Search results for ""author jim"

"The most consistent of all series in terms of language control, length, and quality of story." David R. Hill, Director of the Edinburgh Project on Extensive Reading.

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In the early 1960s, whenever the Today Show discussed integration, wlbt-tv, the nbc affiliate in Jackson, Mississippi, cut away to local news after announcing that the Today Show content was “network news . . . represent[ing] the views of the northern press.” This was only one part of a larger effort by wlbt and other local stations to keep African Americans and integrationists off Jackson’s television screens. Watching Jim Crow presents the vivid story of the successful struggles of African Americans to achieve representation in the tv programming of Jackson, a city many considered one of the strongest bastions of Jim Crow segregation. Steven D. Classen provides a detailed social history of media activism and communications policy during the civil rights era. He focuses on the years between 1955—when Medgar Evers and the naacp began urging the two local stations, wlbt and wjtv, to stop censoring African Americans and discussions of integration—and 1969, when the U.S. Court of Appeals issued a landmark decision denying wlbt renewal of its operating license. During the 1990s, Classen conducted extensive interviews with more than two dozen African Americans living in Jackson, several of whom, decades earlier, had fought to integrate television programming. He draws on these interviews not only to illuminate their perceptions—of the civil rights movement, what they accomplished, and the present as compared with the past—but also to reveal the inadequate representation of their viewpoints in the legal proceedings surrounding wlbt’s licensing. The story told in Watching Jim Crow has significant implications today, not least because the Telecommunications Act of 1996 effectively undid many of the hard-won reforms achieved by activists—including those whose stories Classen relates here.

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All eyes and ears turned toward Ann Arbor in late 2014 when it was announced that Jim Harbaugh would be returning to the Big House as the new head coach of Michigan football. Now, Angelique Chengelis, longtime chronicler of the Wolverines for the Detroit News, gives the inside story on how exactly Harbaugh restored the Michigan program to national title contender status. Learn how he instilled a new culture and rankled rivals with outspokenness, creative tactics, and relentless recruiting. Get the behind-the-scenes story on how and why Harbaugh chose to come back to the university he led to glory as its starting quarterback in the early 1980s. Follow along as Jabrill Peppers, Jake Butt, and others develop into true stars. Michigan Man is a comeback tale, an examination of the rapid turnaround from a five-win team in 2014 to squads that earned 10 wins plus trips to the Citrus and Orange Bowls in 2015 and 2016 respectively. Featuring extensive interviews with Harbaugh himself, this is a book Wolverines faithful and football fans in general will not want to miss.

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When superstar athlete Jim Thorpe and football legend Pop Warner met in 1904 at the Carlisle Indian Industrial School in Pennsylvania, they forged one of the winningest teams in American football history. Called "the team that invented football," they took on the best opponents of their day, defeating much more privileged schools such as Harvard and the Army in a series of breathtakingly close calls, genius plays, and bone-crushing hard work. But this is not just an underdog story. It's an unflinching look at the persecution of Native Americans and its intersection with the beginning of one of the most beloved-and exploitative-pastimes in America, expertly told by nonfiction powerhouse Steve Sheinkin.

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An unforgettable look at a lifetime of baseball packed with humor and passion for the game With a career that has now touched eight decades, Jim Kaat has had a prime front row seat for baseball's continuing evolution. Not only was he a major-league pitcher for 25 seasons, but his time as a pitching coach and his many years as a broadcaster have given him a singular long view of the game. In Good as Gold, Kaat weaves the tale of a lifetime, taking fans on the field, into the clubhouse, and behind the mic as only he can.Full of priceless stories from New York, Minnesota, and across the major leagues, this honest and engaging autobiography gives fans a rare seat alongside Kaat on a tour of baseball history.

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An unforgettable look at a lifetime of baseball packed with humor and passion for the game. With a career that has now touched eight decades, Jim Kaat has had a prime front row seat for baseball's continuing evolution. Not only was he a major-league pitcher for 25 seasons, but his time as a pitching coach and his many years as a broadcaster have given him a singular long view of the game. In Good as Gold, Kaat weaves the tale of a lifetime, taking fans on the field, into the clubhouse, and behind the mic as only he can.Full of priceless stories from New York, Minnesota, and across the major leagues, this honest and engaging autobiography gives fans a rare seat alongside Kaat on a tour of baseball history.

