Search results for ""author james"

'The master storyteller of our times' Hillary Rodham Clinton'The whole story of his truly astonishing life' Bob Woodward'The book was damn near addictive. I loved it' Ron Howard'At times his poignant narrative will bring you to tears' Patricia Cornwell'A compelling account of the life events that shaped an extraordinary man' Nicholas Sparks'So much content and inspiration from one of the world's most successful authors' Sir David Jason'This is a poignant, funny and inspiring account of a phenomenally successful career from a master storyteller' Jake Humphrey______________________________HIS BEST STORIES ARE THE STORIES OF HIS LIFE· His father grew up in a New York poorhouse called the 'Pogie'.· He worked at a psychiatric hospital where he met the singer James Taylor and the poet Robert Lowell. Both were patients.· He was at Woodstock and was also an usher at the Fillmore East.· He was CEO of advertising agency J. Walter Thompson North America when he was thirty-seven. He wrote the ad jingle, 'I'm a Toys 'R' Us Kid'.· He once watched Norman Mailer and James Baldwin square off to fight.· He's played golf with three US presidents and has nine holes-in-one.· Dolly Parton sang Happy Birthday to him over the phone. She calls him Jimmy James.James says, 'I always wanted to write the kind of novel that is read and re-read so many times the binding breaks, and the book literally falls apart, pages scattered in the wind. I'm still working on that one.'______________________________More praise for The Stories of My Life'A masterpiece of storytelling! Funny, poignant, brutally honest' Admiral Willam H. McRaven'Will delight fans, and even non-fans, of America's storied storyteller' Ben Bradlee Jr.'James Patterson makes his own life as addictively enjoyable as his novels' Nadine Dorries'Jim Patterson's life is a thriller itself . . . This book is a pure joy to read' Stephen A. Schwarzman'Always entertaining . . . You will enjoy the read' Phil Knight'James Patterson's first rule of storytelling is "be there". And that's the genius of his autobiography' Mike Lupica'Anyone who has ever started a James Patterson thriller knows how damned difficult it is to put down. And the same is true of this vivid, invigorating memoir' Daily Mail

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Is the voice of James Connolly, silenced by a British bullet in 1916, coming back? This book offers a measured consideration of Connolly, alive to his continuing political relevance.​ It seeks to explain Connolly's political development in dialogue with the socialist debates and controversies of his day. It considers his experience in Britain, the USA, and Ireland, and influences from further afield. It integrates elements of political biography, blending context with a transnational account of the international socialist movement, its pamphlets, newspapers and personalities. ​ It concludes with a review of Connolly’s dramatic final years: the First World War, the Easter Rising, Connolly’s ‘incorrigible revolutionism’ and the vexed issue of the tensions between socialism and Irish nationalism.

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The Autobiography of James T. Kirk chronicles the greatest Starfleet captain's life (2233-2371), in his own words. From his youth spent on Tarsus IV, his time in the Starfleet Academy, his meteoric raise through the ranks of Starfleet, and his illustrious career at the helm of the Enterprise, this in-world memoir uncovers Captain Kirk in a way Star Trek fans have never seen.

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The definitive biography of James Brown, the Godfather of Soul, with fascinating findings on his life as a Civil Rights activist, an entrepreneur, and the most innovative musician of our time Playing 350 shows a year at his peak, with more than forty Billboard hits, James Brown was a dazzling showman who transformed American music. His life offstage was just as vibrant, and until now no biographer has delivered a complete profile. The One draws on interviews with more than 100 people who knew Brown personally or played with him professionally. Using these sources, award-winning writer RJ Smith draws a portrait of a man whose twisted and amazing life helps us to understand the music he made.The One delves deeply into the story of a man who was raised in abject-almost medieval-poverty in the segregated South but grew up to earn (and lose) several fortunes. Covering everything from Brown's unconventional childhood (his aunt ran a bordello), to his rol

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This study details the compatibility of ideas between Jonathan Edwards and Emanuel Swedenborg that helped forge the theological socialism of Henry James Sr. Duban demonstrates how a forgotten newspaper exchange between the elder James and Unitarian minister Henry Whitney Bellows clarified the Puritan foundations of the elder James's philosophy. Henry James Jr., in turn, transformed the phenomenalistic and Edwardsian foundations of his father's philosophy into the psychological dramas of major novels, although deeming the father's political radicalism destructive of aesthetic valuation.

