Search results for ""Bodleian Library""

One windy day a little boy happens upon a large black hat, lying in the street. When he tries it on, he becomes a whole host of different characters he’s always wanted to be: a soldier marching through the puddles, a cowboy galloping on his steed, a bandit fleeing in the night, or a ringleader at a circus. But when the owner comes to claim his hat, the little boy finds the March Wind before him. Is this part of his imagination too? Vladimir Bobri’s timeless illustrations bring to life a magical childhood world in a captivating story about make-believe and the transformative power of the elements.

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‘It's damned hard lines asking for bread and only getting a bullet!’ The dramatic and chaotic events surrounding the Russian Revolution have been studied and written about extensively for the last hundred years, by historians and journalists alike. However, some of the most compelling and valuable accounts are those recorded by eyewitnesses, many of whom were foreign nationals caught in Petrograd at the time. Drawing from the Bodleian Library’s rich collections, this book features extracts from letters, journals, diaries and memoirs written by a diverse cast of onlookers. Primarily British, the authors include Sydney Gibbes, English tutor to the royal children, Bertie Stopford, an antiques dealer who smuggled the Vladimir tiara and other Romanov jewels into the UK, and the private secretary to Lord Milner in the British War Cabinet. Contrasting with these are a memoir by Stinton Jones, an engineer who found himself sharing a train compartment with Rasputin, a newspaper report by governess Janet Jeffrey who survived a violent confrontation with the Red Army, and letters home from Labour politician, Arthur Henderson. Accompanied by seventy contemporary illustrations, these first-hand accounts are put into context with introductory notes, giving a fascinating insight into the tumultuous year of 1917.

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Ever wondered how to make a garden attractive in December? Or what to do with that corner by the dustbin? Answers to these questions can be found in this compact and charming book of tips for the green-fingered, accompanied by Heath Robinson’s highly inventive and humorous cartoons. First published in 1938, the book gives an insight into gardening trends on the eve of the Second World War while also addressing common concerns faced by gardeners. It features many typically elaborate contraptions such as the Combined Telescopic Spaderake for digging and raking at the same time, the Inebriate Roller for making wobbly garden paths and the Osoeezi Slugsticker. While some are patently ridiculous – a lawn is de-thistled and resown with the help of a barrel of grass seed strapped onto a small donkey – others are before their time, such as a special pump that can divert your bathwater into your garden hose, a contraption that is not wildly dissimilar to gadgets on the market today. Finally, the growing of vegetables inspires some sage advice: ‘with the right kind of upbringing, a marrow will attain astonishing dimensions, and can be used for boasting purposes.’ Poking gentle fun at a British obsession with a detailed illustration on almost every page, this book will delight both aspiring and experienced gardeners alike.

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'To keep children clean is something that should never be attempted. It cannot be done.' 'The mere provision of the vegetable is not sufficient; it must be actually eaten.' 'If there is room enough for somersaults, the child can be satisfied.' Many books of advice for new parents were published during the 1920s and 30s, influenced by the growth of developmental psychology and aimed at the aspirant middle classes who were taking a more hands-on role in the raising of their offspring. This compendium brings together nuggets from the best of these titles in one handy volume. Chapters include good – and bad – behaviour, meals and mealtimes, dress and deportment, children’s parties and playtime and storytelling, with sections on the all-important saying ‘No!’ and good bedtime habits. Illustrated with charming contemporary line drawings, this little book is full of no-nonsense, old-fashioned parenting advice: a gem of a guide for anyone new to the hardest job in the world.

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Behind every typeface is a story – who designed it, and why? What are its distinctive characteristics, and what cultural baggage does it carry? This book explores fifty of the most remarkable typefaces, dating from the birth of European printing in the fifteenth century (and the type used in the Gutenberg Bible – the first significant book to be printed in Europe) to the present day. It features key examples in the aesthetic development of typography (Caslon, Baskerville, Bodoni) and those fonts which have made a significant impact on the wider world. Many fonts have added style to something culturally important (such as Johnston Sans on the London Underground), or assumed a cultural significance of their own, sometimes by accident. The designer of Comic Sans, for example, created the typeface for use in speech bubbles for a Microsoft programme, never expecting it to become one of the world’s favourite – and also most maligned – fonts. Through the fonts this book also examines the often colourful lives of the key designers in the evolution of typography: Johannes Gutenberg, William Caslon, Nicolas Jenson, Stanley Morison and William Morris, among others – including one who threw his unique set of metal type into the Thames to prevent others from misusing it – and the enduring influence they have had on print culture. Of equal appeal to general readers, designers and typographers, this book is a vibrant cultural guide to the aesthetic choices we make in order to spread the word.