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In 1985, a black veteran of the civil rights movement offered a bleak vision of a long and troubled struggle. For more than a century, black southerners learned to live with betrayed expectations, diminishing prospects, and devastated aspirations. Their odyssey includes some of the most appalling examples of terrorism, violence, and dehumanization in the history of this nation. But, as Leon Litwack graphically demonstrates, it is at the same time an odyssey of resilience and resistance defined by day-to-day acts of protest: the fight for justice poignantly recorded in the stories, songs, images, and movements of a people trying to be heard.For black men and women, the question is: how free is free? Despite two major efforts to reconstruct race relations, injustices remain. From the height of Jim Crow to the early twenty-first century, struggles over racism persist despite court decisions and legislation. Few indignities were more pronounced than the World War II denial of basic rights and privileges to those responding to the call to make the world safe for democratic values—values that they themselves did not enjoy. And even the civil rights movement promise to redeem America was frustrated by change that was often more symbolic than real.Although a painful history to confront, Litwack’s book inspires as it probes the enduring story of racial inequality and the ongoing fight for freedom in black America with power and grace.

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THE NEW SEQUEL TO THE HIT DARK CRYSTAL FILM CONCLUDES! Thurma and Kensho have discovered shocking truths and must return to their homelands, but they may not be welcomed back to Thra and Mithra as heroes. But when a new enemy more powerful than they could have imagined makes their move, these two kingdoms will have to find a way to join forces for the final battle that will change their very destinies. Writer Adam Smith (Jim Henson’s Labyrinth) and rising-star artist Alexandria Huntington conclude their epic as Kensho and Thurma are faced with the ultimate decision! Collects Jim Henson’s Beneath The Dark Crystal #9-12.

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NEW YORK TIMES BESTSELLERThe definitive anthology of Jim Morrison's writings with rare photographs and numerous handwritten excerpts of unpublished and published poetry and lyrics from his 28 privately held notebooks.You can also hear Jim Morrison’s final poetry recording, now available for the first time, on the CD or digital audio edition of this book, at the Village Recorder in West Los Angeles on his twenty-seventh birthday, December 8, 1970. The audio book also includes performances by Patti Smith, Oliver Ray, Liz Phair, Tom Robbins, and others reading Morrison’s work. Created in collaboration with Jim Morrison’s estate and inspired by a posthumously discovered list entitled “Plan for Book,” The Collected Works of Jim Morrison is an almost 600-page anthology of the writings of the late poet and iconic Doors’ front man. This landmark publication is the definitive opus of Morrison’s creative output—and the book he intended to publish. Throughout, a compelling mix of 160 visual components accompanies the text, which includes numerous excerpts from his 28 privately held notebooks—all written in his own hand and published here for the first time—as well as an array of personal images and commentary on the work by Morrison himself. This oversized, beautifully produced collectible volume contains a wealth of new material—poetry, writings, lyrics, and audio transcripts of Morrison reading his work. Not only the most comprehensive book of Morrison’s work ever published, it is immersive, giving readers insight to the creative process of and offering access to the musings and observations of an artist whom the poet Michael McClure called “one of the finest, clearest spirits of our times.” This remarkable collector’s item includes: Foreword by Tom Robbins; introduction and notes by editor Frank Lisciandro that provide insight to the work; prologue by Anne Morrison Chewning Published and unpublished work and a vast selection of notebook writings The transcript, the only photographs in existence, and production notes of Morrison’s last poetry recording on his twenty-seventh birthday The Paris notebook, possibly Morrison’s final journal, reproduced at full reading size Excerpts from notebooks kept during his 1970 Miami trial The shooting script and gorgeous color stills from the never-released film HWY Complete published and unpublished song lyrics accompanied by numerous drafts in Morrison’s hand Epilogue: “As I Look Back”: a compelling autobiography in poem form Family photographs as well as images of Morrison during his years as a performer

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Policing, incarceration, capital punishment: these forms of crime control were crucial elements of Jim Crow regimes. White southerners relied on them to assert and maintain racial power, which led to the growth of modern state bureaucracies that eclipsed traditions of local sovereignty. Friction between the demands of white supremacy and white southern suspicions of state power created a distinctive criminal justice system in the South, elements of which are still apparent today across the United States. In this collection, Amy Louise Wood and Natalie J. Ring present nine groundbreaking essays about the carceral system and its development over time. Topics range from activism against police brutality to the peculiar path of southern prison reform to the fraught introduction of the electric chair. The essays tell nuanced stories of rapidly changing state institutions, political leaders who sought to manage them, and African Americans who appealed to the regulatory state to protect their rights. Contributors: Pippa Holloway, Tammy Ingram, Brandon T. Jett, Seth Kotch, Talitha L. LeFlouria, Vivien Miller, Silvan Niedermeier, K. Stephen Prince, and Amy Louise Wood

