Search results for ""author charlotte"

‘The multi award-winning Charlotte Mendelson is famous for whipping up the hottest, messiest family dramas a writer of literary fiction can . . . This is late Shakespeare meets Modern Family and it’s irresistible’ – The TimesIn a tiny flat in West London, sixteen-year-old Marina lives with her emotionally delicate mother and three ancient Hungarian relatives. Imprisoned by her family’s crushing expectations and their traditions, she knows she must escape.At Combe Abbey, a traditional English private boarding school in the Dorset countryside, Marina realizes she’s made a terrible mistake. Here, among the boathouses, chapel services and unspoken social hierarchy, she is the awkward half-foreign girl who doesn’t know how to fit in, flirt, or even exist.Meanwhile, her mother has her own painful secrets to deal with – especially the surprising return of the very last man she’d expect to see. And Marina’s disastrous spiral at Combe Abbey is going unnoticed . . .‘A deliciously funny tale of dysfunctional families. . . Reading Mendelson’s easy, assured prose is like sinking into something soft and velvety’ – Telegraph‘I read and adored Almost English . . . and now I will read everything she’s ever written. Charlotte Mendelson is a fiendishly gifted writer’ – Marian Keyes

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The pen is mightier than the sword, but whose pen is the mightiest of them all? Who was more prolific, Charlotte Brontë or Fyodor Dostoyevsky? Who created more memorable characters, Jane Austen or William Shakespeare? Whose life was more eventful, Cervantes or Byron? Pit 32 of the greatest writers of all time against each other with these illustrated cards.

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'As intelligent as it is funny. A beautifully observed literary comedy as well as a painfully accurate description of one big old family mess. A joy' - ObserverIn North London, Claudia Rubin is in her heyday. Wife, mother, rabbi - and sometimes moral voice of the nation - everyone wants to be with her at her son Leo's glorious wedding. That is until Leo bolts and the gleaming bubble surrounding the Rubins threatens to burst.Frances - Claudia's calm, mature, married daughter - tries to hold the nucleus of the family together, but the stress forces her to re-examine her own life, leading her to make a decision as shocking as Leo's.And Claudia's husband, Norman, has an uncharacteristic secret, the imminent unveiling of which he is powerless to stop . . .When We Were Bad is a spellbinding, witty and poignant portrayal of a family in crisis, in love, and in denial.'A comedy with the warmest of hearts and the most deliciously subversive of agendas' - Marie Claire'Fast-paced and engaging. Brilliant, touching and true' - Naomi Alderman, bestselling author of The Power

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The classic bestseller adored by thousands of readers from the author of THIS COULD BE EVERYTHING. Hailed as a 'modern vintage classic', The Lost Art of Keeping Secrets was a Richard and Judy Book Club Choice and is in development as a major new TV series.Set in the 1950s, in an England still recovering from the Second World War, this is the enchanting story of Penelope Wallace and her eccentric family at the start of the rock'n'roll era.Penelope longs to be grown-up and to fall in love, but various rather inconvenient things keep getting in her way. Like her mother, a stunning but petulant beauty widowed at a tragically early age, her younger brother Inigo, currently incapable of concentrating on anything that isn't Elvis Presley, a vast but crumbling ancestral home, a severe shortage of cash, and her best friend Charlotte's sardonic cousin Harry...*** PRAISE FOR EVA RICE ***'Exquisite. Enchanting. Quite possibly perfect. The next One Day/Me Before You' - Veronica Henry'A reason to be cheerful . . . the book I've been waiting my whole life for, a perfect 90s period piece about sisters, it's glam, gorgeous, a little bit melancholic and a lot charming' - Daisy Buchanan'Will break your heart and piece it back together again with wit, warmth and magic. The way Rice weaves together fiction and reality is delicious . . . Nobody captures the exhilaration of first love and teen fandom quite like her' - Lauren BravoThis special tenth anniversary edition includes a foreword by Miranda Hart and an exclusive short story from Eva Rice, The Moth Trap, which offers a glimpse into the cocktail party where Penelope's parents, Archie and Talitha, first met.

