Search results for ""University College Dublin Press""

James 'Dongaree' Baird, a boilermaker in Harland and Wolff's shipyard, was one of hundreds of 'rotten Prods', and thousands of Catholics, driven from their place of work by loyalists in 1920. The expulsions marked the end of Belfast's 'two red years', distinguished by the massive engineering strike in 1919 and the municipal elections in 1920, in which Baird was elected to Belfast Corporation. Baird's case offers a rare insight into the city's brief radicalisation, the mentality of Protestant workers who opposed the partition of Ireland, and the reasons why loyalists targeted Labour as their most insidious enemy. As a leader of the expelled workers, Baird spoke to the Irish and British TUCs, but Irish Labour had no practical policy on the North and British trade unions feared that confronting loyalists would lose them members. Subsequently, Baird worked for the National Sailors' and Firemen's Union and the Irish Transport and General Workers' Union, when he led the farm labourers of Waterford in an epic strike against wage cuts and was nearly elected to Dail Eireann. In 1927 he and his family emigrated to Brisbane, Queensland, where his daughters Nora and Helene were decorated by the Australian government for services to music in schools. A compelling account of a rotten Prod and a Labour hero.

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Offering an intimate look at the vast influence of Ireland's extraordinary literary heritage, Hold Open the Door: A Commemorative Anthology from the Ireland Chair of Poetry highlights how a new Irish poetry is coming to stand alongside the tradition from which it has grown - leaving that tradition enriched and transformed. The Ireland Chair of Poetry Commemorative Anthology celebrates the 25th anniversary of Seamus Heaney's Nobel Prize Award, and the subsequent legacy created by the Ireland Chair of Poetry. This contemporary anthology features original poems and essays from some of the most exciting new and emerging Irish poets as they reflect on the formative value of mentorship and creative exchange, drawing inspiration from renowned poets and artists across the island of Ireland and beyond. The collection is collated and edited in collaboration with Frank Ormsby. Frank Ormsby serves as the current Ireland Chair of Poetry. His most recent collections include The Rain Barrel (Bloodaxe Books, 2019) and The Darkness of Snow (Bloodaxe Books, 2017). He has previously been editor of The Honest Ulsterman and Poetry Ireland Review. In 1992, he received the Cultural Traditions Award, and in 2002, the Lawrence O'Shaughnessy Award for Poetry.

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Richly designed and illustrated, Making Belfield reflects on the making and shaping of UCD to celebrate 50 years of college life at Belfield (Belfield 50). Dipping in and out of recent architectural histories and older and more far flung landscapes, it brings key UCD thinkers on spatial and cultural history together as well as highlighting the Libraries and collections of the university.

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The seventh instalment in the Poet's Chair series, it is Eilean Ni Chuilleanain's tenure as Ireland's Professor of Poetry that provides the pretext for this book, a collection of three essays exploring the forces that affect the work of every practising poet. The first essay pays tribute to a valued friend and colleague of Ni Chuilleanain's, the late Pearse Hutchinson, as well as to the languages he used and the impact they had even on readers that did not fully understand them. The second looks at the response of the reader of poetry and at the often disparaging treatment of the poet in fiction, from P. G. Wodehouse to Flann O'Brien. In the third lecture, Ni Chuilleanain returns to her lifelong academic interest in the poetry of seventeenth-century England and calls on the work of poets as diverse as Bishop Henry King, Walt Whitman and Thomas Kinsella to explore poetry's relation to the ceremonies surrounding death in how it may both comment on and substitute for ritual. Elegantly designed and masterfully written, Instead of a Shrine offers a unique opportunity to return to - or, indeed, begin engaging with - the dynamic world of poetry.

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Managing Your Own Learning at University is a practical self-help guide for new and continuing students who are faced with taking responsibility for their own studies in college and university. This completely revised and updated third edition of Aidan Moran’s best-selling book offers a wealth of practical tips on doing your best when it matters most. Moran, a widely-published expert in cognitive psychology, sport psychology and neuroscience, uses psychological principles, checklists and exercises to guide you through the crucial learning skills you will need in university. These include motivating yourself to study, taking useful lecture notes, concentrating effectively, and learning to think critically. You will also find tips on developing new skills that have become essential to the modern student, such as how to make the most of virtual learning environments, how to overcome digital distractions, and how to prepare and deliver engaging talks and poster presentations. Written in a lively, accessible style and laced with compelling examples, this book is essential reading for all students who wish to fulfil their academic potential in college and university.

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Grand, awe-inspiring and beautiful, the `Big House' is widely viewed as a jewel in the Irish landscape today. Despite this, the relationship between the country house and the state has long been complex and nuanced. Houses such as Castletown, Mote Park, and Shanbally Castle have faced sometimes insurmountable threats to their survival since the founding of the Free State. Against a backdrop of civil war and social upheaval, the fledging government of 1922 was unwilling to accept the burdensome gifts of these extravagant but ineffectual `white elephants' at a time when much of the population lived in poverty. From the 1920s to the 1970s, hundreds of former landlords' residences - often seen as symbols of British oppression - were sold on, demolished or simply abandoned to ruin. Despite the significant change that took place in terms of the perception of these houses as part of the national heritage, the relationship between the state post-independence and the country house has not been examined in detail to date. Analysing previously unused government records, White Elephants illustrates the complex attitudes of politicians such as Erskine Childers, Sean Moylan and Charles J. Haughey to the country house and the crucial role of senior civil servants in determining their fates. The actions of the Office of Public Works and the Land Commission are here analysed and weighed, while the effects of land division and the alienation of the Anglo-Irish class are seen through the often-revealing lens of Department of the Taoiseach and Department of Finance files. These previously unmined sources uncover the more personal history and attitudes behind decisions for demolition or salvation. Drawing on case studies of significant Irish houses including Bishopscourt, Derrynane, Dunsandle, Hazelwood, Killarney, Muckross and Russborough, White Elephants tracks the compelling development of the Irish country house from burden to heritage site, running in parallel with the development of Ireland from a fledgling state to taking its place in the international community of the EEC in 1973.