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African Americans who moved to California in hopes of finding freedom and full citizenship instead faced all-too-familiar racial segregation. As one transplant put it, "The only difference between Pasadena and Mississippi is the way they are spelled." From the beaches to streetcars to schools, the Golden State—in contrast to its reputation for tolerance—perfected many methods of controlling people of color.Lynn M. Hudson deepens our understanding of the practices that African Americans in the West deployed to dismantle Jim Crow in the quest for civil rights prior to the 1960s. Faced with institutionalized racism, black Californians used both established and improvised tactics to resist and survive the state's color line. Hudson rediscovers forgotten stories like the experimental all-black community of Allensworth, the California Ku Klux Klan's campaign of terror against African Americans, the bitter struggle to integrate public swimming pools in Pasadena and elsewhere, and segregationists' preoccupation with gender and sexuality.

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In The Doors Unhinged, New York Times bestselling author and legendary Doors drummer John Densmore offers a powerful exploration of the 'greed gene' - that part of the human psyche that propels us toward the accumulation of more and more wealth, even at the expense of our principles, friendships and the well-being of society. This is the gripping account of the legal battle to control The Doors's artistic destiny. In it, Densmore looks at the conflict between his bandmates and him as they fought over the right to use The Doors's name, revealing the ways in which this struggle mirrored and reflected a much larger societal issue: that no amount of money seems to be enough for even the wealthiest people.The Doors continue to attract new generations of fans, with more than one hundred million albums sold worldwide and counting, and nearly twenty million followers on the band's social media accounts. As such, Densmore occupies a rarefied space in popular culture. He is beloved by artists across the decades for his fierce, uncompromising dedication to art. His writing consistently earns accolades and has appeared in a range of publications such as the Los Angeles Times and Rolling Stone. As his friend and American novelist Tom Robbins recently advised him, 'If you keep writing like this, I'll have to get a drum set.'

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Kensho and Thurma are worlds apart and their hopes of being reunited begin to dim. Alongside her rival, Nita, Thurma studies under the tutelage of the legendary Fireling elder known simply as The Fire That Stays. As the two prospective queens compete against one another, their teacher reveals new abilities of the Firelings with dark and powerful potential that could change the throne forever. In Thra, Kensho’s quest takes him to a place of wonder long forgotten...the Valley of the Mystics. There, alongside his companions, Kensho will need to face his past and the future he so desperately flees. Written by Adam Smith (Long Walk to Valhalla) and gorgeously illustrated by Alexandria Huntington, Beneath the Dark Crystal Volume Two continues Kensho and Thurma’s quests as the fate of two worlds hang in the balance.

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An official sequel to the cult classic film The Dark Crystal and the bestselling comic series The Power of the Dark Crystal. With the Crystal healed and the Skeksis banished, Kensho and Thurma return to their separate worlds to enjoy the peace they fought so hard to ensure. But when Kensho arrives at the Crystal Castle, the Gelfling look to him to take the place of Jen and Kira as leader of Thra. Unsure if he, or anyone, is fit to rule, Kensho sets out into the wild to rectify the sins of the past and better understand the world he saved. Meanwhile, Thurma strives to rebuild the realm of Mithra as the newly-crowned Ember Queen. But her own quest to decide the future of her land is thrown into question when a Fireling from a noble bloodline makes a claim as the true heir to the throne. Written by Adam Smith (Long Walk to Valhalla) and gorgeously illustrated by Alexandria Huntington, Beneath the Dark Crystal Volume One dives deep into the worlds of the Gelfling and Firelings and examines the burden of responsibility that comes with heroism.