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‘Written in Bjork’s habitual cool prose, it’s an absorbing, twisty novel’ Sunday Times'A chilling and ingenious tale of cat and mouse where the hunter doesn't realise that they have become the hunted' Yours Magazine‘Her name is Mia Kruger, and it is she who makes this superb story very special indeed. Genuinely gripping and with a wonderful heroine, it is sensational’ Daily Mail___It was one of Sweden's most notorious unsolved cases: two young boys abducted and murdered, their bodies brutally, artistically arranged.But eight years later, when two other boys are found in similar circumstances, it looks like the killer might be back - this time in neighbouring Norway.Led by veteran detective Holger Munch, the investigating police are baffled. There are no clues, no leads to follow. In desperation, Munch drafts in a trainee from the Police Academy, Mia Kruger, a young woman with an uncanny ability to see beyond the facts. Little does he know that Mia is battling her own demons and will soon find that her life and that of the case are entwined in ways no one could have imagined....From the internationally bestselling author of I'm Travelling Alone, comes another mesmerically chilling psychological tale of cat and mouse where the hunter may not know that they have become the hunted before it's too late...___Readers love Samuel Bjork:'Ingenious''Simply terrific''Intelligent and gripping''Perfect for Scandi-Noir lovers'

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'Simultaneously tragic and uplifting. And I have to say at times funny. Charlotte Levin is SUCH a clever writer . . . A magnificent read' – Ruth Jones, author of Love Untold'This emotional rollercoaster is alternately heart-breaking and hopeful. I was gripped' – Daily MailA gripping, darkly comic tale of searing loss, coercive control and the consequences of taking the wrong path.Every morning, Janet Brown goes to work cleaning offices. It calms her – cleanliness, neatness. All the things she’s unable to do with her soul can be achieved with a damp cloth and a splash of bleach. However, the guilt she still carries about a devastating loss that happened eleven years ago, cannot be erased so easily.When Janet finds herself involved in a train crash, she recognizes her chance to do what she couldn’t all those years ago. And she makes a decision. As news spreads of Janet’s actions, her story inspires everyone around her and, for the first time, her life has purpose. Her future is filled with hope.But Janet's story isn't quite what it seems. As events spiral out of control, she soon discovers that coming clean isn't an option. Because if Janet washes away the lies, what long-buried truths will she finally have to face?If I Let You Go by Charlotte Levin is a deeply moving and gripping portrayal of a woman coming to terms with loss.

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'Gives Jo Nesbo a run for his money' Sunday Express'Intelligent and gripping' The Times___Mindless killer? Or do they know exactly what they're doing?Winter 1996. An old man is driving home when his headlights catch an animal on the empty road up ahead. He stamps hard on the brakes. But it is not an animal at all. It is a young boy, frightened and alone, with a set of deer antlers strapped firmly to his head.Fourteen years later, a body is found in a mountain lake. Within weeks, three people have died. Each time, the killer has left a clue, inviting Special Investigations Detectives Munch and Krüger to play a deadly game - a game they cannot possibly win. Against the most dangerous and terrifying kind of serial killer. One who chooses their victims completely at random.To find the killer they must look deep within their own dark pasts, but how can you stop a murderer when you cannot begin to predict their next move?The new novel from Samuel Bjork, THE WOLF, is available now.___What readers are saying:'A riveting story, with plenty of dark emotions. Perfect for Scandi-Noir lovers.''I was hooked, this tale got my heart racing and in places sat on the edge of my seat and reading late into the night.' 'Ingenious . . . I found it gripping and compulsive.'

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'I love this book! Age really is just a number.' - Charlotte Tilbury'Gabriela is a game-changer, I cannot recommend her highly enough.' - Billie Piper'Backed by science and infused with years of experience, Gabriela's method in this book will change your life.' - Rosie Nixon, Hello!With SUNDAY TIMES BESTSELLING author Gabriela Peacock, looking and feeling younger has never been so easy. Gabriela reveals the game-changing science that will help you radically influence the ageing process and transform your future.Designed to be compatible with real life, 2 Weeks to a Younger You contains realistic intermittent fasting plans - scientifically proven to be the most effective method of safely reaching a healthy weight - and plenty of practical tips. As well as weight-loss, Gabriela's advice will allow you to improve sleep, increase energy and sharpen mental clarity. With 50 delicious, healthy recipes, these easy-to-follow plans are guaranteed to deliver results.

