Search results for ""author tyler""

In the fifth book in Karen Kingsbury and Tyler Russell’s beloved series about the Baxter children, when things don’t turn out according to plan, the siblings must stick together and remember who they are.Things are changing in Bloomington for the Baxters. When Ashley’s teacher, Mr. Garrett, takes a month off work for the birth of his baby, the intimidating Ms. Stritch takes his place. Ashley tries but can’t seem to crack the new teacher’s tough exterior. Meanwhile, Brooke struggles when a popular girl excludes her at lunch, Erin adjusts to getting glasses, and when Kari is given a dance solo for the upcoming recital, she takes her success a little too seriously. When Principal Bond announces a new Character Awards initiative, competition breaks out between siblings and friends, until the students forget the point of the awards. Through it all, the town prepares for a major blizzard that Luke worries will cancel his class’s field trip to see the Harlem Globetrotters. With so many obstacles in their lives, the Baxter Children have the opportunity to remember what being Baxters really means.

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France has long defined itself as a color-blind nation where racial bias has no place. Even today, the French universal curriculum for secondary students makes no mention of race or slavery, and many French scholars still resist addressing racial questions. Yet, as this groundbreaking volume shows, color and other racial markers have been major factors in French national life for more than three hundred years. The sixteen essays in The Color of Liberty offer a wealth of innovative research on the neglected history of race in France, ranging from the early modern period to the present. The Color of Liberty addresses four major themes: the evolution of race as an idea in France; representations of "the other" in French literature, art, government, and trade; the international dimensions of French racial thinking, particularly in relation to colonialism; and the impact of racial differences on the shaping of the modern French city. The many permutations of race in French history—as assigned identity, consumer product icon, scientific discourse, philosophical problem, by-product of migration, or tool in empire building—here receive nuanced treatments confronting the malleability of ideas about race and the uses to which they have been put.Contributors. Leora Auslander, Claude Blanckaert, Alice Conklin, Fred Constant, Laurent Dubois, Yaël Simpson Fletcher, Richard Fogarty, John Garrigus, Dana Hale, Thomas C. Holt, Patricia M. E. Lorcin, Dennis McEnnerney, Michael A. Osborne, Lynn Palermo, Sue Peabody, Pierre H. Boulle, Alyssa Goldstein Sepinwall, Tyler Stovall, Michael G. Vann, Gary Wilder

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This book armed activists on the streets-as well as the many who have become concerned about police abuse-with a critical analysis and ultimately a redefinition of the very idea of policing. The book contends that when we talk about police and police reform, we speak the language of police legitimation through the art of euphemism. So state sexual assault become "body-cavity search," and ruthless beatings become "non-compliance deterrence."A Field Guide to the Police is a study of the indirect and taken-for granted language of policing, a language we're all forced to speak when we talk about law enforcement. In entries like "Police dog," "Stop and frisk," and "Rough ride," the authors expose the way "copspeak" suppresses the true meaning and history of policing. Like any other field guide, it reveals a world that is hidden in plain view. The book argues that a redefined language of policing might help chart a future free society.Now in an expanded and updated edition, including explanations of newsmaking new terms, like "dead names", "kettling", and "qualified immunity", as well as a new foreword by leading criminal justice advocate Craig Gilmore

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Enough! insists there is enough for all. Creating such a future is not about producing more or living with less. Instead, it starts with rethinking our politics, economics and approach to livelihoods. Mary Lawhon and Tyler McCreary develop a “modest approach” to justice and sustainability, drawing on ecology and postcolonial theory, as well as their research on infrastructure in African cities and the Canadian north. The authors chart a pathway beyond modernist and arcadian environmentalisms, emphasizing uncertainty while holding onto hope for creating better worlds. The chapters tack between conceptual contours, concrete examples, proposed inventions, and personal narrative. Theorizing from the struggles of the global south and Indigenous peoples, Enough! proposes delinking livelihoods from work through a redistributive basic income, which enables enough without overreliance on modern states. It also enables us to prevent conflicts over jobs, reduce some types of production, and deploy resources towards building postcapitalist worlds.

