Search results for ""author herzog"

A landmark survey of one of architecture's most controversial yet popular style The Brutalist aesthetic is enjoying a renaissance - and this book documents Brutalism as never before. In the most wide-ranging investigation ever undertaken into one of architecture's most powerful movements, more than 850 Brutalist buildings - existing and demolished, classic and contemporary - are organized geographically into nine continental regions. Much-loved masterpieces in the UK and USA sit alongside lesser-known examples in Europe, Asia, Australia, and beyond - 102 countries in all, proving that Brutalism was, and continues to be, a truly international architectural phenomenon. Includes twentieth-century masters such as Marcel Breuer, Lina Bo Bardi, Le Corbusier, Carlo Scarpa, Ernö Goldfinger, Frank Lloyd Wright, Louis Kahn, and Paul Rudolph. Contemporary architects featured include Alvaro Siza, Coop Himmelb(l)au, David Chipperfield, Herzog & de Meuron, Jean Nouvel, SANAA, OMA, Renzo Piano, Tadao Ando, and Zaha Hadid.

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Established on the global stage by the international success and influence of architects such as Peter Zumthor and Herzog & de Meuron, today’s generation of architects in Switzerland draws on the country’s distinctive landscape of alpine peaks, crystalline lakes and efficient cities, and fuses traditional Swiss materials with new high-tech tools and innovative construction methods. New Swiss Architecture documents fifty of the most important buildings of the last decade through architectural photographs that highlight their exceptional detail, attention to context and material experimentation. Because of their isolated locations, many of these buildings are little known, despite having been designed by leading architects, including Christ & Gantenbein, Gigon/Guyer, Valerio Olgiati, Charles Pictet, Richter Dahl Rocha and Diener & Diener. The book is presented in two sections: the first comprises a photographic portfolio of projects organized into themes: Alpine, Infrastructural, Recreational, Rural, Suburban, Urban. The second section describes each of the featured buildings through drawings, plans and concise texts.

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The first monograph on GRADE New York, an architecture and design studio dedicated to creating artistically curated environments in a cutting-edge contemporary setting. Architect Thomas Hickey and interior designer Edward Yedid partnered to establish GRADE New York as a unique practice where architecture and interiors merge into a seamless continuum. Within their refined and beautifully proportioned spaces, a meticulously curated selection of furnishings, contemporary art, and exquisite objects create a luxurious and personal environment for their clients. New York Contemporary presents seven apartments in the most glamorous condominium buildings in Manhattan, including a penthouse at Place 57, a pied-à-terre at 551 West 21st Street by Norman Foster, and 56 Leonard Street by Herzog & de Meuron. A special feature is an in-depth look at Edward Yedid's own duplex on Madison Avenue, where the principles of structuring and curating the space have created a sleek but warm and inviting home for his family.

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There is no other place of comparable size where one can experience local and global building cultures side by side the way one can in Basel with its trinational urban space in Switzerland, Germany, and France. The local stars Herzog & de Meuron and Diener & Diener have long been active internationally. And building sponsors like Vitra, Novartis, and Beyeler have commissioned – and continue to commission – buildings by Frank Gehry, Zaha Hadid, Tadao Ando, Sanaa (Kazuyo Sejima/Ryue Nishizawa), Alvaro Siza, Renzo Piano, and others. In its fourth, expanded edition – with 44 new projects (for a total of 156) – the Architectural Guide Basel highlights the immediate present. But it also attempts to trace the development that this vital architecture scene has experienced since 1980. An entire double page is devoted to each project. The classification of the buildings by neighbourhood and zone, organized in thirteen chapters and presented in thirteen clearly laid out maps, is designed to facilitate exploration. All tram connections and addresses have been updated in the course of preparing this new edition.

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This book by photographer and architect Daisuke Hirabayashi is a meditation on the often overlooked lives of buildings after the architect has left. Through a sequence of intimate, immersive images, Hirabayashi explores Koechlin House, an early private home designed by now-celebrated architects Herzog & de Meuron in Basel, Switzerland. His images picture the house as a site of everyday life, with all its small joys, surprises, awkward infelicities, rituals, and revelations. The original clients left long ago, and this book quietly studies the current owner’s unplanned, harmonious occupation. The Koechlin House was designed ‘inside out’, prioritising the experience of the interior home over its outward-facing appearance. In this sense, Hirabayashi works in the spirit of the building, centring the embodied experience within and disregarding the omniscient and dehumanised view prevalent in so many accounts of architecture. Alongside a text by architects and writers Ellena Ehrl and Tibor Bielicky, these images encourage us to rethink the perspectives and details we deem ‘architectural’ and leave us newly aware of the long and many-storied lives of buildings.

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Der dritte Teilband zu den Königspfalzen in Altbayern dokumentiert die 196 nachweisbaren königlichen Aufenthalte in Regensburg, einem der bedeutendsten Zentralorte Bayerns, zwischen Karl dem Großen im Oktober 788 und Konrad IV. im Dezember 1250 sowie über die zahlreichen Versammlungen lokalen Charakters innerhalb der Stadt. Darüber hinaus wird die Entwicklung der Residenzen am Ort sowie dessen Genese aus römischen Wurzeln dargestellt. Die LeserInnen erfahren in diesem Band alles über die Geschichte Regensburgs und seiner Funktion für das ostfränkisch-deutsche Königtum Relevante, von der Entwicklung des Ortsnamens, der Genese der Königs-, Herzogs- und Bischofspfalz über die archäologischen Ergebnisse und der Auswertung aller erzählenden Quellen, welche die königlichen Aufenthalte darstellen, bis hin zu einer umfassenden Auswertung dieser auf Quellen und Überresten basierenden Befunde.

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50 years Learning from Las Vegas From the bustle of Johannesburg to the neon of Las Vegas, Denise Scott Brown’s advocacy for "messy vitality" has transformed the way we look at the urban landscape. Unconventional, eloquent, and with a profound sociopolitical message, Scott Brown is one of our era’s most influential thinkers on architecture and urbanism. The anthology Denise Scott Brown. In Other Eyes – marking the 50th anniversary of the seminal treatise Learning from Las Vegas – paints a portrait of Scott Brown as seen through the eyes of leading architectural historians and practitioners. It features new scholarship on　her education on three continents, her multidisciplinary teaching, and her use of urban patterns and forces as tools for architectural design – a practice documented in a new comment by Scott Brown, noting that sometimes "1+1>2." With contributions by Mary McLeod, Joan Ockman, Sylvia Lavin, Stanislaus von Moos, Jacques Herzog, Robin Middleton, and Denise Scott Brown, among others A comprehensive portrait of one of contemporary architecture’s most significant personalities