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'All over the snow plain the penguins begin to sing. The eggs are beginning to arrive.' This is the story of the emperor penguins that live far away on the edge of a secret sea. During summer they are content with fishing, swimming and playing in the icy waters. But when the season changes, they must travel to the snowy lands around the South Pole. How will they and the newly hatched penguin chicks survive the icy winter? This is a delightful introduction to the natural world of the penguin, told in narrative form with beautiful, timeless illustrations.

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'That is the way of the largest creature on earth. That is the whale’s way.' The humpback whales journey through polar seas, diving, spouting and leaping. As winter comes they swim through treacherous waters towards the warmer climate of the equator. Will they escape the hunters and guide baby whale to safety? Telling the story of the life cycle of the whale in a simple narrative, this is a beautifully illustrated book with timeless appeal.

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‘Make your mark in New York and you are a made man’ wrote Mark Twain, encapsulating both the naked ambition of its citizens and the opportunities up for grabs in the Big Apple. Others take a more cynical approach: it’s ‘an aviary over-stocked with jays’ (O. Henry), ‘a sucked orange’ (Ralph Waldo Emerson) or ‘fantastically charmless and elaborately dire’ (Henry James). Over the last three-and-a-half centuries this glamorous, twenty-four hour city has attracted a multitude of thinkers, poets, novelists and playwrights, many of whom have brilliantly encapsulated its unique spirit through verse, prose or the ultimate wisecrack.

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Over the centuries, Paris has intrigued, revolted, scandalized and most of all captured the heart of many a visitor. For Dickens it is the ‘most extraordinary place in the world’, for Hazlitt, ‘a beast of a city’, and for French writers, the essence of civilization: ‘I maintain that, for people of breeding, there is no salvation out of Paris.’ claimed playwright Molière. Describing the capital variously as a city of lovers, gastronomy, fashion and filth, myriad quotations – sometimes poetic, sometimes humorous and always fizzing with insight – are collected here.

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‘When a man is tired of London, he is tired of life; for there is in London all that life can afford,’ said Samuel Johnson in 1777. Since then the capital has been characterised variously as a ‘riddle’, a ‘cesspool’ and a ‘modern Babylon’, and both Londoners and visitors alike have continued to share their candid views of a great city in a variety of literary forms. This compact gift book is packed full of witty, scandalous and entertaining quotations about this famous city from the Middle Ages to the current decade.

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The Bolshevik revolution of 1917 was one of the most important events of the 20th century. It has been studied from many angles, but never before from the visual perspective of postcards, a surprising number of which were published around the event, many in Russia but also France, England, the USA and other countries. This book brings together a collection of these postcards chronicling the events leading up to the Russian revolution, from the murder in 1905 of Grand Duke Alexander by revolutionaries to the first public events commemorating the newly founded Union of Soviet Socialist Republic. It captures the essence of empire in its dying days, the fading splendour of monarchy, the social unrest and the mood of revolution which swept through the country. It also looks at the after-effects of revolution, including the great famine of 1921. There are satirical sketches of Russia’s rulers, royalist and revolutionary propaganda, portraits of the royal family and pictures of ordinary people in the streets. There are also rare images of the leaders of the revolution. This is a unique visual record and provides a fascinating insight into one of the defining events of the 20th century.

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Published to mark the 200th anniversary of Dickens’s birth, this book celebrates the greatest of English novelists by illustrating some of his abiding preoccupations. Prompted by quotations from the novels and other writings, each themed chapter explores contemporary images relating to salient topics of the Victorian age such as the public entertainments of London and the domestic pastimes of its inhabitants; the coming of the railways (which were to transform Victorian England in fiction and in fact); school life for children, and conditions in the workhouses and prisons which loom so large in many of the novels and which blighted Dickens’s own childhood. Dickens was an incorrigible showman, and this book also explores his role as actor-manager of theatrical productions, as originator of the myriad stage adaptations of his books, and as supreme interpreter of them himself in the public readings which came to dominate his later years. Reproducing key extracts from the novels alongside a selection of the original covers as they appeared weekly and monthly in the bookshops, their crucial illustrations and all the paraphernalia of nineteenth-century advertising, is a unique approach which breathes life into the vibrant world of Dickens and his characters.