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New York Public Library “Best New Comics of 2022 for Adults!” List From Eisner nominated artist Tyler Boss (4 Kids Walk Into A Bank, Dead Dog's Bite) and bestselling writer Matthew Rosenberg (DC vs. Vampires, Uncanny X-Men) comes an epic adventure about growing up and getting lost at the end of the world. When 16 year-old Sid goes missing in the wastelands, it's up to the members of her gang to try to discover what happened. But what they find is a whole world beyond anything they could imagine. Like Lord of the Rings meets Lord of the Flies, or John Carpenter by way of John Hughes, this series smashes together sci-fi and fantasy with elements of comedy, horror, and mystery for an emotional coming-of-age story unlike anything you've read before. This oversized volume collects the first arc of the breakout hit series James Tynion IV calls "What the future of comics SHOULD feel like." Collects issues 1-6.

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Tyler Merritt's video "Before You Call the Cops" has been viewed millions of times. He's appeared on Jimmy Kimmel and Sports Illustrated and has been profiled in the New York Times. The viral video's main point-the more you know someone, the more empathy, understanding, and compassion you have for that person-is the springboard for this book. By sharing his highs and exposing his lows, Tyler welcomes us into his world in order to help bridge the divides that seem to grow wider every day. In I Take My Coffee Black, Tyler tells hilarious stories from his own life as a black man in America. He talks about growing up in a multi-cultural community and realizing that he wasn't always welcome, how he quit sports for musical theater (that's where the girls were) to how Jesus barged in uninvited and changed his life forever (it all started with a Triple F.A.T. Goose jacket) to how he ended up at a small Bible college in Santa Cruz because he thought they had a great theater program (they didn't). Throughout his stories, he also seamlessly weaves in lessons about privilege, the legacy of lynching and sharecropping and why you don't cross black mamas. He teaches readers about the history of encoded racism that still undergirds our society today. By turns witty, insightful, touching, and laugh-out-loud funny, I Take My Coffee Black paints a portrait of black manhood in America and enlightens, illuminates, and entertains-ultimately building the kind of empathy that might just be the antidote against the racial injustice in our society.

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In the early years of the twenty-first century, the US music industry created a new market for tweens, selling music that was cooler than Barney, but that still felt safe for children. In Tween Pop Tyler Bickford traces the dramatic rise of the “tween” music industry, showing how it marshaled childishness as a key element in legitimizing children's participation in public culture. The industry played on long-standing gendered and racialized constructions of childhood as feminine and white—both central markers of innocence and childishness. In addition to Kidz Bop, High School Musical, and the Disney Channel's music programs, Bickford examines Taylor Swift in relation to girlhood and whiteness, Justin Bieber's childish immaturity, and Miley Cyrus/Hannah Montana and postfeminist discourses of work-life balance. In outlining how tween pop imagined and positioned childhood as both intimate and public as well as a cultural identity to be marketed to, Bickford demonstrates the importance of children's music to core questions of identity politics, consumer culture, and the public sphere.

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Trains and other vehicles that travel on rails and tracks have been around for hundreds of years. While most of these are for transport, roller coasters and a few others are just for fun! Find out how maglev trains use magnets to reach speeds of more than 250 miles per hour. Discover what it's like to travel in a pod car, and learn how the world's wildest roller coasters live up to their scream-worthy rankings. See the most awesome rides on tracks and rails!

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Rome's oldest known Latin inscription dates from the sixth century BC; the most recent major specimen was mounted in 2006-a span of more than two and a half millennia. Remarkably, many of these inscriptions are still to be found in situ, on the walls, gates, temples, obelisks, bridges, fountains, and churches of the city. Classicist Tyler Lansford has collected some 400 of these inscriptions and arranged them-with English translations-into fifteen walking tours that trace the physical and historical contours of the city. Each itinerary is prefaced by an in-depth introduction that provides a survey of the history and topography of the relevant area of the city. The Latin texts appear on the left-hand page with English translations on the right. The original texts are equipped with full linguistic annotation, and the translations are supplemented with historical and cultural notes that explain who mounted them and why. This unique guide will prove a fascinating and illuminating companion for both sophisticated visitors to the Eternal City and armchair travelers seeking a novel perspective into Rome's rich history.