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From everyday apps to complex algorithms, Ruha Benjamin cuts through tech-industry hype to understand how emerging technologies can reinforce White supremacy and deepen social inequity. Benjamin argues that automation, far from being a sinister story of racist programmers scheming on the dark web, has the potential to hide, speed up, and deepen discrimination while appearing neutral and even benevolent when compared to the racism of a previous era. Presenting the concept of the “New Jim Code,” she shows how a range of discriminatory designs encode inequity by explicitly amplifying racial hierarchies; by ignoring but thereby replicating social divisions; or by aiming to fix racial bias but ultimately doing quite the opposite. Moreover, she makes a compelling case for race itself as a kind of technology, designed to stratify and sanctify social injustice in the architecture of everyday life. This illuminating guide provides conceptual tools for decoding tech promises with sociologically informed skepticism. In doing so, it challenges us to question not only the technologies we are sold but also the ones we ourselves manufacture. Visit the book's free Discussion Guide: www.dropbox.com

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In the early twentieth century, the Saturday Evening Post was perhaps the most popular and influential magazine in the United States, establishing literary reputations and shaping American culture. In the popular imagination, it is best remembered for Norman Rockwell’s covers, which nostalgically depicted a wholesome and idyllic American way of life. But beneath those covers lurked a more troubling reality. Under the direction of its longtime editor, George Horace Lorimer, the magazine helped justify racism and white supremacy. It published works by white authors that made heavy use of paternalistic tropes and demeaning humor, portraying Jim Crow segregation and violence as simple common sense.Circulating Jim Crow demonstrates how the Post used stereotypical dialect fiction to promulgate white supremacist ideology and dismiss Black achievements, citizenship, and humanity. Adam McKible tells the story of Lorimer’s rise to prominence and examines the white authors who provided the editor and his readers with the caricatures they craved. He also explores how Black writers of the Harlem Renaissance pushed back against the Post and its commodified racism. McKible places the erstwhile household names who wrote for the magazine in conversation with figures such as Paul Laurence Dunbar, F. Scott Fitzgerald, Ann Petry, W. E. B. Du Bois, and William Faulkner. Revealing the role of the Saturday Evening Post in normalizing racism for millions of readers, this book also offers a new understanding of how Black writers challenged Jim Crow ideology.

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Enter an endearing world of garden gnomes as you color them to life! This new coloring book for adults by award-winning artist Jim Shore is filled with more than 30 stunning designs of the most beloved character in folklore: gnomes. From Christmas gnomes to gnomes from around the world or with special interests, hobbies, and animal friends, you’ll find page after page of charming caricatures, all illustrated in Jim’s signature folk-art-inspired style. Attractive gatefold covers feature a stunning gallery of Jim Shore’s original artwork, and each line art design is printed on a single side of high-quality paper with perforated edges for easy removal and display.

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New Orleans in the 1920s and '30s was a deadly place. In 1925, the city's homicide rate was six times that of New York City and twelve times that of Boston, despite having a fraction of the population. Jeffrey S. Adler has explored every homicide officially recorded in New Orleans between 1925 and 1940--over two thousand in all--scouring police and autopsy reports, old interviews, and crumbling newspapers. More than simply quantifying these cases, Adler places them in larger contexts--legal, political, cultural, and demographic--and emerges with a tale of racism, urban violence, and vicious policing that has startling relevance for today. Murder in New Orleans shows how whites were convicted of homicide at far higher rates than blacks leading up the mid-1920s. But by the end of the next decade, this pattern had reversed completely, despite an overall plummet in municipal crime rates. This sharp rise in arrests was compounded by the increasingly harsh treatment of black subjects by New Orleans police, marked by acts of extreme brutality. Adler also explores counter-intuitive trends in violence, particularly how murder soared during the flush times of the Roaring Twenties, how it plummeted during the Great Depression, and how the vicious response to African American crime occurred as such violence plunged in frequency, revealing that the city's cycle of racial policing and punishment was connected less to actual patterns of wrongdoing than to the national enshrinement of Jim Crow. Rather than some hyperviolent outlier, this Louisiana city was a harbinger of the endemic racism at the center of today's criminal justice state. Murder in New Orleans lays bare how decades-old crimes, and the racially motivated cruelty of the official response, once again have baleful resonance in the age of Black Lives Matter.