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What common condition can be treated with cow dung? How do crushed oystershells ease heartburn? Can eels cure deafness? And how do you stop a stubborn case of the hiccups? If someone was struck down by illness or injury in the late eighteenth century, the chances are that they would have referred to William Buchan's Domestic Medicine – with the result that they might have found themselves drinking a broth made from sheep brain or administering drops of urine in their ears. The book’s author, a Scottish physician, published his self-help manual in 1769 specifically for the benefit of people who were unable readily to access or afford medical assistance. Copies could be found in coffee-houses, in apothecary shops and private households, and in 1789 Fletcher Christian and his fellow mutineers took the sensible precaution of grabbing the copy from HMS Bounty before they fled to Pitcairn Island. Much of Dr Buchan's advice on how to live a healthy life and avoid disease is still sound and relevant today, such as eating a varied and healthy diet, breathing plenty of fresh air, and taking exercise. Many of his prescriptions are amusing when viewed in retrospect, such as his fondness for powdered Spanish fly and genital trusses. Other recommendations – bleeding a woman experiencing a difficult childbirth or administering mercury to treat numerous ailments – were downright dangerous. This edited selection of entries from one of the first medical self-help manuals gives a fascinating insight into popular treatments of the eighteenth century, derived both from folklore and the emerging medical science of the day.

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Magna Carta is the most famous document in English history. And yet its survival is purely accidental. King John, who negotiated the document with his rebellious barons, had no intention of honouring its contents. Annulled by the pope within weeks of being issued, it was destined to oblivion. But with the sudden death of John, all of this changed. Magna Carta was reissued by the regents of the boy King Henry III as an apology for past misrule and as a promise of future good government. It was reissued on successive occasions and repeatedly cited in legal cases in the following centuries. Later, it played a part in conflicts such as the English Civil War and the US Wars of Independence. Echoes of Magna Carta are to be found in the Declaration of Independence and the Constitution of the United States. It continues to be cited today as a touchstone of fundamental universal freedoms. This book tells the story of the birth and development of Magna Carta from its origins to the modern day. It also reproduces and describes, for the very first time, every surviving copy of the Great Charter, as well as related charters of the period, including various new discoveries. It addresses the previously unanswered question of how the charter was published and disseminated to the shires of England and includes a chapter on the charter's scribes and sealing, supplying a truly unique insight into both the creation and afterlife of the most fundamental legal document in British history.

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A niece of Jane Austen and a novelist herself, Catherine Hubback was fifty-two years old when she left England for America. She travelled to California on the Transcontinental Railroad and settled in Oakland, on the eastern shore of San Francisco Bay. Her son Edward shared her household and commuted by ferryboat to a wheat brokerage in the City. In letters to her eldest son John and his wife Mary in Liverpool, Catherine conveys her delight – and her exasperation – at her new environment. She portrays her neighbours with a novelist's wry wit and brings her English sensibility to bear on gardening with unfamiliar plants and maintaining a proper wardrobe in a dry climate. She writes vividly of her adventures as she moves about a landscape recognizable to present-day residents, at a time when boats rather than bridges spanned the bay, and hot springs were the main attraction in the Napa Valley. In an atmosphere of financial unrest, she writes freely of her anxieties, while supplementing Edward's declining income by making lace and teaching the craft to other women. She recalls her 'prosperous days' in England, but finds pleasure in small things and assuredly takes her place in a society marked by great disparities in wealth. In addition to transcriptions of the letters, this highly readable edition offers pertinent information on many of the people and places mentioned, explanatory notes, and striking illustrations. The introduction places the letters in context and tells the story of Catherine Hubback, whose life evolved in ways unprecedented in the Austen family.

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The Ormesby Psalter is perhaps the most magnificent yet enigmatic of the great Gothic psalters produced in East Anglia in the first half of the fourteenth century. Its pages boast a wealth of decoration picked out in rich colours and burnished gold, and its margins are inhabited by a vibrant crew of beasts, birds and insects. Fantastic imagery proliferates: musicians, mermaids, lovers and warriors are juxtaposed with scenes from everyday life, from chivalric legend, and from folk-tales, fables and riddles. The psalter takes its name from Robert of Ormesby, subprior at Norwich Cathedral Priory in the 1330s. He was not the first owner, however, and it has long been acknowledged that the writing, decoration and binding of the book took place in a series of distinct phases from the late thirteenth to the mid-fourteenth century. The final result was the work of four or five scribes and up to seven illuminators and its pages show a panorama of stylistic development. Unravelling its complexities has sometimes been thought to hold the key to understanding the ‘East Anglian School’, a group of large, luxury manuscripts connected with Norwich Cathedral and Norfolk churches and patrons. This book casts an entirely new light on its history, not only clarifying and dating the successive phases of production, but associating the main work on the manuscript with the patronage of John de Warenne, Earl of Surrey, one of the greatest magnates of the time. It is extensively illustrated with full-page colour reproductions of the manuscript’s main decorated folios, as well as many smaller initials and numerous comparative illustrations.