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An inspiring, empowering, fantastically feminist and totally true story, perfect for fans of Little People, Big Dreams and Goodnight Stories for Rebel Girls! Meet the incredible Brontë family - Charlotte, Emily, Anne and Branwell Brontë are no ordinary children. Growing up on the wild, lonely moors of Yorkshire, they have nothing to entertain them but their imaginations and each other. So they invent extraordinary imaginery worlds, full of wars and love stories, soldiers, heroes and villains, ruled over by powerful women. As they grow up, the Brontës discover that the real world isn't such a great place to be a girl. But they are so determined that their voices be heard, they overcome almost unbeatable odds to be bestselling authors. This is the absolutely astonishing, fantastically feminist and, best of all, totally true story of one amazing family!

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"Quelle est la fille qui (...) etant servante refuse de devenir maitresse, et d'avoir les domestiques a ses ordres? Au lieu de la simplicite des vetements qui convient a son etat, on lui en promet de magnifiques. On va au-devant de tous ses desirs, on lui prodigue les presents; on lui promet que tout lui sera fourni en abondance; l'indigence ou elle a vecu jusqu'alors, lui fait trouver encore plus de charmes dans un changement qui doit la mettre si fort a son aise. Ajoutez a cela quelque vieille femme, qui sous pretexte de l'aider de ses conseils, contribue a la faire donner dans le piege qu'on lui tend...le moyen qu'elle se tire d'un pas si glissant? Vous m'avouerez qu'il faut une vertu peu commune pour resister a tant de sujets de tentation..."Les quatre recits, quoique rediges apres 1720, depeignent la vie quotidienne de jeunes gens dans le Paris de la fin du XVIIe siecle. Leurs intrigues traitent des passions amoureuses et des obstacles que rencontrent de jeunes amants. On peut lire ces histoires en ignorant qu'elles ont paru a la suite du chef-d'oeuvre de Robert Challe dans les differentes editions qui se sont succede au cours du XVIIIe siecle; mais ces pages ne prennent leur pleine dimension que si l'on a deja lu Les Illustres Francaises. Certains des problemes abordes par Robert Challe sont repris par des ecrivains anonymes soucieux de faire passer leurs recits pour des productions authentiques de Robert Challe. Ils s'inspirent directement de son ton et de sa maniere. Ce sont des pastiches. Paradoxalement, ces nouvelles confirment les topoi que Challe s'ingeniait a subvertir. On y touve en effet de nombreux stereotypes que la narration de Challe reussit ordinairement a eviter ou a renouveler. Entre autres, alors que Challe organise son recueil pour qu'on y enregistre une montee croissante du tragique, les continuateurs de ces nouvelles, inscrites dans la ligne des Illustres Francaises, choisissent de privilegier les happy ends. Comme le disait Michele Weil, "on ne reecrit pas Challe", mais a leur facon, ces recits revelent ce que les contemporains de Challe ont percu de son art. S'ils n'atteignent jamais son intensite, leurs auteurs s'inspirent directement de sa maniere, lui empruntent ses themes, voire son style.De tous les petits maitres qui suivent Breugel, aucun ne se confond avec Breugel lui-meme, et pourtant, leurs peintures ne manquent pas d'interet des qu'elles ne se reduisent pas a de simple reproductions et qu'on arrive a les considerer pour elles-memes. C'est un peu ce qui se produit pour les histoires reunies dans ce recueil. On leur touve du charme des qu'on arrive a oublier qu'elles voulaient rivaliser avec Les Illustres Francaises de Robert Challe.