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Schon für Goethe war sein Gartenhaus ein ganz besonderer Ort: Bis an sein Lebensende kehrte er immer wieder in das Häuschen vor den Toren der Stadt zurück. Literatur und Natur verbinden sich in diesem frühen Dichterhaus auch für die Besucherinnen und Besucher. Der Band wirft Schlaglichter auf den literarischen Ort, an dem einige der berühmtesten Gedichte und Dramen Goethes entstanden sind. Goethes Gestaltung seines ersten eigenen Gartens sowie seine botanischen Forschungen und die frühen Zeichnungen werden betrachtet, ebenso die Rezeptionsgeschichte des Hauses. Darüber hinaus kommen Persönlichkeiten wie Charlotte von Stein, Christiane Vulpius, Herzog Carl August oder der Diener Paul Goetze zu Wort. Die reich bebilderten Beiträge lassen einer der frühesten Orte der Weimarer Klassik lebendig werden. Originelle und neue Perspektiven auf einen bedeutenden Ort Die beste Begleitung für einen Weimar-Besuch

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Der Gesetzgeber hat in zahlreichen Branchen eine Wende zum Privatrecht vollzogen: Materien wie die Energiepreiskontrolle sind vom öffentlichen Recht in das Privatrecht gewandert. Damit kommt den Zivilgerichten in der Wirtschaft als einer der letzten hoheitlichen Instanzen eine Schlüsselposition zu - Wirtschaftsordnung durch Zivilgerichte. Wie gehen sie damit um? Was kennzeichnet ihre Entscheidungsprozesse? Welche Schwierigkeiten stellen sich bei der Lösung neuartiger Konflikte im materiellen Recht und im Verfahrensrecht? Was macht 'gute Rechtsprechung' aus?Mit einem von der Evolutionsökonomik inspirierten Ansatz analysiert und bewertet Rupprecht Podszun die Rechtsprechung des Bundesgerichtshofs nach Deregulierungsmaßnahmen. Ohne Reformen wird die Stärkung der privaten Rechtsdurchsetzung die hoheitliche Regulierung nicht ersetzen können.Das Werk wurde 2014 mit dem Forschungspreis Soziale Marktwirtschaft des Verbands der Bayerischen Wirtschaft und des Roman-Herzog-Instituts ausgezeichnet.

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Having largely given up on a career in film, Edward Yang had been working as a computer engineer for several years when he saw Herzog's Aguirre, Wrath of God. Inspired to return to film, Yang, along with a handful of other filmmakers, including the great Hou Hsiao-hsien, went on to found the Taiwanese New Wave of the early 1980s. Film critic John Anderson's Edward Yang offers a comprehensive overview of the work of the writer-director—already considered one of the most important filmmakers of the past twenty years—from his breakthrough feature That Day, on the Beach to the epic Yi-Yi. Rooted in questions about what it means to be Taiwanese, Yang's films reveal the complexity of life within the island's patchwork culture. Anderson identifies the key narrative strategies, formal devices, moral vision, and sociopolitical concerns shot through Yang's films. He explains what makes these films so distinctive by pinpointing the specific qualities of Yang's style and outlook.

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Amos Vogel was one of America's most innovative film historians and curators. An émigré from Austria who arrived in New York just before the Second World War, in 1947 he created Cinema 16, a pioneering film club aimed at audiences thirsty for work "that cannot be seen elsewhere," and in 1963 was instrumental in establishing the New York Film Festival. He later embarked on an ambitious teaching career, synthesizing decades of experience and directing his ideas towards students and, eventually, the wider public. In 1974 he published the culmination of his thoughts – along with an extraordinary collection of stills – in Film as a Subversive Art. On his death, the New York Times wrote that Vogel "exerted an influence on the history of film that few other non-filmmakers can claim." Be Sand, Not Oil is the first book about Vogel, and includes uncollected writings, an unpublished interview, and new essays documenting his never-ending quest for what Werner Herzog, his friend of many decades, has described as "adequate imagery."

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What do consumers really want? In the mid-twentieth century, many marketing executives sought to answer this question by looking to the theories of Sigmund Freud and his followers. By the 1950s, Freudian psychology had become the adman's most powerful new tool, promising to plumb the depths of shoppers' subconscious minds to access the irrational desires beneath their buying decisions. That the unconscious was the key to consumer behavior was a new idea in the field of advertising, and its impact was felt beyond the commercial realm. Centered on the fascinating lives of the brilliant men and women who brought psychoanalytic theories and practices from Europe to Madison Avenue and, ultimately, to Main Street, Freud on Madison Avenue tells the story of how midcentury advertisers changed American culture. Paul Lazarsfeld, Herta Herzog, James Vicary, Alfred Politz, Pierre Martineau, and the father of motivation research, Viennese-trained psychologist Ernest Dichter, adapted techniques from sociology, anthropology, and psychology to help their clients market consumer goods. Many of these researchers had fled the Nazis in the 1930s, and their decidedly Continental and intellectual perspectives on secret desires and inner urges sent shockwaves through WASP-dominated postwar American culture and commerce. Though popular, these qualitative research and persuasion tactics were not without critics in their time. Some of the tools the motivation researchers introduced, such as the focus group, are still in use, with "consumer insights" and "account planning" direct descendants of Freudian psychological techniques. Looking back, author Lawrence R. Samuel implicates Dichter's positive spin on the pleasure principle in the hedonism of the Baby Boomer generation, and he connects the acceptance of psychoanalysis in marketing culture to the rise of therapeutic culture in the United States.

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An inspiring collection of 50 spectacular houses built almost entirely from glass Glass Houses presents 50 stunning architect designed homes that utilize glass to maximum effect. The international selection includes early modernist houses from the 1930s, such as Philip Johnson’s Glass House and Mies van der Rohe’s Farnsworth House, and glamorous mid-century LA villas like Pierre Koenig’s Case Study #22, alongside outstanding contemporary examples, where new innovations have made even more daring glass structures possible. Each house is celebrated with awe-inspiring photographs that showcase the dynamic, light-filled living spaces that only glass can deliver. Features homes in: Australia, Brazil, Chile, Czech Republic, Ecuador, Finland, France, Germany, Italy, Japan, Mexico, Spain, South Africa, Sweden, Switzerland, The Netherlands, UK, USA, and Vietnam Features architects including: Tatiana Bilbao, Lina Bo Bardi, Ofis Arhitekti, Herzog & de Meuron, Hiroshi Nakamura, Kazuyo Sejima, Philip Johnson, Mecanoo, John Lautner, Richard Rogers, and Ludwig Mies van der Rohe

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Christoph Schwarz (um 1545–1592) zählte zu den einflussreichsten Künstlern am Hof der bayerischen Herzöge Albrecht V. und Wilhelm V. In seinen frühen Jahren entwarf er vielgerühmte Fassadenmalereien, deren lebendige Kompositionen die Auseinandersetzung mit Venedig offenbaren. Mit dem Regierungsantritt Wilhelms V. wurde er der bevorzugte Maler für die monumentalen Altarbilder der Jesuiten. Seine Mariendarstellungen und der »Kampf des Erzengels Michael mit Luzifer« in der Münchner St. Michaelskirche blieben über Generationen hinweg stilistische Vorbilder. Erstmalig wird einem der bedeutendsten Hofkünstler des ausgehenden 16. Jahrhunderts eine umfassende Monographie gewidmet. Dabei werden wichtige Fragen wie Schwarz’ ambivalente Position zwischen Stadt und Hof sowie die Bedeutung seiner Bildthemen im konfessionellen Zeitalter untersucht. Die umfangreiche Publikation, mit vollständigem Werküberblick sowie einem Werkkatalog der von ihm beeinflussten Künstler, wurde maßgeblich gefördert durch die ars et studium-Stiftung.

