Search results for ""author robert"

Japan and China are thrown close to the brink of war when a Japanese warship is attacked. Meanwhile top Covert-One operative Jon Smith is sent to recover mysterious material from the wrecked Fukushima nuclear reactor. Smith vanishes, and CIA agent Randi Russell goes on an unsanctioned mission to find him. She discovers that the missing samples may be evidence that Japan, led by Chief of Staff Masao Takahashi, has been developing next-generation weapons systems in preparation for a conflict with China. The Covert-One team must prevent Takahashi from sparking a war, or the world will be dragged into a battle certain to kill tens of millions of people and leave much of the planet uninhabitable.

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Paul Janson returns in a thrilling new adventure...Paul Janson has set a new mission for himself. In partnership with champion sharpshooter Jessica Kincaid, he rehabilitates disenchanted agents, helping them to create new lives outside the violent intelligence sector.But he still takes on independent assignments - for a fee. So when an oil executive begs Janson to rescue his wife, Allegra, from Somali pirates, Janson and Kincaid take on the case.However, pirates are the least of their worries in the violent chaos of oil-rich East Africa. And when Janson and Kincaid stumble into a bewildering storm of plots and counter plots, they begin to fear the only way to escape would be to abandon the kidnapped Allegra.

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This wide-ranging collection is the first to set Robert Louis Stevenson in detailed social, political and literary contexts. The book takes account of both Stevenson's extraordinary thematic and generic diversity and his geographical range. The chapters explore his relation to late nineteenth-century publishing, psychology, travel, the colonial world, and the emergence of modernism in prose and poetry. Through the pivotal figure of Stevenson, the collection explores how literary publishing and cultural life changed across the second half of the nineteenth century. Stevenson emerges as a complex writer, author both of hugely popular boys' stories and of seminally important adult novels, as well as the literary figure who debated with Henry James the theory of fiction and the nature of realism. The collection shows how interest in the unconscious and changes in the conception of childhood demand that we re-evaluate our ideas of his writing. Individual essays by international experts trace Stevenson' literary contexts from Scotland to the South Pacific, and show him to be one of the key writers for understanding the growing sense of globalisation and cultural heterogeneity in the late nineteenth century. Key Features * Sets Stevenson in his literary, scientific and political contexts * Covers a broad range of Stevenson's fiction and non-fiction * Written by a team of international scholars * Includes an authoritative introduction and select bibliography

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Robert Browning was one of the greatest English poets of the Victorian era. This biography contains letters Browning wrote to relatives and friends throughout his life, giving an insight into his formation as a poet.

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Collected for the first time, the foundational contributions of a scholar and activist who shaped the study of Garveyism and pan-Africanism. This volume brings together Robert A. Hill's most important writings for the first time, highlighting his intellectual contributions to the history of pan-Africanism. A pioneering scholar and activist, a ground-breaking builder of pan-African archives, and the editor of the multivolume Marcus Garvey and Universal Negro Improvement Association Papers, Hill remains under-acknowledged for his influence on the field. This collection is a long-overdue testament to his legacy. Adam Ewing showcases Hill's ground-breaking writings on Garveyism, the pan-African, anticolonial movement that spread across the globe following World War I. Hill's essays trace Marcus Garvey's evolving thought and illuminate the resonance of the movement in the Caribbean and its diaspora, in the United States, and across sub-Saharan Africa. The volume also includes Hill's writings on diverse aspects of pan-Africanism, including the imposter figure in diaspora history, Cyril Briggs's African Blood Brotherhood, the Rastafarian movement, the fiction of George Schuyler, George Beckford and the Abeng collective in Jamaica, the theories of Walter Rodney, the life and thought of C.L.R. James, and the music of Bob Marley. This volume not only demonstrates Hill's intellectual praxis and its roots in his academic influences and personal experiences but also reveals the breadth, diversity, complexity, and centrality of the pan-African tradition in African diasporic politics and thought. Publication of this work made possible by a Sustaining the Humanities through the American Rescue Plan grant from the National Endowment for the Humanities.