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When We Were Bad is a spellbinding, witty and poignant portrayal of a family in crisi, in love, and in denial.'As intelligent as it is funny. A beautifully observed literary comedy as well as a painfully accurate description of one big old family mess. A joy' – ObserverIn North London, Claudia Rubin is in her heyday. Wife, mother, rabbi – and sometimes moral voice of the nation – everyone wants to be with her at her son Leo's glorious wedding. That is, until Leo jilts his bride, and the gleaming bubble surrounding the Rubins threatens to burst.Frances – Claudia's calm, mature, married daughter – tries to hold the nucleus of the family together, but the stress forces her to re-examine her own life, leading her to make a decision as shocking as Leo's choice to bolt.And Claudia's husband, Norman, has an uncharacteristic secret. And, whether he likes it or not, he is powerless to stop it coming out . . .'A comedy with the warmest of hearts and the most deliciously subversive of agendas' - Marie Claire'Fast-paced and engaging. Brilliant, touching and true' - Naomi Alderman, bestselling author of The Power

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THE ENCHANTING NEW NOVEL BY THE AUTHOR OF THE 2022 WATERSTONES SCOTTISH BOOK OF THE YEAR, THE FAIR BOTANISTS.'Gripping' Good Housekeeping'Secrets discovered, ruinous rumours scotched, happiness regained and friendships founded' Daily Mail'A veteran storyteller' Sunday TimesYou wouldn't suspect it, but scandalous secrets are being kept on Blythswood Square...1846. Glasgow is a city on the cusp of great social change, but behind the curtains, neighbours are watching, and rumours of improper behaviour spread like wildfire on the respectable Blythswood Square. When Charlotte Nicholl discovers that the fortune she has been bequeathed by her father is tied up in a secret collection of erotic art, she is faced with a terrible dilemma: sell it and risk shaming her family's good name or lose her home. An encounter with Ellory McHale, a talented working-class photographer newly arrived in Glasgow, leads Charlotte to hope she has found not only someone who might help her, but also a friend. Yet Ellory is hiding secrets of her own - secrets that become harder to conceal as she finds herself drawn into Charlotte's world. As the truth begins to catch up with both women, will it destroy everything they've fought to build - or set them both free? Readers love Sara Sheridan's storytelling!'I absolutely love Sara Sheridan's books. They're so easy to get into and so hard to put down. The Secrets of Bythwood Square is no exception. It's a great story populated with excellent, believable characters and woven with rich historical detail' 5* reader review, NetGalley'A fascinating, atmospheric story which I greatly enjoyed' 5* reader review, NetGalley'I absolutely loved it, finished it within 2 days' 5* reader review, NetGalley'Wonderful characters and a beautifully interwoven story.' 4* reader review, NetGalley PRAISE FOR THE FAIR BOTANISTS:'Sheridan creates an evocative, enjoyable portrait of two women determined to lead independent lives' SUNDAY TIMES'Completely enchanting and fascinating . . . a rollicking and immensely readable tale' SCOTSMAN'Lush, seductive and scandalous, this is a gorgeous read' DAILY MAIL'A cracking good read' VAL MCDERMID'Dazzling, original, full of wonderful characters' KATIE FFORDE'What a beautiful, immersive gem of historical fiction' GOOD HOUSEKEEPING'An absolute treat for fans of historical fiction and rich storytelling' RED

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'Gives Jo Nesbo a run for his money' Sunday Express'Intelligent and gripping' The Times___Mindless killer? Or do they know exactly what they're doing?Winter 1996. An old man is driving home when his headlights catch an animal on the empty road up ahead. He stamps hard on the brakes. But it is not an animal at all. It is a young boy, frightened and alone, with a set of deer antlers strapped firmly to his head.Fourteen years later, a body is found in a mountain lake. Within weeks, three people have died. Each time, the killer has left a clue, inviting Special Investigations Detectives Munch and Krüger to play a deadly game - a game they cannot possibly win. Against the most dangerous and terrifying kind of serial killer. One who chooses their victims completely at random.To find the killer they must look deep within their own dark pasts, but how can you stop a murderer when you cannot begin to predict their next move?The new novel from Samuel Bjork, THE WOLF, is available now.___What readers are saying:'A riveting story, with plenty of dark emotions. Perfect for Scandi-Noir lovers.''I was hooked, this tale got my heart racing and in places sat on the edge of my seat and reading late into the night.' 'Ingenious . . . I found it gripping and compulsive.'

