Search results for ""author jean"

Philosophical thinking is interrupted by the finitude of what cannot be named, on the one hand, and that within which it is subsumed as one of multiple modes of sense-making, on the other. Sense and Singularity elaborates Jean-Luc Nancy’s philosophical project as an inquiry into the limits or finitude of philosophy itself, where it is interrupted, and as a practice of critical intervention where philosophy serves to interrupt otherwise unquestioned ways of thinking. Nancy’s interruption of philosophy, Van Den Abbeele argues, reveals the limits of what philosophy is and what it can do, its apocalyptic end and its endless renewal, its Sisyphean interruption between the bounds of infinitely replicating sense and the conceptual vanishing point that is singularity. In examinations of Nancy’s foundational rereading of Descartes's cogito as iterative, his formal experimentations with the genres of philosophical writing, the account of “retreat” in understanding the political, and the interruptive play of sense and singularity in writings on the body, sexuality, and aesthetics, Van Den Abbeele offers a fresh account of one of our major thinkers as well as a provocative inquiry into what philosophy can do.

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An archive-based, in-depth analysis of the surreal nature and science movies of the pioneering French filmmaker Jean PainlevéBefore Jacques-Yves Cousteau, there was Jean Painlevé, a pioneering French scientific and nature filmmaker with a Surrealist’s eye. Creator of more than two hundred films, his studies of strange animal worlds doubled as critical reimaginations of humanity. With an unerring eye for the uncanny and unexpected, Painlevé and his assistant Geneviève Hamon captured oneiric octopuses, metamorphic crustaceans, erotic seahorses, mythic vampire bats, and insatiable predatory insects. Zoological Surrealism draws from Painlevé’s early oeuvre to rethink the entangled histories of cinema, Surrealism, and scientific research in interwar France. Delving deeply into Painlevé’s archive, James Leo Cahill develops an account of “cinema’s Copernican vocation”—how it was used to forge new scientific discoveries while also displacing and critiquing anthropocentric viewpoints. From Painlevé’s engagements with Sergei Eisenstein, Georges Franju, and competing Surrealists to the historiographical dimensions of Jean Vigo’s concept of social cinema, Zoological Surrealism taps never-before-examined sources to offer a completely original perspective on a cutting-edge filmmaker. The first extensive English-language study of Painlevé’s early films and their contexts, it adds important new insight to our understanding of film while also contributing to contemporary investigations of the increasingly surreal landscapes of climate change and ecological emergency.

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A moth with a sixth sense. A wasp that hunts beetles nearly twice its size. The lives of fascinating creatures such as these were unknown until one man introduced them to the world. Meet Jean-Henri Fabre, one of the most important naturalists of all time. As a boy in the French countryside, Henri spent hours watching insects. He dreamed of observing them in a new way: in their own habitats. What he discovered in pursuing that dream was shocking; these small, seemingly insignificant creatures led secret lives—lives of great drama! With its lively, lyrical text and richly detailed illustrations, this intriguing picture-book biography introduces the man who would forever change the way we look at insects, bringing to life the fascinating world of dazzling beetles, ferocious wasps, and other amazing small wonders that exist all around us.

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Jean Prouvé began to design portable and demountable barracks for the French army during the Second World War. After the war, the French government commissioned Prouvé to design inexpensive, effective housing for the newly homeless, prompting him to perfect his patented axial portal frame to build easily constructed demountable houses. Few of these groundbreaking structures were built, making them exceedingly rare today--prompting Galerie Patrick Seguin’s tireless efforts over the past 27 years to preserve and promote these important designs. The gallery owns the largest collection of Prouvé’s demountables, 22 in total. The second in Galerie Patrick Seguin’s series of boxed sets on Prouvé’s demountable architecture, Jean Prouvé Architecture: 5 Volume Box Set No. 2 compiles five further volumes of research on these structures: monographs on the Metropole Demountable House, the 6 x 6 Demountable House (adapted by Rogers Stirk Harbour + Partners), the Villejuif Temporary School, the 4 x 4 Military Shelter and the Les Jours Meilleurs Demountable House. Each monograph (available individually or as part of this limited-edition box set) focuses on a single building, and is luxuriously illustrated with archival and contemporary photographs. Though lacking any formal education in architecture, Jean Prouvé (1901–84) became one of the most influential architects of the 20th century, boldly experimenting with new building designs, materials and methods. “His postwar work has left its mark everywhere,” wrote Le Courbusier, “decisively.”