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It''s been over a decade since Nash Rollins recruited a brilliant, talented, but disaffected young man named David Webb to join Treadstone. Webb became the agent known as Cain-and later took on the identity of Jason Bourne. That violent winter-which included Cain''s first mission for Treadstone-was also a story of betrayal in ways that David never knew. So after the injury that erased Bourne''s whole life, Nash lied about the circumstances of David''s recruitment to Treadstone. He was afraid that learning the truth might drive Bourne out of the agency forever. But now, when Bourne meets a woman who recognises him as David Webb, the secrets of those days begin to come out-and Bourne is forced to confront the dangerous ghosts of a past he doesn''t even remember.

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Finalist for the Los Angeles Times Book Prize (Biography)A Hollywood love story, a Hollywood memoir, a dual biography of two of Hollywood’s most famous figures, whose golden lives were lived at the center of Hollywood’s golden age, written by their daughter, an acclaimed writer and producer.Fay Wray was most famous as the woman—the blonde in a diaphanous gown—who captured the heart of the mighty King Kong, the twenty-five-foot, sixty-ton gorilla, as he placed her, nestled in his eight-foot hand, on the ledge of the 102-story Empire State Building, putting Wray at the height of New York’s skyline and cinematic immortality. Wray starred in more than 120 pictures opposite Hollywood''s biggest stars—Spencer Tracy, Gary Cooper (The Legion of the Condemned, The First Kiss, The Texan, One Sunday Afternoon), Clark Gable, William Powell, and Charles Boyer; from cowboy stars Hoot Gibson and Art Accord to Ronald Co

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Samuel N. Rosenberg, one of the premier translators of Old French, presents in this volume the first modern English-language version of the thirteenth-century French romance Robert le Diable, a tale of supernatural birth and spiritual redemption.Robert is born after his mother, a childless noblewoman, secretly calls upon Satan to help her conceive. His wicked behavior as a boy and, later, as a destructive young man is so brutal that one day Robert prevails upon his mother to reveal the secret of his birth and thus the source of his wickedness. Upon learning the truth, he leaves his privileged home in Normandy to seek salvation. Robert’s lengthy penance—under the aegis of the Pope and a pious hermit—begins with his acting as a mute fool in the Roman Emperor’s court and ends with his sainthood. In between he plays the hero’s role in defeating the Turks in battle and turns down the hand of the Emperor’s daughter in marriage, choosing instead to return to the hermit’s abode.The legend of Robert le Diable was extraordinarily influential in the seven hundred years after its creation, generating new versions and adaptations in various languages, ranging from sixteenth-century English adaptations by Wynken de Worde and Thomas Lodge to Giacomo Meyerbeer’s esteemed 1831 opera. Framed by a thoughtful introduction and thorough bibliography, this accessible translation renders the original octosyllabic rhymed couplets of the metrical Old French romance in energetic free verse.

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'Watch your back 007 - Bourne is out to get you' - Sunday Times'Olympic style, all-out espionage' Daily ExpressReaders were first introduced to Jason Bourne's nemesis Leonid Arkadin, a brilliant Russian assassin and fearless international mercenary, in THE BOURNE SANCTION. His girlfriend was killed during a fight for which an enraged Arkadin blames Bourne. In THE BOURNE DECEPTION, Arkadin hunted Bourne to take revenge and kill him. Bourne, in a fight for his life, learned that Arkadin's skills mirror Jason's because he received the same original CIA Treadstone training.Now, in THE BOURNE OBJECTIVE, Jason turns the tables and targets Arkadin. Hunter will become hunted.But revenge can cause great psychological devastation. Has this become too personal for Bourne? Will this hunt be Bourne's downfall?