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From King Arthur and the Round Table to Alexander the Great’s global conquests, the stories of romance appear in some of the most beautiful books of the Middle Ages, and still resonate today. This book provides an engaging, scholarly and richly illustrated guide to medieval romance and its continuing influence on literature and art. Romance’s conjunctions of chivalric violence, love and piety, and its openness to the miraculous, monstrous or bizarre mark it out as the most fertile narrative form of the Western Middle Ages. This book examines the development of romance as a literary genre, its place in medieval culture, and the scribes and readers who copied, owned and commented on romance books – from magnificent illuminated manuscripts to personal notebooks and chance survivals. It also explores the complex anatomy of human desire in romance, as portrayed by writers including Dante, Chaucer and Thomas Malory. Medieval romance was hugely popular after the Middle Ages. Shakespeare, Spenser and Walter Scott imbibed its motifs, Mark Twain parodied them, and the Pre-Raphaelites based an aesthetic movement around them. The Romance of the Middle Ages traces the influence of the genre to the twentieth century and beyond, encompassing the stories of J.R.R. Tolkien, C.S. Lewis and J.K. Rowling, the Jedi knights of Star Wars and Monty Python’s Knights who say ‘Ni!’.

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What sets Mary Shelley’s Frankenstein apart from so many other famous works of fiction? What special combination of creativity and vision made possible the drafting of Mag¬na Carta? When describing exceptional accomplishments like these – and the men and women behind them – we use the word ‘genius’. And while genius is difficult to define, we all recognize that elusive, special quality when we encounter it. 'Marks of Genius' pays tribute to some of the most remarkable testaments to genius throughout human history, from ancient texts on papyrus and the extraordinary medieval manuscript 'The Douce Apocalypse' to the renowned children's work 'The Wind in the Willows'. Bringing together some of the most impressive treasures from the collections of the Bodleian Libraries, it tells the story of the creation of each work and its afterlife, offering insight into the breadth and depth of its influence as well as its power to fascinate. Illustrating works from Euclid, Dante and Handel to Einstein, Austen and Gandhi, 'Marks of Genius' showcases over 100 books and manuscripts that constitute the pinnacle of human creativity and which we continue to revere and revisit.

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For more than three centuries Oxford has been the subject of fine illustrated books and engraved prints. These exquisitely made illustrations have become part of the historical record, showing how Oxford’s identity is rooted in the past and tracing a history of the city’s development through the architecture of its most beautiful colleges and university buildings. Prints made by David Loggan in the seventeenth century show us a university where the medieval origins are already largely overlaid by Tudor and Stuart rebuilding. The engravings in the eighteenth-century Oxford Almanacks illustrate a city dominated by neo-classical ideas, while those of the nineteenth century show an increasingly romantic feel for the architecture against its natural background of sky, trees and river. Hand-coloured etchings published by Ackermann in the nineteenth century and Ingram’s Memorials of Oxford of 1837 offer a nostalgic portrait of Oxford before development changed it into the modern city it is today. The best of these historic prints are reproduced here to create a panorama of classical Oxford, with an accompanying text describing the origin of each building, institution or public event, together with the salient features of their history. Together they offer an instructive and captivating view of Oxford through the ages.

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At which Oxford college does a trumpeter summon you to dinner? What does the appearance of a rose bowl signify? How would you use a grace cup as distinct from a sconce cup? The custom of dining in formal hall at Oxford and Cambridge dates back to the earliest days of college life. Before each dinner, according to ancient statutes, grace must be spoken in Latin, and although the text and nature of the grace for each college may have changed over the years, it is a tradition which remains current to this day. Following a historical introduction, the full Latin texts of the graces of the colleges of Oxford and Cambridge are given in this book, accompanied by a facing English translation. Special graces reserved for feast days are also included, along with an explanation of some of the traditions which accompany dining in college halls. From an exploration of the twelfth-century monastic origins of the texts to the creation of two-word graces in the nineteenth century and new texts for the modern age, this meticulous collection reveals how the tradition of the Latin grace has survived and evolved over the centuries and offers a rare glimpse inside the private halls of Oxbridge.