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In 1961 Jean Gottmann published his pioneering study of urban sprawl along the Boston-Washington corridor. The book's title soon became a household word, and its author gained worldwide acclaim for his insights into the dimensions of urbanism. Since writing "Megalopolis," Gottmann has published more than eighty articles on the urban scene. Now, for the first time, the best of that work is available in a single volume. "Since Megalopolis" treats urban questions from the ancient and modern worlds alike. What can today's planners learn from the ancient Greek city of Miletus? What do the shape and placement of the world's capitals tell us about their function? How large can our cities grow before suffocating in slums, pollution, and crime? Gottmann offers a hard-headed argument on the economic value of city parks--and a utopian vision of Manhattan auto traffic speeding through subway tunnels. He examines Tanaka's Tokyo and Solomon's Jerusalem--and tells why the king's wisdom did not extend to urban planning. In an introductory essay new to this volume, Gottmann draws a lesson from an earlier megalopolis. "In antiquity," he writes, "a great city flourished for 600 years on the small and craggy island of Delos in the Aegean sea. When circumstances excluded it from the predominant networks, it fell into ruins. Now an archaeological museum, Delos reminds us that cities are human artifacts and exist by participating in systems of relationships, not just as eagle nests."

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Jean Potocki a du ecrire quelques milliers de lettres; seules, cent quatre-vingt-dix-neuf ont ete retrouvees, ici reunies. C'est dire le manque, c'est dire aussi l'attente, d'autant plus forte qu'il a toujours apporte grand soin a sa correspondance, redigee de sa propre main. Elle se repartit assez exactement entre le domaine public (lettres a Stanislas Auguste, a Alexandre Ier, a Andrei Budberg) et le domaine prive (lettres a son frere, a sa niece, a son beau-pere). Les limites de la lettre sont moins nettes: on la retrouve dans les voyages, en Turquie, en Hollande, sur le chemin de la Chine, ainsi que dans les ecrits historiques ou politique, sous la forme de memoires adresses aux autorites - sans oublier celles du "Manuscrit trouve a Saragosse". Toutefois, ou qu'elle figure, quel que soit son destinataire, la lettre reste muette sur celui qui l'ecrit: Potocki ne livre rien de lui-meme; son regard reste tourne vers l'exterieur.Nous avons donne, a la suite de la correspondance, des "varia" qui n'entraient pas dans les volumes precedents, comme cette etrange relation d'un episode guerrier entre Polonais et Turcs, traduit de l'espagnol, ou ces lettres fictives qui ebauchaient peut-etre un nouveau roman. Le lecteur trouvera enfin une chronologie de l'auteur, une liste de ses oeuvres et les index generaux de l'edition.

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It is hard to think of two philosophers less alike than St. Thomas Aquinas and Jean-Paul Sartre. Aquinas, a thirteenth-century Dominican friar, and Sartre, a twentieth-century philosopher and atheist, are separated by both time and religious beliefs. Yet, for philosopher Joseph S. Catalano, the two are worth bringing together for their shared concern with a fundamental issue: the uniqueness of each individual person and how this uniqueness relates to our mutual dependence on each other. When viewed in the context of one another, Sartre broadens and deepens Aquinas's outlook, updating it for our present planetary and social needs. Both thinkers, as Catalano shows, bring us closer to the reality that surrounds us, and both are centrally concerned with the place of the human within a temporal realm and what stance we should take on our own freedom to act and live within that realm. Catalano shows how freedom, for Sartre, is embodied, and that this freedom further illuminates Aquinas's notion of consciousness. Compact and open to readers of varying backgrounds, this book represents Catalano's efforts to bring a lifetime of work on Sartre into an accessible consideration of philosophical questions by placing him in conversation with Aquinas, and it serves as a primer on key ideas of both philosophers. By bringing together these two figures, Catalano offers a fruitful space for thinking through some of the central questions about faith, conscience, freedom, and the meaning of life.

