Search results for ""author maja"

Visualizing Hidden Structures in Art and Society In her artistic practice, Andrea Buttner combines art history with social and ethical issues. Since the early 2000s, she has been exploring a wide range of themes such as work, poverty, shame and care in monastic forms of coexistence, but also arts and crafts as a political field. Examining the ambivalent tension between aesthetics and ethics, the internationally renowned artist uses various conceptual methods. Best known for her large-scale woodcuts, Buttner has since used a variety of media, including etching, painting, photography and video installations, glass art and textiles. For her publications and exhibitions, Buttner composes her works thematically to create site-specific installations that can be experienced as gradually unfolding narratives.

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Charmion von Wiegand started painting figuratively in 1926, when she received encouragement from her friend and painter, Joseph Stella. After being hired as an American reporter based in Soviet Moscow from 1929 to 1932, von Wiegand established herself as a preeminent art critic who embraced progressive ideas. She moved back to New York City in 1932 and became immersed in the avant-garde movement. Von Wiegand developed a close circle of friends including Hans Richter, Carl Holty, and John Graham. In 1941, when she met and befriended Dutch painter Piet Mondrian, she changed her painting style completely and was finally considered an artist in her own right. Highly influenced by his work, von Wiegand became interested in combining abstraction, Theosophy, and Eastern religions including her adoptive religion, Buddhism. The result was modern geometric abstract paintings that were imbued with Eastern imagery. This comprehensive volume on von Wiegand showcases gloriously illustrated works from all phases of her career. It also contains insightful essays and an array of previously unpublished material from the artist’s archives, including correspondence with Mondrian.

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Who owns the past? Archaeological heritage between destruction and idealization. This volume, part of the wider Ex Novo series, hosts papers exploring the various ways in which the past is remembered, recovered, created and used. In particular, contributions discuss the role of archaeology in present-day conflict areas and its function as peacekeeping tool or as trigger point for military action.

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Drawing on a rich array of textual and visual primary sources, including medicine, satires, play scripts, dictionaries, natural philosophy, and texts on collecting wonders, this book provides a fresh perspective on monstrosity in early modern European culture. The essays explore how exceptional bodies challenged social, religious, sexual and natural structures and hierarchies in the sixteenth, seventeenth and early eighteenth centuries and contributed to its knowledge, moral and emotional repertoire. Prodigious births, maternal imagination, hermaphrodites, collections of extraordinary things, powerful women, disabilities, controversial exercise, shapeshifting phenomena and hybrids are examined in a period before all varieties and differences became normalized to a homogenous standard. The historicizing of exceptional bodies is central in the volume since it expands our understanding of early modern culture and deepens our knowledge of its specific ways of conceptualizing singularities, rare examples, paradoxes, rules and conventions in nature and society.

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Slovenian artist Jasmina Cibic belongs to a young generation of artists who are engaging critically with the legacy of the former Yugoslavia. Set against this background, her exhibition Most Favored Nation questions the validity of the concept of international relationships that extends the same privileges of bilateral treaties to multilateral relationships. Cibic critically examines the mechanisms of nation-building and soft power as an indirect form of exercising power through cultural dominance. Decoding the complex entanglement of political concerns and cultural production, the London-based artist translates the political mechanisms influencing artists into room-filling installations, performances and intricate films. The catalogue traces the immersive spatial architecture in the tradition of the debating salon.

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A gentle introduction to diversity and acceptance On nice and sunny Sundays, Elsie goes fishing with her six siblings. But she doesn’t quite fit in. They want to walk through the woods, but she wants to walk along the water. They like to cast their fishing rods directly into the water, but she prefers to use buttercups as bait. They eat their sandwiches, while Elsie feeds them to the ducks. But by the end of the day, Elsie’s siblings realize that though they may see the world differently, they can learn from their unique perspectives and love one another all the same. This sweet sibling story gently introduces young readers to important themes like diversity and acceptance and encourages us all to widen our worldviews and open our hearts.