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For nearly half a century, Sir Roy Strong has enjoyed a high public profile in the arts world in Britain. Yet remarkably little is known about his life before the Swinging Sixties when he burst upon the scene as the revolutionary trendy young director of the National Portrait Gallery, aged thirty-one. In this book he recounts for the first time the story of his social origins and the roots of his life-long passion for the culture and history of England. He describes his childhood home in a suburban North London terrace, revealing himself to have been a shy solitary child of melancholy temperament, painting Elizabethan miniatures and Shakespearean set designs in his teens. It follows him through grammar school and university, where together with a generation of postwar ‘meritocrats’ like A.S. Byatt and Alan Bennett, his passion for learning was awakened and nourished. We catch glimpses of seminal experiences, such as his first outings to the theatre, opera and ballet, and his first trip abroad to Italy, which was to have a lasting influence on his sensibilities. He explores key, sometimes painful relationships with his family, his school teacher with whom he had a lifelong correspondence, and his debt to such people as C.V. Wedgwood, A.L. Rowse, Frances Yates and Cecil Beaton. In it we glimpse a vanished world dominated by class and hierarchy up which he climbed. As a backdrop we have the transformation of London from the drab, postwar world of the 1950s to the epicentre of fashion in the 1960s, and the development of Sir Roy’s distinctive sartorial style, inspired by the burgeoning shops on Carnaby Street. Richly illustrated with drawings, letters, photographs and other archival material, this is an honest and compelling portrait of a young man about to step into the limelight of the British cultural scene he helped to modernize and in which he played a leading role.

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A fascinating exploration of the history of alcohol in Victorian Britain via the drink maps' that were produced by the temperance movement to promote sobriety.

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‘The Curfew tolls the knell of parting day …’ Thomas Gray’s 'Elegy Written in a Country Churchyard' has been loved and admired throughout the centuries. First circulated to a select group of friends, it was rushed to official publication in 1751 in order to avoid pirated copies being sold without the young poet’s permission. Praised by Samuel Johnson, reprinted over and over again in Gray’s lifetime and recited by generations of school children, it is one of the most famous poems in the English language. This edition reproduces the exquisite wood engravings made by Agnes Miller Parker in 1938. Parker visited the churchyard at St Giles, Stoke Poges, where the poem is set, in order to make her sketches, and all thirty-two stanzas of the poem are accompanied by detailed full-page illustrations. Commemorating the 250th anniversary of the poet’s death, this edition will not only bring new readers to the 'Elegy' but will also appeal to those already familiar with its riches.

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Over more than four decades J.R.R. Tolkien’s son and literary executor, Christopher Tolkien, published some twenty-four volumes of his father’s work, much more than his father had succeeded in publishing during his own lifetime. Standing on the mountain of his son’s colossal publishing effort and extraordinary scholarship, readers today are therefore able to survey and understand the vastness of the landscape of Tolkien’s legendarium. This collection of essays by world-renowned scholars, together with family reminiscences, sheds new light on J.R.R. Tolkien’s work, his son Christopher’s unique gifts in communicating and interpreting that work and the debt owed to Christopher by the many Tolkien scholars who were privileged to work with him. What was Tolkien’s intended ending for 'The Lord of the Rings'? Did it leave echoes in the stripped-down version that was actually published? What was the audience’s response to the first ever adaptation of 'The Lord of the Rings' – a radio dramatization that has now been deleted forever from the BBC’s archives? What was the significance of the extraordinary array of doorways which confronted the hobbits as they journeyed through Middle-earth? The book is illustrated with colour reproductions of J.R.R. Tolkien’s manuscripts, maps, drawings and letters and, with the kind permission of his estate, photographs of Christopher Tolkien and extracts from his works, some of which have never been seen before, making this volume essential reading for Tolkien scholars, readers and fans.

