Search results for ""Author William"

With her characteristically sprightly words and pictures, Aliki brings Shakespeare's life, times, and legacy to life in this highly acclaimed information-packed treasury that is truly for readers of all ages. This nonfiction picture book is an excellent choice to share during homeschooling, in particular for children ages 6 to 8. It’s a fun way to learn to read and as a supplement for activity books for childrenFrom Hamlet to Romeo and Juliet to A Midsummer Night's Dream, Shakespeare's celebrated works have touched people around the world. Aliki combines literature, history, biography, archaeology, and architecture in this richly detailed and meticulously researched introduction to Shakespeare's world-his life in Elizabethan times, the theater world, and the Globe, for which he wrote his plays. Then she brings history full circle to the present-day reconstruction of the Globe theater. .

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This is a study of four plays of William Wycherley. It argues that Wycherley was not so much an attacking playwright but rather a thinking one, fascinated by the workings and motivations of fallible and insecure men and women. This book's assessments of male relationships, of women's sexuality, of the numerous and various sexual entendres, and the reevaluations of some three dozen characters are all new or at the very least more substantial than heretofore.

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William Booth - pawnbroker's assistant, firebrand preacher, advocate of women's rights, friend of the poor, confidant of statesmen, politicians and royalty, father of eight children, champion of the marginalised, and founder and first General of The Salvation Army. General Booth's courage, oratory and passion changed Victorian Britain. He resolutely ignored his critics - including those who decried him as the Anti-Christ - and reached out to those who considered themselves well outside the concern of Almighty God. Prayer and practicality were his hallmarks: he ridiculed the idea of preaching to a beggar while that beggar was cold and hungry. William Booth worked tirelessly, campaigning, researching, negotiating, adapting music-hall songs - and writing. This book introduces us to his heart and convictions. Here we find the urgency, thought and humanity which drove him on.

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'One of Britain's most celebrated contemporary novelists' Sunday TimesIn this probing series of exclusive interviews, Alistair Owen talks to William Boyd about his works and the life which has inspired them. The conversations which emerge are a deep-dive into film, art, theatre, literature and the life of a writer. This is one of Britain's most beloved authors on what it is to write in a variety of forms.'William Boyd has probably written more classic books than any of his contemporaries' Daily Telegraph 'Arguably one of Britain's finest living writers' Sunday Express

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Of Franco-Scandinavian descent through his father, Duke Robert ‘the Magnificent’, William the Conqueror is revealed as the brutal and violent product of his time, much given to outbursts of rage, capable of great cruelty, autocratic, avaricious and prone to a sort of grisly humour. Yet, with all that, he could also be a loyal friend and affectionate husband and father. His military reputation rests mainly on his victory at Hastings. He was a competent rather than inspired general, benefiting from the mistakes and disunity of his foes. William inspired great loyalty in some and even greater hatred in others. His ruthless will made him the driving force behind Norman ambition in north-western Europe, and his propagandists shamelessly manipulated the facts to justify his conquest of England – a dubious enterprise if ever there was one.

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A landmark retrospective that examines William Merritt Chase and his lasting contribution to the history of modern art The history of modern art owes a great debt to William Merritt Chase (1849–1916), one of America’s influential artists and educators. Chase was a leading member of the international artistic avant-garde and was best known for his mastery of a wide range of subjects in oil and pastel, including figures, landscapes, urban park scenes, interiors, and portraits. As a teacher and founder of the Shinnecock Summer School of Art and the New York School of Art, Chase mentored a new generation of modernists, including Edward Hopper, Georgia O’Keeffe, and Joseph Stella. A century after his death, the breadth and richness of Chase’s career are celebrated in this beautifully illustrated publication. Five essays by prominent scholars of American art offer new insights into Chase’s multi-faceted artistic practice and his position in the international cultural climate at the turn of the 20th century.Published in association with The Phillips CollectionExhibition Schedule:The Phillips Collection, Washington, D.C. (06/04/16–09/11/16)Museum of Fine Arts, Boston (10/09/16–01/16/17)Ca’Pesaro-Galleria Internazionale d’Arte Moderna, Venice (02/11/17–05/28/17)