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Why did Rousseau fail—often so ridiculously or grotesquely—to live up to his own principles? In one of the most notorious cases of hypocrisy in intellectual history, this champion of the joys of domestic life immediately rid himself of each of his five children, placing them in an orphans' home. He advocated profound devotion to republican civic life, and yet he habitually dodged opportunities for political engagement. Finally, despite an elevated ethics of social duty, he had a pattern of turning against his most intimate friends, and ultimately fled humanity and civilization as such. In Hypocrisy and the Philosophical Intentions of Rousseau, Matthew D. Mendham is the first to systematically analyze Rousseau's normative philosophy and self-portrayals in view of the yawning gap between them. He challenges recent approaches to "the Jean-Jacques problem," which tend either to dismiss his life or to downgrade his principles. Engaging in a comprehensive and penetrating analysis of Rousseau's works, including commonly neglected texts like his untranslated letters, Mendham reveals a figure who urgently sought to reconcile his life to his most elevated principles throughout the period of his main normative writings. But after the revelation of the secret about his children, and his disastrous stay in England, Rousseau began to shrink from the ambitious philosophical life to which he had previously aspired, newly driven to mitigate culpability for his discarded children, to a new quietism regarding civic engagement, and to a collapse of his sense of social duty. This book provides a moral biography in view of Rousseau's most controversial behaviors, as well as a preamble to future discussions of the spirit of his thought, positing a development more fundamental than the recent paradigms have allowed for.

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Showcases the energy and diversity of the young field of music semiology, appealing to readers who want to explore the meaning of music in our lives. The Dawn of Music Semiology showcases the work of nine leading musicologists, inspired by the work of Jean-Jacques Nattiez, the founding father of music semiology. Now entering its fifth decade as Nattiez enters his eighth,music semiology, or music semiotics, is still a young, vibrant field, and this book reflects its energy and diversity. It appeals to readers wanting to explore the meaning of music in our lives and to understand the ways of appreciating the complexities that lie behind its simple beauty and direct impact on us. Following a preface by Pierre Boulez and an introduction by the editors, nine chapters discuss the latest thinking about general considerations such as music and gesture, the psychology of music, and the role of ethnotheory. The volume offers new research on topics as diverse as modeling folk polyphony, spatialization in the Darmstadt repertoire, Schenker's theory of musical content, compositional modernism from Wagner to Boulez, current music theory terminology, and Maderna's use of folk music in serial composition. CONTRIBUTORS: Kofi Agawu, Simha Arom, Rossana Dalmonte, Irène Deliège, Jonathan Dunsby, Jonathan Goldman, Nicolas Meeùs, Jean Molino, Arnold Whittall Jonathan Dunsby is Professor of Music Theory at the Eastman School of Music, University of Rochester. Jonathan Goldman is Professor of Musicology at the University of Montreal.

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An original look at the philosophy of Jean-Paul Sartre—told in cartoons As graduates embark on the next phase of their lives, what better way to get them accustomed to the rat race they are about to enter than by introducing them to the philosophy of Jean-Paul Sartre? Cleverly told through the story of a pair of rats trapped in the labyrinth of existence, this allegory humorously conveys the key ideas of Sartre’s existential philosophy in graphic-novel form—accessible for students and readers of all ages. In addition, two reputable Sartre scholars have contributed the introduction and afterword: Gary Cox, a British philosopher with a doctorate from the University of Birmingham, and Christine Daigle, professor of philosophy at Brock University in Canada.

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Ce recueil prolonge et complète le volume que la collection a déjà consacré à la chronique universelle écrite en grec, au VIe siècle, par Jean Malalas (Monographies 15). Comme lui, il est l'aboutissement d'un colloque qu'a organisé l'équipe de recherche aixoise composée de Sandrine Agusta-Boularot, Joëlle Beaucamp, Anne-Marie Bernardi, Bernadette Cabouret et Emmanuèle Caire. Le premier volume avait pour objet d'étude la genèse et la transmission du texte de Malalas. Le nouveau receuil est centré, lui, sur le contenu et la validité historiques de l'oeuvre: il s'intéresse à Malalas historien. Les treize articles rassemblés ici s'interrogent sur les singularités de la narration comme sur ses silences. Ces distorsions confinent parfois à la manipulation, qu'il s'agisse du passé lointain (biblique, grec ou romain), de la vie et de la mort des empereurs, de l'organisation de l'Empire, et même de l'histoire contemporaine, politique ou religieuse. On se trouve, en ce cas, face à des choix délibérés du chroniqueur, dont les différentes contributions explorent les motifs: goût de la narration et de l'anecdote, philellénisme, attachement à la cité d'Antioche et surtout désire de légitimer l'Empire et ses souverains.