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The first performance of Handel’s 'Messiah' in Dublin in 1742 is now legendary. Gentlemen were asked to leave their swords at home and ladies to come without hoops in their skirts in order to fit more people into the audience. Why then, did this now famous and much-loved oratorio receive a somewhat cool reception in London less than a year later? Placing Handel’s best-known work in the context of its times, this vivid account charts the composer’s working relationship with his librettist, the gifted but demanding Charles Jennens, and looks at Handel’s varied and evolving company of singers together with his royal patronage. Through examination of the composition manuscript and Handel’s own conducting score, held in the Bodleian, it explores the complex issues around the performance of sacred texts in a non-sacred context, particularly Handel’s collaboration with the men and boys of the Chapel Royal. The later reception and performance history of what is one of the most successful pieces of choral music of all time is also reviewed, including the festival performance attended by Haydn, the massed-choir tradition of the Victorian period and today’s ‘come-and-sing’ events.

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Most of us are aware that words such as geometry, mathematics, phobia and hypochondria derive from ancient Greek, but did you know that marmalade, pirate, sketch and purse can also trace their linguistic origins back to the Athens of 500 bce? This book offers a word-by-word look at the influence of Greek on everyday words in English, telling the stories behind the etymological developments of each example and tracing their routes into modern English via Latin and European languages. It also explains connections with ancient Greek culture, in particular mythology, politics and warfare, and includes proverbs and quotations from Greek literature. Taken together, these words show how we are deeply indebted to the language spoken in Athens 2,500 years ago for the everyday vocabulary we use when conducting our daily business.

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The University of Oxford is the third oldest university in Europe and remains one of the greatest universities in the world. How did such an ancient institution flourish through the ages? This book offers a succinct illustrated account of its colourful and controversial 800-year history, from medieval times through the Reformation and on to the nineteenth century, in which the foundations of the modern tutorial system were laid. It describes the extraordinary and influential people who shaped the development of the institution and helped to create today’s world-class research university. Institutions have waxed and waned over the centuries but Oxford has always succeeded in reinventing itself to meet the demands of a new age. Richly illustrated with archival material, prints and portraits, this book explores how a university in a small provincial town rose to become one of the top universities in the world at the beginning of the twenty-first century.

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This series celebrates the Bodleian Library’s acquisition of Tom Phillips’s archive of over 50,000 photographic postcards dating from the first half of the twentieth century, a period in which, thanks to the ever cheaper medium of photography, ‘ordinary’ people could afford to own their portraits. Each title in this series is thematically assembled and designed by the artist, the covers featuring a linked painting specially created for each title from Tom Phillips’s signature work, A Humument. Fantasy Travel shows people sitting proudly and playfully in studio mock-ups of aeroplanes, cars, speedboats and hot air balloons. Such modes of transport were beyond the dreams of the average person in the early twentieth century but the photographic studios allowed them to indulge wild flights of fancy and take away the resulting postcards.

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Who said ‘I should have drunk more champagne’? Did Nelson really utter ‘Kiss me Hardy’ from his deathbed? Which statesman was, at the end, ‘bored with it all’? Which king begged, ‘Let not poor Nelly starve …’ An extraordinary number of deathbed sayings have been recorded over the years, some proving irresistible to embellishment, others displaying wry humour, still more showing remarkable lucidity in the final hours of life. The last words of politicians, kings, queens, actors, philosophers, scientists and writers are sometimes profound, sometimes prescient, often strange, funny and usually poignant. They can reveal the essence of an extraordinary life or tell us something about a celebrated person’s final hours. In our ultimate moments, it seems, we are not averse to cracking a joke, losing our temper or begging for help from those we are leaving behind. The most interesting, controversial and insightful of these exit lines are collected here, from deathbed desperation to the fondest of farewells.

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Presidents, Prime Ministers and Secretary Generals of totalitarian states in the twentieth century have been highly conscious of the need to present a national image suited to the new political culture they sought to inculcate. In these regimes, state-sanctioned art performed a key function, giving visual dimension to an abstract political ideology. There is a striking similarity between the idealized images from these countries. This book presents about fifty postcards from the Soviet Union, Germany, Italy, Spain, and China, between 1920 and the 1960s. While some of the images are of a high aesthetic calibre, others are simply intended to portray a vernacular socialist realism or to cultivate the cult of the leader. Taken together, they form a fascinating look at the art of power and its expression at a time of political upheaval and experiment.