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The racist legacy behind the Western idea of freedomThe era of the Enlightenment, which gave rise to our modern conceptions of freedom and democracy, was also the height of the trans-Atlantic slave trade. America, a nation founded on the principle of liberty, is also a nation built on African slavery, Native American genocide, and systematic racial discrimination. White Freedom traces the complex relationship between freedom and race from the eighteenth century to today, revealing how being free has meant being white.Tyler Stovall explores the intertwined histories of racism and freedom in France and the United States, the two leading nations that have claimed liberty as the heart of their national identities. He explores how French and American thinkers defined freedom in racial terms and conceived of liberty as an aspect and privilege of whiteness. He discusses how the Statue of Liberty—a gift from France to the United States and perhaps the most famous symbol of freedom on Earth—promised both freedom and whiteness to European immigrants. Taking readers from the Age of Revolution to today, Stovall challenges the notion that racism is somehow a paradox or contradiction within the democratic tradition, demonstrating how white identity is intrinsic to Western ideas about liberty. Throughout the history of modern Western liberal democracy, freedom has long been white freedom.A major work of scholarship that is certain to draw a wide readership and transform contemporary debates, White Freedom provides vital new perspectives on the inherent racism behind our most cherished beliefs about freedom, liberty, and human rights.

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A Frenchman rents a Hollywood movie. A Thai schoolgirl mimics Madonna. Saddam Hussein chooses Frank Sinatra's "My Way" as the theme song for his fifty-fourth birthday. It is a commonplace that globalization is subverting local culture. But is it helping as much as it hurts? In this strikingly original treatment of a fiercely debated issue, Tyler Cowen makes a bold new case for a more sympathetic understanding of cross-cultural trade. Creative Destruction brings not stale suppositions but an economist's eye to bear on an age-old question: Are market exchange and aesthetic quality friends or foes? On the whole, argues Cowen in clear and vigorous prose, they are friends. Cultural "destruction" breeds not artistic demise but diversity. Through an array of colorful examples from the areas where globalization's critics have been most vocal, Cowen asks what happens when cultures collide through trade, whether technology destroys native arts, why (and whether) Hollywood movies rule the world, whether "globalized" culture is dumbing down societies everywhere, and if national cultures matter at all. Scrutinizing such manifestations of "indigenous" culture as the steel band ensembles of Trinidad, Indian handweaving, and music from Zaire, Cowen finds that they are more vibrant than ever--thanks largely to cross-cultural trade. For all the pressures that market forces exert on individual cultures, diversity typically increases within society, even when cultures become more like each other. Trade enhances the range of individual choice, yielding forms of expression within cultures that flower as never before. While some see cultural decline as a half-empty glass, Cowen sees it as a glass half-full with the stirrings of cultural brilliance. Not all readers will agree, but all will want a say in the debate this exceptional book will stir.

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After reading this intriguing book, a glass of wine will be more than hints of blackberries or truffles on the palate. Written by the author of the popular, award-winning website DrVino.com, "Wine Politics" exposes a little-known but extremely influential aspect of the wine business - the politics behind it. Tyler Colman systematically explains how politics affects what we can buy, how much it costs, how it tastes, what appears on labels, and more. He offers an insightful comparative view of wine-making in Napa and Bordeaux, tracing the different paths American and French wines take as they travel from vineyard to dining room table. Colman also explores globalization in the wine business and illuminates the role of behind-the-scenes players such as governments, distributors, and prominent critics who wield enormous clout. Throughout, "Wine Politics" reveals just how deeply politics matters - right down to the taste of the wine in your glass tonight.

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The Kingdome, John (“Jack”) Christiansen’s best-known work, was the largest freestanding concrete dome in the world. Built amid public controversy, the multipurpose arena was designed to stand for a thousand years but was demolished in a great cloud of dust after less than a quarter century. Many know the fate of Seattle’s iconic dome, but fewer are familiar with its innovative structural engineer, Jack Christensen (1927–2017), and his significant contribution to Pacific Northwest and modernist architecture. Christiansen designed more than a hundred projects in the region: public schools and gymnasiums, sculptural church spaces, many of the Seattle Center’s 1962 World’s Fair buildings, and the Museum of Flight’s vast glass roof all reflect his expressive ideas. Inspired by Northwest topography and drawn to the region’s mountains and profound natural landscapes, Christiansen employed hyperbolic paraboloid forms, barrel-vault structures, and efficient modular construction to echo and complement the forms he loved in nature. Notably, he became an enthusiastic proponent of using thin shell concrete—the Kingdome being the most prominent example—to create inexpensive, utilitarian space on a large scale. Tyler Sprague places Christiansen within a global cohort of thin shell engineer-designers, exploring the use of a remarkable structural medium known for its minimal use of material, architectually expressive forms, and long-span capability. Examining Christiansen’s creative design and engineering work, Sprague, who interviewed Christiansen extensively, illuminates his legacy of graceful, distinctive concrete architectural forms, highlighting their lasting imprint on the region’s built environment. A Michael J. Repass Book