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James Tower (1919-1988) is best known for his elegant forms in glazed earthenware. During a career spanning four decades, from the 1950s to the 1980s, he worked unceasingly in a wide variety of media to achieve an elusive harmony of shape and surface, form and decoration, inert material and active design. His personal understanding of the purpose and meaning of abstraction embodies a perpetual dialogue between the visible world and the unseen dynamics which shape it. This centenary volume of essays considers Tower's entire output from a wide variety of perspectives, embracing paintings and drawings, as well as sculpture in bronze, terracotta and fibreglass. The contributions of leading critics and historians approach his work, situated at the junction of art, craft and design, in a broad historical and cultural context, illuminating key episodes in postwar British art, and Tower's unique place within it.

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A complete account of the life and times of James Joyce in the form of a graphic novel. From his earliest days and school career, through to meetings with all the literary greats of the day, this story is dotted with anecdotes, as well as a captivating and beautifully drawn journey through the cities of Dublin, Trieste, Paris and Zurich, where this universal Irishman left traces of his life. A stunning one-of-a-kind publication about Joyce's life.

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William James (1842-1910) is a canonical figure of American pragmatism. Trained as a medical doctor, James was more engaged by psychology and philosophy and wrote a foundational text, Pragmatism, for this characteristically American way of thinking. Distilling the main currents of James's thought, William J. Gavin focuses on "latent" and "manifest" ideas in James to disclose the notion of "will to believe," which courses through his work. For students who may be approaching James for the first time and for specialists who may not know James as deeply as they wish, Gavin provides a clear path to understanding James's philosophy even as he embraces James's complications and hesitations.

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Though his father had faced bankruptcy, James Clarke Hook (1819–1907) nevertheless managed to paint himself into country-gentlemanhood, becoming famous for his landscapes of British coastal scenes and his ability to evoke not just the sights but also the sounds and even the smell of the sea.James Clarke Hook, Juliet McMaster’s lively biography of the brilliant but underappreciated Victorian painter, brings the reader through Hook’s rigorous training at the Royal Academy Schools, his travelling studentship in Florence and Venice, and his work as a historical painter, to the discovery of his métier as a painter of contemporary rural and coastal scenes. Part of the secret of Hook’s success was his resolution to paint the final large canvas of his seascapes onsite, braving wind and weather – for which he invented an easel that was adaptable to uneven terrain. McMaster’s research led her to retrace the painter’s footsteps to the rocky headlands and sheltered bays where, over a hundred years ago, Hook had set up his easel to capture the tang of sea. McMaster connects Hook, an academician for half a century, with the major figures and movements of Victorian art – including the Pre-Raphaelites John Everett Millais and Holman Hunt, the etcher Samuel Palmer, and the painter and sculptor G.F. Watts.James Clarke Hook worked alongside the fishermen and rural families who populate and enliven his canvases; this book reinvigorates our understanding of his artistic process and unique sense of place.

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1,000 Piece jigsaw puzzle from teNeues creates a big 20 x 20 inch finished piece. Birdwatchers and naturalists delight in our latest puzzle, Snowy Egret from John James Audubon. The box is as beautiful as the puzzle inside. Packaged in a compact 2-piece box with bonus folded art poster to use as a guide.Find our other Audubon titles including Wrapping Paper Book, QuickNotes and 8-Pen Set.

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Sean Connery’s tuxedo, Ursula Andress’ bikini, Oddjob’s bowler hat, and Q’s gadgets are just a few defining features of the 007 world examined in The James Bond phenomenon. Drawn from the fields of literary, film, music, and cultural studies, the essays in this collection range from revitalised readings of Ian Fleming’s original spy novels to the analysis of Pussy Galore’s lesbianism, Miss Moneypenny’s filmic feminism, and Pierce Brosnan’s techno-fetishism. Together, the essays not only consider the James Bond novels and films in relation to their historical, political, and social contexts from the Cold War period onwards, but also examine the classic Bond canon from an array of theoretical perspectives. This updated and expanded edition features new essays on a range of hot topics, including Daniel Craig’s debut as Bond, Playboy magazine’s obsession with the 007 lifestyle, Bond’s erotic Orientalism, and the rise of 007 video gaming.

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First scholarly edition of Philip James Bailey's epic masterpiece in a readable, modern volume.