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Dorothy Macardle - literary teacher, propagandist journalist, political playwright, gothic fiction novelist - is a multi-faceted woman who has remained too often below the radar of historical recognition. In Dorothy Macardle Leeann Lane intends to change this. She is most remembered as the author of The Irish Republic (1937): a full-scale history of the revolutionary period from an anti-Treaty perspective commissioned by de Valera. A bestseller, it became the definitive book of the period fixing Macardle's reputation for too long as merely de Valera's mouthpiece. Yet, as Leann Lane puts forth, Macardle was much more than its author. An intellectually strong, politically persuasive and stoically independent woman: Macardle was beholden to no one. From Sinn Fein propagandist to the gradualist republicanism of Fianna Fail to ardent feminist and gothic novelist, Macardle's personal and political evolution is mapped out for us by Lane in the pages of this book. Exploring her Jail Journal as first-hand source material, the early evolution of Macardle's political thought and action is revealed to us. The wealth of new archival material in the Bureau of Military History Witness Statements and the Military Service Pension Collection is deeply examined, presenting a who's who of Irish republican history as we learn about the many people and events that influenced Macardle's life. Central to the story is an analysis of the commitment of Macardle to female activist politics as she moves further from de Valera's reach, often expressed in subterranean or subversive ways. Macardle's opposition to the position of women in the 1936 Conditions of Employment Act and, most particularly, in the 1937 Constitution was not overt on political platforms but Lane reveals to us that a deep criticism is contained within the pages of her gothic novels published in the 1940s. Insightful readings of her later writing, including her most influential novels The Uninvited (1942) and The Unforeseen (1946), showcases Macardle as a short story writer, playwright and gothic novelist of republican and feminist intent. This is a rich biographical journey through Dorothy Macardle's writing as propagandist, social commentator, republican and feminist. It affirms Macardle's place as one of the foremost activist polemicists as the new Irish State unchained itself from its colonial past and asserted an independent political and cultural identity to be reckoned with.

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This full-length biographical study - substantially rewritten and updated - of one of the most important women in Irish political life in the 20th century is now reissued by UCD Press. Hanna Sheehy Skeffington, part of a pioneering generation, played a significant role in the early Irish Republic. Hanna Sheehy Skeffington was a leading figure in the suffrage movement, she was an activist in the anti-war movement of 1914-18 and was an executive member of Sinn Fein. She opposed the Free State and provided consistent support for women's resistance to anti-women measures enacted by both Cumann na nGaedheal and Fianna Fail. Her later career saw her as an electoral candidate to the Dail in 1943 and she proved herself fearless in her fight for justice, confronting both the British Prime Minister and the President of the United States of America. Incorporating new archival research and featuring an array of newly discovered images, Ward brings to light previously unpublished material about Hanna's personal life: her relationship with her husband and her role as a single parent. This timely revised edition serves to highlight the fascinating life of a pivotal figure in feminist, labour and nationalist movements in Ireland.

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Cathal Brugha was a figure of central importance to the Irish Revolution. Active in the Gaelic League, GAA, IRB, and Irish Volunteers, he first rose to public prominence when he led an advanced column of Volunteers in the Howth gun-running of July 1914. He went on to hold important leadership positions during the 1916 Rising, in the Irish Volunteers and in Dail cabinets until his death in July 1922. Despite this, he is almost totally neglected in the history of this period. This is the first dedicated English-language biography to focus on this fascinating figure. Using new archival material from the Bureau of Military History, Fergus O'Farrell documents Brugha's career as a revolutionary. This closely-researched work examines Brugha's complex attitudes to violence as well as illuminating his commitment to political methods. Historians have previously stressed Brugha's commitment to militancy over politics and he has been portrayed as a strong advocate of violence and distrustful of politics. This simplistic outlook is here challenged, showing that Brugha sought to marry force with politics in the pursuit of Irish independence.

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Cead Isteach/Entry Permitted is part of UCD Press's The Poet's Chair series, publishing the public lectures of the Ireland Professors of Poetry. The Ireland Chair of Poetry was established in 1998 following the award of the Nobel Prize of Literature to Seamus Heaney and is supported by Queen's University Belfast, Trinity College Dublin, University College Dublin, the Arts Council of Northern Ireland and the Arts Counci 1/An Chomhairle Ealaion. Other poets in the series include John Montague, Paul Durcan, Michael Longley, Harry Clifton and Paula Meehan. In her volume of The Poet's Chair Nuala Ni Dhomhnaill discusses the importance of place in Irish literature and the need to preserve important sites of Irish literary activity, brings us on a turbulent Turkish adventure, and explores Ireland's rich folklore tradition.