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Jean-Paul Marat’s role in the French Revolution has long been a matter of controversy among historians. Often he is portrayed as a violent, sociopathic demagogue. This biography challenges that interpretation and argues that without Marat’s contributions as an agitator, tactician, and strategist, the pivotal social transformation that the revolution accomplished would not have occurred. Clifford D. Conner argues that what was unique about Marat - setting him apart from all other major figures of the revolution, including Danton and Robespierre - was his total identification with the struggle of the propertyless classes for social equality. Fresh ideas surrounding the Champs de Mars Massacre, his assassination, the cult of Marat and the Légende Noire are all explored.

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Part of a series of exciting and luxurious Flame Tree Notebooks. Combining high-quality production with magnificent fine art, the covers are printed on foil in five colours, embossed then foil stamped. And they’re powerfully practical: a pocket at the back for receipts and scraps, two bookmarks and a solid magnetic side flap. These are perfect for personal use and make a dazzling gift. The vogue for fairy painting grew out of the Romantic movement, when there was a revival of interest in the nation's cultural heritage, including such mythological beings as fairies. The magic of these creatures continues to inspire artists to this day and Jean and Ron Henry's Moon Maiden is a charming, modern slant on the fairy world.

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Inspired new translations of the work of one of the world's greatest fabulistsTold in an elegant style, Jean de la Fontaine's (1621-95) charming animal fables depict sly foxes and scheming cats, vain birds and greedy wolves, all of which subtly express his penetrating insights into French society and the beasts found in all of us. Norman R. Shapiro has been translating La Fontaine's fables for over twenty years, capturing the original work's lively mix of plain and archaic language. This newly complete translation is destined to set the English standard for this work. Awarded the Lewis Galantière Prize by the American Translators Association, 2008.

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The most prolific ethnographic filmmaker in the world, a pioneer of cinema verite; and one of the earliest ethnographers of African societies, Jean Rouch (1917-) remains a controversial and often misunderstood figure in histories of anthropology and film. By examining Rouch's neglected ethnographic writings, Paul Stoller seeks to clarify the filmmaker's true place in anthropology. A brief account of Rouch's background, revealing the ethnographic foundations and intellectual assumptions underlying his fieldwork among the Songhay of Niger in the 1940s and 1950s, sets the stage for his emergence as a cinematic griot, a peripatetic bard who "recites" the story of a people through provocative imagery. Against this backdrop, Stoller considers Rouch's writings on Songhay history, myth, magic and possession, migration, and social change. By analyzing in depth some of Rouch's most important films and assessing Rouch's ethnography in terms of his own expertise in Songhay culture, Stoller demonstrates the inner connection between these two modes of representation. Stoller, who has done more fieldwork among the Songhay than anyone other than Rouch himself, here gives the first full account of Rouch the griot, whose own story scintillates with important implications for anthropology, ethnography, African studies, and film.

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A landmark in Sibelius scholarship, this is the first book that presents all of Sibelius's solo art songs in their musical and aesthetic context. Indispensable for scholars and performers alike. This is the first book to discuss the complete solo art songs of Jean Sibelius and to locate them in their musical, literary and artistic context. The book is organized around the poets Sibelius set to music and the literary themes associated with them, thus providing invaluable information for the scholar, student and performer. The musical and aesthetic contextualisation of the songs will help to enable new interpretations on the performance stage.

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Rousseau is most often read either as a theorist of individual authenticity or as a communitarian. In this book, he is neither. Instead, Rousseau is understood as a theorist of the common person. In Strong's understanding, Rousseau's use of 'common' always refers both to that which is common and to that which is ordinary, vulgar, everyday. For Strong, Rousseau resonates with Kant, Hegel, and Marx, but he is more modern like Emerson, Nietzsche, Eittegenstein, and Heidegger. Rousseau's democratic individual is an ordinary self, paradoxically multiple and not singular. In the course of exploring this contention, Strong examines Rousseau's fear of authorship (though not of authority), his understanding of the human, his attempt to overcome the scandal that relativism posed for politics, and the political importance of sexuality.