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Tyler Roberts encourages scholars to abandon rigid conceptual oppositions between "secular" and "religious" to better understand how human beings actively and thoughtfully engage with their worlds and make meaning. The artificial distinction between a self-conscious and critical "academic study of religion" and an ideological and authoritarian "religion," he argues, only obscures the phenomenon. Instead, Roberts calls on intellectuals to approach the field as a site of "encounter" and "response," illuminating the agency, creativity, and critical awareness of religious actors. To respond to religion is to ask what religious behaviors and representations mean to us in our individual worlds, and scholars must confront questions of possibility and becoming that arise from testing their beliefs, imperatives, and practices. Roberts refers to the work of Hent de Vries, Eric Santner, and Stanley Cavell, each of whom exemplifies encounter and response in their writings as they traverse philosophy and religion to expose secular thinking to religious thought and practice. This approach highlights the resources religious discourse can offer to a fundamental reorientation of critical thought. In humanistic criticism after secularism, the lines separating the creative, the pious, and the critical themselves become the subject of question and experimentation.

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William Klein’s Mr. Freedom (1969) is one of the most important American satirical films ever produced, the tale of an American superhero with disastrously misguided priorities. Although it was made in France and with a largely French cast, Klein was an American expatriate, and the film’s primary topic is American culture. That it is still so largely unseen seems to have something to do with a view of it as being, in the words of critic Jonathan Rosenbaum, “conceivably the most anti-American movie ever made”.In his contribution to the Constellations series, Tyler Sage argues that to call Mr. Freedom “anti-American” is to misunderstand not only the film but the satirical tradition of American arts and letters from which it descends. The film is challenging, Sage asserts, not because it is unpatriotic but because it lays bare the ideological nature of American films themselves. By interweaving a startling range of topics, including the cultural conditions surrounding the Vietnam War, the foundations of the American obsessions with race and violence, and our contemporary superhero film cycle, Sage explores the ways Mr. Freedom compels the viewer to come to terms with the fact that the stories we tell ourselves can never be separated from the larger forces of history, culture and film tradition.

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''Haunting and visceral as a fairytale'' Lilly Dancyger''Brims with sex and violence and threat, and moves to a crescendo of strange and magical beauty'' Rebecca Stott''Gorgeously written ...resurrected for me the exquisite and ecstatic pains of girlhood'' Hannah Lillith Assadi, author of Sonora and The Stars Are Not Yet Bells''Exhilirating'' Allison BehringerSissy is used to being on the outside. The new girl in her West Country school, she recently arrived with her troubled mother, prone to letting Sissy fend for herself.But from the day Sissy fights a boy in front of Tegan, she''s no longer alone. Bonded by violence, they grow so close they feel like one being: wrapped around each other in bed at sleepovers, sending photographs to men they meet online, and scaring each other with reports of the girls being snatched at night in their town.Over the course of the school year, they find themselves

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Canada and the Military Coup in Honduras.

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Explains the equipment, skills, and techniques needed for deep-sea fishing. Vibrant photographs and clear text help readers understand and imagine this fascinating way to explore the outdoors.

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From the wild imagination of Tyler Gaca, also known as TikTok's Ghosthoney, comes a beautiful compendium of poems, images, personal stories, and vignettes that explore magic, queerness, Tyler's unique story, and the enchantment and comfort to be found in the weird, the dark, and the different.In this raw yet enchanting collection of poems, essays, photographs, and artworks, Tyler Gaca dreamily navigates themes of magic and queerness, offering readers an intimate look inside his mind and his worlds, real and imagined.The writings in Gentle Chaos reflect on growing up queer and in love with magic, discovering yourself and your place in the world, and daring to seek out love and hope. The artworks are dedicated to salvaged antique photographs, haircuts, dead moths, the creatures we dream up, and much more. The result is a whimsical, vulnerable, and transporting journey into the gentle chaos within us all.