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Maud Gonne has long been viewed merely as a contemporary of more prominent literary, political and legal figures who played a role in Irish politics of the early twentieth century. While Eva Gore-Booth has been the subject of recent critical attention, much less notice has been paid to Gonne. This succinct biography highlights the significance of Gonne as a political and literary figure in her own right and utilises archival resources in a detailed study of her role as a political activist, journalist, reviewer and also as a founder and editor of nationalist publications. Drawing on previously unpublished correspondence and interviews, this book offers an important re-evaluation of Gonne's contribution to the political and social landscape of early twentieth-century Ireland. It contributes to the growing emphasis in scholarship on the roles played by women in the formation of the Irish state.

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Hanna Sheehy Skeffington was the most significant feminist in twentieth-century Ireland - an activist, writer and polemicist of the highest rank. An advocate of feminism, socialism, and republicanism, her writings - published in Britain and America as well as Ireland - transcended national boundaries. In these pages we experience the excitement of the suffrage years, anti-war campaigns, prison experiences, the impact of the brutal killing of her husband, meetings with Prime Minister Asquith and President Wilson, the bitter years of civil war, impressions of Bolshevik Russia, inter-war Europe, her friendship with Constance Markievicz, debates with Sean O'Casey, and her involvement in feminist campaigns against the exclusion of women from public life during the 1930s and 1940s. Her organisational abilities were recognised by the leaders of the Easter Rising, who agreed she would be the sole female member of a civil provisional government, to be formed if the Rising was a success.She remained an activist throughout her life, an advocate for a Workers' Republic, serving a prison sentence in Armagh jail in 1933, campaigning against the Constitution in 1937 and standing for election to the Dail as an independent feminist in 1943. Her political writings, including book and theatre reviews, newspaper articles, reminiscences, interviews, obituaries, and analysis of key events in the first half of the twentieth century- authoritative, passionate and witty - provide the reader with an indispensable source for understanding the personalities and the issues behind the long march for women's equality and national independence in Ireland.

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The Bag Apron: The Poet and His Community is part of UCD Press's The Poet's Chair series, publishing the public lectures of the Ireland Professors of Poetry. The Ireland Chair of Poetry was established in 1998 following the award of the Nobel Prize of Literature to Seamus Heaney and is supported by Queen's University Belfast, Trinity College Dublin, University College Dublin, the Arts Council of Northern Ireland and the Arts Counci 1/An Chomhairle Ealafon. Other poets in the series include Nuala N1 Dhomhnaill, Paul Durcan, Michael Longley, Harry Clifton and Paula Meehan. In his volume of The Poet's Chair, John Montague speaks of finding his own voice and of 'wandering around the world to discover the self you were born with'. He also shares his thoughts on the long poem format and the relationship between words and music, investigates the challenges of translation in poetry, and speaks about his relationship with Samuel Beckett, whom he knew in Paris.

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The Centenary Classics contains six titles in this special edition series. The year 2016 marks the beginning of the centenary period of the Irish Free State's establishment. This beautifully produced limited edition series examines the fascinating time of change and evolution in the Ireland of 100 years ago. Each volume is a first-hand account of individuals or events during the 1913-23 revolutionary period. They are each introduced by leading experts and academics in the field - giving a contemporary analysis of the original text - while a general series introduction by Fearghal McGarry sets the scene of the period. The complete series collectively tells the story of the birth of the Irish nation and consist of the following six titles: 978-1-906359-94-2 A Chronicle of Jails - Darrell Figgis; 978-1-906359-95-9 Civil War in Ulster - Joseph Johnston; 978-1-906359-96-6 Free State or Republic? - Padraig de Burca and John F. Boyle; 978-1-906359-97-3 Rising Out - Ernie O'Malley; 978-1-906359-98-0 Victory and Woe - Mossie Harnett and 978-1-906359-99-7 The Victory of Sinn Fein - P. S. O'Hegarty.

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Imaginary Bonnets with Real Bees in Them is the third volume in UCD Press's The Poet's Chair series, publishing the public lectures of the Ireland Professors of Poetry. The Ireland Chair of Poetry was established in 1998 following the award of the Nobel Prize of Literature to Seamus Heaney and is supported by Queen's University Belfast, Trinity College Dublin, University College Dublin, the Arts Council of Northern Ireland and the Arts Council/An Chomhairle Ealaion. Michael Longley's and Harry Clifton's lectures were published in 2015. Paula Meehan's volume of The Poet's Chair meditates on poetry and mythology, geology and the environment, teachers and the lyric, bees and bears, genetics, memory, personal history, and much else. In three wide-ranging lectures she charts a contemporary poet's relationship with community (emblematised by bees), family (emblematised by bears), and selfhood (emblematised by water). Upon her appointment as the Ireland Professor of Poetry, Meehan was praised as a poet of solidarity, whose work upheld the dignity of the human spirit and skilfully blended a shared and personal history.Now at the end of her tenure, this illuminating volume of her writings as Chair gives a remarkable insight into the creative processes of a poet who has contributed so much to the craft of Irish poetry.

