAYLOR'Dibdin has a gift for shocking the unshockable reader.' Ruth Rendell'Zen is one of the greatest creations of contemporary crime fiction.' OBSERVER'I love the way these books capture the atmosphere and contradictions of Italy.' 5* reader review'Aurelio Zen novels are a great treat.' 5* reader review'There is no better writer than Dibdin. His books are a joy to read.' 5* reader review'Love these books . . . I am sure you will get hooked too!' 5* reader review

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'Spellbinding . . . superb.' WASHINGTON POST'Emotionally gripping and defiantly original.' ITALIAN MYSTERIESAN AURELIO ZEN MYSTERYZen finally receives the order he has been dreading all his professional life: his next posting to Sicily.The gruesome discovery of an unidentified, decomposed corpse sealed in a railway wagon marks the beginning of Zen's most difficult and dangerous murder case. And he will need all his cunning and skill to survive in a world where unwritten rules are enforced with ruthless violence, where one false step can prove fatal, and where the truth must be paid for in blood.'By far the darkest of Dibdin's remarkable mysteries.' 5* reader review 'The end leaves you gasping.' 5* reader review'I absolutely loved this book.' 5* reader reviewPRAISE FOR MICHAEL DIBDIN AND THE INSPECTOR ZEN SERIES:'He wrote with real fire.' IAN RANKIN'A maestro of crime writing.' SUNDAY TIMES'One of the genre's finest stylists . . . And Zen himself is a masterly creation: he is anti-heroic and pragmatic but obstinate, cunning and positively burdened with integrity.' GUARDIAN'Dibdin tells a rollicking good tale that you want both to read fast, because of its gripping storyline, and to linger over, to savour the evocative descriptions of place and mood.' INDEPENDENT'One of British crime fiction's most distinguished and distinctive voices.' ANDREW TAYLOR'Dibdin has a gift for shocking the unshockable reader.' Ruth Rendell'Zen is one of the greatest creations of contemporary crime fiction.' OBSERVER'I love the way these books capture the atmosphere and contradictions of Italy.' 5* reader review'Aurelio Zen novels are a great treat.' 5* reader review'There is no better writer than Dibdin. His books are a joy to read.' 5* reader review'Love these books . . . I am sure you will get hooked too!' 5* reader review

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'A maestro of crime writing.' SUNDAY TIMES'The closest thing he's yet written to an English whodunnit.' LONDON REVIEW OF BOOKSAN AURELIO ZEN MYSTERYAurelio Zen has an unorthodox assignment: to release the jailed scion of an important wine-growing family who is accused of a brutal murder. Zen travels north to the quiet fields, autumnal skies and crumbling farmhouses of Piedmont, Italian wine country, where greed, envy, hatred, and love seethe under the sun. He needs to try to penetrate a traditional culture in which family and soil are inextricably linked. But here secrets can last for generations, and have a finish as long and lingering as that of a good Barbaresco.'A great addition to the Zen series . . . a great ending too.' 5* reader review'Brilliant atmosphere with incredible twists in the plot, right up to the last minute.' 5* reader review'So well-written and atmospheric that it just whizzed by!' 5* reader reviewPRAISE FOR MICHAEL DIBDIN AND THE INSPECTOR ZEN SERIES:'He wrote with real fire.' IAN RANKIN'A maestro of crime writing.' SUNDAY TIMES'One of the genre's finest stylists . . . And Zen himself is a masterly creation: he is anti-heroic and pragmatic but obstinate, cunning and positively burdened with integrity.' GUARDIAN'Dibdin tells a rollicking good tale that you want both to read fast, because of its gripping storyline, and to linger over, to savour the evocative descriptions of place and mood.' INDEPENDENT'One of British crime fiction's most distinguished and distinctive voices.' ANDREW TAYLOR'Dibdin has a gift for shocking the unshockable reader.' Ruth Rendell'Zen is one of the greatest creations of contemporary crime fiction.' OBSERVER'I love the way these books capture the atmosphere and contradictions of Italy.' 5* reader review'Aurelio Zen novels are a great treat.' 5* reader review'There is no better writer than Dibdin. His books are a joy to read.' 5* reader review'Love these books . . . I am sure you will get hooked too!' 5* reader review