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Turn a coffee table, kitchen cupboard, bathroom wall, bedside table, or windowsill into a wonder of hydroponic production with project plans and DIY tutelage from hydroponic-growing pro Tyler Baras. Yes, you can grow your own delicious food literally anywhere. In Home Hydroponics, “Farmer Tyler” shows you how easy it is to build your own soilless growing systems to cultivate greens, veggies, herbs, and more. And, to sweeten the deal even further, Tyler’s designs are not just functional, they’re also attractive. In fact, unlike the typical industrial designs of most DIY hydroponic systems, these projects fit beautifully into your living space, no matter its size or style. The small-space hydroponics projects found here come with easy-to-follow, step-by-step plans for making growing systems that fit right into your home. No need to have a separate grow room or to tuck your plants into a corner of the basement. Transform a living room armoire into a food-growing machine Build a hydroponic wall garden for the dining room Convert a bar cart into a mobile hydroponics system Grow scented herbs in a unique hanging unit Fill a kitchen window with hydroponic suction cup planters Cultivate your own food on a compact corner shelf in your bedroom With hydroponics, you can grow productive plants anywhere, even in the total absence of natural sunlight. Home Hydroponics covers everything from crop selection and lighting to nutrient management and site selection. Convert almost any room in your home into a mini food farm with the resources and projects found here.

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The Monocle team dips its toe into the world of swimming, revealing 100 beautiful and inspiring places to take the plunge. Swimming is excellent exercise of course, but it’s so much more than that: it can be a transcendental experience, offering us space to reflect and to escape. It’s an antidote to screens and all-encompassing technology. Perhaps it’s the shedding of inhibitions that come with a dip, or could it be that getting somewhere under our own steam is an act that’s health-giving, refreshing and life-affirming? Whatever it means to you, swimming – alone or with others, badly or brilliantly – is about being in the moment. This new book celebrates bathing in glorious full-colour photography, revealing the editors’ chosen spots from inner-city architectural wonders to lakes, beach clubs and bagni. So whether you’re looking to do laps in Italy, tread water in Australia, sink into the icy depths in Iceland – or perhaps just sit on the side and let others do the hard work – this guide includes a setting for everyone. Dive right in.

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Tyler's brain is different. Unlike his friends, he has a hard time paying attention in class. He acts out in goofy, over-the-top ways. Sometimes, he even does dangerous things-like cut up a bus seat with a pocketknife or hang out of an attic window. To the adults in his life, Tyler seems like a troublemaker. But he knows that he's not. Tyler is curious and creative. He's the best artist in his grade, and when he can focus, he gets great grades. He doesn't want to cause trouble, but sometimes he just feels like he can't control himself. In Button Pusher, cartoonist Tyler Page delves into his childhood experiences and explores what it means to grow up with ADHD. From diagnosis to treatment and beyond, Tyler's story is raw and enlightening, inviting you to see the world from a new perspective.

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DISCOVER THE START OF AN EPIC FANTASY TRILOGY THAT BEGINS WITH A HEIST AND QUICKLY EXPLODES INTO A FULL-TILT, LAST-DITCH PLAN TO SAVE HUMANITYArdor Benn is no ordinary thief - a master of wildly complex heists, he styles himself a Ruse Artist Extraordinaire. When he gets hired for his most daring ruse yet, Ardor knows he'll need more than quick wit and sleight of hand. Assembling a dream team of forgers, disguisers, schemers and thieves, he sets out to steal from the most powerful king the realm has ever known. But it soon becomes clear there's more at stake than fame and glory - Ard and his team might just be the last hope for human civilisation.'Mission Impossible, but with magic, dragons, and a series of heists that go from stealing a crown to saving the world. A fun, terrific read I heartily recommend' David Dalglish'This is one of the best times I've ever had whilst reading a book . . . Ardor Benn makes Locke Lamora look like a rank amateur' Fantasy Hive'If you enjoy The Lies of Locke Lamora . . . then I can confidently predict that The Thousand Deaths of Ardor Benn is the book for you' The Eloquent Page'The plot and world of this book are one of a kind . . . a very impressive debut' The Quill to Live'From start to finish this is an amazing read' The Book Plank'This one is for all you fans of Scott Lynch and Marshall Ryan Maresca eager to meet your next favourite fantasy ne'er-do-well' B&N Sci-Fi and Fantasy Blog