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The Centenary Classics series examines the fascinating time of change and evolution in the Ireland of 100 years ago during the 1916-23 revolutionary period. Each volume is introduced by Fearghal McGarry who sets the scene of this important period in Ireland's history. Rising Out tells the story of Brigadier Sean Connolly, O/C of the Longford Brigade, who was fatally wounded in action on 11 March 1921 at Selton Hill, near Mohill (Co. Leitrim), by British forces during the War of Independence. Comdt-General Ernie O'Malley came across the story in interviews with Tan and Civil War survivors in the early 1950s. The account makes Connolly come alive as a person - his schooling, love of music, education, farming family background and devotion to the nationalist cause. O'Malley, who had actually organised the Irish Volunteers in parts of the area and had known many of the local leaders, gives the social setting for the IRA activities and explains the subtle roles of the IRA General HQ, of the Catholic Church and the Anglo-Irish gentry. Most memorably, he describes in detail what the fighting men actually did locally and what a local leader had to do in order to organise his men.The introduction by his son, Cormac K. H. O'Malley, explains how this memoir came into existence and describes his father's role during the revolutionary period.

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Voices on Joyce gathers together interpretations of Joyce's work by scholars in a wide span of disciplines: music, history, literature, philosophy, sport, geography, modern languages, economics, theatre studies and law. The depth and range of James Joyce's relationship with key historical, intellectual and cultural issues in the early twentieth century are explored, including: the growth of Dublin as a city, the advance of Irish separatist nationalism, criminal trials in late nineteenth-century Ireland, the influence of Classical authors such as Aristotle and Ovid, the Irish Literary Revival, the value of operatic music, notions of the aesthetic and of a democratic readership, and the history and social import of Jewish communities and traditions. The twenty essays in this collection draw out the openness and pluralism of Joyce's writing and underscore the need for readings of his work from a large variety of diverging perspectives. The wide ranging voices in this collection are composed by present and former UCD academics, and constitute a unique reckoning with the legacy of Joyce by members of his alma mater.A portrait of Joyce emerges as a writer deeply embedded in Irish intellectual discourses and as a figure of vital on-going importance in the social and cultural debates of twenty-first century Ireland. Photos interleaving the essays by the modernist and photojournalist, Lee Miller, taken in Dublin in 1946, provide vivid images of Joycean locations and of their artistic reimagining.

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"Something to Chew On" is an informative and entertaining book which covers from a scientific point of view all of the worldwide controversies dominating the popular press in relation to the safety and wholesomeness of the modern food chain. It deals with the topics of organic food, GM foods, obesity, growing old, the integrity of food research, global warming, global malnutrition, consumer perception of food-borne risk, our gut bacteria, and how nutrition during pregnancy primes us for health in later life. Each chapter presents multiple arguments and comes to a well-supported conclusion. Mike Gibney provides interesting examples, reports and stories from many countries. The book is highly suitable for the general reader and will be an invaluable guide to the science of nutrition for students of food and health.

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"Land, Popular Politics and Agrarian Violence in Ireland" provides an original and insightful study of the highly formative Land War and Home Rule from a local and regional perspective. Lucey examines the emergence and development of the largest mass political mobilisation brought about in nineteenth-century Ireland in the form of the Land League (1979-82), and subsequently the National League (1882-7), in the south-western county of Kerry. Such an unprecedented level of local political activity was matched by an upsurge in agrarian violence and the outbreak of serious outrage, which was largely orchestrated by secret societies known as Moonlighters. In turn, this book provides an important exploration of the dynamics behind the mass political mobilisation and agrarian violence that dominated Kerry society during the 1880s. The role of Fenians, radical agrarian agitators and moderate constitutional nationalists are all examined within the county. This study has importance beyond the local and provides a range of insights into motivations behind political action and violence at an everyday level during one of the most seminal and transformative eras in the development of modern Irish history. This title is suitable for students and academics of nineteenth-century Irish history and general readers.

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After the Irish War of Independence and Civil War, the journal Studies hosted the mainstream social, economic, constitutional and political debates that shaped the new state. "An Irish Century: Studies 1912-2012" marks its centenary as one of Ireland's most influential periodicals. The collection focuses on nine decades of Irish independence and the crucial decade beforehand that witnessed seismic change, addressing the key events, crises and challenges that have shaped Irish society - the 1916 Rising, the First World War, sectarian conflict, child abuse and immigration. There are some landmark pieces by AE, John Maynard Keynes, Donal Barrington, Patrick Lynch, Sean O'Faolain and Augustine Martin. Included are writings by and about some of the key figures who have fashioned the political, cultural and economic life of modern Ireland such as John Redmond, Patrick Pearse, Sean Lemass, T.K. Whitaker, John McGahern and Ian Paisley, as well as analyses of social change by Tom Garvin, Tony Fahey, Mary Kenny, Finola Kennedy and Dermot Keogh. Drawing from some 400 issues containing more than 3,000 essays, the one per cent solution distilled here was selected to exemplify and reflect a century of debate and analysis of Irish social and political change.

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In 1929, ten years before James Joyce completed "Finnegans Wake", Sylvia Beach published a strange book with a stranger title: "Our Exagmination Round His Factification for Incamination of Work in Progress". Worried by the confusion and attacks that constituted the general reception of his "Work in Progress" (the working title for "Finnegans Wake"), Joyce orchestrated this collection of twelve essays and two 'letters of protest' from such writers as Samuel Beckett, Stuart Gilbert, Eugene Jolas, Robert McAlmon, and William Carlos Williams. "Our Exagmination" represents an altogether unusual hybrid of criticism and advertisement, and since its first appearance has remained a touchstone as well as a point of contention for Joyce scholars. Eighty years later, Joyce's "Disciples Disciplined" reads the "Exagmination" as an integral part of the larger composition history and interpretive context of "Finnegans Wake" itself. This new collection of essays by fourteen outstanding Joycean scholars offers one essay in response to each of the original "Exagmination" contributions. From philosophically informed exegeses and new conceptions of international modernism to considerations of dance, film, and the flourishing field of genetic studies, these essays together exemplify an interdisciplinary criticism that is also a lively and ongoing conversation with that criticism's history.