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2018 Edgar Award Finalist—Best Fact Crime“A thoroughly readable, thoroughly chilling account of a brilliant con man and his all-too vulnerable prey” (The Boston Globe)—the definitive story of preacher Jim Jones, who was responsible for the Jonestown Massacre, the largest murder-suicide in American history, by the New York Times bestselling author of Manson.In the 1950s, a young Indianapolis minister named Jim Jones preached a curious blend of the gospel and Marxism. His congregation was racially mixed, and he was a leader in the early civil rights movement. Eventually, Jones moved his church, Peoples Temple, to northern California, where he got involved in electoral politics and became a prominent Bay Area leader. But underneath the surface lurked a terrible darkness. In this riveting narrative, Jeff Guinn examines Jones’s life, from his early days as an idealistic minister to a secret life of extramarital affairs, drug use, and fraudulent faith healing, before the fateful decision to move almost a thousand of his followers to a settlement in the jungles of Guyana in South America. Guinn provides stunning new details of the events leading to the fatal day in November, 1978 when more than nine hundred people died—including almost three hundred infants and children—after being ordered to swallow a cyanide-laced drink. Guinn examined thousands of pages of FBI files on the case, including material released during the course of his research. He traveled to Jones’s Indiana hometown, where he spoke to people never previously interviewed, and uncovered fresh information from Jonestown survivors. He even visited the Jonestown site with the same pilot who flew there the day that Congressman Leo Ryan was murdered on Jones’s orders. The Road to Jonestown is “the most complete picture to date of this tragic saga, and of the man who engineered it…The result is a disturbing portrait of evil—and a compassionate memorial to those taken in by Jones’s malign charisma” (San Francisco Chronicle).

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From everyday apps to complex algorithms, Ruha Benjamin cuts through tech-industry hype to understand how emerging technologies can reinforce White supremacy and deepen social inequity. Benjamin argues that automation, far from being a sinister story of racist programmers scheming on the dark web, has the potential to hide, speed up, and deepen discrimination while appearing neutral and even benevolent when compared to the racism of a previous era. Presenting the concept of the “New Jim Code,” she shows how a range of discriminatory designs encode inequity by explicitly amplifying racial hierarchies; by ignoring but thereby replicating social divisions; or by aiming to fix racial bias but ultimately doing quite the opposite. Moreover, she makes a compelling case for race itself as a kind of technology, designed to stratify and sanctify social injustice in the architecture of everyday life. This illuminating guide provides conceptual tools for decoding tech promises with sociologically informed skepticism. In doing so, it challenges us to question not only the technologies we are sold but also the ones we ourselves manufacture. Visit the book's free Discussion Guide: www.dropbox.com

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If the law cannot protect a person from a lynching, then isn’t lynching the law? In By Hands Now Known, Margaret A. Burnham, director of Northeastern University’s Civil Rights and Restorative Justice Project, challenges our understanding of the Jim Crow era by exploring the relationship between formal law and background legal norms in a series of harrowing cases from 1920 to 1960. From rendition, the legal process by which states make claims to other states for the return of their citizens, to battles over state and federal jurisdiction and the outsize role of local sheriffs in enforcing racial hierarchy, Burnham maps the criminal legal system in the mid-twentieth-century South, and traces the unremitting line from slavery to the legal structures of this period and through to today. Drawing on an extensive database, collected over more than a decade and exceeding 1,000 cases of racial violence, she reveals the true legal system of Jim Crow, and captures the memories of those whose stories have not yet been heard.

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Though he lived throughout much of the South-and even worked his way into parts of the North for a time-Jim Crow was conceived and buried in Maryland. From Chief Justice Roger Brooke Taney's infamous decision in the Dred Scott case to Thurgood Marshall's eloquent and effective work on Brown v. Board of Education, the battle for black equality is very much the story of Free State women and men. Here, Baltimore Sun columnist C. Fraser Smith recounts that tale through the stories, words, and deeds of famous, infamous, and little-known Marylanders. He traces the roots of Jim Crow laws from Dred Scott to Plessy v. Ferguson and describes the parallel and opposite early efforts of those who struggled to establish freedom and basic rights for African Americans. Following the historical trail of evidence, Smith relates latter-day examples of Maryland residents who trod those same steps, from the thrice-failed attempt to deny black people the vote in the early twentieth century to nascent demonstrations for open access to lunch counters, movie theaters, stores, golf courses, and other public and private institutions-struggles that occurred decades before the now-celebrated historical figures strode onto the national civil rights scene. Smith's lively account includes the grand themes and the state's major players in the movement-Frederick Douglass, Harriett Tubman, Thurgood Marshall, and Lillie May Jackson, among others-and also tells the story of the struggle via several of Maryland's important but relatively unknown men and women-such as Gloria Richardson, John Prentiss Poe, William L. "Little Willie" Adams, and Walter Sondheim-who prepared Jim Crow's grave and waited for the nation to deliver the body.