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The only comprehensive volume on James Turrell is back in print—from early prints and light projections to his monumental Roden Crater project This definitive book illuminates the origins and motivations of James Turrell’s incredibly diverse and exciting body of work—from his Mendota studio days to his monumental work-in-progress Roden Crater. Whether projecting shapes on a flat wall or into the corner of a gallery space, Turrell is perpetually asking us to "go inside and greet the light"—evoking his Quaker upbringing. In fact, all of Turrell’s work has been influenced by his life experiences with aviation, science and psychology, and as a key player in Los Angeles’ exploding art scene of the 1960s. Enhanced by thoughtful essays and an illuminating interview with the artist, this monograph explores every aspect of Turrell’s career—from his early geometric light projections, prints and drawings, through his installations exploring sensory deprivation and seemingly unmodulated fields of colored light, to two-dimensional experiments with holograms. It also features an in-depth look at Roden Crater, a site-specific intervention into the landscape near Flagstaff, Arizona, which is presented through models, plans, photographs and drawings. Fans of this highly influential artist will find much to savor in this wide-ranging and beautiful book, featuring specially commissioned photography by Florian Holzherr. As an undergraduate, James Turrell (born 1943) studied psychology and mathematics, transitioning to art only at MFA level. The recipient of several prestigious awards, including Guggenheim and MacArthur fellowships, Turrell lives in Arizona.

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A century after the appearance of his famous works on religion, William James's philosophy of religion is still the subject of lively debate. James's numerous opponents have repeatedly charged him with abdication of intellectual responsibility, arguing that he advocated the adoption of religious belief without conclusive evidence on its behalf. In this book Hunter Brown shows that critics have consistently distorted James's view in the process of arriving at such charges.The central argument presented here is that critics have failed to look at James's philosophical vision as a whole. This failure is addressed by Brown as he locates James's thought on religion within the wider scope of Radical Empiricism's analyses of experience in general, and subject-object relations in particular. Brown presents the main interpretations and critiques of James's work, and shows that James's views of religious experience, evil and power, human responsibility, and ethical concerns do not in fact lapse into subjectivism and fideism.This penetrating study not only builds upon a long tradition of James scholarship but pushes through to new levels of inquiry and insight. It is a major work that will generate renewed discussion of James's thought along with the approaches and concerns emerging from it.

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**THE NEW YORK TIMES BESTSELLER – NOW AN AMAZON PRIME TV SERIES STARRING CHRIS PRATT**'Take my word for it, James Reece is one rowdy motherf***er. Get ready!' Chris Pratt It has been two decades since 9/11. The enemy has been patient. The enemy has been learning. The enemy has been adapting. The enemy is ready to strike again . . . Former Navy SEAL James Reece must embark on a top-secret CIA mission of retribution twenty years in the making in this riveting and timely thriller that will leave you gasping for breath.If you loved Lee Child's Jack Reacher, Peter James's Roy Grace or Michael Connelly's Mickey Haller, you will love The Devil's Hand and the James Reece series!Praise for Jack Carr: ‘A propulsive and compulsive series. Jack Carr’s James Reece is the kind of guy you’d want to have in your corner. A suspenseful and exhilarating thrill-ride. Jack Carr is the real deal’ Andy McNab 'This is seriously good . . . the suspense is unrelenting, and the tradecraft is so authentic the government will probably ban it – so read it while you can!' Lee Child 'With a particular line in authentic tradecraft, this fabulously unrelenting thrill-ride was a struggle to put down' Mark Dawson 'Gritty, raw and brilliant!' Tom Marcus ‘So powerful, so pulse-pounding, so well-written – rarely do you read a debut novel this damn good’ Brad Thor 'Carr writes both from the gut and a seemingly infinite reservoir of knowledge in the methods of human combat. Loved it!' Chris Hauty 'A powerful, thoughtful, realistic, at times terrifying thriller that I could not put down. A terrific addition to the genre, Jack Carr and his alter-ego protagonist, James Reece, continue to blow me away' Mark Greaney 'Thrilling' Publishers Weekly

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We all want a faith that won't let us down in times of trouble or loss, uncertainty or fear. A faith that can pull us through the worst - and best - times in our lives. This is the kind of faith that James writes about. It is the faith that we practice day by day. Studying James will help us grow a steadfast faith that can carry us through life. This revised Lifebuilder Bible Study features additional questions for starting group discussions and for meeting God in personal reflection, together with expanded leader's notes and a new "Now or Later" section in each study. This book contains nine studies and covers the Book of James, chapters 1-5.