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The second book in the Insurrection trilogy, which tells the thrilling story of Robert the Bruce.King Edward I of England marches on Scotland, inspired by an Arthurian prophecy and aiming to unite the British Isles under a single crown.One man alone can thwart Edward's plan. But on the run in Ireland, hunted by a relentless assassin, Robert Bruce seems a long way from achieving his ambition.Born to a line of kings, Robert will not bow to a conqueror. Robert finds that to survive he must abandon everything he holds dear. He was always prepared to die on the battlefield - but who else must he sacrifice to keep his hopes alive?Renegade is a dazzling story of conspiracy and divided loyalties, battle and betrayal, and a superb portrait of the medieval world.

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Celebrate Robert Frost's 150th birthday with a deluxe keepsake edition featuring 16 of his greatest poems—with brilliant essays highlighting his special genius and the power of memorization to unlock the magic of his languageDuring a public reading Robert Frost was once asked why he so frequently recited his poems from memory. With typical wit, he replied: “If they won’t stick to me, I won’t stick to them.” Remarkably among the modern poets, his poems “stick” to the reader:  Mending Wall, with its famous invocation of the rural maxim Good fences make good neighbors The Road Not Taken, about the beguiling possibilities of life Birches, which reminds us that One could do worse than be a swinger of birches Stopping by Woods on a Snowy Evening, with its unforgettable final line: And miles to go before I sleep. Here, poet and Frost biographer Jay Pari

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This definitive biography gives a brilliant account of the life and art of Robert Duncan (1919-1988), one of America's great postwar poets. Lisa Jarnot takes us from Duncan's birth in Oakland, California, through his childhood in an eccentrically Theosophist household, to his life in San Francisco as an openly gay man who became an inspirational figure for the many poets and painters who gathered around him. Weaving together quotations from Duncan's notebooks and interviews with those who knew him, Jarnot vividly describes his life on the West Coast and in New York City and his encounters with luminaries such as Henry Miller, Anais Nin, Tennessee Williams, James Baldwin, Paul Goodman, Michael McClure, H.D., William Carlos Williams, Denise Levertov, Robert Creeley, and Charles Olson.

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The Life of Robert Frost presents a unique and rich approach to the poet that includes original genealogical research concerning Frost’s ancestors, and a demonstration of how mental illness plagued the Frost family and heavily influenced Frost’s poetry. A widely revealing biography of Frost that discusses his often perplexing journey from humble roots to poetic fame, revealing new details of Frost’s life Takes a unique approach by giving attention to Frost’s genealogy and the family history of mental illness, presenting a complete picture of Frost’s complexity Discusses the traumatic effect on Frost of his father’s early death and the impact on his poetry and outlook Presents original information on the influence of his mother’s Swedenborgian mysticism

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The Robert and Lisa Sainsbury Collection at the University of East Anglia, Norwich, is considered one of the greatest art collections of the twentieth century. It originated in the 1930s when Robert Sainsbury, a collector of private press books, began to acquire works by Epstein and Moore as well as sculptures from China and Africa. After their marriage in 1937, Robert and Lisa Sainsbury embarked on "an unplanned voyage of discovery in the world of art," says Steven Hooper in the introduction to this three-volume set. With abundant illustrations, the set catalogues the holdings of the extensive Sainsbury Collection in three volumes: European 19th and 20th Century Paintings, Drawings and Sculpture; Pacific, African and Native North American Art; and Precolumbian, Asian, Egyptian and European Antiquities. As the Sainsburys' collection grew, it came to include a broad range of works by such artists as Moore, Giacometti, and Bacon, from such widespread locations as Polynesia, Alaska, Western Africa, Mesoamerica, Japan, and the Cyclades. Presented as a gift to the University of East Anglia in 1973, the Sainsbury Collection has grown considerably with continued acquisitions and is today housed in Norman Foster's remarkable Sainsbury Centre for the Visual Arts. University and museum scholars from Europe, America, and Japan provide entries for this catalogue, which will serve as a rich resource for art historians, anthropologists, and archaeologists. For general readers, the set offers an accessible introduction to a range of art from many periods and cultures.Published in association with the University of East Anglia, Norwich