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'An unknown place.' This was what Michael Frayn's children called the shadowy landscape of the past from which their family had emerged. Shortlisted for the Costa Book Awards, My Father's Fortune sets out to rediscover that lost land before all trace of it finally disappears beyond recall. As Frayn tries to see it through the eyes of his parents and the others who shaped his life, he comes to realise how little he ever knew or understood about them.This is above all the story of his father, the quick-witted boy from a poor and struggling family, who overcame disadvantages and shouldered many burdens to make a go of his life; who found happiness, had it snatched away from him, and in the end, after many difficulties, perhaps found it again.Father and son were in some ways incredibly alike, in others ridiculously different; and the journey back down the corridors of time is sometimes comic, sometimes painful, as Michael Frayn comes to see how much he has inherited from his father and makes one or two surprising discoveries along the way. Michael Frayn is the celebrated author of fifteen plays including Noises Off, Copenhagen and Afterlife. His bestselling novels include Headlong, which was shortlisted for the Man Booker Prize, Spies, which won the Whitbread Best Novel Award and Skios, which was longlisted for the Man Booker Prize.

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The BBC Radio 4 dramatisation of Edna O'Brien's The Country Girls trilogy begins in August 2019.'Edna O'Brien writes the most beautiful, aching stories of any writer, anywhere.' Alice MunroA woman walks the streets of Manhattan and contemplates with exquisite longing the precarious affair she has embarked on, amidst the grandeur and cacophony of the cityscape; a young Irish girl and her mother are thrilled to be invited to visit the glamorous Coughlan's but find - for all the promise of their green gorgette, silver shoes and fancy dinner parties - they leave disappointed; an Irishman in north London retraces his life as a young lad with his mates digging the streets and dreaming of the apocryphal gold, an outsider both in Ireland and England, yet he carries the lodestar of his native land.This classic collection glows with Edna O'Brien's trademark lyricism, powerful evocations of place, and heart-breaking insight into the desires and contradictions of humanity.Edna O'Brien's stunning new novel Girl will be published by Faber in September 2019, available to pre-order now.

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"Welcome to Sardinia: my hell, my home, my prison, my meditation these past sixteen years. What a place to die. But that's precisely why I was back."When drugged-up Time Traveller and '80s musical burnout Rock Section and his fellow English hooligans get kidnapped during Italia '90, there are ruinous implications. But now Rock has returned to Sardinia one final time to settle some scores and uncover the truth. He believes only Dutch cult leader Judge Barry Hertzog, still incarcerated on the island for the crime, can provide the answers. But through prescription drugs, the persistence of his driver Anna and a quest for the hidden ancient doorways strewn around Sardinia's only highway, the 131, Rock will discover that a greater truth awaits him. Judgement, consequences, hoodwinking on a grand scale, Gnosticism versus agnosticism...131 is a Gnostic whodunit that pursues readers' memories of all previous fiction into a peat bog and impales them with seven-foot-long pikes.

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The Pinecone is set in the village of Wreay, near Carlisle, where a masterpiece in Victorian architecture stands - the strangest and most magical church in England. This vivid, original book tells the story of its builder, Sarah Losh, strong-willed and passionate, an architect and an intellectual who dumbfounded critics with her genius and originality. Born into an old Cumbrian family, heiress to an industrial fortune, Sarah combined a zest for progress with a love of the past. The church is Losh's masterpiece, richly decorated with symbolic carvings there are images of ammonites, scarabs and poppies, and everywhere there are pinecones, her signature in stone. The church is a dramatic rendering of the power of myth and the great natural cycles of life and death and rebirth. The Pinecone is also the story of Sarah's radical family, friends of Wordsworth and Coleridge; of the love between sisters and the life of a village; of the struggle of the weavers, the coming of the railways, the findings of geology and the fate of a young northern soldier in the Afghan war. Above all, though, it is about the joy of making and the skill of local, unsung craftsmen. Award-winning Jenny Uglow (author of The Lunar Men, Nature's Engraver and In These Times) crafts this moving story of a beautiful and ornate church, a pioneering and imaginative woman, and the changing life of a small northern village in the face of the Industrial Revolution.

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Mick Imlah's second and long-awaited collection The Lost Leader was published to acclaim in 2008, shortly before his early death in January 2009. The present retrospect connects the work of three decades, drawing upon Imlah's earlier full-length collection, Birthmarks (1988), but also including uncollected poems and previously unpublished work. The Lost Leader won the Forward Prize and revealed a poet of dazzling virtuosity, eloquence and subtlety - breaking through, as Imlah said of Edwin Muir (whose poems he selected in his last year) 'to a field of unforced imaginative fluency and an unexpected common cause'. Edited by Mark Ford and with an essay by Alan Hollinghurst, the Selected Poems brings together the best work of a poet who can now be seen, with increasing clarity, as a 'lost leader' of Scottish poetry in our time.