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The ODD JOB epic begins in a new ongoing James Bond comic series by superstars GREG PAK (Planet Hulk, Mech Cadet Yu) and MARC LAMING (Star Wars, Wonder Woman)! Agent 007 tracks a smuggler into Singapore to secure a dangerous case, contents unknown. But a Korean mystery man wants the case as well, for very different reasons. And if Bond and this new rival don't kill each other, the ruthless terrorist organization known as ORU will be more than happy to finish the job

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William James, Pragmatism, and American Culture focuses on the work of William James and the relationship between the development of pragmatism and its historical, cultural, and political roots in 19th-century America. Deborah Whitehead reads pragmatism through the intersecting themes of narrative, gender, nation, politics, and religion. As she considers how pragmatism helps to explain the United States to itself, Whitehead articulates a contemporary pragmatism and shows how it has become a powerful and influential discourse in American intellectual and popular culture.

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THE SUNDAY TIMES BESTSELLER'Funny, fantastical and forthright, this is an indispensable survival guide to the real world' - Daily MailThis is a self-help book like no other. Because you are not helping yourself, James Acaster is helping you.In 2019, James quit all forms of social media - covering his phone in tar and driving it to a lock-up in Rhyl, before setting up home in a castle he'd built himself called Castle Anti-Net. But when the withdrawal symptoms hit him, he realised in order to stay clean he'd have to replace everything social media gave him with three-dimensional, real-life activities. Employing the help of a mysterious, wealthy benefactor named Clancy Dellahue, and an ever-growing gang of misfits (aka the Tangfastic Crew), James found ways to replace his online friends (he joined the scouts) and spy on his exes (climbing ropes, zip lines, fake moustache) as well as anonymously bullying strangers, seeing photos of everyone's dogs, getting public figures fired, arguing with everybody about everything, and so much more. His life is amazing and yours could be too if you buy JAMES ACASTER'S GUIDE TO QUITTING SOCIAL MEDIA, BEING THE BEST YOU YOU CAN BE AND SAVING YOURSELF FROM LONELINESS VOL. 1.

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It has been forty years since James Callaghan - the only person to hold all four of the great offices of state - resigned as Leader of the Opposition, bringing to an end over three decades of service on the front bench. Debate still rages over whether Callaghan was a successful Prime Minister. Critics see him variously as holding back the inevitable tide of economic liberalism or betraying the 'socialist' policies on which Labour had been elected (twice) in 1974. Following his downfall in 1979, there were few defenders of his legacy. This vital reassessment explores the context within which Callaghan governed and the policies his administration pursued, inviting the reader to draw their own conclusion as to how his premiership should be remembered. It includes contributions from leading politicians, journalists, advisors and academics, including some of those who knew Callaghan best. As debates over the future of the Labour Party intensify, this illuminating book offers valuable insights into the party's past.

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Beyond the Game is a new nonfiction chapter book series about athletes who have stepped up beyond sports to make a difference in the world, from acclaimed author, Andrew Maraniss and illustrator DeAndra Hodge. This is the story of LeBron James and his social justice work.Before he became one of the most famous basketball players on the planet, before he began speaking out for justice, LeBron James was just a kid.In this chapter book biography by acclaimed author Andrew Maraniss, illustrated by DeAndra Hodge, readers learn more about the life and work of LeBron James—from growing up with a single mother in Akron, Ohio, to his journey to the NBA and ten NBA championships, to his social justice work creating I PROMISE and speaking up for Black Lives Matter.While known as one of the greatest basketball players of all time, LeBron James has changed the world beyond sports.Complete with black-and-white illustrations throughout, statistics,

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The legend continues! Stand by for more adventures with the world's greatest and most famous secret agent, James Bond, as some of his most thrilling missions are collected for the first time ever in a deluxe collectors' library edition!This bumper action-packed volume collects ultra rare Bond stories that have not been seen since their original syndication: "Flittermouse", "The Scent of Danger", "Snake Goddess", "Double Eagle" and "Polestar"!Plus a new introduction by Bond girl Valerie Leon ("The Spy Who Loved Me"), features on Ian Fleming's home "GoldenEye" and a look at the rarely seen "Bond Zig Zag" comics series, this latest explosive volume is not to be missed!