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The early years of film were dominated by competition between inventors in America and France, especially Thomas Edison and the Lumiere brothers . But while these have generally been considered the foremost pioneers of film, they were not the only crucial figures in its inception. Telling the story of the white-hot years of filmmaking in the 1890s, Robert Paul and the Origins of British Cinema seeks to restore Robert Paul, Britain's most important early innovator in film, to his rightful place. From improving upon Edison's Kinetoscope to cocreating the first movie camera in Britain to building England's first film studio and launching the country's motion-picture industry, Paul played a key part in the history of cinema worldwide. It's not only Paul's story, however, that historian Ian Christie tells here. Robert Paul and the Origins of British Cinema also details the race among inventors to develop lucrative technologies and the jumbled culture of patent-snatching, showmanship, and music halls that prevailed in the last decade of the nineteenth century. Both an in-depth biography and a magnificent look at early cinema and fin-de-siecle Britain, Robert Paul and the Origins of British Cinema is a first-rate cultural history of a fascinating era of global invention, and the revelation of one of its undervalued contributors.

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The Letters of Robert Frost, Volume 2: 1920–1928 is the second installment of Harvard’s five-volume edition of the poet’s correspondence. Nearly three hundred letters in the critically-acclaimed first volume had never before been collected; here, close to four hundred are gathered for the first time. Volume 2 includes letters to some 160 correspondents: family and friends; colleagues, fellow writers, visual artists, editors, and publishers; educators of all kinds; farmers, librarians, and admirers.In the years covered here, publication of Selected Poems, New Hampshire, and West-Running Brook enhanced Frost’s stature in America and abroad, and the demands of managing his career—as public speaker, poet, and teacher—intensified. A good portion of the correspondence is devoted to Frost’s appointments at the University of Michigan and Amherst College, ​through which he played a major part in staking out the positions poets would later hold in American universities.​​ Other letters show Frost helping to shape the Bread Loaf School of English and its affiliated Writers’ Conference.​ We encounter him discussing his craft with students and fostering the careers of younger poets. His ​​observations (and reservations) about educators are illuminating and remain pertinent. And family life—with all its joys and sorrows, hardships and satisfactions—is never less than central to Frost’s concerns.Robert Frost was a masterful prose stylist, often brilliant and always engaging.​ Thoroughly annotated and accompanied by a biographical glossary, chronology, and detailed index, these letters are both the record of a remarkable literary life and a unique contribution to American literature.

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The world's most ruthlessly efficient assassin, Jason Bourne, has carved a bloody swathe through all his opponents but now he's facing the one force he can't defeat – his own past – in the latest thrilling entry in Robert Ludlum's New York Times bestselling series. Three years ago, Jason Bourne embarked on a mission in Estonia with his partner and lover, a fiery Treadstone agent codenamed Nova. Their job was to rescue a Russian double agent, recently been smuggled out of St. Petersburg in the midst of an FSB manhunt. They failed. Their charge died at the hands of a shadowy assassin. Now, three years later, everything has changed. Nova is gone, killed in a mass shooting in Las Vegas. Bourne is a lone operative working in the shadows for Treadstone. He's awaiting his next assignment when his handler bring him shocking news. The Estonian mission was a set up. The double agent is still alive, deep in hiding from the Russian State Intelligence Agency. In order to find her, Bourne will have to come face to face with the errors of his past — and the death of the woman he love. And with the body count rising. he comes to an invevitable conclusion: Some secrets should stay buried.

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Examines an under-analysed period of Robert Altman's career.

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The first major book to consider the life and work of Robert Arneson, "A Troublesome Subject" tells the fascinating story of how a high school art teacher transformed himself into an artist of international stature and ambition. Representing the full scope of Arneson's career in a rich survey of color reproductions, this book is at once a study of the trajectory of contemporary culture, the work of Robert Arneson, and the relationship between the two. It shows how Arneson's work articulated the crisis of narcissism that has defined American culture since 1970. Jonathan Fineberg develops his ongoing work toward a psychosocial history of art as he proceeds through Arneson's career - chronicling his early life, the formation of a personal style, and finding a unique subject matter in his famous post - 1970 turn to self-portraiture.