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W.B. Yeats went to great lengths to design his self-image which biographers have been slow to challenge. Following on from "Blood Kindred" (2005), Mc Cormack's new study of the poet's idealist views concentrates on the role of J.M. Hone in introducing him to George Berkeley's philosophy in the mid 1920s and to contemporary Italian thinkers such as Giovanni Gentile and Mario Manlio Rossi. The notion of sacrifice is examined and, by way of contrast, work by Synge, George Moore and Samuel Beckett is shown to challenge the demand for sacrifice which underlies many powerful philosophies of culture. This is a detailed and yet wide-ranging critique of twentieth-century Irish literature, illuminating both well-known and obscure figures.

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The Irish hospitals sweepstake, initially established to provide money for cash-strapped voluntary hospitals in Dublin, provided funding for Irish hospitals for over fifty years. Apart from its role in bringing millions of pounds of foreign currency into Ireland to build new hospitals and provide employment, it also contributed to the development of Irish advertising and broadcasting, horse-racing, the growth of Irish business and commercial sponsorship of sport. But that was not the whole story. Marie Coleman also digs deep into the murkier side of the Irish Sweep. She successfully reveals scandals, skulduggery and gangsterism, which all played their part in the sweepstakes, exposing the blind eyes that were turned to its shortcomings and exploring the extent to which these failings ultimately damaged the Irish health services by postponing necessary reforms. Using original archive material, "The Irish Sweep" successfully draws together these disparate aspects of the sweepstake - its social and economic importance in independent Ireland, its contribution to the development of Irish health services, and its illicit operation outside Ireland - to construct the first detailed and comprehensive history of an iconic institution.

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Raleigh's activities in Ireland, like the rest of his life, continue to fascinate. How incredible and unethical were his initial military exploits? What role did he play in planning and executing the Munster Plantation? How does his colonial activity in the New World compare with that in Ireland? How influential was he in shaping Queen Elizabeth I's Irish policy?This fascinating but little-known work, written by a controversial Irish-born British colonial governor and first published in 1883, is especially valuable today for its extensive reproduction of original sources connected with Raleigh's stay in Ireland, including many of his Irish letters. It is a useful place to begin exploring this multi-faceted character whom Pope Hennessy describes as 'one of the most daring and active of those eminent Englishmen who have done much to render British government permanently difficult - if not more than difficult - in Ireland'.

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"The Big House in the North of Ireland" explores the changing fortunes of the landed elite in the six counties that became Northern Ireland from the land war of the late 1870s to the last days of the Unionist government at Stormont in the 1960s. Purdue examines the social, economic and political challenges faced by the north's landed elite - tenant agitation, the break-up of their estates and the growing political challenge initially from Belfast's mercantile class and, eventually, from populist political movements - and determines the extent to which these undermined the foundations of their influence. She discusses the strategies adopted by the north's landed class to meet the challenges it faced and uncovers the reasons for the Big House clinging on as a social and political force in Northern Ireland long after it had ceased to hold any value in the rest of the island.

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John Mitchel (1815-75) was born at Camnish, near Dungiven, Co. Derry, the son of a Presbyterian minister. After qualifying as a solicitor, he became a leading contributor to the Nation newspaper and the most militant of the Young Irelanders. Sentenced to 14 years' transportation for attempting to incite rebellion in Ireland in 1848, in captivity he wrote his famous "Jail Journal", which starkly expressed his hatred of the British empire and had an immense influence on later nationalists. Escaping to America after five years, he became a strong supporter of slavery and the Confederate States, and two of his sons died fighting for the South.The harshness of his views, especially his violent hatred of Britain and support for slavery, does much to explain Mitchel's neglect in recent decades. He was, however, one of the most powerful polemical journalists of the nineteenth century and a central figure in the revival of militant Irish nationalism. His portrayal of the famine as deliberate genocide became central to nationalist orthodoxy, and his hatred of British rule and contempt for parliamentary politics did much to inspire Fenianism.This new biography attempts to discover the origins of Mitchel's views, to examine their influence, and to place his anglophobia in a more general critique of the age in which he lived.

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This memoir by Vladimir Pecherin (or Petcherine) (1807-85) is a story of the life of a rebel against any form of despotism. Shortly after his appointment as Professor of Classics at Moscow University, Pecherin fled from Russia in 1836 to pursue radical politics in Europe. He was the first Russian political emigrant. In 1840, he suddenly and unexpectedly converted to Catholicism and entered the Redemptorist Order as a monk. After 20 years of service as a missionary, he parted ways with the Redemptorists and for the last 23 years of his life served as a chaplain at the Mater Hospital in Dublin. Pecherin wrote the memoir during his time in Dublin.His controversial memoir, poignantly critical of the Russian government and the Catholic Church of his time, was only published for the first time in Russia a hundred years after his death. It contains a vivid account of his adventures in Europe, mainly in Belgium, after leaving Russia, and his struggle against poverty. He was an exceptionally fine writer and talented poet. In this first translation of Pecherin's memoir into English the reader finds an engaging story of the individual who could have been a character in a novel by Dostoevsky, torn from his Russian soil.