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Southern California, blessed with an enviable climate, progressively discerning individuals, talented craftspeople, and impassioned artisans, sets the stage for this lushly illustrated volume of work. The book features the work of the renowned Los Angeles–based firm, Studio William Hefner, a practice that integrates architecture, interior design, and landscape. The studio’s impressive portfolio is distinguished by an aesthetic sensibility that merges an elegant simplicity with a luxury of details and materials. Hefner’s signature airy, light-filled spaces effortlessly embrace California’s natural beauty. This richly illustrated monograph on Hefner’s work showcases beautiful homes, from contemporary to traditional, each conveying the details and depth of design character that make Studio William Hefner’s oeuvre so unique. Studio William Hefner is a master architect whose California-based luxury residential designs are richly detailed and bright, with private views of abundant landscapes and lush gardens.

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The greatest writer of them all, brought to glorious life.How well do you know the man you love? How much do you think you know about Shakespeare? What if they were one and the same? He is an ordinary man: unwilling craftsman, ambitious actor, resentful son, almost good-enough husband. And he is also a genius. The story of how a glove-maker from Warwickshire became the greatest writer of them all is vaguely known to most of us, but it would take an exceptional modern novelist to bring him to life. And now at last Jude Morgan, acclaimed author of Passion and The Taste of Sorrow, has taken Shakespeare's life, and created a masterpiece.

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A major re-examination of the history of map-making in Exeter, following on from the recent discovery of a 'new' town map of the city in 1743 This major re-examination of the history of map-making in Exeter, the historic county town of Devon, follows from the recent discovery of a 'new' Georgian town map of the city. That map, by William Birchynshaw (a man not known tohave produced any other), is reproduced in facsimile, along with nearly two dozen other maps from 1587 through to 1949. They are prefaced by an introduction which places the new discovery within the context of four centuries of map-making, demonstrating how Birchynshaw owed a debt both to John Hooker's map of 1587 and to that by Ichabod Fairlove of 1709; and provides an overview of Exeter in 1743, showing that, although was city was basking in economic prosperity due to its cloth trade, it was also still largely confined within its ancient walls. The volume as a whole represents a significant reassessment of Exeter's history. RICHARD OLIVER is a historian and has been a Research Fellow in the History of Cartography at the University of Exeter since 1989. ROGER KAIN CBE is a Fellow of the British Academy and its Vice-President (Research and Higher Education Policy). He is Professor of Humanities in the School of Advanced Study, University of London and was previously its Dean and Chief Executive, 2010-17. TODD GRAY MBE is an Honorary Research Fellow at the University of Exeter and the author of more thana dozen books on Exeter.

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In the mid-nineteenth century, Baltimore businessman William Thompson Walters began to patronize the artists of Maryland. Today, the museum that bears his name-Baltimore's Walters Art Gallery-excels in fields as diverse as Egyptian bronzes, Byzantine silver, illuminated manuscripts, medieval carved ivories, early Renaissance paintings, Sevres porcelains, Islamic metalwork, and Chinese ceramics. Surprisingly, the story of how William Walters and his son Henry created one of the finest privately assembled museums in the United States has not been told. With this new book, William Johnston, the Walters's curator of eighteenth- and nineteenth-century art, restores William and Henry Walters to their rightful place among America's great art collectors. Drawing upon the knowledge of the early museum staff and gathering valuable information from the few other available sources, Johnston has painstakingly recreated the life and world of the Walterses. Though Henry Walters moved easily in Baltimore and New York social circles, Johnston explains, he kept much to himself and generally purchased art away from the public's eye. Despite the Walterses' reticence, they had a significant influence on the development of American tastes and museums-William in his role as the first chairman of the Committee on Works of Art for the Corcoran Gallery in Washington, D.C., and Henry as the second vice-president of the Metropolitan Museum of Art in New York. Their personal collection differs from those of other, more familiar collectors, such as J. P. Morgan and Henry Clay Frick, in that Henry Walters intended from the very first that the collection form a museum to serve the public. When the museum first opened its doors in 1934, Johnston relates, many visitors were surprised by the collection's size and by its comprehensive representation of the history of art from the third millennium b.c. to the early twentieth century. Richly illustrated with black-and-white photographs and sixteen pages of full color, this book will fascinate anyone interested in Baltimore history, the history of museums and art collecting in America, and the art and culture of nineteenth-century America.