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Celebrating the centenary of the birth of James Baldwin with this wide-ranging volume of short essays, reflections and poetry. This moving collection demonstrates the significant legacy of the writer and activist who spoke truth to power during the era of the fight for Black civil liberties in the US, and after.

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The first book to map William James’s preoccupation with medical ideas, concerns, and values across the breadth of his work. William James is known as a nineteenth-century philosopher, psychologist, and psychical researcher. Less well-known is how his interest in medicine influenced his life and work, driving his ambition to change the way American society conceived of itself in body, mind, and soul. William James, MD offers an account of the development and cultural significance of James’s ideas and works, and establishes, for the first time, the relevance of medical themes to his major lines of thought. James lived at a time when old assumptions about faith and the moral and religious possibilities for human worth and redemption were increasingly displaced by a concern with the medically “normal” and the perfectibility of the body. Woven into treatises that warned against humanity’s decline, these ideas were part of the eugenics movement and reflected a growing social stigma attached to illness and invalidism, a disturbing intellectual current in which James felt personally implicated. Most chronicles of James’s life have portrayed a distressed young man, who then endured a psychological or spiritual crisis to emerge as a mature thinker who threw off his pallor of mental sickness for good. In contrast, Emma K. Sutton draws on his personal correspondence, unpublished notebooks, and diaries to show that James considered himself a genuine invalid to the end of his days. Sutton makes the compelling case that his philosophizing was not an abstract occupation but an impassioned response to his own life experiences and challenges. To ignore the medical James is to misread James altogether.

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The first book to map William James’s preoccupation with medical ideas, concerns, and values across the breadth of his work. William James is known as a nineteenth-century philosopher, psychologist, and psychical researcher. Less well-known is how his interest in medicine influenced his life and work, driving his ambition to change the way American society conceived of itself in body, mind, and soul. William James, MD offers an account of the development and cultural significance of James’s ideas and works, and establishes, for the first time, the relevance of medical themes to his major lines of thought. James lived at a time when old assumptions about faith and the moral and religious possibilities for human worth and redemption were increasingly displaced by a concern with the medically “normal” and the perfectibility of the body. Woven into treatises that warned against humanity’s decline, these ideas were part of the eugenics movement and reflected a growing social stigma attached to illness and invalidism, a disturbing intellectual current in which James felt personally implicated. Most chronicles of James’s life have portrayed a distressed young man, who then endured a psychological or spiritual crisis to emerge as a mature thinker who threw off his pallor of mental sickness for good. In contrast, Emma K. Sutton draws on his personal correspondence, unpublished notebooks, and diaries to show that James considered himself a genuine invalid to the end of his days. Sutton makes the compelling case that his philosophizing was not an abstract occupation but an impassioned response to his own life experiences and challenges. To ignore the medical James is to misread James altogether.

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An in-depth look at the design process of James Huniford, who is renowned for his skill in juxtaposing opposites - contemporary with traditional, rustic with refined - to create a timeless whole. James Huniford, universally known as Ford, explores his design process thematically, with chapters on approaching a room, considering scale and proportion, selecting materials and art, using color effectively, and marrying form and function. His goal is to create "a modern sensibility of calm." Of special interest is his ability to create artworks out of found objects, compositions of tools, baskets, or metalwork that become compelling wall sculptures or freestanding pieces. Examples are drawn from a rich variety of projects - elegant Upper East Side apartments to raw lofts on the Lower East Side to contemporary condominiums in new "supertall" towers in Manhattan, country houses in Connecticut, Upstate New York, and Martha's Vineyard, and across the country in Nashville and Marin Country, California. Special insight into his process can be gleaned from his own homes, a loft in Tribeca and a historic house in Bridgehampton that he readily admits are laboratories for his ideas.