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This assessment of the statesmanship, principles, and policies of Robert F. Kennedy places him "in the stream of history," to assess what came before his time in political life, what happened during that time, and what happened to his legacy after his assassination. Terrence Edward Paupp evaluates the themes and issues RFK confronted, responded to, and for which he provided visionary solutions.Paupp first chronicles the influence of Franklin D. Roosevelt's legacy as a prologue to the New Frontier and Great Society. During Robert F. Kennedy's time in power—both in his brother's administration and on his own in the US Senate—he struggled with striking a balance between power and purpose. In the years after John F. Kennedy's assassination, RFK emphasized the need to unite power and purpose, national and international concerns, ideals and practice. Much of this has been ignored, Paupp argues, by what C. Wright Mills called "the power elite."In assessing RFK's statesmanship, Paupp examines his commitments to human and civil rights, which linked themes and ideals within the US to those struggles taking place outside the country. Robert F. Kennedy brought zeal and passion to these problems by discussing the moral necessity of honouring human dignity while articulating practical solutions, policies, and programs to structural injustice. His legacy remains a beacon of light, intelligence, and hope in today's world.

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Boston PI Sunny Randall is back in this latest installment of Robert B. Parker''s bestselling and beloved series.

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The iconic, tough-but-tender Boston PI Spenser returns in an outstanding new addition to the New York Times-bestselling series from author Ace Atkins. What started out as a joke landed seventeen-year-old Dillon Yates in a lockdown juvenile facility in Boston Harbor. When he set up a prank twitter account for his vice principal, he never dreamed he could be brought up on criminal charges, but that's exactly what happened. This is Blackburn, Massachusetts, where zero tolerance for minors is a way of life. Leading the movement is hard-as-nails Judge Joe Scali, who gives speeches about getting tough on today's wild youth. But Dillon's mother, who knows other Blackburn kids who are doing hard time for minor infractions, isn't buying Scali's line. She hires Spenser to find the truth behind the Draconian sentencing. From the Harbor Islands to a gated Florida community, Spenser and trusted ally Hawk follow a trail through the Boston underworld with links to a shadowy corporation that runs New England's private prisons. They eventually uncover a culture of corruption and cover-ups in the old mill town, where hundreds of kids are sent off to for-profit juvie jails.

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Profoundly original yet insistent on the derivative quality of his work, transgressive yet affirmative of tradition, Robert Duncan (1919-1988) was a generative force among American poets, and his poetry and poetics establish him as a major figure in mid- and late- 20th-century American letters. This second volume of Robert Duncan's collected poetry and plays presents authoritative annotated texts of both collected and uncollected work from his middle and late writing years (1958-1988), with commentaries on each of the five books from this period: The Opening of the Field, Roots and Branches, Bending the Bow, and the two volumes of Ground Work. The biographical and critical introduction discusses Duncan as a late Romantic and postmodern American writer; his formulation of a homosexual poetics; his development of the serial poem; the notation and centrality of sound as organizing principle; his relations with such fellow poets as Robin Blaser, Charles Olson, and Jack Spicer; his indebtedness to Alfred North Whitehead; and his collaborations with the painter Jess Collins, his lifelong partner. Texts include his anti-war poems of the 1960s and 70s, his homages to Dante and other canonical poets, and his translations from the French of Gerard de Nerval, as well as the complete Structure of Rime and Passages series.

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Profoundly original yet insistent on the derivative quality of his work, transgressive yet affirmative of tradition, Robert Duncan (1919-1988) was a generative force among American poets, and his poetry and poetics establish him as a major figure in mid- and late- 20th-century American letters. This second volume of Robert Duncan’s collected poetry and plays presents authoritative annotated texts of both collected and uncollected work from his middle and late writing years (1958-1988), with commentaries on each of the five books from this period: The Opening of the Field, Roots and Branches, Bending the Bow, and the two volumes of Ground Work. The biographical and critical introduction discusses Duncan as a late Romantic and postmodern American writer; his formulation of a homosexual poetics; his development of the serial poem; the notation and centrality of sound as organizing principle; his relations with such fellow poets as Robin Blaser, Charles Olson, and Jack Spicer; his indebtedness to Alfred North Whitehead; and his collaborations with the painter Jess Collins, his lifelong partner. Texts include his anti-war poems of the 1960s and 70s, his homages to Dante and other canonical poets, and his translations from the French of Gérard de Nerval, as well as the complete Structure of Rime and Passages series.