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The ‘memsahibs’ of the British Raj in India are well-known figures today, frequently depicted in fiction, TV and film. In recent years, they have also become the focus of extensive scholarship. Less familiar to both academics and the general public, however, are the eighteenth- and early nineteenth-century precursors to the memsahibs of the Victorian and Edwardian era. Yet British women also visited and resided in India in this earlier period, witnessing first-hand the tumultuous, expansionist decades in which the East India Company established British control over the subcontinent. Some of these travellers produced highly regarded accounts of their experiences, thereby inaugurating a rich tradition of women’s travel writing about India. In the process, they not only reported events and developments in the subcontinent, they also contributed to them, helping to shape opinion and policy on issues such as colonial rule, religion, and social reform.This new set in the Chawton House Library Women’s Travel Writing series assembles seven of these accounts, six by British authors (Jemima Kindersley, Maria Graham, Eliza Fay, Ann Deane, Julia Maitland and Mary Sherwood) and one by an American (Harriet Newell). Their narratives – here reproduced for the first time in reset scholarly editions – were published between 1777 and 1854, and recount journeys undertaken in India, or periods of residence there, between the 1760s and the 1830s. Collectively they showcase the range of women’s interests and activities in India, and also the variety of narrative forms, voices and personae available to them as travel writers. Some stand squarely in the tradition of Enlightenment ethnography; others show the growing influence of Evangelical beliefs. But all disrupt any lingering stereotypes about women’s passivity, reticence and lack of public agency in this period, when colonial women were not yet as sequestered and debarred from cross-cultural contact as they would later be during the Raj. Their narratives are consequently a useful resource to students and researchers across multiple fields and disciplines, including women’s writing, travel writing, colonial and postcolonial studies, the history of women’s educational and missionary work, and Romantic-era and nineteenth-century literature.This volume includes two texts, Ann Deane, A Tour Through the Upper Provinces of Hindostan (1823) and Julia Maitland, Letters from Madras (1846).

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A new coach is needed - but what can a wheelchair basketball champion teach Fergus and friends about cycling? Fergus is sure their new coach is going to be his ultimate hero, cycle champ 'Spokes' Sullivan, so when Grandpa introduces Charlotte Campbell, the children are all less than impressed. Charlie is the successful captain of the Paralympic wheelchair basketball team and has some interesting training methods. She gets the team doing yoga and wheelbarrow races, and enters them in the Wreck-It Run, a charity race where everyone creates their own adapted bikes from parts and must compete in pairs. Fergus is sure Charlie is off her rocker - how will this help them get faster for the International time trials?

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This full-length study investigates how sermons and vernacular religious drama worked as media for public learning, how they combined this didactic aim with literary exigencies, and how plays acquired and reflected authority. The interrelation between sermons and vernacular drama, formerly assumed to be a close one, is addressed from historical connections, performative aspects, and the portrayal of penance. The work demonstrates the subtly different purposes and contents and outlines the unique ways in which they operate within late medieval England.

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Die Einzigartigkeit dieses Ensembles liegt sowohl in den enormen Ausmassen von Schloss und Park als auch in ihrer unverwechselbaren Architektur und kostbaren Ausstattung. Die prachtvollen Raume und Sale des Schlosses mit hochkaratigen Werken franzoesischer Malerei bieten den Rahmen fur eine sichtbare hoefische Kulturgeschichte im Wechsel der Zeiten. Der Bau, der 1699 als Schloss Lietzenburg fur Koenigin Sophie Charlotte entstand, wurde nach ihrem Tod in Charlottenburg umbenannt. Zahlreiche Schlosserweiterungen und herausragende Architekturen wie die Orangerie, der Neue Flugel, das Belvedere, das Mausoleum mit dem Sarkophag der beliebten Koenigin Luise oder der Neue Pavillon von Schinkel hoben die Bedeutung und Schoenheit des Komplexes weiter. Peter Joseph Lenne wandelte den ohnehin naturlichen und abwechslungsreichen Park in einen beispielhaften Landschaftsgarten. Der Zweite Weltkrieg hinterliess auch hier grosse Schaden, doch konnten viele Bereiche wieder rekonstruiert werden.