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Some Black and white illustrations

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Part of a series of handy, luxurious Flame Tree Pocket Books. Combining high-quality production with magnificent fine art, the covers are printed on foil in five colours, embossed then foil stamped. And they’re delightfully practical: a pocket at the back for receipts and scraps, two bookmarks and a solid magnetic side flap. These are perfect for personal use, handbags and make a dazzling gift. This example is based on 'Moon Maiden' by Jean & Ron Henry. The vogue for fairy painting grew out of the Romantic movement, when there was a revival of interest in the nation's cultural heritage, including such mythological beings as fairies. The magic of these creatures continues to inspire artists to this day and Jean and Ron Henry's Moon Maiden is a charming, modern slant on the fairy world.

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In 1925, at the age of 30, Jean Luce was the only artist specialising in tableware to have his own space at the Exposition Internationale des Arts Décoratifs et Industriels Modernes in Paris.His long career took him through many 20th-century movements, including Art Nouveau, Art Deco and Modernism. Initially admired in the 1920s for the quality and originality of his geometric decorations and ornamentation, he made a name for himself thanks to his work in renewing forms. Designers and interior decorators such as Pierre Chareau, Charlotte Perriand, Rob Mallet-Stevens and Djo Bourgeois used his designs on their stands and in their interiors. He creates services for prestigious clients such as the Maharajah of Indore and Paul Cavrois. His creations were also aimed at a wider public, which he reached both in France through outlets such as Steph Simon and Pilote, and in the United States, where he made his mark in the early 1950s.Richly illustrated, in particular by the Luc

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Organised by the family of Basquiat, the exhibition and accompanying catalogue feature over 200 never before and rarely seen paintings, drawings, ephemera, and artifacts. The artist s contributions to the history of art and his exploration into our multi-faceted culture incorporating music, the Black experience, pop culture, African American sports figures, literature, and other sources are showcased alongside personal reminiscences and firsthand accounts providing unique insight into Basquiat s creative life and his singular voice that propelled the social and cultural narrative that continues to this day. Structured around key periods in his life, from his childhood and formative years, his meteoric rise in the art world and beyond, to his untimely death, the book features in-depth interviews with his surviving family members.

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L’÷uvre de Jean Potocki traduit un conflit entre deux perspectives du monde, lesquelles, à un niveau esthétique et métaphorique, répondent à deux formes de mouvement: errare et iterare, l’errance sinueuse et sans but, et la quête de sens, interminable et utopique. Les motifs d’errance du Manuscrit trouvé à Saragosse rejoignent sa forme narrative, remarquablement complexe et «errante», pour ensemble créer l’image d’un monde fondamentalement instable. Utilisant l’errance comme clef d’interprétation, ce livre montre comment l’autoréflexivité du roman potockien, loin de tourner à vide, est le point de départ d’une fine réflexion anthropologique: le texte romanesque est traité de machine discursive permettant de penser certaines questions philosophiques, comme le rôle joué par la narration et par la fiction dans la construction de l’identité, et les impasses herméneutiques vécues par l’homme dans un monde où le sens se déplace sans cesse. L’÷uvre de Jean Potocki traduit un conflit entre deux perspectives du monde, lesquelles, à un niveau esthétique et métaphorique, répondent à deux formes de mouvement: errare et iterare, l’errance sinueuse et sans but, et la quête de sens, interminable et utopique. Les motifs d’errance du Manuscrit trouvé à Saragosse rejoignent sa forme narrative, remarquablement complexe et «errante», pour ensemble créer l’image d’un monde fondamentalement instable. Utilisant l’errance comme clef d’interprétation, ce livre montre comment l’autoréflexivité du roman potockien, loin de tourner à vide, est le point de départ d’une fine réflexion anthropologique: le texte romanesque est traité de machine discursive permettant de penser certaines questions philosophiques, comme le rôle joué par la narration et par la fiction dans la construction de l’identité, et les impasses herméneutiques vécues par l’homme dans un monde où le sens se déplace sans cesse.

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