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The Private Life of William Shakespeare tells the story of Shakespeare as a family man in Stratford-upon-Avon. Cowen Orlin offers close readings of key archival documents associated with Shakespeare and develops a contextual understanding of the genres from which these documents emerge, reconsidering clusters of evidence that have been held to prove some persistent biographical fables. Cowen Orlin argues, too, that the histories of some of Shakespeare''s neighbours illuminate aspects of his own life.This new biography explores Shakespeare''s private life in Stratford-upon-Avon, from his personal aspirations and self-determination, to his relations with his family members and neighbours. We learn that his early wedding freed him from craft training to pursue a literary career, and that his wife''s work enabled him to make the first of the property purchases that grounded his life as a gentleman.Throughout, we encounter a Shakespeare who consciously and purposefully designed his life ^^

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Working at the nexus of painting and photography, William Klein conceived this original series when he was in the process of reviewing other photographers' contact sheets for a film he was making. Referencing the age of film photography, when photographers selected images by circling individual negatives on a contact sheet with brightly coloured grease pencils, Klein's works invent a new kind of art object that organically marries painting and photography. The resulting pieces are enormous mural-sized works in which bold, kinetic colour frames and reframes enlarged black-and-white images from throughout his career. Klein's iconic fashion and street photography, always gritty and bold, is given a new immediacy and relevance in this second life. In his foreword to this edition, Klein describes these works as "all brush strokes and jubilation. The jubilation of painting recall[s] the celebration of taking the photo."

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The Great William is the first book to explore how seven renowned writers Samuel Taylor Coleridge, John Keats, Virginia Woolf, Charles Olson, John Berryman, Allen Ginsberg, and Ted Hughes wrestled with Shakespeare in the very moments when they were reading his work. What emerges is a constellation of remarkable intellectual and emotional encounters.Theodore Leinwand builds impressively detailed accounts of these writers' experiences through their marginalia, lectures, letters, journals, and reading notes. We learn why Woolf associated reading Shakespeare with her brother Thoby, and what Ginsberg meant when referring to the mouth feel of Shakespeare's verse. From Hughes's attempts to find a "skeleton key" to all of Shakespeare's plays to Berryman's tormented efforts to edit King Lear, Leinwand reveals the palpable energy and conviction with which these seven writers engaged with Shakespeare, their moments of utter self-confidence and profound vexation. In uncovering these intense public and private reactions, The Great William connects major writers' hitherto unremarked scenes of reading Shakespeare with our own.

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This book is based on the unpublished journals of William Schaw Lindsay (1815-1877) housed in the National Maritime Museum, Greenwich. From rags to riches. Born in Scotland and orphaned by the age of 10, Lindsay ran away to sea at the age of 16. The book highlights his life at sea from cabin boy to captain, a sometimes shocking insight into what life was like sailing across oceans in the 1830s. He then became an agent selling coal for steam ships. He would eventually own one of the largest shipping companies in the world, with 22 ships, some of which were employed as troop transporters in the Crimean War. He entered Parliament in 1854 where he focussed on shipping matters. He was vocal in his criticism of the Admiralty during the Crimean War. He visited the Northern states just prior to the American Civil War to discuss shipping laws and met Abraham Lincoln. In fact, his story includes meetings with an astonishing array of luminaries: Livingstone, Buchanan, Garibaldi, Gladstone, Disraeli, Brunel, Nightingale, Dickens, Paxton, Emperor Napoleon III and Queen Victoria. Lindsay strove to improve the shipping laws, not only in England but abroad, and he persistently advocated the removal of restrictions on free trade. His magnum opus, entitled History of Merchant Shipping and Ancient Commerce, became a standard reference on the subject.