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The book brings together subtle and moving meditations on exile and belonging, travel and home, and honours many friends and loved ones along the way. In a series of poems that frequently recall the south-west Ireland of the author's childhood, Farmers Cross shows the author writing at his visionary and lyrical best.

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For twenty years, Ireland's economic miracle was supposed to be the envy of the world. Low taxes, light regulation and an 'anything goes' attitude seemed to have created boundless prosperity. And then, as in Iceland, the glittering palaces vanished in the heat of the global financial meltdown. For years, those with economic power had been investing in a gigantic property bubble.In Ship of Fools Fintan O'Toole tells the story of this dizzying rise and sickening fall. Ireland may have had a tiger economy, but those in charge of it had not lost their taste for sweetheart deals, back-handers and bribery. This is the essential analysis of Ireland's economic suicide.

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Shortlisted for CrimeFest's Last Laugh AwardFour friends, one weekend, gallons of whisky. What could go wrong?Driven by amateur whisky-nut Adam, four late-thirties ex-university mates are heading to Islay - the remote Scottish island world famous for its single malts - with a wallet full of cash, a stash of coke and a serious thirst.Over a weekend soaked in the finest cask strength spirit, they meet young divorcee Molly, who Adam has a soft spot for, her little sister Ash who has all sorts of problems and Molly's ex-husband Joe, a control freak who also happens to be the local police. As events spiral out of control, they are all thrown into a nightmare that gets worse at every turn.

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'Sharp, funny and clever . . . What a pleasure to re-encounter a play that combines unabashed intelligence and zinging wit with a rare generosity of spirit.'Daily Telegraph on The Common Pursuit'Gray's stature as one of the handful of great tragi-comic English dramatists of the second half of the twentieth century would appear now to be undisputed.' Howard Jacobson, Critical QuarterlyHidden Laughter'A sad divine comedy, superbly written. Gray nurses his characters and cares for them, but he never pampers them, or pities them, or presumes to use them as his spokesman. In this respect, he has become an English Chekhov... At the same time, Gray dispenses some of the incandescent malice and moral savagery of Coward at his acid best... But, of course, comparisons can only help you get your bearings. Gray is entirely his own man in this painful, querulous, warm, hard and mature play.' Sunday Times

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Experience how it feels to be the subject of a blasphemy prosecution! Find out why 'wool' is a funny word! See how jokes work, their inner mechanisms revealed, before your astonished face! In 2001, after over a decade in the business, Stewart Lee quit stand-up, disillusioned and drained, and went off to direct a loss-making musical, Jerry Springer: The Opera. Nine years later, How I Escaped My Certain Fate details his return to live performance, and the journey that took him from an early retirement to his position as the most critically acclaimed stand-up in Britain, the winner of BAFTAs and British Comedy Awards, and the affirmation of being rated the 41st best stand up ever. Here is Stewart Lee's own account of his remarkable comeback, told through transcripts of the three legendary full-length shows that sealed his reputation. Astonishingly frank and detailed in-depth notes reveal the inspiration and inner workings of his act. With unprecedented access to a leading comedian's creative process, this book tells us just what it was like to write these shows, develop the performance and take them on tour. How I Escaped My Certain Fate is everything we have come to expect from Stewart Lee: fiercely intelligent, unsparingly honest and very, very funny.

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Midsummer's weekend in Edinburgh. It's raining. Bob's a failing car salesman on the fringes of the city's underworld. Helena's a high-powered divorce lawyer with a taste for other people's husbands. She's totally out of his league; he's not her type at all. They absolutely should not sleep together. Which is, of course, why they do. Midsummer is the story of a great lost weekend of bridge-burning, car chases, wedding bust-ups, bondage miscalculations, midnight trysts and self-loathing hangovers.A collaboration between playwright David Greig and singer-songwriter Gordon McIntyre, Midsummer opened at the Traverse Theatre in October 2008 and was revived for an international tour in the summer of 2009.

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Olivier is an aristocrat, the traumatized child of survivors of the French Revolution. Parrot the son of an itinerant printer who always wanted to be an artist but has ended up a servant. Born on different sides of history, their lives will be brought together by their travels in America.When Olivier sets sail for America, ostensibly to study its prisons but in reality to save his neck from one more revolution - Parrot is sent with him, as spy, protector, foe and foil. As the narrative shifts between the perspectives of Parrot and Olivier, and their picaresque travels together and apart - in love and politics, prisons and the world of art - Peter Carey explores the adventure of American democracy, in theory and in practice, with dazzling wit and inventiveness.