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The book provides an accessible but comprehensive overview of methods for mediation and interaction. There has been considerable and rapid methodological development on mediation and moderation/interaction analysis within the causal-inference literature over the last ten years. Much of this material appears in a variety of specialized journals, and some of the papers are quite technical. There has also been considerable interest in these developments from empirical researchers in the social and biomedical sciences. However, much of the material is not currently in a format that is accessible to them. The book closes these gaps by providing an accessible, comprehensive, book-length coverage of mediation. The book begins with a comprehensive introduction to mediation analysis, including chapters on concepts for mediation, regression-based methods, sensitivity analysis, time-to-event outcomes, methods for multiple mediators, methods for time-varying mediation and longitudinal data, and relations between mediation and other concepts involving intermediates such as surrogates, principal stratification, instrumental variables, and Mendelian randomization. The second part of the book concerns interaction or "moderation," including concepts for interaction, statistical interaction, confounding and interaction, mechanistic interaction, bias analysis for interaction, interaction in genetic studies, and power and sample-size calculation for interaction. The final part of the book provides comprehensive discussion about the relationships between mediation and interaction and unites these concepts within a single framework. This final part also provides an introduction to spillover effects or social interaction, concluding with a discussion of social-network analyses. The book is written to be accessible to anyone with a basic knowledge of statistics. Comprehensive appendices provide more technical details for the interested reader. Applied empirical examples from a variety of fields are given throughout. Software implementation in SAS, Stata, SPSS, and R is provided. The book should be accessible to students and researchers who have completed a first-year graduate sequence in quantitative methods in one of the social- or biomedical-sciences. The book will only presuppose familiarity with linear and logistic regression, and could potentially be used as an advanced undergraduate book as well.

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In Perception: First Form of Mind, Tyler Burge develops an understanding of the most primitive type of mental representational: perception. Focusing on the functions and capacities of perceptual states, Burge accounts for their representational content and structure, and develops a formal semantics for them. The discussion explains the role of iconic format in the structure. It also situates the accounts of content, structure, and semantics within scientific explanations of perceptual-state formation, emphasizing formation of perceptual categorization. In the book's second half, Burge discusses what a perceptual system is. Exploration of relations between perception and other primitive capacities-conation, attention, memory, anticipation, affect, learning, and imagining-helps distinguish perceiving, with its associated capacities, from thinking, with its associated capacities. Drawing mainly on vision science, not introspection, Perception: First Form of Mind is a rigorous, agenda-setting work in philosophy of perception and philosophy of science.

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This hilarious compendium dives into the quirkiest decrees from around the country, from Alabama's ban on driving blindfolded to Delaware's restriction on selling dog hair. Every state in the country has its own set of rules, carefully designed to identify the biggest problems in its culture and correct them. Most of them are normal: don't steal, don't kill, don't go somewhere you don't belong, etc. All it takes is one weirdo to throw a wrench in that ordinary list, one unruly dude who tried to hold a salmon suspiciously or wash an alligator in a bathtub for lawmakers to step in and impose some order. What are some of these crazy laws, you ask? Take your pick: In Connecticut, it's illegal for a barber to hum a tune while clipping your hair. Thinking about buying a boat house? Think again. It's considered illegal in the state of Georgia to live on a boat for longer than a month. Pigeons get the short end of the stick in both San Francisco, California and Venice, Italy: it's against the law to feed them in public in both cities. Ready to say I do! a third time? Hopefully, you don't live in Kentucky: women are not allowed to marry thrice in the Southern state. Want to surprise your loved one with a pizza? Too bad. Sending a pie to someone without their permission can result in a $500 dollar fine in Louisiana. In Arizona, you can't feed garbage to a pig without a permit. What constitutes as garbage, though, is up to you. The list goes on. More interesting than the laws themselves are the histories behind each, which Blue Laws goes into in detail. Like, why can't you roll a boulder in Boulder, Colorado? Who decided that you couldn't catch fish with your hands in Indiana? Why are blue laws called blue laws and how did they come to mean generally weird rules (instead of their original meaning: laws dictating what citizens can and cannot do on Sundays)? In this informative and funny book, you will find out through a series of anecdotes, court cases, and illustrated pictures that break down just how and why these rules (most of which are still currently in effect) came to be. Good for history teachers, trivia nerds, or white elephant gift exchange participants, Don't Hurt a Sasquatch is a widely appealing book that will teach you more about how the world works than you ever wanted to know.

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