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New title in exciting series of sturdy, square-box 1000-piece jigsaw puzzles from Flame Tree Studio, featuring powerful and popular works of art and providing a challenge for adult puzzlers of all levels!Part of an exciting series of sturdy, square-box 1000-piece jigsaw puzzles from Flame Tree, featuring powerful and popular works of art. This new jigsaw will satisfy your need for a challenge, with the beautiful Bodleian Library: Rainbow Bookshelves. This 1000 piece jigsaw is intended for adults and children over 13 years. Not suitable for children under 3 years due to small parts. Finished Jigsaw size 735 x 510mm/29 x 20 ins. Now includes an A4 poster for reference.The Bodleian Library is one of the oldest libraries in Europe and is the main research library of the University of Oxford. It holds over 13 million printed items and these book spines are just a few examples of the beautiful objects in the Library’s collection.

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The Order of St Gilbert was the only specifically English religious order founded in the Middle Ages. The edition gathers together fragments surviving in Lincoln, Cathedral Library MS 115 (A.5.5); Cambridge, St John's College, MS N. 1; Oxford, Bodleian Library, Digby 36 (SC 1678), f. 110v; Cambridge, Pembroke' College, MS 226. The first part is volume 59 of the present series.

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Since its rediscovery by nineteenth-century scholarship, Oxford, Bodleian Library MS Ashmole 61 has never been ignored, though it has also not gained a great deal of notoriety beyond the scholars of Middle English romance. It is hoped that the present volume will encourage study of the entire manuscript as a valuable witness to the devotional habits, cultural values, and popular tastes of late medieval England.

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Part of a series of exciting and luxurious Flame Tree Sketch Books Combining high-quality production with magnificent fine art, the covers are printed on foil in five colours, embossed, then foil stamped. The thick paper stock makes them perfect for sketching and drawing. These are perfect for personal use and make a dazzling gift. This example features Bodleian Library: Hobbies and Pastimes Bookshelves.

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The Rouen edition of 1505 published by Inghelbert Haghe (BB 2275; STC 15793; copies in Worcester, Cathedral Library, I.k.14; Oxford, Bodleian Library, Gough Missals, 69, pars aestivalis only) with use of MSS London, British Library, Harley MS 2983; Hereford, Cathedral Chapter Library, P.9.VII; Oxford, Balliol College, MS 321; Oxford, University College, MS 7; Worcester, Cathedral Chapter Library, MS Q.86. See also volumes 40 and 46 in the present series.

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The Rouen edition of 1505 published by Inghelbert Haghe (BB 2275; STC 15793; copies in Worcester, Cathedral Library, I.k.14; Oxford, Bodleian Library, Gough Missals, 69, pars aestivalis only) with use of MSS London, British Library, Harley MS 2983; Hereford, Cathedral Chapter Library, P.9.VII; Oxford, Balliol College, MS 321; Oxford, University College, MS 7; Worcester, Cathedral Chapter Library, MS Q.86. See also volumes 26 and 40 in the present series.

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When novelist Kate Ivory is offered a special assignment by her friend at Oxford's famous Bodleian Library, she decides to accept. For the University's libraries have a serious problem: valuable books have been disappearing from their closely guarded collections. And Kate has to find out how. Then she begins to hear stories of an even more alarming disappearance of the year before - that of a young librarian subsequently found murdered. Could there be a connection?

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Meditations and prayers, aged 14 to 23.This record of the meditations and prayers of the independent and high-spirited daughter of Sir James Livingston, Viscount Newburgh, was written between the ages of fourteen and twenty-three, to assist self-examination and repentance of sins. They detail her relationships with her family, close friends and certain servants and her reflections on her courtships and marriage. Lady Elizabeth had royal connections and was later closely involved with various Jacobite plots and schemes. Bodleian Library MS. Rawlinson D. 78. Biography, 17c

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The Rouen edition of 1505 published by Inghelbert Haghe (BB 2275; STC 15793; copies in Worcester, Cathedral Library, I.k.14; Oxford, Bodleian Library, Gough Missals, 69, pars aestivalis only) with use of MSS London, British Library, Harley MS 2983; Hereford, Cathedral Chapter Library, P.9.VII; Oxford, Balliol College, MS 321; Oxford, University College, MS 7; Worcester, Cathedral Chapter Library, MS Q.86. See also volumes 26 and 46 in the present series.

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This balanced study of a man whose character and achievements have been much debated is based on a review of virtually every published and unpublished English source in British and US libraries and archives, including the important archive of Lawrence's letters and papers in the Bodleian Library. Part I discusses Lawrence's life in a conventional chronological sequence. Part II is devoted to enduring themes: his living and spending habits; his relations with family members and friends; and the elements of genius and madness, honesty and evasiveness, vanity and humility, and masochism, in his nature.

