Search results for ""Special Effects""

Model-making is centuries old, but the introduction of polystyrene – a stable plastic – in the mid-20th century, provided the opportunity to make the 'plastic construction kit' available to the amateur model-maker. Nearly 70 years later, despite suffering from ups-and-downs, the vibrant plastic model-making scene has grown tremendously and is now a world-wide hobby., This manual takes the reader through how modern model kits are designed and manufactured, how the scale is decided upon (most modern kits are made to established scales so that models and accessories are compatible with one another), as well as providing advice on model-building tools and techniques. The down-to-earth text, complemented by numerous photographs, provides details of the ideal 'workshop' set-up for building models; tools and adhesives required; paint types and application techniques – from brushing to using aerosol cans, airbrushing and paint booths; the wide variety of decals available, and how to make your own; basic building techniques, and how to construct dioramas to put models into an appropriate 'setting'., In recent years the growth of 'multi-material' kits has become far more common, and details are provided of 'non-plastic' materials, such as resins, white metal and photo-etch parts, all of which need to be dealt with slightly differently to polystyrene., A comprehensive introduction for those new to model-making, along with expert advice for those already experienced in making models who wish to hone their skills., • The world of model making History of model-making, kit manufacture, scales, model ranges., • Model building Places to work, tools, adhesives, paint, decals, basic building techniques, displays and dioramas, advanced techniques and alternative materials, collecting kits, clubs, competition, displays and photography., • Useful contacts Model companies and suppliers., Author: Mat Irvine has been involved with model making over most of his lifetime. He moved from 'amateur' to 'professional', when he joined the BBC Visual Effects Department. Here, the work covered all aspects of special effects, including model making, and he designed 'miniature' sequences for Doctor Who and Blake's 7, and science programmes including Tomorrow's World, Horizon and The Sky at Night., Mat regularly appeared in front of cameras for Saturday morning programmes such as Swap Shop and Saturday Superstore, demonstrating model-building techniques., Mat has acted as a consultant with many of the model-making companies around the world. He has written 15 books, a number on model building, and many hundreds of articles for model magazines.

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Text in English & German. The work of Klaus Kinold, born 1939 in Essen, is part of a tradition of photography, and particularly of architectural photography. Architecture was one of the most important themes even of early photography -- not least because it stood still. Initially this was an important characteristic, since exposure times were long. Thus began the affinity of photography with the documentary. Reality and representation were supposed to correspond. Quoting a statement by Roland Barthes, Kinold has referred to the still "mysterious bonus of confidence given to the documentary". At a time when digital photographic and processing techniques make all sorts of manipulation possible, the now rare quality of reliability is assigned to this attitude. It was self-evident for Kinold to explore the period whose very name included the term objectivity -- the New Objectivity (in German: Neue Sachlichkeit). The work of colleagues such as Werner Mantz, Hugo Schmölz, Arthur Köster and above all Albert Renger-Patzsch combined useful information and contemporary artistic expression. Walter Peterhans, photographer at the Bauhaus, called it the "magic of precision". At the same time, Kinold did not let himself be confused by the special effects indulged in by some modernist artists. His photographs indicate the structure of the surfaces of a building, the spatial depth and the details concealed in its shadowed sections, the proportions in which they present themselves to the user. The accuracy of observation, the precision in detail, the translation of three-dimensional objects into a convincingly construed image are among the virtues of the architectural photographer Klaus Kinold. What takes precedence in his work is not the moment at which a thing suddenly reveals its essence, a lucky coincidence, but rather the condition that is considered to be essential, set also by the right photographic standpoint. For Kinold, who owed a great deal to his teacher Egon Eiermann at the Technische Hochschule in Karlsruhe, including in his capacity as a photographer, logic, purity and clarity went without saying. Accordingly, predominant in his work, we find photographs of buildings by architects whom he could expect to have such qualities: classic Modernists like Walter Gropius, Ludwig Mies van der Rohe, Le Corbusier and contemporaries like Alvar Aalto, Hans Döllgast, Herman Hertzberger, Louis Kahn, Karljosef Schattner, Rudolf Schwarz, Alvaro Siza. Architectural historian Wolfgang Pehnt, born 1931, has often reaped the benefits of insights gained from Kinolds photographic art. Pehnt has published monographs about German architecture since 1900 and about Expressionist architecture, but he has also written about numerous individual uvres. He formerly taught at the Ruhruniversität Bochum.