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Through critical analysis of case law in European and national courts, this book reveals the significant role courts play in the protection of privacy and personal data within the new technological environment. It addresses the pressing question from a public who are increasingly aware of their privacy rights in a world of continual technological advances - namely, what can I do if my data privacy rights are breached? The expert contributors examine the jurisprudence of the Court of Justice of the European Union, the case law of the European Court of Human Rights and decisions by national courts. Together, they explore how judiciaries balance privacy and data protection rights against other interests and investigate the influence European courts have on national judges. This book also probes the ways in which courts deal with strategic litigation aimed at law and policy reform and, in doing so, sheds light on the role and ability of courts to safeguard privacy and data protection rights. This topical resource will benefit both academics and students of law, particularly those interested in the protection of fundamental rights and freedoms. Both policy makers and legal professionals alike will benefit from the insight into the judicial decision-making activities concerning data protection.Contributors include: M. Brkan, C. Cuijpers, P. De Hert, C. Di Cocco, J. Eichenhofer, G. González Fuster, C. Gusy, M. Husovec, T. Kyriakou, O. Lynskey, T. Ojanen, E. Psychogiopoulou, G. Sartor

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Learn to play the cello with popular pieces – lessons and sheet music for beginners The Abracadabra approach to learning through songs and tunes has set countless beginners on a clear path of progress and enjoyment with their chosen instrument. Now in its third edition, features include:• Technique carefully graded in 20 learning steps• Clear fingering and bowing diagrams• Concise theory explanations• Enough flexibility to suit individual teaching approaches• Duet accompaniments, trios and rounds throughout• Can be used alongside the companion tutors for violin, viola and double bass

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It has been abundantly demonstrated that theories and paradigms in the humanities are influenced by historical, economic and socio-cultural conditions, which have profoundly influenced archaeology’s representation of migration. This was mostly conceived as the study of the movement of large and homogenous population groups, whose identity was often represented as ethnically characterized. The present-day shift of attention from collective to individual agency and the countless facets of migration goes hand in hand with new socio-political and cultural scenarios such as the extraordinary migratory flows into Europe, shifting boundaries, alternative forms of citizenship and identity, and the emergence of emotive reactionism. The third volume of Ex Novo gathers multidisciplinary contributions addressing mobility to understand patterns of change and continuity in past worlds; reconsider the movement of people, objects, and ideas alongside mobile epistemologies, such as intellectual, scholarly or educative traditions, rituals, practices, religions and theologies; and provide insights into the multifaceted relationship between mobile practices and their shared meanings and how they are represented socially and politically.

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This anthology aims to destabilize the limits of the discipline of architecture by focusing on the core concepts of inhabitation and displacement. This, by extension, centralizes the figure of the inhabitant and interrogates the limits of conventional architectural thinking. The editors shed light on the topic of displacement from interdisciplinary and international perspectives. By rendering visible the practices of living and spatial appropriation, this volume also encourages critical engagement with questions of architectural production and authorship.

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This is the first new full-scale anthology of Restoration and eighteenth-century drama in over sixty years. Concentrating on plays from the heyday of 1660-1737, it focuses especially on Restoration drama proper (1660-1688) and Revolution drama (1689-1714), with a smaller selection of plays from the early Georgian period (1715-1737) and a glimpse at the later Georgian period's "laughing comedy" (1770s and 80s). It includes nine sub-genres (heroic romance, political tragedy, personal tragedy, tragicomic romance, social comedy, subversive comedy, corrective satire, menippean satire, and laughing comedy), with the preponderance of exposure given to the jewel of this theatre, its comedy.The core canonical plays from the era—from Dryden's All for Love and Behn's The Rover to Congreve's The Way of the World and Sheridan's School for Scandal—are all here, but so are a remarkably wide range of non-canonical works. There are many more plays by women than in any previous general anthology of drama of the period. Also included are a number of works from the neglected 1660s, whose comedies feature delightful, subversive, levelling folk elements. In all there are forty-one plays; each is fully annotated and prefaced with an historical introduction. Also included are a general introduction, head-notes for each genre, and a glossary.