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Die Einzigartigkeit dieses Ensembles liegt sowohl in den enormen Ausmaßen von Schloss und Park als auch in ihrer unverwechselbaren Architektur und kostbaren Ausstattung. Die prachtvollen Räume und Säle des Schlosses mit hochkarätigen Werken französischer Malerei bieten den Rahmen für eine sichtbare höfische Kulturgeschichte im Wechsel der Zeiten. Der Bau, der 1699 als Schloss Lietzenburg für Königin Sophie Charlotte entstand, wurde nach ihrem Tod in Charlottenburg umbenannt. Zahlreiche Schlosserweiterungen und herausragende Architekturen wie die Orangerie, der Neue Flügel, das Belvedere, das Mausoleum mit dem Sarkophag der beliebten Königin Luise oder der Neue Pavillon von Schinkel hoben die Bedeutung und Schönheit des Komplexes weiter. Peter Joseph Lenné wandelte den ohnehin natürlichen und abwechslungsreichen Park in einen beispielhaften Landschaftsgarten. Der Zweite Weltkrieg hinterließ auch hier große Schäden, doch konnten viele Bereiche wieder rekonstruiert werden.

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Lincoln Perry is justly celebrated for his murals and edgy narrative figure paintings, with their saturated palette and multifaceted architectural compositions - Poussin refracted through de Chirico. This beautiful new book showcases his images of Charlottesville, Virginia - many of them multipanel compositions featuring the University of Virginia and its environs - accompanied by an essay and interview by his wife, the writer Ann Beattie. Perry's mural ""The Student's Progress"", which depicts a woman's education and social experience from matriculation through graduation, is familiar to University of Virginia students, faculty, and visitors, but Perry has been painting Charlottesville subjects on and off since 1985, when he first moved to town. From his early explorations of the complex relationships between professors and students, played out against the backdrop of Jefferson's Lawn, through his intriguing depictions of the city's domestic interiors, buildings, and streets, Perry illuminates a different side of a place widely appreciated for its history and natural beauty. ""Charlottesville"", writes Beattie, ""both disturbs and calls to [Perry]: it's a paradoxically comfortable and uncomfortable not-quite-home he has been drawn to many times for reasons he can't easily articulate...I think that Lincoln likes the town's quirkiness and its lack of uniformity. It's also a place that allows him to practice the x-ray vision so many visual people have for underpinnings: the contradictions that can be drawn upon and aesthetically dramatized...The place sparks his imagination, and with his paintbrush, he sparks it, charging the air with a bit of unexpected - but very recognizable - light."" Together, Perry and Beattie give us a view of Charlottesville, of place and artistic production that carries with it the warmth of recognition and the thrill of discovery.

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Die ehemalige Hohenzollernresidenz ist ein einzigartiges Zeugnis höfischer Kulturgeschichte. Dies wird sowohl in der prunkvollen Ausstattung des Schlosses mit der hochkarätigen Sammlung französischer Meisterwerke als auch in der Weite des Parks mit seinen prachtvollen Bauten, wie dem Mausoleum oder dem Neuen Pavillon deutlich.

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Charlottesville, Virginia, and its 12 surrounding counties are filled with history and charm. They also hold spirits who aren’t ready to leave their beloved homes or families behind. Visit more than 75 haunting locations with this experiential and historical guide. Shiver your way through haunted graveyards, mansions, parks, private residences, and other locations as you discover the past and learn of current lingering ghosts and the havoc they continue to instigate. Have you ever pondered about the spiritual implications from murders of olde? Think you might like to be pinched by a ghost or have your name called when no one is there? Interested in what a paranormal investigative group might find? Then make plans to explore these strange and frightening locations. Contact information is provided for those places allowing visitations. But when you visit, be ready for a haunting good time!