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A fascinating new look at an extraordinary artist whose deafness led to an acute visual awareness and near photographic memory Self-taught artist James Castle (1899–1977) is primarily known for soot and saliva drawings of meticulously rendered domestic interiors and farm scenes, along with fantastical figures, animals, and architectural constructions made of cardboard and stitched paper. Castle was born into a family of homesteaders in Idaho, and his visual world comprised variations of seemingly ordinary subjects: rural landscapes, houses, barns, and outbuildings; interiors with closed and open doors, beds, bureaus, tile floors, and minutely patterned wallpaper; and color copies of illustrated advertisements for food, fuel, and matches. Castle was a deaf artist who by most accounts never learned to read, write, or speak. In this remarkable book, author John Beardsley discusses how these limitations led to the development of an extraordinary memory, an ability that enabled him to create a large number of distinctly intelligent artworks. Beardsley follows Castle’s work as if through a series of rooms (a “Memory Palace”)—interiors, exteriors, objects, books, and words—reproducing many previously unknown works and referencing other documents made available for the first time from the James Castle Collection and Archive.Published in association with the James Castle Collection and Archive

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'Warm, funny, and bursting with heart' Rebecca Serle'Beautiful, moving, hopeful' Emily StoneGreta James is adrift. Literally.Just after the sudden death of her mother - her most devoted fan - and weeks before the launch of her high-stakes second album, Greta James falls apart on stage. The footage quickly goes viral and she stops playing. Greta's career is suddenly in jeopardy - the kind of jeopardy her father, Conrad, has always warned her about.Months later, Greta - still heartbroken and very much adrift - reluctantly agrees to accompany Conrad on the Alaskan cruise her parents had booked to celebrate their fortieth anniversary. It could be their last chance to heal old wounds in the wake of shared loss. But the trip will also prove to be a voyage of discovery for them both, and for Ben Wilder, a charming historian who is struggling with a major upheaval in his own life.In this unlikeliest of places - at sea and far from the packed venues where she usually plays - Greta must finally confront the heartbreak she's suffered, the family hurts that run deep, and how to find her voice again.'Gorgeous, heartfelt' Amanda Eyre Ward'Thoughtful and tender and true' Janelle Brown'Filled with music, passion, and love of all kinds' Jill Santopolo'A total delight!' Christine Pride'Full of hope . . . vibrant' Linda Holmes

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James offers a concise and accessible introduction to a New Testament text, in this case aimed specifically at undergraduate-level students. John S. Kloppenborg introduces the reader to a series of critical issues bearing on the reading of James and provides a balanced presentation and assessment of the range of scholarly views, with guidance for further reading and research.

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"His work went beyond fashion and was a fine art." —a Charles James patron Charles James, often considered to be America’s first couturier, was renowned in the 1940s and 1950s as a master at sculpting fabric for the female form and creating fashions that defined mid-century glamour. Although James had no formal training as a dressmaker, he created strikingly original and complex designs, including intricate ball gowns worn by members of high society in New York and Europe. This lavishly illustrated book offers a comprehensive study of James’ life and work, highlighting his virtuosity and inventiveness as well as his influence on subsequent fashion designers. Featuring exciting new photography of the spectacular evening dresses James produced between 1947 and 1955, this publication includes enlightening details of these intricate creations alongside vintage photographs and rarely seen archival items, such as patterns, muslins, dress forms, and sketches. A detailed and illustrated chronology of James’ life describes his magnetic personality, his unorthodox design processes, his colorful supporters—such as Salvador Dalí, Elsa Schiaparelli, Christian Dior, and Cristobal Balenciaga—and profiles of a number of his famous clients, such as Gypsy Rose Lee. With flair and style echoing that of its subject, Charles James brings to life one of the most fascinating and creative figures in American fashion.Published by The Metropolitan Museum of Art/Distributed by Yale University PressExhibition Schedule:The Metropolitan Museum of Art (05/08/14–08/10/14)

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How James Bond Saved My Life is a unique self-help memoir. The author takes you on a journey through cinema, delving into the significance of cinematic role models and how cinematic characters can empower and inspire young minds, be it Bond, Batman or Wonder Woman.David shares his experiences as a non-verbal school child requiring speech therapy and his childhood growing up in Northern Ireland during the Troubles to establish the significance of cinema. David intertwines personal anecdotes from his past, the bullying at school, and his struggle in learning to speak, with his professional expertise as a qualified youth worker and film tutor to present a compelling case for the importance of switching off from the everyday world and tuning into the world of cinema.

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This book reveals that James Ensor did not develop his fantastic and grotesque universe of masks and skeletons out of his melancholic soul, but that he re-used and transformed an old image tradition that was collected and published by the French author and art critic Jules Champfleury in his History of Caricature. A second essay analyses how these weird creatures infiltrate the image borders and the frames of Ensor's paintings in order to disturb the 'normal' world.