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Keep the page in your book with this gorgeous pack of 10 foiled bookmarks, printed on both sides, with a silky ribbon and featuring the Bodleian Hobbies & Pastimes bookshelves. The Bodleian Library is one of the oldest libraries in Europe and is the main research library of the University of Oxford. It holds over 13 million printed items and these book spines are just a few examples of the beautiful objects in the Library’s collection. With colourful illustrations and charming tales, the image features on this product showcase the sports and hobbies young people could enjoy during the 1930s.

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Rachel is still getting used to the idea of Mycroft being her boyfriend when he disappears to London with Professor Walsh. They're investigating the carjacking death of the rare books conservator, which appears to be linked to the theft of a Shakespeare First Folio from the Bodleian Library. Worried about similarities between the conservator's accident and the death of Mycroft's own parents, Rachel follows Mycroft to London ...and straight into a whole storm of trouble.

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The medical consultant of Oxford University’s Bodleian Library told Don Chapman to strip off, took one look at him and demanded: ‘Young man, how do you expect to get through life with a body like that?’ Seventy years later he is still trying. In this, his latest book, a tongue-in-cheek memoir called ‘A Tenpenny Dip in Paradise and other flights of fancy’, Don draws on some of the wackier articles he wrote during forty years in journalism to explore the excitements, fascinations and absurdities of the twentieth century and dip a wary toe into the turbulent waters of the twenty-first.

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The Bodleian Library is one of the oldest libraries in Europe, and in Britain is second in size only to the British Library with over 13 million printed items. In their collection are all of Mrs Beeton's bestselling Victorian works. Mrs Beeton's classic dishes calendar features vintage pages from Mrs Beeton Household Management, originally published in 1861. Informative text accompanies each work and the datepad features previous and next month’s views. Printed on FSC-certified paper, with plastic-free packaging.

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The Bodleian Library is one of the oldest libraries in Europe, and in Britain is second in size only to the British Library with over 13 million printed items. In their collection are all of Mrs Beeton''s bestselling Victorian works. Mrs Beeton''s classic dishes calendar features vintage pages from Mrs Beeton Household Management, originally published in 1861. Informative text accompanies each work and the datepad features previous and next month's views. Printed on FSC-certified paper, with plastic-free packaging.

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Sold in packs of 6. Gorgeous, foiled, handmade greeting cards, blank inside and shrink-wrapped with a gold envelope. Themed with our art calendars, foiled notebooks and illustrated art books. Our greeting cards are printed on FSC paper and wrapped in biodegradable cellobag, and are themed with our art calendars, foiled notebooks and illustrated art books. The Bodleian Library is one of the oldest libraries in Europe and is the main research library of the University of Oxford. It holds over 13 million printed items and this handsome trio of spines are just three examples of the beautiful objects in the Library’s collection. With colourful illustrations and charming tales, these story anthologies showcase the sports and hobbies young people could enjoy during the 1930s.

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Traherne's voice can be heard as never before. THE TABLET Thomas Traherne (1637-1674), a clergyman of the Church of England during the Restoration, was little known until the early twentieth century, when his poetry and Centuries of Meditations were first printed. There have beensince only miscellaneous publications of his poetry and devotional writings fully edited, a gap which The Works of Thomas Traherne will remedy by bringing together Traherne's extant works, including his notebooks, in a definitive, printed edition for the first time. Volume IV makes available a single manuscript book held at the Bodleian Library, Oxford, never before published, the Church's Year-Book, Meditations and Devotions from the Resurrection to All Saints' Day, a work of celebration for the establishment and subsequent expansion of the universal Church and for the re-established Church of England. Also included is the anonymous devotional book that servedas the key to the initial identification of Traherne's manuscripts, A Serious and Pathetical Contemplation of the Mercies of GOD, in Several Most Devout and Sublime Thanksgivings for the Same, first printed in 1699 and commonly referred to as the "Thanksgivings". Both are works of universal appeal, learning and insight that show Traherne to be engaged in the central issues of his age and are essential reading for students not only of Traherne but also of seventeenth-century theological, liturgical and devotional literature. Printed in the Appendix is Meditations on the Six Days of the Creation, a work of questionable attribution to Traherne, as well as William T. Brooke's account of the discovery of Traherne's manuscripts, "The Story of the Traherne MSS. By their finder", held at the Bodleian Library, Oxford, and published for the first time.

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