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AN AMAZING NEW VERSION OF THE PHOTOSHOP BOOK THAT BREAKS ALL THE RULES! Scott Kelby, Editor and Publisher of Photoshop User magazine–and the best-selling photography techniques author in the world today–once again takes this book to a whole new level as he uncovers more of the latest, most important, and most useful Adobe Photoshop techniques for photographers. This update to his award-winning, record-breaking book does something for digital photographers that’s never been done before–it cuts through the bull and shows you exactly “how to do it.” It’s not a bunch of theory; it doesn’t challenge you to come up with your own settings or figure it out on your own. Instead, Scott shows you step by step the exact techniques used by today’s cutting-edge digital photographers, and best of all, he shows you flat-out exactly which settings to use, when to use them, and why. LEARN HOW THE PROS DO IT The photographer’s workflow in Photoshop has evolved greatly over time, and in this current version of book you’ll wind up doing a lot of your processing and editing in Photoshop’s Adobe Camera Raw feature (whether you shoot in RAW, JPEG or TIFF–it works for all three). That’s because for years now, Adobe has been adding most of Photoshop’s new features for photography directly into Camera Raw itself. Since today’s photography workflow in Photoshop is based around Camera Raw, about one third of this book is about mastering Camera Raw like a pro. Plus, you’ll learn: • The sharpening techniques the pros really use. • The pros’ tricks for fixing the most common digital photo problems fast! • The most useful retouching techniques for photographers, and how to make “impossible” selections like wind-blown hair (it’s easy, once you know the secrets), and how to use Layers like a pro. • How to seamlessly remove distracting junk from your images. • How to stitch panoramas, how to process HDR for a realistic look, and tricks for pulling way more out of your images than you ever dreamed possible. • The latest Photoshop special effects for photographers (there’s a whole chapter just on these!). • A host of shortcuts, workarounds, and slick “insider” tricks to send your productivity through the roof! Scott includes a special chapter with his own workflow, from start to finish, plus, each chapter ends with a Photoshop Killer Tips section, packed with time-saving, job-saving tips that make all the difference. He also provides four bonus chapters, along with the images used in the book for download so you can follow right along. If you’re ready to learn all the “tricks of the trade”–the same ones that today’s leading pros use to correct, edit, retouch, and sharpen their work–then you’re holding the book that will do just that.

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Harry Potter Page to Screen: Revised and Expanded now has more pages devoted to the legacy of the Harry Potter films. In addition to the complete history of all eight Harry Potter films, the book now explores the theme parks in Florida, California and Japan, the sets and props in Leavesden, England and the House of MinaLima, founded by the graphic designers on all of the films, and located in London. With 1200 photographs, sketches, and diagrams, the book provides unbridled access to every aspect of the film-making process. It tells the stories behind each individual film and covers the design and technology behind all the astounding effects. This book pays homage to how one film became eight, how a few months became a decade, and how one author’s fantasy became the project of many individuals’ lifetimes-told by the people who were there, the people who made the magic real. Harry Potter Page to Screen: Revised and Expanded will start from the very beginning, describing how the book was optioned, the casting of Harry, Ron and Hermione, and the assembling of a creative team with the vision to tackle a world we had previously seen only in our imaginations. Interviews, quotes, and stories from the directors, producers, screenwriters, and actors discuss the making of all eight films at length, including the last film, film number 8, Harry Potter and the Deathly Hallows, Part 2. Daniel Radcliffe and his personal narrative from set to set is used as the life line that connects all aspects of this memoir, giving structure to the many voices of the Harry Potter family who orate this tale. All of the movies were filmed at the Leavesden Studio in Hertfordshire, England and these pages describe how the Leavesden family dealt with numerous cast, crew, and production dramas, replacements, technical difficulties and countless narrative and visual decisions. This book will touch on subjects such as J.K. Rowling’s private comments to her young cast, the impact of Richard Harris’ (the original Dumbledore) death on the cast and crew, the effects of 9/11 on the Leavesden family (during the filming of Harry Potter and the Chamber of Secrets), the reality of "growing up Potter" for the young starlets who experienced their adolescence on a hugely public stage, and reflections from the cast and crew on the end of the film series. In addition to stories on and off set, Harry Potter Page to Screen: Revised and Expanded pays tribute to the stunning physical, visual and technological genius that went into making an unbelievable story believable, showcasing more than a decade’s worth of art and special effects, including never-before-seen photos of the costumes, sets, props, and creatures, as well as early concept art, drawings and designs. The book is fully supported by Warner Bros. and is being put together with the same group as Harry Potter Film Wizardry: The Updated Edition. While Film Wizardry provided a whimsical and informative scrapbook for Harry Potter fans and was published prior to the release of the last film, this mammoth book gives readers a more complete account of the entire film-making process, designed in a more classical, sophisticated package. Harry Potter Page to Screen: Revised and Expanded is a publishing event. This book is the Bible for everything Potter and will stand as the most complete and final visual history of the Harry Potter movie story ever to be published.

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