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Die Dornburger Schlösser und Gärten bilden als architektonischer Akzent, eingebettet in die Kulturlandschaft des Saaletals, zusammen mit der Erinnerung an die Aufenthalte Goethes einen der reizvollsten Orte in Thüringen. Vom Mittelalter bis zum 19. Jahrhundert entstand in einmaligem Zusammenhang von Landschaft und Geschichte auf einem Felsabbruch inmitten von Weinbergen das Ensemble der drei Schlösser, umschlossen von einem Berg- und Terrassenpark. Gesäumt vom Alten Schloss Nikolaus Gromanns im Osten und dem von Goethe bevorzugten Renaissanceschloss im Westen, bildet das Lustschloss des Rokokoarchitekten Gottfried Heinrich Krohne das Zentrum der Gesamtanlage. Raumausstattungen von der Renaissance bis zum 19. Jahrhundert bezeugen die Geschichte der Schlossanlage. Im 18. und 19. Jahrhundert wurden die Schlösser zum beliebten Sommersitz der Herzöge von Sachsen-Weimar. Auch Johann Wolfgang von Goethe fühlte sich von ihnen besonders angezogen und verewigte ihre Atmosphäre in seinen Schriften und Dichtungen.

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Published to accompany the 2019 Grolier Club exhibition Alphabet Magic: A Centennial Exhibition of the Work of Hermann & Gudrun Zapf, Herman Zapf and the World He Designed is the first comprehensive biography of Hermann Zapf (1918–2015), whom Robert Bringhurst has called "the greatest type designer of our time, and very possibly the greatest type designer of all time.” Informed by Jerry Kelly’s scrupulous research at the Hermann Zapf archive in the Herzog August Bibliothek in Wolfenbüttel and at the Cary Collection at the Rochester Institute of Technology, and enriched by his decades of conversations with Zapf and his associates, this fascinating account of Zapf’s life details his experiences with type companies, printers, publishers, and colleagues. It also explores Zapf’s modern design aesthetic and engagement with the staggering technological advances of typography during the twentieth century. Featuring rarities and never-before-seen works and photos, Herman Zapf and the World He Designed features definitive lists of Zapf's type designs and major calligraphic works. It is not, however, merely an in-depth appreciation of Zapf's work but also an insightful consideration of his work in relation to his life.

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Eduardo Galeano, Uruguayan writer, once pleaded for `a pretty move for the love of God' when watching his beloved soccer. This book is likewise interested in `beautiful moves', but turns instead to the architecture of the stadium as an architectural type as captivating as the play occurring on the pitch. In the past 30 years a number of stadium projects have been completed that highlight how this building type has become a site for architectural innovation and complexity. Clients that once would once have turned to large firms specializing in stadia instead began to hire A-list and Pritzker-Prize-winning architects to design new stadia. As a result, in cities around the world stadia are often the most expensive and monumental of projects, and may be icons of identity and defining presences in the built landscape. By examining a range of exemplary stadia from around the world (built, unbuilt and demolished projects), this book presents for the first time a canon for this building type. Organized chronologically, it includes famous examples from the likes of Lina Bo Bardi, Frei Otto, Eduardo Souto de Moura, Herzog & de Meuron, Foster + Partners and Studio Gang.

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Im Kloster Lüne bei Lüneburg führte die Annahme der Bursfelder Reform im Jahre 1481 nicht nur zu einer geistlichen und künstlerischen Blütezeit, sondern auch zu einem Aufschwung der Schriftlichkeit, der bis zur Durchsetzung der lutherischen Reformation durch den Lüneburger Herzog Ernst I. anhalten sollte. Die gebildeten Nonnen redigierten liturgische Ordines und Statuten und sammelten ihre Korrespondenz. Sie führten ein (fragmentarisch erhaltenes) Tagebuch, aus dem sie im Jahre 1530, als die neue Zeit schon ihre langen Schatten vorauszuwerfen begonnen hatte, eine lateinische Klosterchronik schöpften, mit der sie noch einmal das historische Gedächtnis ihrer Gemeinschaft für die Nachwelt festhalten und ihre Wertschätzung für ihre von der monastischen Reformbewegung inspirierte Praxis dokumentieren wollten. Diese wichtige Quelle liegt nun erstmals als durchgängig kommentierter Volltext vor; dabei werden ausgewählte Passagen mit ihren Vorlagen aus den erhaltenen Tagebuchfragmenten konfrontiert.

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This issue of AD explores the working discipline of architecture as it impacts the material culture within which it is always embedded. An architecture of impact uses advanced digital techniques in such a way that its material assembly supersedes its use of the digital. Until now, this type of architecture has been formally and materially bound by restrictive conventional methodologies, which the digital project has moved from the scale of installations to three-dimensional building-sized fabrications. Unless architects turn to a new culture of making, architecture shaped by even innovative digital technology will become irrelevant. Architectural projects that are more subversive in how they are created and that lose their digital signature have greater potential to be at the forefront of the discipline’s new materialisations. This issue illustrates these ideas and their architectural impact. Contributors: Kutan Ayata, Ben van Berkel, Hernan Diaz Alonso, David Goldblatt, Thomas Heatherwick, Ferda Kolatan, Ascan Mergenthaler, Antoine Picon, Casey Rehm, Patrik Schumacher, and Philip F Yuan. Featured architects: Archi-Union, Contemporary Architecture Practice, HDA-X, Heatherwick Studio, Herzog & de Meuron, Ishida Rehm Studio, Pininfarina, SHoP Architects, SU-11, UNStudio, and Young & Ayata, and Zaha Hadid Architects.

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This publication is the second edition of the London Architecture Guide and features new insights and new itineraries. The architectural and cultural expansion of the largest city in Western Europe is constantly evolving, confirming year after year its multi-ethnic and innovative soul. The city presents itself as a set of extraordinary buildings, created by internationally renowned architects, which coexist harmoniously, unmistakably characterising its skyline. The itineraries featured include about 80 architectural works, both historical and contemporary, which are fully illustrated with images, drawings and descriptions, and are marked on the front of the map with a reference number corresponding to the section in the book and the icon on the back of the map. The guide also provides information about museums, libraries, institutions, movie theatres, restaurants and gathering places. Among others, the project selection includes works by Allies and Morrison, Arup Associates, Ateliers Jean Nouvel, Avery Associates, Foster + Partners, Grimshaw Architects, Herzog & De Meuron, James Stirling, Jestico + Whiles, John Mc Aslan + Partners, Stanton Williams, OMA, Renzo Piano Building Workshop, Richard Rogers Partnership, Stanton Williams Architects, Studio Daniel Libeskind, Wilkinson Eyre Architects, Zaha Hadid Architects.