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A novel of secrets and revenge within a seventeenth-century English family. Longlisted for the Orange Prize1672. A generation after the Civil War, Jonathan Dymond, a cider maker, has so far enjoyed a quiet life. But when he discovers a letter from his dying uncle, hinting an inheritance and revenge, he is determined to unravel the mystery in his family. Under the pretence of his cider business, Jonathan visits his newly widowed aunt and there meets her unruly servant girl, Tamar, who soon reveals that she has secrets of her own...

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Ian Bostridge is one of the outstanding singers of our time. Yet his early career was that of a professional historian, and A Singer's Notebook takes a look at the multifaceted world of classical music through the eyes of someone whose career as a singer has followed a unique trajectory.

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In this, his first volume of original verse since the award-winning Landing Light, Don Paterson is found writing at his most memorable and direct. In an assembly of masterful lyrics and monologues, he conjures a series of fables and charms that serve both to expose us to the unsettling forces within the world and simultaneously offer some protection against them. Whether outwardly elemental in their address, or more personal in their direction, these poems - to the rain and the sea, to his young sons or beloved friends - never shy from their inquiry into truth and lie, embracing everything in scope from the rangy narrative to the tiny renku. Rain, which includes the winner of this year's Forward Prize for the Best Individual Poem and an extended elegy for the poet Michael Donaghy, is Don Paterson's most intimate and manifest collection to date.

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Berlin/WallIn two contrasted readings for the stage, David Hare visits a place where a famous wall has come down; then another where a wall is going up.BerlinFor his whole adult life, David Hare has been visiting the city which so many young people regard as the most exciting in Europe. But there's something in Berlin's elusive character that makes him feel he's always missing the point. Now, to celebrate the twentieth anniversary of the reunification, he offers a meditation about Germany's restored capital - both what it represents in European history, and the peculiar part it has played in his own life.WallThe Israeli/Palestine security fence will one day stretch 486 miles, from one end of Israel to the other. It will be four times as long as the Berlin wall, and in places twice as high. In this second monologue, the playwright recalls his trips to both Israel and the Palestinian territory and offers a history of the wall's building, an exploration of the philosophy behind it and a personal account of those who live on either side. Berlin premiered at the National Theatre, London, in February 2009 and Wall premiered at the Royal Court Theatre, London, in March 2009.

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America is in crisis. In the space of a generation, it has become more than ever a country of winners and losers, as industries have failed, institutions have disappeared and the country's focus has shifted to idolise celebrity and wealth. George Packer narrates the story of America over the past three decades, bringing to the task his empathy with people facing difficult challenges, his sharp eye for detail and a gift for weaving together engaging narratives.The Unwinding moves deftly back and forth through the lives of its people, including Dean Price, the son of tobacco farmers who becomes an evangelist for a new economy in the rural South; Tammy Thomas, a factory worker in the industrial Midwest attempting to survive the collapse of her city; Jeff Connaughton, a political careerist in Washington; and Peter Thiel, a Silicon Valley billionaire. Their stories are interspersed with biographical sketches of the era's leading public figures, from Oprah Winfrey to Steve Jobs, to create a rich, wise and very human portrait of the USA in these hard times. The Unwinding portrays a superpower coming apart at the seams, its elites and institutions no longer working, leaving ordinary people to improvise their own schemes for salvation. George Packer is also the author of The Assassin's Gate, which was named one of the ten best books of 2005 by the New York Times and won the Helen Bernstein Book Award. 'A tour de force . . . A fascinating journey through an America that has largely remained hidden from view. There are echoes of Don DeLillo's Underworld in the scope of Packer's vision and his deft eye for language and detail.' Sunday Business Post

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In Contact! Jan turns her brilliantly observant eye to the human contacts she made, across the globe and though the decades. As a series of vignettes, some only a few lines long, she records hundreds of brief glimpses and fleeting encounters, celebrating the people who helped spark her view of the world and mould her responses. A vast range of human experience is here: most are anonymous, everyday encounters - children playing, a homeless man in Manhattan, a lascivious taxi-driver - but she also remembers celebrated figures, from Yves San Laurent to King Hussein of Jordan, President Truman to Peter OToole. Contact! is a must for any fans of Jan's writing. Her great sense of amusement, shrewd eye for detail and huge enthusiasm for her contacts makes these episodes incredibly enjoyable - and often profound.