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Each illustration depicts a Santa from a different part of the world including the UK, Germany, Australia, the US and Canada . Beautiful famous landmarks, scenery, national flags, and more are captured within each Santa design, making this colouring book a unique cultural experience for the holiday season! Interesting captions complement each illustration, and a stunning gallery of Jim Shore’s art is also included. Each line art design is printed on a single side of high-quality paper with perforated edges for easy removal and display.

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Capture the surfing world through the lens of photographer Jim Russi. Over 180 warm, dazzling photos from around the globe take readers on this surfing tour de force through Hawaii, Tahiti, California, Puerto Rico, Mexico, Fiji, Bali, Indonesia, and the islands off South Africa. The engaging text provides stories from the photographer's global travels, adding an additional dimension to the brilliant photos and fascinating encounters with celebrities in the surfing world and other realms. Learn how Jim discovered a theme that would direct his work from that point forward during a shoot in 1997: "the simple fun of surfing-showing a lifestyle that anyone could relate to, not simply appealing to hard-core surfers and dreamers alike." Give yourself a chance to dream. You will be glad you did.

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The fullest account to date of African American young people in a segregated city Coming of Age in Jim Crow DC offers a complex narrative of the everyday lives of black young people in a racially, spatially, economically, and politically restricted Washington, DC, during the 1930s. In contrast to the ways in which young people have been portrayed by researchers, policy makers, law enforcement, and the media, Paula C. Austin draws on previously unstudied archival material to present black poor and working class young people as thinkers, theorists, critics, and commentators as they reckon with the boundaries imposed on them in a Jim Crow city that was also the American emblem of equality. The narratives at the center of this book provide a different understanding of black urban life in the early twentieth century, showing that ordinary people were expert at navigating around the limitations imposed by the District of Columbia’s racially segregated politics. Coming of Age in Jim Crow DC is a fresh take on the New Negro movement, and a vital contribution to the history of race in America.

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The fullest account to date of African American young people in a segregated city Coming of Age in Jim Crow DC offers a complex narrative of the everyday lives of black young people in a racially, spatially, economically, and politically restricted Washington, DC, during the 1930s. In contrast to the ways in which young people have been portrayed by researchers, policy makers, law enforcement, and the media, Paula C. Austin draws on previously unstudied archival material to present black poor and working class young people as thinkers, theorists, critics, and commentators as they reckon with the boundaries imposed on them in a Jim Crow city that was also the American emblem of equality. The narratives at the center of this book provide a different understanding of black urban life in the early twentieth century, showing that ordinary people were expert at navigating around the limitations imposed by the District of Columbia’s racially segregated politics. Coming of Age in Jim Crow DC is a fresh take on the New Negro movement, and a vital contribution to the history of race in America.

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Inspire a love of reading with stories that are written from a child’s perspective and will encourage children to discover the world around them. With audio and activities, Peapod Readers are the perfect start to a child’s journey into learning English. Jim and Jane want to go to a baseball game. Includes: Before and after reading activities Picture dictionary Exam practice for Cambridge Pre A1 Starters, working towards A1 Movers Reading guide online

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Did American racism originate in the liberal North? An inquiry into the system of institutionalized racism created by Northern Jim Crow Jim Crow was not a regional sickness, it was a national cancer. Even at the high point of twentieth century liberalism in the North, Jim Crow racism hid in plain sight. Perpetuated by colorblind arguments about “cultures of poverty,” policies focused more on black criminality than black equality. Procedures that diverted resources in education, housing, and jobs away from poor black people turned ghettos and prisons into social pandemics. Americans in the North made this history. They tried to unmake it, too. Liberalism, rather than lighting the way to vanquish the darkness of the Jim Crow North gave racism new and complex places to hide. The twelve original essays in this anthology unveil Jim Crow’s many strange careers in the North. They accomplish two goals: first, they show how the Jim Crow North worked as a system to maintain social, economic, and political inequality in the nation’s most liberal places; and second, they chronicle how activists worked to undo the legal, economic, and social inequities born of Northern Jim Crow policies, practices, and ideas. The book ultimately dispels the myth that the South was the birthplace of American racism, and presents a compelling argument that American racism actually originated in the North.

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