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First published in 1934, this collection of tales was recorded and edited by Thelma Adamson (1901–83), a student of Franz Boas and one of the first women to conduct ethnographic fieldwork in the Pacific Northwest. A major contribution to our knowledge of western Washington Salish oral traditions, Folk-Tales of the Coast Salishcontains 190 texts from nineteen consultants—most collected in English or in English translation.The 155 stories represent Upper Chehalis and Cowlitz Salish narrative traditions, primarily myths and tales, and constitute the largest published body of oral literature for either of these groups. Adamson included as many as four variants of the same tale-type, and Adele Froehlich prepared a useful forty-three-page section of abstracts with comparative notes from eight regional text collections.Folk-Tales of the Coast Salish provides a rich data source for those interested in the content and comparative analysis of Native texts told in English. With few exceptions, the tales refer to the time “when all the animals were people.” This new edition enhances Adamson’s seminal work with the inclusion of a biographical sketch of Adamson and of her friend and noted ethnomusicologist George Herzog, who produced the appended music transcriptions.

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Starting with an early picture of a gang of badass gold prospectors who put this beautiful Northern California city on the map, this ambitious and immersive photographic history of San Francisco takes a winding tour through the city from the mid–nineteenth century to the present day. Enjoy eye-catching views of the city’s most enduring landmarks and symbols: the Golden Gate Bridge, Chinatown, the picturesque trams that wind up and down the famously steep hills, the popular waterfront, its beautiful bay, and its spectacular cityscapes and vistas. San Francisco’s counterculture movements that shaped our collective consciousness are also featured prominently: the beats of North Beach, the hippies of Haight-Ashbury, the gay communities of Castro, and the Black Panthers of neighboring Oakland. Some of the city’s most famous residents also make appearances: Robin Williams, The Grateful Dead, Angela Davis, Janis Joplin, Sylvester, and Allen Ginsberg, among others. This book features hundreds of newly found images from dozens of archives including museums, universities, libraries, galleries, private collections, and historical societies, from 19th-century daguerreotypes to mid-century Kodachromes to 21st-century digital pictures. Master photographers include, among others: Stephen Shore, Imogen Cunningham, Fred Lyon, Steve Schapiro, Minor White, Dorothea Lange, Albert Watson, Robert Frank, Garry Winogrand, William Claxton, Fred Herzog, Ansel Adams, Jim Marshall, and many local shooters. Also includes introductory essays and captions by Bay Area–based author Richie Unterberger and a “Best of San Francisco” books, music, and movies section and biographies of the photographers. Tony Bennett famously sang, “I left my heart in San Francisco,” and this meticulously researched and conceived portrait will equally inspire and make you fall in love with the spirit of the City by the Bay.

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With a legacy stretching back into legend and folklore, the vampire in all its guises haunts the film and fiction of the twentieth century and remains the most enduring of all the monstrous threats that roam the landscapes of horror. In The Living and the Undead, Gregory A. Waller shows why this creature continues to fascinate us and why every generation reshapes the story of the violent confrontation between the living and the undead to fit new times. Examining a broad range of novels, stories, plays, films, and made-for-television movies, Waller focuses upon a series of interrelated texts: Bram Stoker's Dracula (1897); several film adaptations of Stoker's novel; F. W. Murnau's Nosferatu, A Symphony of Horror (1922); Richard Matheson's I Am Legend (1954); Stephen King's 'Salem's Lot (1975); Werner Herzog's Nosferatu the Vampyre (1979); and George Romero's Night of the Living Dead (1968) and Dawn of the Dead (1979). All of these works, Waller argues, speak to our understanding and fear of evil and chaos, of desire and egotism, of slavish dependence and masterful control. This paperback edition of The Living and the Undead features a new preface in which Waller positions his analysis in relation to the explosion of vampire and zombie films, fiction, and criticism in the past twenty-five years.

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'A book of instructions to those who will dare one day the impossible. I bow my head in reverence' Werner Herzog'Petit is an artist whose theatre is the sky' Robin Williams'Fascinating. You will learn about the man, his work, his passion, his tenacity and lucidity' Marcel Marceau'Petit outlines a whole approach to life. The lessons are simple, universal. Be committed. Feel alive. Give everything' IndependentIn cities you travel to, always remember to visit the highest monument. Remain at the top for many hours, looking into the void.In this poetic handbook, written when he was just twenty-three, the world-famous high-wire artist Philippe Petit offers a window into the world of his craft. Petit masterfully explains how preparation and self-control contributed to such feats as walking between the towers of Notre Dame and the World Trade Center. Addressing such topics as the rigging of the wire, the walker's first steps, his salute and exercises, and the work of other renowned high-wire artists, Petit offers us a book about the ecstasy of conquering our fears and reaching for the stars.Translated and introduced by Paul AusterA W&N Essential

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In Architecture Unbound, noted architecture critic Joseph Giovannini proposes that our current architectural landscape ultimately emerged from transgressive and progressive art movements that had roiled Europe before and after World War I. By the 1960s, social unrest and cultural disruption opened the way for investigations into an inventive, antiauthoritarian architecture. Explorations emerged in the 1970s, and built projects surfaced in the 1980s, taking digital form in the 1990s, with large-scale projects finally landing on the far side of the millennium. Architecture Unbound traces all of these developments and influences, presenting an authoritative and illuminating history not only of the sources of contemporary currents in architecture but also of the twentieth-century avant-garde and the twenty-first-century digital revolution in form-making, and profiling the most influential practitioners and their most notable projects, including Frank Gehry s Guggenheim Bilbao and Walt Disney Concert Hall, Zaha Hadid s Guangzhou Opera House, Daniel Libeskind s master plan for the World Trade Center, Rem Koolhaas s CCTV Tower, and Herzog and de Meuron s Bird s Nest Olympic Stadium in Beijing.

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Museum architecture has blossomed over the past few decades. Art museums lead the way in terms of new buildings by superstar architects such as Frank Gehry, Herzog and de Meuron, Jean Nouvel, and Renzo Piano, among many more. Those facilities have received public and professional recognition through media attention and design awards. But other museum typologies exist, one such being for buildings that showcase military history and artifacts. All too often, one thinks of these as unsophisticated in their design and amateurish or antiquated in their exhibitions. Nowadays, nothingcan be further from the truth. This volume examines more than thirty of them internationally that were constructed over the past two decades and more. The museums are featured in individual entries and lavish color photography. Some were designed by internationally renowned architects such as Norman Foster, Daniel Libeskind, Skidmore Owings & Merrill, and Robert A.M. Stern, but many more are the products of creative, accomplished designers. Beyond the architecture of these museums, exhibition and installation designs by noted specialist firms such as Ralph Appelbaum Associates, Koosmann.dejong, and Gallagher & Associates, among others, have raised the bar in terms of immersive experiences for their visitors. New military museums presented within the book are examined within the context of the history of war memorials and military museums, the latter being a less well researched subject. In the end, military museums relate back to antique sculptural commemorationsof victorious campaigns and martial leaders, collections and displays of war trophies, and the search to find useful architectural memorials, the latter especially so after the World Wars of the twentieth century. Architectural historian John Zukowsky has an earned doctorate from Binghamton University. While curator of architecture for The Art Institute of Chicago (19782004), he organized a number of award-winning exhibitions accompanied by major books. After that, he held executive positions within military-related museums such as the Intrepid Sea, Air & Space Museum and the Pritzker Military Museum and Library. Since 2012 he has authored several books about architecture and design, including Why on Earth Would Anyone Build That (2015), Building Chicago: The Architectural Masterworks (2016), and Architecture Inside Out: Understanding How Buildings Work (2018).