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In "The Established and the Outsiders", Elias and Scotson explain differences in power and rank between two very similar groups - both working class - in a local community studied in the early 1960s. They show how one group monopolised sources of power and used them to exclude and stigmatise members of the other, pinpointing the role of gossip in the process. In a later theoretical introduction, Elias advanced a general theory of power relations, applying the established-outsiders model to changing power balances between classes, ethnic groups, colonised and colonisers, men and women, parents and children, gays and straights. A further theoretical development in the last year of his life is an essay inspired by Harper Lee's "To Kill a Mocking Bird", published here in English for the first time.

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The emergence of the professional naval officer was related both to the necessities of naval warfare and to the structure of society on land. Originally warships were manned by two separate sets of commanders - gentleman soldiers skilled in fighting, and 'tarpaulins' of humbler social origin skilled in navigation and the manual skills of sailing. Elias traces the onboard conflicts between them, from Drake's famous insistence that the gentlemen 'haul and draw' with the sailors, to the gradual merging of the two hierarchies by the end of the eighteenth century. The innovation of the midshipmen - boys of gentle birth who both learned the manual skills of the sailor and received the education of a gentleman - gave crucial advantage to the British Royal Navy over the French and Spanish, in which the greater rigidity of social barriers ashore prevented a similar solution afloat. Planned but never completed by Elias, this book has been reconstructed from his mainly unpublished typescripts.

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The National University of Ireland has played a key role in Irish life since its foundation in 1908. This beautifully illustrated book celebrates its centenary by looking at its origins in the Royal University, and further back in the Queen's Colleges, the Catholic University and St Patrick's College, Maynooth. A distinguished group of conributors examines formative influences, especially the role of the Irish language movement and the campaign to include women; the relationship between the NUI and its Constituent Colleges (more recently Constituent Universities); the contribution of the four Chancellors that have presided over its affairs, and the evolving roles of the Senate, the Registrar, the Recognised Colleges and the graduates body, or Convocation.The challenges posed by the transformation of Irish education since 1967, and particularly by the 1997 Universities Act are analysed. The valuable NUI Archive is listed and a series of Appendices provide details of office-holders, members of Senate, and of NUI Awards and Scholarships.

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In this first comprehensive and accessible history of Travellers in twentieth-century Ireland, Aoife Bhreatnach describes the people who travelled Irish roads, showing how and why they were distinguishable from settled people. She demonstrates that the alienation and increasing unpopularity of this cultural minority were a consequence of developments in state and society from 1922. The widening social gulf was often precipitated by government intervention at local and national level which led to conflict over the distribution of resources, particularly of land and welfare. Becoming Conspicuous examines the circumstances that have shaped expressions of anti-Traveller prejudice, thus demonstrating some of the social implications of the evolution of urban and rural landscapes in twentieth-century Ireland. An epilogue describes developments in Traveller-settled relations since 1970, a period distinguished by settlement housing policies and the emergence of Traveller representative groups. The book also contains a useful appendix describing nineteenth- and twentieth-century legislation relevant to Travellers in Ireland and Northern Ireland.

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This collection of essays by Douglas Jefferson from various periods of his distinguished career and by fellow academics writing in response to his work represents a novel dialogic form of literary criticism. In his essays ranging from Shakespeare's "Hamlet" to the "Canon", Jefferson is always stimulating and engaging, while offering nuanced and informed readings of his chosen texts. Replying to Jefferson's work, contemporary critics have variously extended his ideas, disclosing new ways of reading texts in the light of current debate and more theoretical developments, or have adopted a more discursive strategy in using ideas derived from Jefferson's essays to provoke further explorations. Douglas Jefferson (1912-2001) spent virtually his entire academic life at the University of Leeds, starting as an undergraduate in the School of English in 1930, and interrupted only by his studies at the University of Oxford (Merton College), where he gained a B.Litt in 1937, and his educational services in Egypt during the Second World War. His was a career remarkable for distinguished service to his profession, comprising not only an extensive range of publications on writers from John Dryden to Iris Murdoch but in the care with which he nurtured and encouraged generations of students and colleagues both at home and abroad in the study of English literature.

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This eloquent memoir provides an unrivalled insight into the life of a child reared in a working-class Irish Catholic community in late nineteenth-century Britain. No other author succeeds in depicting so vividly the texture of a life delimited by manual work, home and community ties as experienced by Irish migrants of the period. At the same time, it charts the tortuous route by which a young man struggled to free himself from a life of manual labour by using his literary talents to become a journalist and a popular novelist. Published in 1916, it reflects the world and assumptions of an emigre community between the failure of the Fenian movement and the Easter Rising, and it includes a telling vignette of the aged Fenian Jeremiah O'Donovan Rossa. An insightful picture of the world of those Home Rule supporters who lived outside Ireland emerges from this book.