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Charlottesville, Virginia, and surrounding Albemarle County are visited through 296 vintage postcards. Stroll the grounds and buildings of the University of Virginia, one of America’s premier universities. Walk the streets of Charlottesville to patronize her businesses and experience the hotels of yesteryear. Visit historic Michie Tavern, Thomas Jefferson’s Monticello, and James Monroe’s Ash Lawn. Finally, experience Scottsville on the James River and smaller villages that make Albemarle County unique.

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In the extensive grounds of the garden of Schloss Charlottenburg, three buildings invite visitors: the Belvedere, the Mausoleum, and the Neuer Pavillon. The Belvedere was erected in 1788–89 based on plans by Carl Gotthard Langhans. As its function and name, "schöne Aussicht," already reveal, the tower-like building once provided a broad panorama over the city. The Mausoleum, the burial site of Queen Luise of Prussia, draws the most visitors until today. Friedrich Wilhelm III chose the end of a dark avenue of fir trees as the location to lay his deceased young wife to rest. The Neuer Pavillon, an Italianate villa, is located close to the Spree. Karl Friedrich Schinkel designed this masterpiece of neoclassical architecture as a private refuge for Friedrich Wilhelm III.

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The 2017 "Summer of Hate" in Charlottesville became a worldwide media event, putting at center stage the resurgence of emboldened and empowered white supremacy and "alt-right" extremism, as well as the antiracist movement opposing it. Aniko Bodroghkozy’s trenchant study examines this formative moment in recent U.S. history by juxtaposing it against two other epochal moments that put American racism and the struggle against it on worldwide display: the 1963 Birmingham and 1965 Selma campaigns of the civil rights movement. Making #Charlottesville investigates the historical "rhymes" in the mass media’s treatment of these events, separated by half a century, along with the ways that activists on both sides made use of the new media environment of their day to organize and amplify their respective messages. Bodroghkozy teases out the connections, similarities, and resonances among these events—from the ways all three places were consciously chosen as stage sets for media campaigns, to the similarly iconic and heavily circulated images they produced, to the sustained cultural purchase they continue to hold in the United States and around the world.

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Die Berliner Architekturhistoriker Wolfgang Schäche und David Pessier untersuchen die bewegte Geschichte des an der prominenten Ecke Unter den Linden / Charlottenstraße gelegenen Gebäudekomplexes, der heute von der Deutschen Bank genutzt wird. Sie rekonstruieren die Herausbildung und Entwicklung dieses im 19. Jahrhundert von der Disconto- Gesellschaft begründeten, traditionsreichen Bankenstandorts im Kontext der Quartiersgeschichte der Dorotheenstadt, wobei der Fokus vor allem auf die architekturhistorische Bedeutung des raumgreifenden Ensembles gerichtet ist. Durch die chronologisch aufgebaute, vielschichtige Betrachtung vermittelt sich auch ein zentrales Kapitel der Berliner Bankengeschichte.

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In the personal and frank Confessions of a Free Speech Lawyer, Rodney A. Smolla offers an insider's view on the violent confrontations in Charlottesville during the "summer of hate." Blending memoir, courtroom drama, and a consideration of the unhealed wound of racism in our society, he shines a light on the conflict between the value of free speech and the protection of civil rights. Smolla has spent his career in the thick of these tempestuous and fraught issues, from acting as lead counsel in a famous Supreme Court decision challenging Virginia's law against burning crosses, to serving as co-counsel in a libel suit brought by a fraternity against Rolling Stone magazine for publishing an article alleging that one of the fraternity's initiation rituals included gang rape. Smolla has also been active as a university leader, serving as dean of three law schools and president of one and railing against hate speech and sexual assault on US campuses. Well before the tiki torches cast their ominous shadows across the nation, the city of Charlottesville sought to relocate the Unite the Right rally; Smolla was approached to represent the alt-right groups. Though he declined, he came to wonder what his history of advocacy had wrought. Feeling unsettlingly complicit, he joined the Charlottesville Task Force, and he realized that the events that transpired there had meaning and resonance far beyond a singular time and place. Why, he wonders, has one of our foundational rights created a land in which such tragic clashes happen all too frequently?