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"Published to celebrate the autumn 2023 opening of the new NLI building in Jerusalem, designed by world-renowned architects Herzog & de Meuron, the book is full of fascinating insights and manuscripts. It is akin to a greatest-hits collection from the Jewish world over the past 1,500 years." — Jewish Link This fascinating and inspirational new volume provides a thematic journey through the rich and diverse collections of the National Library of Israel and the Jewish people worldwide. Selected by the Library's curators and collections experts, this fine-art volume presents 101 of the most precious items in the Library's collections, from 5th century Babylonia to modern-day Tel Aviv, and shares illuminating stories and anecdotes about these significant works and the intriguing people behind them. Highlights include Maimonides’ autograph copy of his Commentary on the Mishna; the Damascus Crowns including a vitally important 10th century Hebrew Bible codex; theological ruminations of Isaac Newton; love poetry by Sultan Suleiman the Magnificent; manuscripts from leading Jewish and Israeli writers, such as Martin Buber, Stefan Zweig, Franz Kafka, Naomi Shemer, and Shai Agnon; and rare materials documenting Israeli history. High-quality photographs illustrate the stories, and the introduction sets these collections within their cultural and historical context.

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The Stirling Prize is one of the world's most prestigious architectural awards. Named after Sir James Stirling (1926-1992), one of Britain's greatest post-war architects, the prize is awarded annually by the Royal Institute of British Architects (RIBA) to the architects of the building that has made the most significant contribution in the past year to the evolution of architecture and the built environment. The list of shortlisted and winning buildings since the prize began in 1996 - among them such diverse projects as the Media Centre at Lord's Cricket Ground by Future Systems; Herzog & de Meuron's Laban dance centre in Deptford, southeast London; and the Maxxi National Museum, Rome, by Zaha Hadid Architects - reads like a primer to the very best of contemporary British architecture both at home and elsewhere in the European Union. Insightfully written by Tony Chapman, the former Head of Awards at the RIBA, this book honours all the shortlisted and winning buildings from the first 20 years of the prize. Authoritative, detailed commentaries explain how each winning building was planned and constructed, and reveal the thoughts of the Stirling jury; commentaries are also included for the shortlisted buildings from the most recent decade of the prize, 2006-15. Chapman's introduction reviews the history of the award from its low-key beginnings at a time when Britain was just emerging from a period of economic recession to the present day, when the prize, and indeed architecture in general, has a far greater public profile. Illustrated throughout with photographs, drawings and plans, The RIBA Stirling Prize 20 is a true celebration of British architectural talent. SELLING POINTS: . A showcase of all shortlisted and winning buildings throughout 20 years of one of the world's best-known architectural awards AUTHOR: Tony Chapman was Head of Awards at the Royal Institute of British Architects from 1998 to 2016. He was made an Honorary Fellow of the RIBA in 2011. Sir David Chipperfield is one of the UK's most lauded architects. In 1985 he established David Chipperfield Architects, which has won more than 100 international awards, including the RIBA Stirling Prize in 2007. In 2011 he received the RIBA Gold Medal. 320 colour, 80 plans

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La primera novela de Saul Bellow. En ella esboza temas a los que regresará en obras posteriores.El hombre en suspenso (1944) es la primera novela de Saul Bellow. En ella esboza temas a los que regresará en obras posteriores -en Herzog o en La víctima -, como la necesidad del hombre de expresar sus sentimientos más íntimos, la naturaleza de la libertad o la posibilidad de elegir. Estas reflexiones son las que se hace Joseph en su diario durante un año sabático forzoso en el que espera una incorporación a filas que no acaba de llegar. Sus apuntes son testimonio de su incesante deambular por las calles de Chicago, de sus recuerdos, y de su reacción psicológica a la inactividad mientras la guerra ruge a su alrededor. Uno de los testimonios más sinceros sobre la psicología de toda una generación crecida durante la Depresión y la guerra. EDMUND WILSON, The New Yorker

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There is fast-growing awareness of the role atmospheres play in architecture. Of equal interest to contemporary architectural practice as it is to aesthetic theory, this 'atmospheric turn' owes much to the work of the German philosopher Gernot Böhme. Atmospheric Architectures: The Aesthetics of Felt Spaces brings together Böhme's most seminal writings on the subject, through chapters selected from his classic books and articles, many of which have hitherto only been available in German. This is the only translated version authorised by Böhme himself, and is the first coherent collection deploying a consistent terminology. It is a work which will provide rich references and a theoretical framework for ongoing discussions about atmospheres and their relations to architectural and urban spaces. Combining philosophy with architecture, design, landscape design, scenography, music, art criticism, and visual arts, the essays together provide a key to the concepts that motivate the work of some of the best contemporary architects, artists, and theorists: from Peter Zumthor, Herzog & de Meuron and Juhani Pallasmaa to Olafur Eliasson and James Turrell. With a foreword by Professor Mark Dorrian (Forbes Chair in Architecture, Edinburgh College of Art) and an afterword by Professor David Leatherbarrow, (Chair of the Graduate Group in Architecture, University of Pennsylvania), the volume also includes a general introduction to the topic, including coverage of it history, development, areas of application and conceptual apparatus.

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La apertura del Museo Guggenheim diseñado por Frank Gehry obró milagros en Bilbao. Gracias a este prodigio de la arquitectura icónica, la ciudad voló de la grisura posindustrial a los brillos de la economía terciaria. Alcaldes y presidentes autonómicos de toda España vieron en el ejemplo bilbaíno la llave de su futuro. Un edificio espectacular con firma de postín ?Calatrava, Hadid, Herzog & De Meuron, Foster, Eisenman...? les pareció garantía de visibilidad global, imán de turistas y estímulo para la economía local. Valencia, Zaragoza, Madrid, Barcelona o Santiago experimentaron este frenesí. Contrataron a los astros del firmamento arquitectónico internacional, descuidando la proporción entre la necesidad y el precio de las monumentales obras que les encargaron. Llàtzer Moix revisa estos años enfebrecidos y sus obras impresionantes pero, en ocasiones, insensatas. Lo hace mediante un reportaje, armado tras viajar a los escenarios de estos episodios y entrevistar a sus protagonistas, que

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This official behind-the-scenes companion to the Disney+ Star Wars series The Mandalorian features exclusive concept art, character and costume sketches, and vehicle and creature designs. The Art of Star Wars: The Mandalorian takes fans behind the scenes of the first ever live-action Star Wars television series. Filled with concept art, sketches, and interviews with key cast, crew, and creatives, including executive producer/showrunner/writer Jon Favreau and executive producer/director Dave Filoni, The Art of Star Wars: The Mandalorian will provide readers with an exclusive look at a whole new universe of Star Wars characters, locations, and vehicles. Premiering in November 2019 as a key launch title for Disney+, The Mandalorian follows the adventures of galactic gunslinger Din Djarin and the Child as they traverse the outer systems of the Star Wars galaxy. Readers will encounter early visual and conceptual ideas for these new characters and unexplored frontiers, filled with crime syndicates, bounty hunters, and smugglers. The gritty, lived-in cantinas and spaceports are populated by a talented cast that includes Pedro Pascal (Game of Thrones), Werner Herzog (Fitzcarraldo, Grizzly Man), Nick Nolte (48 Hours), Gina Carano (Haywire, Deadpool), Giancarlo Esposito (Breaking Bad), and Carl Weathers (Rocky).