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The Broadview Anthology of Restoration and Early Eighteenth-Century Drama, Concise Edition, with twenty-one plays, is half the length of the full anthology without compromising its breadth. Concentrating on plays from the heyday of 1660-1737, it focuses on Restoration drama proper and Revolution drama, with a selection from the early Georgian period and the later Georgian period’s “laughing comedy.” Seven of the nine sub-genres (personal tragedy, tragicomic romance, social comedy, subversive comedy, corrective satire, menippean satire, and laughing comedy) of the full anthology are represented, with the preponderance of exposure given to the jewel of this theatre, its comedy.Each play is fully annotated and prefaced with an historical introduction. Also included are a general introduction, a statement of procedures, and a glossary.

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Power, Desire, Social Justice, Representation, Beauty and Compassion Widely considered to be one of the most influential American living artists, Carrie Mae Weems has developed a practice celebrated for her exploration of cultural identity, power dynamics, desire, intimacy and social justice through a body of work that challenges the prevailing representations of race, gender, and class. Defined by the use of photography, installation, film, performance and textile, her remarkably diverse and radical practice questions dominant ideologies and historical narratives created and disseminated within science, architecture, and mass media. Published in the context of her solo exhibitions at Barbican Art Gallery London and Kunstmuseum Basel, this book brings together a selection of Weems’ own writings, lectures, and conversations for the first time, providing personal insights into themes such as the consequences of power, artistic appropriation, music as inspiration, history-making, and the normative role of architecture.

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Over the last ten years, the SLIVER series of lectures has gained international recognition as a forum where young and established designers, artists, and theorists can present and exchange new ideas. In the context of the 150-year anniversary of the University for Applied Arts, SLIVER presented as "positions" the works and ideas of graduates from the Institute for Architecture created in the course of the last three decades. This publication presents these as a cross-section through time and as a pulsating exchange covering the challenges faced by the teaching and practice of architecture, research, and design culture in the past, present, and future.

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What happens when the sun goes down? Watch one town from sunrise to sunset and beyond in this beautiful wordless book. Children can expand their knowledge of time and daily routines in this eye-opening and engaging book. Oxford Reading Tree inFact is a compelling non-fiction series that aims to engage children in reading for pleasure as powerfully as fiction does. The series includes 36 titles which are all phonically decodable, with some high-interest topic words to develop vocabulary and impart knowledge. The imaginative approach and variety of intriguing topics mean there are books to interest every child. The books are carefully levelled, making it easy to match every reader to the right book.

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Mwili, Akili Na Roho: Ten Figurative Painters from East Africa features the work of ten artists from Kenya, Uganda, and Tanzania, including Sam Ntiro, Elimo Njau, Asaph Ng’ethe Macua, Jak Katarikawe, Theresa Musoke, Sane Wadu, Peter Mulindwa, Chelenge van Rampelberg, John Njenga, and Meek Gichugu. The personal histories, thematic concerns, and formal strategies of this multigenerational group of artists present an opportunity to engage more deeply in the genealogies of artistic creation in the region, while considering the enduring influence of certain ideas and institutions in the creation, dissemination, and reception of art in and from East Africa. This catalogue is published to coincide with an expanded version of Mwili, Akili Na Roho at the Nairobi Contemporary Art Institute in 2022, following earlier iterations at Haus Der Kunst in Munich (2020) and the Royal Academy of Arts in London (2021).

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Albi the snowman lives in a world of everlasting snow. Together with his friends, whale, birdie, penguin and worm he has the best of times. He loves to read his favourite picture book, but always falls asleep! His dreams take him into the world of people, where he has new adventures. When he wakes up, he always has great ideas for games to play!

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