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The writings in this volume previously unpublished in English include the essay 'On Seeing in Nature', his doctoral dissertation 'Idea and Individual', a response to Karl Mannheim's famous paper on cultural competition, and a number of short stories contributed to a newspaper. Other essays collected together here concern primitive art, the sociology of German anti-Semitism, kitsch style and the age of kitsch, and the expulsion of the Huguenots from France. This edition includes as an appendix a draft outline of Elias' Habilitation thesis begun under Alfred Weber. "Early Writings" have been translated from the German edition, Fruschriften, published by Suhrkamp Verlag, Frankfurt/Main as volume 1 of the Norbert Elias Gesammelte Schriften, 2002.

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American Errancy is a wide-ranging study of the connection between ideology and the sublime in the work of twentieth-century poets, all American with two, or perhaps three important exceptions. The poets chosen are in debate with the Romantic individualism of Emerson - some reject it outright, but the remainder have devoted substantial work to adjusting to the changed circumstances of their century. The link between Romantic individualism and ideological contexts has preoccupied much criticism of American literature in the last twenty years. For the most part, critics arraign this tradition, suggesting that the writers abscond from difficult political dilemmas to the realm of transcendence. In consequence, the sublime as category for thinking about literary texts has been largely abandoned. Emerson's transcendence is considered at best naive, at worst as providing the nascent corporate capitalism of the late nineteenth century with an iconography with which to execute its agenda. Justin Quinn argues that this critical approach distorts the achievement of poets in the twentieth century: many of the poets discussed extend the tradition of Romantic individualism, but they are not ideologically naive in the above sense. Their work anticipated historicist criticism of the 1980s and 1990s as they began to 'socialise' the sublime, and to explore the ways in which the inheritance of Romantic individualism could engage with ideological contexts. For some of the poets, these explorations supported their oppositional politics (i.e., Allen Ginsberg); for others, paradoxically, the explorations supported conservative politics (i.e., A. R. Ammons); others rejected the Emersonian inheritance outright (Eliot, Hill), but that rejection itself has left an enduring mark on their work.

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"The Age of Lemass" focuses on the impact of Sean Lemass on Irish politics and society between 1945 and 1973. Although Lemass had been active in Irish politics from 1916 and became Minister for Industry and Commerce in 1932 in the first de Valera government, the essays here suggest that his influence was greatest after 1945. Lemass developed his thinking to meet the challenges of the post-war world, and although he was sixty in 1959, he sought to modernize Irish society. Thus it can be argued that his influence on contemporary Ireland was greater than that of de Valera.

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Change is the stock in trade of historians. If we have no concept of change, and no sense of the past as different from the present, then consequently we cannot have an historical sense in the deepest meaning of the term. However, historians rarely discuss change per se in very explicit terms. What constitutes change? How do you know when change has happened? How do you define or measure it? Are there different kinds of change? These are some of the issues explored in this book. Ireland has been in a process of extremely rapid cultural change in recent decades - whether in the precipitate decline in the influence of the Catholic Church or in the rapid adoption of globalised market culture. Reflecting on the general nature of such change is a prerequisite for understanding Ireland's place in a new cultural economy. This collection is based on papers presented to the 25th biennial Irish Conference of Historians, held at the National University of Ireland, Galway, May 2001.

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Soon after Daniel O'Connell's death, Taylor published (as 'A Munster Farmer') this short account of the Liberator's life, drawing on his personal memories and on articles he had written for the Athenaeum in the 1840s. It includes eyewitness accounts of O'Connell's appearance as he walked through the streets of Dublin. Taylor shows personal sympathy for O'Connell as the leader of oppressed people, but he also sees his talents as distorted by the experience of oppression and by a conservative upbringing, and claims that his abusive and truculent oratory did as much to retard Catholic Emancipation as his tactical leadership did to advance it. This edition also includes a review article by Taylor in the Athenaeum of books including Carleton's Famine novel, The Black Prophet, and a long article on 'Repeal Songs of Munster', considering O'Connellite street-ballads as a study in human folly.

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In this illuminating social history of medicine and charity in Ireland over almost 150 years from 1718 until just after the Great Famine, Laurence M. Geary shows how illness and poverty reacted upon each other. The poverty resulting from great population growth that continued until the arrival of potato blight in 1845 had a severe effect on the health of the country's population, and the Famine itself caused around one million deaths from starvation and disease. This was a period of great change in medical and charitable services. In the eighteenth century the sick had come to be regarded as the deserving poor, therefore having a better claim to public assistance than those whose poverty was the result of their own dissipation, idleness or vice. A network of charities evolved in Ireland to provide free medical aid to the sick poor. The first voluntary hospital in Dublin opened in 1718 and Geary traces the establishment and development of voluntary hospitals and county infirmaries throughout the country. These had a strong Anglican ethos and bias, but after Catholic emancipation in 1829 the nepotism, sectarianism and divisive politics that were rife in these organisations came under increasing scrutiny. Medical practitioners saw considerable progress in the development of a regulated profession. Geary describes developments in policy making and legislation, culminating in the 1851 Medical Charities Act, which he describes as part of a process that characterised the century and more under review in this book: the unrelenting pressure on philanthropy and private medical charity and the inexorable shift from voluntarism to an embryonic system of state medicine.