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Encuadernación: Rústica con solapaColección: Montaña(Literatura)Recuperamos para nuestro fondo uno de los libros de montaña más leído de todos los tiempos, Los conquistadores de lo inútil. Su autor, Lionel Terray (1921-1965), fue calificado por Messner como "una de las figuras más sobresalientes de la historia del alpinismo". Y sin duda es así como aperturista de primeras absolutas al Fitz Roy, Chacraraju, Jannu, Makalu o Mont Huntington. En su actividad en los Alpes destacan la primera repetición de la Norte del Eiger y la Cassin al Piz Badile en siete horas y media, ambas con Louis Lachenal.En 1950 participa en la expedición francesa al Annapurna, en la que renuncia a la cima para asegurar el descenso de Herzog y Lachenal. Fallece a los 44 años en un accidente de escalada. Su carácter arriesgado y la pasión inmensa con la que vive cada una de sus ascensiones hacen de él un escritor fuera de serie.Por eso "Conquistadores" como llamamos a su libro familiarme

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New essays by leading scholars examining today's vibrant and innovative German crime fiction, along with its historical background. Although George Bernard Shaw quipped that "the Germans lack talent for two things: revolution and crime novels," there is a long tradition of German crime fiction; it simply hasn't aligned itself with international trends. Duringthe 1920s, German-language writers dispensed with the detective and focused instead on criminals, a trend that did not take hold in other countries until after 1945, by which time Germany had gone on to produce antidetective novels that were similarly ahead of their time. German crime fiction has thus always been a curious case; rather than follow the established rules of the genre, it has always been interested in examining, breaking, and ultimately rewriting those rules. This book assembles leading international scholars to examine today's German crime fiction. It features innovative scholarly work that matches the innovativeness of the genre, taking up the Regionalkrimi;crime fiction's reimagining and transforming of traditional identities; historical crime fiction that examines Germany's and Austria's conflicted twentieth-century past; and how the newly vibrant Austrian crime fiction ties in with and differentiates itself from its German counterpart. Contributors: Angelika Baier, Carol Anne Costabile-Heming, Kyle Frackman, Sascha Gerhards, Heike Henderson, Susanne C. Knittel, Anita McChesney, Traci S. O'Brien,Jon Sherman, Faye Stewart, Magdalena Waligórska. Lynn M. Kutch is Professor of German at Kutztown University of Pennsylvania. Todd Herzog is Professor and Head of the Department of German Studies at the University of Cincinnati.

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A wide-ranging collection of interviews and profiles from twenty years of Jonathan Cott’s remarkable writings “All I really need to do is simply ask a question,” Jonathan Cott occasionally reminds himself. “And then listen.” It sounds simple, but in fact few have taken the art of asking questions to such heights—and depths—as Jonathan Cott, whom Jan Morris called “an incomparable interviewer,” one whose skill, according to the great interviewer and oral historian Studs Terkel, “is artless yet impassioned and knowing.” Collected here are twenty-two of Cott’s most illuminating interviews that encourage readers to listen to film directors and musicians, actors and writers, scientists and visionaries. These conversations affirm the indispensable and transformative powers of the imagination and offer us new ways to view these lives and their worlds. What is it like to be Bob Dylan making a movie? Carl Sagan taking on the cosmos? Oliver Sacks doctoring the soul? John Lennon, on December 5, 1980? Elizabeth Taylor, ever? From Chinua Achebe to Dr. Seuss (Theodor Geisel), Federico Fellini to Werner Herzog, and Oriana Fallaci to Studs Terkel, Listening takes readers on a journey to discover not ways of life but ways to life. Within these pages,Cott proves himself to be, in the words of Brain Pickings’s Maria Popova, “an interlocutor extraordinaire,” drawing candid insights and profound observations from these inspired and inspiring individuals.

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Rem Koolhaas has defined architecture as a chaotic adventure. Nothing could be more true than that of the last two decades. Never has architecture been so unbridled and so extraordinary: the architectural cast has never been so wide and their works so diverse. What though if you are new to the subject? How is it possible to make sense of this seemingly unruly architectural landscape? There are so many different types of architecture, so many designers with such varying and even contradictory approaches. This book is a much needed navigation guide for anyone interested in modern architecture. Organised chronologically, it enables you to find your way through one of the most prolific periods of building design. It looks at buildings in often contrasting styles that have been built almost simultaneously across the world with their roots in very different tendencies and schools of thought. A loose but effective framework is provided, which pulls all these multiple threads together, while key buildings are described individually with a unique clarity and precision. Covers seminal works, such as Guggenheim Bilbao and the Jewish Museum in Berlin. Features key architects: Norman Foster, Zaha Hadid, Herzog & de Meuron, Toyo Ito, Rem Koolhaas, Jean Nouvel and Renzo Piano Illustrated with more than 220 colour images Order your copy today.

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Berühmt wurde der Maler Carl Haag (1820–1915) durch farbkräftige Orientszenen und lebensnahe Porträts, in denen nubische Sklaven, arabische Kameltreiber oder ägyptische Schlangenbeschwörer die Bildwelten beleben. Nach dem Besuch der Nürnberger Kunstschule avancierte der Sohn eines Bäckers zunächst in München zum gefragten Porträtisten und verfeinerte seine Kunst der Aquarellmalerei in Brüssel und London. Als Hofmaler des Herzogs von Sachsen-Coburg und Gotha war er für die britische Queen Victoria tätig. Seine Aquarelle vom Leben der königlichen Familie im schottischen Hochland sind Teil der Royal Collection. Stetig auf der Suche nach neuen Motiven Unternahm Haag ausgedehnte Reisen durch Europa. 1859 brach er in den Orient auf und besuchte Kairo, Jerusalem, Damaskus, Palmyra und Baalbek. In dieser ersten Biographie des Malers vermittelt Walter Karbach einen lebendigen Eindruck von der Gesellschaft im viktorianischen Zeitalter, erfasst Haags künstlerische Einflüsse und persönliche Vorlieben ebenso wie die befreundeten Maler und Auftraggeber. Zugleich entfacht er Begeisterung für seine Landschaftsskizzen, Porträts und Ruinenzeichnungen, die zwischen dokumentarischer Darstellung und romantisch-idealisierender Ansicht changieren.