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Simon Armitage's new collection is by turns a voice and a chorus: a hyper-vivid array of dramatic monologues, allegories, parables and tall tales. Here comes everybody: Snoobie and Carla, Lippincott, Wittmann, Yoshioka, Bambuck, Dr Amsterdam, Preminger. The man whose wife drapes a border-curtain across the middle of the marital home; the English astronaut with a terrestrial outlook on life; an orgiastic cast of unreconstructed pie-worshipers at a Northern sculpture farm; the soap-opera supremacists at their zoo-wedding; the driver who picks up hitchhikers as he hurtles towards a head-on collision with Thatcherism; a Christian cheese-shop proprietor in the wrong part of town; the black bear with a dark secret, the woman who curates giant snowballs in the chest freezer. Celebrities and nobodies, all come to the ball.The storyteller who steps in and out of this human tapestry changes, trickster-style, from poem to poem, but retains some identifying traits: the melancholy of the less deceived, crossed with an undercover idealism. And he shares with many of his characters a star-gazing capacity for belief, or for being 'genuine in his disbelief'.Language is on the loose in these poems, which cut and run across the parterre of poetic decorum with their cartoon-strip energies and air of misrule. Armitage creates world after world, peculiar yet always particular, where the only certainty is the unexpected.

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Liubov Ranevskya, a widowed landowner returns home more or less insolvent after five years abroad. Everything appears just as she remembers, but hers is a diminishing world. Her vast and beautiful cherry orchard is soon to be sold off against her mounting debts. The insistent warnings of Lopakhin, a peasant's son turned wealthy businessman, go unheeded, and more than the family estate is sacrificed as Trofimov, the 'eternal student' who hopes to inherit the future, tells her, "The whole of Russia is our orchard".Tom Stoppard's adaptation of Chekhov's last play is a poignant snapshot of the great, slow-rolling change that came to a head with the Russian revolution in 1917. Tom Stoppard's English version of Chekhov's The Cherry Orchard had its first New York performance at the Harvey Theater, Brooklyn in January 2009, and its first London performance at the Old Vic Theatre in May 2009.

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The greatest of the late medieval Scottish makars, Robert Henryson wrote in Lowland Scots, a distinctive northern version of English. He was profoundly influenced by Chaucer's vision of the frailty and pathos of human life. His greatest poem, and one of the rhetorical masterpieces of the literature of these islands, is the narrative Testament of Cresseid, set in the aftermath of the Trojan War, which completes the story of Chaucer's Troilus and Criseyde, offering a grim and tragic account of its faithless heroine's rejection by her lover Diomede, and her decline into prostitution and leprosy. A work of unreconciled Shakespearean intensity, the Testament has been translated by Seamus Heaney into a confident and yet faithful modern English idiom which honours the poem's unique blend of detachment and compassion.A master of narrative, Henryson was also a comic master of the verse fable; his burlesques of human weakness in the guise of animal wisdom are traced with delicate comedy and irony. Seven of the Fables are here sparklingly translated; their burlesque freshness rendered to the last claw and feather. Seven Fables and The Testament of Cresseid is an extraordinarily rich and wide-ranging encounter between two poets across six centuries.

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'You can sit back and have the time of your life reading A Gate at the Stairs.' Observer'One of the funniest writers alive' Dave Eggers'Hilarious and distressing, entertaining and wise' Roddy Doyle'Moore's a writer you don't quit.' Guardian***SHORTLISTED FOR THE ORANGE PRIZE FOR FICTION***A startlingly funny, inventive novel from one of America's most brilliant writers. With America quietly gearing up for war in the Middle East, twenty-year-old Tassie Keltjin, a 'half-Jewish' farmer's daughter from the plains of the Midwest, has come to university - escaping her provincial home to encounter the complex world of culture and politics.When she takes a job as a part-time nanny to a couple who seem at once mysterious and glamorous, Tassie is drawn into the life of their newly-adopted child and increasingly complicated household. As her past becomes increasingly alien to her - her parents seem older when she visits; her disillusioned brother ever more fixed on joining the military - Tassie finds herself becoming a stranger to herself. As the year unfolds, love leads her to new and formative experiences - but it is then that the past and the future burst forth in dramatic and shocking ways.Refracted through the eyes of this memorable narrator, A Gate at the Stairs is a lyrical, beguiling and wise novel of our times.

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