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For a century and a half, the reputation of the Irish poet, James Clarence Mangan (1803-1849), has been based mainly upon a small number of poems, and a biographical tradition that cast him as a tortured genius. W. B. Yeats and James Joyce were both admirers of his work on these grounds. Yet his achievement as a whole was much more complex and varied, ranging across over 900 poems and a significant amount of creative and critical prose. In this comprehensive single-volume selection of Mangan's poetry and prose, Mangan can be appreciated not only for the poignancy and power of his well-known late poems and autobiographical writings, but also for those talents admired by his original readers: his astonishing metrical skills, his love of wordplay, his surrealist humour, and his sympathetic understanding of Irish and European literatures. He emerges here as a witty and intelligent craftsman as well as a emotionally-charged romantic, and his audacious experiments with translation and parody make him seem remarkably contemporary. In this edition, too, Mangan's fascinating prose commentaries are restored to their original positions surrounding his poems, and readers are for the first time given a generous selection of Mangan's critical writing and letters.

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In these essays by historians on aspects of republicanism in Ireland (north and south) from the early 20th century to the present, a number of central themes emerge. During the course of the 20th century, republican organizations have been repeatedly faced by similar arguments, rhetoric and choices. Should they participate in political institutions which are seen to be illegitimate? Should physical force be used? Splits, schism and rivalry emerge as a significant dynamic of the political culture. Republican organizations are also shown to be ideologically incoherent, opportunist and flexible, and the struggle to claim political ownership of the republican tradition is shown to be very important. Another continuing theme is the progressive language of republicanism although in practice republican politics and activities are often intolerant.

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Michael Davitt's "Jottings in Solitary" consists of his drafts on many topics, written while a prisoner in solitary confinement in Portland Convict Prison, 1881-2. The "Jottings" (Davitt's title) have not been published before and contain a valuable autobiographical fragment and a frankly annotated list of Irish MPs of the time. Davitt gives his views on many other subjects, including an account of his arrest; his random thoughts on the Irish land war; how Ireland was robbed of her Parliament; on Ireland's share of the British Constitution as seen in its Government and Parliamentary franchise; and essays on English civilization and on the education of the Irish citizen.

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Ireland is famous - or notorious - for its wet and mild climate. Because on average more water precipitates than evaporates, the island is rich in wetlands - marshes, swamps, fens, bogs, lagoons, floodplains and wet meadows, to name but a few. Many place names in Ireland refer to wet places. Words derived from the Irish language are used to refer to a particular type of wetland, such as "callows" for the floodplains of the River Shannon, or "turlough" for a type of ephemeral wetland found almost exclusively in Ireland. This book brings together specialists in wetland science discussing a wide range of topics from an Irish perspective, including the ecology, fauna, vegetation and distribution of various types of wetlands; the use of wetlands for wastewater management; the archaeology of wetlands; and protection and conservation. It is intended for a wide audience of wetland enthusiasts - not just for professionals, but also for those who through their hobbies have a passion for those wet and wild places.

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This volume explores in detail the theme of change within the major political traditions of Ireland. It adopts a dual approach, in which a set of leading politicians examines the theme of change within particular traditions, followed by a corresponding set of contributions from academic observers. Change has been especially marked in the constitutional nationalist tradition within Northern Ireland, which is examined from different perspectives by Alban Maginess and Jennifer Todd. It has been even more pronounced in the republican tradition, however, which is discussed from the standpoints of politician and academic commentator by Mitchel McLaughlin and Paul Arthur. Two strands of unionism are analysed using the same formula. Thus Dermot Nesbit and Richard English focus on the complex and fascinating pattern of change within Ulster unionism. Then the even more remarkable shift in direction within militant loyalism is assessed by one of its main architects, David Ervine, and by academic analyst James McAuley. Finally, Desmond O'Malley and Tom Garvin examine the pattern of change in the south. John Coakley provides a detailed introduction to constitutional innovation and political change in 20th-century Ireland, and the appendix contains selected political documents outlining the various perspectives on the future of Northern Ireland.

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"Michael Collins rose to his feet. In repose his eyes glimmer softly and with humour. When aroused they narrow - hard, intense and relentless. He speaks like this. One or two words. Then he pauses to think. His speech does not flow in a stream as it does in the case of Eamon de Valera. Yet from not one word is firmness absent." This work provides eye-witness accounts by two reporters from the Irish Independent newspaper of the historic Treaty debates of Dail Eireann, held in University College Dublin's Earlsfort Terrace building in December 1921 and January 1922. Eamon de Valera, Michael Collins, Arthur Griffith and a host of other participants come to life. The colourful descriptions of the scene and of the reactions to speeches, written while the debates were in progress, are far more revealing than the published record of the debates.

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Gerard Manley Hopkins spent five unhappy years in Ireland before his death in 1889, during which time he wrote perhaps the most interesting group of all his poems. Although he is one of the most well known and liked of poets, he is still one of the least understood. This is a full-length study of Hopkins's time in Ireland, when he was Professor of Classics at University College Dublin, and it is both a biography and a critical account of the poetry. Norman White examines the poet's personality and shows him as a sick and self-lacerating human being. This is not a conventional biography and it does not aim to be an account of Hopkins's doings in Ireland: the important things that happened to Hopkins in Ireland were mental, and so the book is an exploration of the poems written in Ireland largely as a form of psychological biography, working outwards from Hopkins's most intimate creations.

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Essays by historians on information, media and power from ancient times to the present day. They are all based on papers read at the Irish Conference of Historians meeting at Cork in 1999.

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Traces the history of the Peppercanister Press and illuminates the evolving development of Kinsella's ambitious poetic project. The poems are discussed chronologically and the clear interpretations are accompanied by drawings and reproductions of covers from the original publications.

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