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El 25 de marzo de 1980, Roland Barthes muere atropellado. Los servicios secretos franceses sospechan que ha sido asesinado y el inspector de policía Bayard, un hombre conservador y de derechas, es el encargado de la investigación. Junto con el joven Simon Herzog, profesor ayudante en la universidad y progresista de izquierdas, inicia una pesquisa que os llevará a interrogar a figuras como Foucalt, Lacan o Lévy? y a descubrir que el caso tiene una extraña dimensión mundial.La séptima función del lenguaje es una inteligente y astuta novela que narra el asesinato de Roland Barthes en clave de parodia, con carga de sátira política y una trama detectivesca. Como ya hiciera con HHhH, Binet rompe aquí de nuevo los límites entre ficción y realidad: mezcla hechos, documentos y personajes reales con una historia imaginaria para construir un audaz y divertidísimo relato sobre el lenguaje y su poder para transformarnos.Una novela deliciosa, divertida e ingeniosa, Page.

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Since the 1980s, Vitra has enlisted some of the world’s leading architects to design buildings for its campus, including Zaha Hadid, Frank Gehry, Tadao Ando, SANAA, Álvaro Siza, Nicholas Grimshaw and Herzog & de Meuron. This has resulted in a unique architectural ensemble that attracts 350,000 visitors each year, about which Philip Johnson wrote: “Since the Weissenhofsiedlung in Stuttgart in 1927, there has not been a gathering in a single place of a group of buildings designed by the most distinguished architects in the Western world.” While the renowned Vitra Design Museum presents alternating exhibitions, the Schaudepot gives visitors an insight into parts of the museum’s extensive collection. In addition, during their time on the Campus, visitors can take part in a guided tour of the architecture or a workshop, enjoy the view from the Vitra Slide Tower and afterwards slide down the 37-meter-long slide, experience furniture classics and new products from the Vitra Home Collection in the VitraHaus as well as savour the offers of the shops and cafés. Originally published in 2014, this revised flexibound edition of The Vitra Campus offers an overview of Vitra architecture, its daily use, the development of the Campus and biographies of the contributing architects. An ideal souvenir and campus guide, The Vitra Campus is also a fascinating read about some of the most significant architects and buildings of our time.

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Once condemned by Modernism and compared to a ‘crime’ by Adolf Loos, ornament has made a spectacular return in contemporary architecture. This is typified by the works of well-known architects such as Herzog & de Meuron, Sauerbruch Hutton, Farshid Moussavi Architecture and OMA. There is no doubt that these new ornamental tendencies are inseparable from innovations in computer technology. The proliferation of developments in design software has enabled architects to experiment afresh with texture, colour, pattern and topology. Though inextricably linked with digital tools and culture, Antoine Picon argues that some significant traits in ornament persist from earlier Western architectural traditions. These he defines as the ‘subjective’ – the human interaction that ornament requires in both its production and its reception – and the political. Contrary to the message conveyed by the founding fathers of modern architecture, traditional ornament was not meant only for pleasure. It conveyed vital information about the designation of buildings as well as about the rank of their owners. As such, it participated in the expression of social values, hierarchies and order. By bringing previous traditions in ornament under scrutiny, Picon makes us question the political issues at stake in today’s ornamental revival. What does it tell us about present-day culture? Why are we presently so fearful of meaning in architecture? Could it be that by steering so vehemently away from symbolism, contemporary architecture is evading any explicit contribution to collective values?

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A provocative examination of the connections between contemporary expression in architecture and traditional materials and forms. Architect, architectural historian, and preservationist Françoise Bollack presents eighteen projects that use traditional materials to build contemporary forms or use modern materials to build traditional forms, blurring the boundary between tradition and modernity in architecture. Bollack rejects the modernist taboo against imitation and precedent, tracing the history of adaptive and imitative design from the Renaissance to the Greek and Gothic revivals and to the nineteenth-century modular cast-iron facades that Philip Johnson considered "the basis for modern design." The book examines projects in the US, Europe, and Japan, encompassing a broad range of building types: residential, hospitality, commercial and retail, and cultural spaces. All share an intriguing, even radical, approach to reinterpreting traditional forms and materials. Humble thatch moves beyond the farmhouse roof to clad the walls of a Danish environmental center; a photographic image of a Parisian façade becomes a scrim on the façade of a new building; the ghost of an ancient Italian basilica is outlined in wire mesh. Among the featured architects are Kengo Kuma, architect of the Tokyo 2021 Olympic stadium; MVRDV, a highly regarded Dutch firm; Lacaton & Vassal and Chartier/Corbasson in France; Skene Catling de la Peña in the UK; Morris Adjmi in the USA; Max Dudler in Germany; Dortre Mandrup in Denmark; and Herzog & de Meuron in Switzerland.

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Documentary films are the rock and roll of our times. Why are they made? Who are in the tribe of documentary film-makers? Do their films really change the world? Eighteen years ago, Nick Fraser created BBC Storyville, producing films that won Oscars, BAFTAs, and Peabody Awards. He found film-makers from all across the world covering important subjects in documentaries. In Say What Happened he describes the frenzied, intense world of documentary film-making, tracing its history back to the early pioneers, such as Dziga Vertov and his ground-breaking Man with a Movie Camera. The book deals with the British documentary tradition founded by John Grierson, and discusses the work of American masters such as the Maysles brothers, Frederick Wiseman and D.A. Pennebaker, as well as Europeans such as Marcel Ophuls, Claude Lanzmann, Chris Marker, and Werner Herzog. He interviews acclaimed documentary film-makers and discusses the work of Ken Burns, Errol Morris, and Joshua Oppenheimer, among others across the globe, as well as listing his top one-hundred documentaries, and where readers can watch them.In a world beset with 'fake news', he argues documentaries are better at getting at the verities about life and death and that the new journalism will come from films made using new technology.

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The Afterlife of Ottoman Europe examines how Bosnian Muslims navigated the Ottoman and Habsburg domains following the Habsburg occupation of Bosnia Herzegovina after the 1878 Berlin Congress. Prominent members of the Ottoman imperial polity, Bosnian Muslims became minority subjects of Austria-Hungary, developing a relationship with the new authorities in Vienna while transforming their interactions with Istanbul and the rest of the Muslim world. Leyla Amzi-Erdoğdular explores the enduring influence of the Ottoman Empire during this period—an influence perpetuated by the efforts of the imperial state from afar, and by its former subjects in Bosnia Herzegovina negotiating their new geopolitical reality. Muslims' endeavors to maintain their prominence and shape their organizations and institutions influenced imperial considerations and policies on occupation, sovereignty, minorities, and migration. This book introduces Ottoman archival sources and draws on Ottoman and Eastern European historiographies to reframe the study of Habsburg Bosnia Herzegovina within broader intellectual and political trends at the turn of the twentieth century. Tracing transregional connections, imperial continuities, and multilayered allegiances, The Afterlife of Ottoman Europe bridges Ottoman, Islamic, Middle Eastern, and Balkan studies. Amzi-Erdoğdular tells the story of Muslims who redefined their place and influence in both empires and the modern world, and argues for the inclusion of Islamic intellectual history within the history of Bosnia Herzegovina and Eastern Europe.