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A selection of some fifty of Dunbar’s poems, with introduction, notes, glossary, and six pages of “appreciations” ranging from John Pinkerton’s (1786) to C.S. Lewis (1954). The notes to this edition gave a great deal of historical and linguistic information as well as much critical interpretation of individual poems.

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William Morris’s interests were wide-ranging: he was a poet, writer, political and social activist, conservationist and businessman, as well as a brilliant and original designer and manufacturer. This book explores the balance between Morris’s various spheres of activity and influence, places his art in the context of its time and explores his ongoing and far-reaching legacy. A pioneer of the Arts & Crafts Movement, William Morris (1834–1896) is one of the most influential designers of all time. Morris turned the tide of Victorian England against an increasingly industrialized manufacturing process towards a rediscovered respect for the skill of the maker. Morris’s whole approach still resonates today, and his designs are popular and much admired. Published to mark the 125th anniversary of Morris’s death, this book includes contributions from a wide range of Morris experts, with chapters on painting, church decoration and stained glass, interior decoration, furniture, tiles and tableware, wallpaper, textiles, calligraphy and publishing. Additional materials include a contextualized chronology of Morris’s life and a list of public collections around the world where examples of Morris’s work may be seen today. This study is a comprehensive, fully illustrated exploration of a great thinker and artist, and essential reading for anyone interested in the history of design.With 668 illustrations in colour A Crafts Council Best Craft Book of the Year

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This rare text is the first ever biography of Shakespeare, written by one of the liveliest dramatists and poets of the early 18th century. This landmark in our understanding of the man and his work is introduced by one of the most original biographers of our own time and richly illustrated with contemporary images. Nicholas Rowe’s Some Account of the Life of Mr. William Shakespear was published in 1709 as the preface to his pioneering edition of the plays. Rowe, together with Thomas Betterton, the greatest actor of the period, carried out archival research and interviewed widely to collect as much information about Shakespeare as possible. This is as close as we will ever get to the people who knew and worked with Shakespeare. Rowe’s edition of the plays was also the first to be illustrated. This edition has 25 pages of these fascinating early images, mostly based on contemporary performance: a unique and charming picture of Shakespeare in performance.

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Part of a series of exciting and luxurious Flame Tree Notebooks. Combining high-quality production with magnificent fine art, the covers are printed on foil in five colours, embossed, then foil stamped. And they're powerfully practical: a pocket at the back for receipts and scraps, two bookmarks and a solid magnetic side flap. These are perfect for personal use and make a dazzling gift. This example features William Morris's Compton

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Editors Joan Grossman and Ruth Rischin pose to their contributors an intriguing question: What happens when the ideas of a thinker like William James, who—despite his originality—was deeply rooted in American traditions, are refracted through a culture that draws on a heritage profoundly different from his own? Including studies of reception and interpretation of James's major works and analyses of the impact of his own philosophy on certain Russian writers and thinkers, William James in Russian Culture reveals striking parallels among and divergences between the intellectual and the spiritual realms.

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'Fascinating' The Times'Blakeian in its singularity' New Statesman'A wonderful adventure' Irish Times'Rich, complex and original' Tom Holland'A crisp, ambitious and thoroughly contemporary introduction' Times Literary SupplementPoet, artist, visionary and author of the unofficial English national anthem 'Jerusalem', William Blake is an archetypal misunderstood genius. In this radical new biography, we return to a world of riots, revolutions and radicals, discuss movements from the Levellers of the sixteenth century to the psychedelic counterculture of the 1960s, and explore the latest discoveries in neurobiology, quantum physics and comparative religion to look afresh at Blake's life and work - and, crucially, his mind. Taking the reader on wild detours into unfamiliar territory, John Higgs places the bewildering eccentricities of a most singular artist into context and shows us how Blake can help us better understand ourselves.