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'Warm, funny, and bursting with heart' Rebecca Serle'Beautiful, moving, hopeful' Emily StoneGreta James is adrift. Literally.Just after the sudden death of her mother - her most devoted fan - and weeks before the launch of her high-stakes second album, Greta James falls apart on stage. The footage quickly goes viral and she stops playing. Greta's career is suddenly in jeopardy - the kind of jeopardy her father, Conrad, has always warned her about.Months later, Greta - still heartbroken and very much adrift - reluctantly agrees to accompany Conrad on the Alaskan cruise her parents had booked to celebrate their fortieth anniversary. It could be their last chance to heal old wounds in the wake of shared loss. But the trip will also prove to be a voyage of discovery for them both, and for Ben Wilder, a charming historian who is struggling with a major upheaval in his own life.In this unlikeliest of places - at sea and far from the packed venues where she usually plays - Greta must finally confront the heartbreak she's suffered, the family hurts that run deep, and how to find her voice again.'Gorgeous, heartfelt' Amanda Eyre Ward'Moving and beautiful' 5* reader review'Thoughtful and tender and true' Janelle Brown'Full of warmth, heart and music' 5* reader review'Filled with music, passion, and love of all kinds' Jill Santopolo'Wonderful, inspiring and delightful' 5* reader review'A total delight!' Christine Pride'A heartwarming story reminding you to really live' 5* reader review'Full of hope . . . vibrant' Linda Holmes

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The second in a series of republished classic literature, The Ghost Stories of M. R. James collects the tales that best illustrate his quiet mastery of the ghost story form. Running through each of these stories is a slowly escalating sense of unease and dread, which ultimately shifts into the wildly uncanny. James' characters exist in a world of ancient objects whose atrocious histories begin to repeat when they are disturbed, and the blinkered repression common to James' narratives only amplifies the shock of the spectral appearance.

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James Ravilious (1939-1999) trained as an artist, like his father Eric, but a Cartier-Bresson exhibition converted him to photography, which he taught himself. In 1972, a move to his wife Robin’s homeland - a very rural, unspoilt part of North Devon - inspired him. It also produced the perfect job: recording daily life in that traditional bit of old England before it was modernised. He devoted himself to this for more than seventeen years. The results, over 75,000 black and white negatives in the Beaford Archive, form what Barry Lane, Secretary General of the Royal Photographic Society, called `a unique body of work, unparalleled at least in this country for its scale and quality’ James was a friendly, modest man with a very unintrusive approach. Because of this, and because of the length of the project, he was able to make a uniquely detailed portrait, intimate and sympathetic, of a whole way of life in one small piece of countryside: its landscapes, its seasons, its people, their hardships and their pleasures. His respect for his subjects is manifest in his work. He never sentimentalised their lives. It was vital to him that his record should be completely honest. But it is not merely social history. It is also the work of someone who composed with the eye of an artist, and who often looked at his world with artists such as Breughel, Claude Lorrain, Thomas Bewick and Samuel Palmer in mind.

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This book draws upon letters, diaries, memoirs, book reviews, and newspaper articles to present a picture of James Boswell from the vantage point of those who knew him best. We hear what family, friends, rivals, critics, and satirists thought of the man who produced such notable works as An Account of Corsica,The Journal of a Tour to the Hebrides with Samuel Johnson, and The Life of Samuel Johnson. Few major authors have generated such wildly fluctuating estimates over the years as Boswell. Both as a writer and as a man, he has stirred debate for more than two centuries. Scholars and critics have long differed, for instance, as to whether his Life of Johnson, published in 1791, is the finest biography in English or just "a pretty book" of questionable accuracy. One commentator recently maintained that his published journals are 'the greatest English autobiographical epic,' while another has dismissed them as the 'diary of a nobody.' Boswell has been acclaimed the greatest of modern biographers, but also attacked as a mere sycophant and fool. James Boswell: As His Contemporaries Saw Him reveals how contemporaries responded to the mans multifaceted talents and personality, and it reveals how estimates of James Boswell fluctuated just as wildly in his day as in ours.