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Natürlich ist Regensburg ein Schwerpunkt und Highlight des Regierungsbezirks Oberpfalz und damit des aktuellen Dehio-Bandes, ein Brennpunkt bayerischer Geschichte seit der Völkerwanderungszeit, Sitz des römischen Legionslagers Castra Regina, bayerischer Herzöge und des immerwährenden Reichstags. Geprägt durch Kirchen und Bürgerhäuser seit dem 12. Jahrhundert, durch die einzigartigen Patriziertürme und die Steinerne Brücke, vermittelt die Stadt immer noch mittelalterliche Lebensweise. Daneben aber zeichnen lokale Zentren wie z.B. Amberg, Sulzbach-Rosenberg, Tirschenreuth oder Weiden ein vielfältiges Bild dieser Kunstlandschaft. Zahlreiche Wallfahrtskirchen, bedeutende Kloster und Pfarrkirchen wie Aufhausen, Chammünster, Endorf, Frauenzell, Maria-Hilf in Freystadt, Heilbrünnl in Roding, Kastl, Michelfeld, Neustadt a. d. Waldnaab, Neukirchen b. Hl. Blut, Trautmannshofen, Walderbach und natürlich die bekannte Kappel und die ehemalige Zisterzienserabtei in Waldsassen, Burgen, Ruinen und Schlösser wie Alteglofsheim, Falkenstein, Fronberg, Leuchtenberg, Speinshart, Sünching, Vohenstrauß, Wörth a. d. Donau – um nur einige wenige aus der großen Zahl herauszugreifen – oder auch das berühmte Nationaldenkmal Walhalla bei Donaustauf machen die Oberpfalz zu einem reichen Entdeckerland.

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For forty years, Dietmar Steiner has been a leading voice in contemporary architecture. The founding director of the national architecture museum of Austria, the Architekturzentrum Wien, he has served as a consultant, sat on the jury of many prestigious architecture and urban design prizes, and acted as commissioner of the Austrian Pavilion at the International Architecture Exhibition of the 2002 Venice Biennale. Throughout his career, he has also lectured at universities and written widely as a scholar and critic. Capping a remarkable and still influential career, Steiner's Diary is the most comprehensive collection of his writings to date, including some previously unpublished pieces. The book includes lectures; interviews; articles published in daily newspapers and magazines, and longer essays on a variety of topics. Steiner brings to his work a keen critical acumen that draws on decades of travel, research, and contact with renowned international architects, such as Rob Krier, Hermann Czech, Herzog & de Meuron, Rem Koolhaas, Lacaton+Vassal, Jon Jerde, Rural Studio, Wang Shu, or Alexander Brodsky. At the same time, his articles and essays are often amplified by personal observations and experiences. While paying tribute to a prolific scholar and critic, Steiner's Diary takes readers through four decades of architectural history that represent some of the discipline's most fascinating historical developments. It will be welcomed by architects, architectural historians, and anyone with an interest in architecture's role in society today.

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LA MÍTICA NOVELA DE UN ICONO DEL FEMINISMO ESTADOUNIDENSE.Para Diana Balooka ;madre, escritora, bailarina de claqué;, el matrimonio siempre ha sido una continuación del divorcio. Ahora, con cuatro hijos, un terrier zulú como mascota y una nueva relación a la que poner fin, repasa su frenético diario sentimental: desde la granja de su abuelo en Albany, deteniéndose en París o Ciudad Juárez, hasta la desquiciada y desquiciante Nueva York de finales de los años sesenta.Como escribió Philip Roth, gran admirador de esta ya mítica novela, Nota de despedida es una suerte de Herzog concentrado y erotizado, la cara femenina de la locura del divorcio. A medida que cada uno de los capítulos gira y gira sobre su propio cómico y excéntrico eje, la realidad del desastre marital va desplegándose convincentemente gracias al angustiado entusiasmo de la narradora. Y tan afilado es el retrato del desconcierto sexual, tan concentradas las escenas de irónica indignación y perpleja emotividad, que uno

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New essays by leading scholars examining today's vibrant and innovative German crime fiction, along with its historical background. Although George Bernard Shaw quipped that "the Germans lack talent for two things: revolution and crime novels," there is a long tradition of German crime fiction; it simply hasn't aligned itself with international trends. Duringthe 1920s, German-language writers dispensed with the detective and focused instead on criminals, a trend that did not take hold in other countries until after 1945, by which time Germany had gone on to produce antidetective novels that were similarly ahead of their time. German crime fiction has thus always been a curious case; rather than follow the established rules of the genre, it has always been interested in examining, breaking, and ultimately rewriting those rules. This book assembles leading international scholars to examine today's German crime fiction. It features innovative scholarly work that matches the innovativeness of the genre, taking up the Regionalkrimi;crime fiction's reimagining and transforming of traditional identities; historical crime fiction that examines Germany's and Austria's conflicted twentieth-century past; and how the newly vibrant Austrian crime fiction ties in with and differentiates itself from its German counterpart. Contributors: Angelika Baier, Carol Anne Costabile-Heming, Kyle Frackman, Sascha Gerhards, Heike Henderson, Susanne C. Knittel, Anita McChesney, Traci S. O'Brien,Jon Sherman, Faye Stewart, Magdalena Waligórska. Lynn M. Kutch is Professor of German at Kutztown University of Pennsylvania. Todd Herzog is Professor and Head of the Department of German Studies at the University of Cincinnati.

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The most comprehensive, readable history of German cinema now appears in an expanded, up-to-date new edition that is particularly useful for students and teachers of German film history. From early masterpieces such as The Cabinet of Dr. Caligari (1920) and Metropolis (1927) to the post-1945 films of Fassbinder, Herzog, and Wenders, German film constitutes a crucial part of the history of world cinema. It helped to shape Hollywood cinema and had a major impact on other cinemas as well. This tried and tested book, popular in college classrooms and among general-interest readers, is the most comprehensive and readable introduction to the history of German cinema, specifically designed to meet the needs of those who want a comprehensible, accessible introduction to the subject. There is no other book that covers the history of German cinema in the same depth and also explores the genesis and meaning of the most important masterpieces in German film history. It does so in chapters devoted to each of thirty-two individual films and in seven interchapters that provide context for historical periods from early German cinema to postunification. The book now appears in an improved, expanded, and up-to-date second edition that covers five additional films, expands the coverage of women's cinema, and brings the history of filmmaking in Germany up to the present moment. The book is specifically designed to appeal to cinema aficionados and for use in college classrooms, where it has been greeted with acclaim by students and teachers alike. Stephen Brockmann is Professor of German at Carnegie Mellon University.

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