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Michael Signer was the idealistic citizen-mayor of Charlottesville, hoping to use values such as civility and prudent governance to help guide his community through local issues such as what to do about controversial Confederate statues. Instead, he found himself in the eye of a "perfect firestorm," as his community came under siege in a coordinated campaign by the alt-Right. Cry Havoc is a compelling narrative of events on-the-ground in Charlottesville 2017, set in a larger context of what it means for a country struggling to find its way through the sturm und drang of the Trump era. Signer provides invaluable insight into how a democratic society under fire can respond to challenges such as:Reconciling free speech and the right of assembly with the need for public safety, in a time of rising extremism.The intensification of extremes on the right and the left, consuming values of pragmatism and compromise and even facts themselves.The widespread disaffection with institutions and a democracy that seems to be faltering and turning on itself.The failure to deliver positive measures to address a legacy of systemic racism through our political language, our built environments, and our public policies.An Internet and social media unleashing our darkest demons and organized hatred that we are ill-equipped to disrupt.Signer's "you are there" account will have readers asking "Well, what would I have done?" if confronted face-to-face with forces intent on intimidation and the destruction of democratic norms and institutions. This book provides insight and inspiration for how we can individually and collectively rise to the challenge.

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''Wonderfully vivid and compelling ... A real page turner'' Elodie Harper, author of The Temple of Fortuna''An evocative gothic tale where nothing is quite what it seems'' Susan Stokes-Chapman, author of Pandora''A sparkling gothic debut ... reminded me of Sarah Waters'' Anna Mazzola, author of The Clockwork GirlGOOD SISTER. BAD SISTER. ONE LAST CON. Paris, 1866. When Baroness Sylvie Devereux receives a house-call from Charlotte Mothe, the sister she disowned, she fears her shady past as a spirit medium has caught up with her. But with their father ill and Charlotte unable to pay his bills, Sylvie is persuaded into one last con.Their marks are the de Jacquinots: dysfunctional aristocrats who believe they are haunted by their great aunt, brutally murdered during the French Revolution.Sylvie and Charlotte will need to deploy every trick to terrify the family out of their gold until

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From award-winning writer Mortada Gzar, author of the acclaimed memoir I’m in Seattle, Where Are You?, comes an enthralling and lyrical novel about a girl’s liberating self-discovery in Iraq.Fifteen-year-old Charlotte is restlessly coming of age in early twentieth-century Basra, Iraq. The daughter of a Seattle doctor and missionary, Charlotte craves an adventure of her own making. Just the thought of the steppes, hills, valleys, and the winding river stirs Charlotte’s imagination and sends her compass of flight dancing.So, preferring the wondrous unknown to solicitude, Charlotte packs up copies of her father’s Gospels and a statue of the Baby Jesus and runs away. Then, in a desperate search to find his daughter, Charlotte’s own father goes missing. With the help of two women—the mission’s Sister Baghdadli and Shathra, a guide to the lost—Charlotte embarks on a quest steeped in local lore, and as mysterious a

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From award-winning writer Mortada Gzar, author of the acclaimed memoir I’m in Seattle, Where Are You?, comes an enthralling and lyrical novel about a girl’s liberating self-discovery in Iraq.Fifteen-year-old Charlotte is restlessly coming of age in early twentieth-century Basra, Iraq. The daughter of a Seattle doctor and missionary, Charlotte craves an adventure of her own making. Just the thought of the steppes, hills, valleys, and the winding river stirs Charlotte’s imagination and sends her compass of flight dancing.So, preferring the wondrous unknown to solicitude, Charlotte packs up copies of her father’s Gospels and a statue of the Baby Jesus and runs away. Then, in a desperate search to find his daughter, Charlotte’s own father goes missing. With the help of two women—the mission’s Sister Baghdadli and Shathra, a guide to the lost—Charlotte embarks on a quest steeped in local lore, and as mysterious a

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Charlotte Voake is an award-winning illustrator whose titles include Ginger and Hello Twins.Pierre Babin is a children's author.

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Susan Snow Wadley is Ford Maxwell Professor of South Asian Studies and Anthropology at Syracuse University. She is author of Struggling with Destiny in Karimpur, 19251984 and co-author of a revised edition of William and Charlotte Wiser's classic Behind Mud Walls.

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