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The art of Robert Rauschenberg (1925-2008) is usually viewed as quite distinct from Surrealism, a movement which the artist himself displayed some hostility towards. However, Rauschenberg had a very positive reception among Surrealists, particularly across the period 1959-69. In the face of Rauschenberg’s avowals of his own ‘literalism’ and insistence on his art as ‘facts,’ this book gathers generous evidence of the poetic, metaphorical, allusive, associative and connotative dimensions of the artist's oeuvre as identified by Surrealists, and thus extrapolates new readings from Rauschenberg's key works on that basis. By viewing Rauschenberg’s art against the expansion of the cultural influence of the United States in Europe in the period after the Second World War and the increasingly politicized activities of the Surrealists in the era of the Algerian War of Independence (1954-62), Robert Rauschenberg and Surrealism shows how poetic inference of the artist’s work was turned towards political interpretation. By analysing Rauschenberg’s art in the context of Surrealism, and drawing from it new interpretations and perspectives, this volume simultaneously situates the Surrealist movement in 1960s American art criticism and history.

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Robert Walser gilt heute als einer der wichtigsten Prosa-Autoren des 20. Jahrhunderts. Obwohl er mit seinen Romanen »Geschwister Tanner«, »Der Gehülfe« und »Jakob von Gunten« in Literatenkreisen früh eine gewisse Bekanntheit erwarb, bewegte sich Walser Zeit seines Lebens an den Rändern der Gesellschaft und gelangte erst postum zu internationalem Ruhm. Erstmals werden Leben und Werk dieses bedeutenden Autors in einem Handbuch dargestellt, das Analysen der einzelnen Werke auf dem neuesten Stand der Forschung umfasst und Einblicke in übergeordnete thematische Aspekte vermittelt. Behandelt werden Entstehungskontexte sowie Schreib- und Darstellungsverfahren mit Blick auf aktuelle wissenschaftliche Fragestellungen. Der abschließende Teil zur Rezeption veranschaulicht, wie aus einem einmal fast vergessenen Autor ein Klassiker der Moderne wurde.

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CERN Institute, Switzerland: a world-renowned scientist is found brutally murdered with a mysterious symbol seared onto his chest. The Vatican, Rome: the College of Cardinals assembles to elect a new pope. Somewhere beneath them, an unstoppable bomb of terrifying power relentlessly counts down to oblivion. In a breathtaking race against time, Harvard professor Robert Langdon must decipher a labyrinthine trail of ancient symbols if he is to defeat those responsible - the Illuminati, a secret brotherhood presumed extinct for nearly four hundred years, reborn to continue their deadly vendetta against their most hated enemy, the Catholic Church.Origin, the spellbinding new Robert Langdon thriller from Dan Brown, is out now

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CERN Institute, Switzerland: a world-renowned scientist is found brutally murdered with a mysterious symbol seared onto his chest. The Vatican, Rome: the College of Cardinals assembles to elect a new pope. Somewhere beneath them, an unstoppable bomb of terrifying power relentlessly counts down to oblivion. In a breathtaking race against time, Harvard professor Robert Langdon must decipher a labyrinthine trail of ancient symbols if he is to defeat those responsible - the Illuminati, a secret brotherhood presumed extinct for nearly four hundred years, reborn to continue their deadly vendetta against their most hated enemy, the Catholic Church.Origin, the spellbinding new Robert Langdon thriller from Dan Brown, is out now