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Among the many treasures in the collections of the Science Museum in London is the complete workshop of the Scottish engineer James Watt (1736-1819), acquired in its entirety from the attic of Watt's Birmingham home in 1924, where it had been left as an industrial shrine since his death in 1819. Watt is best known for his pioneering work on the steam engine, but the workshop contains very few engine-related items. Instead, it is filled with jars of chemicals, sculpture-copying machines and materials, a profusion of instruments and objects and evidence of Watt's many diverse projects. Traditional biographies of Watt have concentrated on the steam engine, but Ben Russell tells a richer story, exploring the processes by which ephemeral ideas were transformed into tangible artefacts and the multifaceted world of production upon which Britain's industrial revolution depended. James Watt: Making the World Anew is a craft history of Britain's early industrial transformation as well as a prehistory of the engineering profession itself.It explores the motivation for making things, looking not only at what was produced but also why, drawing on a rich range of resources - not just archival material and biographies on Watt but also objects themselves, and sources from fields as diverse as ceramics, antique systems of proportion, sculpture and machine making. Generously illustrated, James Watt is a unique, expansive exploration of the engineer's life, not as an end in itself but as a lens through which the broader practices of making and manufacturing in the eighteenth and early nineteenth centuries can be explored.

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Among the founders, James Madison wielded the greatest influence in drafting the Constitution of 1789. In this book, Garrett Ward Sheldon offers a concise synthesis of Madison's political philosophy in the context of the social and political history of his day. Tracing the history of Madison's thought to his early education in Protestant theology, Sheldon argues that it was a fear of the potential "tyranny of the majority" over individual rights, along with a firmly Calvinist suspicion of the motives of sinful men, that led him to support a constitution creating a strong central government with power over state laws. In this way, Madison aimed to protect individual liberties and provide checks to "spiteful" human interests and selfish parochial prejudices. Among the topics Sheldon covers are Madison's Princeton education, his contributions to the Federalist Papers, his arguments in defense of states' rights on behalf of Virginia, his views on federal power during his terms as secretary of state and president, and, in his later years, his defense of the Union against those Southerners who advocated nullification.

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James and the Giant Peach by Roald Dahl in magnificent full colour.James Henry Trotter lives with two ghastly hags. Aunt Sponge is enormously fat with a face that looks boiled and Aunt Spiker is bony and screeching. He's very lonely until one day something peculiar happens. At the end of the garden a peach starts to grow and GROW AND GROW. Inside that peach are seven very unusual insects - all waiting to take James on a magical adventure. But where will they go in their GIANT PEACH and what will happen to the horrible aunts if they stand in their way? There's only one way to find out . .Listen to JAMES AND THE GIANT PEACH and other Roald Dahl audiobooks read by some very famous voices, including Kate Winslet, David Walliams and Steven Fry - plus there are added squelchy soundeffects from Pinewood Studios! Look out for new Roald Dahl apps in the App store and Google Play- including the disgusting TWIT OR MISS! inspired by the revolting Twits."A true genius . . . Roald Dahl is my hero" David Walliams

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Henry James Framed is a cultural history of Henry James as a work of art. Throughout his life, James demonstrated an abiding interest in—some would say an obsession with—the visual arts. In his most influential testaments about the art of fiction, James frequently invoked a deeply felt analogy between imaginative writing and painting. At a time when having a photographic carte de visite was an expected social commonplace, James detested the necessity of replenishing his supply or of distributing his autographed image to well-wishing friends and imploring readers. Yet for a man who set the highest premium on personal privacy, James seems to have had few reservations about serving as a model for artists in other media and sat for his portrait a remarkable number of twenty-four times. Surprisingly few James scholars have brought into primary focus those occasions when the author was not writing about art but instead became art himself, through the creative expression of another’s talent. To better understand the twenty-four occasions he sat for others to represent him, Michael Anesko reconstructs the specific contexts for these works’ coming into being, assesses James’s relationships with his artists and patrons, documents his judgments concerning the objects produced, and, insofar as possible, traces the later provenance of each of them. James’s long-established intimacy with the studio world deepened his understanding of the complex relationship between the artist and his sitter. James insisted above all that a portrait was a revelation of two realities: the man whom it was the artist’s conscious effort to reveal and the artist, or interpreter, expressed in the very quality and temper of that effort. The product offered a double vision—the strongest dose of life that art could give, and the strongest dose of art that life could give.

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