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William James (1842-1910) is a canonical figure of American pragmatism. Trained as a medical doctor, James was more engaged by psychology and philosophy and wrote a foundational text, Pragmatism, for this characteristically American way of thinking. Distilling the main currents of James's thought, William J. Gavin focuses on "latent" and "manifest" ideas in James to disclose the notion of "will to believe," which courses through his work. For students who may be approaching James for the first time and for specialists who may not know James as deeply as they wish, Gavin provides a clear path to understanding James's philosophy even as he embraces James's complications and hesitations.

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Michael Pennington's solo show about Shakespeare, Sweet William, has been acclaimed throughout Europe and in the US as a unique blend of showmanship and scholarship. In this book, he deepens his exploration of Shakespeare's life and work - and the connection between the two - that lies at its heart. It is illuminated throughout by the unrivalled insights into the plays that Pennington has gained from the twenty thousand hours he has spent working on them as a leading actor, an artistic director and a director - and as the author of three previous books on individual Shakespeare plays. 'Michael Pennington is a great Shakespearian actor who writes with the authority of an academic. His book analyses the plays, the characters and the playwright's life. It will intrigue, entertain and challenge students, actors and their audiences. It undoubtedly leads the field in modern Shakespeare scholarship' Ian McKellen ‘There are very few who can bring to Shakespeare the thoughts that are born in the burning heart of hard-earned experience. Michael Pennington not only knows what he means, he has the writer's talent to put this into irresistibly readable words.' Peter Brook

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A compact edition of the complete works of William Shakespeare. It combines impeccable scholarship with beautifully written editorial material and a user-friendly layout of the text. Also included is a foreword, list of contents, general introduction, essay on language, contemporary allusions to Shakespeare, glossary, consolidated bibliography and index of first lines of Sonnets.

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Part of the Penguin Monarchs series: short, fresh, expert accounts of England's rulers - now in paperbackOn Christmas Day 1066, William, duke of Normandy was crowned in Westminster, the first Norman king of England. It was a disaster: soldiers outside, thinking shouts of acclamation were treachery, torched the surrounding buildings. To later chroniclers, it was an omen of the catastrophes to come.During the reign of William the Conqueror, England experienced greater and more seismic change than at any point before or since. Marc Morris's concise and gripping biography sifts through the sources of the time to give a fresh view of the man who changed England more than any other, as old ruling elites were swept away, enemies at home and abroad (including those in his closest family) were crushed, swathes of the country were devastated and the map of the nation itself was redrawn, giving greater power than ever to the king. When, towards the end of his reign, William undertook a great survey of his new lands, his subjects compared it to the last judgement of God, the Domesday Book. England had been transformed forever.

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International bestseller Jeffrey Archer returns THE UNPUTDOWNABLE THRILLER FROM THE MASTER STORYTELLER ‘Only someone like Jeffrey Archer . . . could have written a compelling story like this. Every page bristles with suspense and the ending comes at you with the force of a tank round’ DAVID BALDACCI London, 1988. Royal fever sweeps the nation as Britain falls in love with the ‘people’s princess’. Which means for Scotland Yard, the focus is on the elite Royalty Protection Command, and its commanding officer. Entrusted with protecting the most famous family on earth, they quite simply have to be the best. A weak link could spell disaster. Detective Chief Inspector William Warwick and his Scotland Yard squad are sent in to investigate the team. Maverick ex-undercover operative Ross Hogan is charged with a very sensitive – and unique – responsibility. But it soon becomes clear the problems in Royalty Protection are just the beginning. A renegade organization has the security of the country – and the Crown – in its sights. The only question is which target is next in line… Over My Dead Body hit #4 in the Sunday Times bestselling charts on 4th June 2022.