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Celebrated in their time and still popular over a century after their deaths, Robert Browning and Elizabeth Barrett had a unique relationship which is reflected in their work. Both were distinguished as poets before they met, and they learnt from one another without ever sacrificing their individuality. If Elizabeth recognized that Robert’s talent was the greater of the two, Robert understood that his wife’s voice was unique. All the great themes they shared are represented in this collection of their shorter poems – love, marriage, poetry, religion, England and Italy, the natural world – and the poems are accompanied by a selection from the marvellous letters they wrote to one another, especially in the years of their courtship. Among the items included are extracts from Aurora Leigh and Pauline, and the whole of Sonnets from the Portuguese, together with many lyrics and narrative poems by both poets.

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'Fans will not be disappointed' The Times'Read this is you like high stakes drama' Evening Standard'A familiar swirl of big ideas and non-stop action' New York Times___________________The global bestseller and latest Robert Langdon novel from the author of The Da Vinci Code.Robert Langdon, Harvard professor of symbology and religious iconology, arrives at the Guggenheim Museum Bilbao to attend the unveiling of an astonishing scientific breakthrough. The evening’s host is billionaire Edmond Kirsch, a futurist whose dazzling high-tech inventions and audacious predictions have made him a controversial figure around the world.But Langdon and several hundred guests are left reeling when the meticulously orchestrated evening is suddenly blown apart. There is a real danger that Kirsch’s precious discovery may be lost in the ensuing chaos. With his life under threat, Langdon is forced into a desperate bid to escape Bilbao, taking with him the museum’s director, Ambra Vidal. Together they flee to Barcelona on a perilous quest to locate a cryptic password that will unlock Kirsch’s secret.To evade a devious enemy who is one step ahead of them at every turn, Langdon and Vidal must navigate the labyrinthine passageways of extreme religion and hidden history. On a trail marked only by enigmatic symbols and elusive modern art, Langdon and Vidal will come face-to-face with a breathtaking truth that has remained buried – until now.___________________Praise for Dan Brown:‘The master of the intellectual cliffhanger’ Wall Street Journal‘As engaging a hero as you could wish for’ Mail on Sunday ‘For anyone who wants more brain-food than thrillers normally provide’ Sunday Times

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'Fans will not be disappointed' The Times'Read this is you like high stakes drama' Evening Standard'A familiar swirl of big ideas and non-stop action' New York Times___________________The global bestseller and latest Robert Langdon novel from the author of The Da Vinci Code.Robert Langdon, Harvard professor of symbology and religious iconology, arrives at the Guggenheim Museum Bilbao to attend the unveiling of an astonishing scientific breakthrough. The evening’s host is billionaire Edmond Kirsch, a futurist whose dazzling high-tech inventions and audacious predictions have made him a controversial figure around the world.But Langdon and several hundred guests are left reeling when the meticulously orchestrated evening is suddenly blown apart. There is a real danger that Kirsch’s precious discovery may be lost in the ensuing chaos. With his life under threat, Langdon is forced into a desperate bid to escape Bilbao, taking with him the museum’s director, Ambra Vidal. Together they flee to Barcelona on a perilous quest to locate a cryptic password that will unlock Kirsch’s secret.To evade a devious enemy who is one step ahead of them at every turn, Langdon and Vidal must navigate the labyrinthine passageways of extreme religion and hidden history. On a trail marked only by enigmatic symbols and elusive modern art, Langdon and Vidal will come face-to-face with a breathtaking truth that has remained buried – until now.___________________Praise for Dan Brown:‘The master of the intellectual cliffhanger’ Wall Street Journal‘As engaging a hero as you could wish for’ Mail on Sunday ‘For anyone who wants more brain-food than thrillers normally provide’ Sunday Times