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In his life and writings, William Faulkner continually created and "performed" selves. Even in letters, he often played a part—gentleman dandy, soldier, farmer—while in his fictions these and other personae are counterpoised against one another to create a world of controlled chaos, made in Faulkner's own protean image and reflective of his own multiple sense of self. In this groundbreaking book, James Watson draws on the entire Faulkner canon, including letters and photographs, to decipher the complicated ways in which Faulkner put himself forth as the artist he felt himself to be through written performances and displays based on the life he actually lived and the ones he imagined living. The topics Watson treats include the overtly performative aspects of The Sound and the Fury, self-presentation and performance in private records of Faulkner's life, the ways in which his complicated marriage and his relationships to male mentors underlie his fictions' recurring motifs of marriages and fatherhood, Faulkner's readings of Melville, Hawthorne, and Thoreau and the problematics of authorial sovereignty, his artist-as-God creation of a fictional cosmos, and the epistolary relationships with women that lie in the correspondence behind Requiem for a Nun.

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At the time of his death in 1925, William Jennings Bryan was, as Henry Steele Commager wrote, "the most representative American of his time." To understand Bryan is to understand the United States on the cusp of modernity as regionalism declined, national political and economic institutions expanded, and the urban way of life began to eclipse the rural. Bryan's time, as today, was one of profound transition and tumult in the United States. The late nineteenth century and early twentieth century saw significant changes in economic, social, and political life which were to result in the modern nation we now recognize. At such a time Americans looked for moral leadership and yet there was no consensus about right and wrong in private or public life. In this uncertain era, Bryan stood forth as a political, moral, and economic reformer and sounded his trumpet for the values of the common man and woman as he so uncertainly understood them. As Gerald Leinwand skillfully shows, the true Bryan is not the caricature we have substituted for the man—the quixotic presidential candidate or the rural bumpkin who tried to match wits with Clarence Darrow on the matter of whether humans were descended from apes. In this important new study of Bryan's life, we find a reformer and politician of compelling power who stood at the center of American political life for thirty years. A Christian fundamentalist and a populist, Bryan was a lively mixture of Protestant revivalism and Jacksonian democracy—rural in upbringing, western in sentiment, and often a disappointed outsider to the political establishment. Best known for his fiery monetary policy crusade against the gold standard, Bryan also favored women's suffrage, direct election of U.S. Senators, and government regulation of railroads. He was a populist whose death left the socialist Eugene V. Debbs unmoved and a conservative whose name was anathema to early twentieth century plutocrats. At the time of his death, no man in public life had more devoted followers and none had more political enemies than William Jennings Bryan. How could a man who was wrong so many times, and who voiced such disharmonious opinions, dominate American life for nearly three decades? In this engaging narrative, Leinwand takes a fresh look at William Jennings Bryan, his character, and his mental, spiritual, and intellectual development. The variety of views about Bryan and the uncertainty of Bryan's own accomplishments as a politician are, as Leinwand demonstrates, reflected in the larger tumult that was American society of the era. Leinwand also includes, in an epilogue, a discussion that has engaged the attention of scholars as to whether the Wizard of Oz was in effect an allegory for Bryan's failure in his campaign for silver.

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This book investigates the impact of the ever-changing story of William Wallace on Scottish national identity. Freed from the historian's bedrock of empiricism by a lack of corroborative sources, the biography of this short-lived late-medieval patriot has long been incorporated into the ideology of nationalism. It is to explain this assimilation, and to deconstruct the myriad ways that Wallace's biography has been endlessly refreshed as a national narrative, over many generations, that forms this investigation. William Wallace: A National Tale examines the elision of Wallace's after-life into narrative ascendency, dominating the ideology and politics of nationalism in Scotland. This narrative is conceptualised as the national tale, a term taken out of its literary moorings to scrutinise how the personal biography of a medieval patriot has been evoked and presented as the nation's biography over seven centuries of time. Through the verse of Blind Harry, the romance of Jane Porter, to the historical imaginations of Braveheart and Brave, Scotland's national tale has been forged. This is a fresh, engaging and timely exploration into Wallace's hold over Scotland's national mythology. It reappraises William Wallace as a national figure. It explores Wallace variously as: A Protestant, A Scottish Chief, A Romantic Hero, and a Hollywood Hero. It examines Scotland's obsession with the need for a national hero.

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