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In her latest thrilling adventure, PI Sunny Randall takes on two serpentine cases that converge into one deadly mystery. PI Sunny Randall has often relied on the help of her best friend Spike in times of need. When Spike's restaurant is taken over under a predatory loan agreement, Sunny has a chance to return the favor. She begins digging into the life of the hedge fund manager who screwed Spike over - surely a guy that smarmy has a skeleton or two in his closet - and soon finds this new enemy may have the backing of even badder criminals. At the same time, Sunny's cop contact Lee Farrell asks her to intervene with his niece, a college student who reported being the victim of a crime but seems to know more than she's telling police. As the uncooperative young woman becomes outright hostile, Sunny runs up against a wall that she's only more determined to scale. Then, what appear to be two disparate cases are united by a common factor, and the picture becomes even more muddled. But one thing is clear: Sunny has been poking a hornet's nest from two sides, and all hell is about to break loose.

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Robert B. Parker's iconic and irresistible PI Sunny Randall is back, and the stakes are higher than ever as she races to protect her ex-husband-and his Mafia family-from the vengeful plan of a mysterious rival. Sunny Randall is 'on' again with Richie Burke, the ex-husband she never stopped loving and never seemed to be able to let go, despite her discomfort with his Mafia connections. When Richie is shot and nearly killed, Sunny is dragged into the thick of his family's business as she searches for answers and tries to stave off a mob war. But as the bullets start flying in Boston's mean streets, Sunny finds herself targeted by the deranged mastermind of the plot against Richie's family, whose motive may be far more personal than she could have anticipated...

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Acclaimed on first publication, Harriet Vyner s Groovy Bob is the cult biography of hedonistic gallery owner Robert Fraser and a dazzling evocation of 1960s culture and counter-culture. Taste-maker, heroin addict and promiscuous homosexual, Fraser astonished London with the artists he introduced: Andy Warhol, Peter Blake, Claes Oldenburg, Keith Haring and Jean-Michel Basquiat. Told through the voices of those who knew him best Paul McCartney, Richard Hamilton, Mick Jagger, Bridget Riley, Keith Richards, Kenneth Anger, Malcolm McLaren and Vyner herself Groovy Bob is a brilliant biography and a searing portrait of the most exhilarating period in post-war British social history. This republication features a new afterword by the author and colour plates including works from the major exhibition A Strong Sweet Smell of Incense: A Portrait of Robert Fraser, curated by Vyner and Brian Clarke at Pace London, 2015.

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This is a fast-moving tale of passion and politics. In Prince Otto, first published in serial form in 1885, Stevenson uses his genius for adventure and romance to explore some decidedly grown-up themes. The tiny 19th-century German state of Grunewald seems to be a principality of the world of fairy-tale. But its ruler is beset in public by the forces of modern politics, and troubled in private by an unhappy marriage. Ill-prepared to deal with either, Otto is forced to choose between them. This first fully edited edition of the novel will provoke readers to think again about the scope and purpose of Stevenson's brilliant story-telling. It explores the most modern of themes, the moral compromises required by marriage: a romance in which the marriage of the hero and the heroine is not the happy conclusion of the plot, but the problem that the plot has to resolve. It is a fascinating text for what it tells us about Stevenson's goals and aspirations at this crucial stage of his career, and about the changing nature of the novel in English at the end of the 19th-century.

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The music reviews of Robert Schumann and Richard Wagner are central documents of 19th-century German musical culture. This book takes a closer look at the way these texts were written and explores the significant contributions Schumann and Wagner made to the discourse of musical appraisal. To that effect, the author raises fundamental questions that have thus far remained unaddressed: What textual features characterize the critical writings? How do Schumann and Wagner understand their roles as critics of music? And in what way do they reach out to the reader? Rather than understanding these critical writings exclusively as a gateway to the compositions and musical aesthetics of Schumann and Wagner, this book analyzes the texts through the lens of pragmatics, narratology and discourse analysis. Using this interdisciplinary perspective, the author proposes to understand Schumann and Wagner within the broader medial and discursive context of German ‘Kritik’. He challenges the dominant narrative that brands Schumann and Wagner as elitist Romantic critics, demonstrating instead that they actively encourage their readers to form their own judgements. This volume is an indispensable resource for scholars of German literature, periodicals and music alike.

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